# Marmalade Collective > We curate the best content on African culture across Music, Fashion, Entertainment and deliver it straight to your inbox in the form of bite-size guides and newsletters. Public Ghost content for AI and LLM tooling. This file includes a bounded export of public pages first, then recent public posts. Append `.md` to any post or page URL to get the content in Markdown (for example, `/example-post.md`). ## Pages ### Contact URL: https://www.marmaladecollective.com/contact/ Last updated: 2022-12-03T22:15:55.000Z Marmalade Collective is run by a small team of staff, most of whom are part-time. We will try to respond to your queries as quickly as possible, but bear in mind that responses will not always be immediate. For general enquiries advertising, partnerships, or event request, please email **hello@marmaladecollective.com** to find the right contact details for your request. Please do not use social media to reach the Marmalade team, as your message may get lost. ### Membership URL: https://www.marmaladecollective.com/membership/ Last updated: 2025-03-22T12:43:25.000Z _No content available._ ### Account URL: https://www.marmaladecollective.com/account/ Last updated: 2022-02-20T19:02:53.000Z _No content available._ ### Sign In URL: https://www.marmaladecollective.com/signin/ Last updated: 2022-12-03T22:07:00.000Z _No content available._ ### Sign Up URL: https://www.marmaladecollective.com/signup/ Last updated: 2022-12-03T22:04:53.000Z _No content available._ ### Subscribe URL: https://www.marmaladecollective.com/subscribe/ Last updated: 2025-03-22T12:41:34.000Z _No content available._ ### Terms URL: https://www.marmaladecollective.com/terms/ Last updated: 2022-03-04T23:26:09.000Z ##### 1\. Introduction The website www.marmaladecollective.com (**“website”**) is owned and operated by Marmalade Ventures Ltd (**“we”**, **“our”** and **“us”**), a company incorporated in England and Wales under company registration number 12224966\. Our registered office is at 20-22 Wenlock Road, London, England, N1 7GU, United Kingdom. These terms of use (“Terms of Use”) (together with the documents referred to in it) apply to the use of our website, regardless of how you access it. Please read these Terms of Use carefully before you proceed. Please also read our privacy policy (**"Privacy Policy"**) which explains how we will use any information about you that we receive and our cookie policy (**“Cookie Policy”**). The Privacy Policy and the Cookie Policy form part of these Terms of Use. We may, at any time and without notice, terminate your access to or use of this website. If we do so, you do not have the right to bring any claim or claims against us. To contact us, please email **hello@marmaladecollective.com** ##### 2\. Consent to Terms of Use By using this website you accept, and agree to abide by these Terms of Use. If you do not agree to these Terms of Use, please do not use this website. These Terms of Use were last updated on the date shown at the end. We may change these Terms of Use at any time by posting an updated version on our website, so you may wish to check it before using this website. ##### 3\. Prohibited uses You may only use this website for lawful purposes. You may not use this website: - in any way that is unlawful or fraudulent, or has any unlawful or fraudulent purpose or effect; - to interfere with any other user’s use or enjoyment of the website; - to prescribe treatments to other users; - to create, check, confirm, update or amend your own or someone else’s databases, records, directories, customer lists, mailing or prospecting lists; - to send, knowingly receive, upload, download, use or re-use any material which does not comply with our content standards (see below); - to transmit, or procure the sending of, any unsolicited or unauthorised advertising or promotional material or any other form of similar solicitation (spam); and/or - to knowingly transmit any data, send or upload any material that contains viruses, Trojan horses, worms, time-bombs, keystroke loggers, spyware, adware or any other harmful programs or similar computer code designed to adversely affect the operation of any computer software or hardware. ##### 4\. Intellectual Property Rights Unless we expressly state otherwise, the content of the website (including without limitation, software, graphics, text, images, designs, compilations, databases, targeting information, and the trademarks, logos, domain names, trade names, service marks, trade identities, any and all copyright material (including source and object code), and all other materials related to the website) (the **"Content"**) is protected by applicable copyrights, trademark rights, database rights and other proprietary rights. We (and/or our licensors) own the Content. Nothing in these Terms of Use grants you a right or licence to use the Content except as expressly provided in these Terms of Use. You may not use any of the material on this website without our prior written permission for your own commercial purposes, whether by reproducing, duplicating, re-selling, copying, downloading, printing, linking to, editing, broadcasting, distributing or otherwise. Subject to strict compliance with these Terms of Use, we grant you a limited, personal, non-exclusive, non-commercial, revocable, non-assignable and non-transferrable licence to use the website and to view, download for caching purposes only, and print pages from the website for your own personal non-commercial use. ##### 5\. Registration Certain parts of our website may require you to register and provide certain information about yourself and where you do this you agree to: - provide true, accurate, current and complete information about yourself as prompted by the relevant registration form (the "Registration Data") and - maintain up-to-date Registration Data to keep it true, accurate, current and complete. Our use of Registration Data and certain other information about you is subject to our Privacy Policy. When you register on our website, you will be given a unique username and/or password that gives you access to your website account. You are responsible for maintaining the confidentiality of your username and password, and are fully responsible for all activities that occur through your website account. You agree to (a) immediately notify us if you become aware of any unauthorised use of your password or website account or any other breach of security by sending an appropriately worded email to **hello@marmaladecollective.com** and (b) ensure that you exit from your website account at the end of each session. We cannot and will not be liable for any loss or damage arising from your failure to comply with these requirements. ##### 6\. Contribution standards These contribution standards apply to any and all material (including without limitation text, images, clips, videos, comments, posts and any underlying material) uploaded, shared or submitted to our website by any user (“User Contributions“), and to any interactive services associated with it. The standards apply to each part of any User Contribution as well as to its whole and you must comply with the spirit of the following standards as well as the letter. You warrant that User Contributions that you upload to the website comply with these standards, and you indemnify us for any breach of that warranty. Contributions must: - be accurate (where they state facts); - be genuinely held (where they state opinions); and/or - comply with applicable law in the UK and in any country from which they are posted. Contributions must not: - contain any material which is defamatory of any person; - contain any material which is obscene, offensive, hateful or inflammatory; - promote sexually explicit material or violence; - promote discrimination based on race, sex, religion, nationality, disability, sexual orientation or age; - infringe any copyright, database right, trademark or other intellectual property rights of any other person; - be made in breach of any legal duty owed to a third party, such as a contractual duty or a duty of confidence; - promote any illegal activity; - be threatening, abuse or invade another’s privacy, or cause annoyance, inconvenience or needless anxiety; - contain contact details, last names, telephone numbers, street addresses or other identifying information of private individuals or public figures which compromises the privacy or security of anyone other than yourself; - be likely to harass, upset, embarrass, alarm or annoy any other person; - be used to impersonate any person, or to misrepresent your identity or affiliation with any person; - place any links on the website where those links take users to unlawful material or material that otherwise contravenes these contribution standards; - place on the website advertisements nor make commercial solicitations nor use the website for any commercial purposes (which would include using the website to promote or encourage the sale of your goods/services); - give the impression that they emanate from us, if this is not the case; and/or - advocate, promote or assist any unlawful act such as (by way of example only) copyright infringement or computer misuse. We accept no responsibility for any statements, material (including User Contributions) or other submissions placed on our online forums by you or any third party, or for any loss or damage resulting from your breach of these contribution standards. We reserve the right to edit or remove any material and User Contribution uploaded, shared or submitted using the website, for any reason whatsoever. Notwithstanding our rights under these Terms of Use in relation to User Contributions, we do not undertake to monitor the submission or publication of User Contributions or users' use of the website. If you find any content on our website to be in any way offensive, obscene, defamatory, racist, harmful, inaccurate, unlawful, illegal, infringing of any third party rights, deceptive in any way or otherwise in breach of our contribution standards, please notify us by email at **hello@marmaladecollective.com** and using the subject heading “Unacceptable Content”. With respect to User Contributions that you upload, share or submit to our site, you grant us the royalty-free, perpetual, irrevocable, non-exclusive and fully sub-licensable right and licence to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, perform and display your User Contribution worldwide and/or to incorporate it in other works in any form or media (whether now known or invented in the future, which may include other internet sites, mobile, television and/or radio) and you acknowledge that your User Contribution may be made available with advertising and/or sponsorship. You agree to waive any moral or similar rights in any jurisdiction that you may have in and to any of the User Contribution you upload, share or submit, even if the User Contribution is modified, altered or changed in a way which is not agreeable to you. ##### 7\. Suspension and termination We reserve the right to modify, suspend or discontinue any service offered by us or any part of it (including the availability of any features of or pages on the website) at any time and without notice or liability to you. We will determine, in our discretion, whether there has been a breach of these Terms of Use through your use of the website. When a breach has occurred, we may take such action as we deem appropriate. Failure to comply with these Terms of Use constitutes a material breach and may result in our taking all or any of the following actions: - immediate, temporary or permanent withdrawal of your right to use the website; - immediate suspension or termination of your membership (where possible we will try to warn users that their access to their membership may be suspended or terminated); - immediate, temporary or permanent removal of any posting or material uploaded by you to the website; - issue of a warning to you; - legal proceedings against you for reimbursement of all costs on an indemnity basis (including, but not limited to, reasonable administrative and legal costs) resulting from the breach; - further legal action against you; and/or - disclosure of such information to law enforcement authorities as we reasonably feel is necessary. We exclude liability for actions taken in response to breaches of these Terms of Use. The list of possible responses above are not exhaustive, and we may take any other action we reasonably deem appropriate. User Contributions that you have uploaded, shared or submitted using the website may still appear on the website even after your registration has terminated. We shall continue to have the right to use your User Contributions in accordance with the licence granted to us under these Terms of Use. ##### 8\. Disclaimer Accessing or using this website or its content in any way is done entirely at your own risk. You will be responsible for any loss or damage to any computer, device, software, systems or data resulting directly or indirectly from the use or inability to use this website or its content. We are under no obligation to provide uninterrupted access to this website. We reserve the right to restrict your access to this website at any time and for any reason. We do not guarantee that the contents of this website will be free of errors, bugs, worms, trojans or viruses or otherwise make any representations as to the quality or accuracy or completeness of the content available on the website including, but not limited to any price quotes, stock availability data or non-fraudulent representations. You are responsible for maintaining appropriate software on your computer or device to protect you from any such errors, bugs, worms, trojans or viruses. To the fullest extent permissible by law, we exclude any and all liability to you resulting from your use of the website or connected to these Terms of Use. This exclusion includes but is not limited to any type of damages, loss of data, income or profit or loss or damage to property belonging to you or third parties arising from the use of this website or its contents. Nothing in these Terms of Use is intended to limit our liability to you for death or personal injury resulting from our negligence or that of our employees or agents. ##### 9\. Links to third party websites This website may provide hyperlinks to websites or other online resources under the control of third parties. Any such links are provided solely for your convenience. These third party websites and resources have their own terms of use and privacy policies which you will need to comply with. We have no control over the contents of these third-party websites or resources and we are not responsible for the availability or contents of any linked websites and do not endorse them in any way. Information on our website does not constitute any form of advice, recommendation, representation, endorsement or arrangement by us and is not intended to be relied upon by you in making (or refraining from making) any specific investment or other decisions. If we mention third party companies on our website, we usually do so because of their attractive information or offers. As general policy, we don't vet them on customer service or investigate their solvency (how likely they are to go bust). Given that the impact of any information expressed on our website can vary widely based on your particular circumstances, you should always carry out your own research into the product that is of interest to you Some of the links included on our website are affiliate links. These are links which take you directly or indirectly to a product provider and may result in us receiving a small fee or commission as a consequence of you clicking purchasing a product from it. However, our independence is paramount to us and our selection of links is not influenced by any fee/commission received by any service or product providers We do not accept any responsibility or liability for any loss or damage you may incur resulting from: any transaction you decide to place on any third party website advertised on our website or via our services; arising from any information available on our website; or in connection with any voucher codes advertised on the website. *Voucher Codes* From time to time we will display voucher codes to help you reduce the price you pay for a specific product or service. We will do our best to ensure all voucher codes (also known as discount codes or coupon codes) advertised on the website are valid, however we make no guarantee in regards to voucher codes validity and we shall not be held liable in any way whatsoever if a voucher code fails to apply a discount. *Competitions* By entering our competitions, you are consenting to share your email address with Marmalade Collective for marketing purposes. The competitions rules set out below apply. - The entrant(s) must be aged 18 or over. - Proof of identity and age may be required. - All entries must be made directly by the person entering the competition. - Employees of Marmalade Collective and their close relatives and anyone otherwise connected with the organisation or judging of the competition are not permitted to enter the competition. - Entries made online using methods generated by a script, macro or the use of automated devices will be void. - The winner(s) is(are) responsible for expenses and arrangements not specifically included in the prizes, including any necessary postage and packaging costs for delivery from the prize suppliers. - Failure to respond and/or provide an address for delivery, or failure to meet the eligibility requirements may result in forfeiture of the prize. - Use of a false name or address will result in disqualification. - Competitions may be modified or withdrawn at any time. - No responsibility can be accepted for entries lost, delayed or corrupted, or due to computer error in transit. - One standard entry per person per competition. - The prizes are as stated, are not transferable to another individual and no cash or other alternatives will be offered. - Prizes are subject to availability and the prize supplier's terms and conditions. - In the event of a prize being unavailable, the promoter reserves the right to offer an alternative prize of equal or greater value. - The provider of the prize is specified within the promotional material. - Reasonable efforts will be made to contact the winner(s). If the winner(s) cannot be contacted, or are unable to comply with these terms and conditions, the Promoter reserves the right to offer the prize to the next eligible entrant drawn at random, or in the event that the promotion is being judged the Promoter reserves the right to offer the prize to the runner(s)-up selected by the same judges. - The winner(s) agree(s) to the use of their name, photograph and disclosure of county of residence and will co-operate with any other reasonable requests by Marmalade Collective relating to any post-winning publicity. - The winners will be notified by email within 28 days of the closing date. - The winner must reply to the winning email within 5 working days, failure to do so will result in a new winner being generated. - Confirmation of the prize will be made in writing to the winner(s). - By entering any competitions, an entrant is indicating his/her agreement to be bound by these terms and conditions. ##### 10\. Links from third party websites We welcome 'hot links' and deep-links to the website, by which we mean that you may include a link to any page of the website on other websites, provided that you do not use such link in any way which would imply partnership, affiliation, endorsement or sponsorship of any service or product or which may bring us or the other brands in our group into disrepute. You may not display the Content or allow it to be displayed surrounded or framed or otherwise surrounded by material not originating from us without our consent. If you would like to license our material, please email **hello@marmaladecollective.com**. We reserve the right to withdraw any such permission at any time. ##### 11\. Personal Data We take your privacy and the protection of your data very seriously. When registering as a member of the website or interacting with other services offered by us via the website it may be necessary for you to provide some personal information to us. We will keep your personal information secure and will use it only in accordance with our Privacy Policy. All personal information held by us will be held in accordance with the terms of applicable data protection laws. ##### 12\. Entire agreement These Terms of Use are the entire agreement between us and you in relation to your use of the website, and supersede any and all prior terms, conditions, warranties or representations in respect of such use to the fullest extent permitted by law. If any term of these Terms of Use is held to be invalid or unenforceable, the remainder of these Terms of Use shall remain valid and enforceable. ##### 13\. Applicable law These Terms of Use will be governed by the English law and any disputes will be subject to the exclusive jurisdiction of the England courts. Last updated: 4 March 2022 ### About Marmalade URL: https://www.marmaladecollective.com/about/ Last updated: 2026-05-07T09:40:25.000Z ### We're a global community for the culturally curious—a place where authentic African experiences, stories and connections thrive. We create spaces that encourage understanding, celebration, and belonging through premium events, immersive content and meaningful relationships. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Marmalade-Collective-Header---1500x500.png) ## BELONG TO SOMETHING EXTRAORDINARY **DISCOVER:** Access curated insights into African culture through **premium content, including newsletters, guides and original series**. From traditional heritage to contemporary innovation, expand your cultural understanding. [SUBSCRIBE NOW](https://www.marmaladecollective.com/#/portal/signup/free) **EXPERIENCE:** Immerse yourself in authentic cultural moments through our **signature events, intimate supperclubs, film screenings** and exclusive travel opportunities. Experience African culture in ways that inspire and transform. **CONNECT:** Build meaningful relationships with a global community of 5,500+ members that shares your passion for African culture. **Find your people, exchange ideas and create lasting connections.** We host monthly virtual hangouts and member meet-ups in London (launching in other cities soon). ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/JAM-x-Masta-House.gif) [SUBSCRIBE NOW](https://www.marmaladecollective.com/#/portal/signup/free) ## OUR MISSION ### “We’re on a mission to build a new mainstream shaped by Africa’s culture and stories" We will realise our mission by educating the world about Africa(ns) through content and experiences that resonate – *Tola Alade, Founder* We believe Africa’s culture and stories are its most valuable asset. But despite the growing consumption of African music, fashion and entertainment by the global mainstream, there are still negative and incomplete perceptions of Africa(ns). We believe having new African perspectives in the mainstream will change the continent's image for the better. ## OUR PURPOSE 1. Be the catalyst of a culture collaboration between Africa and Western culture. 2. Educate and entertain a growing audience inspired by African culture, content and its creators. 3. Curate and create exceptional content that advances the influence of African culture around the world. > Unity, not uniformity. Never stop exploring. Experience is everything ### Privacy Policy URL: https://www.marmaladecollective.com/privacy-policy/ Last updated: 2022-03-04T23:25:45.000Z ##### 1\. Protecting your personal information This policy sets out the basis on which any personal data we collect from you, or that you provide to us when you visit www.marmaladecollective.com or interact with us via mobile app or other digital service, by phone, in person, or through written forms will be processed by us. Please read the following carefully to understand how and why we are collecting or processing personal data about you. Personal information refers to information or opinions about, or from a person who is identified, or who can reasonably be identified from that information. We are committed to protecting and respecting your privacy and the confidentiality of the information we collect, store and disclose. For the purpose of the Data Protection Act 1998 (the Act), the data controller is Marmalade Ventures Ltd (“we”, “our” and “us”), a company incorporated in England and Wales under company registration number 12224966\. Our registered office is at 20-22 Wenlock Road, London, England, N1 7GU, United Kingdom. ##### 2\. Why we collect information We collect, process and store personal information for a variety of reasons, including to provide our services, provide more effective responses to requests, improvement of the services we provide, customising your experience, maintaining security, maintaining business records for audits and reporting obligations and compliance with legal or regulatory requirements. ##### 3\. Information we collect We will collect and process the following data about you: - **Information you give us.** This is information about you that you give us by filling in forms on our website or mobile app or by corresponding with us by phone, e-mail or otherwise. This includes personal data you provide when you apply for our services, subscribe to our newsletter and provide feedback to us. - **Information we collect about you.** With regard to each of your visits to our website we will automatically collect the following information: - technical information, including the Internet protocol (IP) address used to connect your computer to the Internet, your location, your login information, browser/ app type and version, device type, time zone setting, browser plug-in types and versions, operating system and platform; - information about your visit, including the pages on, through and from our website that your visit (including date and time); products you viewed or searched for; page response times, download errors, length of visits to certain pages, page interaction information (such as scrolling, clicks, and mouse-overs), and methods used to browse away from the page and any phone number used to call our customer service number. ##### 4\. How we use information We use information held about you in the following ways: **Information you give to us.** We may use this information: - to carry out our obligations arising from any contracts entered into between you and us and to provide you with the information and services that you request from us; - to provide you with information about other services we offer that are similar to those that you have already purchased or enquired about; - to provide you with information about goods, services, opportunities or events that may be of interest you; - to notify you about changes to our service; - to ensure that content from our website is presented in the most effective manner for you and for your computer. **Information we collect about you.** We may use this information: - to administer our website and for internal operations, including troubleshooting, data analysis, testing, research, statistical and survey purposes; - to improve our website to ensure that content is presented in the most effective manner for you and for your computer; - as part of our efforts to protect our business and keep our website safe and secure. ##### 5\. Protecting and disclosing information We only share personal data with trusted partners for the purpose, or related purpose it was collected. We also create anonymous data from the personal data we collect. We will never pass on your information to a third party for marketing purposes. If our business is sold, we will transfer your data to the purchaser because we have a legitimate interest to ensure our business can be continued by the buyer. When requested or required, we may be obliged to share your personal information in order to comply with our legal obligations or to protect the rights, property, or safety of Marmalade Ventures Ltd, our customers, or others. We use external organisations to provide maintenance, hosting and database management services to us and some are outside the European Economic Area. Your information will only be shared with third parties who have a commitment to maintaining security and confidentiality and only in connection with our services. ##### 6\. Retaining information We will hold on to your information only for as long as necessary, after which we take reasonable steps to destroy or de-identify it. Where you are only receiving technical or marketing information from us, we will store your contact details until you unsubscribe, or withdraw your consent to receive these communications from us. Please keep in mind that very limited details (your email address) may be retained by us in accordance with data protection law to ensure we don’t contact you again. Where you provide information in connection with reporting a problem with our service, we will store any such information for as long as reasonably required to fix such a problem and prevent any future occurrences. Where you contact us and we keep a record of that correspondence we will keep that for as long as is reasonably required. We take all reasonable steps to keep your information secure with appropriate safeguards, including password protection and controlled access, however the transmission of information via the internet is not completely secure. Although we will do our best to protect your personal data, we cannot guarantee the security of your data transmitted to our website and any transmission is at your own risk. Once we have received your information, we will use strict procedures and security features to try to prevent unauthorised access. ##### 7\. Access to information We take all reasonable steps to ensure your information is accurate and you are entitled to access the information we hold about you. Any access request will be subject to a fee of £10 to meet our costs in providing you with details of the information we hold about you. If you would like to exercise your rights under data protection law, please contact us at **hello@marmaladecollective.com** ##### 8\. Cookies We use cookies (small files that we store on your browser or the hard drive of your computer if you agree) to distinguish you from other users of our website. This helps us to provide you with a good experience when you browse our website and also allows us to improve our website. By continuing to browse our website, you are agreeing to our use of cookies. We may use the information collected to make our website more relevant to your interests. We may also share this information with third parties for this purpose. - **Essential cookies.** These are cookies that are required for the operation of our website - **Analytical/performance cookies.** They allow us to recognise and count the number of visitors and to see how visitors move around our website when they are using it. - **Functionality cookies.** These are used to recognise you when you return to our website. - **Targeting cookies.** These cookies record your visit to our website, the pages you have visited and the links you have followed. Please note that third parties (including, for example, providers of external services like web traffic analysis services) may also use cookies, over which we have no control. These cookies are likely to be analytical/performance cookies or targeting cookies. You can block cookies by activating the setting on your browser that allows you to refuse the setting of all or some cookies. However, if you use your browser settings to block all cookies (including essential cookies) some parts of our website may become inaccessible or not function properly. For more information on how the we use cookies please read our Cookie Policy. ##### 9\. Changes to our privacy policy We regularly review our privacy policy to ensure it is in accordance with best practice and legislative changes. Any changes we make to our privacy policy in the future will be incorporated into a new version and made available on our website. The most recent published version will apply to how we use your personal information. ##### 10\. Contact If you have any questions, comments or requests regarding this privacy policy please contact us at **hello@marmaladecollective.com**. We treat all complaints seriously, and investigate all issues brought to our attention. Last updated: 4 March 2022 ### Beyond Black: Pop Up x Party | 29 Oct, Shoreditch URL: https://www.marmaladecollective.com/beyond-black-pop-up-x-party-2022/ Last updated: 2022-10-28T09:51:12.000Z Curated by Marmalade and Supported by Sook ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Tessa-and-Friend-1.jpg) ## About the event 🛍️ Pop Up: 10am - 5.30pm | Walk-in (32 Shoreditch High St) Come and discover exciting fashion and lifestyle brands with African culture infused with in their aesthetic, origins and narrative. These brands are great examples of how African culture is being brought to life through products and designed to resonate with a global mainstream audience. 🎉 Party: 7pm - 10pm | 👉 Free RSVP [here](https://link.dice.fm/m29e995e8bf1?ref=marmaladecollective.com) Later in the day, join us for an intimate evening of celebration and conversation around Africa's culture and fashion. There will be an exhibition, complimentary drinks served by [Aphro Palm Spirit](https://aphrobeverages.com/?ref=marmaladecollective.com), networking, panel talk etc. The good vibes continue into the evening as [Nicole Shai](https://www.instagram.com/nicoleshai/?hl=en&ref=marmaladecollective.com) joins us bringing sounds of Afrobeats and Amapiano blended with mainstream sounds and genres. ## Discover the brands ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Screenshot-2022-10-21-at-09.18.24.png) #### GBEMI Founded in 2021 by two sisters from London, GBEMI seeks to redefine how women wear colour! Known for their bold adventurous prints, bright colours and cool graphics, each piece designed is a masterpiece in its own right! Follow on [Instagram](https://www.instagram.com/gbemigirls/?ref=marmaladecollective.com) [Discover More](https://gbemi.co.uk/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Screenshot-2022-10-21-at-09.24.26.png) #### Stories We Cherish Stories We Cherish, has a vision of celebrating African cultures, lifting up communities and providing a cultural exchange through textiles. More than a fashion brand, we are a social enterprise, and we aspire to ensure that anyone who works for and with the brand benefits from and is empowered by the collaboration. Follow on [Instagram](https://www.instagram.com/storieswecherish/?ref=marmaladecollective.com) [Discover More](https://storieswecherish.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Screenshot-2022-10-21-at-09.27.34.png) #### SOCK OF A KIND It started as a simple need. Founder, Peter was invited to a wedding and wanted to find high quality socks that spoke to his African heritage. When he couldn’t find any he decided to create his own, as an homage to Africa’s bold, distinctive character and cultural abundance. And SOCK OF A KIND was born. Follow on [Instagram](https://www.instagram.com/sockofakind/?ref=marmaladecollective.com) [Discover More](https://www.sockofakind.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Value-Africa.jpg) #### Value Africa Value Africa is passionate about showcasing the emerging craft alcohol scene in Africa. They will be showcasing some of the African alcohol brands at the pop up event so come and experience the Premium African spirits that were conceived, distilled, bottled and exported from Africa. [Discover More](https://www.valueafrica.co.uk/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Screenshot-2022-10-25-at-11.57.08.png) #### African Originals Born In Kenya, African Originals are the producers of authentic African craft beverages, made with real African ingredients. Their drinks build on traditional African recipes that reflect the culture and individuality of African countries with a modern twist. Follow on [Instagram](https://www.instagram.com/%5Fafricanoriginals/?ref=marmaladecollective.com) [Discover More](https://africanoriginals.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Group-53215.jpg) ## About Beyond Black The Beyond Black campaign was birthed to celebrate cultural diversity, heritage and individuality, as well as shift the conversation from solely being defined by skin colour. This campaign highlights our core focus this Black History Month. > “We want to focus on \[African\] culture and heritage, instead of colour and even race. That’s \[a core reason\] for our coming up with Beyond Black’,” Tola Alade, founder of Marmalade Collective says. [Beyond Black: Culture in Colour, West Africa 🇳🇬A Black History Month campaign by Marmalade Collective to celebrate the works of incredible Nigerian designers whose works are influenced by the African heritage.![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/size/w256h256/2022/01/Marmalade-Favicon.png)Marmalade CollectiveEditorial Team![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/BB_BHM_Teaser_01.jpg)](https://www.marmaladecollective.com/beyond-black-culture-in-colour-west-africa-nigeria/) [Beyond Black: Culture in Colour, West Africa 🇬🇭A Black History Month campaign by Marmalade Collective to celebrate Ghana’s enchanting tapestry of colours and its designers whose works are influenced by their African heritage.![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/size/w256h256/2022/01/Marmalade-Favicon.png)Marmalade CollectiveEditorial Team![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/BB_BHM_Teaser_04.jpg)](https://www.marmaladecollective.com/beyond-black-culture-in-colour-west-africa-ghana/) In doing this, we’re using fashion to highlight these cultures and heritage, especially because it is a core element that juxtaposes the message we want to pass across. African fabrics, textiles, method of production, craftsmanship, prints, colours, and even designs, are explicitly significant to the continent, and can easily be used as a marker for our identification. > “We want to spotlight some fantastic African fashion and lifestyle brands by introducing them to a new audience,” Alade continues. In doing this, we are working and collaborating with Sook Spaces to push this narrative. We see, know, and understand how much of an impact Sook Spaces has been in providing access to flexible and digital spaces, where people connect and thrive. [Beyond Black: Culture in Colour, East & South Africa 🇿🇦A Black History Month campaign by Marmalade Collective where we explore the diverse ethnic groups, like the Ndebele people, the Zulu people, the Baganda people, Somalians, and the like.![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/size/w256h256/2022/01/Marmalade-Favicon.png)Marmalade CollectiveEditorial Team![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/BB_BHM_Teaser_05.jpg)](https://www.marmaladecollective.com/beyond-black-culture-in-colour-east-south-africa/) [Beyond Black: Culture in Colour, Diaspora 🇬🇧 🇺🇸A Black History Month campaign by Marmalade Collective where we feature designers who explore their diverse ethnic groups and places of origin, to build brands of global significance.![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/size/w256h256/2022/01/Marmalade-Favicon.png)Marmalade CollectiveEditorial Team![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/BB_BHM_Teaser_06.jpg)](https://www.marmaladecollective.com/beyond-black-culture-in-colour-diaspora/) ## Supported by ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Supported-by-logos.png) ### Sook Sook is on a mission to revolutionise the high street. Founded by John Hoyle in 2019 from an empty restaurant in Cambridge, Sook now offers flexible, sustainable, digitally-enabled 'pop-up' space to any brand, business or community who needs it - whenever they need it - in prime retail locations. Sook transforms empty shops into adaptive, ‘pop-up’ spaces, which are rentable by the hour. It does this by installing a modular digital fit-out, which occupiers can design and curate online. The Sook model removes the inefficiencies and cost of a traditional fit-out and allows multiple occupiers to use the space throughout the day. [Visit Sook](https://www.sook.space/?ref=marmaladecollective.com) ### Zazuu Zazuu is the new payments marketplace for individuals and businesses to send and receive money worldwide. Africa is the most expensive continent to send or receive money in the world due to hidden fees, uncompetitive rates. To get the best deals for moving money from A to B, people often need to search multiple platforms which is inefficient as rates change very often. Zazuu solves these problems by allowing customers find the best rates across multiple financial providers, view the real costs of a transfer before sending, and tracking a transfer from source to recipient. Zazuu is the world’s first cross-border payment marketplace. [Visit Zazuu](https://zazuu.co/?ref=marmaladecollective.com) ### Lux Afrique Lux Afrique is a luxury multimedia platform for marketing and promoting luxury brands targeting audience on the African Continent. Lux Afrique aims to be the driving partner of any luxury brand entering the African market. They understand the African consumer needs and can introduce luxury-focused brands to high net worth consumer markets growing throughout Africa and the rest of the world. [Visit Lux Afrique](https://luxafrique.net/?ref=marmaladecollective.com) ### Value Africa Value Africa is passionate about showcasing the emerging craft alcohol scene in Africa. They will be showcasing some of the African alcohol brands at the pop up event so come and experience the Premium African spirits that were conceived, distilled, bottled and exported from Africa. [Visit Value Africa](https://www.valueafrica.co.uk/?ref=marmaladecollective.com) ### Welcome to Marmalade Collective 👋 URL: https://www.marmaladecollective.com/welcome/ Last updated: 2026-02-09T16:28:07.000Z ## Hello and welcome 👋 We're a global community for the culturally curious—a place where authentic African experiences, stories and connections thrive. We create spaces that encourage understanding, celebration, and belonging through premium events, immersive content and meaningful relationships. ## WHAT TO EXPECT **DISCOVER:** Access curated insights into African culture through **premium content, including newsletters, guides and original series**. From traditional heritage to contemporary innovation, expand your cultural understanding. [Latest Newsletter](https://www.marmaladecollective.com/tag/newsletters/) **EXPERIENCE:** Immerse yourself in authentic cultural moments through our **signature events, intimate supperclubs, film screenings** and exclusive travel opportunities. Experience African culture in ways that inspire and transform. [Upcoming Events](https://lu.ma/marmalade-events-2025?ref=marmaladecollective.com) **CONNECT:** Build meaningful relationships with a global community of 5,500+ members that shares your passion for African culture. **Find your people, exchange ideas and create lasting connections.** We host monthly virtual hangouts and member meet-ups in London (launching in other cities soon). ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/JAM-x-Masta-House.gif) ## OUR MISSION ### “We’re on a mission to build a new mainstream shaped by Africa’s culture and stories" We will realise our mission by educating the world about Africa(ns) through content and experiences that resonate – *Tola Alade, Founder* We believe Africa’s culture and stories are its most valuable asset. But despite the growing consumption of African music, fashion and entertainment by the global mainstream, there are still negative and incomplete perceptions of Africa(ns). We believe having new African perspectives in the mainstream will change the continent's image for the better. ## AND FINALLY... To stay in the know, add *hello@marmaladecollective.com* to your address book/contacts. This ensures our emails don’t end up in your spam or junk folders. Follow us on [@marmaladecollective](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) across all social media channels. Thanks for being a part of our mission! Tola Alade Founder ### Creator Collective by Marmalade™ URL: https://www.marmaladecollective.com/creator-collective/ Last updated: 2025-03-22T13:48:35.000Z ### Once you build an audience there are so many ways to earn a living Marmalade can help you run a paid newsletter and set up membership subscriptions. But these ways of monetising your audience actually only represent about 25% of how creators are earning a living online. One avenue many creators earn a living through are sponsorships and brand deals—but they then find themselves becoming sales and operations managers needing to source deals, negotiate with brands, send invoices, write copy, report on the results, and chase down payments. That’s *a lot* of work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Screenshot-2023-07-05-at-16.31.14-1.png) ### You became a creator to focus on creating That’s where the Creator Collective comes in: you create consistently, we partner you with brands who love your work and want to reach your audience. All the sales, reporting, payments, negotiations, and logistics are handled by our team. 🤑 Creators, we’d love to help you earn a living. ## How it works 1. We help you find and manage relationships with premium advertisers 2. You continue creating like you always have been 3. We help you earn a living by placing sponsorships in your newsletter for you For this service we charge *20%* of total sponsorship revenue for selling and placing the sponsorship + *3.5%* for payment processing. [Join the Collective Network](https://forms.gle/CvF5JAe6qKC7VUk29?ref=marmaladecollective.com) ### Join incredible creators already in the collective The pilot program is already running with more than 10 remarkable creators. We're systematically expanding with creators who have a strong brand. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Screenshot-2023-07-05-at-17.29.37-1.png) ## Are you eligible to apply? The Creator Collective is for creators who: - Have at least **10,000** email subscribers - Publish consistently (at least once a week) ### Brands: Work with us and our creators Do you represent a brand that wants to partner with creators? [**Click here**](https://forms.gle/XxAC7LP6mAc1NdGM6?ref=marmaladecollective.com) to apply to advertise via the network. ### Ready to transform your earnings as a creator? Apply below to get early access to the Creator Collective [Apply for access](https://forms.gle/CvF5JAe6qKC7VUk29?ref=marmaladecollective.com) --- ## Frequently Asked Questions #### How do I know if I am eligible? In its initial phase, the Creator Collective has three eligibility requirements. 1. Have approximately 10,000 engaged subscribers or more. 2. Have a habit of sending consistently —typically at least once per week. 3. Have Afrocentric content. There are also three things to consider. Marmalade prefers exclusive relationships, meaning that we sell for you exclusively. (You can stop at any time with 30 days’ notice). We are open to non-exclusive relationships in some cases. So let’s talk! The sponsorship ads include an image, a couple of paragraphs of copy, and a call to action, so you will want to make sure this makes sense in the context of your newsletter. Marmalade will ask you to place a “Sponsor Me” form on your website. This form will go directly to the Creator Collective team, so once the form is up, you won’t have to worry about it. #### How do I sign up? - Click the "Apply for access" button on this page - Fill out a short questionnaire. - Someone from our team will get back to you within a couple of business days. #### How soon can I start earning money? Don’t be surprised if it takes up to 90 days for sales to begin after you have been accepted. This will give us time to establish the Creator Collective agreement, add your newsletter to sales documentation, and start offering the sponsorship to brands that make sense for your audience. #### What does exclusivity mean? During the Creator Collective’s pilot program, we learned that when only one representative is selling a given sponsorship more revenue is produced and less energy is spent. Exclusivity simply means that only the Creator Collective will be selling your sponsorships in a given month. #### How long does exclusivity last? You will be able to end exclusivity at any time with 30 days' notice. Any sponsorships currently sold but extending past the notice will still be managed via the Creator Collective. #### What if I don’t like a sponsor? You will always have the opportunity to approve sponsors in advance. You don’t have to accept any sponsor you don’t want. #### Are there other requirements? If you are approved for the Creator Collective, you will be asked to review and approve the Creator Collective agreement, which outlines what everyone is expected to do. There are three things to consider. 1. Marmalade prefers exclusive relationships, meaning that we sell for you exclusively. (You can stop at any time with 30 days’ notice). We are open to non-exclusive relationships in some cases. So let’s talk. 2. The sponsorship ads include an image, a couple of paragraphs of copy, and a call to action, so you will want to make sure this makes sense in the context of your newsletter. 3. Marmalade will ask you to place a “Sponsor Me” form on your website. This form will go directly to the Creator Collective team, so once the form is up, you won’t have to worry about it. #### Will Marmalade sell my other sponsorships too? The short answer is yes. In its initial phase, the Creator Collective will focus on your newsletter. But we will soon help you sell any form of sponsorship. #### How much will I earn? How much you will earn depends on four factors: - Who your audience is (think topic or industry). - The total number of subscribers you have. - What your newsletter’s typical open rate is. - How many subscribers usually click a sponsor’s ad. Once you are approved, our team will help you figure out how to set prices, but as a rule of thumb, take your total number of subscribers, multiple by your open rate, and divide the product by 1,000 then multiply by £45 for the high-end and £25 for the low-end. ((Subscriber Count × Open Rate) ÷ 1,000) × £45 Here is an example of a creator with 30,000 subscribers and a 35% open rate. High End: - 30,000 × 35% = 10,500 - 10,500 ÷ 1,000 = 10.5 - 10.5 × £45 = £472.5 So this creator would have net sponsorship sales of about £470 per insertion or about £24,000 per year. Don’t forget that this is before fees and processing. #### When will I get paid? We ask sponsors to pay 30 days net, meaning they have a month to pay. Once they pay, you should have the funds in a few business days. #### How will I get paid? Payments will be transferred directly to your bank account. #### How much does Marmalade take? For exclusive sales relationships, Marmalade will take a 20% commission. There is also a 3.5% payment processing fee for a total of 23.5%. For non-exclusive sales relationships, Marmalade will take a 30% commission, plus the payment processing fee. #### I still have questions. No problem. Feel free to email ***hello@marmaladecollective.com** with the subject line 'Creator Collective Enquiry' [Join the Collective Network](https://forms.gle/CvF5JAe6qKC7VUk29?ref=marmaladecollective.com) ### Your Marmalade Membership URL: https://www.marmaladecollective.com/welcome-marmalade-membership/ Last updated: 2024-02-28T15:44:31.000Z Hey — Tola here. I’m delighted to welcome you as a Paid Member of Marmalade, where exclusivity meets curated excellence. As a subscription-based platform, we have one purpose: to bring you the crème de la crème of content and unforgettable experiences, with an African flavour. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/Marmalade-Founding-Member.jpg) ### Your Membership Your Marmalade Membership gives you access to premium content and exclusive events and offers including; - **Members-only Events** | From captivating [pop-ups](https://www.marmaladecollective.com/exclusive-photos-beyond-black-pop-up-x-party-29th-oct/) and awe-inspiring exhibitions to [private parties](https://www.marmaladecollective.com/tag/justaddmarmalade/) that pulsate with energy. Discover new experiences, connect with new people and create lasting memories. - **What's On Newsletter** | Be in the know and get access to [African-inspired events and experiences](https://www.marmaladecollective.com/tag/monthly-events/) in London - carefully curated and delivered to you every month. - **Special Offers** | Enjoy exclusive discounts on products, services and events from exciting brand partners including [San Wellness](https://sanwellness.co/discount/marmalade?ref=marmaladecollective.com), [R&R Luxury](https://www.randrluxury.co.uk/discount/Marmalade10?ref=marmaladecollective.com) and more. - **The Spread Newsletter** | Join *3k+ subscribers* who read our [5-min weekly newsletter](https://www.marmaladecollective.com/tag/newsletters/) on the best stories and global news on Africa(ns). - **The Spread Podcast** | An audio version of our newsletter delivered in 3 minutes. [Start listening](https://thespreadpodcast.buzzsprout.com/?ref=marmaladecollective.com) - **Guides** | An engaging way to learn about African culture including a wide range of topics, including [food](https://www.marmaladecollective.com/tag/homemade-food/), [music](https://www.marmaladecollective.com/tag/homemade-sessions/), [fashion](https://www.marmaladecollective.com/tag/beyond-black/), [travel](https://www.marmaladecollective.com/destination-recap-kika-acrra-ghana/) and more. ### Our Mission “**We’re on a mission to build a new mainstream shaped by Africa’s culture, stories and emerging brands.** We will realise our mission by educating the world about Africa(ns) through content and experiences brought to life in a manner that resonates.” – *Founder* We believe Africa’s culture and stories are its most valuable asset. But despite the growing consumption of African music, fashion and entertainment by the global mainstream, there are still negative and incomplete perceptions of Africa(ns). We believe having new African perspectives in the mainstream will change the continent's image for the better. ***Thank you for supporting our mission!*** ### and finally… Don’t hesitate to get in touch if you have any questions. I can’t wait to meet you soon. Follow us on [@marmaladecollective](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) across all social media channels. 🗣️ To stay in the know, add **hello@marmaladecollective.com* to your address book/contacts. This ensures our emails don’t end up in your spam or junk folders. Tola Alade *Founder* ### Events & Experiences URL: https://www.marmaladecollective.com/events/ Last updated: 2023-12-29T14:09:31.000Z A unique collection of exclusive experiences and events, unmatched in its breadth and diversity, and only available to Marmalade members through our collective network. _This page is for subscribers only._ ### Introducing DÒDÒ: The World's First Plantain-Infused Brandy URL: https://www.marmaladecollective.com/dodo-plantain-infused-brandy/ Last updated: 2024-04-08T10:58:42.000Z [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/DODO-BRANDY-BOTTLE.jpg)](https://www.marmaladecollective.com/dodo-plantain-infused-brandy/) ## ****Sign up to get exclusive access** Launching 02.04.24, only 100 available. Get Access Email sent! Check your inbox to complete your signup. Unsubscribe anytime ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/andrea-riezzo-1hKZ0A182Bk-unsplash.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/chas-turansky-93SyHCNujyU-unsplash.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/pylyp-sukhenko-Sr3bhcYqftA-unsplash.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Screenshot-2023-07-05-at-16.32.13.png) ### Ivory House URL: https://www.marmaladecollective.com/ivory-house/ Last updated: 2024-05-01T19:44:04.000Z ​Welcome to Ivory House. ***London's newest exclusive private members’ club*** nestled in the vibrant enclave of Barons Court. We've reimagined what a private members' club can be for the dynamic, culturally-attuned socialite of the 21st century who craves intimate connections, personalised experience and privacy. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--3-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--11-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--12-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--13-.jpeg) Exterior of cottage and garden ## Where Style Meets Function From the moment you enter, the plush furniture and modern marble finishes promise a haven of sophistication. Ivory House is more than a place—it's a sensory experience where the finest cocktails are crafted not from a menu, but from your imagination. ## Not Your Average Community Forget the stuffy, traditional members' clubs. Ivory House is a vibrant hub for ambitious founders, professionals, and creatives who thrive on connection to their African heritage and seek a refuge from the city's frenzy. It's a place where deals are struck by the warmth of a fire and friendships are forged into the late hours of the night. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/DSC_3168.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/DSC_3226.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/DSC_3070.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Supper-Club-193.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Supper-Club-195.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Supper-Club-225.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Supper-Club-175.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/JAM_PINEXGINJA-0055.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/000011820005.jpeg) ## The Tower: Your Discreet Retreat For moments needing privacy or a quiet escape, The Tower awaits. Hidden within the main house, this secluded space offers you tranquillity away from the buzz of the club's social areas—perfect for those who value discretion and exclusivity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--1-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--2-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--4-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--5-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--6-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--7-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--8-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default--9-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Default.jpg) ## Join Our Mission Ivory House isn't just about luxury; it's a mission to protect and preserve community—tackling one of the greatest problems in modern-day society: loneliness. We're crafting not only a space but a sanctuary where you can find a sense of belonging. ## Become Part of Ivory House We're looking for members who share our vision of community and sophistication. If Ivory House resonates with you, we invite you to express your interest in becoming a member of this unique community. Get in touch today and take the first step towards belonging to something extraordinary. ## Join the Ivory Community If you would like to express interest in applying for membership at Ivory House please follow the link below to get in touch. [Apply To Join](https://nas.io/ivory-house?ref=marmaladecollective.com) ### A New Chapter: Community First. Culture Always. URL: https://www.marmaladecollective.com/brand-refresh/ Last updated: 2025-04-27T12:50:18.000Z Omotola here, Content Manager at Marmalade 👋 It's been two years and 4 months since I joined Marmalade Collective and through these years, I have seen my idea of media and its importance transform from just sharing information to building something that feels like you belong. And over these past couple of years, we’ve slowly but surely peeled back the layers of what makes Marmalade special. And what we’ve found at the core, time and time again, is community. That’s where it started and where we always return to. In a bid to own it fully, we started first by reshaping our newsletters to be more than just curated stories. We made space for personal notes, insider guides, and recommendations worth bookmarking; the kind you’d want to share with a friend. Then we brought that same energy to our content: creating member spotlights, rolling out community-led guides, and interviewing African creatives across film, art, photography, design, music, food, fashion and more; my favourite part. We’ve spotlighted the voices and visions that deserve to be seen and celebrated. And everytime I go back to any of these interviews, I get a renewed sense of hope and inspiration. We also revamped our [website](https://www.marmaladecollective.com/) with this in mind; to feel more welcoming, more intentional, and more like home. But there was still something missing. Visually, we wanted everything to speak in one clear voice; one that reflects who we are as a collective. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Marmalade-Collective-Bringing-Africa-s-culture-and-stories-to-life-04-25-2025_06_06_PM-1.png) > "I'm deeply moved by how my team has embraced and elevated our core mission of community-first cultural connection. This brand refresh isn't just a visual evolution, it's the foundation for our next chapter. As we transform Marmalade into the ultimate lifestyle super-app, we're taking everything we've learned about fostering belonging, curating authentic stories and celebrating African creativity, and amplifying it through technology. > [ View this post on Instagram ](https://www.instagram.com/p/DI30LWCMB7B/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Marmalade Collective (@marmaladecollective)](https://www.instagram.com/p/DI30LWCMB7B/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > Where once we connected people through newsletters and guides, soon we'll empower our community to connect directly with each other, discover experiences in their own cities and access a universe of African culture at their fingertips. This visual identity refresh represents our commitment to coherence as we expand - ensuring that whether you're reading our guides, attending a Marmalade dinner, or exploring our upcoming AI-powered content feed, you'll always feel that unmistakable sense of belonging that defines us. The future of Marmalade is about taking the warmth of the community we've built and scaling it globally, one meaningful connection at a time." - [**Tola Alade**](https://www.marmaladecollective.com/author/tola-alade/), Founder & CEO So, we got to work. And now, we’re proud to roll out our new visual identity across all our channels: the website (guides), Instagram, YouTube Shorts, Newsletter, and WhatsApp community. ## Our brand playbook [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/marmalade---brand---guidelines---2025.gif)](https://drive.google.com/file/d/1GaWu%5FQHE9E%5FRZ2W7Os44YoNjI281YKoa/view?usp=sharing&ref=marmaladecollective.com) This isn’t just a rebrand. It’s a doubling-down on our purpose. A creative North Star. A way to bring more cohesion and clarity to how we show up. We’ve got exciting interviews lined up along with publishing evergreen articles. We want our content to be easy to access, share, and enjoy. I'm super proud of what we have in our hands now; all of us. We’re here, rooted, and growing — with and for our community. *Written by* [***Omotola Saba***](https://www.marmaladecollective.com/author/omotola/) 💝 You made it till the end. Now...here's a special little something for you - ****20% Off** Premium Membership Annual Fee. [****Upgrade Now**](https://www.marmaladecollective.com/the-spread-offer) \- **offer ends on 30 April 2025* ### THE NEW MAINSTREAM: Partnership Guide URL: https://www.marmaladecollective.com/the-new-mainstream-partnership-guide/ Last updated: 2026-04-24T14:01:17.000Z ## VISION [**THE NEW MAINSTREAM**](https://www.marmaladecollective.com/the-new-mainstream-manifesto/) is a cultural movement and product label that partners with forward-thinking brands, artists and communities to create limited-edition products that drive culture forward. We believe in the power of collaboration to build a new definition of mainstream - one that celebrates culture, amplifies voices and channels creativity toward positive impact. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Instagram-post---18.png) The Logo ### Our mission is three-fold: 1. **Drive Culture Forward** \- Create products that challenge the status quo and redefine what "mainstream" means 2. **Build Community** \- Connect like-minded creators and consumers around shared values 3. **Generate Impact** \- Raise funds for Africa-focused causes and projects that create lasting positive change --- ## THE CREATIVE CANVAS At the heart of our visual identity is the rectangular space between "THE" and "NEW" in our logo - a creative canvas where partners can express their unique interpretation of the new mainstream. This space represents the opportunity for transformation, where your brand's creativity can help redefine what mainstream culture looks like. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Instagram-post---19.png) The Canvas Partners have complete creative freedom within this canvas, whether it's: - Your signature patterns, designs or logo - Cultural symbols or flags - Typography or illustrations - Colours representing your brand or cause ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53054.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53055.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53056.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53057.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53058.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53048.png) **For illustrative purposes only. All rights reserved by respective copyright owners* --- ## PARTNERSHIP MECHANICS #### ****Ideation & Selection** - We identify potential partners whose values align with ****THE NEW MAINSTREAM** - Together, we brainstorm how your brand can uniquely fill the creative canvas - We develop a concept that authentically represents both our visions #### ****Product Development** - Initially focused on high-quality merch (t-shirts, hoodies, sweaters, hats, tote bags) - Future expansion into other product categories (food, drink, wellness, homeware, accessories) - All products feature ****THE NEW MAINSTREAM** logo with your creative canvas interpretation #### ****Production & Fulfilment** - All merch produced and fulfilled through [****EVERPRESS**](https://everpress.com/how-it-works?ref=marmaladecollective.com) - Limited edition drops create urgency and exclusivity - Sustainable production practices where possible #### ****Marketing & Launch** - Collaborative promotional strategy across both partner channels - Storytelling around the partnership and creative interpretation - Emphasis on the cultural significance and impact goals #### ****Impact & Revenue** - Portion of proceeds directed to Africa-focused causes and projects - Transparent reporting on funds raised and impact created - Revenue sharing model that benefits both partners and causes --- ## CASE STUDY: STORIES WE CHERISH ### Partnership Overview [**Stories We Cherish**](https://storieswecherish.com/?ref=marmaladecollective.com), known for their distinctive abstract patterns and bold colour palettes, could partner with **THE NEW MAINSTREAM** to create a limited edition collection featuring their bestselling orange and green organic pattern. **Stories We Cherish** has a vision of celebrating African cultures, lifting communities and providing a cultural exchange through textiles. More than a fashion brand, they're a social enterprise, and they aspire to ensure that anyone who works for and with the brand benefits from and is empowered by the collaboration. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/snapins-ai_3567970523591183519-1.jpg) **All rights reserved by Stories We Cherish* ### Creative Interpretation The Stories We Cherish pattern was adapted to fill the creative canvas, representing their interpretation of the new mainstream: organic, boundless creativity that breaks conventional design norms and celebrates natural forms and vibrant diversity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53048-2.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Group-53049.png) **For illustrative purposes only. All rights reserved by Stories We Cherish* ### Product Line - Black oversized t-shirts featuring the orange/green pattern and collaborative logos - Limited run of 30+ pieces per item ### Impact Focus Proceeds supported emerging textile designers in West Africa, providing grants and mentorship opportunities. Possible charity partner: [Kwanda](https://kwanda.co/?ref=marmaladecollective.com) --- ## FUTURE VISION While we're starting with merch, our vision extends to a wide range of product categories: - Food & beverage collaborations - Wellness products - Homeware and decor - Accessories and lifestyle goods Each partnership will continue to use the creative canvas as the focal point for collaboration, ensuring a consistent brand identity while allowing for unlimited creative expression. --- ## JOIN THE MOVEMENT [**THE NEW MAINSTREAM**](https://www.marmaladecollective.com/the-new-mainstream-manifesto/) is more than a product label—it's a cultural network state building a shared vision of what our mainstream culture could and should be. By partnering with us, you're not just creating products, you're helping to build a more inclusive, creative and impactful cultural landscape. To discuss partnership opportunities, please contact: ***hello@marmalade.ventures*** --- **THE NEW MAINSTREAM** is wholly owned and operated by [**Marmalade Ventures**](https://marmalade.ventures/?ref=marmaladecollective.com) ## Posts ### Nola Ayoola Is Giving Shape to What Words Cannot Hold URL: https://www.marmaladecollective.com/nola-ayoola-is-giving-shape-to-what-words-cannot-hold/ Last updated: 2026-09-04T09:13:30.000Z Nola Ayoola is a Lagos- and New York-based interdisciplinary artist whose practice moves across portraiture, sculpture, and woven abstract compositions. Working in what she calls “hybrid-scapes”, layered, dreamlike environments that merge abstract vision with tactile, textured form, Nola translates memory and emotion into a visual language shaped by weaving, hand printing, and collage. Her compositions often carry symbolic materials rooted in her Yoruba heritage, from interwoven textiles to cowrie shells, forming a visual vocabulary that is culturally grounded yet open to collective interpretation. Named one of Artsy’s “5 Artists on Our Radar” in 2025, Ayoola has shown work at international fairs including The Hamptons Art Fair, Latitudes Art Fair, and Investec Art Fair, and has been featured in public installations including a New York Fashion Week collaboration with Head of State and Nike. In this conversation, we talked about the places that have shaped her practice, the Yoruba traditions that inform her technical process, how art has helped her hold grief and uncertainty, and what she hopes people recognise in themselves when they encounter her work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_1686.jpg) Nola Ayoola’s studio. Lagos, 2026\. Photo credit: Damilare Adeyemi **Your work is often described around memory, belonging, and cultural continuity. What are the places and histories that have shaped you, from your family roots in Nigeria to the different environments you’ve lived in?** I feel like my work is heavily based on lived experience and identity. We’ve always carried places with us, even when we’re no longer there, and these places form who we are as people. My connection to Nigeria and specifically Lagos, where I grew up in my formative years, has been shaped by different experiences across generations. My family’s ancestral hometown, where my grandparents lived, has served as my grounding, my compass. Spending time with my grandparents meant stories, rituals, and understanding what it means to be from where I’m from; values that are still instilled in me as a modern Yoruba woman. I’ve also lived in the UK for most of my formative years, and later moved to New York. So my work is essentially a hybrid of different life experiences, the different places and people I’ve carried with me. I’m really interested in how we carry people, community, and histories within us, and how they continue to shape us long after we’ve left them. **Speaking on being a modern Yoruba woman. How do Yoruba mythology and cultural tradition, even histories from before you were born, shape the way you think about identity, memory, and image-making?** They shape so many things, even the technical way I work. I’m really drawn to traditional craftsmanship: textiles, indigo. That’s where the whole concept of weaving in my work came from, and how I turned it into my own visual language. I work in portraiture, sculpture, and what I call my abstract ‘scapes,’ but what I value isn’t just the imagery; it’s being tactile, incorporating traditional skills, and then iterating on them through my own lens. Yoruba tradition has taught me that memory isn’t just personal; it’s carried through generations, the way skills were passed on. I remember watching people weave baskets and dye cloth growing up, and I know those skills existed for centuries before my time. So this is me carrying them on. Rather than illustrating mythology, I’m interested in making work that holds space for different realities, histories, and emotions to coexist, weaving these elements together. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_7679.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_1687.jpg) Cierra Britton gallery: Solo presentation, Untitled Art Fair, Miami, 2025 || A place I could carry, 2026 Acrylic, oil pastel, lace, ink, collage, pencil, spray paint, archival paper, woven 56.13 x 48.51cm, 22.1 x 16.5 in **That process has been described as a form of visual journaling. What are the questions you keep coming back to, and how have they evolved since you were a child watching people weave baskets?** As a child, I was probably more intrigued by the process itself. The older I got, the more I started to interrogate things: deeper things, like emotions and life experience, and how they translate through art. Why the colour blue? What were the weavers thinking? My studio is a place for interrogation; I’m always asking questions, and the process is just as important to me as the finished work. Sometimes I even get sad when a piece is finished, because I really enjoy the process, the stitching, the weaving, the asking. It’s almost like I’m studying, and the audience is watching me study, or seeing me bring up things they hadn’t thought of. It’s like tearing things apart and piecing them back together, almost like a puzzle. That’s how I view my practice. **I always enjoy seeing curiosity in art. How has making art changed the way you experience your own emotions outside of the studio?** Emotions can be overwhelming and hard to put into words, and my practice has become an outlet for expressing what I’m not able to articulate otherwise. I’m an interdisciplinary artist, so sometimes I can tell a story through portraiture, and other times something is heavier, and that’s where my abstract work speaks for me. Making hasn’t made emotions any simpler, but it’s helped me stay with them, or make sense of things I can’t make sense of with just my thoughts. The studio has taught me that not everything needs to be understood immediately; sometimes things need to pass through your hands, or sit there, before they become clear. It’s given me a different relationship with uncertainty: that it’s okay to sit in the in-between feelings. If you’re going through grief, which I have, it’s a rollercoaster: one day you’re coping, one day you’re happy, one day you’re sad, one day you’re numb. There are so many in-between spots people can’t necessarily put into words. My practice has allowed me to create those in-betweens, to give shape to things there’s no language for. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_1695.jpg) Ilarun Comb 2022 62 x 22.5 inches approx. Dry-aged, carved sapele wood sculpture At Nola Ayoola’s studio 2026\. Photo credit: Damilare Adeyemi **I love that. What do you think art can confront that conversation, books, or even protest can’t, and why does that feel important right now?** I think art reaches places that language may not. Conversations tend to ask you to explain yourself; sometimes, books ask you to follow an argument. Art just allows you to experience something before you’ve fully understood it. When it comes to confrontation, I’m not trying to create shock; I’m thinking from a place of honesty. Art has a way of bringing things to the forefront and letting us face what we’ve probably been avoiding: grief, joy, memory. A lot of my titles have a direct connection to the piece, and once people see the title and then the work, they’re able to piece things together; it often brings a sense of nostalgia, which links back to memory. It also allows for tenderness, and sometimes contradiction. Everything is so fast-paced now; there’s something about creating moments where people can just pause and feel. **Has there been a moment where a viewer’s interpretation of your work shifted or expanded your own understanding of a piece?** One hundred per cent, that’s the beauty of abstract work especially. I might know why I made something; I might have a personal experience behind it, but I don’t like to impose that narrative on people. I want people to think critically for themselves and bring their own emotions to it. When people come to the studio or to a show, I try not to talk too much about the work, because I want them to connect to it in their own way. I’m always curious what they see, how it makes them feel. And I’m often surprised, because I realise people are more connected than we give ourselves credit for. I might paint someone close to me, and someone else will see it and tell me they had an aunty who used to sit exactly like that. People carry similar stories of community and life experience, even through abstract or sculptural work. That’s the whole purpose of art for me, for people to connect to it however they want, and for us to come together and talk about what we each feel. That emotional connection is extremely important to my practice. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_1691.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_9221.JPG) Violet Savannah' III (2025) 16.5 × 11 inches 41.91 x 27.94 cm collage, archival paper, oil pastel, acrylic paint, pencil, Ink, spray paint || Self Portrait' 9 \['Ilarun' (Comb) Series\] (2025) 22 x 16.5 inches 55.88 x 41.91 cm Collage, archival paper, oil pastel, acrylic paint, pencil, ink **That’s beautiful. When people encounter your work, what do you hope they recognise about themselves?** I hope they connect to themselves on a deeper level. I hope it brings people together, and that they feel connected to each other. Even though my work is rooted in my culture, my tradition, Yoruba mythology, and my lived experience, I love that someone from across the world with a completely different culture can still resonate with it because there are universal feelings, universal emotions. I want people to walk away and think. I want it to be therapeutic, meditative, with the landscapes and hybrid woven pieces especially; I want them to transport you into a psychological place you can just sit with. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/09/IMG_1692.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_9214.jpg) 'All that followed me here' (2026) 16.5 × 11.6 inches 41.91 × 29.46 cm Acrylic, oil pastel, lace, ink, collage, pencil, spray paint, archival paper, woven || Green Haze' (2026) 26 × 28 inches 66.04 x 71.12 cm Woven: Canvas, organza, oil pastel, silk screen ink, dye, pencil, acrylic paint, thread, spray paint **Looking ahead, what territories, questions, or experiences are you interested in exploring next?** Probably scale. I want to create more immersive spaces that people can move through, rather than just observe. I’m also curious about how memory doesn’t only exist in objects. My sculptural work is based on objects and the meaning we attach to them, so I’d like to explore other objects that carry meaning, and what they tell us about our experiences in life. I just want to keep following my emotions, keep asking questions, keep interrogating; it’s parallel to living life. Whatever I go through will show up in my work. I want to continue moving through life and to keep furthering my visual language. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/IMG_1683.jpg) Photo credit: Victor Eddeh **Amazing! It was lovely speaking with you; I'm excited for what’s to come.** [*All images via Nola Ayoola* ](https://www.instagram.com/nolaayoola%5F/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 8 African Sneaker Brands Worth Knowing URL: https://www.marmaladecollective.com/african-sneaker-brands/ Last updated: 2026-09-01T09:00:57.000Z For years, the sneaker on an African foot was almost always designed somewhere else, stitched in a factory the wearer would never see, sold back at a markup few could easily afford. That's shifted. Founders across the continent have started building their own supply chains instead: sourcing leather from local tanneries, training craftsmen on-site rather than importing finished stock, funding first production runs out of pocket or through crowdfunding when banks wouldn't. Here are eight African sneaker brands you should know. ## Bathu — South Africa > [ View this post on Instagram ](https://www.instagram.com/p/DWbPyNRDTD2/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Bathu (@bathu\_sa)](https://www.instagram.com/p/DWbPyNRDTD2/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Founded in 2015 by Theo Baloyi, a former PwC associate from Hammanskraal who left corporate life in Dubai to build it, Bathu takes its name from township slang for "shoes." Baloyi spent 18 months on research and development and was rejected by 13 factories before launching his honeycomb-mesh sneaker, which he first sold door-to-door in Alexandra, Soweto and Midrand. The brand has since grown to more than 30 stores across South Africa and the SADC region, and Baloyi has won GQ's Business Leader of the Year and a spot on the Forbes Africa 30 Under 30 list. ## Nio Far by Milcos — Senegal > [ View this post on Instagram ](https://www.instagram.com/p/DCpJsOZs2d1/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Nio Far (@niofarbymilcos)](https://www.instagram.com/p/DCpJsOZs2d1/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Launched in Dakar in 2014 by designer Milcos Badji, Nio Far turns bògòlanfini, the traditional hand-dyed Malian mud cloth, into handmade sneakers. Each cloth pattern is symbolic, with motifs historically signalling social status, courage or community history, and Badji works exclusively with local craftsmen in Dakar to keep production artisanal and fair-trade. The brand's *Nnéma* collection, meaning "comfort," pairs leather with bògòlan sourced from Mali and Burkina Faso. ## Ethnik by Tunde Owolabi — Nigeria > [ View this post on Instagram ](https://www.instagram.com/reel/DRe74Y4iCYl/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Ethnik Afrika (@ethnik.afrika)](https://www.instagram.com/reel/DRe74Y4iCYl/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Founded in Lagos in 2015 by artist and photographer Tunde Owolabi, Ethnik turns aso oke, a traditional handwoven Yoruba fabric, into sneakers, boots, sandals and bags. Owolabi, who calls himself an "accidental designer," works with traditional aso oke weavers in Ogun State to keep the centuries-old weaving technique alive while making it wearable for a global, style-conscious audience. The brand started with one cobbler and was profiled by CNN in 2016 for its role in reviving Yoruba textile heritage. ## soleRebels — Ethiopia > [ View this post on Instagram ](https://www.instagram.com/p/CY6I7nAItbl/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by soleRebels (@solerebels)](https://www.instagram.com/p/CY6I7nAItbl/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Founded around 2004–2005 by Bethlehem Tilahun Alemu in the Zenebework neighbourhood of Addis Ababa, soleRebels reimagines traditional Ethiopian *selate* and *barabasso* sandals using soles hand-cut from recycled car tyres. Alemu started the company with a bank loan, and it has since become the World Fair Trade Federation's first Fair Trade–certified footwear company, distributing to some 30 countries. ## Ikwetta — Kenya > [ View this post on Instagram ](https://www.instagram.com/p/DSy%5FyOdjLpV/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ikwetta || handmade in kenya (@ikwetta)](https://www.instagram.com/p/DSy%5FyOdjLpV/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Ikwetta is a Nairobi-based leather footwear and accessories brand founded by Varsheeni Raghupathy, who took over a struggling vocational training programme and built it into an artisan-led fashion business. Its cork-soled sandals frequently incorporate traditional Maasai beadwork alongside contemporary silhouettes, and the brand sources leather from an LWG-certified tannery. Ikwetta began shipping internationally, including to Italy and the US, in 2020, and works closely with East African craftspeople on locally sourced materials like raffia and handwoven fabric. ## SAWA — Algeria/Ethiopia > [ View this post on Instagram ](https://www.instagram.com/p/DWRu8rPCmBh/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by SAWA (@sawashoes)](https://www.instagram.com/p/DWRu8rPCmBh/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) SAWA was founded in 2009 by Mehdi Slimani, a French designer of Algerian descent, launching first in Douala, Cameroon, where the brand takes its name from the local Sawa people (it also means "together" in Arabic). Corruption and instability pushed the brand to relocate its entire production — sourcing, manufacturing, marketing — to Addis Ababa, Ethiopia, by 2011, where it remains today. SAWA has collaborated with J.Crew on a special collection and positions itself explicitly as an activist "Made in Africa" project rather than a charity model. ## Enzi Footwear — Ethiopia > [ View this post on Instagram ](https://www.instagram.com/p/Cx-dvTfIHbb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by N91 Berlin (@n91\_berlin)](https://www.instagram.com/p/Cx-dvTfIHbb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Enzi was co-founded in 2011 by Jawad Braye and Azariah Mengistu, later joined by Sam Imende and Christian Ward, after Braye visited Mengistu in Ethiopia and the pair discovered the country's abundant supply of premium leather. The Addis Ababa-based brand builds high-end men's leather sneakers and shoes through its own in-house production line, training local craftsmen on-site to meet its quality standards. Enzi now ships to markets across Europe, Asia and the US, positioning itself as a direct counter to outdated perceptions of what "Made in Ethiopia" can mean. ## Enda — Kenya > [ View this post on Instagram ](https://www.instagram.com/p/DcdvEEXlpz2/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Enda - Run Kenyan (@endasportswear)](https://www.instagram.com/p/DcdvEEXlpz2/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Enda, Swahili for "go", was co-founded in Nairobi by Kenyan entrepreneur Navalayo Osembo and British-American social activist Weldon Kennedy, who met around 2015 at a startup pitch event and bonded over the idea that Kenya should benefit more from its global running reputation. Their debut shoe, the Iten, named after the Rift Valley town that has produced many of the world's top distance runners, was funded through a 2016 Kickstarter campaign with more than 1,000 backers. Marketed as Africa's first performance running shoe brand, Enda channels a share of proceeds into community projects across Kenya, including sport-based youth programmes in Nairobi's Korogocho slum. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ## ### Cardi B wears Meji Meji, Ayra Starr for NFL, Karibi-George Wins Miss World Africa URL: https://www.marmaladecollective.com/cardi-b-wears-meji-meji-ayra-starr-for-nfl-karibi-george-wins-miss-world-africa/ Last updated: 2026-08-31T09:00:20.000Z **Welcome to Vol 201 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I finished the book [I recommended last week](https://www.marmaladecollective.com/yorupop-is-here-mtv-vmas-drop-afrobeats-kelebogile-marope-wins-big/), *Yinka, Where Is Your Huzband?* and have already started a new one. In between chapters, the internet has been delivering: [Cardi B wore Meji Meji](https://fashionbombdaily.com/2026/08/29/cardi-b-a-ha-music-video-meji-meji-vintage-dior/?ref=marmaladecollective.com) in her new "A Ha" music video, so the price is uppp. Then there is [Angélique Kidjo, Pharrell Williams, and Quavo together on one song](https://www.youtube.com/watch?v=TdLN4uqTJL4&ref=marmaladecollective.com); what an interesting combination. I'm also already looking ahead to this year's art and fashion season here in Lagos and feeling genuinely excited. It's been a relatively calm weekend, all things considered. And if you're looking for something to watch this week, check out our post on African science fiction films, a perfect starting point. Omotola x Now on to the real peel 👇 _This post is for subscribers only._ ### 14 African Ceramicists/Sculptors Shaping Contemporary Clay Art URL: https://www.marmaladecollective.com/african-ceramicists-sculptors/ Last updated: 2026-08-26T10:00:25.000Z From Kumasi studios to Cape Town galleries to Brooklyn kilns, a generation of African and diaspora ceramicists is turning clay into a language for memory, ancestry and identity. Some throw on the wheel, some hand-coil in the tradition of the ones before them, some fire soil dug from the land their families once worked. Here's who's shaping the continent's clay conversation right now. ## [Adebunmi Gbadebo](https://www.instagram.com/adebooms/?hl=en&ref=marmaladecollective.com) (Nigerian-American) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/8d69f357-7628-4a45-a801-c863c1c62a4d_1982x1576.jpg) Image via GUAP Born in 1992 in New Jersey, Adebunmi Gbadebo digs soil directly from the plantation grounds and hand-builds it into ceramic vessels, her forms also drawing on her Nigerian ancestry and traditional West African pottery techniques. A Pew Fellow (2022) and Maxwell/Hanrahan Craft Fellow (2023), her work sits in the Smithsonian's National Museum of African Art and National Museum of African American History and Culture. > [ View this post on Instagram ](https://www.instagram.com/p/DPwEsNIDZUG/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Nicola Vassell Gallery (@nicolavassellgallery)](https://www.instagram.com/p/DPwEsNIDZUG/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Sira Balogun](https://www.instagram.com/sirakanteofficial/?hl=en&ref=marmaladecollective.com) (Guinean-American) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_453656079_18446181442003283_8895086928856544367_n.jpg) Sira Balogun is a ceramic sculptor whose works "Rebirth" and "Taiwo & Kehinde" are currently held in the Mariane Ibrahim gallery's viewing room, where she describes herself as a "modern-day griot." Her practice draws on stories passed down through her Mandingo heritage, inspired by the legacy of griots like her late uncle, kora player Mory Kanté, whose music helped preserve oral histories as French displaced the N'ko script across the region. Through form and clay, she carries those cultural narratives forward into sculptural work. > [ View this post on Instagram ](https://www.instagram.com/p/DKXBXhfNFtK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Sira Balogun (@sirakanteofficial)](https://www.instagram.com/p/DKXBXhfNFtK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Fred Okai](https://www.instagram.com/f.e.okai/?hl=en&ref=marmaladecollective.com) (Ghana) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_627774904_18304834105279319_2521270331606731626_n.jpg) Born in 1986, Frederick Ebenezer Okai works between Kumasi and Sunyani, Ghana, where he lectures at Sunyani Technical University and is a PhD candidate at KNUST. He researches indigenous Ghanaian pottery-making traditions, long sustained by women potters working outside formal recognition and channels them into sculptural installations spanning ceramics, video and virtual reality. His work was included in the 2025–26 group exhibition *Arts of the Earth* at the Guggenheim Bilbao. > [ View this post on Instagram ](https://www.instagram.com/p/DR21BA5CIMr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Frederick Ebenezer Okai (@f.e.okai)](https://www.instagram.com/p/DR21BA5CIMr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Stanis Mbwanga](https://www.instagram.com/stanismbwanga/?ref=marmaladecollective.com) (Democratic Republic of Congo) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_491470087_18504259360056348_2126184038090409129_n.jpg) Born in Isiro, DR Congo, in 1982, Stanis Mbwanga studied at the Academy of Fine Arts in Kinshasa before training extensively in Jingdezhen, China, the historic capital of Chinese porcelain. Now based in Kinshasa, where he lectures in ceramics, his work traces the link between the global trade in conflict minerals like coltan and the wars it has helped fuel in eastern DRC. He has served as a juror for South Africa's inaugural Clay Awards. > [ View this post on Instagram ](https://www.instagram.com/p/DYXUL%5Fhh8%5FO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Stanis Mbwanga (@stanismbwanga)](https://www.instagram.com/p/DYXUL%5Fhh8%5FO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Faty Ly / Fatimata Ly](https://www.instagram.com/fatylyceramics/?ref=marmaladecollective.com) (Senegal) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_618798187_17991336146751165_7731444464070236526_n.jpg) Born in Dakar in 1970, Faty Ly trained in biology before a stint working alongside a potter in Burkina Faso redirected her toward clay, and she went on to study ceramics at Central Saint Martins in London. Based in Dakar with production in Limoges, France, her Fatyly brand renders portraits of Senegalese women in cobalt blue on porcelain tableware, including her well-known *Nguka* plates, named for a traditional Wolof hairstyle. > [ View this post on Instagram ](https://www.instagram.com/p/DZugBQxjPmo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Faty Ly (@fatylyceramics)](https://www.instagram.com/p/DZugBQxjPmo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Zizipho Poswa](https://www.instagram.com/zizipo%5Fposwa/?hl=en&ref=marmaladecollective.com) (South Africa) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_732747576_18602228971029427_8827240515949201736_n.jpg) Born in 1979 in Mthatha, South Africa, Zizipho Poswa studied surface design before co-founding Imiso Ceramics in Cape Town in 2005 with fellow ceramicist Andile Dyalvane. Her large-scale, hand-coiled ceramic and bronze sculptures, shown with Southern Guild since 2017, draw on Xhosa ritual, including *umthwalo*, the practice of Xhosa women carrying loads on their heads. Her work sits in the collections of the Metropolitan Museum of Art, LACMA and the Art Institute of Chicago. > [ View this post on Instagram ](https://www.instagram.com/p/DaTGy6rjEKR/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Southern Guild (@southernguildgallery)](https://www.instagram.com/p/DaTGy6rjEKR/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Vincent "Sniper" Frimpong](https://www.instagram.com/sniper%5Fceramica/?hl=en&ref=marmaladecollective.com) (Ghana) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_516262829_18516189970042107_834881664217081378_n.jpg) Born in Accra and raised in Kumasi, Vincent Frimpong earned his BA in ceramics from KNUST before moving to the U.S. in 2021 for an MFA at the University of Arkansas. Working as "Sniper," he builds mixed-media ceramic installations, often incorporating tyres and electronics, exploring what it means to be African and a Ghanaian immigrant in America. He's received the 2022 Zenobia Award, a 2023 Haystack fellowship and the 2025 NCECA Emerging Artist Fellowship, and now teaches at Augustana College, Illinois. > [ View this post on Instagram ](https://www.instagram.com/p/DOd79WhgDIg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Vincent Frimpong (@sniper\_ceramica)](https://www.instagram.com/p/DOd79WhgDIg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Penda Diakité](https://www.instagram.com/thebeautifulartist/?hl=en&ref=marmaladecollective.com) (Malian-American) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_590418972_18541637566026230_8744389352481848335_n.jpg) Born in 1992 in Portland, Oregon, to ceramicist Baba Wagué Diakité and sculptor Ronna Neuenschwander, Penda Diakité grew up between the U.S. and Mali, learning traditional bogolanfini (mudcloth) painting in her parents' studio. Best known for mixed-media collage exploring Black female identity, her *Cowrie Series* extends that practice into handcrafted ceramic sculptures shaped like cowrie shells, historically used across West Africa as currency and in spiritual practice. > [ View this post on Instagram ](https://www.instagram.com/p/DSvDA2oiWCD/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Penda Diakité (@thebeautifulartist)](https://www.instagram.com/p/DSvDA2oiWCD/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Ernest Kobina Adusah](https://www.instagram.com/kobina%5Fadusah/?ref=marmaladecollective.com) (Ghana) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_616465264_18556231579011037_3182489808092084208_n.jpg) Hailing from Kumasi, Kobina Adusah is an MFA candidate in ceramics at KNUST who hand-builds large terracotta vessels, fired but left unglazed. His forms, often crowned with ancestor-figure heads and carved with patterning inspired by his mother's work as a seamstress, draw on Akan history and mythology. A 2025 Loewe Foundation Craft Prize finalist, he had his first solo show, *Inherited Beings*, at London's Gallery FUMI in February 2026. > [ View this post on Instagram ](https://www.instagram.com/p/DVOy-BMDEHe/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Gallery FUMI (@gallery\_fumi)](https://www.instagram.com/p/DVOy-BMDEHe/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Andile Dyalvane](https://www.instagram.com/andiledyalvane/?hl=en&ref=marmaladecollective.com) (South Africa) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_720282816_18593733220014678_9048128805047218135_n-1.jpg) Born in 1978 in the village of Ngobozana in South Africa's Eastern Cape, Andile Dyalvane grew up farming and herding cattle before training in ceramic design and co-founding Imiso Ceramics with Zizipho Poswa in 2005\. His 2016 solo debut, *Camagu,* Xhosa for gratitude to one's ancestors at New York's Friedman Benda, made him the only African artist on the gallery's roster. His work is held by the Metropolitan Museum of Art and Iziko South African National Gallery, among others. > [ View this post on Instagram ](https://www.instagram.com/reel/DZklpo1CVFf/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Andile Dyalvane (@andiledyalvane)](https://www.instagram.com/reel/DZklpo1CVFf/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Idris Olabode Opeyemi](https://www.instagram.com/clay%5Fof%5Flagos/?hl=en&ref=marmaladecollective.com) (Nigeria) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_562854475_18535022722032317_8993330523027550935_n.jpg) Idris Olabode Opeyemi is a Lagos-based ceramic artist and founder of Clay of Lagos, a wheel-throwing practice built around clay as a tool for mental health and reflection. Largely self-taught, his work draws on Yoruba culture and everyday life, and he cites pioneering Nigerian potter Ladi Kwali as his greatest influence. > [ View this post on Instagram ](https://www.instagram.com/reel/Daa0ECTArCM/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by iDrîs Clay (@clay\_of\_lagos)](https://www.instagram.com/reel/Daa0ECTArCM/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Aminata Mboup](https://www.instagram.com/iyeketi/?hl=en&ref=marmaladecollective.com) (Senegal) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_641156830_18563289010042474_7311137853841374652_n.jpg) Born and raised in Dakar and now based between Dakar and Toronto, Aminata Mboup works across sculpture, ceramics, photography and digital storytelling under her creative house Iyeketi, Wolof for "to lift something up." Her ceramics practice developed after she enrolled in a sculpture program following eight years in Montreal, and explores memory, ancestral connection and identity. She has also worked as a creative director for institutions including the Montreal Museum of African and Caribbean Art. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_591169196_18542563846042474_8821738076839350458_n.jpg) ## [Bulembi Diadi "Bul's 21"](https://www.instagram.com/bbuls21/?ref=marmaladecollective.com) (Democratic Republic of Congo) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_638312299_18567425392003162_8076049799729060756_n.jpg) Born in Kinshasa on 12 April 1993, Bulembi Diadi studied at the Institut des Beaux-Arts de Kinshasa, earning his ceramics diploma in 2011, and now teaches at the Kinshasa Academy of Fine Arts. His glazed terracotta sculptures are often figurative and symbolic: *Immortalité* honoured the late art collector Sindika Dokolo, while *Bolingo ya Darry* pays tribute to his own mother. His practice frequently uses water and unglazed surfaces that change over time. > [ View this post on Instagram ](https://www.instagram.com/p/C4mf5vhLTlP/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Bul's 21 (@bbuls21)](https://www.instagram.com/p/C4mf5vhLTlP/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Dina Nur Satti](https://www.instagram.com/dinanursatti/?hl=en&ref=marmaladecollective.com) (Sudanese-Somali) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/SaveClip.App_522509876_18018829940734600_3329701602421767673_n.jpg) Born in Chad to a Sudanese father and Somali mother, Dina Nur Satti was raised between Paris and Nairobi before settling in New York, where she founded her Brooklyn-based practice, Nur Ceramics, in 2017\. Her coil-built vessels are informed by research trips across the continent, including time with Ethiopia's Beta Israel (Falasha) potters, and by childhood memories of the ceramic incense burners used by the women in her family. > [ View this post on Instagram ](https://www.instagram.com/p/DJmeSyOx-E7/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Montague Contemporary (@montaguecontemporary)](https://www.instagram.com/p/DJmeSyOx-E7/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### YoruPop is Here, MTV VMAs Drop Afrobeats, Kelebogile Marope Wins Big URL: https://www.marmaladecollective.com/yorupop-is-here-mtv-vmas-drop-afrobeats-kelebogile-marope-wins-big/ Last updated: 2026-08-24T09:00:26.000Z **Welcome to Vol 200 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Today is a special one. Vol 200\. That's 200 weeks, which is just under four years of showing up every single week with stories about Africans shaping the world. What a thing. It has genuinely been a pleasure, finding these stories, following these artists and designers and filmmakers and athletes, and watching African culture continue to intersect with every part of global life. We'd love to know which editions have stayed with you. Which stories made you stop scrolling, or sent you down a rabbit hole? Hit reply and tell us; we enjoy hearing from you. Speaking of which, we recently updated our [guide on African muralists and graffiti artists](https://www.marmaladecollective.com/african-muralists-and-graffiti-artists/) based on recommendations we got in the comments. It makes this newsletter feel less like a one-sided broadcast. Now onto the stories: two Nigerian artists are quietly building a new sound that the internet can't stop talking about, and the MTV VMAs have done something that has a lot of people in their feelings. Omotola x Now on to the real peel 👇 _This post is for subscribers only._ ### 🗓️ What's On This Week URL: https://www.marmaladecollective.com/whats-on-august-2026-2/ Last updated: 2026-08-19T09:12:40.000Z Here's what's coming up for the Marmalade community this week. These meet-up events are perfect for socialising with other members, meeting new people and exploring new Afrocentric experiences. ### Featured Event 🔥 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/08/image.png)](https://www.axs.com/uk/events/1527141/timaya-live-special-guest-tickets?skin=indigo&ref=marmaladecollective.com) TIMAYA LIVE IN LONDON - Celebrating 20 YEARS ON STAGE Sat 22nd Aug 2026 @ indigo at The O2 [LIMITED EARLY BIRD TICKETS](https://www.axs.com/uk/events/1527141/timaya-live-special-guest-tickets?skin=indigo&ref=marmaladecollective.com) 🔗 For more info, links to book tickets (or to roll with us), reply to this email or [****hit us up on WhatsApp**](https://chat.whatsapp.com/EqbZJh1AQErGBBehvuRPAn?ref=marmaladecollective.com). ### Other Events - **Friday 21st August:** [IRU West African Supperclub by Soliat Bada, 6-11pm](https://www.eventbrite.com/e/iru-by-soliat-bada-tickets-1993965726163?ref=marmaladecollective.com) - **Sat 22nd August:** [FATTIES: A Baking Pop-Up Experience, 10am-5pm](https://partiful.com/e/UlVNzDd2VNq3ZnE372zm?ref=marmaladecollective.com) - **Sat 22nd August:** [Africa Fashion Week London 2026, 12pm-9pm](https://www.eventbrite.co.uk/e/africa-fashion-week-london-2026-tickets-1983611406113?ref=marmaladecollective.com) - **Sat 22nd August:** [AFWL x DÒDÒ AFTER PARTY, 9pm-2am](https://www.eventbrite.co.uk/e/fashion-week-official-after-party-afwl-tickets-1994935471698?ref=marmaladecollective.com) 💛 These events are sponsored by our plantain-infused rum, [DÒDÒ](https://www.drinkdodo.com/?ref=marmaladecollective.com). So expect the plantain lovers club to be out in full enjoyment. ### Slawn Builds a Rolex Multiverse, ‘Baba Segi's Wives’ Heads to TIFF, Maya Boyd Is the MCU's Storm URL: https://www.marmaladecollective.com/slawn-builds-a-rolex-multiverse-baba-segis-wives-heads-to-tiff-maya-boyd-is-the-mcus-storm/ Last updated: 2026-08-17T09:00:10.000Z **Welcome to Vol 199 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. My weekend went okay. Ayra Starr got me through it with this album. Some of the things I’m currently processing: [*The Secret Lives of Baba Segi's Wives* has a film adaptation premiering at TIFF](https://brittlepaper.com/2026/08/an-incredible-honour-for-nigerian-storytelling-mo-abudu-on-the-secret-lives-of-baba-segis-wives-world-premiere-at-tiff-2026/?ref=marmaladecollective.com), and as a big fan of the book, I genuinely don't know what to expect. I watched the trailer, and I'm holding my thoughts very loosely. Will I be one of those "the book is better" people? Will I love it? I haven't decided yet. I wonder if you have. On a different note, we've been absolutely delighted by the reception to [our guide on nature and wildlife photographers from Africa](https://www.marmaladecollective.com/african-nature-and-wildlife-photographers-2/). It feels important to us to spotlight work that sits at the intersection of artistry and environmentalism. This kind of photography doesn't just document the natural world; it makes you care about it. Go have a look if you haven't yet. Now, onto this week's stories. Omotola x Now on to the real peel 👇 _This post is for subscribers only._ ### Angélique Kidjo Makes Hollywood Walk of Fame History, Nigeria Finishes as the Continent's Top-Performing Nation at the Commonwealth Games, Atelier Ko builds in Benin URL: https://www.marmaladecollective.com/angelique-kidjo-makes-hollywood-walk-of-fame-history-nigeria-finishes-as-the-continents-top-performing-nation-at-the-commonwealth-games-atelier-ko-builds-in-benin/ Last updated: 2026-08-10T09:00:37.000Z **Welcome to Vol 198 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Nothing much to say today; it was a quiet weekend of chores and rounding off tasks, which honestly was needed. But while I was doing all of that, I kept thinking about the parts of culture, art, and photography that don't always get their flowers. We've been working on some [new guides exploring exactly that](https://www.marmaladecollective.com/tag/guides/). Are you caught up? I'd love to know which one has been your favourite so far. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 8 African Nature and Wildlife Photographers URL: https://www.marmaladecollective.com/african-nature-and-wildlife-photographers-2/ Last updated: 2026-08-05T08:00:52.000Z For a long time, the image of African wildlife was mostly shot by people passing through, visiting photographers on assignment, safari guests with a good lens, documentary crews, but a growing group of African photographers are now the ones behind the camera, and it shows. These are images made by people who grew up with strong ties to their environment, who know the conservancies, the rangers, and the politics underneath every "beautiful" shot. Here are eight of them. ## [Anthony Ochieng Onyango](https://www.instagram.com/anthony%5Fochieng%5Fonyango/?hl=en&ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/Da48Asegloo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Anthony Ochieng Onyango | Conservation Photographer (@anthony\_ochieng\_onyango)](https://www.instagram.com/p/Da48Asegloo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Anthony Ochieng Onyango grew up sketching animals in Nairobi and Kisumu, studied Wildlife Management at Moi University, and spent years working inside conservation organisations before realising the public simply didn't understand what conservation meant. He spent his savings on a photography course in 2016, quit his job in 2017, and never looked back. Now a National Geographic Explorer based in Nairobi, his work has appeared in The Guardian, National Geographic and CNN. He also runs the TonyWild Foundation, training young Africans in conservation photography and film. ## [Imara Njeri](https://www.instagram.com/imara.in.mara/?hl=en&ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/DSPDTn7DDYt/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Imara Njeri (@imara.in.mara)](https://www.instagram.com/p/DSPDTn7DDYt/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Raised in a mixed household — Irish, Danish and Kenyan — and educated in British schools, Imara Njeri has described feeling like a visitor in her own country growing up, which pushed her toward the savannah instead. A filmmaker by training, she's now a resident photographer at Ishara camp in the Masai Mara, photographing lions and elephants she calls home rather than exotic discoveries. She's also the founder of the We Are Nature community, built to bring more Kenyans into a genre still dominated by outside voices. ## [Peter Ndung'u](https://www.instagram.com/peternduungu/?ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/C92hdrPNQu8/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Peter Ndung'u (@peternduungu)](https://www.instagram.com/p/C92hdrPNQu8/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Peter Ndung'u left a career in law to become a full-time photographer and filmmaker, and it paid off: he's now a National Geographic Explorer whose work has run in National Geographic, Apple, Canon and the Financial Times. Based in Nairobi, his recent projects include the airlift of mountain bongo antelope from Florida back to Kenya. He also mentors the next generation of African storytellers, including as a trainer with Canon Unseen, which teaches visually impaired people to make photography. ## [Georgina Goodwin](https://www.instagram.com/ggkenya/?hl=en&ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/DaDbTQZiHs1/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Georgina Goodwin | Conservation Photographer (@ggkenya)](https://www.instagram.com/p/DaDbTQZiHs1/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Georgina Goodwin's fifteen-year career spans more than 20 countries and genres well beyond wildlife — refugees, fistula, climate change, women's issues — which is exactly why she belongs on this list. A Canon Ambassador from 2018 to 2020, she treats conservation photography as one thread in a broader East African documentary practice, from coastal community conservation to land tensions in the Masai Mara. She also runs a small consultancy of handpicked photographers and writers across the region. ## [Martha Mutiso](https://www.instagram.com/ecoescapades/?ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/DWmFlAQiDPb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Martha Mutiso (@marthamutisophotography)](https://www.instagram.com/p/DWmFlAQiDPb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Martha Mutiso works at Ecoescapades, describing herself as a Kenyan freelance tour leader and conservation storyteller across photography, film, writing and field recording. Her portfolio includes years of waterfowl census fieldwork at Lake Magadi, Lake Baringo and Lake Ol Bolossat, folding citizen science directly into her visual practice. Her guiding instinct is simple: an attraction to life and colour, and a belief that she feels most alive out in the field. ## [Maureen Gathoni](https://www.instagram.com/maureenwild%5F/?ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/DaS3QphjH-N/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by WildXTR (@wild.xtr)](https://www.instagram.com/p/DaS3QphjH-N/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Maureen Gathoni's path into conservation photography runs through her mother, who was a ranger at Ol Pejeta Conservancy in Kenya. Her documentary work covers chimpanzee research in Uganda, wildlife veterinarians in the field, and the effort to save the critically endangered Northern White Rhino. In 2021, she and her mother were featured together in the Global Gala for Rhinos, her origin story and her subject matter converging in one frame. ## [Fatima Yusuf](https://www.instagram.com/mfatimayusuf%5F/?ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/DZXBYG6DSib/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Fatima Yusuf💎 (@mfatimayusuf\_)](https://www.instagram.com/p/DZXBYG6DSib/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Fatima Yusuf is a freelance photojournalist, documentary and wildlife photographer from Lafia, Nasarawa State, in northern Nigeria, where conservative gender norms have historically made photography a rare path for women. She has built her practice from curiosity rather than training. Her work opening the field to more northern Nigerian women earned her the title Garkuwan Matan Arewa, the Shield of Northern Women. ## [Patrick Bentley](https://www.instagram.com/patrickbentleyphotography/?ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/CQwLRA3rhaE/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by 🇿🇲 Patrick Bentley (@patrickbentleyphotography)](https://www.instagram.com/p/CQwLRA3rhaE/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Patrick Bentley grew up in a remote stretch of Zambia's South Luangwa Valley and watched black rhinos disappear from the area within his own lifetime. That urgency runs through his fine art photography today, much of it shot using infrared and aerial techniques from microlights, paramotors and licensed drones. His "Earth Canvas" series and book "Timeless" both grow from the same idea: the Luangwa Valley feels frozen in time, even as it isn't. He's also a certified guide who directs proceeds from his work toward local conservation. # Conclusion None of these nine set out to make "African wildlife photography" a category. They set out to document the herds, the rangers, the rivers and the rhinos they grew up alongside, with whatever camera, drone or recorder the story demanded. ### MaXhosa Makes Paris Fashion Week History, Rema Teases a New Album, Samuel Ogazi Wins Commonwealth Gold URL: https://www.marmaladecollective.com/maxhosa-makes-paris-fashion-week-history-rema-teases-a-new-album-samuel-ogazi-wins-commonwealth-gold/ Last updated: 2026-08-03T09:00:34.000Z **Welcome to Vol 197 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I love watching short films, and this weekend I went to a screening of different short films mostly made across Ibadan and Lagos and after each one, they would talk about them. The filmmakers described many of the works as trado-fiction: a mix of traditional and fiction, not necessarily historical or looking to the past, but existing at any point in time. There was a lot to unpack: the importance of emotions in the filmmaking process and whether that causes bias, the significance of language and dialect and getting tones exactly right. I ate all of it as food for thought, and I'm metaphorically still chewing. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 10 African Artists Behind Some of Music's Most Iconic Covers URL: https://www.marmaladecollective.com/african-artists-behind-some-of-musics-most-iconic-covers/ Last updated: 2026-08-03T08:00:31.000Z An album cover is a strange kind of authorship; it can circulate further than almost anything else an artist makes, get tattooed on strangers, hung in bedrooms, printed on tote bags, and still leave the person who painted or photographed or designed it uncredited in most people's minds. This list is an attempt to close that gap. Some of these names shaped the entire visual language of a genre; others got one now-iconic commission and moved on to shape entire other industries. All of them are worth knowing. Here are 10 of them. ## **Lemi Ghariokwu** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_502949405_18032800685654487_6474868084609873851_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_501550847_18032800700654487_6129683010908364598_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_627675040_18386072374156131_6401072786673770586_n.jpg) Images via [afrofusionarchive](https://www.instagram.com/afrofusionarchive/?hl=en&ref=marmaladecollective.com) and [artxlagos](https://www.instagram.com/artxlagos/?hl=en&ref=marmaladecollective.com) There is no separating Afrobeat's global image from Lemi Ghariokwu's hand. Born Emmanuel Sunday in Agege, Lagos, in 1955, Ghariokwu was a self-taught teenager doing pub murals when a journalist spotted his illustration of Fela Kuti dancing in mud and brought the two together in 1974\. That first commission turned into 26 album covers over the following decades, among them "Zombie," "Sorrow, Tears and Blood," "Shuffering and Shmiling" and "Beasts of No Nation," each one folding satire, Yoruba cosmology, and pointed political commentary into a single sleeve. Beyond Fela, he's designed for Bob Marley, Miriam Makeba, Lucky Dube, Osita Osadebe and, more recently, Brymo's "Oṣó" and Falz's "Moral Instruction", a body of work now estimated at more than 2,000 covers, with one piece, "Anoda Sistem," held in MoMA's permanent collection. ## [**Niyi Okeowo**](https://www.instagram.com/helloniyiokeowo/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_656480680_18257040895292223_1202880515842382528_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/images--14-.jpeg) Images via [\_pheltmagazine](https://www.instagram.com/%5Fpheltmagazine/?hl=en&ref=marmaladecollective.com) and Spotify When Fireboy DML set out to make "Apollo" in 2020, he wanted the artwork to signal that the artist behind "Laughter, Tears and Goosebumps" was outgrowing the box people had already put him in. Niyi Okeowo, a Lagos-based multidisciplinary art director working across photography, graphic design and 3D, built the album's entire visual identity around that brief, naming it for the Greek god of range and prophecy and designing each single's cover to preview its song before it dropped visually, the artwork for "ELI," for instance, wraps its subject in a snake and marks her arm with a scorpion to signal danger before a single lyric plays. Okeowo has since worked across branding and virtual experience design for clients including Show Dem Camp, Loti and LVMH, but "Apollo" remains one of the clearest examples of album art functioning as narrative rather than decoration. ## [**Sinalo Ngcaba**](https://www.instagram.com/snalo%5F/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_651836658_18087684743232582_2901432725454517347_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_654021828_18069123311281970_6867912563236088987_n.jpg) Images via [guapmag](https://www.instagram.com/guapmag/?hl=en&ref=marmaladecollective.com) and [spurplayafrica](https://www.instagram.com/spurplayafrica/?hl=en&ref=marmaladecollective.com) Working in pastels, paint and ink, Sinalo Ngcaba has become known for reworking the painted face as both protection and symbolism, drawing on the Xhosa use of red ochre (letsoku) as a cosmetic and spiritual marker. She's designed the artwork for Native Sound System's debut EP "NATIVEWORLD," building its visual world around Nigeria's harmattan, rainy and festive seasons, as well as BOJ's "12 Summers," Mr Eazi's "Chop Time, No Friends" and J Bambii's "Church Fan." ## [**Amoako Boafo**](https://www.instagram.com/amoakoboafo/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_631465618_18360818239160099_6129513302040699241_n.jpg) Image via [newarteditions](https://www.instagram.com/newarteditions/?hl=en&ref=marmaladecollective.com) You've probably heard his name as he’s one of the most significant Ghanaian artists working today; his finger-painted portraits of Black subjects, developed in dialogue with the Vienna Secession painters he studied under, have made him one of the most sought-after names in contemporary painting, with a first solo show in Italy opening at Venice's Museo di Palazzo Grimani alongside the 2026 Biennale. His connection to 6lack's "Free 6lack" came through a different route: Interscope commissioned Boafo to reimagine the album's original cover as part of "Interscope Reimagined," a 30th-anniversary series pairing visual artists with iconic releases from the label's catalogue, released as a limited hand-signed vinyl. It's not the original artwork, but a fine-art reinterpretation of it and a rare case of a museum-calibre painter's work circulating through record shops rather than gallery walls. ## [**Musa Ganiyy**](https://www.instagram.com/the.musaganiyy/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/bd46f0ca8a.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/ab67616d0000b2735597db0998695f3cf1ac0a44.jpeg) Images via Audiomack and Spotify Musa Ganiyy, a Lagos-based visual artist and photographer, painted the cover for Show Dem Camp's 2019 project "The Palmwine Express", a scene that plays like a paused film still, packed with plants, calabash, wine glasses and young Black figures caught mid-celebration in an imagined Afrocentric interior. It's built to match the loose, free-spirited energy of SDC's Palmwine sound, and it followed his cover for the duo's "Clone Wars Vol. IV," which reworked the "Star Wars" framing. Ganiyy's broader practice moves between minimalist composition, portraiture and conceptual abstraction, generally circling the same question: how ordinary people register the social and political shifts happening around them. ## [**Lakin Ogunbanwo**](https://www.instagram.com/lakinogunbanwo/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/images--12-.jpeg) Image via Pitchfork Lakin Ogunbanwo has spent his career photographing the human body as something closer to architecture than portraiture, and his cover for Tems' 2020 EP "For Broken Ears" is often cited as one of the most quietly powerful Nigerian album covers of the last decade. The image — Tems turned away from the camera, braided, lit against a stark orange gradient — reads less like a pop artist's introduction and more like a private moment of introspection, fitting for a debut that announced Tems' arrival on her own terms rather than anyone else's. Ogunbanwo's photography more broadly moves between fashion editorial and fine art, often returning to questions of masculinity, ritual and the Nigerian body in space. ## [**Funto Coker**](https://www.instagram.com/funtocokerart/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/ab67616d0000b273a05af10a651535ba44f93ac8.jpeg) Image via Spotify Funto Coker, an art director, visual development artist and character artist now based in Kigali, works across digital and traditional media to build worlds that sit somewhere between realism and fantasy. Her cover for The Cavemen.'s 2020 debut "ROOTS" places a framed photograph of a village gathering — drumming, dancing, drinking — inside a wood-grain border that separates the scene from the viewer like a memory behind glass, rendered in a green, nostalgic tone that recalls 1960s and '70s Nigeria. She also designed the cover for Lady Donli's "Rockstar Parole," the two-track release that closed out the "Enjoy Your Life" era of Donli's career before she moved on to her Pan-African Rockstar persona. ## [**Bolade Banjo**](https://www.instagram.com/boladebanjo/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/images--13-.jpeg) Image via Genius Bolade Banjo's cover for Obongjayar's 2022 album "Some Nights I Dream of Doors" is a genuinely strange piece of work in the best sense; Obongjayar in wizard-like regalia, arms locked behind his back, flanked by an oversized face on one side and two smaller figures on the other, the whole scene lit like a still from a David Lynch film. It's a fitting match for an album that spends much of its runtime turning inward, confronting internal conflict and the wider social pressures pushing on it, and it's become one of the most discussed pieces of contemporary Nigerian album art for exactly that reason, a cover that reads as introspective rather than simply eye-catching. ## [**Ibra Ake**](https://www.instagram.com/ibraake/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/Celia_album_cover_by_Tiwa_Savage.jpeg) Image via Wikipedia Ibra Ake's path to Tiwa Savage's 2020 album, "Celia", runs through one of the more unusual creative careers in music and television. The Nigerian-American artist has a Grammy as a producer on Childish Gambino's "This Is America" video, as well as credits co-directing several sequences of Beyoncé's "Black Is King," alongside writing episodes of FX's "Atlanta." His creative direction work with Tiwa Savage on the "Celia" era, including co-directing the "Dangerous Love" video shot in Lagos, extended that same instinct for visual storytelling to Nigerian pop. ## [**Hanson Akatti**](https://www.instagram.com/hansonakatti/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/ab67616d0000b273c593e14aeb364ff8e204d270.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/Janesis_album_cover.jpg) Images via Spotify and Wikipedia Hanson Akatti, born in Accra in 1989, became the de facto visual architect of a whole generation of Ghanaian music while working as BBnZ's senior graphic designer in the early 2010s, designing covers for E.L., DJ Juls and FOKN Bois alongside his best-known work: the cover for Efya's 2016 debut album "Janesis." Drawing on 1960s and '70s design references and, by his own account, the iconic David Bowie lightning bolt, Akatti built the cover around a single teardrop meant to represent emotion and passion, with different light sources standing in for the different sides of Efya's personality. For FOKN Bois' "FOKN Wit Ewe," members Wanlov and M3nsa sketched their own ideas and brought them to Akatti to render, closing a loop between two generations of West African cover art. # Conclusion What they share is the same thing every great cover shares: the ability to make you understand something about the music before you've pressed play. ### Your Guide to TALES 2026 URL: https://www.marmaladecollective.com/your-guide-to-tales-2026/ Last updated: 2026-07-29T08:00:35.000Z TALES, The African Lifestyle Experience by Bellafricana, is back in London, and this year it's not a weekend, or even a week and a half. It's a full month. Running July 24 to August 23, 2026 at TALES House London, this year's edition brings together more than 80 African brands under a theme built around the stories that don't usually make it into the room: The Secret Story. Here's what to know before you go. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_2506.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_2600.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3631.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3647.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3651.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3677.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3701.jpg) ## The theme: The Secret Story Most people encounter African fashion, beauty and design as a finished object; a jacket, a fragrance, a plate of food, without ever hearing what it took to get there. TALES 2026 is built to close that gap. Founder, Bukky Asehinde has put it simply: behind every founder is courage, behind every collection is a journey, behind every product is intention. It's a theme with real timing behind it. As African fashion and beauty have gone from niche interest to genuine global currency worn on red carpets, sampled by international brands, covered by mainstream fashion press, the conversation has started shifting from "isn't this beautiful" to "who actually owns this, and who benefits." TALES 2026 sits right in that gap, treating story as inseparable from the product itself rather than a marketing add-on. ## The basics - **What:** TALES 2026 – The African Lifestyle Experience by Bellafricana - **Theme:** The Secret Story - **Where:** TALES House London, 28 Cavendish Square, off Oxford Street, London W1G 0DB - **When:** July 24 – August 23, 2026 - **Admission:** Free, registration required at [tales.bellafricana.co.uk](http://tales.bellafricana.co.uk/?ref=marmaladecollective.com) Across the month, TALES House becomes a working showcase for fashion, beauty, lifestyle, home and food brands from across Africa and the diaspora, alongside founder talks, workshops, product launches, live demonstrations and family-friendly programming. Building on editions that have previously hosted 70+ brands and generated real sales and collaborations for exhibitors, TALES has grown from an annual showcase into something closer to standing infrastructure for African creative businesses trying to build a UK audience. ## Brands to have on your list With 100+ exhibitors this year, browsing the full directory [here](https://bellafricana.com/african-brands-tales-2026/?ref=marmaladecollective.com) is worth the time, but a few stood out for the specificity of what they're doing: - **Budding Blue** — handwoven Aso-Oke and hand-dyed Adire fabric, treating two of Nigeria's oldest textile traditions as the basis for new fashion rather than a print reference. - **Diakwu Cloth** — takes discarded textile waste and reweaves it using traditional Nigerian techniques, making sustainability and craft the same story rather than two separate pitches. - **Ori Lifestyle** — science-backed textured haircare built around African ingredients, for anyone tired of choosing between "natural" and "actually works." - **Aduwham** — luxury candles and home fragrance built on African heritage and storytelling, if you're there for the home and lifestyle side of things. - **Afribix** — handcrafted accessories and jewellery drawing directly from African design language rather than abstracting it. - **TITÓ** — already known from last year's Five Senses of Africa for its Agbalumo macarons; back again for anyone who wants dessert with a story attached. - **Happy Coffee** — African-grown, carefully sourced coffee, worth seeking out if you want to taste rather than just shop your way through the month. - **Oyinloluwa** uses Ankara fabric as her canvas, transforming textiles into striking works of art that celebrate culture, storytelling and creative expressions. - **Simeogieme** transforms original artwork into wearable textiles, bringing together illustration, fashion and storytelling in every collection. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_2250.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_2864.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3096.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_4964.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_8743.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_7286.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3888.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3253.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_3209.jpg) ## THE CUT: Who Owns the Future of African Fashion? **Wednesday, July 29, 5:00 pm – 7:00 pm** Curated and moderated by Afua Hagan, this fireside chat is the sharpest editorial statement of the month. African fashion is now globally visible, the panel's framing goes, but who actually controls the image, owns the business, and gets paid for it? Hagan is joined by Lydia Forson, Marian Kwei, Dr King Smade and Weike Ezeigwe to dig into how African style travels through film, music, celebrity and diaspora culture and what it takes to convert that visibility into real commercial ownership rather than just aesthetic influence. It's less a fashion talk than a conversation about power. ## The Pause: A Restorative Wellness Experience **Thursday, July 30, 10:00 am – 7:00 pm** Run in partnership with WorkSpa, The Pause takes the same theme, the unseen labour behind every success story, and turns it toward rest instead of commerce. Across the day, visitors can access express massages, wellness conversations and a curated run of self-care brands to shop, alongside a quieter space to slow down. The day closes with a 60-minute immersive Sound Bath from 7:00–8:00 pm that costs £35f. Stay an hour or stay all day; the point is simply to leave more restored than you arrived, a deliberate counterweight to how much of "hustle culture" gets projected onto founders and creatives. ## Five Senses of Africa **Thursday, August 6, 10:00 am – 7:00 pm** Back after a strong debut last year, this one-day activation pushes past the visual and asks visitors to experience the continent through taste, scent, sound and touch. Expect tastings from TITO's Agbalumo Macarons and Zobo Ice Cream alongside handcrafted South African chocolates, home fragrances from TDP Home, and perfume oils from Deezmundu African Beauty, plus live music, founder conversations and the usual run of fashion and lifestyle brands to shop. It's built equally for first-time discovery and for visitors reconnecting with something familiar. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_7958.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_7966.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_8120.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_5191.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_5193.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_5207.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/EVM_5286.jpg) ## Why it matters The bet underneath TALES 2026 is that a month is enough time to actually build relationships instead of just making sales, enough time for a founder to meet the same customer twice, for a brand to be discovered by word of mouth rather than a single weekend's foot traffic. That's a different proposition than a typical trade fair or diaspora market, and it says something about where African creative industries think they're headed: not toward one-off visibility spikes, but toward the kind of sustained presence that turns admiration into ownership. Whether you're going to discover a new brand, meet a founder, or spend an afternoon at The Pause with no shopping list at all, the invitation is the same: come for the creativity, and stay long enough to hear the story behind it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/IMG_1822.PNG) ### WAFCON 2026 Is Here, David Jonsson Is the New Black Panther, Gabriel Moses Shoots Mbappé, Tyla's A*POP Is Out URL: https://www.marmaladecollective.com/wafcon-2026-is-here-david-jonsson-is-the-new-black-panther-gabriel-moses-shoots-mbappe-tylas-a-pop-is-out/ Last updated: 2026-07-27T09:00:12.000Z **Welcome to Vol 196 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Not much to say today; the weekend was packed with small but enjoyable things. The one thing I kept thinking of is how awesome music is. The way different songs can evoke completely different emotions within minutes of each other, I'm always in awe of it. People make such beautiful music. Speaking of which: Talking to the people we feature, who, honestly, are some of the coolest people; hearing how they think about art, fashion, music, photography, has a way of stretching your own perspective in ways you don't always notice until later. The interviews are real gems, and we're so glad we get to share them with you. This week we published a conversation with [Cinthia Sifa Mulanga](https://www.instagram.com/cinthia.mulanga/?hl=en&ref=marmaladecollective.com). We spoke with her about growing up between Congo and South Africa, how duality and layering shape her materials and her storytelling, why architecture and fashion carry as much meaning in her work as the figures themselves, and what she is building next. You should check it out [\[here\]](https://www.marmaladecollective.com/cinthia-sifa-mulanga-finds-her-story-in-the-details/). Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### Every Major African Sneaker Collab With Nike, adidas, Jordan, PUMA and More (2026) URL: https://www.marmaladecollective.com/every-major-african-sneaker-collab/ Last updated: 2026-07-27T09:13:43.000Z For decades, the biggest sneaker houses treated Africa as a market to sell into, not a culture to collaborate with. That equation has since flipped. From Lagos to Cape Town, Accra to Abidjan, adidas, Nike, Jordan Brand, PUMA, New Balance, Reebok, Converse, Vans, ASICS and more have each put their name behind a project designed, storied, or led by an African creative, brand or community. Here are twelve collaborations mapping that shift, from the household names to the ones still flying under the radar. ## **adidas × waf. — the Superstar's first African chapter** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_755696030_17996599773003772_3762132651968849967_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_755141393_17996599818003772_2502216162649518453_n.jpg) Images via [adidasnigeria](https://www.instagram.com/adidasnigeria/?hl=en&ref=marmaladecollective.com) and [wflsncrm](https://www.instagram.com/wflsncrm/?hl=en&ref=marmaladecollective.com) In Lagos, a skatepark now stands on the grounds of a former colonial prison, home to waf. (Wafflesncream), the skate community founded in 2012 by brothers Jomi Marcus-Bello, Nifemi Marcus-Bello and KC Obijiaku, now the first African skate collective to collaborate on the adidas Superstar and adidas' first-ever partnership with a Nigerian brand. Every detail on the Superstar ADV is pulled from Lagos Island itself: a dusty grey upper nodding to the Island's industrial texture, a translucent pink outsole referencing the pink cast the sky takes on near the sea at certain hours, and breathable side panels built for the heat the shoe will actually be skated in. ## **Free The Youth × Jordan Brand — Ghana holds the Jumpman, twice** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_753231568_18481325641096459_5591256945968441651_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_753690466_18481325587096459_683296909900983154_n.jpg) Images via [freetheyouth\_ghana](https://www.instagram.com/freetheyouth%5Fghana/?hl=en&ref=marmaladecollective.com) Free The Youth started in 2013 as four friends posting street style out of Accra, and has since grown into a streetwear label, creative agency and NGO with a collaboration history including Off-White and Daily Paper. Its first Jordan Brand project, a 175-pair Air Jordan 1 Mid released as part of the "Unbannable" 40th-anniversary campaign, swapped the shoe's usual Wings logo for the Okodee Mmowere, a Ghanaian Adinkra symbol meaning "talons of the eagle," and went to figures including Ghana's President John Dramani Mahama, Stonebwoy and Black Sherif. That preview has now become a full release: an Air Jordan 16 with campaign imagery built from hand-drawn, hand-painted and hand-sculpted Ghanaian backdrops. ## **Homecoming × Grace Ladoja × Nike — a decade of cultural exchange.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_660342479_18345748282211366_7052815720126549400_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_721119437_18109191191488486_1771429634243749902_n.jpg) Images via [@ourhomecoming](https://www.instagram.com/ourhomecoming/?hl=en&ref=marmaladecollective.com) Grace Ladoja MBE built Homecoming into one of the defining bridges between Lagos and London creative culture, and April 2026's ninth edition of the festival came with a special-edition Nike Air Max, marking Ladoja as the first Nigerian woman to design a signature Nike shoe after Nike had been one of her earliest collaborators as a young director. The shoe arrives in two colourways — a Pan-African edition and an orange "African Sunrise" tribute to the Lagos sunrise — each with six detachable charms including a gold map of Africa and the cowrie shell, and campaign imagery pictures Ladoja with her son and her father, the Olubadan of Ibadanland, threading three generations into one release. ## **Daily Paper × PUMA — the collaboration that pointed the way, nearly a decade early** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/https___hypebeast.com_image_2017_02_puma-daily-paper-collaboration-3.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_627494472_18435127561112838_1397566988452292111_n.jpg) Images via Hypebeast and [ultimatesneakerstore](https://www.instagram.com/ultimatesneakerstore/?hl=en&ref=marmaladecollective.com) Before this current wave, Amsterdam-based Daily Paper founded by three friends of Ghanaian and Nigerian descent was already proving the model could work: its first PUMA collaboration took cues from Maasai cricketers, reworking archive silhouettes like the Suede and Court Platform, while the Autumn/Winter '17 follow-up marked PUMA's 20th year supporting African football, pulling from the kits of Ghana, Cameroon and Ivory Coast and stamping the number 20 in Amharic across the range. It's a useful reminder that this isn't a brand-new trend; it's a slower-building relationship between global sportswear houses and African designers who've spent over a decade proving the audience and the aesthetic were always there. ## **PUMA × Super Yaya — the Speedcat, reworked from Abidjan** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_703882684_18613261612016335_3816107489251700252_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_684049730_18607236676016335_964958397904080013_n.jpg) Images via [superyaya100](https://www.instagram.com/superyaya100/?hl=en&ref=marmaladecollective.com) Rym Beydoun founded Super Yaya in 2016 after training at Central Saint Martins, and now works between Beirut and Abidjan, drawing on both her Ivorian and Lebanese heritage; for 2026, Zalando brought her together with PUMA for a two-part reinterpretation of the Speedcat, a shoe originally built for Formula 1 drivers before it migrated into everyday wear. The first drop, in canvas, comes in three unisex colourways with a dotted motif tracing back to Super Yaya's own past collections, while the second, more refined drop adds a patent-leather finish in deeper plum and black tones, with a campaign fronted by South Sudanese-British model Alek Wek and shot in a dance studio referencing Murda Afrique. ## **New Balance × Falko One — elephants over the Jozi skyline** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/qzwflbohgeyru7mdhfz0.jpg) Image via [Shelflife](https://www.shelflife.co.za/magazine/falko-new-balance-bring-elephants-to-the-city??ref=marmaladecollective.com) Falko One is South African street art royalty, born in Cape Town, who started painting walls in Mitchells Plain in 1988 and has spent over three decades taking his signature psychedelic elephants across townships, cities and continents; when New Balance relaunched its Mall of Africa store in Johannesburg, it turned to Falko for a custom wall mural capturing the Jozi skyline through his elephant tags, plus a run of 100 limited-edition shoeboxes, hand-designed and signed, inspired by the hustle of the city's taxi industry. It's a lighter touch than a signature shoe, but proof that these partnerships don't only take the form of a co-designed sneaker; sometimes the retail environment itself becomes the canvas. ## **YoungstaCPT × Reebok — a Cape Flats mixtape, stitched into leather** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_573860934_18544898044013555_5168849230958054882_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_576081211_18544898086013555_4108126634556205467_n.jpg) Images via [whatsonincapetown](https://www.instagram.com/whatsonincapetown/?hl=en&ref=marmaladecollective.com) Cape Town rapper YoungstaCPT teamed up with Reebok South Africa on the Oh-Two-1, named for the 021 area code of the Mother City and built on Reebok's classic Pump OmniZone silhouette, designed by YoungstaCPT and illustrated by Capetonian artist Ross Solomon with hand-sketched local references including spray cans, cassette tapes, Metrorail trains and Gatsby sandwiches. It's the third local signature sneaker in Reebok's Pure Mzansi Gold series, following the late AKA, with only 500 pairs made, each signed, numbered and boxed with custom artwork, what YoungstaCPT described as a project about legacy, for a brand he said has always belonged to people who built something out of nothing. ## **Converse × #CreateAtHome — five South African artists reimagine the Chuck** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/GIF-1024x1024.jpg) Image via [The Plug Mag](https://theplugmag.com/converse-collaborates-with-5-sa-artists-to-createathome/?ref=marmaladecollective.com) In 2020, Converse's #CreateAtHome campaign became a project called Unity, handing the classic white Converse Hi-top to five South African artists: Fhatuwani Mukheli, Sindiso Nyoni, Nardstar\*, David Tshabalala and Falko One again to each visually depict the African experience of COVID-19 through a lens of hope and survival, with each design limited to 75 customised pairs and proceeds going to the Nelson Mandela Children's Fund. It's a smaller, more grassroots example than most on this list, but an early one showing a global brand handing over creative control to local artists rather than commissioning "African-inspired" work from elsewhere. ## **Dobale × Vault by Vans — "Forever Sunny in Ikoyi"** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_653409358_18116027491726566_5057721297860878534_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_657661647_18404826244197622_1933336900831253141_n.jpg) Images via [stay\_\_rooted](https://www.instagram.com/stay%5F%5Frooted/?hl=en&ref=marmaladecollective.com) and [vans\_worksout](https://www.instagram.com/vans%5Fworksout/?hl=en&ref=marmaladecollective.com) Nigerian-American artist Ade Okuboyejo's brand Dobale partnered with Vault by Vans on a debut collection titled "Forever Sunny in Ikoyi," drawing on his childhood in Lagos, with a colour palette pulled from the city's sunny atmosphere, its food, its scenery and the Lagos state flag; a tri-colour vintage suede Vans Bold Ni, a Vans Era VLT LX built around his favourite hometown dish (efo), and a Vans Slip-On VLT LX finished with a hand-drawn sun graphic, extended across an eight-piece apparel capsule. It's a smaller footwear-plus-apparel take on the same instinct running through this whole list: using a global shoe brand's platform to tell a very specific, very personal Lagos story. ## **Vans × Motherlan — a full-circle skate trip back to Lagos** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_586875925_18547683382001525_326869951218347084_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_589278549_18547683418001525_7596913556347244014_n.jpg) Images via [sanecomms](https://www.instagram.com/sanecomms/?hl=en&ref=marmaladecollective.com) London-based, Nigerian-born collective Motherlan partnered with Vans on a limited-edition collection built around two premium LX styles, the Half Cab Reissue 33 and Old Skool, alongside an apparel capsule, and returned to Lagos to shoot the campaign, skateboarding through the city that shaped their youth, their first global project with Vans landing, fittingly, as a homecoming. It sits naturally alongside waf. and Free The Youth as a reminder that skate culture has become one of the strongest through-lines connecting African cities to the biggest sneaker brands. ## **ASICS Sportstyle × Helon Melon — comfort first, at South African Fashion Week** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_747505263_18170183839427660_4226307871937032422_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_748330613_18170183830427660_6299910443235846590_n.jpg) Images via [helonmelonct](https://www.instagram.com/helonmelonct/?hl=en&ref=marmaladecollective.com) At South African Fashion Week, ASICS Sportstyle partnered with Cape Town designer Helen Melon, founder of the nearly three-decade-old label Helon Melon, known for natural fabrics and an honest, understated design sensibility, who reinterpreted ASICS Sportstyle's footwear through her own lens for the runway, pairing her garments with the brand's shoes in looks she described as effortless and self-expressive. She's pointed to a shared value system behind the fit — mutual respect for materials, construction and longevity, and a belief that comfort should come first — making it a smaller-scale, runway-first collaboration but one more sign of a global performance brand actively courting South Africa's fashion week ecosystem. ## **Nike × Air Afrique — a dress shoe built from a Pan-African airline's memory** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_563084741_18530266441056198_604181443612689092_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/SaveClip.App_549917847_18414854182107576_277708490211546015_n.jpg) Images via [sundayfit](https://www.instagram.com/sundayfit/?hl=en&ref=marmaladecollective.com) and [oumou.sang](https://www.instagram.com/oumou.sang/?hl=en&ref=marmaladecollective.com) Paris-based creative collective Air Afrique, drawing its name and identity from the now-defunct Pan-African airline founded by eleven newly independent West and Central African nations in 1961, partnered with Nike on the Air Max RK61, a hybrid dress shoe built from Air Max SNDR cushioning and traditional moccasin construction, with a green jacquard sockliner recreating the airline's original seat pattern, a Stadium Green Air unit shaped like a jet engine, and "Air Afrique" spelled out in Morse code across the outsole. The launch campaign featured Ivorian football legend Didier Drogba, Malian singer Oumou Sangaré, Ivorian sprinter Marie-Josée Ta Lou-Smith and a former Air Afrique employee, and Nike broke its own playbook to launch the sneaker first in Abidjan, Côte d'Ivoire, before rolling it out globally; a first for the brand, and, by most accounts, a sell-out. # Conclusion What connects all twelve of these is a shared refusal to let "African" mean decorative. The sneakers are simply where those stories become wearable. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Cinthia Sifa Mulanga Finds Her Story in the Details URL: https://www.marmaladecollective.com/cinthia-sifa-mulanga-finds-her-story-in-the-details/ Last updated: 2026-07-22T16:47:51.000Z Cinthia Sifa Mulanga is a contemporary artist working across painting, printmaking and collage, known for her layered depictions of Black women set within carefully constructed interiors. Born in Lubumbashi, in the Democratic Republic of Congo, and raised in South Africa from the age of nine, she trained as a printmaker at the Artist Proof Studio in Johannesburg before her practice evolved into the mixed-media approach she is known for today, combining acrylic, oil pastel, charcoal and collage. At the centre of her work is the representation of Black women, not as fixed portraits but as composites, layered, contradictory and never reduced to a single narrative. Mulanga's figures appear within bedrooms, living rooms and increasingly public spaces that function less as backdrops than as psychological environments, places that hold memory, aspiration, tension and belonging all at once. Her recent recognitions include a solo exhibition at Goodman Gallery Johannesburg, inclusion in the touring exhibition When We See Us: A Century of Black Figuration in Painting, and a 2022 collaboration with Gucci reimagining the Diana tote bag. She lives and works in Johannesburg. We spoke with Cinthia about growing up between Congo and South Africa, how duality and layering shape her materials and her storytelling, why architecture and fashion carry as much meaning in her work as the figures themselves, and what she is building next. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230357.jpg) Unfolding' 2020\. 29.4cm x 37cm. Mixed media of acrylic paint, oil paint, charcoal, ink wash with collage on fabriano paper. The Ditau Collection **Looking back, how has growing up between Congo and South Africa shaped the way you understand identity and belonging, and the stories you choose to tell?** There's so much, but what comes up most often is culture. I've found that Congolese and South African cultures are actually very similar, but some things differentiate us too, the way we live, the way we speak, and the way we make our homes. Being born in Congo, I grew up quite conservative. My siblings and I were mostly indoors, partly because of the war. Moving to South Africa was a culture shock. We were so reserved, and South Africans are proud in a way we weren't used to. That contrast shaped how I think about carrying identity, and it shows up in how the women in my work are depicted. Some are hiding, or not fully visible, because there was a period when we had to conceal where we came from just to feel like we belonged. We had to put certain parts of ourselves aside to adapt. That isn't loud in the work, but it's there. Some figures are loud and proud, and some are still concealed, still figuring out how to present themselves within the space. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230360.jpg) Wrote me a letter' 2022\. 70cm x 80cm. Acrylic paint with charcoal and collage on canvas. Shown at Goodman Gallery solo exhibition 2022 **That leads me well into my next question: you bring a lot of duality into your work, multiple figures, multiple emotions, multiple perspectives within one composition. What interests you about contradiction and layering?** It started with the material itself. For me, the medium informs the story, and the story informs the medium; it's a constant give and take. My brother taught me to draw, and I joined an organisation he was part of while I was still in high school. We worked across oil pastels, charcoal, painting and a bit of printmaking, and that's where I was introduced to the discipline I'd later study formally. I always felt I wouldn't be doing the themes of Black womanhood, belonging and identity justice with paint alone. Once I was working across multiple printmaking techniques and collage, alongside studying art history and movements, layering simply made sense. The same way you'd sketch a drawing and then build on top of it with paint, fabric, collage, that layering mirrors the woman herself. There's so much more to a person than what's visible on the surface. You see a soft, gentle woman, but there are values, upbringing, and history underneath that aren't necessarily gentle at all. My materials let me speak to that contrast, the journey of becoming a woman. I'm interested in how things, people, histories overlap rather than compete. In some paintings, I'll place an object from Europe alongside an artefact from Africa, not because one is competing with the other, but because they coexist, the same way someone can be born in Congo and raised in South Africa. I made a series called Competitive Sisterhood about exactly this: how two people can be from the same place and still be entirely different. I like exploring that duality, one thing existing in the presence of another without diminishing it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230397.jpg) Competitive sisterhood-wait your turn'2021\. 76cm x 101cm. Acrylic paint, acrylic color, charcoal, african wax print with collage on canvas. Currently shown in When we see us group exhibition at The Liljevalchs museum in Stockholm, Sweden up until 30th August 2026 **It’s one of my favourite topics to talk about. You've spoken about pulling from the history of African art and tradition. How does that knowledge inform your storytelling now?** Moving from Congo to South Africa meant certain things got forgotten, because you adapt to survive where you are. When I pull from African history more broadly, it helps me find my way back to my Congolese roots. Growing up in South Africa, language plays a huge part in identity: Zulu, Xhosa, Sotho, English, and somewhere in there, you can forget your own, Kikongo, Lingala. When I draw on other African histories and stories, even ones from Mali, Kenya, Senegal, and Togo, I always find myself somewhere within them, and it reminds me of my own. It helps me stay grounded in who I am rather than dissolving into the cultures, like American culture, that have heavily influenced South Africa. **That makes sense. How does it feel mixing traditional mediums with more modern ones, painting alongside collage or digital tools?** It keeps me up to date with the times. I know there's a whole conversation right now about whether AI is destroying or benefiting creative work. I'm a believer in using what's available to say what you need to say; that's how I started, using whatever materials were around rather than waiting to afford anything specific. There's no version of the 90s without the 80s, no 2000s without the 90s. Generations build on each other. I also believe in working smart rather than just hard. The older generation believed in hardship as proof of worth; this generation is asking what's possible without unnecessary struggle. That's not a dismissal of what came before; it's evolution. That said, I don't like fast production for its own sake. In printmaking school, we were taught to paint quickly, against the clock, and at the time, I thought it was a useful skill. Now that I have the privilege of not needing to produce on demand, I've realised speed without process strips the humanity out of the work. If I can finish in a week what used to take months, that's because I've put in years building the skill to get there, honestly. But when collectors or galleries expect work instantly, it turns the artist into a machine, and that integrity question, how something was made, matters more to me than how fast. **Integrity and Efficiency. I would also like to understand how architecture plays an important role in your work, beyond simply being a setting. What does it let you say that a plain background wouldn't?** It has its own meaning, separate from just framing the figures. When my family moved to South Africa, we weren't stable; we moved often, living with people from different cultures, and I became fascinated by how they lived, cooked, spoke, the objects they kept, and the structure of their homes. You don't notice the structure of a house until you've moved through several, and then you realise it's not just about colour or decoration, it's about how the space itself is built. That ties into belonging; you either make a place yours, or you're constantly questioning whether you belong there at all. I enjoy architecture as both a visual and psychological structure, the same way I think about form in fashion. It's a setting, but it's also where the psychological weight of the work lives. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230358-1.jpg) All my emos' 2022\. 65cm x 85cm. Acrylic paint with charcoal and collage on canvas. Part of the 2023 Finalists Exhibition, Norval Foundation, Cape Town, South Africa. Private Collection **Speaking of which, you also use fashion and symbolism to contextualise your work. What role does that play?** A huge one. Fashion is functional the way architecture is; it's an extension of identity, what someone wants to say about themselves and where they come from. With African wax fabric, certain patterns tell you a piece is from a specific tribe or country in Kenya, in Congo, and so on. Historically, markings and patterns also communicated status, whether someone was royalty or married. I bring those old forms of communication into a contemporary context. What used to signal a way of life is now more often a trend, but it still carries that older meaning underneath. It all ties back to identity, where someone comes from, where they'd like to be, who they are. In terms of colour, I've been drawn for a while now to warm tones, reds, oranges, and deep yellows. For me, they represent passion, something brewing within a person that needs to be communicated visually. I've also been returning to African wax-print patterns lately, some of which are carved before they're printed onto fabric, as part of a new body of work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230361.png) Her infinite burlesque' 2026\. 50cm x 50cm. Acrylic paint with oil pastels, charcoal and collage on canvas. Private collection **There's a strong sense of world-building in your work. Are there worlds you're imagining, preserving, or challenging?** There are a lot of possibilities I'm interested in. Early on, the windows and doors in my paintings were blank, just a flat colour. A few years later, I started adding exteriors, trees, nature, and now those spaces are becoming almost infinite, a room within a room. That shift speaks to endless possibility, the idea that what you're looking for is closer than you think. There's always more happening within the work; sometimes the art on the walls within the painting is its own commentary on history, or on a current conversation like the idea that women are "too emotional" for certain spaces, but the core idea is that you're never out of reach of what you want. The windows and doors always lead somewhere else. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230359.png) Barbies pulling barbies' 2025\. 70cm x 70cm. Acrylic paint with oil pastels, charcoal and collage on canvas. Private collection That matters especially for women, who are often discouraged from imagining beyond their current circumstances. Just because you trained as an engineer doesn't mean you're confined to engineering; it shows up in art, beauty, technology, and music. I want the work to say that where you are right now isn't necessarily where you're meant to stay. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230434.jpg) **That’s beautiful. Looking at the broader conversation in contemporary African art right now, are there questions you think artists should be asking each other more?** There's been a lot of discourse recently, especially online, about visibility and representation, and whether we've started using those words as catchphrases without really interrogating what we mean by them. I understand the importance of visibility. If a Black woman with braids or an afro walks through an Asian country, for instance, people stare, not necessarily out of malice, but because their communities have stayed closed in ways that prioritise preserving their own identity over engaging with the wider world. It's a kind of paradox; it's not entirely anyone's fault, but it does shape how visibility lands. Representation matters most, I think, because it shows young people that anyone can do this, regardless of background. It shows them that someone who studied engineering can end up in beauty, music, or art. But visibility isn't one-size-fits-all; someone from the same background as you can hold a completely different opinion, and that's fine; that nuance is necessary too. I think we need to keep questioning the integrity behind calls for representation. Is it about genuine inclusion, or is it aesthetic, a way for a brand to look good? And representation comes with responsibility. People will celebrate you until you express a slightly different opinion, and then drop you. That's worth being honest about. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230438.jpg) **That’s something important to think about. Looking ahead, what excites you most about your work right now?** A lot. I have two solo exhibitions in development for later this year. One in particular I've been eager to share, it sits in the space between my more colourful work and my black-and-white drawings, which I'd felt pressure to choose between in the past. I wanted to give that black-and-white workroom to exist fully, on its own terms. I'm also excited about moving into three-dimensional spatial design and installation; it's a new category for me, and I've enjoyed exploring what that means for the work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/1000230431.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Tosin Oyegoke Is Turning an Ancient Tradition Into the Future of Women's Health Tech URL: https://www.marmaladecollective.com/tosin-oyegoke-is-turning-an-ancient-tradition-into-the-future-of-womens-health-tech/ Last updated: 2026-07-20T11:30:44.000Z Tosin Oyegoke has spent nearly a decade listening to women talk about their bodies and noticing what technology has consistently failed to hear. A chemical engineering graduate of Obafemi Awolowo University, she began her entrepreneurial life in the intimate, centuries-old practice of waist beads. Her first company, Waist Beads by Nora, grew into one of the most recognised waist accessory brands in the world, shipping to women across 50 countries and building a community of over 200,000\. It was intentional and culturally rooted. Tosin herself had worn waist beads since she was 19\. When symptoms of PCOS began to surface, the beads — tightening, shifting, rolling — also signalled a change in her body. That experience, combined with years of listening to thousands of women across the globe, became the seed of a bigger question: what if technology could do what the beads had always done, but with the intelligence to translate what the body is saying into something a woman can actually use? The answer is Bèbèdí, the world’s first waist-worn body-awareness wearable designed exclusively around female physiology. Paired with an AI-native app, it tracks waist trends, temperature, sleep, movement, and cycle patterns, turning everyday body signals into understanding rather than alerts. And Tosin, now a second-time founder, is building it with the same community-first instinct that made her first company impossible to ignore. We sat down with Tosin to talk about growing up as a first daughter in Lagos, the moment waist beads became more than adornment, why she believes wearables will become pervasive and more. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/IMG_3331.jpg) **You’ve introduced yourself in a lot of ways over the years. Let’s go back to the beginning, what kind of child were you, and how did all of it lead here?** I’m the first daughter, and I think that already says a lot. I grew up in Lagos, in a family of four children. My mum was the kind of mother who had already assigned future occupations to her children before they were even born. I was supposed to be the doctor. In secondary school, I was strong in maths and sciences, but biology was the one I just couldn’t get right. So I thought, okay, I’ll switch with a sibling, and I went into engineering. I did chemical engineering at OAU. During my industrial training period, I had to go out into the world and figure things out for myself. That’s when the business side of me emerged. I started designing waist beads, and Waist Beads by Nora was built from the ground up as a premium brand. I knew exactly who I was designing for and went straight for them. Along the way, my co-founder Omotayo joined me. He has a strong startup background, so when he came on, we started running Waist Beads by Nora more like a tech company. As we started listening more closely to how women related with their waist beads, with their waists, with their bodies, we realised technology could come in and serve women so much better. That’s where Bèbèdí came from. It took years of brewing, of validating the concept and the technology. But that’s the origin. One thing I’d say about myself: I’m an executor. The moment I think of something, I’m already figuring out how to get it done. And taking ownership, that just comes naturally to me. I think it’s the firstborn, first daughter energy that seeps into everything. **When did waist beads stop being just adornment and become something more intelligent to you?** Even before the business, I wore waist beads myself. Sometime around 19, going on 20, I started noticing certain changes in my body: weight gain, a lot of bloating. But I didn’t even fully notice the change until my waist beads started to feel tight, rolling up and shifting. Not my clothes. My waist beads. What I was experiencing were the early signs of PCOS. That moment stayed in my mind for years: the idea that the beads could be intelligent, that they weren’t just about adornment. And then when I was designing for thousands of women, they kept telling me the same things. Their beads helped them notice bloating before their period. Weight shifts. A kind of awareness in their own skin. The idea of waist beads as something intelligent wasn’t born from my experience alone; it was built from listening to other women, too. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/Real-shot--2.jpg) **What did that community reveal to you about how women listen to their bodies?** One of the things that struck us when we started gathering feedback was how long women had been wearing their waist beads without taking them off. Four years. Five years. We’ve heard as high as six. And the key insight for wearables is exactly that: you have to wear them continuously, over a long period of time, for true pattern recognition to emerge. Women were already doing that. They were observing patterns of bloating, noticing when their period was approaching, and tracking changes in their waist. The beads were functioning as a signal system. What struck me was that no wearable in the world was being built around this. If it’s not the wrist, it’s the finger. Nobody was taking the waist seriously, and women have listened to their bodies through the waist for centuries. **How do you actually put technology into a waist bead? How does that translate?** We started with a proof of concept, got something off the shelf, attached it to a waistband, and wrapped it around the waist. We wanted to understand what data was even possible to capture there. What we found is that the waist holds information that the wrist and the finger simply cannot access, particularly around how women move, how bloating occurs, and how waist circumference changes over time. The first version of Bèbèdí starts with sensors around movement and temperature, things that don’t require tight skin contact, the way some other biometric sensors do. But we are building beyond sensors; we are creating a women's health ecosystem. The technology has been validated, and we are currently testing our MVP against industry standards. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/Bebedi-wearable-and-charger.png) Bèbèdí wearable and charger **Bèbèdí is rooted in Yoruba tradition, where waist beads have been worn by women for centuries. How do you hold that heritage while pushing it forward?** Honestly, I think fusing technology with waist beads is one of the most respectful things you can do for the tradition. In a world where everything is advancing, things that have been seen as culture for generations are being left behind and things that are left behind eventually die out. By bringing tech in, we’re not just keeping the tradition alive; we’re allowing it to transcend the cultures it started from. Women all over the world get to live with it and, in doing so, understand where it came from. We always point to the cultural origin in how we talk about Bèbèdí. We always recognise it. But at its core, it’s still about women’s lives, helping women live better with technology designed for them, in a form factor their bodies already know. The future of personalised healthcare is wearables. Women want to know what is happening in their bodies. Imagine having something on your body that can tell you: is something coming? How is my cycle affecting my plans this week? What is my energy saying today? Bèbèdí is building the ecosystem that should have existed for them already. **Women’s bodies have historically been over-monitored and underserved at the same time. How do you make sure Bèbèdí doesn’t add to that burden?** We are very clear about this: we are building for understanding, not performance, not optimisation. Bèbèdí is not going to push you to hit goals or close a ring or chase a sleep score. It is a body awareness wearable. It’s for you to be aware of how you’re feeling and what’s going on with you at that point in time. We don’t see a world where women get obsessed. We see a world where women understand themselves better. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/Tosin-s-shot.jpg) **Last question: how do you think about data privacy, especially given that women’s bodies have historically been surveilled in ways that haven’t always served them?** Data privacy is very important to us; I say that as a woman myself. I hold back on technology until I know my data is safe. We’ve seen companies sued for selling user data, and beyond the lawsuits, it’s simply not respectful. Our stance is straightforward: your data is yours. If you want it deleted from the app, you can delete it, and it will be deleted from our end, too. No third-party selling. Absolutely no selling to advertisers, that one genuinely angers me. We are currently working on a data pledge that all our users can read, clearly covering how their data is used, stored, and protected. Your data is not shared with other users. It is purely yours. That is the Bèbèdí commitment. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/07/Burgundy--2-.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Children of Blood and Bone Gets Its First Look, Americanah Finally Finds a Screen Home, Bukayo Saka Shines at the World Cup, Tyla Gets a Bratz Doll URL: https://www.marmaladecollective.com/children-of-blood-and-bone-gets-its-first-look-americanah-finally-finds-a-screen-home-bukayo-saka-shines-at-the-world-cup-tyla-gets-a-bratz-doll/ Last updated: 2026-07-20T09:00:36.000Z **Welcome to Vol 195 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Last weekend, it was my phone. This weekend, it was the home devices. In true Nigerian fashion, I tried smacking them first. But at this point, I'm convinced it's a message. In between all of that, I was sitting in my French class, genuinely reconsidering my life choices. Learning a new language when you do not have the time to practise properly is a whole thing, and please, do not recommend another app or digital tool to me, or I will combust. Eventually, I decided to just laugh it off, which brought me to something I've been noticing: comedy has somehow become one of my favourite genres of anything. Improv and theatrical comedy especially. I love a larger-than-life setting, a room where anything could happen. But enough about me. Every time I put this newsletter together, I feel genuinely hopeful. The art, the fashion, the culture, the craft, the music, I'm always in awe. All I hope is that more Africans get into the spaces where they can tell their own stories, and not have others tell it for them. Which brings me perfectly to this week's feature; it's a controversial one, and it has sparked discourse ranging from very considered essays to the funniest memes. I'd love to know your thoughts. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 8 African Film Festivals Putting the Continent's Cinema on the Map URL: https://www.marmaladecollective.com/african-film-festivals-putting-the-continents-cinema-on-the-map/ Last updated: 2026-07-13T11:00:11.000Z A red carpet is the easy part. What actually makes a film festival matter is everything underneath it: the training labs, the distribution fights, the founders who decided their city or their genre or their generation deserved a stage nobody was going to build for them. Across Africa, that work has been going on for decades, in places as different as a converted stadium in Ouagadougou and a maize-farming town in Western Kenya. Some of these festivals are now over half a century old. Others launched in the last few years out of a single founder's frustration with what wasn't being shown. Here are 8 of the festivals shaping how the continent watches, makes and talks about film. ## [FESPACO](https://www.instagram.com/fespaco.officiel/?ref=marmaladecollective.com) — Ouagadougou, Burkina Faso FESPACO is the elder statesman of African cinema, founded in 1969 as Semaine du Cinéma Africain, an intimate week-long gathering of filmmakers and film lovers in a city that, at the time, had just six cinemas and almost no festival infrastructure. The founders, among them Senegalese filmmaker Ousmane Sembène, scholar Paulin Soumanou Vieyra, and Burkinabè cultural minister Alimata Salembéré, weren't simply trying to programme a festival; they were trying to [build an entire ecosystem](https://afrocritik.com/fespaco-an-enduring-role-in-promoting-african-cinema/?ref=marmaladecollective.com) in which African films could be shown, distributed and judged by Africans, rather than filtered through European distributors. > [ View this post on Instagram ](https://www.instagram.com/reel/DGTmc5YOOj2/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by FESPACO (@fespaco.officiel)](https://www.instagram.com/reel/DGTmc5YOOj2/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) In 1972, the event was [formally renamed FESPACO](https://en.wikipedia.org/wiki/Panafrican%5FFilm%5Fand%5FTelevision%5FFestival%5Fof%5FOuagadougou?ref=marmaladecollective.com) and given a competitive structure, with its top prize, the Étalon d'or de Yennenga, named after the legendary warrior princess considered the founder of the Mossi empire. The festival flourished further in the 1980s with [expanded state support and screening infrastructure](https://africanstays.com/event/fespaco-burkina-faso-film-festival/?ref=marmaladecollective.com) as part of a wider project of cultural sovereignty. Held biennially in late February or early March, FESPACO has continued without interruption (bar one edition in the 1970s) through coups, conflict and changes of government, screening exclusively African and diasporic films and drawing filmmakers from across the continent to what locals have nicknamed "Ouagawood." The 2025 edition [received a record 1,351 submissions from 48 countries](https://culturecustodian.com/fespaco-prepares-for-its-30th-edition/?ref=marmaladecollective.com); the next, FESPACO's 30th, runs from 27 February to 6 March 2027. ## AFRIFF — Lagos, Nigeria The Africa International Film Festival was [founded in 2010 by Chioma Ude](https://en.wikipedia.org/wiki/Africa%5FInternational%5FFilm%5FFestival?ref=marmaladecollective.com), a Nigerian marketing professional who, while bringing the touring ION International Film Festival to Port Harcourt, realised there was no major festival built specifically to showcase African and diasporic cinema as a whole, rather than any single country's industry. "It was important for me that the focus was on the continent as a whole, rather than just Nigeria," [Ude has said](https://deadline.com/2025/05/chioma-ude-africa-international-film-festival-interview-1236385275/?ref=marmaladecollective.com). "I felt there was room for a festival that would be inclusive of everything the African diaspora has to offer." > [ View this post on Instagram ](https://www.instagram.com/p/DQlx3BEDTWF/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Africa Int'l Film Festival (@afriff)](https://www.instagram.com/p/DQlx3BEDTWF/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The inaugural edition launched in Port Harcourt with 13 films in competition; after a stop in Calabar, AFRIFF settled permanently in Lagos from 2015 and has run there every November since, missing only 2020 due to the pandemic. It has since grown into Nigeria's largest film festival, [training more than 10,000 young people](https://deadline.com/2025/05/chioma-ude-africa-international-film-festival-interview-1236385275/?ref=marmaladecollective.com) across 12 African countries through its Talent Development Program. In 2024, AFRIFF launched the AFRIFF Film and Content Market, [Nigeria's first official marketplace](https://en.wikipedia.org/wiki/Africa%5FInternational%5FFilm%5FFestival?ref=marmaladecollective.com) for licensing, co-productions and distribution deals, and in 2026, it [became the first African festival invited to curate its own pitch sessions](https://shockng.com/africa-international-film-festivalafriff-marche-du-film-2026/?ref=marmaladecollective.com) at the Cannes Marché du Film, presenting titles from Nigeria, South Africa and Rwanda to international distributors and financiers. Fifteen years on, AFRIFF has become exactly the kind of bridge to global industry that Ude set out to build. ## DIFF — Durban, South Africa The Durban International Film Festival is, by most counts, the oldest continuously running film festival in Southern Africa, [founded in 1979 by Teddy and Ros Sarkin](https://en.wikipedia.org/wiki/Durban%5FInternational%5FFilm%5FFestival?ref=marmaladecollective.com). Presented today by the Centre for Creative Arts at the University of KwaZulu-Natal, DIFF screens more than 200 films a year, most of them African or South African premieres, and is one of only four Oscar-qualifying festivals on the continent for Best Documentary and Best Short Film. > [ View this post on Instagram ](https://www.instagram.com/p/DZxAruuFyZT/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Durban International Film Fest (@durbaninternationalfilmfest)](https://www.instagram.com/p/DZxAruuFyZT/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) What sets DIFF apart from many of its peers is how deliberately it has worked to take cinema beyond the festival venue itself: its [outreach programme brings screenings into township areas](https://en.wikipedia.org/wiki/Durban%5FInternational%5FFilm%5FFestival?ref=marmaladecollective.com) where commercial cinemas have never existed, while its Talent Campus Durban, run in partnership with the Berlinale Talent Campus, and the Durban FilmMart co-production market have made the festival a genuine training ground as much as a showcase. Held every July, recent editions have opened with major African premieres, including [Apolline Traoré's Sira in 2023](https://www.news24.com/life/arts-and-entertainment/arts/2023-durban-international-film-festival-set-for-july-with-online-and-in-person-presentations-20230309?ref=marmaladecollective.com), and the festival continues to position itself as a launchpad: filmmakers who debut at DIFF routinely go on to Cannes, Toronto and beyond. ## ZIFF — Zanzibar, Tanzania Also known as the Festival of the Dhow Countries, the [Zanzibar International Film Festival was established in 1997](https://en.wikipedia.org/wiki/Zanzibar%5FInternational%5FFilm%5FFestival?ref=marmaladecollective.com) as a non-governmental organisation built around an unusually expansive idea of cultural geography. Rather than confining itself to Africa, ZIFF takes its cue from the Indian Ocean trade routes that have connected East Africa, the Arabian Peninsula, South Asia and the Indian Ocean islands for centuries, screening films from all of these regions alongside the rest of the continent and its diaspora. > [ View this post on Instagram ](https://www.instagram.com/reel/DaKUcgDAPRd/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Sinema Zetu HD (@sinemazetuhd)](https://www.instagram.com/reel/DaKUcgDAPRd/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The festival unfolds across historic Stone Town, much of it within the Old Fort, and pairs ten days of screenings with [live taarab and Swahili music, dhow boat races, craft markets](https://wearezanzibar.com/events/festivals/zanzibar-international-film-festival?ref=marmaladecollective.com) and a Village Panorama programme that takes mobile screenings out to rural communities across Unguja and Pemba, ensuring the festival reaches well beyond the tourists it also attracts. Now in its third decade, ZIFF draws around [7,000 international visitors and a total festival audience exceeding 100,000](https://en.wikipedia.org/wiki/Zanzibar%5FInternational%5FFilm%5FFestival?ref=marmaladecollective.com), making it not just East Africa's largest film festival but one of the largest multidisciplinary cultural events on the continent. ## Kitale Film Week — Kitale, Kenya Kitale Film Week is proof that you don't need to be in a capital city to build something significant. [Founded in May 2022 by Peter Pages Bwire](https://www.sinemafocus.com/kitale-film-week-peter-mudamba-festival-director/?ref=marmaladecollective.com), a filmmaker raised in Western Kenya who studied film and theatre before training in international film business at the University of Exeter and the London Film School, the festival emerged from his frustration that Nairobi absorbed almost all of Kenya's film infrastructure and investment. Bwire [pitched the idea to hotel managers, students and local business owners](https://nation.africa/kenya/life-and-style/buzz/peter-pages-bwire-kitale-into-kenya-s-unlikely-film-hub-5380282?ref=marmaladecollective.com) in his hometown of Kitale, an agricultural town better known for maize farms than premieres, and pieced the first edition together largely through donated venues, projectors and volunteer labour. It launched free of charge in February 2023 and has grown each year since, now running eight days and showcasing more than 90 films to thousands of attendees through school visits, outdoor cinemas and community venues. > [ View this post on Instagram ](https://www.instagram.com/p/DVX81sHDCZH/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Mashariki Arts Academy (@mashariki\_artsacademy)](https://www.instagram.com/p/DVX81sHDCZH/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The 2026 edition [opened with Tosh Gitonga's Inside Job](https://www.sinemafocus.com/2026-kitale-film-week-lineup/?ref=marmaladecollective.com) and paid tribute to the late Kenyan cinema pioneer Anne Mungai. As Kenya Film and TV Producers' Association founder Ezekiel Onyango [put it at one recent edition](https://news.sanaapost.com/kitale-film-week-2025/?ref=marmaladecollective.com), Kitale Film Week has become something close to "Africa's Cannes," built entirely from the ground up. ## S16 Film Festival — Lagos, Nigeria [Founded in 2021 by the Surreal16 Collective](https://filmfreeway.com/S16FilmFestival?ref=marmaladecollective.com), three Nigerian independent filmmakers, Abba T. Makama, C.J. "Fiery" Obasi and Michael Omonua, S16 exists as a deliberate counterweight to mainstream Nollywood, prioritising arthouse, experimental and genre-driven short films over the melodrama that has long defined Nigeria's commercial film industry. "There's lack of nuance in Nollywood films," [Makama has said](https://www.npr.org/2024/12/29/nx-s1-5238311/a-film-festival-in-lagos-spotlights-the-stories-of-nigeria-not-seen-in-the-mainstream?ref=marmaladecollective.com). "It's very generic. And that's people just being afraid to show the reality of who they are." > [ View this post on Instagram ](https://www.instagram.com/p/DZFincXgpZQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Kórè (@join.kore)](https://www.instagram.com/p/DZFincXgpZQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Held annually in Lagos and organised in partnership with A Whitespace Creative Foundation, Fatherland and OAK Media, the festival has become a genuine hub for the city's independent film subculture, drawing crowds of young creatives to screenings that tackle subjects mainstream Nollywood rarely touches, from gender nonconformity to grief to the rapid erasure of Lagos's own architectural history. Now in its [fifth edition as of December 2025](https://afrocritik.com/s16-film-festival-announces-lineup-for-landmark-fifth-edition/?ref=marmaladecollective.com), S16 has expanded its footprint across multiple Lagos venues and built international partnerships, including with Brazil's Mostra de Cinemas Africanos, while continuing to champion analogue and film-based cinematography as a counterpoint to digital convention. ## Encounters — Cape Town and Johannesburg, South Africa [Founded in 1999](https://en.wikipedia.org/wiki/Encounters%5FFestival%5FSouth%5FAfrica?ref=marmaladecollective.com), Encounters is one of the only festivals on the continent dedicated solely to documentary, and remains the genre's premier showcase in Africa. Run by the non-profit Encounters Training and Development Institute and held each June concurrently in Cape Town and Johannesburg, the festival was built around a clear development mission: to grow South Africa's documentary industry by increasing both production and audience appetite for non-fiction storytelling. > [ View this post on Instagram ](https://www.instagram.com/p/DZSwTLBjjLW/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Encounters Festival (@encountersdoc)](https://www.instagram.com/p/DZSwTLBjjLW/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Its Close Encounters Laboratory, run for nearly a decade in partnership with national broadcasters, gave first-time directors hands-on mentorship from industry professionals and has [produced 48 films from more than 700 participants](https://encounters.co.za/welcome/about-the-festival/?ref=marmaladecollective.com), helping launch the careers of filmmakers including Khalo Matabane and Bev Ditsie. Encounters has since [screened over 1,400 documentaries](https://en.wikipedia.org/wiki/Encounters%5FFestival%5FSouth%5FAfrica?ref=marmaladecollective.com), roughly a third of them South African, and pairs its programme with masterclasses, industry presentations and an outreach initiative that brings free screenings to under-resourced communities including Khayelitsha. Now in its 28th year, the festival continues to expand its footprint, adding screenings in Durban and Pretoria in recent editions, while remaining true to its founding belief that documentary can advance human rights and democratic culture as much as it can entertain. ## Carthage Film Festival — Tunis, Tunisia Known by its French acronym JCC (Journées Cinématographiques de Carthage), the Carthage Film Festival is [the oldest film festival on the African continent](https://en.wikipedia.org/wiki/Carthage%5FFilm%5FFestival?ref=marmaladecollective.com) and in the Arab-speaking world, conceived in 1966 by Tunisian film critic [Tahar Cheriaa](https://en.wikipedia.org/wiki/Tahar%5FCheriaa?ref=marmaladecollective.com) and officially launched with the backing of Tunisia's Minister of Culture, Chedli Klibi. Cheriaa's founding ambition was explicitly political: to build market space and screen time for sub-Saharan African and Arab cinema at a moment when European distributors dominated screens across the newly independent continent, and to [create dialogue between North and South](https://en.wikipedia.org/wiki/Carthage%5FFilm%5FFestival?ref=marmaladecollective.com). The gamble paid off spectacularly. Carthage has launched or recognised an extraordinary roster of filmmakers early in their careers, including [Ousmane Sembène, Youssef Chahine, Souleymane Cissé and Moufida Tlatli](https://en.wikipedia.org/wiki/Carthage%5FFilm%5FFestival?ref=marmaladecollective.com), all winners of the festival's Grand Prize before they became some of the most celebrated names in African and Arab cinema. > [ View this post on Instagram ](https://www.instagram.com/reel/DSdk0PeDCCK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Carthage Film Festival (@jcctunisieofficial)](https://www.instagram.com/reel/DSdk0PeDCCK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The festival's top award, the Tanit d'Or, is named after the Carthaginian goddess Tanit, and its sections today span features, documentaries, shorts and a dedicated programme for film school graduates. Originally biennial, alternating with the Carthage Theatre Festival, JCC became an annual event in 2014 and has [continued largely uninterrupted since](https://filmint.nu/culture-carthage-festival/?ref=marmaladecollective.com), including through a 2015 terror attack in Tunis during the festival itself, a testament to how deeply embedded it is in the city's cultural life. Its 36th edition ran in December 2025. What these eight festivals share, despite their wildly different sizes and budgets, is a refusal to wait for permission. Whether it's Tahar Cheriaa building distribution infrastructure from scratch in 1966, or Peter Pages Bwire pitching hotel managers in Kitale in 2022, African film festivals have always had to do double duty: showcasing the work and building the industry that allows the work to exist in the first place. That's still true today, which is exactly why these festivals matter as much as the films themselves. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Tems Covers British Vogue, Afro Nation Portugal Shows Why It's the World's Biggest African Music Party, Korty EO Is Adidas' Newest Superstar URL: https://www.marmaladecollective.com/tems-covers-british-vogue-afro-nation-portugal-shows-why-its-the-worlds-biggest-african-music-party-korty-eo-is-adidas-newest-superstar/ Last updated: 2026-07-13T09:00:16.000Z **Welcome to Vol 194 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. This was supposed to be a calm, restful weekend, and then my electronic devices had other plans. One issue after another, a whole afternoon and the next morning gone. But I gathered myself, listened to Ezra Collective, made it to the other side, and here we are, a new week. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### Sisqo Ndombe Akisieful Is Turning the Gaze Into a Language of Its Own URL: https://www.marmaladecollective.com/sisqo-ndombe-akisieful-is-turning-the-gaze-into-a-language-of-its-own/ Last updated: 2026-07-06T13:47:16.000Z Sisqo Ndombe Akisieful, known as Lenoir, is a Congolese painter born in 1985 in Kikwit and raised in Kinshasa, where he trained at the Academy of Fine Arts. He paints portraits that centre on the eyes, characters whose gazes hold the viewer in place and carry the weight of the human experience while drawing inspiration from the realities of Congolese society. Working mostly with his fingers rather than brushes, he builds up his signature cracked, textured surfaces, marks he describes as symbols of the wounds and resilience that life leaves on people. His work centres on the gaze as a silent language between the subject and the viewer, while also exploring collective memory and, in some works, ancestral hairstyles and craft traditions. His work has since been presented internationally, following growing recognition from collectors and galleries after his paintings gained wider visibility through Instagram in 2021. In this conversation, we spoke with Sisqo about how growing up around Kinshasa's mural painters shaped his eye, the meaning behind his portrait series Nos Regards (Our Gazes), his process of painting with his fingers, and how Africa's social and political shifts inform the questions he's asking through his art, particularly around youth and collective responsibility. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/Cracked-people---Acrylic-on-canvas---150x150cm---Year-2025--1-.jpeg) Cracked people - Acrylic on canvas - 150x150cm - Year 2025 **You were born in Kikwit and later studied at the Academy of Fine Arts in Kinshasa. Looking back, what experiences, people, or environments most shaped the way you see the world and approach your work today?** My story has been one of perseverance and resilience. I discovered drawing at a very young age, and even in primary school, my teachers were impressed by my ability to draw. Art has always felt natural to me; it is something that has been part of who I am for as long as I can remember. Growing up in a creative environment surrounded by mural painters had a profound influence on me. I spent hours observing their work, learning from them, and challenging myself to improve. This spirit of observation and constant growth continues to shape my practice today. Later, I studied at the Academy of Fine Arts in Kinshasa, where I refined both my technical skills and my artistic vision. My education helped me better understand the role of art as a way of exploring identity, emotion, and the human experience. A major turning point came in 2020 when I began my portrait series, “Nos Regards” (“Our Gazes”). Through this body of work, I became increasingly interested in the power of the human gaze as a way of expressing dignity, resilience, and emotion. In 2021, collectors discovered my work through Instagram, which opened the door to collaborations with galleries and new artistic opportunities. Looking back, I would say that the people and environments that shaped me most are those of everyday life in Congo. Their stories, struggles, and hopes continue to inspire my work and remain at the heart of my artistic practice. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/Manono--150x150cm---Acrylic-on-canvas---Year-2022---from-Nos-regards-series.jpg) Manono -150x150cm - Acrylic on canvas - Year 2022 - from Nos regards series **You have said that you paint everything that touches the human being. What continues to move or concern you most about the human experience, and how has this changed over the course of your career?** What continues to move me most about the human experience is our ability to endure, heal, and keep moving forward despite life’s challenges. I am deeply interested in human emotions, especially resilience and the invisible wounds that people carry within themselves. Many of us experience pain, doubt, loss, or struggle, yet we often find the strength to continue. That capacity to rise above difficulties is something I find both powerful and inspiring. Through my portraits, I try to capture not only the visible appearance of my subjects but also the emotions and stories that lie beneath the surface. **The gaze is central to your paintings. When you first began exploring this idea, what did the gaze represent to you? Has your understanding of it changed over time, and if so, how?** The gaze is one of the most important elements of my work. Through it, I seek to create a direct connection between the viewer and my subjects. For me, the gaze is a universal language that does not require words to be understood. It invites the viewer into the painting, evokes emotions, and creates a silent dialogue between the artwork and the person experiencing it. I am particularly interested in the idea that viewers can see a part of themselves in my subjects. Each person brings their own memories, emotions, and experiences, and the gaze becomes a meeting point between these different realities. My portraits do not seek to provide answers; rather, they invite reflection. Through the eyes of my subjects, I hope viewers can connect with something deeply human, regardless of their cultural background or personal story. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/Speechless---Acrylic-on-canvas---85x72cm---Year-2026.jpg) Speechless - Acrylic on canvas - 85x72cm - Year 2026 **Many of your works reflect on Congolese society while also speaking to broader African realities. As Congo continues to evolve politically, socially, and culturally, how do these developments influence the questions you ask through your art today?** The political, social, and cultural changes taking place in Congo deeply influence the questions I explore through my art. I am particularly concerned about the challenges facing young people today. We live in a society where the youth represent a tremendous force for change, yet they are often influenced, manipulated, or distracted from recognising their own power and responsibility. Through my work, I hope to encourage greater awareness and reflection. I believe that the future of our country depends largely on its youth and their ability to think critically, engage with society, and take an active role in shaping their future. My art is not about providing answers or making political statements; rather, it seeks to raise questions and inspire dialogue. In that sense, my work reflects my hope for a generation that is more conscious, more empowered, and more committed to creating positive change within their communities and beyond. **We are interested in the relationship between art, craft, and community. Your work draws on symbols such as ancestral hairstyles, textures, and techniques that carry cultural meaning. How do you see your practice connecting to Congolese craft traditions, collective memory, and community life?** My work often incorporates ancestral hairstyles because I see them as much more than aesthetic elements. They are part of our cultural heritage and carry stories, knowledge, and traditions that have been passed down through generations. In many African societies, hairstyles have historically reflected identity, social status, community belonging, and even personal history. By including them in my paintings, I seek to celebrate and preserve these cultural markers while reconnecting them to contemporary narratives. More broadly, I am deeply interested in the idea of collective memory. I believe that art has the power to keep memories alive and to create a bridge between the past and the present. Through my portraits, I explore the traces of history, culture, and shared experiences that continue to shape who we are today. In this sense, my work is not only about individual identities but also about remembering and honouring the stories, values, and traditions that connect us as a community. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/Black-rooster--Acrylic-on-canvas---150x120cm---Year-2022---from-nos-regards-series--1-.jpg) Black rooster- Acrylic on canvas - 150x120cm - Year 2022 - from nos regards series **Your paintings often feature symbolic elements, including cracks, lines, colours, and patterns. Could you share how you think about symbolism in your work? What roles do colour and line play in communicating emotion, memory, or meaning?** Symbolism plays an essential role in my work. Every visual element serves a purpose beyond aesthetics and contributes to the narrative of the painting. The cracks, for example, are a recurring feature in my work. They symbolise the wounds, struggles, and experiences that life leaves on each of us. They speak to human vulnerability, but also to resilience, because despite these fractures, people continue to move forward, rebuild themselves, and carry their stories with dignity. Colour, lines, and patterns help me communicate emotions and meaning. Together, these elements allow me to explore themes of identity, memory, and the human experience, while inviting viewers to connect with the work in their own personal way. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/Fearless---Acrylic-on-canvas---90x60cm---Year-2025.jpeg) Fearless - Acrylic on canvas - 90x60cm - Year 2025 **Your paintings invite viewers into a dialogue through the eyes of your subjects. Has the way you think about your audience changed over time? What kind of encounter or reflection do you hope your viewers leave with today?** Over time, the way I think about my audience has evolved. Today, I see the viewer as an active participant in the work rather than a simple observer. My paintings are not meant to deliver a fixed message; instead, they create a space for reflection, interpretation, and personal engagement. What I hope viewers leave with is a moment of introspection and, perhaps, a sense of questioning. Through the gaze of my subjects and the emotions they convey, I invite people to reflect on themselves, their experiences, and their relationship with others. If my work can encourage even a small shift in perspective or inspire a deeper understanding of the human condition, then I feel it has fulfilled its purpose. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/In-the-studio_2.jpg) Sisqo Ndombe in the studio **As digital technologies increasingly shape how art is created, shared, and experienced, what are your thoughts on digital art and its place within contemporary African artistic practice? Do you see it as opening new possibilities for storytelling and connection?** I remain deeply attached to traditional painting, to the gesture, the materiality, and the physical presence of the artwork. However, I recognise that digital tools have transformed the way African artists share their work, tell their stories, and connect with international audiences. In my own journey, social media has played an important role in allowing collectors, galleries, and art enthusiasts from around the world to discover my work. In my view, digital technology does not replace traditional forms of artistic expression; rather, it serves as a complementary tool that fosters exchange, expands visibility, and encourages dialogue across cultures. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Google Play's $1M Fund for African Game Developers, Ozoz Sokoh Wins a James Beard Award, Rachel Ikemeh Named a Rolex Laureate URL: https://www.marmaladecollective.com/google-plays-1m-fund-for-african-game-developers-ozoz-sokoh-wins-a-james-beard-award-rachel-ikemeh-named-a-rolex-laureate/ Last updated: 2026-07-06T09:00:21.000Z **Welcome to Vol 193 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. My weekend was fairly quiet: chores, getting my hair done, the usual. Nothing dramatic to report. But my mind has been busy. I've been thinking a lot about how art has real-life implications, how any time — tough times or not — is a good time to create. I've also been falling down rabbit holes on my usual scrolls, including the discourse around African literature and which books truly qualify as classics. Let's just say my reading list has gotten considerably longer. I'd love to know what you think: what do you consider a classic of African literature? Hit reply and tell me. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 12 African Muralists and Graffiti Artists Turning City Walls Into Galleries URL: https://www.marmaladecollective.com/african-muralists-and-graffiti-artists/ Last updated: 2026-07-26T13:01:58.000Z Across the continent, a generation of muralists and graffiti artists is reclaiming public space. From Lagos to Dakar, these artists are using spray paint and brushes to tell stories that galleries often miss: stories about identity, gender, faith, waste, wildlife and what it means to grow up African right now. Here are 12 of the most exciting muralists and graffiti artists working across the continent today. ## [Osa Seven ](https://www.instagram.com/osa%5Fseven/?hl=en&ref=marmaladecollective.com)— Lagos, Nigeria Born Osa Okunkpolor in Benin City and trained in Visual Communications at the University of Lagos, Osa Seven has spent the better part of two decades making the case that graffiti belongs in Nigeria's most visible public spaces, not its margins. He grew up in Festac, where some of his earliest tags still survive, and went on to found the 7th Element Initiative, a platform that gives Nigerian street artists access to tools, training and exposure they'd otherwise struggle to find. > [ View this post on Instagram ](https://www.instagram.com/p/DUknEgvDZHZ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Osa Seven (@osa\_seven)](https://www.instagram.com/p/DUknEgvDZHZ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) In 2017, Osa created Eko Tag, a 13-by-108-foot mural commissioned by the Lagos State Government on Ozumba Mbadiwe Road, Victoria Island, celebrating Lagos at 50 with imagery of the National Theatre, the Aro Meta chiefs and tricycles. > [ View this post on Instagram ](https://www.instagram.com/p/CLEAramFar%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Dreamterpreters Inc (@thedreamterpreters)](https://www.instagram.com/p/CLEAramFar%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) CNN documented the project for Anthony Bourdain's Parts Unknown, and two years later, Osa became the first African artist commissioned to design a bottle for Hennessy Very Special Cognac. He has also painted for Guinness, Adidas, Google and Wizkid's award-winning Superstar album art, and through his Art For A Cause initiative, regularly paints educational murals on the walls of under-resourced Lagos schools. ## [Falko One](https://www.instagram.com/falko1graffiti/?hl=en&ref=marmaladecollective.com) — Cape Town, South Africa Falko has been painting Cape Town's walls since 1988, three years before the end of apartheid, when he first picked up a can at Westridge High School in Mitchells Plain. Today he's widely regarded as one of the founding figures of South African graffiti, but it's his elephants that most people recognise: enormous, technicolour creatures that wrap around windows, air conditioning units and drainpipes, painted in a way that responds to the building rather than ignoring it. > [ View this post on Instagram ](https://www.instagram.com/p/DZkpwk3tF%5FH/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Falko Fantastic (@falko1graffiti)](https://www.instagram.com/p/DZkpwk3tF%5FH/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The motif was born almost by accident during a trip to a village outside Dakar, Senegal, where chickens he'd painted caused an unexpected stir over their association with local beliefs around witchcraft. He switched to elephants as a neutral subject, and the idea took on a life of its own. Through his long-running project Once Upon A Town, Falko has travelled to small, under-resourced towns across South Africa, painting homes in poorer neighbourhoods and turning them into informal open-air galleries, an act he describes as changing how communities see the value of their own surroundings. > [ View this post on Instagram ](https://www.instagram.com/p/DNueOkQxLDN/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Falko Fantastic (@falko1graffiti)](https://www.instagram.com/p/DNueOkQxLDN/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [Graffiti Girls Kenya](https://www.instagram.com/graffitigirlskenya/?ref=marmaladecollective.com) — Nairobi and Mombasa, Kenya Founded in Nairobi in 2015 by artist Douglas "Smoki" Kihiko, Graffiti Girls Kenya was created to give young women a way into a scene that, at the time, had almost no space for them. Early members Nancy "Chelwek" Chelagat, Dinah "QueenD" Simbauni and Victoria "Blaine 29" Joyce began painting murals across Nairobi and in informal settlements like Korogocho and Kariobangi, tackling subjects that rarely made it onto public walls: female genital mutilation, rape, education and the everyday work of caring for the girl child. > [ View this post on Instagram ](https://www.instagram.com/p/C73rrjBI-Bt/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by GraffitiGirlsKenya (@graffitigirlskenya)](https://www.instagram.com/p/C73rrjBI-Bt/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The collective's process is deliberate, beginning each project with research meetings where members discuss issues affecting their communities before a single line is sketched. Their most recent series tackled gender-based violence directly, culminating in a large mural in Nairobi's Baba Ndogo neighbourhood. As member [Yvonne Nzilani has put it](https://www.okayafrica.com/how-the-graffiti-girls-kenya-use-public-art-to-shine-a-light-on-gender-based-violence/146583?ref=marmaladecollective.com), the murals exist to make space for women who don't feel able to speak about violence elsewhere, "it encourages more women going through gender based violence to come out and speak out, as there are people who can listen to them." > [ View this post on Instagram ](https://www.instagram.com/p/DZt7dn0DdkQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by GraffitiGirlsKenya (@graffitigirlskenya)](https://www.instagram.com/p/DZt7dn0DdkQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## [eL Seed](https://www.instagram.com/elseed/?hl=en&ref=marmaladecollective.com) — Tunisia / Cairo, Egypt Born in Paris to Tunisian parents, eL Seed grew up speaking only the Tunisian dialect and didn't learn to read or write standard Arabic until his teens, when an identity crisis sent him searching for his roots. What he found was calligraphy, and he began fusing it with the graffiti he'd grown up around in France to create what he calls "calligraffiti", monumental Arabic script that is meant to be felt before it's read. > [ View this post on Instagram ](https://www.instagram.com/p/DYfdWPFjTMg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by eL Seed (@elseed)](https://www.instagram.com/p/DYfdWPFjTMg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) His first major piece, painted on the minaret of the Jara Mosque in his hometown of Gabès in 2012, quoted a Quranic verse about unity across differences, a deliberately unifying message during a politically fraught moment after the Tunisian revolution. His best-known project remains Perception, an anamorphic mural spanning the facades of around 50 buildings in Cairo's Manshiyat Naser, home to the Zaraeeb community, who have collected and recycled the city's waste for generations despite being widely stigmatised. Visible in full only from a single point on the Muqattam Mountain, the piece quotes a 3rd-century Coptic bishop and was created with the community's full participation. > [ View this post on Instagram ](https://www.instagram.com/p/DNv77nUZkJj/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by eL Seed (@elseed)](https://www.instagram.com/p/DNv77nUZkJj/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) It won eL Seed the International Award for Public Art in 2019, on top of the UNESCO Sharjah Prize for Arab Culture and recognition as a TED Fellow and World Economic Forum Young Global Leader. ## [Karabo Poppy Moletsane](https://www.instagram.com/karabo%5Fpoppy/?hl=en&ref=marmaladecollective.com) — South Africa Karabo Poppy grew up in Vereeniging, a mining town south of Johannesburg whose underfunded schools didn't offer art as a subject, and arrived at university to find herself one of only nine Black students in a class of roughly six hundred. The curriculum, she has said, only ever taught Western art history or traditional African art, never anything contemporary, despite the wealth of Black creatives working right now. So she built her own visual language instead, drawing on the hand-painted signage of township hair salons and barbershops, with their bold side-profile portraits and unconventional colour palettes of electric blues and reds. > [ View this post on Instagram ](https://www.instagram.com/p/DFngDY7tDaK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Karabo Poppy Moletsane (@karabo\_poppy)](https://www.instagram.com/p/DFngDY7tDaK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) That instinct has carried her from passion projects and school murals to commissions for Google, Nike, Coca-Cola and Netflix, including a pair of Air Force 1s worn by LeBron James and the graphics for Netflix's first African original series, Queen Sono. > [ View this post on Instagram ](https://www.instagram.com/p/DCRHj66Nlf6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Karabo Poppy Moletsane (@karabo\_poppy)](https://www.instagram.com/p/DCRHj66Nlf6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) For Karabo, street art remains essential precisely because it bypasses the barriers, financial and otherwise, that keep so many South Africans out of galleries and off the internet. "I try to make work that is as accessible as possible," [she has said](https://wepresent.wetransfer.com/stories/karabo-poppy-on-hair-home-and-illustration?ref=marmaladecollective.com), and her large-scale murals, painted across Johannesburg's basketball courts and buildings, are where that philosophy plays out most directly. ## [Zeinixx (Dieynaba Sidibé)](https://www.instagram.com/zeinixx/?hl=en&ref=marmaladecollective.com) — Senegal [Dieynaba Sidibé first saw graffiti on television at seventeen](https://www.theguardian.com/global-development/2022/jan/10/painting-a-bigger-picture-senegals-pioneering-first-lady-of-graffiti?ref=marmaladecollective.com) and knew immediately it was what she wanted to do, despite her mother once throwing out all her art supplies in the hope she'd become a doctor instead. She found her way to the Africulturban Center in Dakar's Pikine suburb, where pioneering local artist Oumar "Grafixx" Diop became her mentor, an apprenticeship she later honoured by taking the name Zeinixx, a fusion of her own name and his. > [ View this post on Instagram ](https://www.instagram.com/p/DWmgd6GlXee/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Dakar 2026 (@jojdakar2026)](https://www.instagram.com/p/DWmgd6GlXee/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Now widely described as Senegal's first female graffiti artist, Zeinixx has represented the country at international festivals from Casablanca's Meeting of Styles to Burkina Faso's Waga Hip Hop Festival, and her murals consistently return to the place of women in Senegalese and wider sub-Saharan society, addressing subjects like domestic violence and reproductive rights that rarely make it onto public walls elsewhere. Every March 8th, she takes part in Women Life, a graffiti session held for International Women's Rights Day. In 2021, she launched Zeinixx Entertainment to run visual arts workshops for young people, ensuring the path Grafixx opened for her stays open for the next generation too. > [ View this post on Instagram ](https://www.instagram.com/p/DWWHt2Wl5qD/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Ambassade d'Irlande au Sénégal (@irlande\_sn)](https://www.instagram.com/p/DWWHt2Wl5qD/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## More names you told us about We posted, and the comments gave us more. Here are six more artists readers flagged as unmissable, several of them names you'll now spot cross-referencing each other across Nairobi and Kampala's street art scenes. ### [Chelwek](https://www.instagram.com/chelwek/?ref=marmaladecollective.com) — Nairobi, Kenya > [ View this post on Instagram ](https://www.instagram.com/p/DZ6WSg3iHSb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Chelwek Chela (@chelwek)](https://www.instagram.com/p/DZ6WSg3iHSb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Nancy "Chela" Chelagat Cherwon got her start as one of the early members of Graffiti Girls Kenya (above), but she's built a distinct practice of her own since: illustration, mural work and portraiture that's taken her from embellishing Nairobi restaurant facades to showing at group exhibitions like Street Diaries at the Railway Museum. She's described being hooked from her very first graffiti workshop at the Kenya National Theatre, and has spoken openly about earning her living from art despite resistance from her own family. Recent work has moved into animation, translating her painted portrait style into moving image. ### [Wise Two](https://www.instagram.com/wisetwo/?ref=marmaladecollective.com) — Nairobi, Kenya > [ View this post on Instagram ](https://www.instagram.com/reel/DOJI0mWAlt%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by WiseTwo (@wisetwo)](https://www.instagram.com/reel/DOJI0mWAlt%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Bhupi Jethwa, known as Wise Two, is one of the most internationally travelled names in East African street art, with murals standing in Nairobi, Cape Town, Mexicali, Los Angeles, Paris, Sweden and Kampala. His work is guided by what he's called a spiritual approach to art, often drawing on masks and hieroglyphic imagery to explore unity across civilisations. Locally, he's best known for the billboard-sized mural of Sauti Sol's Midnight Train album art on Woodvale Grove in Nairobi's Westlands. ### [Stic Oner](https://www.instagram.com/stic%5Foner/?ref=marmaladecollective.com) — Nairobi, Kenya > [ View this post on Instagram ](https://www.instagram.com/p/DZA8wkzxayG/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Erick Stickky Muriithi (@stic\_oner)](https://www.instagram.com/p/DZA8wkzxayG/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Erick "Stickky" Muriithi paints under the name Stic Oner, working across graffiti lettering and painting out of Nairobi, with a customised apparel line on the side. ### [Kwiz Era](https://www.instagram.com/kwiz.era/?ref=marmaladecollective.com) — Kampala, Uganda > [ View this post on Instagram ](https://www.instagram.com/p/C-IvPB6IaHP/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Kwiz Era 🌎 (@kwiz.era)](https://www.instagram.com/p/C-IvPB6IaHP/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Alex Kwizera, who paints as Kwiz Era, has been a fixture of the Kampala arts scene for well over a decade, known for portraits and large-scale paintings that place figures like Fred Rwigyema, Nelson Mandela, Bob Marley and Malcolm X alongside explorations of Black consciousness, sexuality and pan-Africanism. He's spoken about art as a tool for social justice rather than decoration, and his 2020 Kampala gallery showcase, nearly a decade in the making, wove all of these threads into a single sprawling body of work. ### [Wamala Kyeyune](https://www.instagram.com/the.wamala.art/?ref=marmaladecollective.com) — Kampala, Uganda > [ View this post on Instagram ](https://www.instagram.com/p/Da5cR-JCp96/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by MONK.E (@monk.e\_one)](https://www.instagram.com/p/Da5cR-JCp96/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Born Joseph Wamala Kyeyune and raised in Mutundwe, in Kampala's Rubaga division, he taught himself to draw from a single art textbook his mother bought him before he'd even started primary school. He went on to study at Michelangelo College of Art and later Kyambogo University, and now works mainly in portraiture and sculpture, describing his subject as the "grey area" where good and evil sit inside the same face. He co-founded Vodo Art Society in Kampala, has exhibited in Juba, at the Kenya Art Fair in Nairobi, and at Barclays L'Artelier in Cape Town, and completed an artist residency in Adelaide, Australia, through the SANAA Festival. He's also led community mural workshops for the public health initiative Paint the Change East Africa. ### [Hatimax](https://www.instagram.com/hatimax256/?ref=marmaladecollective.com) — Kampala, Uganda > [ View this post on Instagram ](https://www.instagram.com/p/DPTbvGJDIHQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by HATIMAX SEBINTU (@hatimax256)](https://www.instagram.com/p/DPTbvGJDIHQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Hatimax runs HatimaX Art Studio in Kampala's Ntinda neighbourhood, working across painting, drawing, photography and graphic design rather than sticking to a single medium. What unites these six artists isn't just a shared style; it's a shared instinct: that public walls are public conversations, and that the continent's most pressing stories deserve to live somewhere bigger than a gallery. Next time you're walking through Lagos, Cape Town, Nairobi, Cairo or Dakar, look up. There's probably a story painted right by you. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Akinola Davies Jr. & Ṣọpẹ́ Dìrísù Join the Academy, Senegal Makes World Cup History, Wizkid & Asake Shut Down Paris URL: https://www.marmaladecollective.com/akinola-davies-jr-sope-dirisu-join-the-academy-senegal-makes-world-cup-history-wizkid-asake-shut-down-paris/ Last updated: 2026-06-29T09:00:28.000Z **Welcome to Vol 192 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I spent most of Friday afternoon ignoring my task list completely to finish the book [I recommended last week](https://www.marmaladecollective.com/the-obamas-unveil-a-njideka-akunyili-crosby-portrait-olandria-covers-rolling-stone-africa-odeal-makes-forbes-africas-30-under-30/). Yes, I do read what I recommend. I went through the whole emotional spectrum: annoyed, then angry, then genuinely shocked, then relieved and happy. But finally, a book with a happy ending. They really don't make them like that anymore. Meanwhile, the internet has been a lot this week. There's the anti-intellectual discourse, but if I share my opinions, we'd be here for hours. There's also the ongoing debate about visualisers versus music videos; all I'll say is that we're getting fun visuals now and then and good songs, and honestly, that's enough for me. A lot has dropped this weekend, and I'm weaving my way through it all. But the video that’s been living in my head rent-free? [This video of Asake dancing](https://vt.tiktok.com/ZSCk6vCK8/?ref=marmaladecollective.com), I’m using it as practice for the ember months. If you know, you know. On to the stories: it's a big week for Nigerian cinema, African football, and Paris. Let's get into it. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### The Obamas Unveil a Njideka Akunyili Crosby Portrait, Olandria Covers Rolling Stone Africa, Odeal Makes Forbes Africa's 30 Under 30 URL: https://www.marmaladecollective.com/the-obamas-unveil-a-njideka-akunyili-crosby-portrait-olandria-covers-rolling-stone-africa-odeal-makes-forbes-africas-30-under-30/ Last updated: 2026-06-22T09:00:51.000Z **Welcome to Vol 191 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. On Saturday, I went to watch the skaters do their thing at WAF Skate Park in Lagos, and I am now even more determined to finally learn how to skate, even though watching them made me realise it’s much more difficult than I thought. Still, it was a lot of fun. And across the Atlantic, Tems performed at the grand opening of the Obama Presidential Centre (no comment on the small slip-up; she was clearly nervous, and honestly, who wouldn't be performing for the Obamas?). I hope your week ahead goes swimmingly. Mine is going to be a busy one, especially since I was largely off the grid last week, recovering. Send strength my way, please. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### Where to Find African Culture Outdoors This Summer in London URL: https://www.marmaladecollective.com/where-to-find-african-culture-outdoors-this-summer-in-london/ Last updated: 2026-06-17T10:54:19.000Z # **Introduction** London is one of the most Afrocentric cities in the world, and in the summer, that energy spills right out into the streets, parks, and public squares. It’s also the perfect place to feel the full richness of African culture without necessarily stepping inside a building. There are massive festivals, intimate community block parties, polo fields, and fascinating pop-up markets; genuinely something for everyone, depending on what you’re into. Here are 7 of those events to put in your calendar right now. ### [City Splash Festival](https://www.city-splash.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_616167007_18334667008241597_6142006483254150626_n-1.jpg) **Image via @citysplashfest* **When:** May Bank Holiday (annually in late May) **Where:** Brockwell Park If you love reggae, dancehall, Afrobeats, or amapiano then this one is unmissable. City Splash has, since launching in 2021, become one of London's most beloved outdoor festivals, celebrating the deep roots of Caribbean and African music culture across six stages in Brockwell Park. Picture 30,000 people moving to Beres Hammond and Julia, homegrown grime stars, and the freshest amapiano DJs, all while eating delicious chicken and plantain from 60+ food vendors. It's one glorious, bass-shaking day in South London's most iconic park. ### [Black Culture Market (Summer Edition)](https://www.blackculturemarket.co.uk/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/IMG_3722-1.jpeg) **Image via Black Culture Market* **When:** Summer (multiple editions throughout the year, including summer dates) **Where:** The Department Store, Brixton Run with genuine love and care, the Black Culture Market is a multi-day pop-up experience in the heart of Brixton that celebrates African and Caribbean culture, creativity, and commerce all at once. It features traders selling everything from African art prints, natural skincare, and handmade jewellery to books, fashion, and Afrocentric gifts. There's food, fun and an all round great atmosphere, and you’ll walk away with the feeling that every pound you spent means something. ### [Piano People In The Park](https://www.pianopeople.club/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/IMG_3724--1--1.webp) **Image via This Is Ldn* **When:** Late August **Where:** Southwark Park, South East London Piano People In The Park is an outdoor amapiano and Afrobeats festival that draws major South African and Nigerian artists to Southwark Park in South East London every summer. The 2026 edition is set to feature exciting acts like Scorpion Kings, TXC, and Kevin Momo. If you haven't experienced amapiano outdoors with thousands of people on a sunny August afternoon, this is your moment, and it's the closest you'll feel to a Joburg outdoor festival without leaving London. ### [My Tasty Naija Food Festival](https://www.mytastynaija.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_657349477_18132402151469965_2177059961879768670_n-1.jpg) **Image via @mytastynaija* **When:** July **Where:** East London Born from the wildly popular YouTube show of the same name, the My Tasty Naija Food Festival is a brilliant celebration of Nigerian and West African food culture. and it's growing fast. What started as a digital journey exploring the best of Naija cuisine across the UK stepped off the screen and into London in 2025, and is already back for a second edition in 2026\. If you’re a fan of suya, jollof, pepper soup, and puff-puff and looking to enjoy them with live music, cultural performances, fashion stalls, and an atmosphere that feels like a proper Naija owambe landed in East London, then this festival is for you. ### [Ghana Party in the Park](https://www.gpitp.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_511353837_18514236052061851_1591833247439051780_n-1.jpg) **Image via @ghanapartyinthepark* **When:** Late July / early August **Where:** Copthall Playing Fields, London Ghana Party in the Park is one of London's longest-standing outdoor African cultural festivals. It’s been running since 2005 and is organised by the Akwaaba Group, and is a full-day outdoor celebration that draws thousands from the Ghanaian diaspora and beyond for live music, traditional durbar of chiefs parades, cultural dancers, masquerade displays, fashion shows, arts and crafts stalls, kids' activities, and, of course, an absolute feast of freshly cooked Ghanaian and African food. The 2026 edition is themed ShattaFest UK. ### [Lux Afrique Polo Day](https://www.luxafriquepolo.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_361096695_619243316971201_4199715203271782363_n-1.jpg) **Image via @luxafriquepolo* **When:** Annually in late July **Where:** Ham Polo Club, Richmond, London Now in its eighth year, Lux Afrique Polo Day is unlike anything else on this list, and that's exactly why it belongs here. Founded by luxury entrepreneur Alexander Amosu, it's billed as the largest African polo festival in the world, and it's a genuine showcase of Black excellence, African fashion, and continental culture set against the beautiful backdrop of a London polo ground. There’ll be African food trucks, champagne on the lawn, polo matches featuring African players, stunning Afrocentric style from the crowd, and luxury brand exhibitions. It's glamorous, joyful, and unlike anything else you'll attend this summer. ### [Africa Oyé](https://www.africaoye.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_650691097_17923538688091167_4860003985797452046_n--1--1.jpg) **Image via @chloelloydphoto* **When:** June **Where:** Sefton Park, Liverpool A quick note: Africa Oyé isn't in London, it's in Liverpool, but it's the UK's single biggest celebration of African and Caribbean music and culture, and it deserves its place on this list. Running since 1992 and now attracting over 50,000 people to Liverpool's beautiful Sefton Park, it's a two-day festival with an extraordinary lineup of artists from across the African continent and diaspora. The 2026 edition is set to feature exciting performances from artists like Fatoumata Diawara, Patoranking, and many, many more. # Conclusion One of the most beautiful things about London in summer is that the city stops keeping its African and Caribbean culture indoors. It pours out onto the grass, into the streets, across the park; and suddenly it's everywhere. So pick one. Pick five. Build your whole summer around them and share them with someone who didn't know they existed, they'll make your summer louder and more joyfully than ever before. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Lagos Gets a New Cultural Club, Ayra Starr Does Tiny Desk, 10 African Teams at the World Cup, Wizkid's 'Superstar' Turns 15 URL: https://www.marmaladecollective.com/lagos-gets-a-new-cultural-club-ayra-starr-does-tiny-desk-10-african-teams-at-the-world-cup-wizkids-superstar-turns-15/ Last updated: 2026-06-15T09:00:47.000Z **Welcome to Vol 190 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I spent most of my weekend ill, which wasn't the plan at all, but I did manage to finish Abi Daré's *And So I Roar* (the book I recommended last week), seeing as I couldn't really keep my eyes on screens. Genuinely wonderful read. But whether you're online or not, there's no escaping it: all anyone is talking about is the World Cup. Two African countries have played so far — South Africa and Morocco — and while I won't pretend to be the biggest football person, I love everything that comes with it. The energy, the community, the fashion. Speaking of which, did you see [DR Congo's arrival suits?](https://www.bellanaija.com/2026/06/dr-congo-leopards-world-cup-2026-arrival-suits-jmakxparis/?ref=marmaladecollective.com) Absolute cinema. I couldn't stop staring. Omotola x Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 6 African Fabrics You've Seen On Runways Without Knowing Where They Came From URL: https://www.marmaladecollective.com/6-african-fabrics-youve-seen-on-runways-without-knowing-where-they-came-from/ Last updated: 2026-06-09T08:00:31.000Z # **Introduction** You've likely seen them in Beyoncé's visuals, on the Paris and Lagos runways, and wrapped around the shoulders of some of fashion's biggest names, but those rich geometric prints, earthy mud-dyed cloth, and brilliant strips of woven colour they didn't just come from a designer's mood board. They came from centuries of African craft, culture, and storytelling. Here are six African fabrics that have, and continue to take over global fashion, and the remarkable histories behind them. ### Kente — Ghana If you've ever seen a fabric made of brightly coloured, narrow woven strips sewn side by side into bold geometric patterns, there's a good chance you were looking at Kente. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_625196588_18047586500498281_7315822091940836117_n-1.jpg) **Image via @imane\_ayissi* [**Kente originates from the Akan people of Ghana**](https://en.wikipedia.org/wiki/Kente%5Fcloth?ref=marmaladecollective.com) (as well as the Ewe people of the Volta Region), and its history stretches back to at least the 17th century. Legend has it that [**two brothers from the Asante village of Bonwire learned to weave by watching a spider spin its web**](https://www.adjoaa.com/blogs/%5F/the-ultimate-guide-to-the-great-kente-cloth?srsltid=AfmBOormQfs57zD9-6uV3Q3dNmf3zrpx8ooUVk9S6LKzeqZcE4LCXXLD&ref=marmaladecollective.com), and the Kente craft spread from there. For centuries, Kente was exclusively the domain of Asante royalty. > [ View this post on Instagram ](https://www.instagram.com/reel/C2fAaKvN286/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by KENTE WEAVER (@kentevogue\_gh)](https://www.instagram.com/reel/C2fAaKvN286/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Designers across the globe, including the late great Virgil Abloh, has referenced Kente aesthetics in work for brands like Louis Vuitton, and has appeared in collections by Ozwald Boateng and countless other African diaspora designers. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/IMG_3705-1.jpeg) **Image via Essence* ### Ankara (African Wax Print) — West Africa Here's the twist nobody talks about: Ankara isn’t technically indigenous to Africa. In the 19th century, Dutch manufacturers tried to mass-produce a version of Indonesian batik using industrial rollers, and the idea was to sell it to the Indonesian market, but [**Indonesia wasn't interested. So Dutch traders pivoted to West Africa, where the fabric landed so well**](https://momaa.org/ankara-fabric/?ref=marmaladecollective.com) that it became entirely woven into the fabric of the culture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_713043641_18589922854050078_5295811865633600085_n-1.jpg) **Image via @lisafolawiyo\_studio* Local factories in Nigeria, Ghana, and Côte d'Ivoire eventually began producing their own versions, adding patterns inspired by local culture, proverbs, politics, and daily life, and in this way, it became one of West Africa’s most iconic textiles. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_694320982_18578439958027015_934428162000888159_n-1.jpg) **Image via @duroolowu* Today Ankara is produced across the continent and the world, with[**Dutch company Vlisco remaining one of the most prestigious producers of Ankara**](https://en.wikipedia.org/wiki/Vlisco?ref=marmaladecollective.com)**.** Brands like Burberry and Lisa Folawiyo have also incorporated wax print fabrics into their collections. It remains one of the most commercially influential African fabrics in global fashion. ### Kuba Cloth — Democratic Republic of Congo Long before geometric abstraction became a staple of the 20th century art world, the Kuba Kingdom in what is now the Democratic Republic of Congo was producing some of the most sophisticated geometric textile art the world has ever seen. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_573681147_17912494755227604_9219621557945567995_n-1.jpg) **Image via @maisonlisapo* [**Kuba cloth is made from the leaves of the raffia palm, which are stripped, dried, and woven into a flat base fabric**](https://www.contemporary-african-art.com/kuba-cloth.html?ref=marmaladecollective.com)**.** It is then embroidered, and intricate patterns are cut into the surface using a technique that essentially carves patterns into the cloth with a needle, almost like sculpting. > [ View this post on Instagram ](https://www.instagram.com/reel/DYh%5FrJMNpu6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by KILUBUKILA (@kilubukila)](https://www.instagram.com/reel/DYh%5FrJMNpu6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The [**Kuba people believe that geometric design is sacred, and patterns are connected to the spiritual world**](https://new.artsmia.org/programs/teachers-and-students/teaching-the-arts/artwork-in-focus/kuba-belt?ref=marmaladecollective.com), royal authority, and ancestral knowledge. Kuba cloth has influenced interior design, contemporary art, and luxury accessories. So much so that the Victoria and Albert Museum in London now hold Kuba textiles in its permanent collection. ### Bogolan (Mudcloth) — Mali [**Bogolan (also called Bogolanfini) comes from the Bamana people of Mali.**](https://www.contemporary-african-art.com/bogolan-mudcloth.html?ref=marmaladecollective.com) The name breaks down simply: *bogo* means earth or mud, *lan* means with, and *fini* means cloth; *cloth made with earth*. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_538092984_18528530302007343_5662596454495747291_n-1.jpg) **Image via @mali\_paw\_b\_di* To make this, [**cotton cloth is woven and soaked in a solution made from the leaves of the n'galama tree**](https://en.wikipedia.org/wiki/B%C3%B2g%C3%B2lanfini?ref=marmaladecollective.com) (a type of Combretum), which turns it a deep golden-yellow and fills the fibres with tannins. Then, using a piece of metal or a carved stick, an artisan applies fermented river mud in intricate patterns. The iron compounds in the mud react chemically with the tannins in the cloth, and the areas covered in mud turn dark brown or black. The remaining yellow or cream areas are then treated with a bleaching agent made from millet bran, which lightens them. > [ View this post on Instagram ](https://www.instagram.com/reel/DVWlYEVDdop/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by AFROPOLiTAiN Magazine (@afropolitainmagazine)](https://www.instagram.com/reel/DVWlYEVDdop/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) In 1967, Yves Saint Laurent included Bogolan-inspired pieces in his African Collection, and more recently, it has appeared across collections from African designers like Loza Maléombho. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_461781995_18029428538360568_3663061949531820116_n-1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_461727641_18029428565360568_4821892290259593810_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_461607431_18029428556360568_5405365576913333611_n.jpg) **Yves Saint Laurent via Guzangs* ### Adire — Nigeria Before "tie-dye" became a Western craft activity, the Yoruba people of southwestern Nigeria were creating some of the world's most sophisticated resist-dyed textiles. They called it *Adire*, from the Yoruba words meaning "cloth that is tied and dyed." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_707647052_18003343670936558_1228667772072262421_n.jpg) **Image via @afriquenoiremagazine* [**Adire is made using indigo dye extracted from the leaves of the Indigofera plant, which creates a distinctive deep, moody blue-black colour**](https://momaa.org/adire-textile-art/?srsltid=AfmBOoqDXhnsGArTyzz8wY20VnvK4-UdpuYeUULesJeOU91lyudbjTR3&ref=marmaladecollective.com). There are two main types. *Adire oniko*, which uses the tie-dye method where the cloth is folded, twisted, and bound tightly with thread or grass before dyeing, and the *Adire eleko*, where a paste made from cassava starch is applied to the cloth in freehand designs using a feather or a metal comb. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_694584257_18583799071029532_522170333368363698_n-1.jpg) **Image via @olanrewajuadekunle\_* Nigerian-British designer Duro Olowu has championed Adire internationally. The fabric has appeared in collections by Kenneth Ize, and it's increasingly seen at Lagos Fashion Week. In 2019, Adire had a major cultural moment when [**Ogun State in Nigeria declared it an official cultural heritage fabric**](https://guardian.ng/art/visual-arts/keeping-adire-export-dream-alive/?ref=marmaladecollective.com) and launched a campaign to revive its production. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_657726476_18075956849390318_2615986084708444943_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_649361853_17985337343953623_1680921937742133273_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_654020637_17993376365761672_5691690861161021227_n.jpg) **Image via @vintageafricanwomen* ### Shweshwe — South Africa Like Ankara, Shweshwe has an unexpected origin. The fabric is now so deeply embedded in South African identity that most people assume it’s always been there, but [**Shweshwe actually arrived from Germany in the 19th century.**](https://en.wikipedia.org/wiki/Seshoeshoe?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_620953638_18133107868502121_4432193696781945112_n-2.jpg) **Image via @johnnesburginyourpocket* Shweshwe is a printed cotton fabric, made stiff with starch, with a distinctive earthy smell and crisp feel. It was originally printed in Germany and then traders brought it to southern Africa. [**The name "Shweshwe" comes from King Moshoeshoe I, the founder and king of Lesotho**](https://www.tasteofsouthernafrica.com/blog/2018/2/27/what-are-the-origins-of-letoitse-leteise-geremane-ujamane-german-print-of-botswana-south-africa-lesotho-fabric?ref=marmaladecollective.com), who received bolts of the cloth as a gift and favoured it so much that the fabric became named after him by local communities. In many South African communities, Shweshwe is the fabric of celebration and cultural pride. It's used in traditional dress, worn at weddings, and passed down through families. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_470566791_18037685507360568_8662087100149535705_n-1.jpg) **Image via @guzangs* Some of the biggest champions of Shweshwe are Laduma Ngxokolo of Maxhosa Africa, and Bongiwe Walaza. MaXhosa has a built a global luxury brand rooted in Xhosa textile heritage, and his pieces have been worn by Beyoncé and Michelle Obama and have appeared at New York Fashion Week. # Conclusion Each one of these textile carries centuries worth of knowledge, community, and meaning, all woven, dyed, and stitched by people who were making art long before the world's fashion capitals even started to notice. And now, the next time you see one on a runway or on a rack, you'll know exactly where it really came from. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Rema, Ayra Starr Land the World Cup Anthem, Dave Heads to Lagos, Esoterica Is Apple Music's Next One URL: https://www.marmaladecollective.com/rema-ayra-starr-land-the-world-cup-anthem-dave-heads-to-lagos-esoterica-is-apple-musics-next-one/ Last updated: 2026-06-08T09:00:08.000Z **Welcome to Vol 189 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I've been behind the scenes for a while now, reading every edition of the Spread, taking notes, nodding along, absolutely loving Mary's warmth and the way she made this feel like a letter from a friend. So naturally, now that it's my turn to hold the pen, I'm a little nervous. Okay, more than a little. But the show must go on! I figured the best way to ease myself in was to come in after a weekend that’s been exciting: Ayra Starr in a Gele in the club (I am still not over it), and My Father's Shadow back in cinemas all over Nigeria (if you haven't gone yet, you should). What a time to be alive, genuinely. One last thing before we get into it, one of my specialities is recommending things, so keep a close eye on that section. I'm kicking it off this week with[**our interview with Jumoke Adeyanju**](https://www.marmaladecollective.com/jumoke-adeyanju-is-building-worlds-out-of-words-and-sound/)**,** one of the coolest people I've had the pleasure of talking with. We spoke on culture preservation, the spaces she's building, and a question I've always wanted to ask anyone who curates music: "Do you ever get overwhelmed with just how much music there is to explore?" Go read it and let me know what you think. *Omotola x* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### Jumoke Adeyanju Is Building Worlds Out of Words and Sound URL: https://www.marmaladecollective.com/jumoke-adeyanju-is-building-worlds-out-of-words-and-sound/ Last updated: 2026-06-04T16:28:27.000Z Jumoke Adeyanju, known also by her artist name mokeyanju, has spent the last decade building. A poet, dancer, Selekta (responsible for selecting, curating, and playing the music for an audience), vinyl selector, radio host, and curator, she is the kind of interdisciplinary artist for whom the word ‘interdisciplinary’ still feels insufficient. Her work moves between performance and publishing, between sonic experimentation and community archiving, unfolding in galleries, museums, festivals, and cultural spaces in Kenya, Brazil, Germany, UK, Nigeria, Ghana and Senegal. Born in a Yorùbá household in Germany and raised between multiple African diasporic communities, Jumoke has spent her life building bridges between cultures she loves and, when no bridge exists, constructing one herself. That instinct is what gave rise to Poetry Meets, the international multilingual platform she founded in Berlin in 2014\. What began as Poetry Meets Hip Hop, an open mic night in a small Berlin bar with space for around 50 people, has since evolved into a consistently sold-out cultural event series filling venues of up to 800, bringing together poetry, soul, jazz, dance, Highlife, and more, with editions reaching cities including Nairobi, Salvador de Bahia, Amman, Accra and Lagos. In 2023, she received the Berlin Music Commission Honour Award for her role in shaping the city’s music landscape. Her vinyl collection tells a parallel story: Somali funk, Congolese rumba, Thai funk, Japanese jazz, East African taarab, Calypso. Through her radio show Sauti ya àkókò on Refuge Worldwide, and as co-host of the station’s Breakfast Show, she brings these discoveries to listeners across the world. Her debut anthology as editor-in-chief, Togetherness: A Poetry Meets Anthology, published by Archive Books and featuring 40 international artists in multiple languages - including Yorùbá, Tamil, Korean, Swahili and German Sign Language, is a landmark document of a decade of community-making. We spoke with Jumoke about growing up as a cultural sponge, the physical joy of vinyl, and what it means to belong while always living in-between worlds. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/artist-pix-mokeyanju_-by-Kadsol_DSCF2537.JPG) Mokeyanju by Kadar Soli **Can you tell me about yourself, your background, where you come from, and how you would describe your practice?** I’m an interdisciplinary artist and curator with a background in dance, poetry, sonic practices, and radio broadcasting. The closest thing that defines my artistic practice is probably Poetry Meets, which I started in 2014 to bring together communities that feel like home. I grew up in a Nigerian household, and I spent time in Tanzania working as a translator, speaking Swahili better than my mother tongue, Yorùbá, as people always like to point out. I’ve spent so much time in Tanzania and Kenya that people joke I should hand back my Nigerian passport. I moved to Berlin for my studies, and I was missing that sense of home. Poetry gave it to me, and I wanted to share that with the community here and beyond. I started Poetry Meets Hip Hop because I wanted to make poetry exciting, to give it a more accessible entry point. The idea was that poetry meets you. Poetry is meeting your own world; you don’t have to go to it. So there’s always music, a short film, maybe a musician or a talking drum, different ways of drawing people in before the words even begin. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/mokeyanju-the-mist-nairobi-sound-performance-.jpg) mokeyanju at The Mist Nairobi (sound performance) **Thank you for sharing. Speaking of the different environments you’ve moved through, how have they shaped your relationship to music, movement, and storytelling?** Being a Yorùbá person, growing up in a Yorùbá household, that’s the blueprint. But I also found my own taste through Hip Hop culture. I danced in a crew growing up. And beyond that, I had the privilege of being surrounded by so many different African identities: Ivorian, Moroccan, Ghanaian, communities from the church, the mosque, and indigenous traditions. I’m like a sponge when it comes to languages and people’s cultures. Growing up around different African identities, I was always looking for a bridge, and if there wasn’t one, I would try to build it. That’s why I find myself gravitating towards community work, and languages tend to come to me quite quickly; they’ve felt like a gateway into people. I remember learning Turkish in secondary school because the only alternative was Christian religious studies. Years later, I travelled through western Turkey as a blogging journalist, road-tripping from Istanbul to Edirne, down to Çanakkale and Izmir, collecting people’s favourite songs to build a kind of sound archive of where I was - something I still do today. I think my influences really come from this intrinsic curiosity about getting to know people through understanding their languages and then finding the similarities between our cultures. There’s this unification I’m always searching for. When I recently moderated the Berlin MUBI release panel for *My Father’s Shadow* by Akinola Davies Jr., a friend in the audience said the film reminded him of home: Indonesia. It made me smile - a small confirmation of something I often notice, how similar places can feel. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/Poetry-Meets_Fotografiska-Host-Jumoke_by-Benjamin-Jehne_03759.jpg) Poetry Meets at Fotografiska - Host Jumoke | Photo by Benjamin Jehne **I love that. There's something powerful about the way culture carries memory across generations and borders. In your work, how do you think about cultural transmission — what gets preserved, what travels, and what transforms when stories or practices move between communities?** I think it starts from a perspective of ownership, authorship, and reclaiming oneself, which means learning about the people who came before us and keeping their stories alive. Creating archives. It could even be something as intimate as documenting a family member. Once we understand the value of documenting our own stories, we also begin to understand the value of protecting what we have: our space, our history, our sense of self. But when everything is about survival, preservation becomes a luxury. That’s when the outsider finds an opportunity to plunder. So to protect yourself from being stolen from, you also have to understand what you actually have, the value of what you hold. Everything is quite connected to that. When I was in Brazil for a residency, I went to a Yorùbá temple. I had never been to a Yorùbá temple in Nigeria, but there it was in Bahia. The Yorùbáness was alive and being practised in full. It reminded me of how flexible and open our culture has always been; you can be Yorùbá, a herbalist, a Christian, and a Muslim at once, somehow. That openness is something I deeply appreciate. It’s also something easily misread by those who don’t understand its depth. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/Poetry_Meets_the-Cavemen_by-MArc-Meinke.jpg) Poetry Meets Berlin with The Cavemen | Photo by Marc Meinke **You’re right. It’s hard to see value when you’re fighting to survive, but when you create, in the midst of that, things evolve. And what you do primarily is to create, you work across dance, writing, sound, and curation. Do you have to become a different version of yourself for each practice, or do they all speak the same language?** In the beginning, I did have to embody almost different personas because I was seeing them as separate categories of myself. But now it’s more of a middle ground. That’s also why I identify as an interdisciplinary artist; I’m trying to bring these practices together rather than see them as separate. It’s almost like the mind-body-soul thing: in a lot of European or Western culture, it’s seen as divided, but actually it’s all connected. I’m very interested in that connectivity between sound, image-making, and movement. Symbiosis, really. **On sound, your vinyl collection feels both archival and deeply personal. What does it say about you, and what are you listening for when you choose a record?** My collection is a diverse introspection into my taste and maybe my openness. From Somali funk to Congolese rumba to Thai funk to Japanese jazz. I’m very much into samples. Hip-hop sample culture was actually my entry point into every other sample culture. I’ll listen to an album and notice a track sampled from a Somali band from the 1970s, and then I’m deep in a rabbit hole. It’s almost journalistic, tracing the migration routes of music. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/artist-pix-mokeyanju_-by-Kadsol_DSCF2453.JPG) mokeyanju by Kadar Soli I’m also always on the lookout for music by women, because they’re still so underrepresented in the archives. I once discovered Ettab, a Hausa woman who became famous in the Arab world, singing in Arabic, known across the Gulf and when I played her on the radio, a Kuwaiti friend said, “We play this at our weddings.” That’s the kind of synergy I live for. As for the physical act of collecting, I wish I were a digital person, honestly, because vinyl records are expensive. But I’m drawn to them in the same way I’m drawn to books and to analogue photography. I love the ritual of opening a record like a book, reading the liner notes, finding out who produced it, who engineered it and then disappearing down another rabbit hole. This person engineered that other session? And off you go. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/Jumoke_Adeyanju_sound-performance-2023.jpeg) Jumoke Adeyanju sound performance at DAAD Galerie Berlin 2023 **Do you ever get overwhelmed with just how much music there is to explore?** Oh no, it excites me. I love finding new music, especially as a curator. I’m always happy when people share new music with me. What might overwhelm me is the kind of music optimised for social media. That fast-paced, easy-to-digest music. Not that there is anything wrong with momentum. For example, Mara music is having a real moment right now. But when the hype dies down, it’s on to the next. Whereas with music from the 70s, 80s, and '90s, there’s a timelessness to it. I'm curious about what remains once the attention moves on. The music that stays with people, the music that people return to decades later. That’s harder to find in a lot of contemporary production, where things move so quickly and die just as fast. I love what’s happening with Afropop, Singeli or Amapiano, but the hype cycle is ruthless. The true fans are always there when the hype dies down. And what remains after the hype is usually where the real thing is. **That's true. I’m going to shift slightly from music to poetry. You mentioned Poetry Meets earlier and how it started as an intimate Berlin open mic and has now reached cities across the world. How has the vision evolved over the years?** With the anthology Togetherness, which we published in celebration of our 10th anniversary, I really committed to the idea that we need more books. Looking back, it's incredible to see how far Poetry Meets has come. Over the years, we've welcomed artists such as aja Monet, Baloji, Les Nubians, Tank and the Bangas, Salin, and, in 2024, brought The Cavemen to Germany for the first time. What started as an open mic in a small Berlin bar quickly grew into a consistently sold-out event series, filling venues of up to 800 people. We’ve hosted editions and collaborations in Lagos, Accra, Nairobi, Amman, and Salvador de Bahia. For me, the anthology became a way of archiving that journey; bringing together 40 artists in multiple languages, including German Sign Language, and for many of them, it was their first time being published. Togetherness is truly a homage to the artists, communities, and conversations that helped build Poetry Meets. The goal now really is to find pockets of prose everywhere, connecting with local communities who have been doing the work for years. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/Togetherness-Jumoke-with-co-editors-Savanna-Morgan---Delali-Amegah_pix-by-Daniela-Selom.jpg) Togetherness Jumoke with co-editors Savanna Morgan & Delali Amegah | Photo by Daniela Selom Collaboration is central to that. We’ve had wonderful partnerships, shout out to all these independent organisations and community spaces. It’s a constant struggle of sustainability, but the more we collaborate, the better. The more we connect, the better. The more we find spaces together, the better. **People still show up for these events in an increasingly digital world. What do you think that tells us about what people are actually hungry for?** Connection. Real tenderness and intimacy. There are so many listening sessions happening right now, even in Lagos. People are running toward more warmth, more presence. COVID forced us into digital spaces out of necessity, and I think many of us realised that it was putting us in a mental place we didn’t want to be in. The world is unravelling in a lot of ways right now. Art is a reminder of life. That’s what it can give us, a reminder that we’re still here, still human. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/poetry-meets-crowd-host-jumoke_by-marc-meinke.jpg) Poetry meets crowd | Photo by Marc Meinke **The anthology’s final chapter is called ‘(Be)longing’, a word play on being and longing. What does belonging mean to you, personally?** That wordplay is important to me. Belonging, for me, really means being present within myself but also becoming more communal. Especially in Berlin, where people can be quite individualistic. It means belonging to a community, to something larger than yourself. And beyond questions of where you come from, it’s really about where you are striving to go. For me, that can mean an alternative future, something we’re reimagining together. **That’s beautiful. What feels most urgent for you to explore right now? Where is your practice going next?** I’ve been moving into the sonic world, collaborating with a Kenyan artist, \[Monrhea\], on a track based on a sound installation I did at NCAI, which came out of my research on dreams in Nairobi. I asked people, including children, about their lucid dreams and began categorising them through a Yorùbá philosophical framework: the unborn, the living, and the ancestral realms. That research is feeding into new work now. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/data-src-image-d6d4f254-197e-4304-8a63-579796f6794f.jpeg) mokeyanju OTA Sound Installation at Nairobi Contemporary Art Institute 2022 Sound has a way of holding memory and emotion. And I keep coming back to dreams, translating them into textures. I’m also spending more time on the continent. Working with people from the continent. That’s where I want to be right now. **I’m excited! Thank you for speaking with me. I enjoyed this.** *Jumoke Adeyanju (*[*mokeyanju*](https://www.instagram.com/mokeyanju/?ref=marmaladecollective.com)*) hosts Sauti ya àkókò and the Breakfast Show on Refuge Worldwide. Find Poetry Meets at* [*@poetrymeets\_\_*](https://www.instagram.com/poetrymeets%5F%5F/?ref=marmaladecollective.com)*.* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 7 African Winemakers Sharing the Beauty and Skill of Winemaking with the World URL: https://www.marmaladecollective.com/7-african-winemakers-sharing-the-beauty-and-skill-of-winemaking-with-the-world/ Last updated: 2026-06-04T08:00:23.000Z # **Introduction** When people think of great wine, their minds usually drift to the hills of Burgundy or the sun-baked valleys of Napa. For a long time, African winemakers simply weren't part of that picture; the talent wasn't there, but the doors weren't open. That has been changing. From the Cape Winelands to the cool coastal valleys of the Western Cape, African winemakers are crafting wines that are earning serious praise on the global stage. Some of them grew up in worlds where wine was completely foreign. Some were turned away, but they pressed on anyway. These are 7 of those winemakers, and their stories are every bit as rich as the wines they make. ### Ntsiki Biyela Ntsiki Biyela grew up in Mahlabathini, a small rural village in KwaZulu-Natal, in a world where wine was completely foreign. After finishing high school in 1996, [**she spent a year working as a domestic worker before she was awarded a scholarship through South African Airways**](https://www.aslinawines.com/ntsiki-biyela/?ref=marmaladecollective.com) to study winemaking at the prestigious University of Stellenbosch. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_485473707_18000266969757152_3503021326364284161_n-1.jpg) **Image via @townshipentrepreneur* She then joined Stellekaya, a boutique winery in Stellenbosch, becoming the first Black female winemaker in South Africa's history. In 2016, [**she launched Aslina Wines, named after her late grandmother, and began crafting her wines using sustainable and fair-trade practices**](https://wineinternationalassociation.org/aslina-wines/?ref=marmaladecollective.com). ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_650239873_18071642060200430_9177530445897064184_n.jpg) **Image via @aslina\_wines* Ntsiki has won the South African Woman Winemaker of the Year award (2009), consulted at Château d'Arsac in Bordeaux, and collaborated with Napa Valley winemaker Helen Keplinger. She also sits on the board of the Pinotage Youth Development Academy, giving back to the next generation. ### Carmen Stevens [**Carmen Stevens is South Africa's very first qualified Black winemaker**](https://cswines.co.za/pages/about-us?srsltid=AfmBOopMTv0AGU1pY%5Fvo1OPMivL%5F3NubZE6ag0U7DC5thn1N5Mf4cx7K&ref=marmaladecollective.com), and she graduated in 1995 at a time when the wine industry was still largely closed to people who looked like her. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_475775898_1057295609757468_3094374897371951749_n-1.jpg) **Image via @carmenstevenswines* Carmen grew up on the Cape Flats, near Cape Town. She dreamed of making wine, and applied to Elsenburg Agricultural Training Institute in 1990, but was told that only white students were accepted. She applied again in 1991, and was rejected again. Finally, she was accepted in 1992, and graduated as South Africa's first qualified Black winemaker in 1995. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_623213592_18093557747315509_8314523359393166783_n-1.jpg) **Image via @carmenstevenswines* She picked up an International Decanter Trophy while working at Amani in Stellenbosch, won the 2015 Winemaker of the Year award in California, and was named Winemaker of the Decade in the UK in 2018 by Naked Wines. In 2011, she launched Carmen Stevens Wines, the first 100% Black-owned winery in South Africa, based in Stellenbosch. Through the Carmen Stevens NPO, [**her wines also help fund breakfasts and lunches for learners in schools in the Western Cape**](https://wine.co.za/contact/contact.aspx?CONTACTID=7748&CLIENTID=&ref=marmaladecollective.com), and was named South Africa's Entrepreneur of the Year in both 2017 and 2019. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_537761432_18076880390315509_3196752323395465468_n-1.jpg) **Image via @carmenstevenswines* ### Kiara Scott-Farmer In November 2024, a 32-year-old woman from Mitchells Plain on the Cape Flats walked away with the most prestigious individual award in South African wine; the Diners Club Winemaker of the Year. Her name is Kiara Scott-Farmer, and [**she became not only the youngest woman but also the first woman of colour to win the award in its 44-year history**](https://iol.co.za/weekend-argus/news/2024-11-30-mitchells-plain-born-winemaker-wins-prestigious-diners-club-winemaker-of-the-year/?ref=marmaladecollective.com). ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_704121085_1414553944051269_4752072429697671147_n-1.jpg) **Image via @wine.co.za* Kiara grew up on the Cape Flats and studied at the Elsenburg Agricultural Training Institute in Stellenbosch, and was then selected for the Cape Winemakers Guild (CWG) Protégé Programme, one of the most competitive mentorship programmes in South African wine. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_653867997_18103035820907827_5128361311144074696_n-1.jpg) **Image via @wosa\_za* She later joined Brookdale Estate in Paarl in 2019, at just 26 years old, [**becoming the youngest female head winemaker in South Africa at the time.**](https://www.glamour.co.za/lifestyle/glamour-exclusive-in-conversation-with-award-winning-winemaker-kiara-scott-farmer-7087219f-b269-499f-8087-98601d5922c9?ref=marmaladecollective.com) And in early 2025, she took on a new challenge, becoming Head Winemaker at the historic Hazendal Wine Estate in Stellenbosch. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_651743162_18084326495607489_4578458411072207052_n-1.jpg) **Image via @brookdale\_estate* ### The Rangaka Family/ M’hudi Wines In 2003, Malmsey Rangaka, a clinical psychologist, convinced her husband Diale, a professor and university administrator, to buy a farm in Stellenbosch, but they only realised after buying it that the farm had vineyards. [**The farm became the first Black-owned, family-managed wine farm in South Africa.**](https://mhudi.com/about/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_624848336_18113839609627671_6015542606052986554_n-2-1.jpg) **Image via mhudi\_wines\_stellenbosch* With guidance from their generous neighbours at Villiera Wines, [**M'hudi Wines released its first vintage in 2005,**](https://wine.co.za/wine/wine.aspx?WINEID=12311&ref=marmaladecollective.com) and since then, their wines have found their way into supermarkets in the UK and into wine lovers' homes across the world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_622547079_18166684357392661_7427173636688585244_n-2.jpg) **Image via @mhudi\_wines\_stellenbosch* Malmsey, the winery’s CEO, won the 2010 Emerging Tourism Entrepreneur of the Year Award, and the family's story of courage and conviction has turned them into ambassadors for what African wine can be. ### Tariro Masayiti Tariro Masayiti didn't plan to make history. Growing up in Marondera, Zimbabwe, he studied biochemistry and worked holiday shifts at Mukuyu Winery. When the farm manager quit, he stepped in to manage the place, and tourists visiting the winery tipped him off about a winemaking course at Stellenbosch University. He applied, got a scholarship, and after four [**years of study became the first Black student to graduate in Viticulture and Oenology at Stellenbosch**](https://www.independent.co.uk/news/world/africa/the-man-who-shattered-south-africa-s-wineglass-ceiling-2020067.html?ref=marmaladecollective.com). Not long after, he got an offer to join Distell as an assistant winemaker for Fleur du Cap. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_547660464_18421686985098277_1639553957226760591_n-1.jpg) **Image via @whichwinefarm* He spent six years as Senior Winemaker for white wines at Nederburg, before joining the iconic KWV for red wine experience. [**In 2013, he was appointed Viticulturist and Winemaker at Springfontein Wine Estate in Walker Bay**](https://news.wine.co.za/news.aspx?NEWSID=22128&ref=marmaladecollective.com), and served as chairman of the Stanford Wine Route before leaving in 2022. ### Nongcebo "Noni" Langa Noni grew up in Pietermaritzburg in a household where wine simply wasn't a thing. A Department of Agriculture bursary at school opened the door for her, and when she heard that winemaking could take her around the world, she was sold. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_656145998_18062337452370183_7018696761902101015_n-1.jpg) **Image via @amphoracambridge* She earned her MSc in Oenology at Stellenbosch University, worked vintages in Sonoma and Germany, and [**joined Delheim Estate in Stellenbosch as an intern in 2019\. She was promoted to winemaker in 2022.**](https://iol.co.za/sunday-tribune/news/2022-06-12-former-pietermaritzburg-schoolgirl-nongcebo-langa-becomes-winemaker-at-leading-stellenbosch-winery/?ref=marmaladecollective.com) In 2023, she [**won the Diners Club Young Winemaker of the Year Award for her Delheim Gewürztraminer 2022.**](https://www.wineland.co.za/meet-delheim-dynamic-winemaker-dongcebo-langa/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_652771588_17942021744997725_6691672959714223343_n-1.jpg) **Image via @amphoracambridge* Today she leads wine production at Delheim, one of Stellenbosch's most beloved estates. Back home in Pietermaritzburg, wine has quietly become the drink of choice at family gatherings, with Noni as the unofficial family sommelier. ### Ifeoma C. Onyia Born in Nigeria and raised in London before settling in the D.C. region, Ifeoma opened Clyopatra Winery and Vineyard in Laurel, Maryland in 2023, [**the first African immigrant-owned winery in the United States.**](https://clyopatrawineryvineyard.com/about-us/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/IMG_3717-1.png) **Image via Clyopatra Winery Vineyard* Her love of wine traces all the way back to watching palm wine tappers in Nigeria as a child, and it was the loss of her two brothers between 2012 and 2020 that ultimately drove her to pursue the dream. She planted her vines during the pandemic and has since broken ground on an expansion that will make Clyopatra the largest Black-owned winery vineyard on the East Coast. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_653897047_18084908126594167_368173570378548436_n-1.jpg) **Image via @pgcedc* She has received a Lifetime Achievement Award from President Biden for her contributions to entrepreneurship and community development, and [**through the House of Clyopatra Foundation, she supports education and empowerment programmes.**](https://houseofclyopatra.org/?ref=marmaladecollective.com) # Conclusion Every single person on this list started somewhere unexpected. A rural village in KwaZulu-Natal. A hilltop town in Nigeria. The Cape Flats. Soweto. Marondera. Their wines are on shelves in London, Tokyo, New York, and Cape Town, and their names are on countless awards. That's what makes African wine so worth discovering right now. Not just the flavour profiles or the terroir, as wonderful as those are. But the stories, the people behind them and their extraordinary determination. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This June URL: https://www.marmaladecollective.com/whats-on-this-june/ Last updated: 2026-06-01T12:01:02.000Z London is stepping into summer this June! Here are all the things worth getting out for. _This post is for subscribers only._ ### Lupita Nyong’o Enters Her Epic Era, Ghetto Kids Go Global, Stormzy Eyes the Big Screen URL: https://www.marmaladecollective.com/lupita-nyongo-enters-her-epic-era-ghetto-kids-go-global-stormzy-eyes-the-big-screen/ Last updated: 2026-06-01T09:00:17.000Z **Welcome to Vol 188 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Welcome to June! We’re officially halfway through the year, and honestly? Only God knows how that happened. If anyone had told me back in January that we'd blink and suddenly be in June, I would have laughed very, very hard at them. And yet, here we are. Now, I'm a sucker for a classic. And when I heard that Lupita Nyong'o, one of the most iconic African actresses of all time, is [**stepping into one of the Odyssey’s most iconic roles**](https://www.elle.com/culture/movies-tv/a71283989/lupita-nyongo-the-odyssey-interview-2026/?ref=marmaladecollective.com), it felt like the universe had been holding that role in reserve, just for her, and I'm looking forward to seeing her absolutely crush it. On a personal note: this is my last volume! *(\*cue gasping and dramatic music)* No, the Spread is not ending. It is alive and well, and simply being passed into the good hands of the next person lucky enough to hold the pen. It's been an honour sharing the best of Africa's stories with you. Cheers! And thank you for reading. ❤️ *Mary x* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### Made In Congo: The Art, Sound, and Style That Deserve Far More of Your Attention URL: https://www.marmaladecollective.com/made-in-congo/ Last updated: 2026-06-01T10:25:13.000Z *This is the second in our Congo series. Read the first —* [*7 Things You Didn't Know Congolese Culture Gave the World* ](https://www.marmaladecollective.com/7-things-you-didnt-know-congolese-culture-gave-the-world/)*— if you haven't already.* The Democratic Republic of Congo and the Republic of Congo together make up one of the most creatively abundant, culturally layered, and artistically daring spaces on the planet. The things made here have shaped global culture for centuries. The world has just had a habit of not saying so. Congo shows up in the headline, rarely in celebration. But here's what should make the headlines: the fact that Henri Matisse kept Congolese cloth in his studio and stared at it for inspiration. That the music playing in clubs across Nairobi, Lagos, and Paris right now has its DNA in Kinshasa. That some of the most innovative fashion designers working today are Congolese. That a beauty practice centuries old is essentially what the global wellness industry is now selling back to us at a markup. This is *Made In Congo*. And there is so much more to it than you might think. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_661015700_18306891835263318_7197218694474657079_n.jpg) Seen in Pointe-Noire, Congo Brazzaville from 1974-1978 by [@studiopellosh](https://www.instagram.com/studiopellosh/?ref=marmaladecollective.com) via [forafricans](https://www.instagram.com/forafricans/?ref=marmaladecollective.com) ## The Hands: Craft Traditions That Pre-date the West Before we talk about anything else, we have to talk about what Congolese people make with their hands. Because long before the world discovered Congolese music, long before Paris fell in love with Congolese style, there were artisans in the Congo Basin producing work of such remarkable complexity that it stopped Western artists in their tracks and quietly rewired how they thought about form, pattern, and beauty. The most famous of these traditions belongs to the Kuba Kingdom. The Kuba Kingdom, established in the 17th century in what is now the Kasai region of the DRC, was one of the most sophisticated political and artistic societies in Central African history. And at the centre of its cultural life was cloth. Kuba cloth is made from the fibres of the raffia palm, woven into panels and then embroidered by hand into geometric patterns of extraordinary intricacy, and no two pieces are ever alike. Within the kingdom, [these textiles weren't decorative afterthoughts; they were fundamental to how Kuba society operated](https://www.theethnichome.com/the-kuba-textiles-from-the-drc/?ref=marmaladecollective.com). Cloth was used in legal settlements, marriage contracts, burial ceremonies, and as an annual tribute paid to the king. The most elaborate pieces were reserved for royalty. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_656016278_18046504712743085_3054560953096937412_n.jpg) Kuba cloth. Images by [@ms.rafiki](https://www.instagram.com/ms.rafiki/?ref=marmaladecollective.com) via [gidajournal](https://www.instagram.com/gidajournal/?ref=marmaladecollective.com) When these textiles started reaching European collectors in the late 19th and early 20th centuries, the reaction was extraordinary. [Henri Matisse, one of the towering figures of modern art, kept pieces of Kuba cloth in his studio](https://www.npr.org/sections/goatsandsoda/2018/10/20/658101128/a-great-african-kingdom-tells-its-history-in-fabulous-royal-clothes?ref=marmaladecollective.com) and said he would stare at them "waiting for something to come to me from the mystery of their instinctive geometry." His 1947 paper cut-out *Les Velours* reportedly drew on the Kuba appliqué design. Today, those geometric patterns show up in contemporary fashion collections, interior design, and modern art around the world, often without a single mention of where they came from. Then there's the Luba Kingdom, which flourished in the southern DRC [from the sixteenth to the early twentieth century](https://human.libretexts.org/Bookshelves/Art/SmartHistory%5Fof%5FArt%5FIndividual%5FBooks%5FV2/04:%5FSmartHistory%5Fof%5FArt%5FIV-%5FAfrica/4.02:%5FCentral%5FAfrica/4.2.02:%5FDemocratic%5FRepublic%5Fof%5Fthe%5FCongo/4.2.2.05:%5FLukasa%5F%28Memory%5FBoard%29%5F%28Luba%5Fpeoples%29?ref=marmaladecollective.com) and produced one of the most remarkable objects in the history of art: the *lukasa*, or memory board. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_671207093_18046813544772744_5087513897687879395_n.jpg) Lukasa via [lavilla13a](https://www.instagram.com/lavilla13a/?ref=marmaladecollective.com) The lukasa is a hand-held wooden tablet covered in beads, shells, and metal, and it is, essentially, a data storage device. [Members of the elite Mbudye Society, the council charged with preserving Luba history and political knowledge, used the lukasa as a mnemonic device](https://allenartcollection.oberlin.edu/objects/36160/memory-board-lukasa?ref=marmaladecollective.com) — the configurations of beads encoding complex oral histories, migration stories, genealogies, and political systems. Reading a Lukasa required years of training. Each one was unique. [The most important function of the lukasa was to serve as a memory aid that described the origins of the Luba empire, including the names of the entire royal line](https://smarthistory.org/lukasa-memory-board-luba-peoples/?ref=marmaladecollective.com). It was an archive, a chronicle, and a piece of sculpture all at once. What strikes you about both the Kuba cloth and the lukasa is the same thing: in Congo, craft was never just craft. It was philosophy, governance, history, and identity, made physical. ## The Sound: How Kinshasa Became a Music Capital We told [part of this story here](https://www.marmaladecollective.com/7-things-you-didnt-know-congolese-culture-gave-the-world/): the origins of Congolese rumba, its UNESCO recognition, the birth of soukous, and the spread of Lingala. But we want to go a little deeper here, because what happened musically in Kinshasa and Brazzaville across the 20th century wasn't just the birth of a few genres. It was the construction of an entire music industry, built largely from scratch, in a city that had every reason not to bother. [Kinshasa was Africa's undisputed musical heart for much of the 20th century, pumping out an endless flow of dance music and great bands](https://worldmusic.net/blogs/guide-to-world-music/the-music-of-congo?ref=marmaladecollective.com). Each generation brought its own style, but all of it flowed from that foundational Congolese energy: call-and-response vocals, intricate electric guitar work, the *sebene* break that made crowds lose their minds. When Afro-Cuban music reached the Congo in the 1930s and 1940s via radio, Congolese musicians didn't copy it; they absorbed it, stripped it back to its roots (which were African to begin with), and rebuilt it as something entirely their own. 0:00 /0:59 1× Papa Wemba - Yolele via [musique243](https://www.instagram.com/musique243/?ref=marmaladecollective.com) The giants were enormous. Franco Luambo Makiadi and his TPOK Jazz dominated Congolese music for over 20 years. Tabu Ley Rochereau brought a softer, more romantic edge and became one of Africa's most beloved voices. [By the 1980s, a new wave of musicians who had come up through Zaïko Langa Langa — bands like Choc Stars and Papa Wemba's Viva La Musica — dominated Kinshasa's cultural scene](https://en.wikipedia.org/wiki/Music%5Fof%5Fthe%5FDemocratic%5FRepublic%5Fof%5Fthe%5FCongo?ref=marmaladecollective.com). When political upheaval pushed many musicians abroad, they took the sound with them. [Paris became a major hub for soukous, where Congolese musicians fused their rhythms with European and Caribbean influences](https://en.wikipedia.org/wiki/Music%5Fof%5Fthe%5FDemocratic%5FRepublic%5Fof%5Fthe%5FCongo?ref=marmaladecollective.com), and the music spread even further. Today, the lineage continues. [Fally Ipupa — the "Prince of Rumba" — has built one of the most remarkable careers in African music](https://en.wikipedia.org/wiki/Fally%5FIpupa?ref=marmaladecollective.com), blending traditional Congolese rumba with contemporary pop and R&B and finding major commercial success across Africa and France. His fourth studio album *Tokooos* was certified platinum by French music authorities, [making him one of the first Kinshasa-based Congolese solo artists to achieve that distinction](https://www.tunefind.com/artist/fally-ipupa?ref=marmaladecollective.com). ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_707269380_18596721670053138_3901826133170513195_n.jpg) Fally Ipupa via [fallyipupa01](https://www.instagram.com/fallyipupa01/?ref=marmaladecollective.com) Then there is Innoss'B, who [rose from the Birere neighbourhood of Goma to become one of the most sought-after stars on the continent](https://www.businessdailyafrica.com/bd/lifestyle/music/innoss-b-gives-congo-music-new-rhythm-2295360?ref=marmaladecollective.com), fusing soukous with Afrobeats and electronic influences while singing in Lingala, Kiswahili, and English. The music has never stopped evolving, and it has never stopped travelling. ## The Look: Fashion as a Way of Life There is no conversation about Congolese culture without La SAPE. And there is no way to explain La SAPE quickly, because it is not, at its core, about clothes. It's about dignity. [La SAPE — *Société des Ambianceurs et des Personnes Élégantes* — first emerged under colonial rule in Brazzaville, when young Congolese began adopting and reinterpreting the clothing style of their colonisers](https://theconversation.com/congos-stylish-sapeur-movement-goes-beyond-fashion-5-deeper-insights-246919?ref=marmaladecollective.com). By appropriating the suit, the Sapeur wasn't aspiring to whiteness; they were taking the most loaded symbol of colonial power and making it ridiculous, then beautiful, then theirs. [As early as 1910, the sape was already in full bloom in Brazzaville](https://www.encyclopedia.com/fashion/encyclopedias-almanacs-transcripts-and-maps/sapeurs?ref=marmaladecollective.com), observed and complained about by colonial administrators who didn't quite understand what they were looking at. They were looking at resistance. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_472655030_18358753183130329_6219535538766807302_n.jpg) La Sape via [whatsculture](https://www.instagram.com/whatsculture/?ref=marmaladecollective.com) The philosophy of the Sape, Sapology, is strict and deliberate. [It is built on several fundamental principles: an expression of identity, the quest for excellence, and cultural and social resistance](https://theconversation.com/congos-stylish-sapeur-movement-goes-beyond-fashion-5-deeper-insights-246919?ref=marmaladecollective.com). A Sapeur must be impeccably dressed, yes, but also non-violent, generous, and composed. [The gait is slow, deliberate, and theatrical. The street is a stage](https://omirenstyles.com/la-sape-congo-sapeurs/?ref=marmaladecollective.com). Under Mobutu Sese Seko, who banned Western suits in favour of traditional dress, the Sapeurs were persecuted for their style choices, and they kept dressing up anyway. That is what the Sape has always been: the decision to remain elegant regardless of what the world throws at you. The Sape's influence on global fashion is well-documented. [Images of Sapeurs have inspired designers, including London's Paul Smith and Balmain's Olivier Rousteing](https://www.businessoffashion.com/articles/global-markets/high-street-fashion-seeks-opportunity-in-the-congo/?ref=marmaladecollective.com). But beyond the movement itself, Congolese designers are building something lasting. Laëtitia Kandolo, Congolese-born, Paris-raised, has worked as a stylist on tours for Kanye West, Rihanna, and Madonna, and [launched her label Uchawi (the Swahili word for magic) as a direct tribute to Kinshasa](https://www.designindaba.com/articles/creative-work/meet-congolese-designer-who-has-worked-kanye-jay-z-rihanna?ref=marmaladecollective.com), using the patterns and colours she associates with the city's traditions. Then there is Anifa Mvuemba of Hanifa — Congolese-American, self-taught, entirely self-funded — who in May 2020 [staged a virtual fashion show on Instagram Live featuring floating, headless 3D models wearing her *Pink Label Congo* collection](https://www.fashionista.com/2020/09/anifa-mvuemba-hanifa-clothing-3d-fashion-show?ref=marmaladecollective.com), an homage to the women of the DRC. The fashion industry declared her a trailblazer. [In 2021, she received the CFDA/Vogue Fashion Fund award](https://en.wikipedia.org/wiki/Anifa%5FMvuemba?ref=marmaladecollective.com). That, too, is a very Congolese story. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_467352377_18474671137031902_1803364593318100116_n.jpg) Anifa Mvuemba via [hanifaofficial](https://www.instagram.com/hanifaofficial/?ref=marmaladecollective.com) ## The Body: Beauty as Knowledge The ingredients and rituals now ‘sold’ at a premium; the plant oils, the intentional cleansing practices, the multi-step care routines, have been part of Congolese women's daily lives for generations. Long before "A-Beauty" became a marketing category, Congolese women had a beauty practice. Across the Congo Basin, skincare was never separate from wellness. [In the Congo, fruits like sugar cane and Safou have long formed the base of many women's beauty and skincare routines](https://sellox.app/blog/ancient-beauty-secrets-african-beauty-tips/?ref=marmaladecollective.com), prized for their alpha hydroxy acids that reduce blemishes and maintain smooth skin. Palm oil, used across Central Africa for centuries, is a deeply nourishing emollient rich in vitamins A and E. These weren't products; they were knowledge, passed from mother to daughter, embedded in daily ritual. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_625250601_18387435898199724_4788198053465891006_n.jpg) Safou via [kitchenbutterfly](https://www.instagram.com/kitchenbutterfly/?ref=marmaladecollective.com) In many African traditions, skincare is not merely about beauty but about well-being and connection to ancestry. The act of caring for your skin was also an act of community, of memory, of honouring the body as something sacred. These aren't abstract concepts from another era; they're lived practices, alive today in kitchens and bathrooms across Kinshasa, Brazzaville, and in the Congolese diaspora in Brussels, Paris, and London. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_684074151_18092990597465453_2773180486101935783_n.jpg) Skincare formulated with safou oil in Congo via [kobaskincare](https://www.instagram.com/kobaskincare/?ref=marmaladecollective.com) What modern beauty brands are increasingly reaching for, plant-based ingredients, ritual-driven routines, the idea that skincare should feel meaningful rather than mechanical, Congolese women have been practising all along. The terminology is new. The knowledge isn't. ## What "Made In Congo" Really Means A place of extraordinary making. Of cloth woven to encode identity and power. Of memory boards that held entire empires in their beads. Of music that started in Kinshasa and ended up filling dancefloors on three continents. Of style elevated into philosophy. Of skincare knowledge carried quietly across generations. Of designers building global labels from the ground up with nothing but talent and nerve. "Made In Congo" is a reminder that for centuries, this place has been giving the world things it didn't fully acknowledge. Africa Day is a good moment to say it. And to say it loudly: a great deal of what the world considers beautiful, rhythmic, elegant, and alive has Congolese fingerprints on it. We think it's time more people knew that. *This is the second article in our Congo series.* [*Read the first here.*](https://www.marmaladecollective.com/7-things-you-didnt-know-congolese-culture-gave-the-world/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 7 Things You Didn't Know Congolese Culture Gave The World URL: https://www.marmaladecollective.com/7-things-you-didnt-know-congolese-culture-gave-the-world/ Last updated: 2026-05-31T23:47:51.000Z *This is the first in our Congo series. Read the second—* [*Made In Congo: The Art, Sound, and Style That Deserve Far More of Your Attention*](https://www.marmaladecollective.com/made-in-congo/) *— if you haven't already.* # **Introduction** When people think of global cultural powerhouses, the Congo doesn't always get the first mention. But it absolutely should. The Democratic Republic of Congo and the Republic of Congo together have shaped music, art, fashion, language, science, technology, and more in ways that most of the world doesn't even realise. Here are 7 incredible things Congolese culture gave the world; and the world really should be saying thank you. ### Congolese Rumba Most people think of rumba as Cuban. And yes, Cuba did develop its own version of rumba, but its roots reach back to Central Africa, specifically to the Kongo people of present-day DRC and the Republic of Congo. When enslaved Africans were taken to Cuba, [**they carried their musical traditions with them, and over time those rhythms mixed with Spanish influences to create what the world now calls Cuban rumba**](https://ich.unesco.org/en/RL/rumba-in-cuba-a-festive-combination-of-music-and-dances-and-all-the-practices-associated-01185?ref=marmaladecollective.com). In the 1940s and '50s, that music sprung back to Africa through the radio, and Congolese musicians made it their own. They slowed it down, added electric guitars, call-and-response vocals, and the *sebene*, and made it something new. Legendary artists like Franco Luambo Makiadi and Tabu Ley Rochereau brought this sound to millions worldwide, and [**in 2021, UNESCO formally recognised Congolese Rumba as an Intangible Cultural Heritage of Humanity.**](https://ich.unesco.org/en/RL/congolese-rumba-01711?ref=marmaladecollective.com) ### Soukous Soukous emerged in the 1960s and exploded through the 1970s and '80s.[**It took the rumba blueprint and supercharged it with faster tempos, cleaner guitar work, and incredibly smooth, choreographed dancing**](https://www.africanmusiclibrary.org/genre/Soukous?ref=marmaladecollective.com) that made it irresistible. Artists like Papa Wemba, Kanda Bongo Man, and Pepe Kalle carried soukous out of Kinshasa and Brazzaville into Paris, Brussels, London, and eventually the world. [**Paris, which is home to a large Congolese diaspora, became a second capital of soukous in the 1980s**](https://en.wikipedia.org/wiki/Soukous?ref=marmaladecollective.com), and from there the music spread even further. ### La SAPE Picture a man in one of the world's poorest urban neighbourhoods, stepping out in a perfectly pressed Yves Saint Laurent suit, a colourful pocket square, two-tone Oxford shoes, and a bamboo cane. This is a Sapeur, and it’s one of the most fascinating cultural phenomena on the planet. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_495683154_17901302829174746_7647088180961248702_n-1.jpg) **Image via @ahia.hq* La SAPE stands for *Société des Ambianceurs et des Personnes Élégantes*, which is loosely translated as "the Society of Tastemakers and Elegant People,” and [**it originated in Congo-Brazzaville and Kinshasa in the early 20th century**](https://theconversation.com/congos-stylish-sapeur-movement-goes-beyond-fashion-5-deeper-insights-246919?ref=marmaladecollective.com). The *sapeurs* follow a [**strict philosophical code called *Sapology***](https://www.newwavemagazine.com/single-post/the-cultural-history-of-the-congolese-fashion-identity?ref=marmaladecollective.com). This includes non-violence, impeccable grooming, a specific rhythmic way of walking, and sophisticated, respectful manners. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_535803688_18528282388054141_1275928314181677023_n-1.jpg) **Image via @aliounebf* In recent years, the Sapeur aesthetic has broken into mainstream global culture in a big way, it’s been documented in fashion spreads, documentaries, and exhibitions in cities worldwide. Solange Knowles even channelled Sapeur energy in her visuals. It has and continues to influence high fashion, music, style and identity. ### Kuba Textiles In the heart of what is now the Democratic Republic of Congo, the Kuba Kingdom built one of the most sophisticated artistic traditions the African continent has ever produced, and their textiles changed the course of Western art. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_573872554_18075838127239865_7370252387661954477_n-1.jpg) **Image via @evoke\_london* [**Kuba cloth is made from the fibres of the raffia palm, woven and then embroidered with complex geometric patterns.**](https://en.wikipedia.org/wiki/Kuba%5Ftextiles?ref=marmaladecollective.com) No two pieces are alike. Kuba weavers, including women who did the embroidery, were considered highly skilled artists and their work was used in royal ceremonies, worn by kings, and traded across the region. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_582217464_17999144705831318_8375081934600298558_n-1.jpg) **Image via @afroboutik* When Kuba cloth reached European artists in the late 19th and early 20th centuries, the reaction was electric. One example, [**Henri Matisse, one of the greatest artists of the modern era, was influenced by Kuba geometric designs**](https://www.metmuseum.org/essays/african-influences-in-modern-art?ref=marmaladecollective.com), owned several pieces, and even drew on their patterns in his work. Today, Kuba-inspired patterns are used in contemporary fashion, interior design, and art around the world. ### Lingala Languages travel, but few travel quite as fascinatingly as Lingala.[**Lingala originated in the Congo River Basin in the 19th century as a trade language**](https://www.britannica.com/topic/Lingala-language?ref=marmaladecollective.com), like a creole of sorts, built from several Bantu languages along the river, refined and then spread by traders, missionaries, and later the colonial administration. Today, [**Lingala is spoken by an approximate total of 40 million speakers across the DRC, Republic of Congo, Uganda, Central African Republic, and beyond**](https://en.wikipedia.org/wiki/Lingala?ref=marmaladecollective.com), and is one of the four national languages of the DRC. But Lingala didn’t just become a national language, it became a cultural phenomenon. Because the Congolese music that swept Africa, thanks to artists like Koffi Olomidé and Fally Ipupa, was almost always sung in Lingala, the language spread with the music. You could be in Nairobi, Lusaka, or Kampala without understanding a word of Lingala, and still know the chorus of a soukous song. ### The Minerals Powering Your Tech This one isn't about art or music. But it might be the most immediate connection between the Congo and your daily life. Right now, the device you're reading this on, whether it's a smartphone, a laptop, or a tablet, almost certainly contains minerals that came from the Democratic Republic of Congo. [**The DRC sits on one of the richest mineral deposits on Earth, and two of those minerals are essential to the modern tech industry**](https://www.ebsco.com/research-starters/mining-and-mineral-resources/democratic-republic-congos-mineral-resources?ref=marmaladecollective.com). Cobalt, the first, is a critical component in the lithium-ion batteries that power every smartphone, laptop, and electric vehicle on the planet. Coltan is the second, and it’s processed into tantalum, a material used in the tiny capacitors found in virtually every piece of consumer electronics. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/IMG_3443-1.webp) **Image via @yaleenvironment360* Unfortunately, even though the Congo holds the raw materials inside the phones used to stream Congolese music, scroll past Sapeur fashion posts, and read articles exactly like this one, the [**Congolese communities that live on top of these resources have seen very little of the enormous wealth generated by them**](https://www.bbc.com/news/magazine-24396390?ref=marmaladecollective.com). ### The Marimba [**The marimba is the national instrument of Guatemala and a big part of the musical identity of Mexico, Central America, and parts of South America.**](https://www.laco.org/eight-things-you-never-knew-about-the-marimba/?ref=marmaladecollective.com) Orchestras around the world include it, and jazz and contemporary music players love it. But its roots are laid firmly in Central Africa, and the Congo especially, sits right at the heart of that story. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_640435850_18311729032258060_8367747535584129662_n-1.jpg) **Image via @sbsschoolepsb* The word "marimba" itself comes from Bantu languages of Central Africa. [***Ma* means many, and *Rimba* means single bar xylophone**.](https://en.wikipedia.org/wiki/Marimba?ref=marmaladecollective.com) The instrument itself was a staple of music-making across the Congo Basin for centuries before European contact. [**When enslaved Africans were transported to the Americas, they carried the marimba with them.**](https://www.britannica.com/art/marimba?ref=marmaladecollective.com) Over generations it evolved, and by the 18th century, it was flourishing across Central America. Today, the marimba's African origins are often forgotten entirely. Across Central America and in concert halls from Berlin to New York, marimbists perform without much thought to where the instrument began, but the sound is and will always be Central African at its core. # Conclusion The Congo, in both its nations, is a place of extraordinary depth. It has the world's second largest rainforest, and is one of the most linguistically diverse populations on the planet. It has also faced immense hardship, exploitation, conflict, and poverty. Thankfully, its culture and impact have survived. So the next time you hear a rumba solo that makes you want to move, see a geometric textile on a runway, or simply pick up your smartphone, remember that there's a real chance that somewhere along the line, the Congo had something to do with it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Banke Kuku Redefines Luxury Fashion, Tyla Lands BET Nods, Shatta Wale Bags Two Awards URL: https://www.marmaladecollective.com/banke-kuku-redefines-luxury-fashion-tyla-lands-bet-nods-shatta-wale-bags-too-awards/ Last updated: 2026-05-31T09:59:34.000Z **Welcome to Vol 187 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I've been in love with African fashion for as long as I can remember. And one day, my wardrobe will be full of pieces from Hertunba, Banke Kuku, Andrea Iyamah…the whole lineup. But while I'm still building that dream wardrobe (slowly and lovingly on a budget), I cannot stop watching Banke Kuku work. [**Banke is turning African print into the new language of luxury**](https://debonairafrik.com/banke-kuku-defines-contemporary-luxury-through-color-and-print/?ref=marmaladecollective.com), and giving me one more reason to stay obsessed with African fashion. *Mary x* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 9 Features from Old African Architecture We Love URL: https://www.marmaladecollective.com/9-features-from-old-african-architecture-we-love/ Last updated: 2026-06-02T17:35:28.000Z # **Introduction** Africa has been building for a very long time. Long before concrete and steel, architectural schools and building permits, people across Africa were solving the same problems every builder faces today: how do you keep a home cool, make something that lasts, and tell people who you are? And they were solving them with extraordinary creativity. The trouble is, a lot of this history has been overlooked and misattributed, which is a shame, because the things people are talking about in construction right now are things Africa has already figured out. Building in a hot climate without relying on air conditioning. Using local materials instead of importing everything from somewhere else. Holding on to the skills and knowledge passed down through generations, rather than replacing them with foreign techniques. These are urgent conversations today, but were everyday practice here for centuries. This is not an exhaustive list, and it barely scratches the surface of a continent with over fifty countries and countless distinct building traditions. These are 9 features that we find ourselves drawn to, and wanting more people to know. We hope at least one of them does the same for you. ### Earthen Mud Brick Walls At first glance, a building made of mud might not sound very impressive, but once you step inside a well-built earthen structure on a hot afternoon, you'll immediately understand its genius. Mud brick construction has been practised across the Sahel, the Nile Valley, and North Africa for over 3,000 years, producing some of the most striking buildings the world has ever seen. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_473613343_18477105658047795_3608887823897549581_n.jpg) Via [akedaworld](https://www.instagram.com/akedaworld/?ref=marmaladecollective.com) Mud bricks are made by mixing clay-rich soil with water and organic material, such as straw, dung, or rice husks; then shaping the mixture into blocks and drying them in the sun. The resulting walls are thick, incredibly strong, and thermally brilliant: they absorb heat during the day and slowly release it at night, keeping interiors naturally cool without a single air conditioning unit. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_560507051_18286715125278004_3579301696927172861_n.jpg) Via [themudhousemarayoor](https://www.instagram.com/themudhousemarayoor/?ref=marmaladecollective.com) These walls also represent a deep relationship between people and the land they live on. Every building is quite literally made from the earth beneath its builders' feet. The most iconic example is the Great Mosque of Djenné in Mali, the largest mud brick building in the world, first built in the 13th century and lovingly maintained by the whole community every year. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/06/SaveClip.App_655926225_18095027297107766_8846491335355278667_n.jpg) Via [anomalie.anomalie](https://www.instagram.com/anomalie.anomalie/?ref=marmaladecollective.com) ### Toron (Wooden Projecting Beams) If you look closely at the famous mud mosques of West Africa, you'll notice bundles of wooden beams jutting out from the walls like porcupine quills. These are called toron, and they are one of the most distinctive features of Sudano-Sahelian architecture. The Djinguereber Mosque in Timbuktu, Mali (built 1327), and the mosques of Agadez in Niger are covered in toron that have been maintained and replaced by local masons for centuries. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_656278623_18130389385558009_3539911391477867963_n-1.jpg) **Image via @karenkranenburg* Toron is a permanent timber scaffolding, essentially built right into the wall. They serve two main purposes. Structurally, they reinforce the mud brick, binding the wall together from inside, and practically, they act as ready-made scaffolding during the replastering season. Toron also give Sudano-Sahelian buildings their unmistakable spiky, textured silhouette. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_661741139_18575696998053002_3984065178560375398_n-1.jpg) They’re a perfect example of how African architecture builds for structure and beauty at the same time. ### The Central Courtyard Across North Africa, the Sahel, and the Swahili coast, the most important room in the house was often one with no roof at all. The central courtyard, an open-air interior space enclosed by rooms on all four sides, has been a cornerstone of African domestic architecture for thousands of years. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_619431615_18336899083215483_3051264585937259194_n-1.jpg) **Image @thearchmagazine* The logic is beautiful: by pulling the outside in, the courtyard creates a private outdoor space sheltered from street noise, dust, and unwanted eyes. During the day, shaded colonnades around the courtyard's edges stay cool, while at night the open sky allows the space to radiate heat upwards and cool down rapidly. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_656430793_18225443719311439_6834098531136301187_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_624848282_18149379826403609_7979979141349700641_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_655182554_18170186695363122_6067527345958397641_n-1.jpg) The historic Hausa compounds of Kano(Nigeria), family homes of Eastern Nigeria’s Igbo people and the Swahili merchant houses of Mombasa featured multiple interconnected courtyards, each serving different social functions, receiving guests, family gathering, women's quarters, and work areas. The courtyard was essentially the social engine of the house. ### Decorative Geometric Wall Paintings Few things in world architecture are as immediately joyful as a painted Ndebele home. Among the Ndebele people of South Africa, exterior wall painting is a tradition passed from mothers to daughters for generations. The bold geometric patterns feature sharp triangles, rectangles, and stylised motifs in vivid colours that communicate family identity and social status. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/IMG_3330--1--1.jpeg) **Image via Vogue* A similar tradition exists in Nubian villages along the Nile in Egypt and Sudan, where women paint colourful murals of palm trees, boats, and geometric shapes as a form of blessing and pride. Ndebele artist Esther Mahlangu has also taken this tradition onto BMW cars, airline liveries, and gallery walls worldwide. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_581141499_18430146406105969_4104423237499508737_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_622459054_17996485118728373_5999177468907307555_n--4-.jpg) ### Thatched Conical Roofs Thatched conical roofing is among the oldest and most widespread architectural technologies in Africa, and it is far more sophisticated than it first appears. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_668885587_18579533320023424_9021183499632608078_n-1.jpg) **Image via @awaytoafrica* The best thatched roofs are built from tightly layered bundles of dried grass, reed, or palm frond, fixed to a framework of bent poles. When properly laid in thick overlapping layers (sometimes 30cm or more deep), the thatch becomes somewhat waterproof, and can last 30 to 50 years. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_656490258_18108308482880467_6796172143151577683_n-1.jpg) **Image via @laurabikesandsnacks* One of the most extraordinary examples of thatched construction comes from the Dorze people of southern Ethiopia, who build enormous beehive-shaped houses up to 12 metres tall. As termites slowly eat the lower sections of the walls, the entire structure is progressively raised and rebuilt from below; so it literally climbs upward over its lifetime ### Carved Wooden Doors In the old Swahili port cities of East Africa, particularly Zanzibar's Stone Town and the island of Lamu, the front door was both a statement and a work of art. Elaborately carved wooden doors have been a defining feature of Swahili coastal architecture for over five centuries, and they remain some of the most beautiful objects in African decorative arts. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_387862131_18395327467014295_4142107707684002686_n-1.jpg) **Image via @gas\_on\_gas\_off* Traditionally, a merchant or nobleman would commission a carved door before even beginning to build his house. The door came first, and carvings typically featured chains and ropes (for protection and security), fish and sea motifs (for luck and good fortune), date palms (for prosperity), and beautiful geometric and floral patterns influenced by Arabic, Indian, and Persian culture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_622838474_18552209311029495_8751470792081391863_n-1.jpg) **Image via @admiddleeast* Hundreds of these doors, some over 200 years old, still stand in Stone Town and Lamu today, both UNESCO World Heritage sites. ### The Circular Floor Plan Across sub-Saharan Africa, the circle has long been the preferred shape for a home, and for good reason. A round building has no corners for wind to catch, making it storm-resistant. It also maximises interior space relative to the amount of wall material used. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_654218331_18151667860455991_8191894098861869886_n-1.jpg) **Image via @igerscameroon* But there is meaning in the circle too. In many African cultures, it represents unity, community, and the cycles of life. The Zulu kraals of southern Africa and the extraordinary ribbed mud dome houses of the Mousgoum people of Cameroon are among the most striking examples. More recently, Francis Kéré's Serpentine Pavilion (2017) in London drew directly on this idea of the circle as a gathering space and was inspired by the communal shade tree at the centre of his home village. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/IMG_3338-1.jpeg) **Image via Dezeen* ### Breeze Blocks (Decorative Screen Blocks) If you've ever walked through an old government building, school, or family home in West Africa and noticed the walls made of patterned concrete blocks with geometric holes running through them, those are breeze blocks, and they are one of the great unsung design heroes of African architecture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_472558263_18471867241051564_2167626410043452809_n-1.jpg) **Image via @designaustralia* The blocks filter harsh sunlight into soft shifting patterns, allow constant cross-ventilation, reduce the need for air conditioning, and create a beautiful play of light and shadow on interior walls throughout the day. You can find them on everything from modest family homes in Accra and Lagos to the bold civic buildings of independence-era Dakar, where Senegalese architects used them to create a distinctly African modernism. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_545040792_1195380399303129_1315910424421489431_n-1-1.jpg) **Image via @archdaily* Today they appear in boutique hotels, cultural centres, and newer residential architecture across the continent, and are being appreciated all over again for exactly the reasons they were invented. ### The Arch The arch is one of the oldest structural ideas in the world. In ancient Nubia and Egypt, rounded and corbelled arches appeared in temples, tombs, and civic structures that were thousands of years old, and in the Islamic architecture of North and West Africa, the arch truly became an art form. The horseshoe arch, which is wider than a semicircle, curves back inward before it meets the ground and defines the colonnaded courtyards of the great mosques of Kairouan in Tunisia and Córdoba's Great Mosque. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_380847484_18078076507394395_6372846924210423132_n-1-1.jpg) **Image via @tunisianbedouin* The elegant pointed arch fills the gateways and interiors of old medinas in Fez and Cairo, and in Swahili architecture, arched niches called *zidaka* line interior walls beautifully. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/SaveClip.App_611243409_18552924763030739_1519309955532816726_n-1-1.jpg) **Image via @sarmakes* What makes the African arch remarkable is how it adapted across different cultures and climates, absorbing influences from Arabia, Persia, and the Mediterranean while remaining distinct. # Conclusion African architecture stretches back thousands of years, across dozens of climates and hundreds of distinct cultures, and it's always been driven by the same instinct: solve the problem in front of you, and do it well. Every choice, from the curve of a wall and the angle of a roof to the holes in a block, were doing real work. Today, as architects around the world wrestle with questions about climate, materials, and how buildings should actually feel to live in, they keep landing on answers that builders across Africa worked out centuries ago. There's a lot here worth knowing. And honestly, this list barely scratches the surface. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Idris & Sabrina Elba Build The Future, Rema & Tyla Head to the World Cup, Anok Yai Stuns For Vogue URL: https://www.marmaladecollective.com/idris-sabrina-elba-build-the-future-rema-tyla-head-to-the-world-cup-anok-yai-stuns-for-vogue/ Last updated: 2026-05-18T09:00:23.000Z **Welcome to Vol 186 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I keep a mental list of Black and African power couples that actually move me, and Idris and Sabrina Elba just moved up a few spots. Not because of the movies or the red carpets (although there’s also that). But it’s more because those two are dreaming in a direction that actually matters to me. [**Idris and Sabrina are betting on Africa**](https://time.com/collection/time100-philanthropy/2026/idris-elba-sabrina-dhowre-elba/?ref=marmaladecollective.com), not as charity, but as a real part of their future. As a unit. With intention. I'm taking notes. You should too. Speaking of movies and red carpets; the AMVCAs happened! And I felt so, so proud to see [***My Father's Shadow* absolutely sweep the awards**](https://afrocritik.com/linda-ejiofor-my-fathers-shadow-amvca-2026-winners/?ref=marmaladecollective.com). The fashion was also bold and daringly creative. African cinema is here, and it's winning, and nights like that are the proof. *Mary x* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 8 African Music Genres That Deserve Their Own Global Moment URL: https://www.marmaladecollective.com/8-african-music-genres-that-deserve-their-own-global-moment/ Last updated: 2026-05-15T14:37:00.000Z # **Introduction** Africa doesn't just have one sound. It has hundreds, and most of the world has barely scratched the surface. Sure, Afrobeats and Amapiano have done a fantastic job putting the continent on the map, and they absolutely deserve the attention they’re getting right now, but right behind them sits a whole universe of music that is just as brilliant, just as infectious, and just as ready for the world stage. Here are 8 genres that prove it. ### Juju Juju is one of the most elegant, intricate, and spiritually rich genres Nigeria has ever produced. At its heart, it's a marriage of Yoruba percussion, especially the iconic talking drum (the dundun), with guitar-led riffs, and praise singing. [**Juju’s roots go back to the 1920s and 1930s in Lagos, when a musician named Tunde King started to mix the Yoruba traditional Native Blues style with instruments like the sekere and juju drum**](https://www.britannica.com/art/juju-music?ref=marmaladecollective.com). But it was in the 1950s and 1960s that the genre really took shape, growing into full band arrangements with electric guitars, talking drums, and call-and-response vocals. By the 1970s and 80s, two names defined Juju music; King Sunny Ade (KSA) and Chief Commander Ebenezer Obey. Later, Sir Shina Peters reinvented the sound with his faster, heavier Afrojuju style in the late 80s. Today, artists like Asake and Seyi Vibez draw from Juju rhythms in a modern way, keeping the tradition alive in contemporary form. #### Add These Juju songs to your playlist 1. [Awodi by Asake ](https://youtu.be/-lkZ25iPCBI?si=GoZ2-irkbiTJXGsV&ref=marmaladecollective.com) 2. [Ace by Sir Shina Peters ](https://youtu.be/xD1b7eWtUmo?si=YyNBT4k9GSX0Q2oh&ref=marmaladecollective.com) 3. [Syncro System by King Sunny Ade](https://youtu.be/gaV7G9nxOfI?si=CYW2yxxKjKpw%5F1Zl&ref=marmaladecollective.com) ### Fuji [**Fuji's origins are religious. It Fuji grew out of *wéré*, a seasonal Islamic performance tradition among Yoruba Muslims during Ramadan, which dates back as far as the 19th century**](https://pan-african-music.com/en/history-fuji-music/?ref=marmaladecollective.com). In the early 1970s, a musician named Sikiru Ayinde Barrister took *wéré* out of its religious context and transformed it into a year-round, secular, commercial genre. He pulled elements from sakara, apala, Juju, and Afrobeat, and created something entirely different, and by the mid-1980s, Fuji was everywhere in Nigeria; at parties, events and even political gatherings. Since its success, icons like Ayinde Barrister and K1 de Ultimate (Wasiu Ayinde Marshal) and newer artists like Adekunle Gold and oSHAMO have taken its popularity to the next level. Today, it's one of the most dominant of all Yoruba music traditions. #### Add These Fuji songs to your playlist 1. [Don Corleone by Adekunle Gold](https://youtu.be/mgxqoiJHRYQ?si=BKNKb1CHjpY0dvZE&ref=marmaladecollective.com) 2. [SuperFuji (GOBE) ](https://www.youtube.com/watch?v=Nyv3lNbqa6M&ref=marmaladecollective.com)by [oSHAMO -](https://www.youtube.com/watch?v=Nyv3lNbqa6M&ref=marmaladecollective.com) 3. [Professor](https://youtu.be/txvY%5FsvOVL4?si=3920lbqGG51ci17S&ref=marmaladecollective.com) by Seyi Vibez ### Ethio-Jazz Ethio-Jazz was created by one extraordinary man: Mulatu Astatke, who was born in Jimma, Ethiopia in 1943\. He studied engineering in Wales,then pursued music at Trinity College London and later Berklee College of Music in Boston[, **becoming the first African student to attend Berklee**](https://www.bbc.com/news/articles/cy073xp2yj0o?ref=marmaladecollective.com). In the late 1960s, after spending time in New York City (where he jammed with Fela Kuti and Hugh Masekela), he returned to Addis Ababa with a revolutionary idea: to fuse the four pentatonic "modes" of traditional Ethiopian music with the harmonies, improvisation, and instrumentation of jazz, and the result of this idea was Ethio-Jazz. His 1972 album, *Mulatu of Ethiopia,* was a landmark piece of music history, and later on, a French compilation series called *Éthiopiques* introduced his music to international audiences in the late 1990s, and the rest is history. Other key figures in the genre are Mahmoud Ahmed, Ethiopia’s “Emperor of Swing” and Hailu Mergia, who’s still recording and touring globally into his 80s. Ethio-Jazz is proof that African music, identity and innovation don’t have to be opposites. #### Add These Ethio-Jazz songs to your playlist 1. [Era Mela Mela by Mahmoud Ahmed](https://youtu.be/6UbITQT4ZFE?si=4lxQwLy5rDIZuC3K&ref=marmaladecollective.com) 2. [Kemekem by Meklit Hadero and Samuel Yirga ](https://youtu.be/qC8feW4gomo?si=5ej3PdrlBhpFInq3&ref=marmaladecollective.com) 3. [Getatchew Mekuria & The Ex & Guests - Moa Anbessa](https://www.youtube.com/watch?v=GbVnz7HAk1Y&ref=marmaladecollective.com) ### Mbalax Mbalax (pronounced *mm-ba-lah*) is the irresistible dance music of Senegal; an energetic sound built around the *sabar*, a traditional Wolof drum, and layered with electric guitar, saxophone, talking drums, and loud vocals. It was born in Dakar in the early 1970s, when young Senegalese musicians got tired of Cuban and American music dominating their clubs and decided to make something of their own; so they built a new sound around the sabar, a traditional Wolof drum with intricate, layered rhythms, and sang in Wolof rather than French, which rooted the genre firmly in Senegalese identity and the age-old storytelling tradition of the griot. The biggest name in Mbalax, by a huge margin, is Youssou N'Dour, a Dakar-born griot's son whose band Super Étoile de Dakar basically defined what the genre sounds like. His 1986 collaboration with Peter Gabriel, and his legendary 1994 duet with Neneh Cherry, "7 Seconds," turned him into a global star. Other artists like Viviane Ndour and Wally B. Seck continue to carry Mbalax forward for younger Senegalese audiences. #### Add These Mbalax songs to your playlist 1. [Je t’aime by Wally Seck](https://youtu.be/JAMMDyPu1Lc?si=vvdjkO0FZE3q5-hP&ref=marmaladecollective.com) 2. [7 Seconds by Youssou N'Dour ft. Neneh Cherry](https://youtu.be/wqCpjFMvz-k?si=AlcUr8y0cTwxXZ%5Fl&ref=marmaladecollective.com) 3. [La Vie est Belle by Mia Guisse ](https://youtu.be/%5FkoRwPVvNfs?si=tDKAI-QXpZIHhRVF&ref=marmaladecollective.com) ### Bongo Flava Bongo Flava is Tanzania's gift to the world; it’s a genre that fuses American hip-hop and R&B with traditional East African rhythms like Taarab, all wrapped up in the melodic beauty of the Swahili language. "Bongo" is slang in Dar es Salaam (from *ubongo*, the Swahili word for brains or street smarts) and "Flava" is exactly what it sounds like. It started in the early 1990s when middle-class Tanzanian youth in Dar es Salaam, inspired by the American rap and hip-hop they'd heard on imported cassettes, began making their own music and rapping in Swahili instead of English. An iconic moment came in 1991 when a musician named Saleh Jabeh rapped in Swahili over Vanilla Ice's "Ice Ice Baby,” the first rap song on Tanzanian radio. Through the 1990s and 2000s, the genre matured, and the arrival of Diamond Platnumz, who released his breakthrough song, "Kamwambie" in 2010, transformed Bongo Flava from a regional genre into a continental and eventually a global phenomenon**.** [**In 2020, Diamond became the first Sub-Saharan African singer to hit 1 billion views on Youtube**](https://www.bbc.com/news/world-africa-53043429?ref=marmaladecollective.com)**.** #### Add These Bongo Flava songs to your playlist 1. [Jeje by Diamond Platnumz](https://youtu.be/g5rFro4XdZ0?si=bLK-mnKvZuoKMvp6&ref=marmaladecollective.com) 2. [Mwana by Alikiba ](https://youtu.be/hT8lfg-3l5U?si=tKYJhZLXcrLTf6n5&ref=marmaladecollective.com) 3. [Wewe by Harmonize](https://youtu.be/krrGD70P7oc?si=tBVJu9Lh28c6%5FIdY&ref=marmaladecollective.com) ### Afro house At its core, Afro house is a meeting point between global house music and African rhythm. House music itself started in places like Chicago in the 1980s, built on electronic beats and club culture. But somewhere in the 1990s, producers in Johannesburg and other South African cities began to reshape that sound by adding traditional drums, local languages, and the kind of rhythm you’d hear at ceremonies or street parties. That idea is what gave birth to Afro house. Afro house emerged in South Africa in the 1990s, rising from the post-apartheid explosion of cultural freedom across the country and it drew from Kwaito, the township sound that mixed house music with South African vernacular. The person most responsible for bringing it to the world is Black Coffee,whose [**2021 album** ](https://www.billboard.com/music/awards/black-coffee-grammys-2022-best-dance-electronic-album-1235054051/?ref=marmaladecollective.com)[***Subconsciously***](https://www.billboard.com/music/awards/black-coffee-grammys-2022-best-dance-electronic-album-1235054051/?ref=marmaladecollective.com)[ **won the Grammy for Best Dance/Electronic Album**](https://www.billboard.com/music/awards/black-coffee-grammys-2022-best-dance-electronic-album-1235054051/?ref=marmaladecollective.com) (he was the first African artist to win in that category) and who [**in 2023 became the first African DJ to sell out Madison Square** Garden.](https://hypemagazine.co.za/2023/08/25/black-coffee-makes-history-as-first-african-dj-to-perform-at-madison-square-garden/?ref=marmaladecollective.com)Beyond him, artists like Zakes Bantwini, whose track *Osama*went viral worldwide in 2021, Sun-El Musician, and Da Capo are also helping carry it forward. #### Add These Afro house songs to your playlist 1. [&ME, Black Coffee - The Rapture Pt.III](https://youtu.be/MOenJHdj8ro?si=i-noR5XBKbDoCjXg&ref=marmaladecollective.com) 2. [Hugel, SOLTO (FR) - Jamaican (Bam Bam)](https://youtu.be/lH2rQyG%5F0pk?si=eO01jGMUjVG%5FbQSA&ref=marmaladecollective.com) 3. [Zakes Bantwini, Kasango - Osama](https://youtu.be/CNUnzNLEkKA?si=7oAAebTPhnHeBPwZ&ref=marmaladecollective.com) ### Highlife Highlife is the original West African party music, and has one of the longest histories of any African popular genre. It started in Ghana (then called the Gold Coast) in the late 1800s and early 1900s, when local musicians started blending Akan traditional music with European brass band arrangements and Caribbean music they encountered through colonial contact and trade. By the 1950s and 60s, it had become a fully-fledged genre, with big band orchestras playing at grand venues and legends like E.T. Mensah (the "King of Highlife") and his Tempos band took it across West Africa. In the 1970s and 80s, musicians like Ebo Taylor and Gyedu-Blay Ambolley pushed it into a kind of afro-funk and jazz fusion style. Nigeria has its own version too, rooted in palm-wine guitar traditions, with legends like IK Dairo and Victor Uwaifo leading the charge then, and the Caveman carrying the torch today. Today, Ghanaian artists like Bisa Kdei, KiDi, and Kuami Eugene are blending Highlife's DNA with modern Afrobeats, and it sounds just as fresh as ever. #### Add These Highlife songs to your playlist 1. [BIsa Kdei - Mansa](https://youtu.be/ZI%5FuIRU5EOc?si=qTd8KCj3xLjLLisW&ref=marmaladecollective.com) 2. [ R2Bees - Picture ft. King Promise](https://youtu.be/PGhjA92lsVQ?si=ofhPGh88%5FmXaGnKO&ref=marmaladecollective.com) 3. [The Cavemen - Love and Highlife](https://youtube.com/playlist?list=PLUGA5Z0smj6QA69dAJ4cmunL8le2WlqQy&si=DoCies8CFghGoHp3&ref=marmaladecollective.com) ### Mande Mande music is one of West Africa’s oldest and most influential musical traditions, with roots stretching back to 13th-century Mali Empire. Found across countries like Mali, Guinea, Senegal, and The Gambia, it is deeply tied to the griot, or jeli, tradition. Griots are storytellers, historians, praise singers, and living archives who pass down family histories and cultural memory through music, and their songs are carried by instruments like the kora, a soft and flowing 21-string harp, the balafon, and the ngoni. Legendary artists like Salif Keita, Mory Kanté, Ali Farka Touré, and Toumani Diabaté helped introduce the sound to global audiences by mixing traditional rhythms with blues, jazz, funk, and pop. Songs like “Yeke Yeke” and the desert blues of Ali Farka Touré became cultural landmarks that connected African music to listeners around the world. Today, a new generation is keeping the tradition alive. Artists like Fatoumata Diawara, Sidiki Diabaté, Sona Jobarteh, and Oumou Sangaré are mixing Mande music with Afropop, hip-hop, folk, and electronic influences while still honouring the griot tradition. You can even hear traces of Mande melodies in modern Afrobeats today, showing just how deeply the genre continues to shape African music. #### Add These Mande songs to your playlist 1. [Sidiki Diabate - Diarabi Nene Bena ](https://youtu.be/Az0-gkBzRyU?si=kIeKVNbCnYPVyInJ&ref=marmaladecollective.com) 2. [Sona Jobarteh - GAMBIA](https://youtu.be/PtmmlOQnTXM?si=KloJszUvnq7uQNK4&ref=marmaladecollective.com) 3. [Vieux Farka Touré et Khruangbin - Diarabi](https://youtu.be/NnE73tTRPmg?si=DQGlBn0xnxjH-rSH&ref=marmaladecollective.com) # Conclusion If this list does one thing, hopefully it's this: it reminds you that there’s so much more to explore. Every single genre here has decades of history, brilliant artists, and rabbit holes worth going down. And the beautiful thing is you don't have to know everything to enjoy any of it, you just have to press play. Start with whatever calls to you, whether that's the loud, sunny sounds of highlife, or the fun, electronic beats of Afro house. Somewhere in here is a sound that was made for you. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Trevor Noah Heads Home, African Stars Rule the Met, Burna Boy Links With Shakira URL: https://www.marmaladecollective.com/trevor-noah-heads-home-african-stars-rule-the-met-burna-boy-links-with-shakira-2/ Last updated: 2026-05-11T09:00:14.000Z **Welcome to Vol 185 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I had a phenomenal week last week. "Why" you ask? Because of the Met Gala, love. Every year I tell myself I'll be casual about it, and every year I'm up at midnight stalking page after page after page. And this year did not disappoint. Sure, it's great to see global stars walk the carpet, but it’s always a special treat to see [**our African stars deliver at the Met Gala**](https://www.bellanaija.com/2026/05/african-stars-met-gala-2026-fashion-breakdown-tyla-skepta/?ref=marmaladecollective.com); and *ohh* they did deliver. Not just gorgeous looks (though they were *very* gorgeous) but storytelling, cultural pride, and bold creative vision at its finest. Chefs kiss! *Mary x* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### VVS returns for its monumental 5th Edition in Lagos URL: https://www.marmaladecollective.com/vvs-returns-for-its-monumental-5th-edition-in-lagos/ Last updated: 2026-05-11T11:05:08.000Z VVS Lagos will return for its fifth edition in 2026 with **Afromodernism** as its defining theme, marking a pivotal moment in the evolution of one of Africa’s most closely watched cultural platforms. Over the past four editions, VVS Lagos has quietly built a reputation for convening a new generation of African creative leadership; bringing together fashion designers, visual artists, filmmakers, and cultural thinkers whose work increasingly shapes global conversations. With more than 8,000 attendees and over 100 brands and 120 artists presented to date since inception in 2022, the platform has grown into a critical node within the continent’s cultural ecosystem. Afromodernism reflects a broader shift already underway: a reassertion of African authorship across fashion, art, and visual culture. Rooted in heritage yet defined by contemporary expression, it speaks to a generation working fluidly across disciplines where craftsmanship, image-making, and digital culture intersect with new economic ambition. From July 5th - 12th 2026, VVS will unfold across a curated programme of exhibitions, runway presentations, screenings, and private convenings staged throughout Lagos. A significant portion of the week will be anchored through a dedicated partnership with Nahous, positioning it as a central site for key moments across the schedule. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/_L1A0203.jpg) The platform continues to expand its developmental focus. Following the introduction of Future Labs in 2025; which presented 25 emerging visual artists and 20 emerging fashion designers, this year’s edition will introduce an open call, offering selected creatives access to mentorship, potential grant support, and the opportunity to present within the VVS Lagos framework. Institutional engagement also deepens. VVS Lagos will extend its collaboration with the British Council, with an expanded programme spanning both art and fashion, while continuing its partnership with Ledrop Nigeria, activating cultural experiences in collaboration with Glenfiddich and Casa Maestri. A new partnership with the Africa Creators Summit signals a further shift towards the convergence of cultural production and digital distribution. The collaboration will see designers, artists, and filmmakers working directly with leading content creators to produce original, platform-native work, naturally extending the reach of African creative output beyond the physical event and into global digital ecosystems. To mark its fifth anniversary, VVS Lagos will also inaugurate a series of honorary awards celebrating exceptional brands and individuals across the arts, creative business, and creative technology; recognising those shaping the future of African innovation and cultural expression. Alongside its physical programme, VVS Lagos will also unveil a collaborative music project in early June and a mobile app aimed at fostering year-round engagement within its growing creative and business network. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/05/_L1A0402.jpg) As it enters its fifth year, VVS Lagos continues to evolve with clarity and intent; less as an event, and more as a framework through which African creative expression is produced, experienced, and distributed. More partnerships to be announced! ### What's On This May URL: https://www.marmaladecollective.com/whats-on-this-may-2/ Last updated: 2026-05-10T15:56:01.000Z London has the most exciting events lined up this May! And we've done all the digging for them, so you don't have to. _This post is for subscribers only._ ### Cynthia Erivo Takes on Miriam Makeba, Uncle Waffles Drops New EP, Botswana’s Art Comes Home URL: https://www.marmaladecollective.com/cynthia-erivo-takes-on-miriam-makeba-uncle-waffles-drops-new-ep-botswanas-art-comes-home/ Last updated: 2026-05-04T09:00:45.000Z **Welcome to Vol 184 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I don't know who's in charge of casting decisions out there but they need a raise, a bonus, and a personal thank you card from me because [**Cynthia Erivo is set to play Miriam Makeba in a new movie!**](https://iol.co.za/entertainment/movies/2026-04-25-cynthia-erivo-to-play-miriam-makeba-in-r300m-film-the-road-home/?ref=marmaladecollective.com) I won't lie, I had my doubts about their not choosing an actual African actress to play such an iconic African legend, but knowing the kind of magic Miss Erivo brings to every single one of her projects? I'm not so worried anymore. *Mary x* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 6 African Art Movements You May Not Know, But Should URL: https://www.marmaladecollective.com/african-art-movements/ Last updated: 2026-06-07T14:32:02.000Z # **Introduction** When people talk about art schools, and even art in general, the conversation almost always starts in Europe, specifically places like Paris, Italy, London, and New York. But some of the most exciting, rebellious, and visionary art schools of the 20th century were happening on the African continent, and were born out of independence, identity, and a desire of Africans to tell stories on African terms. Here are 6 you probably might not have heard of, but should know about. ### The Khartoum School (Sudan, 1960s) Sudan had just gained independence from Britain in 1956 when a group of young Sudanese artists, many of whom were trained in London, came home asking a big question: what should Sudanese art actually look like now? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_441098396_17919963119911143_4306293563727830125_n-1.jpg) **Image via @sandstreesarchive* The Khartoum School was a modernist art movement formed in 1960 that tried to develop a new visual vocabulary to reflect the identity of the newly independent nation. The founders were Osman Waqialla, Ibrahim El Salahi, Ahmad Mohammed Shibrain and Majzub Rabbah, and they defined art as a search for, and reflection of, the characteristics of Sudanese culture. The most celebrated artist to emerge from the movement is Ibrahim El Salahi, who is regarded as a Visionary Modernist who explores African, Arab and Islamic motifs through painting and drawing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_441077560_17919963128911143_151751809825014969_n-1.jpg) **Ibrahim El Salahi via @sandstreesarchive* Their signature aesthetic was called *hurufiyya*, the practice of simplifying Arabic script into abstract shapes, which, together with Islamic motifs, became a hallmark of the School. They also leaned towards soft, earthy tones and imagery drawn from African mask traditions. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_626206879_18377412883088857_2009330555747305712_n-1.jpg) **Image via @tate* ### The École de Dakar (Senegal, 1960–1974) Not many art schools can say they were championed by a head of state. The École de Dakar is one of them. The École de Dakar, or Dakar School, is an art school that started in Senegal at the dawn of its independence, between 1960 and 1974, and was supported by the first Senegalese President Léopold Sédar Senghor, working within the framework of the Négritude movement of the 1930s. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_621290297_18112755043734568_5640097499336291316_n.jpg) Senghor was a poet and philosopher as much as a politician, and he backed his cultural vision with real resources like art schools, a national tapestry workshop, and state commissions. Some other key figures of this movement included Papa Ibra Tall, who aimed to create an artistic language that belonged to Africa and Senegal, and Iba N'Diaye. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2945-1.jpeg) **Amadou Seck,"Transhumance" via Jendalmart* This movement is characterised by vivid colours, rhythmic compositions, and imagery drawn from African mythology and textile traditions, but it wasn't without controversy, and even famous writers like Wole Soyinka openly criticised it. But tension aside, its approach to cultural pride and artistic freedom makes the École de Dakar one of the richest, most debated chapters in African art. ### The Zaria Art Society (Nigeria, 1958–1962) This one started with a group of students, a bad art curriculum, and a refusal to be told who they were. The Zaria Art Society, also called the Zaria Rebels, was a coalition of artists who were active from 1958 to 1962, and known for rejecting the ideas of their mainly British art lecturers whose curriculum was focused on Western traditions, instead adopting local visual art traditions like Nok sculptures and Uli painting. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/image-3-1.png) **Image via MOMAA* Their founding philosophy, articulated by Uche Okeke, was called Natural Synthesis, and it called for African artists to neither copy European styles nor retreat to pre-colonial traditions, but instead, to actively combine elements of both to create new art forms better suited to contemporary African life. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_541731874_18326162884229901_154935046061877450_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_540541815_18326162887229901_9191789614835515170_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_540691344_18326162881229901_1743733430192337403_n.jpg) **Image via @angelsandmuse* Its members included Bruce Onobrakpeya, who became Nigeria's foremost printmaker, Demas Nwoko, and Yusuf Grillo. Even though the Zaria society disbanded in 1962, the seeds it planted grew into the Nsukka School, which in turn produced some of the most celebrated contemporary artists in the world today. ### Tinga Tinga Arts Cooperative Society (Tanzania, 1968–present) Tingatinga art was born in 1960s Tanzania when Edward Saidi Tingatinga, a sisal labourer, arrived in Dar es Salaam with an idea that would change East African art forever. With limited resources, he began painting on recycled masonite squares using bicycle enamel paint, which was the only material he could afford. His subjects were wildlife, savanna landscapes and village scenes rendered in bold, vibrant colours with characteristic black outlines. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_582437270_18175115650368511_3618120726736316746_n-1.jpg) **Image via @tingatingaart* Soon, what he started as a side hustle quickly took off, and he quit his job and began teaching his style to family members and younger artists. Then, in 1972, in the midst of a growing artistic career, Edward Tingatinga was shot dead by police in a case of mistaken identity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_621653598_18088493081013046_8211006615695849048_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_632070704_18409734580122030_8120203950745214042_n.jpg) His fellow artists in Dar formed the Tinga Tinga Arts Cooperative Society in his name, and the style became a school of painting for artists from Dar es Salaam and Zanzibar. The Cooperative has kept the tradition alive and evolving ever since, expanding beyond wildlife to include urban scenes, abstract patterns, and commentary on modern Tanzanian life, while keeping the signature bold colours and confident outlines that made the style so immediately recognisable. Today, it's one of the most recognisable art forms in all of East Africa. ### Congolese Popular Painting (Democratic Republic of Congo, 1970s–present) If you want art that speaks directly to the people and tackles issues like corruption, joy, AIDS, inequality, and everyday life without hiding behind abstraction, this is it. In the early 1970s, a group of self-taught Congolese artists in Kinshasa founded the movement known as Popular Painting, which plays with satire, irony and humour to address everyday life, including social, political and economic issues. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_579688238_18076641434182329_7885943973522720256_n-1.jpg) **Image via @mayi.arts* The four founding members, Chéri Samba, Moké, Chéri Chérin and Pierre Bodo, were highly influenced by advertising, and they combined bright, bold colours with text to create politically charged pieces that address viewers directly and honestly. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_631867161_18377799202091276_6795807707321764402_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_521289146_18015352136754082_4637529245189998631_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_521590810_18015352088754082_7090778021119937603_n.jpg) These artists didn't want their work to confuse people; they wanted it to communicate, provoke, and make viewers laugh and think all at once, and that commitment to reaching ordinary people makes this one of the most genuinely democratic movements in African art history ### The Oshogbo Art Movement (Nigeria, 1960s) Between 1962 and 1966, a group of artists began to form in Oshogbo, a Yoruba town in southwestern Nigeria. They took part in workshops led by Susanne Wenger, Ulli Beier, and Georgina Beier, and in these workshops, artists mixed traditional Yoruba stories and themes with Western art materials and techniques. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_623722994_18559893610062721_5363602964411510628_n-1.jpg) **Image via @aaf\_lagos* What made it special was the kind of people involved. Most of the artists were young men with little formal education like artisans and petrol station attendants. You didn’t need a degree or certificate to join, and talent was all that mattered. Out of this group came artists like Jimoh Buraimoh, Twins Seven-Seven, Muraina Oyelami, and Nike Okundaye, who all went on to gain international recognition and support. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_672469645_18120044299636549_6110239462226574844_n-1.jpg) **Image via @thevlmagazine* The movement made one thing clear: you don’t need formal qualifications to be a great artist, and tradition can evolve from within without losing its roots. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_621873801_18559019677034131_6162111724451107713_n.jpg) **Imaga via @africacollectiveculturecircle* # Conclusion Each of these art schools asked a version of the same question in its own way: what does it mean to make art as an African person, in an African place, at this point in history? The answers were always different and fascinating. Some were born out of political idealism, others from pure necessity. Some were sparked by outsiders, others were entirely homegrown. But all of them refused to simply copy what was happening in the Western world, and chose to look instead at their own traditions, cities, languages and struggles to make something that looked and felt like home. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Ugo Mozie Builds Eleven Sixteen, Thebe Magugu Drops A New Capsule, Ayra Starr Teases Album No. 3 URL: https://www.marmaladecollective.com/ugo-mozie-builds-eleven-sixteen-thebe-magugu-drops-a-new-capsule-ayra-starr-teases-album-no-3/ Last updated: 2026-04-27T09:00:57.000Z **Welcome to Vol 183 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I've been an Ayra Starr girl since Bloody Samaritan. That song found me and never let go, and when The Year I Turned 21 dropped, that was it, I was fully gone. I've been manifesting a new album ever since, and I’m glad and proud to announce that [**Ayra’s new album is finally on its way**](https://thenotesphere.com/ayra-starr-unveils-title-and-release-window-for-third-studio-album/?ref=marmaladecollective.com)! And honestly, it feels like perfect timing. *Mary x,* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 7 African Science-Fiction Movies to Watch This Summer URL: https://www.marmaladecollective.com/african-science-fiction-movies-you-should-watch-this-summer/ Last updated: 2026-04-24T12:52:08.000Z # **Introduction** Growing up, the future didn't always look like it had room for African stories. Science fiction gave us spaceships, light sabers and cities in the sky, but the people inhabiting them rarely looked African, rarely spoke in our languages, and rarely carried our histories. That's slowly, powerfully changing, and these films are a big part of why. Afrofuturism is the art of imagining what the future could look like when it's built from African roots, blending mythology, technology, history, and spirituality into something that feels both ancient and brand new. These films don't all look the same or sound the same, but they share something important: they put Black and African experiences at the centre of the story, not the edges. Some will make you think. Some will make you cry. Some will genuinely confuse you in the best possible way. But all of them are worth your time. Here are some of our favourites. ### Bam Bam Some of the most exciting Afrofuturist filmmaking isn't coming from big studios or established names, it's coming from filmmakers like Tolulope Itegboje, who picked up a camera, told a deeply personal story, and ended up at one of the world's most prestigious film festivals. *Bam Bam* screened at the Toronto International Film Festival Industry Market in September 2025, marking a milestone for Nigerian cinema on the international stage, and it absolutely earned its place there. The film follows Babatunde, a gifted but introverted teenager whose only real confidant is Bam Bam, an AI companion that understands him better than any human around him. As the tension between his longing for love and fear grows, Babatunde starts to wonder not just whether he's ready, but what trusting Bam Bam might ultimately cost him. Where so much science fiction treats AI as a threat or a tool, *Bam Bam* treats it as a mirror, and that emotional honesty is exactly what makes it such a great watch. ### Atlantics Mati Diop's debut feature film is unlike anything else on this list. Set in Dakar, Senegal, *Atlantics* follows Ada, a young woman whose boyfriend Souleiman has disappeared along with dozens of other young men from their neighbourhood after setting out on a boat across the Atlantic in search of a better life in Europe. Days later, strange things start happening; women in the neighbourhood start speaking in strange voices, and fire breaks out at a construction site where the workers were never paid. *Atlantics* is a ghost story, a love story, and a film about the violence of economic desperation and migration all at once. Diop (the niece of legendary Senegalese filmmaker Djibril Diop Mambéty) won the Grand Prix at the Cannes Film Festival with it in 2019, becoming the first Black woman director to compete in the main competition at Cannes. The film is inspired by African spiritual traditions, and uses the supernatural as a form of justice that the living world can’t provide. ### Neptune Frost Neptune Frost follows a group of escaped coltan miners who form an anti-colonialist computer hacker collective in the hilltops of Burundi and try to take over the authoritarian regime exploiting the region's natural resources and its people. And when an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sends the plot spinning in every direction. It was co-directed by American poet and musician Saul Williams and Rwandan-born artist and cinematographer Anisia Uzeyman and is a sci-fi punk musical that moves between past, present, and future, explores the relationship between the physical and the digital, and wraps anti-colonial politics in extraordinary visuals. The film had its world premiere at the 2021 Cannes Film Festival, and coltan, the metal at the heart of the film's story, is directly relevant to real life; it's a mineral mined in Central Africa that is essential to manufacturing the smartphones and computers that the rest of the world uses every day. Its unconventional storytelling approach makes Neptune Frost one of the most genuinely original Afrofuturist visions in cinema. ### The Last Angel Of History Before most people had even heard the word "Afrofuturism," Akomfrah was making a film about it. It was actually the first film to ever include the then-recently coined term, which tells you everything about how ahead of its time it was. Directed by Ghanaian-British artist and writer, John Akomfrah and written by Edward George of the Black Audio Film Collective, this 45-minute film treats Afrofuturism as a metaphor for the displacement of Black culture and roots. The part documentary, part science fiction follows the "Data Thief," a character from the future who travels back in time searching for a crossroads, digging through what the film calls "techno-fossils" for clues. Around this narrative, Akomfrah weaves interviews with an astonishing lineup of figures like George Clinton, Octavia Butler, and Kodwo Eshun. The film even argues that the drum is able to communicate both across the African diaspora and across time, and was the very first Afrofuturist technology. It's dense and dazzling, and it will change how you hear music. ### Pumzi At just 21 minutes, this Kenyan short film by director Wanuri Kahiu packs more ideas, beauty, and genuine urgency into its runtime than most feature films manage in two hours. *Pumzi* is set 35 years after World War III, which in this world was fought over water. The surface of the earth has died, and survivors live in sealed underground communities, tightly monitored and kept compliant with dream-suppressing pills. Our hero, Asha, is a scientist in a virtual museum of nature who receives a package containing a small amount of living soil and plants a seed in it. When it germinates almost immediately, Aisha decides to fight her government and carry that seed out into the wasteland, essentially becoming the carrier of the future of life itself. *Pumzi* is Kenya's first science fiction film, and it premiered at Sundance in 2010 before winning Best Short Film at the Cannes Independent Film Festival. ### Iwájú Even though this is technically a miniseries rather than a single film, *Iwájú* deserves a place on this list because of what it represents and how brilliantly it pulls it off. Produced by Walt Disney Animation Studios in collaboration with the Pan-African entertainment company Kugali Media, *Iwájú* is an animated science fiction series set in futuristic Lagos, Nigeria, and follows the adventures of young Tola and Kole. The story draws directly on the geography of Lagos to build a science fiction world rooted in real social inequality. The technology is dazzling, (flying vehicles, augmented reality, and bioluminescent marketplaces) but the story underneath it is about class, access, and the gaps that exist even in the future. What makes *Iwájú* special is that it was built by Africans, for everyone. Kugali and Disney created a series that perfectly captures the rhythms of real street life in Lagos, with a futuristic twist. ### Afronauts In 1964, shortly after Zambia gained independence from Britain, a schoolteacher named Edward Mukuka Nkoloso founded the country's very own space academy, the Zambian National Academy of Science, Space Research and Philosophy, and set about training a group of recruits to beat America and the Soviet Union to the moon. Ghanaian filmmaker Nuotama Bodomo's short film *Afronauts* takes this extraordinary true story as its foundation, and follows an aspiring astronaut called Matha as she goes through her training, carrying the dreams of a newly independent nation on her young shoulders. The film challenges the "Western gaze," and imagines Africans traveling to space using technology as a tool to challenge colonialism and assert independence. It premiered at Sundance in 2014 and screened at the Berlinale, and has since been exhibited at the Whitney Museum and the Venice Biennale. # Conclusion What all these films have in common, whether they're set in a hidden African kingdom, a dried-out future Earth, or a hillside in Burundi covered in e-waste, is a refusal to accept that Africans don't belong in the future. For most of cinema's history, the future has been imagined as a place where Black and African people barely exist, let alone lead, create, or dream. These films push back against that. They also show just how wide the Afrofuturist imagination really is. So whether you start at the beginning with *Bambam* or jump straight to *Iwájú*, you're entering a conversation that has been going on for decades, across the entire continent and diaspora, about what the future looks like when Africa is at its centre. And honestly? It looks pretty extraordinary. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Zikora Enweani Is Curating the Modern African Pantry URL: https://www.marmaladecollective.com/zikora-enweani-is-curating-the-modern-african-pantry/ Last updated: 2026-04-22T10:42:21.000Z Zikora Enweani is not a chef. She’ll tell you that herself. What she is, is a builder, someone who looks at a problem, strips it down to its components, and engineers a solution. It’s the same instinct that carried her from secondary school technical drawing classes through an electrical and electronics engineering degree and into a finance career in London. And it’s the same instinct that led her, somewhere between a craving and a calculation, to co-found Kwikish. [Kwikish](https://kwikish.com/?ref=marmaladecollective.com) is a London-based African pantry brand built on a simple but pointed premise: that the richness of West African cooking — the jollof flavour — should not require you to sacrifice an entire evening to enjoy it. Their flagship jollof paste has already sparked conversation well beyond the kitchen, most recently through a collaboration with Pzaza Pizza that used the sauce as a pizza base and ignited the kind of debate only jollof can: who does it belong to, and how far should it travel? In this conversation, we talked about what it means to grow up in male-dominated spaces, why she sees convenience as preservation rather than compromise, and the personal reckoning that comes with building a business that holds a mirror up to who you are. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/DSC09964-2-1.jpg) **You’ve moved between very different worlds — engineering, finance, food — and between cultures too, growing up Nigerian and building a career in the UK. How has all of that shaped the way you think?** I’ve always been in male-dominated spaces. In secondary school, I was doing technical drawing. Then engineering, then finance, same thing. Being in those environments taught me how to attack problems. Combined with that Nigerian doggedness and then the UK, where people are very calm, very polite, very measured… all of it rolled together has made me quite aggressive in how I move. Fast and calculated. I can break a complex problem down to its minutia. And I think being across different industries means I can make connections that people who’ve only ever been in one lane might miss. Growing up Igbo as well, my father is as progressive as an Igbo man can be, but there was still that cultural messaging of ‘women, sit down, look pretty, be quiet.’ Being in male-dominated fields pushed against that. And now I think all of it — the engineering brain, the Nigerian drive, the time in finance, the Igbo household — has made me a great thinker and a great executor. **The transition from finance to food wasn’t exactly the obvious next move. What happened?** It wasn’t intentional. I had a thesis, the Black population in the UK is growing, the diaspora is growing, but there’s nothing for us at an elevated level. I’m working a busy finance job, my favourite cuisine is Nigerian food, and the options are either spending on Uber Eats or carving out hours I don’t have to cook from scratch. With Chinese food, I can just pick up a sauce. There are meal kits and options. For West African food? Nothing in the middle. So I started making the jollof paste myself, using it to cook. And even then, I thought, I don’t actually want to be doing this either. I went looking for a product I actually liked and realised: for a diaspora this large, there is genuinely nothing serving this market at a serious level. A few aunties here and there, but nothing built at scale with intention. Kwikish just kind of happened from there. I wasn’t sitting there thinking ‘I want to build a business.’ I was solving my own problem and slowly realised there was something in it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/KWIK-106.jpg) **There’s always a debate when it comes to simplifying traditional food, where convenience can become compromise. Where do you draw that line?** I’m the eldest of five. I’ve been my mother’s sous chef since I was small, cutting the onions, peeling the garlic, chopping the peppers. Cooking is not, for me, this joyful meditative thing people describe. I find it laborious. So where do I draw the line? I don’t need to cook for three hours to eat in ten minutes. But I do need it to be good. Clean ingredients, authentic flavour, actually sometimes even better than what I’d make from scratch. That’s the goal. Convenience, not compromise. And I think about it beyond just me. African women spend significantly more time in the kitchen than women in other demographics, an extra hour or two every day. An hour you could sleep, work on something, or go outside. That time matters. But there’s also a cultural preservation argument that people overlook. I have younger siblings at university who won’t cook jollof from scratch; they wait for Mum to make it and send it over. So jollof becomes a Christmas thing, an Easter thing, something that only exists at your mother’s house. Three generations down the line, people won’t know what jollof is. With Kwikish, jollof can actually become one of your regular dinner options. You pass the flavour on. The culture travels. Yes, it’s not the same as your mum’s. But it’s yours to eat, to cook for your kids, to keep alive. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/DSC01895.jpg) **That makes sense. At the end of the day, we must allow our culture to evolve. For you, Jollof is more than Jollof rice. It’s an entire flavour. The Pzaza Pizza collaboration — jollof as a pizza base —was something that proved that. Where do you stand on the tension between experimentation and purists?** Look at what the Koreans have done in the last fifteen years. Korean barbecue, Korean fried chicken, K-pop, young people who start with a K-pop star end up learning Korean, watching K-dramas, and wanting to visit Korea. The culture travels because it met people where they were first. That’s what I’m trying to do with jollof. As Africans, we spend a lot of time asking why the West isn’t embracing us. But you can’t take someone who’s never encountered West African food and expect them to immediately sit down with fufu and soup. That’s a huge jump. You meet people where they are. You give them the flavour in a format they can understand. And once they try it and say, ‘this is incredible, what else is there?’, now you can take them further. Jollof pizza is a gateway. It’s not the destination. Last year, we did supper clubs — jollof butter, jollof honey, jollof garri cake. We had people there who’d never thought about jollof beyond rice. Now it’s something novel you can bring to a dinner party, and tomorrow when someone asks, ‘What is jollof?’, I can educate them on my culture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2314--1-.jpg) **You make a great point. As African culture, in this case, food, globalises, there’s a real fear of it being stripped of its context, watered down or appropriated. How do you hold on to authenticity at scale?** I don’t think you can fully prevent the watering down. If someone sees a commercial opportunity in jollof and chases profit without care, I can’t stop that. Chinese sweet and sour? They don’t sell that in China. Tikka masala is the UK’s most beloved dish but it’s not a traditional Indian meal. Things grow, mutate, travel. That’s the nature of culture. What I can do is be the custodian of what I produce. I make it as authentic as possible. I don’t compromise on ingredients. When you use Kwikish, you’re getting the real flavour foundation: onions, garlic, ginger, that holy trifecta. And in the storytelling, I make sure the context is never stripped away. Whatever someone does with the jar in their kitchen is theirs. But the brand carries the culture. To love something, sometimes you have to let it go. But let it go with intention. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/jollofburger.jpg) **I see. And even in the storytelling, too. Partnerships seem central to how Kwikish operates — supper clubs, chefs, retail. What makes a collaboration meaningful to you?** We need to be on the same page about what we’re doing. The commodity right now is culture. So you need to understand what I’m doing, I need to understand what you’re doing, and together we celebrate it, not exploit it. A great example was our Christmas hamper with Dodo, the new plantain rum. Two brands at a similar stage, both doing something novel in the African food space. I grew up with Christmas hampers in Nigeria, so to see Kwikish in one, that hit differently. That’s what a good collab feels like. Shared understanding. Shared celebration. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/DODO-Hamper-Carousel---2.jpg) **Love that. Kwikish is about a year and a half in. What’s next?** I’ve found product-market fit. My thesis was correct. So now it’s time to be audacious. More collabs, I want to work with bakers on jollof focaccia, sandwich shops, and chefs from other traditions. Someone sent me a photo of jollof ramen they’d made with our paste. I tried it myself. It was fantastic. That’s the future, continuing to export African flavour in more ingenious ways, so that the many versions of me out there can enjoy their culture without the struggle attached to it. Because I think African culture is too often synonymous with struggle. Why are you using a hoover? Use the broom. Why are you using a washing machine? Wash with your hands. It’s everywhere, this idea that to do it properly, you have to suffer. But there’s no prize in suffering. Enjoying your culture shouldn’t come with that tax. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/DSC01872.jpg) **I agree! And personally, what has building this actually been like?** The hardest part of building Kwikish has been me. Entrepreneurship holds a mirror up to your face. Your business reflects you. And I’ve had to reckon with things about myself I didn’t expect, like realising I had a scarcity mindset. I’d think, ‘don’t spend, hold tight, I can do it myself.’ But business doesn’t work like that. You have to trust people. You have to think in abundance. You have to make bold bets and accept that some won’t pay off. That’s a whole operating system update. Kwikish hasn’t paid me yet. I pay my team, but I don’t pay myself. I’m not going to lie, sometimes I miss my salary. I miss the finance job where working hard enough meant a bonus at the end of the year. This is a long game. And there’s something very real about just having to trust the process. **Thank you, Zikora! This was lovely.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Meji Meji Leans Into Nostalgia, Fela & Sade Bag A Hall of Fame Win, Zoë Modiga Steps Into a New Era URL: https://www.marmaladecollective.com/meji-meji-leans-into-nostalgia-fela-sade-bag-a-hall-of-fame-win-zoe-modiga-steps-into-a-new-era/ Last updated: 2026-04-20T09:00:33.000Z **Welcome to Vol 182 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. How was your weekend? Did you get some well-deserved rest? We hope so. You deserve it. Now, some good news to start off your week with; while the rest of the world was busy doing whatever the rest of the world does, Africa and her children have once again reminded everyone who built the foundation this whole music industry is standing on. Point being that [**Fela Kuti and Sade Adu are finally getting into the Rock & Roll Hall of Fame!**](https://www.bellanaija.com/2026/04/fela-kuti-sade-adu-rock-roll-hall-fame-induction-2026/?ref=marmaladecollective.com) If you ask me, it took them long enough; Fela alone has more cultural impact in one saxophone note than most entire discographies. And Sade? Baby, *Sade* is the reason people learned what "smooth" means. All in all, it was a good week for African culture, and I, for one, am quite proud to be one. *Mary x,* Now on to the real peel 👇 💡 If you're not following us on Instagram yet, you're missing out! Come find us [****here**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 5 Photographer + Muse Pairings We Love Across Africa URL: https://www.marmaladecollective.com/5-photographer-muse-pairings-we-love-across-africa/ Last updated: 2026-04-21T06:28:56.000Z # **Introduction** The best photography doesn't happen in a vacuum. Behind almost every great image is a relationship, sometimes years in the making, between a photographer and the person they're photographing. Africa has one of the richest photographic traditions in the world, and a big part of what makes it so compelling is the way photographers here have consistently built their practice around real, sustained relationships with their subjects rather than treating them as just props. We wrote this list because we believe those relationships matter, aesthetically and culturally, and these five pairings are some of our favourites. Each one is different: different countries, different muses, and different approaches, but all of them produce work that clearly comes from somewhere genuine. ### Thandiwe Muriu + Kenyan Women (Kenya) [**Thandiwe Muriu**](https://www.instagram.com/thandiwe%5Fmuriu/?hl=en&ref=marmaladecollective.com) is a self-taught photographer born and raised in Nairobi, Kenya, who discovered photography at 14 with her father's old Nikon camera. As one of the only women working in Kenya's male-dominated commercial photography industry, she spent years being overlooked, and that experience fed directly into her art. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_469039063_18478288303017385_8467141456110323896_n-1.jpg) **Image via @thandiwe\_muriu* Her *Camo* series, for example, is built on a very close collaboration with her muses, who are all women, and the results are unlike almost anything else in contemporary African photography. Muriu designs the garments and eyewear worn by her muses herself and collaborates with local tailors and artisans to bring each custom design to life. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_495911506_18507777274049060_3896757691175802766_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_627384227_18562059163049060_7373431706049434462_n.jpg) **Image via @thandiwe\_muriu* She also takes objects from everyday Kenyan life, like toilet paper rolls, hair pins, and mosquito repellent coils and turns them into bold accessories. The women in her photographs are then shot against backgrounds made from the same fabric as their outfits, which creates a hypnotic optical illusion where they seem to both disappear into and emerge from the image. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_622260965_18066298013242086_8183547182720552534_n-1.jpg) **Image via @thandiwe\_muriu* She describes the series as a personal reflection on how she felt she could disappear into the background of her own culture, and how, as a commercial female photographer in Kenya, she could be dismissed and made invisible. But by making her subjects literally camouflage while remaining impossible to ignore, she flips that experience into something empowering. ### Hassan Hajjaj + His friends & Inspirations (Morocco) [**Hassan Hajjaj**](https://www.instagram.com/hassanhajjaj%5Flarache/?ref=marmaladecollective.com) has been [called the “Andy Warhol of Marrakech,”](https://www.dazeddigital.com/photography/article/34521/1/meet-hassan-hajjaj-the-andy-warhol-of-marrakech?ref=marmaladecollective.com) but have no doubt that his work is entirely his own thing. The Moroccan artist is best known for his brightly coloured, bold-patterned photographs and unique portrait style. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_659585608_18432604624185739_4823307737164888493_n-1.jpg) **Image via @misanharriman* In his celebrated *Kesh Angels* series, he captured the unique street culture of young female bikers in Marrakesh, who were dressed in colourful North African garb and set within frames of popular products including Coca-Cola and Louis Vuitton. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_652025977_18042172676574177_2971918969625761751_n-1.jpg) **Image via @hassanhajjaj\_larache* But it's his *My Rock Stars* series that really best captures the warmth of his collaborations and how deeply personal the work has always been. The title says it all: the 'My' is the point. These are documents of the people who genuinely moved him — friends, neighbourhood figures, and collaborators who, in his eyes, carried a natural, undeniable talent. His subjects range from musicians and fashion designers to dancers, singers, capoeira masters, and boxers, many of them Gnawa musicians, henna artists, and local figures that most people outside Morocco would never have heard of, yet who Hajjaj saw as the real rockstars of his world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2645.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2644.jpeg) **Image via @hassanhajjaj\_larache* Recurring figures include Gnawa musicians Asmaa Hamzaoui and Khadija Lgnawaia, who appear across both the *My Rock Stars* and *My Maroc Stars* series dressed in Hajjaj's own clothing designs, a detail that speaks to how intertwined his creative relationships are. More recently, he's also turned his lens toward international names like Amadou & Mariam, Che Lovelace, and Central Cee. The series traces back to something far simpler than art-world ambition: the instinct to document the people around him and celebrate them. Hajjaj has helped launch the careers of younger Moroccan artists, and his reputation in the country is that of a godfather of the creative scene, a photographer who has always used his platform to spotlight the people he loves. ### Omar Victor Diop + Himself (Senegal) Some of the most compelling photographer-muse relationships are the ones where the photographer turns the camera on themselves.[**Omar Victor Diop**](https://www.instagram.com/omar%5Fviktor/?ref=marmaladecollective.com) is one of Africa's most celebrated contemporary photographers, and in his most important body of work, he is also his own biggest muse, and for good reason. He lives to play dozens of different characters, historical figures, and archetypes across series that span years and even continents. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_552852802_18532066432048101_1736448786258510270_n-2.jpg) **Image via @omar\_viktor* Diop was born in Dakar in 1980 and worked in finance and corporate communications before he made a proper shift towards photography in 2010\. His debut series made an immediate impression, and he’s never looked back. In *Project Diaspora*, his landmark 2014 series, Diop focused on notable Africans who lived extraordinary lives in Europe between the 15th and 19th centuries but have been largely ignored in “conventional Western history”, and for the first time, used himself as the subject, and faced his insecurities head-on. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_552035350_18532066438048101_9020262749182444334_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_552009959_18532066453048101_5343647719809789104_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_553384842_18532066414048101_5751399625692178497_n.jpg) **Image via @omar\_viktor* In *Liberty*, he raised the profile of Africa's history of struggle, combining self-portraits with portraits of others to re-examine defining moments in the fight for freedom. And in *Allegoria*, he turned his attention to the environment, using his own body to explore what nature means (and what it risks becoming) in Africa today. ### Fatoumata Diabaté **\+** Modern Malian Women (Mali) There's something beautifully full-circle about [**Fatoumata Diabaté**](https://www.instagram.com/fdiabate/?e=c23b1c20-60cf-4bdb-be29-d16ae537d91f&g=5&ref=marmaladecollective.com). She was inspired by Malian photographer Seydou Keïta, who was a neighbour of hers growing up, and has built a body of work that carries that same spirit of warmth and community that his own work had forward into the present. She’s attracted to portraiture and humanist photography, and her images have as their main muse the young, powerful women of Mali. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_563741744_18514163353064477_5254479810338821483_n-1.jpg) **Image via @fdiabate* One of her most celebrated projects is *Studio Photo de la Rue,* a travelling mobile studio that she set up on the streets across Mali and beyond. In this project, she took black-and-white portraits of passers-by and accessorised them with plastic bouquets of flowers, bracelets, and hats. She also documented a 2003 series portraying what she called the "Lionesses", the strong and confident women of her municipality. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_624746239_18103031560794993_1107258842788947985_n-1.jpg) **Image via @lestudiophotodelarue* Her series *Sutigi (The Night Is Ours)* captures young Malian women enjoying the city's nightlife with freedom and style, a direct echo of Sidibé's work from half a century earlier, but shown through a contemporary female lens. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2648.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2647.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2646.png) **Image via Fatoumata Diabaté* ### Trevor Stuurman + Africa's Style and Music Icons (South Africa) [**Trevor Stuurman**](https://www.instagram.com/trevor%5Fstuurman/?e=a876d7db-8bf2-4753-b95c-7dabb4eee871&g=5&ref=marmaladecollective.com) is an award-winning multimedia visual artist, stylist, and photographer who has built one of the most exciting creative practices on the continent by doing one thing consistently; putting African people, fashion, and culture at the very centre of the frame. If you want to understand where African music and visual culture meet right now, his work is the best place to look. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_574911948_18543629716010336_9063326635034189394_n-1.jpg) **Image via @trevor\_stuurman* Music has always been at the heart of what Stuurman does. His collaborations read like a playlist of some of the most important artists in the world; Black Coffee, Doja Cat, Ciara, Tiwa Savage, Beyoncé, and Jay-Z and in each case, the images he creates don't just document the artist, they amplify them. But what sets Stuurman apart from other photographers who shoot big names is the intentionality behind every image. They aren't just celebrity/artist portraits, they're carefully constructed statements about what Africa looks, sounds, and feels like right now. Trevor believes that the African narrative has been hijacked by outsiders, and as a young photographer, he set out to counter that story by documenting first the urban styles of Johannesburg, then street fashion across Africa. And that mission has never left him, whether he's shooting a global superstar or an everyday person in Johannesburg. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_658762819_18577407463010336_3250202777743500392_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_655839353_18577407436010336_5035790403553661891_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_655025919_18576345553010336_1074421815910515169_n-1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_645943914_18571624057010336_3151792520433849894_n-1.jpg) His first solo exhibition, *HOME,* documented Namibian OviHimba women in traditional dress and Ndebele initiates, and was a moving representation of African identity and belonging. Then came his collaboration on Beyoncé's *Black Is King* in 2020, and that brought his vision of a powerful, deeply African aesthetic to a global audience of millions. In 2023, he launched *The Manor,* a multifaceted platform of art events and a quarterly publication featuring diverse African creatives, aiming to uplift African artistry by honouring and protecting their stories. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_598685769_18549728338010336_9016101170180197507_n-1.jpg) **Image via @trevor\_stuurman* **Honourable Mention** ### Malick Sidibé + The Youth of Bamako (Mali) If you've ever seen a photograph of young Malians in the 1960s, maybe dancing at a party, posing with a James Brown record, or laughing on a monochrome beach, there's a good chance it was taken by Malick Sidibé. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_639909754_18558795166008034_2246098599874832072_n--1--1.jpg) **Image via @jonasfredwallkarlsson* Known as the "Eye of Bamako," Sidibé opened Studio Malick in the neighbourhood of Bagadadji in 1958 and spent the next few decades photographing the lives of the city's young people, at parties, sports events, nightclubs, and in his studio. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_655987048_18113770372672995_6729813654143162561_n-2.jpg) **Image via @blancenwa* Sidibé's muses weren't just anonymous figures he pointed a camera at. They were his community, his friends, the young people of the neighbourhood who kept coming back to him year after year. His work also documented a key historical moment for Mali as it gained its independence from France in 1960, and Sidibé played a role in shaping how that generation saw themselves at the time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_655895612_18086503547265149_5612269417401694649_n-1.jpg) **Image via @blancenwa* As his subjects posed for the camera, they asserted their independence, relevance, and ultimately their power at a time of nationwide change. A 2006 documentary, *Dolce Vita Africana*, filmed Sidibé at work in his studio, including a reunion with many of his friends and former photographic subjects from his younger days, which was a clear testament to how lasting those bonds were. # Conclusion Across all five of these relationships, whether it's Hajjaj and his musicians, Muriu and her Kenyan women, or Diop and himself, what stands out is the same thing: they refuse to treat the person in front of the camera as just a passive object. In each case, their muse is an active participant in whatever concept they’re trying to bring to life. They bring their story, their body, their trust, and their will to be seen, and the photographer's job is to honour that. And that collaborative spirit is, arguably, what makes African photography so alive right now. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Grace Ladoja Expands HOMECOMING, Amaarae Steps Into Film, Dika Ofoma Goes Global URL: https://www.marmaladecollective.com/grace-ladoja-expands-homecoming-amaarae-steps-into-film-dika-ofoma-goes-global/ Last updated: 2026-04-13T09:00:06.000Z **Welcome to Vol 181 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I missed Grace Ladoja's Homecoming, and I'm still not over it. I *knew* about it. It was on my radar, and my notes, and everywhere I looked, but somehow, life did what life does and snatched that experience right out of my hands. I watched the recap videos with a very specific kind of heartbreak that only comes from missing something you *know* is exactly your thing. For those who don't know, [**Grace Ladoja has been building one of the most intentional creative universes in our culture.**](https://www.marmaladecollective.com/homecomingtm-continues-to-make-africa-the-centre-of-conversation/) And it was exactly what it sounds like; a gathering, a homecoming, and a celebration of African creativity. So no, I wasn't there. But I couldn't be more proud; of Grace, of Homecoming, and of every person who *did* show up, and made it what it was. Next year, that'll be me. Consider this my RSVP. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 8 Film Clubs and Festivals in the UK Sharing The Beauty of African Films URL: https://www.marmaladecollective.com/8-film-clubs-and-festivals-in-the-uk-sharing-the-beauty-of-african-films/ Last updated: 2026-04-13T21:30:46.000Z # **Introduction** The best stories are those told entirely on their own terms, not filtered through a Western lens, not made for export, just deeply, unapologetically themselves. African cinema has been doing this for decades. From Ousmane Sembène's sharp political fables set in post-independence Senegal, to the township dramas of South Africa, there’s no single “thing” that African cinema is, which is exactly what makes it so compelling. And yet, most British audiences have never seen any of it. Not because it doesn't exist, but because it rarely makes it onto mainstream screens. That's what this list is for. Across the UK, a growing number of film clubs, festivals, archives and screening programmes are actively working to change what gets seen and who gets to see it. Here are 8 of these story-led spaces, and where to find them. ### African Caribbean Centre [**The African Caribbean Centre**](https://www.instagram.com/acc.leicester?igsh=OHEwZzc2cmo0MGJy&ref=marmaladecollective.com) in Leicester is a hub of culture, community, and connection. It’s managed by the African Heritage Alliance and a dedicated team of volunteers with a commitment to celebrating and preserving the heritage of Africa and the Caribbean. It’s located on Maidstone Road, and runs an impressive range of programmes from African drumming and yoga to educational seminars, screenings and community debates. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2495--2--2.webp) **Image via @acc.leicester* The Centre also hosts a monthly Black Film Club on the last Friday of the month, screening Black classics followed by discussions. The screenings are community-focused, very informal, and built around the idea of watching films together as a shared cultural act. Its past screenings have included documentaries and films that spark debate about African history, identity, and current events. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2496--1--1.png) **Image via @acc.leicester* For Leicester's African and Caribbean community, the Centre is a cultural institution, and its film programming reflects that. ### The New Black Film Collective [**The New Black Film Collective**](https://www.instagram.com/tnbfc?igsh=NWhzN3R1ZXI3b3dr&ref=marmaladecollective.com) exists to create and cultivate a Black ecosystem in the UK screen industry. It’s a nationwide network of film exhibitors, educators, and programmers united around championing Black representation on screen, and African film sits firmly at the heart of that mission. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_631645159_17903994603360523_5085840564789206183_n-1.jpg) **Image via @tnbfc* The collective features one-off screenings, special seasons, and an annual Black History Month programme that draws heavily from African and African diaspora cinema. It operates across the UK, and partners with cinemas and venues from Leeds to London. > [ View this post on Instagram ](https://www.instagram.com/reel/DUF47s7DITX/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Film Barking & Dagenham (@filmbarkinganddagenham)](https://www.instagram.com/reel/DUF47s7DITX/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) It’s also partnered with organisations like the Hyde Park Picture House in Leeds for Cinema Africa! and collaborated with festivals and events across the country, making it one of the most connected and active forces for African film visibility in the UK today. ### Air Afrique Ciné-Club [**Air Afrique**](https://www.instagram.com/airafrique%5F/?ref=marmaladecollective.com) is a Parisian multidisciplinary creative collective founded in 2021 by Lamine Diaoune, Ahmadou-Bamba Thiam, Jeremy Konko and Djiby Kebe. It draws inspiration from the eponymous Pan-African airline, which ran from 1961 to 2002, and its heritage of cultural patronage, spanning cinema production, music, and magazine publishing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_588646534_18544220182052743_7385146273743718570_n-1.jpg) **Image via @tmagazine* The original Air Afrique airline was invested in African culture; it funded films, supported festivals, and published *Balafon*, a celebrated in-flight magazine. And the collective has brought all of that energy back to life for a new generation. Air Afrique has now been reimagined as a multidisciplinary platform that connects art and culture, featuring a magazine, the Ciné-Club, exhibitions, and collaborations in fashion and design. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_652379456_18542751952064220_952350349550681346_n-1.jpg) **Image via @umumaroon* Their programming brings together iconic African films such as Ousmane Sembène's 1968 masterpiece *Mandabi*, alongside new issues of the Air Afrique magazine, turning each screening into an evening where cinema, print, and Pan-African history merge. ### Somerset House [**Somerset House**](https://www.instagram.com/somersethouse/?e=db39d723-29a1-4c86-bd27-3777b350b1c4&g=5&ref=marmaladecollective.com) is one of London's most iconic cultural spaces, and it’s quickly becoming a thoughtful home for African film and moving image work. It runs a regular community screening series that invites organisations and artists to screen their films and moving image work, creating space for creative, culturally-charged stories. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_626957455_18360914983164599_3522175581890466553_n-1.jpg) **Image via @somersethouse* Their programming is known to have a distinctly African and diasporic theme running through it. An earlier screening series, called *Home Movies*, curated by Studios artists Kadeem Oak, Onyeka Igwe and Deborah-Joyce Holman, explored the theme of archives, ranging from the colonial origins of botany to the history of Black women filmmakers. It also hosted a screening of *Africa's Cultural Landmarks,* a documentary series produced by The Metropolitan Museum of Art with World Monuments Fund, to show the beauty of Africa's landscapes and tell the stories of people fighting to protect them. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_470899824_18475472821021874_2855489954593136544_n-1.jpg) **Image via @*[**kadeemoak*](https://www.instagram.com/kadeemoak/?e=8731b76c-a6a6-420d-93af-9fac6c6a91b6&g=5&ref=marmaladecollective.com) Its commitment to centring African and diasporic voices through screenings, residencies, and the annual 1:54 Contemporary African Art Fair makes it one of the most culturally significant venues in London for anyone interested in African creative work on screen. ### Film Africa [**Film Africa** ](https://www.instagram.com/filmafrica/?ref=marmaladecollective.com)is London's biggest biennial festival celebrating the best African cinema from across the continent and diaspora, proudly brought to you by the Royal African Society. It was established in 2011, and brings London and UK audiences a high-quality and wide-ranging film programme accompanied by a series of events including director Q&As, talks and panel discussions, workshops and masterclasses, school screenings, family activities, and live music nights. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_586697499_18548079709006817_8389480709385725134_n-1.jpg) **Image via @filmafrica* Film Africa also supports new filmmaking talent through the Baobab Award for Best Short Film and the Audience Award for Best Feature Film. Its programming also features documentaries, shorts, and experimental films from across the continent, not just the more well-known film industries. Film Africa 2025 presented over 50 films and special events from more than 20 countries, from Morocco to South Africa, Nigeria to Congo. If you're in London and want to understand what African cinema looks and feels like right now, this is the place to start. ### Afrika Eye [**Afrika Eye**](https://www.instagram.com/afrikaeyefest/?e=27dcc001-2372-4c14-9fdf-592a07319a83&g=5&ref=marmaladecollective.com)is a film and arts festival founded in 2005 in Bristol by Simon Bright and Ingrid Sinclair, who created it with the aim of promoting the richness and diversity of Africa and its diaspora through film, education and cultural exchange. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_633489558_1513132260822573_3567434559923890578_n-1.jpg) **Image via @afrikaeyefest* Now in its twentieth year, Afrika Eye brings a packed programme of films from and about Africa to venues all across Bristol, and also includes talks, live music, exhibitions and workshops, as well as screenings of features, shorts and documentaries by filmmakers from, or with roots in, Africa. One of the things that makes Afrika Eye special is that it has become a genuine champion of films that would otherwise never reach Bristol audiences, including landmark films like the Kenyan lesbian love story *Rafiki*, which was so controversial that it was briefly banned in Kenya. Twenty years in, it is still one of the most important African film events in the country. ### Watch-Africa Film Festival [**Watch-Africa**](https://www.instagram.com/watchafricafilmfestival/?e=68870ea0-fb0d-4520-9ac4-1f26ce459654&g=5&ref=marmaladecollective.com) is Wales' annual African Film Festival, celebrating the best of African cinema. It’s based in Cardiff, is the only dedicated African film festival in Wales and has been building its audience steadily for over a decade. The festival provides a platform for African films, art and culture in Wales, and brings a wide range of films from across the continent, Q&As with filmmakers, and engaging activities such as the Director's Lab and other workshops. > [ View this post on Instagram ](https://www.instagram.com/p/DWbR785DOhx/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Watch-Africa Film Festival (@watchafricafilmfestival)](https://www.instagram.com/p/DWbR785DOhx/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Beyond just the annual festival, Watch-Africa has built itself into more than just a film event; it encourages cross-cultural understanding, supports African and diaspora filmmakers, and creates opportunities for communities in Wales and beyond. > [ View this post on Instagram ](https://www.instagram.com/reel/DMFW4XLsFP4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Watch-Africa Film Festival (@watchafricafilmfestival)](https://www.instagram.com/reel/DMFW4XLsFP4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Members of the WAFF Club can also attend monthly screenings throughout the year, play an active role in its programmes, and connect with filmmakers and industry professionals. It’s small but committed, and has introduced Welsh audiences to films they simply wouldn’t have seen anywhere else. ### June Givanni Pan African Cinema Archive [**The June Givanni Pan African Cinema Archive**](https://www.instagram.com/junegivannifilmarchive/?ref=marmaladecollective.com) is one of those rare cultural spaces that does the heavy lifting of preserving African film history. It was founded by June Givanni and was built from her personal collection and deep passion for the field. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/IMG_2539-1.jpeg) **Image via The Irish News* It was established in 2013 in London and is a living, evolving collection that documents Pan-African cinema across continents and generations, and brings together films, posters, photographs, scripts, interviews, and festival materials, many of which might have otherwise been lost. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/image-1.png) **Image via June Givanni Pan African Cinema Archive* Its depth really shows in the people and films it connects. The archive includes work from filmmakers like Djibril Diop Mambéty and Sarah Maldoror. Through its screenings, exhibitions, and public programmes, JGPACA has also showcased films that are now considered classics. Works like *Black Girl* and *Mandabi* by Sembène, *Touki Bouki* by Mambéty, and *Sambizanga* by Maldoror sit alongside later films like *I Am Not Your Negro*by Peck and *Handsworth Songs* by Akomfrah. Its wider network also includes filmmakers like Gaston Kaboré and Euzhan Palcy. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/674fad5a8b2be968fa7652a2_Screenshot-2023-12-05-at-16.29.59-p-1080-1.png) **Image via June Givanni Pan African Cinema Archive* Over the years, the archive has grown into one of the most important collections of African moving image culture in the world. # Conclusion These eight spaces represent something important. African cinema isn’t “niche,” it’s rich, diverse, politically (and socially) urgent, and honestly quite exciting. Filmmakers coming out of Nigeria, Senegal, Kenya, Ethiopia, South Africa, and dozens of other countries are telling stories that deserve global audiences, and these clubs and festivals are making sure that UK audiences can actually find them. If you've never been to one, pick the one closest to you and go; chances are it will be one of the best cinema experiences of your year. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### HOMECOMING™ Continues to make Africa the Centre of Conversation URL: https://www.marmaladecollective.com/homecoming-continues-to-make-africa-the-centre-of-conversation/ Last updated: 2026-04-13T13:17:18.000Z Nine editions in, HOMECOMING™ has stopped needing to explain itself. What began as a festival has become something harder to categorise; part platform, part proof of concept, part ongoing argument about who gets to shape global culture and from where. This Easter weekend in Lagos, April 2nd through 6th, that argument was made again, louder and with more precision than ever before. The 2026 edition didn't arrive with a single centrepiece. It arrived as a full week of accumulated intention: a monumental shoe launch, art tours, panel rooms, a skate jam, nights of music, workshops and more, each piece connected not necessarily by a theme but by a sensibility. That sensibility is HOMECOMING's: that creativity rooted in Lagos, built in community, and owned by the people making it is not a regional story. It's a global one. Thursday morning opened with the Lagos Art Tours, moving through Sachs Gallery, Dada Gallery, Nuru Gallery and beyond, spaces that make plain what the broader creative ecosystem here has become. These are not galleries positioning themselves in relation to somewhere else. The work on the walls holds its own authority: paintings and pieces that demand to be seen at scale, in person, in the light they were made for. For anyone who has followed Lagos's visual art scene from a distance, being inside these rooms closes that gap in a way that no amount of documentation quite manages. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM01610.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/hc26-art-tourday1-newplanetary30.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM01538.jpg) The conversation in the panel rooms on Friday matched that confidence. The HOMECOMING™ Summit ran across the day with masterclasses and panels featuring Bola PSD, Sharmadean Reid, Denola Grey and others, supported by institutional partners including L'Oréal, the Virgil Abloh Foundation, A Third Space and more. The open-access model is worth noting; creative education in Lagos shouldn't require a gate, and HOMECOMING has been consistent about that since the Summit became a core part of the festival. One standout was the Beyond Nollywood session — moderated by Theodora Imaan Beauvais of Yungnollywood and bringing together Dammy Twitch, Ekene Amaonmu, Ebube Modi of Nomad Cinema and filmmaker Ese Obrimah of Fatherland Productions — to examine what independent Nigerian cinema actually means: who controls access to funding, what distribution looks like outside the studio system, and where the line falls between independent work and everything else. What distinguished the conversation was its structural clarity. These are practitioners thinking seriously about how to build infrastructure, not just content, and the room felt it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM02004.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM01927.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM01944-1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM01900.jpg) That same rigour carried into the fashion programming. From Odio Oseni to Tia Adeola and Tolu Oye, founder of Meji Meji, the conversation centred on the business of women's wear through the lens of community. Meji Meji's recent Family Album campaign captures this well, functioning as an archive as much as a collection, with garments as carriers of memory and imagery as documentation of real relationships rather than performances of them. The business case and the cultural case are presented as the same case. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/Grace-Ladoja-in-the-Nike-air-Max-Plus.JPG) The headline of the edition, though, was the HOMECOMING™ x Nike Air Max Plus, designed by HOMECOMING founder Grace Ladoja MBE, **making history as the first African woman to design a signature Nike shoe**. The launch on Friday, April 3rd, marked a decade-long relationship between Ladoja and Nike, but the shoe itself goes further back than that. The detail work is deliberate in a way that matters: the Nigerian map rendered in green and gold, cowrie shell charms drawn from West African spiritual and material culture, two colourways — Pan-African and African Sunrise — that carry the weight of their names. The campaign title, No Place Like HOMECOMING, points to something larger than a product. It names the community of artists and creatives that the platform has spent nine years building, the people for whom those symbols are not aesthetic choices but a shared language. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/OJM01920.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/HC-26-OJ-POP-UP-4.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/Credit-MWTV-IMG_7136-1.JPG) There is a record being made here of who was in the room and what they built together, and the shoe is part of it. This shoe launch happened at the HOMECOMING™ Concept Space, which launched year-round operations in 2025, and was also fully activated across the weekend, hosting public shopping experiences and private previews of capsule collections from Stüssy, Nocta, Ambush, Mowalola, Off-White and Dye Lab, among others. The permanent space matters as infrastructure: it means HOMECOMING is no longer a festival that disappears between editions. It has an address. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/HC-26-OJ-POP-UP-60.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/HC-26-OJ-POP-UP-33.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/HC-26-OJ-POP-UP-31-1.jpg) That same Friday culminated in the Hi-Fi Electronic Music Night, built around the evolution of alternative club culture in Africa, running through sets from Earthsurfing, Thakzin, Aniko, Weareallchemicals, Lelowhatsgood, Dare Balogun, Partyboy and Yanfssss. The room was electrifying. Saturday's E Je Ka Jo celebration at the New Afrikan Shrine brought Lady Donli and the Lagos Panic, Shina Peters and Club Alujo, before the Playlist Show on Sunday closed out the music weekend with sets from The Mavo, Sirraheem, Fimi, Danpapa GTA, Zaylevelten, Zlatan and more. The lineup read as a snapshot of an industry in motion: new names, new sounds, new stakeholders. The shift is real, and the Playlist Show, which has hosted first live performances from Rema, Asake and Tems, has always been where you feel it earliest. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/TNY_4011.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/HC-26-MWTV-HIFI-7.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/TNY_4005.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/hc26-shrine-d6ix32-3.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/hc26-shrine-d6ix40-3.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/hc26-shrine-d6ix1-2.jpg) What the 2026 edition made visible, across all of it, is the coherence of the project. The shoe, the gallery tour, the football tournament and the skate park are not separate activations. They are the same argument made in different registers, that ownership and craft and community, taken seriously and built over time, produce something that doesn't need to look elsewhere for validation. Nine editions in, HOMECOMING has built the thing it always said it was building. The work now is to keep going. Images via [@ourhomecoming ](https://www.instagram.com/ourhomecoming/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Words Of Azia Brings Ivory Coast to the World, Industrie Africa Shuts Down, Khaby Lame Goes Olympic URL: https://www.marmaladecollective.com/words-of-azia-brings-ivory-coast-to-the-world-industrie-africa-shuts-down-khaby-lame-goes-olympic/ Last updated: 2026-04-06T09:00:08.000Z **Welcome to Vol 180 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Welcome to Q2! I'll be honest with you, Q1 had me in a chokehold. Not a bad one, just the kind where you're moving a little too fast, with a lot to do and not enough time to do it. But here we are. Q2\. Something about crossing into a new quarter feels like permission to reset, recalibrate, and come back even more intentional than before. Now. Can we please talk about Lagos for a second?[**On Running just launched a campaign**](https://thenotesphere.com/on-running-spotlights-lagos-creatives-in-new-campaign-tied-to-its-partnership-with-burna-boy/?ref=marmaladecollective.com) centred around Lagos creatives, and it is everything. Not a token feature. Not a "diverse cast" checkbox. A full, intentional spotlight on the kind of talent that's been thriving on this continent while the rest of the world was busy playing catch-up. And I am absolutely in love with it. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 7 Experimental Film Clubs in Lagos Changing How We Watch Movies URL: https://www.marmaladecollective.com/7-experimental-film-clubs-in-lagos-changing-how-we-watch-movies/ Last updated: 2026-04-16T11:52:56.000Z # **Introduction** Films have a certain kind of magic to them, especially when seen in the company of other film lovers. You go in, the story hooks you, and after the credits roll, nobody leaves. Suddenly, everyone is deep in conversation about the ending, the plot, everything. It's late, the drinks and snacks are gone, and you're already thinking about the next one. That's what Lagos's film club scene has built. No grand plan, just people who loved films and wanted somewhere to watch them properly and talk about them honestly. Over the last decade, those people found each other, and the spaces they created; in warehouses, courtyards, and rooftops across the city, have become some of the most exciting rooms in Lagos. Here are 7 of Lagos' most interesting film clubs. ### The Treehouse Lagos Located in the top flat of a seven-story building in Ikoyi, Lagos, [**The Treehouse** ](https://www.instagram.com/treehouselagos/?ref=marmaladecollective.com)supports creative experimentation, artistic research, and the asking of radical and open questions. It was founded by artist Wura-Natasha Ogunji and is a space where artists can express themselves and learn to evolve beyond one medium. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_649681745_18059313719457134_7659814589976129820_n-1.jpg) **Image via @treehouselagos* Film and moving images are central to the Treehouse's programmes. They’ve hosted experimental film screenings, workshops, and residencies that treat cinema not as entertainment but as a kind of inquiry, happening right here in Ikoyi. The Treehouse has also collaborated with the Arthouse Foundation and the Institute of Contemporary Arts on experimental film and live art events. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_648679262_18000445727909036_4522280695550508081_n-1.jpg) **Image via @treehouselagos* ### The Film Rats Club Founded in 2017 by actor and director Martin Nwachukwu, [**The Film Rats Club**](https://www.instagram.com/filmratsng/?ref=marmaladecollective.com)is a community of around 150 filmmakers and film lovers who, in good faith, spread the gospel of good cinema and celebrate the filmmakers who make it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_573880355_18034076777707040_6378859575550472429_n-1-1.jpg) **Image via @filmratsng* Film Rats Club documents, educates, and champions the voices of African indie filmmakers through community, culture, and creative expression, creating space for filmmakers to grow, collaborate, and be seen on their own terms. They also run screenings, workshops, panel discussions, filmmaker interviews, film criticism, reviews, and spotlights on emerging work. > [ View this post on Instagram ](https://www.instagram.com/reel/DQCbgBWDI-N/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by The Annual Film Mischief (@theannualfilm.mischief)](https://www.instagram.com/reel/DQCbgBWDI-N/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Their flagship event is The Annual Film Mischief (TAFM), a festival dedicated entirely to low-budget independent films. The festival has expanded its scope to films from across Africa, not just Nigeria. For young Nigerian filmmakers who feel squeezed out by Nollywood's mainstream machinery, Film Rats is proof that another kind of cinema community is possible. ### Home Movie Film Club [**Home Movie Film Club**](https://www.instagram.com/homemoviefilmclub/?ref=marmaladecollective.com) is one of the most unexpected and genuinely exciting collisions of subcultures happening in Lagos right now. Hosted across two Lagos venues, Home Movie Film Club runs every second Thursday of the month at Suudu Lagos, screening documentaries focused on Black lives and the complexities of culture and politics, and every third Thursday at the WAFFLESNCREAM store, showcasing short films by independent Nigerian filmmakers alongside a BIPOC feature. The two screenings differ in focus and content, but both bring together film enthusiasts, skaters, creatives, and curious strangers in a way that feels completely natural. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_649966439_17940211761151811_4657642002279184064_n--1--1.jpg) **Image via @homemoviefilmclub* The club is curated by Rachel Ojuromi, while Ifeoluwa Olutayo hosts and moderates the Q&As and discussions at both screenings, making each one a genuine opportunity for real conversation about what's just been watched. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_579688939_18385511752178516_3909932788416440079_n-1.jpg) **Image via @homemoviefilmclub* Past editions have screened work as varied as CJ Obasi's Mamiwata and short films by emerging Nigerian directors, alongside films like Borders by Apolline Traoré and Irun Didi by Olawunmi Hassan and Adaobi Samson. ### Family Film Club Don't let the name fool you. [**Family Film Club**](https://www.instagram.com/p/DQ4jss6DRCA/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igsh=MzRlODBiNWFlZA==)is less about children's movies and more about the feeling of gathering with people who feel like family to watch something that means something. One of the newer additions to Lagos's film club scene, Family Film Club is a casual, community-driven group built around the simple but powerful idea that watching films together should feel warm, accessible, and social, and not intimidating or exclusive. > [ View this post on Instagram ](https://www.instagram.com/reel/DQrtElxCNss/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by family film club (@familyfilmclub)](https://www.instagram.com/reel/DQrtElxCNss/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Their signature event, Family Film Therapy, is the heart of what they do, a themed screening experience that treats cinema as a space for reflection and conversation. In a city where film clubs can sometimes feel like they're for a certain kind of person, Family Film Club is working to make sure everyone feels welcome. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_586662107_18246750778288350_6269708460205370947_n-1.jpg) **Image via Family Film Club* Family Film Club is the brainchild of Family Inc Studio, a Lagos-based creative production company co-founded by Ademola Falomo. They've directed standout music videos like Rema’s "Dumebi," and Tems’ "Damages," and worked on branded campaigns for Spotify, short films, video production and cultural projects and fashion pieces such as Braye’s "Bring You Home.” ### The Screen In Transit [**The Screen In Transit** ](https://www.instagram.com/thescreenintransit/?ref=marmaladecollective.com)is a Lagos and Abuja-based nomadic microcinema collective rethinking how we experience film. Instead of traditional screenings, they curate intimate, thoughtfully themed sessions that bring people together to watch, reflect, and actually talk. Their programming focuses on African and Global South cinema, with stories that explore home, identity, gender, and the environment. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_522709681_17887604592299500_2851115984513314937_n-1.jpg) **Image via @thescreenintransit* It is co-run and co-curated by Ifeoluwa Olutayo, Amanda Madumere, Rete Poki & Zainab Ibrahim. The collective moves across spaces and cities, collaborating with cultural institutions and creative communities along the way. They've also collaborated on international series like *A Taste of Home: African Cinema* in London, screening films such as *This Is Not a Burial, It’s a Resurrection* and Nigerian shorts. Their screenings are less about sitting quietly in a dark room and more about building connection using cinema as a starting point for conversation, curiosity, and shared understanding. ### Candid Movie Club [**Candid Movie Club**](https://www.instagram.com/thecandidmovieclub/?e=e94e6a70-4e67-4ab7-b807-5173a5b9c410&g=5&ref=marmaladecollective.com) has a simple promise: show up, watch something good, and leave having met someone new. It was built around immersive short-film screenings and social hangouts, and has carved out a loyal following in Lagos by making the whole experience feel less like a film event and more like a night out with people who happen to love cinema. > [ View this post on Instagram ](https://www.instagram.com/p/DGNcYxyt3ZB/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Your Favorite Movie Club 💫 (@thecandidmovieclub)](https://www.instagram.com/p/DGNcYxyt3ZB/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) There are post-screening discussions, yes, but also games, food, and Jameson cocktails, which tells you everything you need to know about what kind of crowd they're building. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_482974468_18297905842211442_7205747203453181988_n-1.jpg) **Image via @thecandidmovieclub* Their events are typically held at venues around Lekki like Jameson Yard and Wumego Crescent, and they welcome solo attendees just as well as big groups. Candid Movie Club is less interested in being the most prestigious room in Lagos and more interested in being the most fun, and in a city this busy and loud, that is its own kind of achievement. ### Angels and Muse Founded by artist Victor Ehikhamenor in 2018, [**Angels and Muse**](https://www.instagram.com/angelsandmuse/?ref=marmaladecollective.com) was inspired by a social entrepreneurship space he encountered in Washington DC. He brought that energy home to Lagos and built something distinctly Nigerian with it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_649552624_18352128523229901_6308781450066733337_n-1.jpg) **Image via @angelsandmuse* As an alternative art and culture space, Angels and Muse was created to nurture, empower, and express the creative talents of Africans while connecting them to global opportunities. The space's multidisciplinary room serves multiple purposes; workshops, training, book readings, experimental and conceptual art exhibitions and screenings. They also host monthly events that include book readings, artist talks and conversations, music sessions, and other events that give room for conversation around multidisciplinary art across visual art, literature, and culture. The space has also co-organised events in collaboration with institutions like MoMA and the Goethe Institut. # Conclusion These clubs and spaces exist because there’s a hunger in Lagos for films that are stranger, slower, more honest, or simply more interested in the full complexity of life than the mainstream allows. They’re also building something beyond programming: a film culture. A community of people who believe cinema is worth taking seriously, worth arguing about, and worth gathering for. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This April URL: https://www.marmaladecollective.com/whats-on-this-april/ Last updated: 2026-04-01T16:32:22.000Z London is showing off a little this April; there’s something happening at every turn. To make sure you don’t miss the good bits, we’ve put together a guide to the city’s cultural highlights. _This post is for subscribers only._ ### The Cultural Record: African Magazines & Media Platforms Vol. 2 URL: https://www.marmaladecollective.com/african-magazines-media-platforms-vol-2/ Last updated: 2026-04-17T14:15:42.000Z African magazines and digital platforms have become more than media outlets; they are a group of cultural record-keepers and tastemakers shaping how the continent sees itself and is seen by the world. This second volume is both broader and more intimate [than the first](https://www.marmaladecollective.com/african-magazines-media-platforms-vol-1/): it spans long-standing institutions and social-first newcomers, publications rooted in serious journalism and platforms that live entirely on Instagram, music archives and fashion bibles. What connects all is intention, a deliberate act of authorship over how African culture is documented, circulated, and remembered. These are the platforms making sure those stories travel. ### [Guzangs](https://guzangs.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_515031358_18057198605360568_9159210585865664201_n.jpg) Guzangs is a digital publication covering African fashion, art, design, and culture, with a strong emphasis on the business, craft, and cultural authority behind what African creatives make. Its editorial work ranges from runway coverage of Lagos and Dakar Fashion Weeks to deep-dive profiles of designers like Kibonen and Banke Kuku, alongside a clever *If This Then That* series that maps global luxury items to their African design counterparts. The tone is sophisticated and analytically engaged — interested in fashion as both culture and system. ### [Nataal](https://nataal.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/Final_Covers_02.png) Nataal is a global media brand celebrating contemporary African fashion, music, arts, and society — one of the few publications totally dedicated to both homegrown African talent and the diaspora.[ ](https://www.itsnicethat.com/articles/nataal-magazine-publication-100518?ref=marmaladecollective.com)Its print magazine, published in large, richly art-directed editions, sits between a reference book and a collector's object, dense with photography, criticism, and long-form interviews. Beyond publishing, Nataal hosts events and exhibitions, including the New African Photography series at Brooklyn's Red Hook Labs.[ ](https://www.dazeddigital.com/fashion/article/41640/1/nataal-magazine-media-african-creatives?ref=marmaladecollective.com)Its particular distinction is its internationalism — deeply rooted in African creative work, but operating with a global collaborator base that reflects the diaspora's complexity. ### [](https://www.samplechief.com/?ref=marmaladecollective.com) ### [Afrocritik](https://www.instagram.com/afrocritik?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_646156663_18082053722582291_5752668290167671482_n.jpg) Afrocritik is a digital media platform focused on African art, entertainment, fashion, music, movies, and culture, with headquarters in Lagos and Los Angeles.[ ](https://en.wikipedia.org/wiki/Afrocritik?ref=marmaladecollective.com)What began as a criticism and analysis blog has grown into one of the continent's most rigorous cultural platforms, publishing long-form essays, music lists, film reviews, interviews, and literary commentary. In 2025, it released *The Afrocritik Report*, an essay-driven annual publication bringing together critics, journalists, and cultural analysts to examine the defining moments across music, film, literature, and the creative economy.[ ](https://afrocritik.com/afrocritik-releases-its-inaugural-annual-report/?ref=marmaladecollective.com) ### [Taxi Editorial](https://www.instagram.com/taxieditorial?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_511494701_17889112128279255_3384855296392328058_n.jpg) Based in Nigeria, Taxi Editorial is a digital cultural publication exploring art, literature, music, and contemporary culture through essays, interviews, editorials, and creative writing. Known for its thoughtful writing and strong brand identity, it also cultivates a creative community through initiatives such as essay clubs and workshops. ### [WKMUP – What Kept Me Up](https://www.instagram.com/wkmup?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_619796461_18517600417069624_1384226027812484788_n.jpg) What Kept Me Up (WKMUP) is a Nigerian media company dedicated to the screen sector, powered by Cinewerbs.[ ](https://www.instagram.com/wkmup/?ref=marmaladecollective.com)The platform focuses specifically on film and television, covering Nollywood, African cinema, and screen culture more broadly through reviews, interviews, features, and cultural commentary. In a media landscape where film criticism on the continent is often underfunded and scattered, WKMUP occupies an important niche: it treats African screen culture with the depth and specificity it deserves. ### [Rolling Stone Africa](https://www.instagram.com/rollingstoneafrica?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_629812701_18035224049780688_6628897428097155192_n.jpg) Rolling Stone Africa is the continental edition of the globally recognised pop culture magazine, covering music, film, television, sports, and cultural stories across Africa. Published digitally, it features interviews, commentary, and cultural reporting that connect African creative industries with the broader global entertainment landscape. Its covers, published quarterly, feature contributors from across African countries and are distributed in Nigeria, South Africa, Ghana, and Zimbabwe, with its inaugural cover featuring Fela Kuti.[ ](https://en.wikipedia.org/wiki/Rolling%5FStone%5FAfrica?ref=marmaladecollective.com) ### [The Facade Nigeria](https://www.instagram.com/thefacadenigeria?ref=marmaladecollective.com) The Facade Nigeria is a platform created to discuss Nigeria's colonial history and the colonial architecture of Lagos, sharing information on the rich history of the city and the individuals who shaped both it and the country through social media and a podcast. It is a genuinely distinctive voice in the Nigerian media ecosystem, interested in the built environment as a site of memory, politics, and identity. ### [The Nurubian](https://www.instagram.com/thenurubian?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_656625504_18004353374889785_1734862856322955407_n.jpg) Based in Kenya, The Nurubian is an independent, self-funded library and publication dedicated to curating and sharing an ongoing exploration of African culture by the Nurubian Institute.[ ](https://nurubian.com/?ref=marmaladecollective.com)Founded with a desire to create a single space for the African diaspora to celebrate, promote, critique, and document progress together, it aims to broaden minds, educate readers on cultures beyond their own, and take control of the narrative of a new African story.[ ](https://www.linkedin.com/showcase/the-nurubian/?ref=marmaladecollective.com) ### [DADA Magazine](https://www.instagram.com/thedadamagazine?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_647321020_17888282853330895_5300502298981968214_n.jpg) Founded by Oyinkansola Dada — also the founder of DADA Gallery and the Lagos Is Burning ball — DADA Magazine is an art publication, founded on the ethos that there is a gap in representation for Black artists in the art magazine space.[ ](https://www.sohohouse.com/en-us/house-notes/issue-006/art-and-design/inside-the-art-magazine-championing-african-artists?ref=marmaladecollective.com)With a focus on contemporary art, it also engages with design, fashion, and literature, aiming to bridge the gap between youth culture and contemporary art and open the art world to a wider range of audiences.[ ](https://www.thedadagallery.com/publications/1-dada-magazine-issue-1/?ref=marmaladecollective.com) ### [The Culture Custodian](https://culturecustodian.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_561230785_18528681133010751_2573838353460200940_n-1.jpg) The Culture Custodian was built around curating, collecting, and creating the stories and events that matter for the Nigerian and African millennial, giving representation to its audience across fashion, music, politics, pop culture, technology, and sports.[ ](https://muckrack.com/media-outlet/culturecustodian?ref=marmaladecollective.com)Over a decade on, it has expanded into a podcast network, Culture Custodian TV, and most recently, print. The debut issue of *The Custodian* magazine, fronted by filmmaker Akinola Davies Jr., captures how young Nigerians are shaping identity, creativity, and survival through essays, profiles, features, and visual art.[ ](https://www.readcommunique.com/p/culture-custodian-print-media-play?ref=marmaladecollective.com)Its editorial voice sits between informed friend and sharp chronicler, conversational enough to draw you in, rigorous enough to keep you. ### [GIDA Journal](https://gidajournal.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_551133839_18024763913743085_9198139392810932304_n.jpg) Gida translates to "homegrown" in Hausa, and that spirit defines everything about this London-published print journal, which covers art and culture stories from across Africa, moving region by region with each volume. Founded by stylist and creative director Momo Hassan-Odukale and co-edited with Mira Makadia, its first volume covered West Africa, the second East Africa, and the third Southern Africa. Its editors are clear about the problem they are solving: "For too long there have been narratives of everything African not being told by Africans."[ ](https://www.dazeddigital.com/art-photography/article/60149/1/gida-journal-volume-two-magazine-documenting-african-visual-culture?ref=marmaladecollective.com)The magazine itself is a considered object — linen-embossed covers, heavyweight paper — designed to be felt as much as read. ### [Deeds Mag](https://www.deedsmag.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_632543549_18399750073181708_2525063299880544950_n.jpg) Based in Nigeria, Deeds Magazine was built around a recognition of the vast talent within Africa and the diaspora, with a goal to tell a different story of creative culture both nationally and internationally.[ ](https://www.deedsmag.com/about?ref=marmaladecollective.com)Its scope spans art, music, fashion, photography, and film, with editorial and visual work that leans heavily into portraiture and creative profiles. With creative directors in both Lagos and London, the platform bridges local scenes and international audiences without losing the texture of either. The tone is warm and exploratory, less concerned with scoring cultural points than with actually finding interesting people doing interesting work. ### [The Republic Journal](https://rpublc.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_654485776_18458554438098231_1187023889042809074_n.jpg) The Republic is a magazine for socio-economic and political commentary, criticism, and cultural discourse that explores the world as African.[ ](https://brittlepaper.com/2024/10/500000-awarded-to-nigerian-magazine-the-republic-journal/?ref=marmaladecollective.com)Its print issues tackle subjects ranging from cryptocurrency culture in northern Nigeria to African feminist thought, each time with a depth rare in any market. It publishes journalism, essays, criticism, and fiction grounded in intellectual seriousness, strong reporting, and clarity of thought. Called "serious journalism from an African worldview" by Quartz, it ships its print magazine worldwide while publishing continuously on the web. ### [NoteSphere](https://thenotesphere.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_639457672_17975005305003772_985059089249413158_n.jpg) NoteSphere is a Nigerian digital media platform covering music, fashion, film, photography, culture, and sports, with a particular focus on African creatives and the stories shaping youth culture. The platform runs a creative profiles series (*Creativerse*), accepts pitches from contributors, and has a merchandise arm, signalling brand-building ambitions beyond media alone. Its tone is energetic and well-informed, and it publishes with consistent frequency across its website and social channels. ### [Primeries Africa](https://www.instagram.com/primeriesafrica?ref=marmaladecollective.com) ### ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_656113716_18099605183488486_5507133552091573033_n.jpg) Primeries Africa is a visual platform centred on African fashion, photography, and creative culture. Its output is primarily image-led — editorial-style shoots, creative portraits, and fashion documentation from across the continent — delivered with a sharp eye for colour, composition, and specificity. It is doing critical curatorial work: creating archives of visual identity, documenting emerging designers and photographers, and building a community of taste that operates independently of traditional media infrastructure. ### [We Talk Sound](https://www.samplechief.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_536258666_18380257723134236_5897723447565470832_n.jpg) WeTalkSound began as a WhatsApp community founded by Amusat during his final year at university — a simple idea to connect friends who loved music but did not know each other.[ ](https://www.readcommunique.com/p/wetalksound-full-service-music-play?ref=marmaladecollective.com)It has since grown into one of Nigeria's most ambitious music media brands, producing original albums, documentary series, and editorial content. In 2024, it released *Sounds of Nollywood*, a documentary series spotlighting the often-overlooked sound designers and composers behind some of Nollywood's biggest films, and its industry partnerships now span Universal, Empire, and OneRPM. ### [Escape Mag](https://digitalescape.africa/escape-mag/?ref=marmaladecollective.com) Escape Magazine is a Nigerian-based digital publication operating under the Digital Escape Africa brand, describing itself as "the heart of African creativity." It covers fashion, art, culture, and the creative industries, with a particular strength in fashion event coverage. The tone is energetic and accessible — built to serve dedicated fashion audiences and broader culture enthusiasts alike. ### [More Branches](https://www.morebranches.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_654175353_18405879406180963_4522828235857519305_n.jpg) Launched in 2017 and operating as part of the More Labs Digital network, More Branches is a digital publication that resonates with young Africans by diving into subcultures across the continent to keep an informed and active viewership on and offline. It describes itself as a media company that values the need for self-aware content by Africans, stories spearheaded by a generation that looks inwards rather than outwards for inspiration.[ ](https://muckrack.com/media-outlet/morebranches?ref=marmaladecollective.com)Its editorial range spans music, fashion, culture, relationships, and social issues, with an irreverent, community-first tone. ### [Africans Column](https://africanscolumn.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_607167585_18370064863093676_2382512295992592909_n.jpg) Africans Column is a Media and Strategy Studio projecting, celebrating, and supporting the work of Africans in art, architecture, and design through editorial storytelling, digital services, and strategic communication — existing at the intersection of culture and strategy.[ ](https://africanscolumn.com/about/?ref=marmaladecollective.com)What makes it unusual is that twin mandate: it publishes detailed profiles of designers, architects, and artists, while also offering African creatives the strategic tools to build their visibility globally. Its editorial tone is intelligent and generous — genuinely invested in the work it covers. ### [OkayAfrica](https://www.okayafrica.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_649661391_18571722055037367_1837712411483858576_n.jpg) OkayAfrica has grown into the largest US-based website focusing on progressive music, art, politics, and culture from the African continent, headquartered in Brooklyn, New York.[ ](https://en.wikipedia.org/wiki/OkayAfrica?ref=marmaladecollective.com)Its editorial voice has matured from culture aggregation into original journalism, music criticism, political commentary, and live event production. Through articles, interviews, video content, and events, it strives to provide a fresh and authentic perspective on Africa. For much of the diaspora, it has been a portal and a point of pride for over fifteen years. ### [Zikoko Mag](https://www.zikoko.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_655240049_18551619310066744_2286715961201621982_n.jpg) Based in Lagos and published by Big Cabal Media, Zikoko is a social magazine that curates and creates funny, incisive, honest, and irreverent content around Nigerian youth culture. Its *Naira Life* series — intimate financial diaries exploring how Nigerians actually experience money — remains one of the most widely-read original formats in Nigerian digital media, and spawned a live conference in 2025\. It covers identity, relationships, sexuality, and pop culture with an empathy few platforms manage, while also producing video series and podcasts. Its evolution from viral listicles to long-form storytelling is one of the more interesting editorial journeys in African media. ### [Sample Chief](https://www.samplechief.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_581411308_18314882323246988_2021278986588493126_n.jpg) Sample Chief was born from a simple question: was there a database you could go to if you felt like you'd heard a song before and wanted to know where the sample came from? There wasn't, so what started as an Instagram and YouTube project cataloguing African samples in contemporary music has grown into an international community spanning digital content, panel discussions, and live events in London and Toronto. The platform aims to be an "all-knowing wizard" sharing African music intelligence on a deeper level — breaking down songs and highlighting the influences, samples, interpolations, and references behind them.[ ](https://www.okayafrica.com/sample-chief-african-music-samples-interpolations-lyrics-site/?ref=marmaladecollective.com)It is one of the most original concepts in the African music media space. Across these platforms, something is clear: African cultural media is not waiting for permission, infrastructure, or institutional support to arrive. It is being built, newsletter by newsletter, issue by issue, post by post, event by event. [READ THE FIRST VOLUME HERE](https://www.marmaladecollective.com/african-magazines-media-platforms-vol-1/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Obongjayar and Mowalola Rethink Nigerian Art, Shatta Wale Rocks New Collab, Davido Takes Fun To London URL: https://www.marmaladecollective.com/obongjayar-and-mowalola-rethink-nigerian-art-shatta-wale-rocks-new-collab-davido-takes-fun-to-london/ Last updated: 2026-03-30T09:00:31.000Z **Welcome to Vol 179 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. How was your weekend?? If you attended our JAM event then I can pretty much guess you had a fun one. (you’re welcome!) If you didn’t (judging you a little), you’ll just have to hold out till the next one. I promise it’ll be worth the wait. On things being worth the wait, I never thought I’d see the day when [**Shatta Wale and John Legend would collaborate**](https://afrocritik.com/shatta-wale-john-legend-new-single-aint-nobody/?ref=marmaladecollective.com) on a new song. Together. On the same track. As a duo. Let’s just say I did not have a Shatta Wale x John Legend collab on my bingo card for the month, but I won’t lie, I’m kind of looking forward to it. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 6 African Object and Furniture Brands Reviving Heritage Through Design URL: https://www.marmaladecollective.com/african-furniture-and-object-brands/ Last updated: 2026-04-13T16:00:08.000Z # **Introduction** For a long time, the story of African design was told by people outside of it. What counted as sophisticated, what belonged in a museum, what was worth collecting; those decisions were rarely made by Africans themselves. We've been paying attention to how that's changing, and what we keep noticing is this: the most exciting designers on the continent aren't looking outward for inspiration. They're going inward. Into their own cultural histories, their own materials, and their own craft traditions; and asking a simple but powerful question: what could this look like today? The work coming out of that shift is some of the most compelling design we've seen anywhere. Deeply rooted, completely fresh, and impossible to ignore. With that in mind, here are 7 brands we think you should know about. ### Acacia Studios (Lagos, Nigeria) Acacia Studios is a Nigerian homeware lifestyle brand dedicated to modernist African interiors, designing and producing furniture and home décor using traditional techniques and materials. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_516566000_18392030812141711_3988112210045013164_n-1.jpg) **Image via Acacia Studios* [I](https://acaciastudiosng.co/pages/about-us?ref=marmaladecollective.com)t was founded by Tomike Layi-Babatunde, a lawyer trained at the University of Leeds who made the decision to channel her passion for art, culture, and craftsmanship into building a brand that brings African heritage into Nigerian homes through locally produced, contemporary design. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_656305140_18431261002141711_3119761630004015057_n-1.jpg) **Image via Acacia Studios* Their pieces, from furniture to ceramics, are all made in Lagos using sustainably sourced wood, natural fabrics, and hand-finishing techniques and are all inspired by the Nigerian spirit of community and the art of gathering; the belief that sitting together, sharing a meal, and being present with one another is something worth designing around. Grounded, beautiful, and proudly made in Nigeria. ### AMWA Designs (London / Ghana) AMWA Designs was founded in 2014 by British-Ghanaian designer, curator, and creative consultant Chrissa Amuah, whose creative work is deeply inspired by her Ghanaian heritage. Even though she was born and raised in London, her heritage spans Ghana, Togo, and Benin, and it’s from Ghana that she draws most of her design-led inspiration. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_504459288_18504692887042159_8368115235439312482_n-1-1.jpg) **Image via AMWA Designs* The Adinkra symbols and proverbs of Ghana sit at the heart of everything AMWA makes. They’re not just decorative symbols, they carry traditional wisdoms and adages that Amuah sees as motivation for 21st century living. The brand translates them into cushions, wallpapers, light fixtures, coffee tables, and textiles — objects that are as meaningful as they are beautiful. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/SaveClip.App_483012359_18484224502042159_7874891020780263077_n-1.jpg) **Image via AMWA Designs* ### Salu Iwadi Studio (Nigeria/Senegal) Founded by Toluwalase Rufai and Sandia Nassila, Salu Iwadi is a cross-cultural design studio that believes African objects carry stories worth telling in contemporary form. The studio works across furniture, objects, and interiors, making pieces that draw on the visual languages and craft traditions of West Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/04/unnamed-1--2-.webp) **Image via Salu Iwadi Studio* Their Patewo Chair, named using a Yoruba hairstyle, and their Zangbeto Table, which references the masked spirit figures of Benin and Togo, show exactly what the studio is about: taking something rooted in deep cultural knowledge and making it into something you’d actually want in your home. Salu Iwadi is young, but the vision they have is clear, and the work is compelling. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_655122123_17942661105161487_2225242800582800073_n-1.jpg) **Image via Salu Iwadi Studio* Read also 8 Contemporary Art Spaces and Studios Shaping African Art Today [Learn more ](https://www.marmaladecollective.com/8-contemporary-art-spaces-and-studios-shaping-african-art-today/) ### Altin Studio (Tunis, Tunisia) Altin Studio was founded by interior designer Yasmine Sfar and civil engineer Mehdi Kebaier. The name comes from the Arabic word *Al-Tin*, meaning earth or clay, a clue to everything the studio stands for. They design limited-edition pieces made entirely in Tunisia by applying new techniques to ancient crafts. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_599297696_17973626621986586_3235812372130371295_n-2.jpg) **Image via @a\_l\_t\_i\_n\_\_s\_t\_u\_d\_i\_o* The materials they use say a lot: sea rush, palm wood, and Sejnane clay; a Berber pottery tradition that is over 3,000 years old and recognised by UNESCO as intangible cultural heritage. Everything is sourced locally and made by artisans across the country, many of them women in rural areas who have practised these crafts for generations. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_598823370_17973626648986586_2574825019402086476_n-1.jpg) **Image via @a\_l\_t\_i\_n\_\_s\_t\_u\_d\_i\_o* By connecting these traditions to contemporary design, Altin Studio is helping keep them alive in a way that actually makes sense economically, and the objects they produce are genuinely beautiful. ### Don Tanani (Cairo, Egypt) Don Tanani was built around one question: what would ancient Egyptian furniture look like today if it had developed on its own terms, without centuries of outside influence? Lead designer Lina Alorabi has spent years working on that answer, and the results are actually quite striking. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_370476492_17991388682479319_7553179072884927975_n-1.jpg) **Image via @dontanani* Their pieces are hand-carved in wood and inlaid with camel bone and gold leaf, drawing on pharaonic mythology and Egypt's ancient visual culture. The studio also produces limited-edition works that sit somewhere between furniture, sculpture, and cultural objects; things that feel like they could be in a museum, but are made to be lived with. Don Tanani has been featured in Architectural Digest, Wallpaper\*, and Elle Decor, and was named to the AD100 in both 2024 and 2025, a big deal for a studio with such a specific, local vision. ### Jomo Furniture (Ethiopia/Kenya) Born in Kenya and raised in Addis Ababa, Jomo Tariku launched Jomo Furniture in 2017 with a collection of hand-sculpted wooden chairs and stools inspired by traditional African symbols and forms. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_542796405_18404758927142135_3826440754100014007_n--1--1.jpg) **Image via @jomotariku* His designs draw on Africa's cultural heritage, historical structures, traditional furniture, craft, colours, artifacts, landscapes, and wildlife. For example, The Meedo Chair is shaped like a hair pick, which is a symbol of Black pride. And the Boraatii stool reimagines traditional Ethiopian headrests. The Nyala stool's legs resemble antelope horns. Every piece tells a story. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_654027191_18106251931856922_818085338558252732_n-1.jpg) **Image via @jomotariku* Tariku's work is now in the permanent collections of the Metropolitan Museum of Art, the Smithsonian, LACMA, the Denver Art Museum, the Baltimore Museum of Art, and the Philadelphia Museum of Art. His pieces also appeared on the set of Marvel's Black Panther: Wakanda Forever. # Conclusion All of these brands share one thing. None of them are using African heritage as decoration. They're not adding a pattern or a motif to an otherwise Western product and calling it African. They're building entirely new design languages from African foundations, and showing that those foundations are rich enough to go in any direction. Reviving heritage this way isn't just meaningful culturally. It creates real value, and it keeps skills and traditions alive that might otherwise disappear. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Aisha Seriki Turns Photographs Into Sacred Objects URL: https://www.marmaladecollective.com/aisha-seriki-turns-photographs-into-sacred-objects/ Last updated: 2026-03-29T08:22:47.000Z Nigerian-British artist, Aisha Olamide Seriki, was born in Lagos, spent five years growing up in India, passed through Lagos again, and eventually settled in London at the age of eight. That early nomadic childhood, and the photographs her father took to document all of it, laid the groundwork for a practice that now sits at the intersection of fine art photography, sculpture, and printmaking. Now based in London, Seriki holds an MA in Photography and an MFA in Fine Arts and Humanities from the Royal College of Art, where her project Orí Inú earned the New Photography Prize, amongst other prizes. Her work refuses the idea that photography is a flat, purely visual medium. Instead, she builds layered photo-sculptural objects; hair combs cast in bronze, metal assemblages incorporating cyanotype and photopolymer gravure prints, wood-carved structures, using culturally specific materials like iroko, sapele, and brass to physically manifest a worldview drawn from Ifa cosmology and nineteenth-century spirit photography. The photograph, in her hands, becomes a ritual object rather than a document. When we spoke, Seriki was back in London from Of Presence and Absence, a duo exhibition with British-Nigerian artist Motunrayo Akinola at Kó Gallery, Lagos, her first time exhibiting in the city. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/Ori-Inu-2.jpg) Ori Inu 2 **How did your upbringing shape the way you think about culture and image?** Moving around so many different cultures made me quite open to sources from different spaces. I've always been interested in culture as a phenomenon, and I've always understood that it changes depending on where you are. My dad loves photography; he documents everything. And when we moved to London, it was just me, my mum, and my sisters. The photographs he took became a way to connect to earlier moments in my childhood that I couldn't otherwise remember. We were travelling so much when I was young, and you know, you're a child, you can't retain it all. But through those photographs, I could almost recover those memories. So photography has always held a special place for me because of that. **That’s sweet! When did you realise you wanted photography to be physical, rather than flat on a wall?** It was actually there from very early on, I was about 14 or 15, painting on top of images, re-photographing them, playing with collage. But when I went to university, I didn't study art; I studied Global Liberal Arts at SOAS, so I kind of lost that side of my practice. For the next five years, I was really focused on just perfecting portrait photography skills, asking myself, would I be interested in fashion photography? What kind of photographer am I? When I started my master's, I began playing with photopolymer prints and printing on different materials, such as lace, for example. But it was a tutor who really shifted things. He pointed out that I was asking questions about who was in the image, why they were there, and what it meant for them to be photographed, but he said I could also question the frame itself, what I was using to capture and hold the work. That's when I went back to the idea of physical objects. I was researching the Yoruba concept of Orí, the inner head as spiritual consciousness, and I came across a brooch that had a small image embedded in it. I thought, what if I made a comb that held my images in the same way that a calabash symbolises the head in the photographs? The physical object carrying the images is the same way your head carries its inner knowledge. That's where it all started. And from then on, it gave me permission to keep experimenting. Now the challenge is actually deciding what will be a photograph and what will become an object. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/of-Presence-and-Absence-Install-2.jpeg) Ìyarun 10, 2026 and Ìyarun 5, 2024 **How do you make that distinction, what stays as a photograph versus what becomes a sculptural object?** If an image is very striking and it stands on its own — if adding anything else would be a distraction — then it stays as a photograph. There are images where things can be added, and everything works as a whole, and then there are images that simply don't need anything else. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/Ori-Inu-7.jpg) Ori Inu 7 What tends to work well as an object is something compositionally simple, not much going on in the image. And sometimes it's frustrating because you go into a shoot planning for objects, and the image ends up being too powerful to touch. Other times, it becomes like a puzzle. I'll lay things out, rearrange, try hundreds of variations, especially when you're working with two images together, because the combinations are literally endless. **So how do you choose your materials? You've worked with wood, brass, copper, bronze, lace. What guides those decisions?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/Quintessence-close-up-2.JPG) Quintessence, Carved Sapele, Patinated Copper, Cyanotype Print For me, the materials are part of how I research culture. The project is about researching Yoruba spirituality, using specific materials is a form of material knowledge, understanding what previous makers in the same region worked with, and what those objects meant. By understanding the material, I understand something about the people who used it before me. There's also a practical side. I'm working with paper, wood, and metal, and each has completely different properties. An idea will often get reshaped by the limitations of the material itself. I recently started using brass because you can get it laser-cut, which makes certain things more achievable. Copper is a softer sheet material to use than bronze, so it's easier for me to make forms with. But my ideas are constantly in dialogue with what each material will and won't allow. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/IMG_2228.png) Works in Progress **That makes a lot of sense. Your project Orí Inú is almost three years in the making now. Can you talk about how the research process works for you?** It usually starts with reading; secondary materials, images, and sculpture. A lot of the posing in my photographs is actually inspired by Ibeji sculpture, and African sculpture more broadly. I was looking at how figures are positioned in those works and letting that feed into how my subject moves in the frame. Even something like the headpiece in the work came from research; I was looking at the Gele, which relates to protecting the head, before I settled on something more minimal. I used cowrie shells to reference the head as a site of wealth and spiritual guidance. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/Ori-Inu-3.jpg) Ori Inu 3 Then I started looking at photographic histories, artists working with surrealism, with spiritualism, seeing what techniques they used and how I could translate that. That's where spirit photography came in. In the mid-1800s, photography's promise of scientific truth raised questions about how the visible might relate to the unseen. Spirit photographers were trying to document the invisible: ghosts, auras, the presence of those already gone. I became interested in putting that Western history in conversation with the Yoruba concept of Orí Inú: the inner head as spiritual consciousness and guide. For me, image-making became ritual rather than documentation. And then the research just keeps building from there; are there other symbols I could use? That's how the comb came in, as a secondary symbol. The question then became: how do I use it in a way that isn't too obvious, that doesn't detract from the central statement? This led to the object's research. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/of-Presence-and-Absence-Install-5.jpeg) of Presence and Absence Exhibition, Ko, Lagos **Love how everything leads to another when you start. What questions were you asking yourself when you started?** I had just started my master's, the first time I'd ever studied art formally. I'd been in full-time work; I hadn't touched a camera in a very long time. Honestly, I was quite depressed. I knew that I'm not the kind of person who is sufficed by a conventional career. I need to live a life of creativity. So coming into the master's and finally being in a space where I could just do my own work, it felt like, okay, this is what I'm meant to be doing. That feeling made me think about honouring what I believe is my path. The questions I was trying to answer were: how do I show the physical body and the spiritual body in the same image? How do I do it in a way that isn't on the nose, where, if you know about Yoruba spirituality, you'll recognise the references, but it's not closed off if you don't? That's where the doubling came from, multiple versions of the same figure in a single frame as a way to suggest the layers of the self, the physical and the spiritual existing simultaneously. **That’s beautiful. This show at Kó is your first time exhibiting in Lagos. What has it been like building community here alongside the work?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/of-Presence-and-Absence-Install.jpg) of Presence and Absence Exhibition, Ko, Lagos My creative community has always been split; a lot of it is based in London, through art school, through peers. But working on this show and doing the G.A.S residency has really helped me establish something here. I met so many artists and did studio visits. And when it came to actually making the work for this show, I really leaned on people. My artist community was incredibly supportive in the production of the show— I went to the market with Falilat Ibrahim, I worked to finish my metal work at Universal Studio with Steve Ikpensi, and completed my wood pieces with David Adeogun. In London, I have my own studio, but here I don't. And the generosity of people just opening their spaces was genuinely so nice. I know Nigerians sometimes get a bad reputation, but in my experience, especially in the creative space, people are just so open and kind. **Love that! You've spoken about researching Yoruba spirituality, Ifa, and the fear you felt when you first started. Can you say more about that? And also what’s next for you.** The day I started researching Ifa for my dissertation, I was genuinely scared. I remember thinking, "Am I going to hell? Is something going to come for me?” And then I caught myself. I thought, how are you this uncomfortable about something that belongs to your own people? Like, people do theology, people study ancient Greek religion, people study Norse mythology without any fear. Why is this different? That discomfort was a wake-up call. I should be clear that I'm not a practitioner. I'm a researcher approaching this with curiosity and respect. But I think the very nature of being able to look at your own spiritual heritage with curiosity, without shame, without fear, is important. And I think there's a growing shift. I'm seeing more people in the diaspora trying to reconnect with their spiritual roots, whether that's through serious research or even just, say, getting an Adinkra tattoo. It might be surface-level for some, but the conversations are happening, and that in itself is a sign that things are changing. Maybe slowly, but they're changing. What I'm interested in now is the links between different spiritual systems. Between Ifa, Eastern spiritualities, and movements in the West. I grew up in a mixed-faith household, so I've always been drawn to faith as a broader human phenomenon. I think that's where I'm headed next. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/Meji-close-up-1.JPG) Meji, Carved Sapele, Carved Iroko, Toned cyanotype print, glass beads, patinated bronze **I have one last question. To feed my curiosity. You've built a serious practice — awards, residencies, international exhibitions. But what does the reality actually look like? How do you sustain this?** It's definitely not easy. And it's something I'm grappling with more and more the older I get. There's a price you pay. I cannot imagine going back to a nine-to-five, but the cash flow is all over the place, constantly. And there are structural limitations that people don't always see. For example, I'm doing a residency in the US for two months. That means I can't hold a side job, because no normal employer will let you disappear for two months to go and make art. I also know that I'm not naturally good at the administrative side of things, applying for grants, sending cold emails, and knocking on doors. I'd much rather speak to someone in person. But as an artist, if you're not good at that and you don't have another income stream, you will struggle. The honest conversation in the art world is that you just survive, and you hope someone major discovers you and everything changes overnight. But that isn't really a sustainable strategy. It's manageable in your early twenties, but when you start approaching your thirties, you need a longer-term plan. I'm trying to figure out what that looks like, skills I can use, something art-adjacent that I can do from anywhere. It's not easy. But I think it's a conversation more of us need to be having openly. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/2-001.fff1-copy.jpg) **Thank you! It was lovely speaking with you.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Stonebwoy Drops Torcher II, Mahama Stuns With New Film, Joshua Baraka Steps Up URL: https://www.marmaladecollective.com/stonebwoy-drops-torcher-ii-mahama-stuns-with-new-film-joshua-baraka-steps-up/ Last updated: 2026-03-23T10:00:56.000Z **Welcome to Vol 178 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Hi beautiful people! How has March been treating you so far? Ours has been busy, but we're not complaining because the culture has been FEEDING us lately and honestly that makes everything so so worth it. Case in point: [**Stonebwoy expanding his legacy with *The Torcher II***](https://www.okayafrica.com/exclusive-with-the-torcher-ii-stonebwoy-is-creating-his-lifes-bible/1425065?ref=marmaladecollective.com)**,** and [**Mossi Traoré spinning a whole court of law**](https://ww.fashionnetwork.com/news/Mossi-stages-his-own-trial-at-the-paris-court-of-appeal-in-a-fashion-week-catwalk-show,1816937.html?ref=marmaladecollective.com) into a fashion show. Our creatives are getting bolder and more inventive and I just think that's worth pausing to appreciate. Don’t you? *Mary x,* Now on to the real peel 👇 🎉 Don’t miss our next JAM event! Get your tickets [****here**](https://dice.fm/event/ryqmww-naira-afro-electronic-freedom-27th-mar-the-standard-london-london-tickets?ref=marmaladecollective.com)****.** _This post is for subscribers only._ ### 10 Afro-House and Afro-Electronic DJs Shaping Africa's Sound Right Now URL: https://www.marmaladecollective.com/afro-house-and-afro-electronic-djs-africa/ Last updated: 2026-03-20T17:00:16.000Z For a long time, electronic music meant a particular kind of cool that felt borrowed; exciting, yes, but not quite yours. It meant festival stages in the Nevada desert, sweaty Berlin basements, Ibiza sunrises. Then you get exposed to something else entirely — afro house, afro-tech, afro-electronic — and the experience of it is different in ways that are hard to immediately articulate. Maybe it was a video someone sent you. Maybe it was a party you stumbled into. Maybe it was a mix that started playing, and you couldn't quite explain why you couldn't stop listening. However it happened, the sound is extraordinary, the feeling in the room is warm. The way the rave scene is growing across the continent carries a particular kind of acceptance and freedom that makes you actually want to let go, actually want to lose yourself in it. Dance floors where care is built into the culture. And behind it are DJs who are not just making us dance but building spaces, communities, and entire ecosystems for this sound to live and grow in. Here are ten of the most important people behind the decks right now. ### Black Coffee — Johannesburg, South Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_649214243_18571252204054589_6625710653121556_n.jpg) Image via @[****realblackcoffee**](https://www.instagram.com/realblackcoffee?ref=marmaladecollective.com) You cannot tell the story of Afro House without starting here. Born Nkosinathi Innocent Sizwe Maphumulo in Durban and raised in Johannesburg, Black Coffee has spent nearly two decades building what is arguably the most globally recognised afro house sound on the planet. His albums — from *Have Another One* in 2007 to *Subconsciously* in 2021 — trace the genre's arc from underground South African club culture to the main stages of Coachella and Ibiza's Hi. In 2022, *Subconsciously* won him the Grammy for Best Dance/Electronic Album, making him the first African artist to win in the category. He became the first African DJ to sell out Madison Square Garden. What makes Black Coffee remarkable beyond the accolades is his restraint. He is famously understated behind the decks — cool, almost still — while the room around him falls completely apart. That confidence is itself a statement: his music does not need spectacle. It has always been enough on its own. ### Shimza — Tembisa, South Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_639473094_18566469292019642_5006576698281312203_n.jpg) Image via @shimza.dj Ashley Raphala, better known as Shimza, grew up in Tembisa, one of Johannesburg's largest townships, and his sound carries that origin with it everywhere he goes. While Black Coffee brought afro house to the world, Shimza has been perfecting afro-tech — a sleeker, more atmospheric sound that bridges African rhythm with European electronic sophistication. His Ibiza residency and regular appearances at Ultra South Africa put him at a particular crossroads: underground credibility meeting global reach. Every Christmas Day, Shimza hosts his One Man Show in Tembisa, a concert that draws thousands and features everyone from amapiano pioneers to the next generation of afro house talent. It is one of those events that reminds you how deeply house music belongs to the townships that raised it. ### Uncle Waffles — Eswatini / Johannesburg, South Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_516521156_18273716302263344_9223170335718941496_n.jpg) Image via @[unclewaffles\_](https://www.instagram.com/unclewaffles%5F/?ref=marmaladecollective.com) Lungelihle Zwane was born in Eswatini, learned to DJ during the 2020 lockdown, and in October 2021, a video of her performing in Soweto went viral. That is the short version. The longer version is that Uncle Waffles became one of the most electrifying presences in African dance music not just because of the mixing, but because of the full performance — the dancing, the energy, the undeniable sense that something singular was happening. Billboard called her the "Princess of Amapiano," and while amapiano is her lane, her work with afro house producers and her debut EP *Red Dragon* showed a range that goes well beyond any one genre. She headlined the Piano People stage at Afro Nation in 2025, performed at the Giants of Africa Festival in Kigali, and continues to operate as proof that the continent's dance music needs no validation from anywhere else. ### Aniko — Lagos, Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_554693222_18521423701037077_4723875639706912575_n.jpg) Image via @[aniko.xyz](https://www.instagram.com/aniko.xyz/?ref=marmaladecollective.com) Aderinsola Ogala — who performs as Aniko — is possibly the most important name in Nigeria's growing electronic music scene right now. She is the founder of Group Therapy, a bi-monthly electronic rave series in Lagos that has done something that felt impossible not long ago: it made afro house, gqom, techno, and Afro-tech the main event in a city where Afrobeats is the language of the night. Group Therapy is consciously a safe space, one of the very few in Nigeria. That politics is woven into the programming, not tacked on. Aniko was named in Mixmag's Top 25 Breakthrough DJs of 2025, has toured Amsterdam, Berlin, London, and Barcelona, and played for Rampa during his Lagos visit. When a viral tweet once questioned whether Group Therapy DJs were disconnected from Nigerian music, Aniko responded not with words but by spinning a deep house version of *Hey Jago* mid-set. The room understood. ### Yosa — Lagos, Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_589027749_18551506831008661_1484603171721974032_n.jpg) Image via @[duttyyosa](https://www.instagram.com/duttyyosa/?ref=marmaladecollective.com) Born in Victoria Island and raised in Boston, Yosa came back to Lagos in 2019 after a brief and unhappy stint at a London bank and found his footing in the DJ booth. His sets blend afro house, hip-hop, EDM, and Afropop into something he describes as having a "sweaty frat basement feel" — high energy, genre-fluid, full of nostalgia and surprise. That description undersells it. His Boiler Room set in Lagos with Group Therapy was the kind of performance that clips travel. Yosa co-founded [Space Studio](https://www.marmaladecollective.com/making-room-how-space-studio-is-reshaping-nigerias-music-scene/), a Lagos creative hub for alternative and indie artists. He has toured with Rema, played at Hi-Fi by Homecoming, and is part of the new generation of Lagos DJs who are making electronic music events the biggest parties in the city. Read also Making Room: How Space Studio Is Reshaping Nigeria's Music Scene [Learn more ](https://www.marmaladecollective.com/making-room-how-space-studio-is-reshaping-nigerias-music-scene/) ### SURAJ — Nairobi, Kenya ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_612129278_18550925296029616_7102164267628248679_n.jpg) Image via @[suraj.kenya](https://www.instagram.com/suraj.kenya/?ref=marmaladecollective.com) Suraj Mandavia is the most prominent figure in Kenya's electronic music scene, and he has built the infrastructure to prove it. As co-founder of Gondwana KE — a label and events platform in Nairobi — he helped establish East Africa's most significant afro house ecosystem, bringing South African giants like Sun-El Musician, Karyendasoul, and Citizen Deep to Nairobi while nurturing Kenyan talents alongside them. His own productions blend traditional African instruments and cultural elements with contemporary electronic music, creating a sound that is unmistakably East African and unmistakably global at the same time. He is the kind of DJ-producer who builds scenes, not just careers. ### SHAMISO — Zimbabwe / South Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_501466188_18507832021019265_4994425640116672975_n.jpg) Image via @[sha.miso](https://www.instagram.com/sha.miso/?ref=marmaladecollective.com) Zimbabwe's SHAMISO is one of the most exciting new voices in African electronic music, and she moves with a clarity of vision that sets her apart. Her sets revolve around afro-tech and afro house, and whether she is playing for a sun-drenched crowd at Vaal River Sundays or moving bodies at a Spotify showcase, she brings presence, precision, and soul. The International Music Summit recognised her early; she played their HI-FI showcase and was involved in curation, which is the kind of access that signals real industry attention. In 2025, she was nominated in the Best New DJ category at the Beatport Awards — recognition that her ambition to revolutionise the world's perception of African electronic music is not just a vision but a trajectory. ### Caiiro — Johannesburg, South Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_650247172_18411676345122007_2778309725322766498_n.jpg) Image via @[caiirosa](https://www.instagram.com/caiirosa/?ref=marmaladecollective.com) Patrick Dumisani Mahlangu builds music from tribal rhythms and progressive house melodies, and the combination is haunting in the best way. His debut album *First Impressions* (2016) launched an international career that has since taken him across Africa, Europe, and North America. Citing Black Coffee as a direct influence, Caiiro has been explicit about his ambition: to create and export music that will last. His collaborations with vocalists like Nia Pearl bring emotional depth to the dance floor, tracks that feel ceremonial and celebratory at the same time, which is exactly what afro house at its best manages to do. ### Nitefreak — Zimbabwe ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_484388097_18382670839116233_6898409489060950749_n.jpg) Image via @[nitefreakdj](https://www.instagram.com/nitefreakdj/?ref=marmaladecollective.com) Zimbabwean producer and DJ Nitefreak is one of the clearest examples of what a globally connected afro house artist looks like right now. With 2.3 million monthly Spotify listeners and releases on Spinnin' Records and Insomniac Records, two of electronic music's biggest platforms, alongside collaborations with BLOND:ISH and Amadou & Mariam, he operates on an international scale that most of his peers are still building toward. His headline set at Group Therapy VIII in Lagos in 2025 — his first performance in Nigeria — was described by those who were there as deeply spiritual. He opened with *Ayibobo*, a track with roots in Haitian Vodou ceremonial music, and from there took a packed crowd on a journey that ended with a remix of *iPlan*. ### Dope Caesar — Lagos, Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_649232639_18204605071332726_8986497470206092633_n.jpg) Image via @[dopecaesar](https://www.instagram.com/dopecaesar/?ref=marmaladecollective.com) Dope Caesar is building something important in Lagos, and she is doing it decisively. Since a 2023 mix that blended Brick & Lace's *Love is Wicked* with Victony's *Soweto* went viral, she has been on a consistent upward trajectory, playing regularly at Obi's House — one of Nigeria's biggest weekday parties — and establishing herself as one of the most compositionally thoughtful DJs in the city. What stands out about Dope Caesar is the historical sensibility she brings to the booth, bridging sounds that shouldn't work together but always do. ## Conclusion What you are seeing across this list is a structural movement. Afro house saw 778% download growth in 2025, jumping from fifth to second most downloaded genre globally, overtaking R&B, pop, and trap. The global electronic music industry hit $12.9 billion in 2024, and the continent's DJs are not peripheral to that number; they are driving it. But more than statistics, what is happening across Johannesburg, Lagos, Nairobi, and beyond is a creative infrastructure being built from the inside. These DJs are not waiting for European labels to discover them or for American festivals to put them on a stage. They are building labels, founding event series, establishing communities, and making the music — on their own terms, in their own cities, for their own people first. And as it always goes with the best things Africa produces, the world eventually catches up. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Khadija Dikko Finds Home in the Loom URL: https://www.marmaladecollective.com/khadija-dikko-finds-home-in-the-loom/ Last updated: 2026-03-19T15:13:22.000Z Khadija Dikko is a textile designer whose practice sits at the intersection of memory, identity, and cultural heritage. Born in Nigeria and raised across Kano, Abuja, Kaduna, and Lagos, before moving through various parts of England, Khadija grew up in motion, always arriving somewhere new, always figuring out what home could mean in a place she might not stay. That question became the animating force behind her work. She completed her BA in Woven Textiles at Falmouth University and her MA at the Royal College of Art, where her practice deepened into something more personal. Her MA project, Tsuntsuwa Che — She is a Bird, brought together indigo dyeing, woven shibori, film photography, and photo collage to build a kind of portable home: a wall hanging assembled from the many places she has lived, designed to travel with her. Currently based in Lagos, Khadija works as a textile designer/consultant working with brands such as This Is Us and continues to build a personal practice rooted in Hausa textile traditions and collaboration with Nigerian artisans. We sat down with her to talk about growing up in motion, the way textiles hold memory, and what she is reaching for next. **You moved between Kano, Abuja, Kaduna, Lagos, and different parts of England growing up. What was that experience of constant relocation like for you, and how did your sense of home evolve through it all?** I moved around a lot as a child, mostly for education, so I was in many different places for really short periods of time. The longest I stayed anywhere was about five years, doing my whole secondary school in Lagos. During that time, I was trying to figure out what home meant to me. Home didn't feel stable, primarily because I didn't have just one space. But looking back, I definitely had different pieces of home that I didn't even realise meant home to me. When I started my MA project, I wanted to investigate that more. I ended up putting pieces from the different places I had lived together in photo collages, trying to make sense of them in my head, really investigating that through making. I also pushed myself to photograph London as a way of engaging with the city as a local. At that point, I had reached a place where I thought: I know I'm not going to be here forever, so I might as well not get too attached. But then I realised, the beauty in things being temporary is that you can fully attach yourself to them. And when they're not there anymore, you have those memories to look back on and say, yes, that felt like home. Even if it was just for a week or a month. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/COLLAGE-OF-DIFFERENT-PLACE---ME.JPG) Collage of Khadija and different places **That’s a reflective way to think about it. I know Bollywood films, Avatar, and Diary of a Wimpy Kid were some of your early inspirations. Now, your practice spans weaving, illustration, portrait painting, and film photography. How do all of these worlds feed you creatively?** Even before textiles became a defined thing, I was already trying to figure out the different ways to express myself. As a child, I would watch films and feel really inspired, but not know how to move forward with that inspiration. The difference now is that I can watch films, read books, do different things, and have it directly impact my work, through colour, texture, or even fabric. Films are a really interesting source of inspiration for textiles because everybody in a film is wearing clothes. It's always fascinating to analyse that: look at the way this character is being dressed differently from the people around them. Textiles are a subtle way of indicating someone's character, their interests, their identity. You really can't look at textiles without connecting them to identity. **Textiles can be a wonderful way of understanding other people's cultures and traditions. When you were working with indigo dyeing or mixing techniques from different cultures, how did you approach that work with care?** It's definitely been a more considered process over the past two years. I learned everything I know about textiles in school in the UK. So there was a gap between what I was being taught and what I was trying to navigate my textiles towards, a gap that wasn't obvious to me at the time. But now that I've been back, really immersed in Nigerian culture, speaking to people and seeing how Nigerians interact with cloth every day, I can see the difference much more clearly. There's a level of sensitivity that I now realise is quite important, and that I don't think I had at university. When I was doing the only project where I expanded into a culture that wasn't mine, I reached out to friends with knowledge of that culture and asked: Is this going to be insensitive? You really have to do your research and ask people, because it's easy to miss the nuances. Since being back, most of my work has focused on Hausa textiles, because there's quite a lot I have to say from within that culture. But I'd love to see more Nigerians engage thoughtfully with textiles from other tribes too, especially now that they're reaching a global stage. We just have to ask the deep questions and be sensitive about it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/RCA-STUDIO-IMAGE-1.jpg) RCA Studio Image **Your MA project, Tsuntsuwa Che — She is a Bird, used indigo dyeing, woven shibori, and film photography to explore the concept of home. Did that project bring you closer to a sense of belonging, or did it complicate things further?** It actually brought me closer. I feel like I moved at quite pivotal points in my life, finishing primary school in Kaduna, secondary school in Lagos, A levels in the UK, then university, then my master's. Those are big transitions. Sometimes, moving from one place to another, I would feel like I had to leave my old self behind and build a new person who fit the new environment. It felt very fragmented. So with this project, I decided to use it to heal a bit. At the core of it, that's actually what my art is about; I use it to really understand what I'm feeling and to find some kind of healing within it. I keep saying that the project is just the beginning, because I'll probably move a lot more in life. But even just moving houses does something to you; everything is new. It's important to have things documented. And beyond the personal, it's important for Nigerian textiles to be documented too. You need to know who you are and where you're from. I introduced woven shibori — a Japanese technique — into my practice partly because indigo is also used heavily in that process. Indigo dyeing is practised around the world, including in Nigeria, so it became a way of linking cultures together rather than replicating one. I didn't want my weavings to be replications of the photographs I took. I wanted to use the weaving to explore how indigo interacts with other colours, and to reflect what I was feeling at different moments in my life. READ ALSO Wairimũ Nduba Is Building A Living Archive of African Sound [ENJOY ](https://www.marmaladecollective.com/wairimu-nduba-is-building-a-living-archive-of-african-sound/) **Film photography is a deeply personal medium for you, connected to your father, to memory, to documenting the places you've lived. How has it allowed you to express things that weaving cannot?** Film photography pushed me to discover London outside of just being there for school. I joined a film photography group and was literally the youngest person there. The process is very slow and heavy on patience, and when I get obsessed with something, I want to learn how to make it from scratch. I took film photography classes at a different RCA campus, where I learned how to develop and print both colour and black-and-white film. So I continued to develop that skill. That's just the weaver in me. But also, looking at photographs has always been a big part of my life because I didn't get to meet my dad. He passed away before I was born. I grew up looking at physical pictures of him. Film photography became a way for me to connect both things together. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/FILM-PHOTOGRAPHY-PROCESS-1.png) Film Photography process **You've described weaving as a numbers game — which is a bit ironic, given that you were trying to avoid physics when you chose this path. How do you hold the balance between technical precision and emotional storytelling?** I always start with the story, the layered, emotional part, and then figure out how to do it technically. The maths is ironic because I genuinely still have nightmares about it. But I think the reason it works in weaving is that it makes maths visual. It becomes creative, and that makes it fun. What I usually do is start with an idea — let's say a piece about circles and the cycle of life. I'll come up with my colours and motifs, then translate that onto graph paper. Because weaving is essentially the interlocking of threads, to make a circle in the cloth, I have to raise threads and calculate how the horizontal thread passes over and under them. Sometimes you just have to play around with it. I don't think I push myself enough technically yet, but I believe that will come as my practice evolves. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/WEAVING-AT-LOOM-WITH-INDIGO-DYED-YARNS.png) Weaving at loom with Indigo dyed yarns **What kept you going through the phases of self-doubt?** Honestly, just knowing it was the only thing I was good at. In secondary school, I didn't do great across the board. I liked English literature, and I was decent at it, but not amazing. The one thing that really pushed me was just feeling like textiles was where I belonged. Which is funny, because even in GCSE I technically failed — I got a C in art and thought I was going to get an A. Same with A levels. I tried to tell them, no, my work is so much better than this. They remarked it and still gave me the same grade. I was like, you guys are not seeing the vision. But even though institutionally I wasn't getting the grades to confirm it, I still believed I was good at it. And it was one of the things that made my mind go quiet when I was doing it. I just thought: this is me and you, we're here forever. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/INDIGO-DYEING-PROCESS.png) Indigo dyeing process **How would you describe how the textile industry or landscape in Nigeria and Africa more broadly has evolved, and where do you see it going, especially as more people begin to approach it with more intention?** More people are using traditional textiles for their brands, which means more money for artisans and a bigger stage for the work. I'm not sure the craft itself has evolved much, and I don't think that's a bad thing. Nigerian textile artisans are already insanely good at what they do. But the industry needs to evolve in terms of systems. Artisans need better systems to make their workflow easier and faster, not to mass-produce, but so they're not getting burnt out. The fashion industry is built on the textiles industry. That industry can't stand strong on its four legs if the foundation is shaky. Things are changing on a smaller scale; brands are forming real, ongoing relationships with artisans, which brings some stability. But the systems we deeply need also have to be institutionalised. That's where government and funding come in. **You spent a long time working mostly alone in your practice, from undergrad through your MA. Now you work with artisans, collaborators, and a broader community. How do you navigate making your work personal while building with others?** My textile design skills are quite broad — weaving, print, mixed media. Our tutors always reminded us: don't be so obsessed with your specialism. Your degree will say textile designer, not woven textile designer. Broaden out. When it comes to working with artisans, I don't go to them with a design and say, replicate this exactly. It's usually an exchange. Sometimes I'll suggest a technique, and they'll tell me it won't work, then try it anyway, and it does. Or they'll suggest something I'm sceptical about, I try it, and it works. I'm a maker just like they are. I go to them as a genuine peer-to-peer session. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/DYEING-PROCESS-1.png) Dyeing Process **What does collaboration look like for you in Lagos now, compared to when you were in school?** In school, I didn't really collaborate; I felt like I didn't have the time. But in undergrad at Falmouth, I loved that the studios were open plan. You could see the fashion designers from your desk; fashion marketing students had lectures in the same building. That wasn't formal collaboration, but it was collaborative in the way that you got inspired by people's work and the conversations you had with them. Since being back in Lagos, it's been quite open. We're a small community, and everybody tries to help each other. You also recognise, in Nigeria, that community is already ingrained in how we live. You can't truly be by yourself. Even if you tried, somebody's auntie would come along and say, I have a business, come and do this for me. It's a double-edged sword sometimes, you need to know somebody who knows somebody to access certain things, but the spirit of it, the genuine desire to help each other, is really special. **What questions are you asking yourself now? What are you looking forward to in your practice and in the industry?** I'm just open to having time to experiment. I'm also trying to take things slowly and not take my art too seriously; art is about play. You discover things when you're playing, and it can become serious later. You don't have to have heavy expectations before you've even drawn anything. But genuinely, I'm looking forward to being impactful, whether through workshops, working with brands, or helping build better systems. Since being back, I've just been absorbing everything and letting my practice be shaped by it. I already have the core. You go to school, you learn, and then you come back and do something that furthers your community and the people around you. That's what I want to be doing from here. In the meantime, I've been crocheting bags, making bottle holders, and small things that bring joy. You have to live life to do art. If you're not experiencing things, you don't have anything to say. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/MA-WORK--1-.JPG) Khadija's MA Work **Thank you, Khadija. It’s been so fun talking to you.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Slawn Drops An Album, Chimamanda Adichie Fronts Bvlgari, Boity Thulo Teams Up With Bathu URL: https://www.marmaladecollective.com/slawn-drops-an-album-chimamanda-adichie-fronts-bvlgari-boity-thulo-teams-up-with-bathu/ Last updated: 2026-03-16T10:00:42.000Z **Welcome to Vol 177 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I love surprises (sometimes). The thrill of not seeing something coming, and the rush of something good hitting you out of nowhere. I got that same rush when I heard about[**Olaolu Slawn’s new album.**](https://thenotesphere.com/after-month-long-london-exhibition-olaolu-slawn-drops-debut-album-not-an-artist/?ref=marmaladecollective.com) On that note, quick heads up! We've made some changes to our next JAM event. Make sure to catch all the new deets and [**get your tickets**](https://dice.fm/event/ryqmww-naira-afro-electronic-freedom-27th-mar-the-standard-london-london-tickets?ref=marmaladecollective.com) so nothing catches you off guard (unlike Slawn, we’re giving you a warning 👀) That's it from me! Have an amazing week and stay inspired. See you soon! *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 8 Contemporary Art Spaces and Studios Shaping African Art Today URL: https://www.marmaladecollective.com/8-contemporary-art-spaces-and-studios-shaping-african-art-today/ Last updated: 2026-03-16T09:00:08.000Z # **Introduction** Africa's contemporary art scene is one of the most exciting and fast-growing in the world, and at the heart of that growth are artist-led spaces. Not government institutions or commercial galleries, but spaces built by artists, for artists. Places where experimentation is encouraged, community is centered, and creative freedom is protected. These spaces are quietly, and sometimes loudly, changing the landscape of contemporary art on the continent. Here are some of the most remarkable artist-led spaces defining culture across Africa right now. ### Dot.ateliers — Accra, Ghana When painter Amoako Boafo returned to his home city of Accra after years of international success, he brought more than his artwork; he brought a vision. Boafo is one of the most talked-about painters of his generation, known for his richly textured portraits of Black subjects. His work has sold at auction for millions and been worn by celebrities, but his most lasting contribution to the art world may turn out to be what he has built at home. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/IMG_1326-1.webp) **Image via Wallpaper* Dot.ateliers is a striking three-story creative campus in Accra designed by the legendary Ghanaian-British architect Sir David Adjaye, the mind behind the Smithsonian National Museum of African American History and Culture in Washington D.C. and the National Cathedral of Ghana. The building is as intentional as the mission behind it; eco-friendly, and community-oriented. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/IMG_1327-1.webp) **Image via Wallpaper* The campus houses gallery spaces, working studios, areas for workshops, and facilities for public programming and events and has quickly become one of Accra's most talked-about cultural spaces, hosting exhibitions that bring together both Ghanaian and international artists and programming that ranges from artist talks to community outreach. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_502320952_17988753347812785_3575685620152960951_n-1.jpg) **Image via @dot.ateliers* For Boafo, the space is a response to the lack of infrastructure he experienced as a young artist in Ghana, a gap he’s now actively trying to close. ### Limbo Museum — Accra, Ghana One of the most exciting and recently opened spaces on this list, Limbo Museum was founded in 2024 in Accra and is redefining public art, architecture, and design. The museum was founded by Dominique Petit-Frère and Emil Grip of the Limbo Accra studio, alongside Founding Curatorial Director Diallo Simon-Ponte and architect Lennart Wolff. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/image-9-1-1.png) **Image via Limbo Accra* What makes Limbo immediately striking is where it lives: inside the shell of an incomplete building in the Labone neighbourhood of Accra, spanning 600 square metres across two floors, functioning as a cultural hub, research lab, and exhibition space where architecture and art meet. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_467326666_2508396469551157_1149838241020716987_n--1-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_573291435_18533550010005140_4133615019689476570_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_573154480_18533549923005140_2671733594121656802_n.jpg) The museum also runs impressive programs like the Limbo Architecture Lab, which offers an annual research and training programme, and the Liminal Archive, a digital initiative aimed at preserving research from across its programmes. In 2025, Limbo Museum won a Wallpaper\* Design Award, cementing its status as one of the most talked-about new cultural institutions in West Africa.. ### Black Rock Senegal — Dakar, Senegal Black Rock Senegal is a multidisciplinary artist-in-residence programme located in Dakar, Senegal, founded by renowned artist Kehinde Wiley in 2019\. Wiley is one of the most celebrated painters working today, known internationally for his portraits of Black subjects rendered in the style of old masters, and for painting the official presidential portrait of Barack Obama for the Smithsonian National Portrait Gallery. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_640537480_18364154554166308_4623179511802916612_n.jpg) **Image via @vintage\_black88* The residency came out of a need to engage Africa in a more personal way. Wiley first discovered Dakar in 1997 and was immediately captivated by Senegalese language, food, art, culture, and tradition. Black Rock brings together international artists to live and work on the northwest coast of Dakar and is arranged across several buildings designed by Senegalese architect Abib Djenne. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_65263442_203407113973625_7792408717997616291_n--1--1.jpg) **Image via @designweeklagosofficial* Residents are provided with room, board, a stipend, individual studios, access to a library, gym, sauna, swimming pool, and gardens, as well as a local staff to help them navigate Dakar and a language tutor for English, French, and Wolof. The programme accepts artists of all nationalities and disciplines, from painters and sculptors to filmmakers, writers, and sound artists. ### Nafasi Art Space — Dar es Salaam, Tanzania Nafasi, the Swahili word for "opportunity" or "space", lives up to its name in every sense. Established in 2008 by a collective of Tanzanian artists who recognized that Dar es Salaam lacked dedicated, affordable infrastructure for creative practitioners, Nafasi Art Space has grown into one of the most significant and beloved creative hubs in East Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_545120579_18495427516071517_3249987287037064758_n-1.jpg) **Image via @nafasiartspace* The campus features over 37 studios for visual artists, musicians, photographers, and performers, as well as an art academy constructed from repurposed shipping containers that offers art education to young Tanzanians who might not otherwise have access to formal arts training, making Nafasi not just a space for professional artists but a pipeline for the next generation. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_566756933_18502772941071517_4688447637707869332_n-1.jpg) **Image via @nafasiartspace* Nafasi also hosts art markets, live music events, open studios, film screenings, and workshops that draw in Dar es Salaam's wider community and make the space genuinely accessible, not just to artists but to anyone curious about creative work. ### ZOMA Museum — Addis Ababa, Ethiopia ZOMA Museum might be the most visually extraordinary space on this entire list. Founded by internationally acclaimed artist Elias Sime and cultural advocate Meskerem Assegued, ZOMA is an ecologically sustainable museum and cultural center built almost entirely from natural and traditional materials like mud, straw, cactus, and eucalyptus. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_82006183_603260773785830_917728365173672124_n-1.jpg) **Image via @gulizozbekcollini* The museum houses galleries, lush gardens, a children's space, a well-stocked library, a working farm, and an active program of residencies and events. ZOMA draws on Ethiopian building traditions while creating something entirely contemporary. It is a powerful statement about sustainability, heritage, and what a museum in Africa can look and feel like when it grows from the ground up, literally. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_327137675_1255914475333886_25031335255991340_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_642961900_18107897722775530_8143971297660426088_n.jpg) ### Guest Artists Space (G.A.S.) Foundation — Nigeria British-Nigerian artist Yinka Shonibare CBE is one of the most celebrated and recognized contemporary artists working today. His work is in the permanent collections of major museums around the world, including Tate Modern, the Museum of Modern Art, and the Brooklyn Museum. He was appointed Member of the Order of the British Empire in 2004 and Commander in 2019, and his public sculptures have appeared in some of the world's most prominent spaces. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_313191174_425376246279701_8225485053313578131_n-1.jpg) **Image via @scott\_andco* The Guest Artists Space Foundation, which Shonibare established in Nigeria, is his commitment to ensuring that artists on the African continent have access to the kinds of structured support that he benefited from during his training and career in the United Kingdom. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_613086474_18106547404675705_2043112578984862711_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_601408727_18104513650675705_5891513241886230174_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_315002247_1097225437656250_6823615808908806348_n-1.jpg) **Image via @gasfoundation* G.A.S. offers fully funded residencies for artists, curators, and researchers, providing time, space, mentorship, and community in an environment that prioritizes African creative practice. ### 32° East — Kampala, Uganda 32° East Arts Centre is Kampala's first purpose-built community arts space, completed in 2023 and designed by London-based practice New Makers Bureau in collaboration with Kampala-based firm Localworks. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/IMG_1339-1.webp) **Image via @32degreeseast* It was established in 2011 and is focused on the creation and exploration of contemporary art in Uganda. The Arts Centre includes studios, a contemporary art library, co-working space, computers, meeting areas, and a garden. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_456305554_1237798040732829_4799856110390515436_n-1.jpg) **Image via @32degreeseast* 32° East is also the organisation behind KLA Art, Kampala's longest-running contemporary arts festival, which strives to increase public awareness of and accessibility to Kampala's contemporary art scene through exhibitions erected in public spaces throughout the city. ### Tankwa Artscape — Karoo, South Africa Located deep in the remote, Karoo region of South Africa, Tankwa Artscape is an entirely off-the-grid artist residency program. Artists come here not to network, not to exhibit, and not to produce work on a deadline, but to think, to slow down, and make work in one of the most breathtakingly beautiful environments in Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_491470009_18247227805304018_2672028808137622062_n-1.jpg) **Image via @tankwaartscape* The residency operates entirely on solar power and harvested rainwater, and its infrastructure is minimal. There are no galleries, no curators hovering, no opening nights to prepare for. For many artists, a residency at Tankwa Artscape is something of an escape from the usual pace and pressures of their usual lives. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_490471452_18247402942304018_4235837198704407421_n-1.jpg) **Image via @tankwaartscape* # Conclusion What unites all of these spaces across different countries, climates, and contexts is a shared belief that artists shouldn’t have to wait for governments or commercial institutions to get the infrastructure that they need. They were imagined and built by artists themselves, often against huge odds, and they reflect the specific needs and values of the communities they serve. They’re also rewriting what an art institution can look like. Some are farms. Some are archives. Some are built from mud and straw. Some are shipping containers. They go against the idea that African art should simply copy Western models, and in doing so, they’re producing something far more interesting and long lasting. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Wairimũ Nduba Is Building A Living Archive of African Sound URL: https://www.marmaladecollective.com/wairimu-nduba-is-building-a-living-archive-of-african-sound/ Last updated: 2026-03-12T16:00:22.000Z Wairimũ Nduba is a Kenyan creative researcher and curator whose work centres on African music histories and how sound shapes community, memory, and culture. She is the founder of Wer Jokenya, a digital archival platform that highlights Kenya’s rich and layered music legacy, uncovering lesser-known artists and musical moments and making them accessible for people to explore. Her practice blends sonic and visual archiving with research and curation, grounded in a belief that music is a space for gathering, healing, joy, and beauty. Alongside her archival work, she brings a unique perspective shaped by her background in music education and nearly two decades in ballet, which informs her interest in how the body itself can hold and express knowledge. Her research and projects have appeared on platforms such as Pan-African Music, Amaka Studio, and Book Bunk, and she continues to explore ways to connect historical sound practices with contemporary cultural conversations. In this conversation, we spoke with Wairimũ about her journey into sound archiving and her growing interest in the social, political, and geographic contexts that shape how music is created and experienced. She shared how cities like Nairobi are shaped by infrastructure, class, and history, and how these divisions subtly influence where sound comes from and how it travels. We also discussed her listening sessions, her focus on field recordings, and why slowing down has been essential to both her personal growth and her work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_501003940_18505004929018310_8274998633865952613_n-1.jpg) **Image via Wairimũ Nduba* **You began your journey in ballet and then became a tutor, while also training as a classically trained pianist. All of that has now come together as part of your artistic practice, feeding into your archiving, your music, and the way you practice multiple disciplines. How do all these different backgrounds come together to shape what you’re doing right now?** For me, all of these things have fed into one main thing: the discipline of attending to my own personal practice. Being a classically trained pianist and having a background in ballet, both of those practices are very foundationally rooted in discipline and attention to detail. Especially within my archival practice, because so much of it has been self-led and self-directed, that internal discipline has been really helpful. Beyond that, attention to detail has been important too in noticing what is and isn't mentioned in the archive. Even before sharing anything on social media, during the research process itself, I’m very attuned to who was being left out of the narratives and what narratives were being pushed forward. I think that has really helped shape how the archive has grown. **Thank you. I know your professional background, but I wanted to ask about your personal background. Where did you grow up? Is this something you saw yourself doing as a child? How did your environment growing up affect some of the choices you’ve made in your career?** I’ve been fortunate to have parents who were very supportive from a young age. They recognised my gift, or my leaning towards music. I’ve heard my mum say that when she was pregnant with me, she would sing to me while she was pregnant. So music has always been at the very core of who I am. I was born and raised in Nairobi, and that’s where I live and work. My parents really cultivated that love, and they always understood that life was bigger than just academics. Even in school, they were the ones who enrolled me in music, piano lessons and ballet lessons. My mum, especially, was a very disciplined person. She always said that if you’re committing to something, then you have to fully commit; there’s no backing out. There were many times, especially when I was younger and in my teenage years, when I wanted to quit, but my mum would say, “You’re sticking to this.” And I’m really grateful for that now. Growing up, I don’t think I ever saw myself doing what I’m doing today. When I was younger, there was actually a point when I wanted to be a lawyer. I think there was also a point when I wanted to be a marine biologist. So it’s really been a journey that has unfolded over time. Even if you had asked me five years ago, when I started Wer Jokenya, whether I’d be doing what I’m doing now, specifically in the ways this work has manifested, I don’t think I would have seen this coming. It’s really been a lesson in moving with the flow. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_482708641_18489727882018310_3008727482020198665_n-1.jpg) **Image via Wairimũ Nduba* **You had such a supportive background, that’s lovely. You mentioned Wer Jokenya and how you started it in 2019\. It sits at the intersection of sonic and visual archiving, and I’m curious about what drew you to this kind of approach—this hybrid approach—rather than something purely academic, or purely music-based. What specifically drew you to working in this hybrid space?** What drew me to this work is that I would come across the sounds, that is, music from Kenya’s musical history, and I could hear it, but I’m a very visual person. I always wanted to know: who were the people behind the music? What did they look like? What were they dressed in? Where were they performing? Having the visual component really brought the work to life for me. I also think the nature of the archive being on Instagram plays a role. Instagram is a very visual platform, and it helps to have the visual element accompanying the sonic. In many ways, they go hand in hand. Even when you think about music videos, most of the time, the visual and the sonic are working together. So this approach comes from working within that tradition or legacy. But for me, it was also driven by pure curiosity: wanting to see what these people looked like, how they dressed, and what the physical spaces they performed in actually looked like. Music can also be *seen* in a way. When you listen to music, you can imagine yourself within a space. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_637746187_18559888600065024_2099646010314790210_n-1.jpg) **D.K. Mwai and The Lulu’s Band via Wer Jokenya* **That’s an interesting way to go about it. You also mentioned curiosity as a driver for the work that you do. You’ve described music as a site of communal gathering; of healing, of joy, and of beauty. In your experience researching Kenyan music and Kenyan sonic histories, what moments or discoveries would you say have revealed that communal power the most?** One of the ways I’ve invited this sense of communal gathering around these histories is through the images I come across of musicians performing within archives. Most of the archives I look to for research are actually located outside of Kenya, often in universities, so a lot of the work is digital. But accessing and researching this information can be really difficult. Sometimes the metadata or labels that accompany the images don’t tell you who the musicians were, when they were performing, or even where they were performing. I saw that gap in knowledge as an opportunity to invite other people to help fill in the missing pieces. I recognise that I don’t know everything, and curiosity is a huge part of my practice. Curiosity is also about being aware of what I don’t know, and understanding that others might know. So it became about inviting people to build this archive with me. In many ways, it’s also about moving the archive away from a more Western understanding of power—where authority and ownership sit with one individual—and disrupting that idea. It’s about saying the archive is for all of us: for all of us to contribute to, and for all of us to take collective ownership of. By being very clear when sharing these images, by saying, “I don’t know who these people are, can you help me fill in the gaps?” I was able to invite this kind of communal gathering and shared ownership over what I was discovering. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_622034126_18024131564612403_578904980646031882_n-1.jpg) **Mosi O Tunya via Wer Jokenya* **Curiosity and community are truly a powerful combination. I read your Substack a few days ago, and you mentioned two things that really stood out to me: citing and referencing, and the idea of the right to opacity. Earlier, you talked about how the footnotes don’t always contain all the information, and the limits that exist when it comes to the kinds of documentation we have in Africa. For someone working with that kind of material, where do you begin? How do you approach those gaps, and how do you personally sit with the reality that so much has been lost, or may never be found, undocumented and gone?** This is something I’ve been thinking about a lot, the idea of things being “lost.” When I first started, I was very focused on the idea that things were lost and couldn’t be found. But now, I’m coming to understand it more as displacement rather than loss. These things aren’t necessarily gone forever. Even when I think about certain traditions, I feel like they can be reclaimed. Obviously, they won’t be reclaimed in exactly the same way our ancestors practised them, and that’s okay. Culture is dynamic; it’s never static. So for me, it’s less about loss and more about displacement. And as I think through this, I also find myself inviting a more multidisciplinary research approach. I see research as conversation: conversations with people, especially people older than me. That, to me, is a valid form of research and a valid way of knowing. It’s also about looking at different sources, sources you might not initially think are related, but that actually are. I try my best to read widely. So when I’m looking at music, I’m not only reading about music, I’m also reading about politics, economics, and ecology. There’s a way that reading across different fields helps you fill in gaps you might miss if you’re only focused on one subject. This approach was also taught to me by a cultural worker I deeply respect, Nombuso Mathibela. She’s spoken about how much she values being in friendship with people who aren’t in music or don’t work in culture at all, because hearing from them informs the work she does. So for me, it’s really about reading beyond your discipline and thinking expansively. It’s also about shifting how we think about things; not necessarily as lost, but as displaced, and recognising that there are still ways we can recover some of this information. It may take longer, and it may not look exactly the way we imagined it would, but it’s still there. I think you can still find it. **I definitely see the value in different perspectives and sources, thank you. My next question is about citation as storytelling, which you’ve mentioned before, how citing and referencing people helps tie things together. How has that philosophy changed the way you approach your music and your community?** On citation, it’s a way of honouring the lineage that came before me, and also honouring the people who’ve shaped the way I think. There’s a quote by Maya Angelou that says, “I come as one, but I stand as ten thousand.” That really captures how I think about the people in my life and the thinkers I’ve engaged with, and how they’ve shaped the work that I’m doing. So citation becomes a practice of honouring ancestry and honouring lineage. It’s also a bit like liner notes. With music, especially when it came on CDs, tapes, or vinyl, there was always this written accompaniment that explained who the musicians were, who made the music possible, and the background of how the album came to be. In that same way, citation feels like liner notes for my work: a way of mapping how I arrived at this place, and acknowledging all the people who helped make that journey possible. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/image-1.png) *Tshala Muana via Wairimũ Nduba* **Thank you, that sort of referencing is so important. Let’s touch on your community and the communal way you approach your work. You engage with and reference a lot of contemporary writers, archivists, and cultural workers, as you’ve mentioned. What does that community of contemporary, modern archivists look like to you, and how important is collaboration within your space, specifically within the archiving world?** For me, collaboration has been everything. I started building the archive without being formally trained. Within the classical music tradition, there’s a strong emphasis on understanding history and how history is articulated through the way you play. So I did have an understanding of how important history is. When it came to archiving and thinking about this as a curatorial practice, I was very new to the space. Learning from and speaking with others, people who were my contemporaries but more experienced in the field, really helped me think through how to approach the work. I’ve been met with so much generosity and kindness, and that’s something I’m deeply grateful for. People have been genuinely willing to engage, to answer questions, and to share knowledge. I think that speaks volumes about the kind of people who are doing the work of engaging with African archives. That generosity fills me with a lot of hope about how this space can continue to grow and blossom. **I love that you’re able to pull from so many different people who shape what our culture looks like today. And you always seem to be having so much fun with your work; you genuinely enjoy it. There’s a real sense of playfulness in how you approach things, while still maintaining the weight and seriousness of the work you’re doing. How do you personally balance reverence with joy? Because sometimes archiving, reading through materials, notes, and dense texts, can feel boring or heavy, especially when there’s so much technical language involved. How do you approach this work in a way that holds both reverence and joy, and still leaves room for playfulness?** It’s heavy work. Engaging with histories and archives is heavy because not all the material you encounter is pleasant. You also grapple with a lot of grief, seeing the ways in which systems have failed. For many of us living on the continent, there’s a lot of pain: even just reflecting on colonial imposition, colonial violence, and how that violence continues to be replicated in our modern-day states. For me, a way to navigate that grief—because I think it’s necessary to hold it, alongside reverence—is to also centre joy. It’s not only about focusing on pain or loss; it’s about balancing it with joy. This work is life-giving in a way that makes you want to honour the people who came before you. I think, currently within my practice, I’ve been really focused on looking at African women’s sonic practices on the continent. For me, the “aunties,” as I like to call them, the women who came before me, were full of life and loved beauty. You could see it in the way they adorned themselves, in their clothing, in how they wore their jewellery while performing, and in the way they carried themselves on stage. This is another way of honouring ancestry and lineage. Beauty is also a big part of my practice, so engaging with it allows me to balance the weight of this work; it’s a way of not letting grief take over. On the note of play, there’s a scholar, Dr James Isabirye, who wrote a brilliant paper on what it means to engage with indigenous African music practices within the realm of education. He talks about how play, in many indigenous African communities, was a major way of passing on musical traditions and even broader cultural knowledge. Play was embedded in hand games children would play, or in moments when families would sit outside and a grandmother would tell a story, weaving songs into the narrative. In that way, play was central to passing on values and sustaining how indigenous societies were organised and taught. For me, engaging with play in my practice is a way of carrying on that legacy. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_404320098_7310575722299894_8537471631156070005_n-1.jpg) **Image via Wairimũ Nduba* **So much of what you said really resonates with me. Your thoughts on grief and the heaviness of the work, acknowledging that while things have changed, and how, in many ways, they’re still the same. I also appreciated your point about play being such an indigenous aspect of African culture. You also mentioned focusing on women who have shaped the music sphere. What would you say are some of the things that the general public needs to know or learn regarding them?** Honestly, it’s a big question I ask myself all the time. It’s a lifelong question because this work—engaging with African women’s sonic practices—is really my lifelong work. So I feel like I’ll be answering that question more and more as time goes on. I don’t know if I have one definitive answer right now; maybe we could come back to this conversation ten years from now and revisit it. **We look forward to exploring that with you in the future. What would you say has been your favourite part of learning about these women, what they were up to, what they were doing, and how they shaped things?** My favourite part is, first and foremost, discovering musicians I had never come across before. It’s the joy of discovering these sounds and asking, how do we not know about all these beautiful women? I also love seeing the ways they challenged societal conventions. One person who comes to mind is Bi Kidude, a musician from Zanzibar, Tanzania. She was considered a rebel, someone who didn’t fit societal expectations of what a woman should be. She smoked, didn’t have children, and performed barefoot as a musician. She was also a midwife, a truly dynamic individual. Considering she was born at the start of the 1900s, she really stood out for her time. For me, it’s just amazing how these women existed fully in the truth of who they were. That gives me so much affirmation to continue the work I’m doing, to do it boldly, and not be overly concerned with societal constructs. It’s about really living out my truth, and that’s exactly what these women did at a time when it must have been so much harder to do so. So for me, it’s about carrying on that same spirit. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_624246853_18182949043363749_4620019461695020004_n-1.jpg) **Bi Kidude via Archive Africa* **Definitely worth emulating. Wer Jokenya focuses specifically on Kenyan music, but more generally, in your archiving practice, you look at African music and women in particular. I know archiving often looks to the past, but I’m curious, are you interested in bridging what was with what is now? How do you see the current music landscape connecting with the historical work in your archives? Is there interest in blending contemporary music with the historical excavation you’re doing?** Yeah, for sure. Maybe not necessarily focused on how the music itself was experienced in the past versus now, but for me, the context around the music, then and now, is really what I’m interested in. Last year, for example, I hosted a workshop and listening session where I was tracing connections in Nairobi. The name Nairobi actually means “place of cool waters.” It’s a city built along rivers, at the convergence of several waterways. I was exploring how water has been understood, how it has shaped the city, and even how we experience it sonically; who has access to water, and how that access is historically embedded. For me, it’s about engaging with the political, economic, and geographic landscape surrounding the music, and looking at how it has been experienced both in the past and today. There’s also the question of performance—how music has been shaped within the city and within its spaces—and how that continues to evolve. Nairobi is a city that's divided by a railway line. There’s the east side of Nairobi and the west side of Nairobi. In the past, when the British were still occupying Kenya, the west side was for the British settlers and the east side was for the indigenous Kenyans. So, in the past, the city was divided along racial lines, and right now the city is divided along class lines. It’s always interesting to note that within the city, a lot of the music has always come from the east and then moved to the west. I’m also interested in how that legacy is still contained. So, it may not necessarily be about the way in which music itself has been related from the past to the present, but the context around the music is what I’m really interested in. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_333002471_907151466994887_149640135115525611_n--1--1.jpg) **Image via Wairimũ Nduba* **That’s such a very thoughtful answer, and the workshop sounds amazing. You started Wer Jokenya in 2019\. Looking back, what would you say has been most significant about its evolution? And what are you hoping to nurture as you continue?** When I started Wer Jokenya, there was this pressure on social media; the pressure to blow up quickly, to make it big. But for me, that hasn’t been the case with Wer Jokenya, and I’m really grateful that it’s taken its time to grow organically. That slower growth has meant that I’ve also grown as a person alongside the work. If Wer Jokenya had skyrocketed immediately, I wouldn’t have been prepared to think critically about what it means to do this work, how to care for it, or how to navigate my positionality while doing it. So I’m really grateful for the way it’s grown slowly. It’s allowed me to be much more deliberate in what I’m doing. My hope moving forward is to continue honouring the slow, steady nature of this work and everything that it brings. **Very nice and thoughtful answer. I hope to see it grow more over time. My final question is this: for those who want to continue exploring African sonic histories, African music, or archives, are there archivists, researchers, or platforms we should be paying attention to? Maybe even someone we could speak to next.** I’ll start from my home base. There’s a brilliant archive called Sound of Nairobi. What’s so stunning about it is that it focuses on field recordings, going to specific points within the city and recording the sounds of those spaces. Because Nairobi, as a city, is changing so much, with a lot of infrastructural development, many of us are questioning whether this development is sustainable. The importance of the work Sound of Nairobi is doing is that they’re capturing places and spaces that may not exist in the same way one year from now, two years from now, or three years from now. They also make their archive accessible for people to engage with. They also have a large collection of books to read and reference, which are really helpful. So, Sound of Nairobi has been really crucial to my practice. There’s a dear friend of mine, Tosin Adeosun. She runs a platform called African Style Archive, and she was one of the first collaborators I had when I was starting with Wer Jokenya. Over time, our relationship has grown from purely work-related to a genuine friendship, which I’m really grateful for. She’s doing amazing work exploring what style on the continent looks like and the universe it contains. Another one I’ll mention—one that a lot of people know—is Vintage African Women. It’s so beautiful. You know me and the “aunties,” we’re locked in for life, so I always love seeing what they post and share. They’re doing some really amazing work, and I think their sister platform is Archive Africa. Those are the ones I’m following closely. It’s also been interesting to see how things have shifted since I started in 2019–2020. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/03/SaveClip.App_332972679_243412351353251_2627927964656819292_n--1--1.jpg) **Image via Wairimũ Nduba* **Thank you so much for indulging and answering all our questions. It's been a pleasure speaking with you.** ### [**Read also:** The Wine Club Lagos Is Changing How Nigeria Learns, Tastes, and Feels Wine](https://www.marmaladecollective.com/the-wine-club-lagos/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### JAM x NAIRA: Afro Electronic Freedom London, March 27th URL: https://www.marmaladecollective.com/jam-x-naira-afro-march-27th/ Last updated: 2026-03-11T18:00:03.000Z We're teaming up with NAIRA to give you the ultimate Afro-electric night out! _This post is for subscribers only._ ### Bukayo Saka & Tems Team Up, Hanifa Hits Pause, Angélique Kidjo Builds a Global Album URL: https://www.marmaladecollective.com/bukayo-saka-tems-team-up-hanifa-hits-pause-angelique-kidjo-builds-a-global-album-2/ Last updated: 2026-03-09T10:00:42.000Z **Welcome to Vol 176 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Felicitations, gentle readers! How was your week? I hope you ate something good, laughed at least 12 times, and didn't spend too much time on the internet arguing with strangers. Life is short. Save your energy for the things that matter. Now. We know some of you missed our last JAM and have been quietly holding it against us. You haven't said anything, but we can feel it. Consider this our olive branch: we're doing it again! Another room, another chance to meet your people and leave with a few new friends and a full glass. Don’t wait (again) to [**get your tickets!**](https://ra.co/events/2369320?ref=marmaladecollective.com) *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### What's On This March URL: https://www.marmaladecollective.com/whats-on-march-2026/ Last updated: 2026-03-04T12:48:43.000Z London is the place to be this month, and to help you make the most of it, here’s your guide to the best afrocentric events in the city, all in one place. Show up, connect, and make it a month to remember. _This post is for subscribers only._ ### Damson Idris Steps Into F1, Onalaja Makes The Vogue Fund, Gideon Appah Hits Art’s Big League URL: https://www.marmaladecollective.com/damson-idris-steps-into-f1-onalaja-makes-the-vogue-fund-gideon-appah-hits-arts-big-league/ Last updated: 2026-03-02T10:00:01.000Z **Welcome to Vol 175 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Didn't we just say Happy New Year? Genuinely. I blinked and February is already gone, March is here, and Q1 is almost done. Fortunately, your faves are keeping pace with the year. Case in point: [**Damson Idris just became Formula 1's newest front man**](https://variety.com/2026/film/news/damson-idris-formula-1-global-ambassador-1236671933/?ref=marmaladecollective.com); and look, I know everyone is a little bit in love with the man right now. That's fair. That's earned. Brick by brick he's built a career that's impossible to ignore. Formula 1 saw what we all see. They just had the budget to do something about it. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### The Cultural Record: African Magazines & Media Platforms Vol. 1 URL: https://www.marmaladecollective.com/african-magazines-media-platforms-vol-1/ Last updated: 2026-03-27T06:57:46.000Z African magazines and digital platforms have become more than media outlets; they're a group of cultural record-keepers and tastemakers shaping how the continent sees itself and is seen by the world. Across print, digital, video, newsletters, and physical projects, these platforms document fashion, art, music, design, architecture, and social discourse with nuance and intent. They don’t simply report on trends; they contextualise movements, spotlight emerging voices, question dominant narratives, and build archives that future generations will return to. At a time when global attention on African creativity continues to expand, these publications play a crucial role in authorship and representation. They create space for local perspectives, regional specificity, and diasporic exchange, ensuring that storytelling is layered and self-defined rather than externally framed. This guide is the first in a three-part series mapping the magazines and platforms contributing to that ecosystem, each list offering a cross-section of the editors, writers, curators, and image-makers shaping contemporary African cultural discourse. ### [**Twyg Magazine**](https://twyg.co.za/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_619401620_18384128854197873_6547621216036652870_n-1.jpg) Based in South Africa, Twyg Magazine focuses on sustainable fashion, design, and lifestyle. It approaches creativity through the lens of responsibility, merging ethics with aesthetics in a way that feels thoughtful rather than excessive. Covering both print and digital formats, Twyg connects design to environmental and social accountability, positioning sustainability not as a trend but as a long-term framework for the industry. ### [**TANGAZA Magazine**](https://tangazamagazine.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_534312407_18321084067232928_4829127372632314936_n.jpg) Based in Nairobi, Kenya, but focused on East Africa, TANGAZA Magazine primarily covers music while exploring the interconnected worlds of fashion, visual art, design, nightlife, and youth culture. Known for its detailed, niche-forward approach, the magazine, operating exclusively as a digital publication(articles and newsletters), highlights emerging artists and creatives shaping the region’s new wave movement. ### [**ArtAfrica Magazine** ](https://artafricamagazine.org/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_625095948_17931833982171687_6926919856391198948_n.jpg) Based in South Africa, ART AFRICA Magazine focuses on contemporary art from Africa and the diaspora, covering exhibitions, artists, galleries, and critical art discourse. Published digitally through articles and video features, ART AFRICA amplifies expressive, socially engaged practices, explores themes such as sustainability in art, and fosters dialogue that connects communities across the Global South and beyond. ### [**Soylemag**](https://www.soylemag.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_620947241_18311068084302189_1644314425255641254_n.jpg) SOYLEMAG focuses on fashion, film, and culture, telling bold visual stories across digital platforms. Beyond editorial features, the magazine releases limited-edition print pieces, blending style, art, and cultural expression into collectable forms. Its work sits at the intersection of editorial and creative direction, positioning the magazine as a cultural documentor. ### [**Orun Africa**](https://www.instagram.com/orun%5Fafrica/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_621507909_17872038477510619_3685781483699428606_n.jpg) Based in Côte d’Ivoire, Orun Africa is a visual magazine passionate about shaping and preserving Africa’s narrative. Through its creative hub, Orun Studios in Abidjan, it primarily shares Francophone content centred on impact, art, and craft, guided by its ethos: for Africa to tell its own story and build a culture that outlasts time. Its storytelling feels intentional and sovereign, rooted in reclaiming authorship over African identity and heritage. ### [**Contemporary and**](https://contemporaryand.com/en?ref=marmaladecollective.com)**(C&)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_573364318_18100788034675705_18476668311036236_n.jpg) Founded in 2013 and led by a core team across Berlin, Nairobi, and New York, Contemporary And (C&) is an international art platform centring African and diasporic perspectives. Expanding beyond its bilingual online magazine into C& Magazine, C& América Latina, print publications, education programs, and cross-disciplinary projects, it creates spaces for reflection, research, and exchange across digital and physical formats. Its work connects geographies and generations, offering depth, critical thought, and meaningful dialogue within global contemporary art. ### [**Essential Interiors**](https://www.instagram.com/essentialinteriors/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_625882316_18201086593327898_4442603190791728105_n.jpg) Based in Lagos, Nigeria, Essential Interiors is a leading design publication showcasing architecture, interiors, and innovation across Africa. Published in print, it celebrates the craftsmanship behind spatial design while spotlighting artists, architects, and designers shaping the built environment. Through its platforms and initiatives such as design showcases and awards, it positions design as both cultural expression and technical excellence. ### [**NiiMag Digital**](https://www.instagram.com/niimagdigital/?hl=en&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_629341405_17972628413995538_9183811626116489977_n.jpg) NiiMag Digital is a media platform documenting Black cultures across fashion, art, film, photography, beauty, and knowledge. Delivered digitally through interviews, features, and cultural commentary, it covers music, brands, iconography, and visual storytelling with a distinct Y2K-inspired edge. Its tone is bold, informed, and community-driven, creating space for layered conversations around contemporary Black expression. ### [**AfriqueNoire Magazine**](https://afriquenoirmagazine.com/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_613051947_17987101115936558_7038310340858207724_n.jpg) Afrique Noire Magazine is an independent print and digital publication spotlighting African and diasporic stories through fashion, culture, art, and social impact. Through curated issues such as *The Artist’s Dilemma* and collectable pieces that celebrate African craftsmanship, it bridges continents while amplifying creative voices. Its storytelling is vibrant and unapologetic, celebrating the richness and dynamism of African cultural identity. ### [**African Imaginary**](https://www.instagram.com/africanimaginary/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_571488805_17894368566347092_4108166976520394422_n-1.jpg) Based in South Africa, African Imaginary is a cultural platform spotlighting work born on the continent across books, music, festivals, and podcast conversations. Through digital content, interviews, and multimedia storytelling, it recognises African brilliance with an authentic, knowledge-driven approach. Its voice feels rooted, thoughtful, and committed to documenting culture with depth and clarity. Across regions, languages, and formats, African magazines and platforms continue to expand what cultural documentation can look like; independent, critical, and self-defined. In the next volumes, we’ll spotlight more publications shaping conversation and ensuring that the continent’s stories are told with context and care. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Sunshine Alaibe on Faith, Collaboration, and the Radical Act of Making Art Accessible URL: https://www.marmaladecollective.com/sunshine-alaibe-is-turning-lagos-into-a-living-gallery/ Last updated: 2026-02-25T16:42:45.000Z Sunshine Alaibe is a Lagos‑based curator, creative and art consultant who’s become one of the voices shaping Nigeria’s contemporary art scene. She was previously the Gallery Manager and Lead Curator at O’DA Art Lagos, where she helped plan exhibitions, develop the gallery’s collection, and support both African and African‑diaspora artists. Before this, she worked in client relations and project management at Art Twenty One and Artyrama, gaining hands‑on experience in the art market early in her career. Beyond the gallery, she’s the founder of Art Report Africa, a platform focused on documenting and sharing stories from the African art ecosystem, and leads WO’AMA Africa, a space aimed at building support, community, and resources for women in the African art sector. Sunshine also directs Lagos Gallery Weekend, a city‑wide celebration of art and culture that connects galleries, creatives, and visitors across Lagos through exhibitions, tours, workshops, and more. Through all these projects, she’s focused on expanding access, growing art audiences, and helping people connect with contemporary African art in meaningful ways. In this conversation, we discussed Sunshine’s journey from discovering her passion for art to becoming a curator and cultural strategist, shaping Lagos’ contemporary art scene. She opened up about how her work bridges galleries, digital platforms, and community initiatives, the ways she makes art more accessible and inclusive, and what it means to support and grow the African creative ecosystem. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A8805-1.jpeg) **Image via Sunshine Alaibe* **When you meet people for the first time, how do you typically describe what you do, and how has that description changed throughout the years?** In practice, this means I wear many hats: I am an art consultant for private clients, I lead an organisation called WO’AMA Africa, and I manage a media company, Art Report Africa. I also direct Lagos Gallery Weekend, among other initiatives. Years ago, I felt constrained by specific titles. There's a common perception that dedicating oneself to a single profession makes one appear more "serious." At the time, I was content being identified solely as a dealer, a consultant, or a curator because those roles felt defined and focused. I eventually found those labels too narrow. I have always been drawn to a variety of projects and deeply value collaboration, so I wanted my professional identity to reflect that breadth. Today, my description is less about a specific title and more about what I am working to enable. My primary focus is building the necessary infrastructure to ensure the art industry’s long-term sustainability. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A0583-2.jpeg) **Image via Sunshine Alaibe* **Thank you. It's very interesting how you've given time to exploring different skills and parts of yourself. Looking back, how did you first find your way into this work, and when did it begin to feel like more than a career, but a form of service and spiritual vocation for you?** I wouldn’t say all of this was part of some huge grand plan. From a very young age, I was gifted with the ability to create art, spending much of my time painting and drawing. In fact, my A-levels teacher strongly encouraged me to pursue a career as an artist. But I was acutely aware of the professional expectations often held by parents regarding traditional career paths. This led me to shift my focus from creating art myself to enabling others to succeed through their own creativity, a decision I made before even entering university. That’s why I studied Art History & then later pursued a Master's in International Management to understand the underlying business mechanisms of the industry. Early on, I spent a significant amount of time in galleries, asking questions and observing how the market functioned, so I could transition smoothly into the industry upon my return to Lagos. At that time, around 2017, I believed that owning a gallery was the pinnacle of professional achievement. There were established first and second-generation dealers with stable businesses, long before the current expansion to over 60 galleries in Lagos city alone. However, I soon realised that while the gallery space is vital, there are numerous other ways to support the industry’s growth. I felt particularly drawn to the digital sphere because it transcends physical boundaries. Unlike a traditional gallery, which is tied to a specific location, online platforms allow ideas and art to circulate globally. While art fairs provide galleries with regional reach, I found I couldn't be confined to a single physical space. Ultimately, my journey began with a desire to understand the business and work within existing structures. As I gained more experience, I recognised that the industry required more than just participation; it needed new systems and expanded opportunities to allow it to truly flourish. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A1111-1.jpeg) **Image via Lagos Gallery Weekend* **Thank you. It takes courage to make something unconventional a passion, especially in this part of the world, and then proceed with that academically. You studied Art History and later International Management. How has that mix of art and business shaped the way you approach cultural work in Lagos today?** Studying Art History provided me with a vital grounding in context and critical thinking. It taught me to understand lineage—how history is constructed within a work of art and how that narrative is shaped. While our curriculum didn't focus heavily on Africa, the discipline helped me draw parallels and understand how to link personal identity or specific historical moments to the canvas. International Management, on the other hand, sharpened my focus on structure, sustainability, and scalability. I often recommend that anyone in the creative sector pursue a business course or a Master’s; it provides the framework necessary to turn vision into reality. That combination defines my approach today. I am a 'doer.' When an idea strikes, I immediately pivot to execution, which is why you see so many different expressions of my work. I’m fascinated by people’s stories and how their unique experiences translate into living, breathing organisations and entities. Ultimately, blending these two worlds is what allowed me to build the organisations I lead now. I’m deeply grateful for those experiences, even if looking back, being the only Black girl in my Art History classes for three years feels quite wild. **It’s been interesting getting to know about your background. We’d like to know a little bit more about your process. You’re known for curating exhibitions that feel welcoming and immersive. When you’re curating an exhibition or shaping a cultural project, what usually guides you first: the artists, the ideas, or the audience?** The idea always comes first, but never in isolation; for any vision to succeed, it must be embraced by others. At my core, I am a host. Whether it’s in my home or a gallery, I find joy in the art of hospitality. For me, curating and organising events is about radical consideration; ensuring that anyone who encounters my work feels seen and accounted for. In the context of working with artists, that 'hosting' mindset translates into making them feel held and respected. I recognise the immense time and soul they pour into their craft. My goal is to ensure that when we translate their work into a gallery or alternative space, we maintain the integrity of their original vision while providing the necessary context for the world to see it clearly. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A8961-1.jpeg) **Image via Sunshine Alaibe* **That’s a very considerate approach to putting together an exhibition of any kind. Across your media work with Art Report Africa and your community work with WO’AMA Africa, you’re very intentional about storytelling and support. What gaps did you notice in the African art space that pushed you to start building platforms of your own?** When I first moved back to Lagos, I realised that navigating the contemporary art market required an immense amount of personal research. I often felt like an outsider looking in. In more traditional industries, like banking, there is a clear upward trajectory and a visible structure to fall into; in the creative space, it can be daunting when you lack the connections, the documented history, or the cultural nuances of the local landscape. The motivation for Art Report Africa came directly from these gaps, specifically, a lack of documentation and accessible industry information. I wanted to create a platform that documented our stories from the inside—highlighting artists, curators, and historians—while empowering local writers to lead that narrative. With WO’AMA Africa, the growth was organic. We noticed a profound need for better community and wellness support, particularly regarding the sharing of non-financial resources. Far too many practitioners, especially women, are navigating this ecosystem in isolation. Interestingly, while women own a significant portion of art businesses here, there hasn’t always been a strong culture of collaboration between them. I don't say this to call anyone out, but to highlight a missing link. I wanted to build platforms that don’t just spotlight excellence, but also nurture growth and continuity. It goes back to my desire to 'host', identifying who needs support and ensuring they feel seen, heard, and held by a community that understands their journey. **It seems very important to you to create spaces where people can express themselves, and that’s so thoughtful. Speaking on another project, Lagos Gallery Weekend is coming up. You’ve described Lagos as something of an inherent gallery city that lives and breathes art. What does that idea personally mean to you, and how does Lagos Gallery Weekend help people experience Lagos differently?** For me, Lagos Gallery Weekend is an invitation to move through the city with fresh eyes and deeper intention. It’s about becoming conscious of the beauty we often overlook in our daily commute and recognising that these creative hubs are part of a larger urban and cultural rhythm. I want to shift the perception of galleries as places visited only once or twice a year for a high-profile opening. They should be frequented weekly. In Lagos, we often lack 'third spaces', those open-plan parks or public squares where one can simply breathe, think, and be inspired. I believe our galleries can serve that purpose. They are sanctuaries of creativity and beauty that allow you to think beyond yourself and find the inspiration needed to navigate life in this city. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A1002-1.jpeg) **Image via Sunsine Alaibe* **That’s such a unique way to think about Lagos. This year’s edition approaches more parts of the city. It’s larger and comes from a broader angle. What conversations or feedback shaped the way you approached the planning and even the theme for this year, as opposed to last year?** Last year, we invited the world to *Discover Lagos Through Art*, which serves as the foundational layer for our 2026 vision. This year, we’ve evolved that concept into a much bolder mandate: *Art for All*.** In practice, this means radical accessibility, meeting people exactly where they are. Our programming is designed to dismantle the barriers that make art feel like an exclusive club. We’ve curated a diverse spectrum of entry points: specialised workshops for children, guided tours for first-time visitors, and tailored talks for those looking to go deeper. For the independent explorer, we’ve developed expert-curated digital routes and physical maps, allowing anyone to navigate the city’s creative pulse at their own pace. The feedback from our previous edition was clear: people wanted to see more of the city and feel less intimidated by the spaces within it. We’ve responded by expanding our reach across different neighbourhoods and addressing the most significant hurdle in Lagos: movement. Through strategic collaborations, we are subsidising transportation and offering free experiences to ensure that financial or logistical constraints don't limit participation. Our goal is to re-educate the public. We want to transform the gallery from a 'scary' or 'mysterious' place into a communal resource for inspiration and growth. By providing the right digital and physical tools, we’re empowering people to continue exploring the Lagos art scene long after the weekend concludes. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A0160--1--1.jpeg) **Image via Sunshine Alaibe* **I** **admire the effort to bring in a sense of variety for people. Many people say they can’t go to a gallery because they don’t “know what to do with the art there.”** The hesitation people feel—the sense of not 'knowing what to do' with art—stems from a lack of an ingrained explorative culture. This isn't to say that Nigerians aren't inquisitive, but rather that our society hasn't traditionally framed the gallery visit as a tool for self-education or intellectual discovery. Currently, for many, the gallery experience begins and ends with the aesthetic, a place to see beautiful work and perhaps take a photo in front of it. While there’s value in that, we are hyper-focused this year on shifting that narrative. We want to reintroduce the gallery as a vital 'third space' where the purpose is to engage, to learn, and to be challenged. Our goal is to demystify the white cube and provide a roadmap for the masses. We’re moving beyond the 'photo-op' and teaching people how to truly *encounter* art—showing them why these spaces exist and how they can use them to expand their own perspectives." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2P6A0627-1-1.jpeg) **Image via Sunshine Alaibe* **Looking forward, we’re hoping that causes some kind of shift in people’s ideology. When you look into the future of your own work—maybe future hats you might be wearing in Lagos, in African contemporary art, or more generally—what are some of the things you’re most excited about exploring or moving into in the future?** As we discussed earlier, I view this work as a vocation. When you commit yourself to a path, you have to ask: Is this for personal ambition, financial gain, or recognition? While those are common drivers, my focus is on expanding the ecosystem that already exists and serving the industry with more depth. I believe we should all strive for goals that are larger than ourselves, even when it requires significant sacrifice. I’m particularly excited about regional expansion and deeper connectivity. When we give Nigerians the space to lean into their 'soft skills'—whether through creating art or intellectual self-education—the potential is limitless. I also love to play with experimental formats; my team knows I’m constantly pushing to try new things because there is immense value in creative agility. The continent is currently overflowing with talent and ambition, and we mustn’t pander to Western expectations. Our priority must be to cater to grassroots Nigerians and those living this reality every day. Ultimately, my work is rooted in my faith. Building something of lasting value requires being intentional, prayerful, and deeply mindful of how we hold our ground and respect others. Integrity is the foundation of everything I do, because when all is said and done, your character is the only thing you truly have to stand on. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/2M5A0910-1.jpeg) **Image via Sunshine Alaibe* **Thank you. It’s admirable that you have such a strong foundation. We look forward to seeing what you do next, and the many more hats you’ll wear.** ### [**Read also:** The Wine Club Lagos Is Changing How Nigeria Learns, Tastes, and Feels Wine](https://www.marmaladecollective.com/the-wine-club-lagos/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Sade Returns To The Charts, Kusi Kubi Turns Memory to Fashion, ELLE Debuts In Africa URL: https://www.marmaladecollective.com/sade-returns-to-the-charts-kusi-kubi-turns-memory-to-fashion-elle-debuts-in-africa/ Last updated: 2026-02-23T10:00:17.000Z **Welcome to Vol 174 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I don't remember the first time I heard a Sade song, but I remember exactly how it made me feel. You know that feeling when a song just wraps around you like a warm blanket? That was it for me. When I saw that [**Sade’s back on the charts**](https://www.forbes.com/sites/hughmcintyre/2026/02/07/sade-charts-a-new-top-10-with-an-album-released-decades-ago/?ref=marmaladecollective.com), I smiled at my phone like an idiot. I've been playing "Kiss of Life” on repeat and getting sentimental with zero shame. And listen, I of course can't leave without saying I really hope you had a good time at our JAM event on Friday! If you missed this one though, don't even stress because we've got more coming and trust me, you'll want to be there. Keep your eyes peeled because we're just getting started. Till then, look after yourselves. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 8 Notable Collaborations Between African Musicians and Fashion Designers URL: https://www.marmaladecollective.com/8-notable-collaborations-between-african-musicians-and-fashion-designers/ Last updated: 2026-02-23T05:36:46.000Z # **Introduction** Africa is loud right now; in music, in culture, and increasingly, in fashion. Over the last few years, a wave of African artists has stepped beyond the stage and into the spotlight of the world's biggest fashion brands. They're showing up in global campaigns, fronting these major brands, and putting their culture at the centre of it all. And these aren’t just endorsement deals, they’re cultural moments that signal a shift in who gets to represent global style. Here’s a look at some of the most iconic collaborations between African musicians and fashion brands that have made the world pay attention. ### Burna Boy × Burberry, BOSS & On If there’s one artist who has made the case that an African musician can hold his own at the highest levels of global fashion, it’s Burna Boy. The Port Harcourt-born “African giant” has racked up Grammy wins, sold out stadiums, and in recent years, stacked up fashion deals with some of the world's most prestigious brands. **Burberry (Holiday 2022):** In November 2022, Burna Boy starred in Burberry's holiday campaign *The Night Before*, alongside Shakira. Shot by directing duo Torso, the campaign was a surreal, festive celebration of self-expression. For a brand known for its British heritage, bringing in Burna Boy, one of the most culturally significant African artists alive, was a clear statement that Burberry was speaking to a global, modern audience. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_314728972_408686451335776_4010398258854241718_n-1.jpg) **Image via Harpers Bazaar* **BOSS (Fall/Winter 2024):** Two years later, Burna Boy took his fashion presence to another level when he was named one of the faces of HUGO BOSS's *#BeYourOwnBOSS* campaign, photographed by Mikael Jansson alongside David Beckham, Naomi Campbell, Gisele Bündchen, and other global icons. Burna brought a Lagos edge to the brand's "CorpCore" aesthetic. > [ View this post on Instagram ](https://www.instagram.com/reel/DB1LSPeoqKg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by BOSS (@boss)](https://www.instagram.com/reel/DB1LSPeoqKg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) **On (2025 – Multi-Year Partnership):** Swiss sportswear brand On, the same brand that partnered with Roger Federer and Zendaya, brought Burna Boy on board in a multi-year deal in September 2025\. He was given the title of *Clubhouse President* as part of the brand's growing tennis and culture world. The campaign featured Nigerian-inspired set design, blending his world with On's clean Swiss roots. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_542752383_18074957495101838_2343442795341608631_n-2-1.jpg) **Image via @spaceshipcollective* ### Tyla x Gap ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_430319001_1750568172021537_9158126900169040394_n-1.jpg) **Image via @thedripbooq* Tyla was already on top of the world (a Billboard Hot 100 hit with *Water*, and a Grammy win for Best African Music Performance) when Gap chose her as the face of their Spring 2024 campaign. The collection was called *Linen Moves*, and it was all about self-expression and easy, flowing style. Of course, Tyla made perfect sense. > [ View this post on Instagram ](https://www.instagram.com/reel/C37P9n0sXU4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Gap UK (@ukgap)](https://www.instagram.com/reel/C37P9n0sXU4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The campaign video featured Tyla dancing to Jungle's viral hit, *Back on 74*, wearing linen cargo pants, crop tops, and neutral basics. She and Jungle also put together an exclusive playlist for Gap, available on Spotify. Tyla had grown up admiring Gap's iconic music-linked campaigns, so for her it was a full-circle moment. The campaign became one of Gap's biggest online hits that year. ### Davido x Puma ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_470230869_18482855770016640_5852739408154299276_n--1---1--1.jpg) **Image via @davido* David Adeleke, OBO himself, is one of Afrobeats' most recognisable faces globally. Born in Atlanta and raised in Lagos, Davido became one of the first African artists to land a Puma deal of this size when he was signed as a global brand ambassador in December 2021. The partnership gave us two collections. The first, *We Rise By Lifting Others*, came loaded with tracksuits, tees, shorts, and caps in the green and white of the Nigerian flag. The phrase an ode to Davido’s and his fathers’ own life philosophy. > [ View this post on Instagram ](https://www.instagram.com/reel/Cqu-279Awxo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Davido (@davido)](https://www.instagram.com/reel/Cqu-279Awxo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The second drop, *Puma x Davido 2.0*, landed on October 1, 2024, Nigeria’s Independence Day, with a launch party at Puma's New York flagship. This time, it included the PUMA x DAVIDO CA Pro sneaker in "Zen Blue," with the words *"For Those I Love I Will Sacrifice"* stitched onto the tongue. The collaboration worked because Davido made it personal. It was about Nigeria, his people, and his story. ### Nasty C × G-Star RAW ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/IMG_0981-1.webp) **Image via GQ* Nasty C is one of South Africa's most respected rappers. He's been pushing the boundaries of Hip-Hop on the continent for years, and his sharp personal style has always been a special part of who he is. In 2022, G-Star RAW picked him to front their *Exclusives by G-Star RAW* collection, shot alongside South African model Niquita Bento. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/IMG_0982-1.webp) **Image via GQ* The collection was premium, detailed, and inspired by G-Star's vintage denim archive. G-Star called him "one-of-a-kind, boundary-breaking, creative and technical," which is exactly how you'd describe his music too. The collab was a proud moment for South African streetwear culture style, showing that the continent's fashion extends well beyond Lagos and Accra. ### Tems x Tommy Hilfiger ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/IMG_0983-1.jpeg) **Image via Hypebeast* By the time Tommy Hilfiger came calling, Tems was already one of the most talked-about voices in Afrobeats. The Lagos-born singer, songwriter and producer had a sound that didn't fit so neatly into any box, and her presence in fashion felt just as distinct. Tems became the face of Tommy Jeans' *Play to Progress* campaign, first appearing in the Spring 2022 edition and coming back for Fall/Winter 2022, making her one of few artists to front the campaign across multiple seasons. The Spring 2022 campaign, shot by Bolade Banjo, championed the theme by showcasing Nigerian creative culture as a force in its own right. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/IMG_0986.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/IMG_0985.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/IMG_0984.jpeg) **Image via Hypebeast* What made the FW22 campaign especially special was that the entire shoot was done in Lagos. It was photographed by Harlem-based Joshua Woods and creatively directed by Akinola Davies Jr. For this edition, Tems was surrounded by a community of Nigerian creatives from the Alté scene; artists like Lady Donli and Dami Oniru, and Nigeria's first skateboarding collective, Wafflesncream. Tommy Hilfiger didn't just work with a Nigerian artist, they showed up in her city, on her terms. That's what makes it so iconic. READ ALSO Africa's Most Iconic Creative Duos [Know Them ](https://www.marmaladecollective.com/africas-most-iconic-creative-duos/) ### Amaarae x Mugler (via H&M) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_342307433_616559343693619_418992283443457312_n--4--1.jpg) **Image via @afrobeatsthegenre* Amaarae is one of the most unique artists coming out of Ghana. Her music mixes Afropop, R&B, and art pop in a way that feels genuinely different. So when Mugler needed artists to help bring their major H&M collaboration to life in 2023, she was a natural fit. For the *Mugler × H&M* campaign launched in May 2023, Amaarae joined Shygirl, Eartheater, and Arca to create a campaign anthem as a fresh take on Stardust's 1998 classic *Music Sounds Better with You*. The music video and campaign were bold, expressive, and rooted in themes of body positivity, transformation, and gender fluidity, which are all values that Amaarae carries in her own artistry too. It was a perfect pairing, and another sign that African artists belong in fashion's most daring spaces. > [ View this post on Instagram ](https://www.instagram.com/reel/CqIY-xCobCc/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ELLE Nederland (@elle\_nl)](https://www.instagram.com/reel/CqIY-xCobCc/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### Rema x Jumpman ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_398765694_722310366413277_6861234544676618151_n--1--1.jpg) **Image via @unorthodoxreviews* Rema became a global name practically overnight. His 2023 hit *Calm Down* went everywhere, topping charts on multiple continents. So when Jordan Brand put together their *Beyond* campaign, Rema was the perfect match. He appeared in the Jumpman 23 *Beyond* campaign alongside Michael Jordan, Luka Dončić, Jayson Tatum, Zion Williamson, and Teyana Taylor. Shot in Paris, the campaign was built around Jordan Brand's mission to inspire the next generation to go beyond their limits. For Rema, who was just 23 years old at the time, the moment was electric. ### Black Sherif x Ellesse ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_378754603_634724735412760_2304271507556521642_n-1.jpg) **Image via @debonairafrik* Black Sherif came out of nowhere and shook the whole continent. His sound mixes Twi, UK drill, reggae, and highlife in a way no one had quite done before. Songs like *Kwaku the Traveller* and his debut album *The Villain I Never Was* turned him into one of Ghana's most exciting young stars almost immediately. In September 2023, Italian sportswear brand Ellesse named him the face of their *Sartoria AW23 Men's Collection* a line that mixed classic sportswear with more tailored, polished designs. The campaign showed Blacko in a clean green and white tracksuit and pigtails, looking effortlessly cool in front of an elegant mansion and calm confidence. It was a big deal because Ellesse doesn't typically work with African artists, making Black Sherif's inclusion a genuinely historic moment for Ghanaian music and fashion on the global stage. # Conclusion These collaborations matter because they shift the story. When Tems brings Tommy Hilfiger to Lagos, Rema stands next to Michael Jordan, or Black Sherif fronts a European sportswear brand from a small town in Ghana, it tells a younger generation across the continent that their culture isn't something to be watered down for global audiences. It's something to be exported, celebrated, and worn with pride. Fashion has always reflected the world we live in. And right now, the world is finally catching up to Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This February URL: https://www.marmaladecollective.com/whats-on-february-2026/ Last updated: 2026-02-18T19:39:56.000Z Wondering what to do this month? 🇬🇧 We’ve got you covered with the coolest afrocentric happenings around London. Get out there, meet some new faces and soak up all the experiences. _This post is for subscribers only._ ### Uncle Waffles Takes Europe, African Artefacts Come Home, IAMISIGO x Yoshita 1967 Top LVMH URL: https://www.marmaladecollective.com/uncle-waffles-takes-europe-african-artefacts-come-home-iamisigo-x-yoshita-1967-top-lvmh/ Last updated: 2026-02-16T10:00:15.000Z **Welcome to Vol 173 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Hope you're all doing good! Valentine's Day just passed, and honestly, I just wanted to check in and say I hope you felt loved and special, whether you were out with someone who makes your heart do backflips, laughing with your people, or having a solid night in with yourself. And in the spirit of celebrating love in all its forms, we dropped a little [**Galentine’s Day piece**](https://marmaladecollective.substack.com/p/the-zest-vol-01-the-rise-and-culture?%29=&triedRedirect=true) to mark the launch of our new newsletter. 🥳 Speaking of love though, I'm SO gassed to tell you about our first ever JAM of the year. We've been holding this one close and now it's finally time! This one's for everybody. Single and ready to mingle? Pull up. Coupled up? Bring your person. Somewhere in between? Come over anyway. It's going to be so special and I genuinely can't wait to see you there. Don’t wait to [**get your tickets**](https://ra.co/events/2359193?ref=marmaladecollective.com)! *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Member Update: February 2026 URL: https://www.marmaladecollective.com/member-update-february-2026/ Last updated: 2026-02-11T10:00:50.000Z Big news: Marmalade Collective is going completely free. No more paid memberships. No more tiers. Just one community, open to everyone. _This post is for subscribers only._ ### Thebe Magugu Rocks Cape Town, Jon Baptiste Stuns in Ugo Mozie, Anok Yai Champions Wellness URL: https://www.marmaladecollective.com/thebe-magugu-rocks-cape-town-jon-baptiste-stuns-in-ugo-mozie-anok-yai-champions-wellness/ Last updated: 2026-02-09T10:00:43.000Z **Welcome to Vol 172 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Quick question: did you catch the Grammys last week? Because wow. I'm hoping your faves took home some hardware because it was truly a moment. [**Shaboozey had us all in tears**](https://www.bellanaija.com/2026/02/shaboozey-grammy-win-nigerian-roots/?ref=marmaladecollective.com)**,** and Tyla had everyone eating out of her palm. Seeing African artists shine on one of the world's biggest stages? Chef's kiss. I honestly can’t wait for the next one. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Africa's Most Iconic Creative Duos URL: https://www.marmaladecollective.com/africas-most-iconic-creative-duos/ Last updated: 2026-02-06T21:59:34.000Z There's something special about two creative minds coming together. When it works, duos don't just double their impact, they create something neither could have made alone. Across Africa, creative partnerships are reshaping music, fashion, and design, proving that collaboration is at the heart of its cultural boom. From Lagos to Lomé, Accra to Dakar, these pairs are rewriting the rules. They're twins who fled from war-zones annd built fashion empires. Brothers reviving forgotten sounds. And what unites them is shared vision and the kind of creative trust that lets them push boundaries and take risks. ### P-Square (Nigeria) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_541507025_18475399471079494_2520059136802114780_n-1.jpg) **Image via @afrikanidentity* Twin brothers Peter and Paul Okoye didn't just dominate 2000s Nigerian music; they defined it. As P-Square, they became one of Africa's biggest exports, clearing a path for Afrobeats’ newer names. Born in Jos in 1981, the identical twins started performing in secondary school. Their third album, 2007's *Game Over*, sold over 8 million copies worldwide and made them superstars. Songs like "Personally," "Do Me," and "Chop My Money" became continental anthems. They hit top 5 in France, top 10 in Belgium, and won MTV Africa's Artiste of the Decade in 2015. They split in 2017, each going solo as RudeBoy and Mr. P. But in 2022 they reunited, proving some partnerships are too powerful to end. Even through fights and distance, the magic they created together was irreplaceable. ### Mafikizolo (South Africa) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_475585076_18387944683102985_7129796959426932256_n--1--1.jpg) **Image via @mafikizolo\_africa* Theo Kgosinkwe and Nhlanhla Mafu are South African music royalty. As Mafikizolo, they've made hits since 1997, becoming one of the continent's most successful Afro-pop acts. The duo formed as teenagers in Johannesburg. Their 2013 album *Reunited* turned them into superstars, and their lead single "Khona" became a continental phenomenon with dance challenges reaching number one across Africa. They sing in indigenous South African languages, blending kwaito, house, and traditional sounds with contemporary production. Their music is built for celebration but rooted in authentic culture, and throughout lineup changes and industry shifts, Theo and Nhlanhla have stayed committed partners. ### The Cavemen (Nigeria) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/image-3-1.png) **Image via Hunger Magazine* Brothers Kingsley Okorie and Benjamin James started The Cavemen in 2018 with one goal: bring highlife music back to life. The genre had nearly disappeared, but these Lagos siblings weren't interested in just nostalgia, they wanted to make it cool again. Kingsley studied law, while Benjamin went to music school. But they'd always sung together in church, and when they reunited after school, the chemistry was instant. Their sound, highlife fusion, mixes traditional highlife with Afrobeats, jazz, and soul. Their 2020 debut *Roots* won Best Alternative Album at The Headies. They've worked with Asa, Lady Donli, and even appeared on Davido's Grammy-nominated *Timeless* album. They sing in Igbo even though neither speaks it fluently, and with over 46 million streams and festival performances all over the world, they’ve proven that older sounds can be brought back for a new generation of listeners. ### Petite Noir & Rharha Nembhard (South Africa) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_94952851_660465844777995_7397347141110501200_n-1.jpg) **Image via @pitchfork* Yannick Ilunga (Petite Noir) and Rochelle "Rharha" Nembhard didn't just create music, they created a movement. In 2012, the musician and creative director founded Noirwave, a cultural philosophy that's part sound, part aesthetic, and part Pan-African vision. Ilunga's music mixes post-punk, African rhythms, and electronics. His 2015 debut *La Vie Est Belle* featured Yasiin Bey. Nembhard directs all visuals; album covers, videos, and stage design. Together, they've articulated a state of mind for young Africans navigating multiple identities, and done it well. ### The Lijadu Sisters (Nigeria) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_465891209_18046992353069435_677590052201350782_n-1-1.jpg) **Image via @thelijadusisters* Kehinde and Taiwo Lijadu were pioneers. Born in 1948, these identical twins were Fela Kuti's cousins who blazed trails in a male-dominated industry. Between the 1960s and 1980s, they released six albums blending Afro-funk, psychedelic soul, and reggae, tackling inequality and women's rights. They were fashion icons too, performing in striking identical outfits. Kehinde passed in 2019, but recent reissues have introduced new generations to these true legends. ### Amadou & Mariam (Mali) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/inm-2022-web-post-800x600-amadou-mariam_0-1.jpg) **Image via Music In Africa* This blind Malian couple met at Mali's Institute for the Young Blind in 1975 and have made music together ever since. Their 2005 breakthrough *Dimanche à Bamako* featured Damon Albarn and brought their joyful guitar-driven sound to global audiences. They sing in Bambara about love and daily life, but the emotion goes beyond just language. Amadou sadly passed on in April 2025, but his legacy lives on through Mariam. They're proof that great duos are about love, shared life, struggle, and joy. ### Keneilwe Mothoa and Lubabalo Mxalisa (South Africa) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/image-6-1.png) **Image via Neimil* This Johannesburg duo work across fashion, photography, interiors, and art direction, blurring lines between disciplines. They do this through their brilliant design and lifestyle brand, Neimil, which they founded in 2018 to focus on telling "authentic African stories" through handcrafted products. Mothoa brings styling and fashion, Mxalisa photography and spatial design. Together, they create visually striking work exploring identity, urbanity, and contemporary African aesthetics. They're part of a generation refusing to be boxed into categories, building multidisciplinary practices that reflect complex, contemporary life. ### Togo YEYE (Togo) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/image-7-1.png) **Image via OkayAfrica* Lomé-based creative director Malaika Nabillatou and London-based photographer Delali Ayivi met in Togo, where they instantly bonded over a shared vision to highlight the country's creative scene. Through Togo YEYE, they celebrate Togolese fashion and culture. They create striking photo essays showcasing Togolese designers, models, and everyday style. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_481866182_18068518180866921_7872752321164434151_n-1.jpg) **Image via Togo YEYE* Nabillatou's deep Lomé connections plus Ayivi's international experience help build an archive proving that Togo has always been stylish; it just hasn't always had the platform. Their work has been featured in major publications and put Togolese fashion on the global map. ### Studio Contra (Nigeria/Ghana) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/Studio-Contra-1-1.png) **Image via Studio Contra* Olayinka Dosekun-Adjei and Jeffrey Adjei run Studio Contra, a multidisciplinary design studio working across branding, interiors, and product design between Nigeria and Ghana. The husband-wife team met working in the UK and their shared vision to build world-class work deeply rooted in West African culture led to projects spanning startup branding to hotel interiors to reimagined everyday objects. What makes them special is attention to craft. They're interested in how design tells stories about place and culture without clichés. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_487081547_18023405792667681_760947016941361743_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_462706204_563882962768650_1461678773147125131_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_491430544_18026405525667681_1244805525144928315_n.jpg) **Images via Studio Contra* ### Limbo Accra (Ghana) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/image-8-1.png) **Image via Archiproducts Design Awards* Haitian-Ghanian/Swedish duo Dominique Petit-Frère and Emil Grip are turning Accra's forgotten spaces into cultural destinations. Through Limbo Accra, they’re creating immersive environments for art, fashion, and culture. They met in Accra, drawn to the city's raw, unfinished aesthetic. Their most notable project, Limbo Musuem, transformed an abandoned building into a contemporary art space, respecting its existing character while making it functional and beautiful. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/image-9-1.png) **Image via Limbo Accra* Petit-Frère brings Caribbean perspective and cultural programming experience, Grip brings Scandinavian design training. Together, they're showing the beauty and genius of spatial design in Africa. ### Salu Iwadi Studio (Nigeria/Senegal) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/unnamed-1.webp) **Image via Salu Iwadi Studio* Toluwalase Rufai and Sandia Nassila bridge Lagos and Dakar through design. Salu Iwadi creates furniture and objects that speak to diaspora aesthetics while rooted in West African craft. Their furniture is both sculptural and functional, and they play with form in ways that reference traditional African objects without copying them. They also work closely with local artisans, treating collaboration as genuine partnership. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/rNp4QenwzeTWuWaGTGjncB-768-80.jpg.webp) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_470943651_494233593200936_8164624779800310836_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_480366110_17896604403161487_8139082391184750869_n.jpg) **Image via Salu Iwadi Studio* Their model isn’t based in one city, but moving between them, and not focused on just one market but engaging multiple audiences, proving that African design can be both locally rooted and globally relevant. READ ALSO National Storytelling Week: Our Favourite African Oral Myths [Know Them ](https://www.marmaladecollective.com/national-storytelling-week-our-favourite-african-oral-myths/) **Honourable Mentions** ### Show Dem Camp (Nigeria) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/02/SaveClip.App_600544378_18543846754024119_2091811793181544343_n-1.jpg) **Image via @showdemcamp* Tec and Ghost, the duo behind Show Dem Camp, have been pillars of Nigeria's alternative music scene since 2009\. While Afrobeats dominated globally, they carved out space for hip-hop and rap, creating a devoted following through their authentic storytelling and jazz-influenced production. Their annual Palmwine Music Fest has become a cultural landmark in Lagos, and their *Clone Wars* album series showcased Nigeria's underground talent. ### The Ebinum Brothers (Nigeria) > [ View this post on Instagram ](https://www.instagram.com/p/DUTeBw7Amsq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by EBINUM BROTHERS (@ebinumbrothers)](https://www.instagram.com/p/DUTeBw7Amsq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Victory and Marvel Ebinum, known as the Ebinum Brothers, are a Nigerian artist duo from Lagos, now based in London. They specialize in expressive movement art, blending dance, choreography, and music to explore themes like belonging, identity, love, racism, and mental health. They've worked with major artists such as Kendrick Lamar and Alicia Keys, plus fashion campaigns and editorials. Beyond dance, they create music, e.g., 2024’s “A Better World”, and “Would You" which they released in 2025) and short films as well. # Conclusion These partners trust each other to take risks, experiment, fail and try again. They've learned that two aligned creative minds can often achieve what individuals can’t. More than that, they're showing young creatives across Africa that you don't have to do it alone, and maybe you shouldn't. The best work can come from two perspectives becoming one. Together. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### JAM: Heart & Beats, Feb 20th URL: https://www.marmaladecollective.com/jam-heart-beats-feb-20th/ Last updated: 2026-02-05T13:21:08.000Z We're starting the year off with a collaboration of LOVE between More Good Times, Sairen Sounds, and KNWN Club. _This post is for subscribers only._ ### Khaby Lame Gets A Mega Deal, Dave & Tems Climb The Charts, African Art Goes Global URL: https://www.marmaladecollective.com/khaby-lame-gets-a-mega-deal-dave-tems-climb-the-charts-african-art-goes-global/ Last updated: 2026-02-02T10:00:36.000Z **Welcome to Vol 171 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. We're officially living in the age of the content creator, people! If anyone told me five years ago that Khaby Lame (yes, the man who became famous for silently rolling his eyes on TikTok) would[**sell his company for almost a billion dollars**](https://www.businessoffashion.com/news/marketing-pr/tiktok-star-khaby-lame-signs-975-million-deal-to-monetise-global-fan-base/?utm%5Fsource=flipboard&utm%5Fcontent=fashionbusiness%2Fmagazine%2FTop+Stories)**,** I would've called them delusional. Then I would've immediately opened TikTok, cleared my throat, and started filming. The lesson? Sometimes the quietest voices make the loudest impact. And sometimes a camera and some common sense is all the content you need to change your entire life. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### National Storytelling Week: Our Favourite African Oral Myths URL: https://www.marmaladecollective.com/national-storytelling-week-our-favourite-african-oral-myths/ Last updated: 2026-01-30T07:35:06.000Z Long before Netflix or even printed books, people would gather around fires under starlit African skies to hear stories. Not just any stories; these tales were passed down through generations, with each telling preserving history, teaching morals, and connecting communities to something larger than themselves. What's incredible is how these ancient myths and beings haven't just survived, they've thrived, showing up in modern films, music, literature, and even Marvel comics. And they continue to captivate and influence our world today. ### **Anansi The Spider** **Origin:** Ghana (Akan people) If you think Spider-Man is cool, this is his even cooler ancestor. Anansi (or Ananse) is a trickster god who appears as a spider and outsmarts bigger, stronger opponents with nothing but his wit. According to legend, he's the spirit of all stories, and he owns every tale in the world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0383.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0382.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0381.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0384.webp) What makes Anansi special is that he's not perfect. He's greedy, selfish, and manipulative, but also clever and resourceful. He reflects real human nature, flaws and all. In 2003, Marvel Comics revealed that Kwaku Anansi was the first Spider-Man in their multiverse. He also appears as a character in Neil Gaiman's 2017 *American Gods* TV series and got his own novel, *Anansi Boys*. ### **Mami Wata** **Origin:** West and Central Africa (especially Nigeria, Cameroon, Congo) Mami Wata, whose name comes from pidgin English for "Mother Water,” is a fierce water spirit. If you worship her properly, she'll bless you with wealth and good fortune, but cross her, and you might end up drowning or going mad. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/mami-watapng__800x600_q85_wr-1.jpg) **Image via Wikipedia* Her appearance is as fluid as water. Sometimes she has a fish tail, sometimes snakes wrapped around her body, sometimes she's just a beautiful woman with long flowing hair. Her origins blend African water spirit traditions with European mermaid images from trading ships in the 15th century. Unlike many mythological beings, Mami Wata worship is alive and growing, and she's central to modern Vodun practices across West Africa and the diaspora. In 2008, UCLA's Fowler Museum hosted a major exhibition showcasing five centuries of Mami Wata art. She's even become a character in the West African film industry. ### **The Epic of Sundiata** **Origin:** Mali Empire, 13th century (Mandinka people) This is Africa's greatest hero's journey, told by griots for over 700 years. Sundiata Keita, also known as the “Lion Prince,” was a real historical figure who founded the Mali Empire, but his legend has grown into something extraordinary. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0386-1.png) **Image via Quills and Quintains* Despite a prophecy claiming he would be a great ruler, he was born unable to walk and faced constant bullying from his jealous stepmother. But when he finally stood up, in response to his mother's tears, he became a legendary warrior who defeated the evil sorcerer-king Soumaoro Kanté and established the Mali Empire. Today, the myth is much more than just a history lesson, it is a foundational part of West African identity. It’s a classic "Lion King" story that shows how Sundiata’s leadership turned a divided region into one of the wealthiest and most influential empires in the world. ### **Nyami Nyami** **Origin:** Zimbabwe and Zambia (Tonga people) Picture a massive serpent with the head of a fish or dragon, dwelling in the Zambezi River. This is Nyami Nyami, the protector of the Tonga people. It’s also known as the Zambezi Snake Spirit or Zambezi River God. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0389-1.jpeg) **Image via Wikipedia* The myth starts in the 1950s when colonial governments decided to build the Kariba Dam. The Tonga people warned that Nyami Nyami would never allow it as the dam would separate him from his wife upstream. Then came the floods. In 1957, the worst floods ever recorded washed away much of the partly built dam, killing workers. The next year brought even worse floods. The dam was eventually completed, but many believe Nyami Nyami still tries to reach his wife with every earthquake. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_104119150_261112498315028_4943880794694623301_n-1.jpg) **Image via @oldexplorer* Nyami Nyami has become a powerful symbol for environmental conservation and indigenous rights, and the Nyaminyami Festival celebrates him each September. ### **The Yoruba Myth of Creation** **Origin:** Nigeria (Yoruba People) In the beginning, there was only sky and water. The supreme god Olorun sent Obatala, one of the Orishas, to create solid land. Obatala climbed down from heaven on a golden chain carrying sand, a hen, and a palm nut. When the chain ended midair, he poured the sand onto the waters, and the hen scattered it, forming the first land at Ile-Ife, the sacred birthplace of humanity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Oshala_Description-1536x878-1.webp) **Obatala via Daily Ifa* In some versions, Obatala later created humans while drunk on palm wine, making some with disabilities, hence why he became their divine protector. Other Orishas followed to shape the world: Ogun brought iron, Shango thunder and justice, Oshun love and rivers, and Yemoja the waters. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_458518867_1981568552265769_3014030681183443202_n-1.jpg) **Oshun via @olivosartstudio* The Yoruba pantheon is one of the most widely believed myths in the world, and millions of people across Africa, the Caribbean, and the Americas still worship these Orishas today. In contemporary culture, the Orishas appear in music, literature, visual art, film and television. READ ALSO Legendary African Music Dynasties That Shaped Sound Across Generations [Know Them ](https://www.marmaladecollective.com/legendary-african-music-dynasties-that-shaped-sound-across-generations/) ### **The Nommo** **Origin:** Mali (Dogon people) The Nommo are amphibious, fish-like beings with humanoid upper bodies. According to Dogon cosmology, they came from a world circling Sirius, the Dog Star, and were the first living creatures. They were created by the supreme god Amma and were born as pairs of twins, perfectly balanced and representing order, harmony, and the correct way of being. Water was their element, and speech was their gift. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0391-1.jpeg) **Image via @mythopia* But creation didn’t go smoothly. One twin, known as Ogo, rebelled and tried to create a world alone. His failure caused chaos and imbalance in the universe. To fix this, Amma sacrificed one of the Nommo, whose body was scattered across the cosmos. From that sacrifice came the stars, the earth, time, and life itself. The Nommo were then reborn, multiplied, and sent to earth. When the Nommo descended, they arrived in an ark accompanied by thunder, fire, and rain. They taught humans language, agriculture, law, and spiritual knowledge. Because of this, the Dogon believe that speech itself is sacred, carrying the life-force of the Nommo. Today, they remain central to Dogon rituals, masks, and art. ### **Yumboes** **Origin:** Senegal and Gambia (Wolof and Lebou people) Not all African spirits are terrifying. The Yumboes are pearly-white, two-foot-tall beings with silver hair who live beneath hills. They're West Africa's equivalent of European fairies and are mischievous, magical, and enjoy late-night dancing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0392-1.png) **Image via Mythlok* They come out at night to feast on stolen corn and fish, sometimes inviting humans to their moonlight celebrations. They're also gentler spirits who don't typically harm humans unless provoked. ### **The Aziza** **Origin:** Benin (Fon and Ewe people) Deep in Benin's forests live the Aziza. They’re small, hairy, fairy-like creatures that dwell in anthills and silk-cotton trees. But they aren't scary spirits; the Aziza are helpers and teachers. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0394-1.webp) **Image via Warriors of Myth Wiki* Hunters who show proper respect to the forest might encounter an Aziza, who provide magical assistance or teach spiritual knowledge. They supposedly shared practical wisdom: which plants heal, how to use fire, and agricultural techniques. The Aziza myth represents the Benin belief that the forest isn't just a resource to exploit, but a living space inhabited by beings who can be allies if treated with respect. ### **Mamba Muntu** **Origin:** Democratic Republic of Congo and Republic of Congo (Bantu groups) Mamba Muntu lives in Central Africa's great rivers. She’s similar to Mami Wata, but is distinct to the Congo region. She's also been described as a mermaid, crocodile, or snake. The name means "Mother of People." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0395-1.webp) **Image via Mythic World by Kerby Rosanes* On sunny days you might spot her sitting on rocks, combing her long hair. If you're able to get some of her hair or comb, she'll visit you in dreams to share prophecies or grant wishes, but at a price. In the Congo Basin, where rivers are highways, food sources, and spiritual centres, Mamba Muntu represents the relationship between communities and waterways. ### **The Tokoloshe** **Origin**: South Africa The Tokoloshe (also spelled Tokoloshi) is one of Africa's more terrifying myths. It's a mischievous, and sometimes dangerous spirit from Zulu and Xhosa mythology in Southern Africa. It’s often described as small, hairy, and humanoid, and believed to be summoned by witches to cause trouble: breaking things, bringing illness, stealing, or attacking people while they sleep. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0396-1.jpeg) **Image via Djeison Canuto* The Tokoloshe typically feeds off of fear and secrecy. To protect themselves, some people traditionally raise their beds on bricks so it can’t reach them at night. In many stories, it’s invisible to adults but visible to children and those with a high spiritual sensitivity. The Tokoloshe was one way communities explained misfortune, fear, and the unseen forces of life. Today, it lives on in pop culture, street slang, art, and horror stories, proof that folklore doesn’t disappear, it adapts. # **Conclusion** These stories survived because they're fundamentally human. Anansi's clever trickery speaks to anyone who's ever been underestimated. Sundiata's journey from disability to greatness inspires everyone facing adversity. Nyami Nyami's resistance reminds us that development can come at a cost. But beyond their individual lessons, these myths collectively preserve something invaluable: African voices telling African stories. This National Storytelling Week, the greatest lesson is this: stories are living things that breathe, change, and grow with each telling. The same tales that entertained our ancestors now entertain us, and will continue entertaining future generations in ways we can't even imagine. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Vintage African Brands You Shouldn’t Forget URL: https://www.marmaladecollective.com/vintage-african-brands-you-shouldnt-forget/ Last updated: 2026-01-29T10:00:44.000Z From the bustling streets of Lagos to the lively cafés of Luanda and Cairo’s snack shops, Africa’s consumer culture has been shaped by brands that became household names and staples. These brands weren’t just things we consumed; they were part of growing up, part of home, part of community memory, and they reflected our tastes, climates, humour, and lifestyles. Some were loud and colourful, others practical and understated. Many didn’t survive globalisation, but they live on through memory, conversation, and nostalgia. This is a tribute to those vintage African brands that defined an era. ## **1\. Cuca Beer (Angola)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/CUCA-BEER.jpg) Via wikipedia Cuca beer is one of Angola’s most iconic beverage brands, first produced in 1947 by Companhia União de Cervejas de Angola during Portuguese colonial rule. The pale lager became deeply woven into daily life and social gatherings, later being nationalised after independence and then privatised under Groupe Castel. Cuca’s reach extends beyond Angola, with historical influence in neighbouring countries like Namibia where “Cuca shops” became legendary social hubs. It became a cultural reference point rooted in community gatherings, music, and youth culture. ## **2\. Fan Milk (West Africa)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/fan-milk.jpg) Via Africa Report Founded in **Ghana in 1960** and launched in Nigeria in 1961, Fan Milk pioneered accessible frozen dairy products across West Africa. Originally distributed via bicycle and push-cart vendors, it introduced generations to refreshing ice creams, yoghurt drinks, milk beverages, and fruit-based treats under names like FanIce, FanYogo, and FanChoco. Fan Milk helped define childhood summers and became synonymous with ubiquitous street-side cool treats, long before modern refrigeration was widespread. ## **3\. Peak Milk (Nigeria)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/peak.png) Via ogbongeh.com One of Nigeria’s oldest dairy brands, **Peak Milk** entered the market in the 1950s and became the go-to evaporated milk for families across the country. Known for its distinctive tins and versatile use, from tea and coffee to porridge and cooking, Peak carved out a place in daily life that few brands have matched. Peak became a part of everyday rituals in kitchens and cafés, tied to comfort, nourishment, and childhood breakfasts. READ ALSO African Art Clubs and Societies from the 1960s to 1990s [Know Them ](https://www.marmaladecollective.com/african-art-clubs-and-societies-from-the-1960s-to-1990s/) ## **4\. Bisco Misr (Egypt)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Bisco-Misr-1.jpg) via Just Foods Founded in **1957**, Bisco Misr became Egypt’s leading biscuits and confectionery company under the government’s nationalisation program. Supplying snacks to schools and soldiers initially, its products, from plain biscuits to wafers and cakes, became staples in Egyptian households for decades and helped launch the region’s modern snack culture. Bisco Misr holds nostalgic resonance across the Middle East and North Africa, representing iconic snack time moments for children and families. ## **5\. Tempo Chocolate Bar (South Africa)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/tempo.jpg) The *Tempo* chocolate bar emerged in South Africa in the early 1980s under Cadbury’s umbrella. With its caramel-covered biscuit and distinctive blue packaging, it quickly became a beloved treat among young and old alike. While simple, *Tempo* is evocative of schoolyard breaks, youth culture, and everyday indulgence, a chocolate classic with a loyal fan base. ## **6\. Key Soap (West Africa)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/others_11a_1.jpg) Via Melcom Key Soap became widely used across West African households during the mid-to-late 20th century. Locally produced and priced for mass use, it was part of everyday hygiene routines, from bathing to washing clothes. It was trusted, familiar, and long-lasting. In many homes, one bar served multiple purposes, reflecting the practicality that defined household products of the era. Key Soap represents African consumer goods built around function, durability, and access, rather than aspiration. ## **7\. Labenella Creations (Nigeria)** Labenella Creations reflects a period when African fashion brands were built through tailoring, craftsmanship, and reputation rather than mass production. Operating in an era before global fashion platforms, brands like Labenella dressed people for weddings, celebrations, church events, and milestones. Their work circulated through word of mouth and personal networks. They represent the foundation of today’s African fashion ecosystem, where style, identity, and craftsmanship intersect. ## **8\. Koffiehuis · South Africa** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Koffiehuis-Full-Roast-Coffee-250g-Bold-South-African-Coffee-Rich-Blend-Something-From-Home-NZ-Something-From-Home-NZ-2.jpg) Koffiehuis emerged in **South Africa** as part of a growing locally run café and coffeehouse culture that developed in urban centres during the late 1970s and 1980s. The name itself, meaning *“coffee house”,* positioned it as an accessible alternative to formal restaurants or expatriate cafés. Koffiehuis spaces were typically built around simple, locally sourced ingredients: brewed coffee, tea, light baked goods, and basic café fare made to suit everyday tastes rather than elite dining. It attracted students, workers, creatives, and older regulars, people looking for a familiar place to sit, talk, read, or meet without pretence. More than a product, Koffuehuis functioned as a social space, reflecting how African-owned cafés became important gathering points for conversation, community, and urban life during a period of social and cultural change. # **Conclusion** These vintage brands are markers of cultural memory. They remind us of economic eras (post-independence industrial growth), retail landscapes before globalisation, and personal nostalgia across generations in African markets. Each brand, product, and memory trail, whether a beloved ice-cream bike in 1970s Ghana, a biscuit packet at school in Cairo, or an old soda shared at a party, reflects a distinctive era of African consumer culture and identity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join **5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Legendary African Music Dynasties That Shaped Sound Across Generations URL: https://www.marmaladecollective.com/legendary-african-music-dynasties-that-shaped-sound-across-generations/ Last updated: 2026-01-26T14:45:46.000Z There's something special about music that runs in families. Not the kind you learn from school or online videos, but the kind that gets passed down from parent to child, almost like it's in the blood. In Africa, where stories and history have always been kept alive through song, some families haven't just made music, they've become the music itself. These aren't just stories about famous musicians. They're about families who survived impossible odds, who kept playing through dictatorships and exile, and reinvented their sound for each new generation while keeping the heart of it intact. They carried Africa's music from small villages to the biggest stages in the world. And in a time when everything feels temporary, these musical dynasties just keep getting stronger. ### **The Kutis** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_565581676_18537216322056442_7534405573623594418_n--1--1.jpg) **Image via @accessgrantedafrica* If music could be rebellion, the Kuti family would be its generals. Fela Anikulapo Kuti was born in 1938 into a household already deep in resistance. His mother, Funmilayo Ransome-Kuti, led women's revolts and won international peace prizes. But Fela wasn't interested in becoming a doctor like his parents hoped. He went to London to study medicine and came back with a trumpet and a vision. In the 1960s and 70s, Fela created Afrobeat, a wild fusion of jazz, funk, highlife, and traditional Yoruba music. But Afrobeat wasn't just music. It was a weapon. Songs like "Zombie" mocked the military so effectively that soldiers raided his compound, threw his 82-year-old mother from a window, and beat him senseless. They burned everything. And still, Fela kept playing. When Fela died in 1997, many wondered if Afrobeat would die with him. They hadn't met his sons. Femi Kuti had been playing saxophone in his father's band since he was 15\. In 1986, he formed Positive Force, shortening the marathon songs while keeping the political fire. Five Grammy nominations followed. In 2010, he played at the World Cup opening ceremony, bringing Afrobeat to nearly a billion viewers. Seun Kuti, the youngest son, inherited Egypt 80 at just 14 when his father died. Where Femi carved his own path, Seun became the keeper of the legacy, keeping his father's longer song structures and confrontational style. He also led protests and revived his father's political party. Now, a third generation has arrived. Made Kuti, Femi's son, studied at the same London institution where Fela studied decades earlier and plays every instrument you can name. In 2021, he and his father released a double album, *Legacy+*. The Grammy nomination made him the third generation of Kutis to be recognized. The Kuti family hasn't just preserved Afrobeat, they've kept it alive, growing, and dangerously relevant. ### **The Makeba-Masekela Legacy** Some dynasties are built through blood. Others are forged through shared struggle and brief, brilliant love stories that echo across generations. Miriam Makeba and Hugh Masekela were married for only two years in the mid-1960s, but their separate journeys shaped South African music forever. Both were forced into exile after apartheid stripped them of their passports. Both used their voices as weapons against injustice. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_178043123_1105202216653037_2645477906706686284_n-1.jpg) **Image via @cartermagazine* Miriam Makeba, "Mama Africa," left South Africa in 1959\. Her songs *"*Pata Pata" and "The Click Song" introduced the world to Xhosa and Zulu languages. She sang at John F. Kennedy's birthday, testified against apartheid at the United Nations, and won a Grammy in 1965\. But when she married Black Panther activist Stokely Carmichael in 1968, America turned its back. She spent the next two decades touring the world, unable to return home until Nelson Mandela personally invited her back in 1990. Her granddaughter Zenzi Makeba Lee has emerged as a vocalist in her own right, performing her grandmother's songs and keeping that distinctive Makeba vocal style alive. Hugh Masekela got one of his first trumpets as a gift from Louis Armstrong himself, and by his teens, he was already a virtuoso. But the 1960 Sharpeville Massacre made staying in South Africa impossible. In exile, his 1968 instrumental "Grazing in the Grass" hit number one in America; the first African musician to top the US charts. His 1987 anthem "Bring Him Back Home" later became the soundtrack to the movement to free Mandela. Hugh’s son, Selema "Sal" Masekela, became one of America's most recognizable sports commentators. He also carried on his father's musical legacy, performing as a musician as part of a band called Alekesam, named after his father. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/IMG_0373-1.jpeg) **Image via Forbes Africa* When Hugh died in 2018, tributes poured in from around the world. But one of the most fitting things about him was this: despite having the open arms of many countries during his exile, he refused to take citizenship anywhere but South Africa. He knew he'd come home eventually, and he did. ### **The Diabaté Dynasty** Imagine if you could trace your family tree back over 70 generations. Not through documents or DNA tests, but through an unbroken chain of fathers teaching sons music passed down across centuries. That's the Diabaté family. They are griots, the hereditary musicians and storytellers of West Africa's Mandé people. For them, music isn't a career choice. It's a birthright that stretches back to the Mali Empire. And their instrument is the *kora*, a 21-stringed harp-lute that sounds like water and light having a conversation. Sidiki Diabaté Sr., born in 1922, took the kora from courtly ceremonies to recorded music. In 1970, he released Mali: Ancient Strings, the first album to feature the kora exclusively. He became known as "The King of Kora." His son Toumani Diabaté, born in 1965, took his father's revolution to the world stage. Interestingly, Toumani never received a formal lesson from his father, he learned by watching and listening. By age 13, he was performing publicly. By his twenties, he was being called the greatest kora player alive. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_28427802_977539492398193_7786503784678555648_n-1.jpg) **Image via Afropolitan* Toumani didn't just master tradition, he exploded it. He recorded the first solo kora album in 1988\. He collaborated with Taj Mahal, Björk, flamenco guitarists, and the London Symphony Orchestra. He won two Grammy Awards, and his album with Ali Farka Touré, *In the Heart of the Moon*, is considered a masterpiece. In 2014, Toumani recorded an album with his eldest son, Sidiki Diabaté Jr. called *Toumani & Sidiki,* a kora duet that was something of a passing of the torch. But Sidiki Jr. represents something new. Yes, he's a kora virtuoso. But he's also one of Mali's biggest hip-hop stars, filling 20,000-seat stadiums. He runs his own recording studio alongside rapper Iba One, and was voted Mali's best beat maker in 2013. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_491417502_17876109687310261_6375081552904520195_n-1.jpg) **Image via @dmusic\_tv* Toumani passed away in July 2024 at age 58, but the dynasty continues. Sidiki Jr. stands as the 72nd generation, proving that a 700-year-old sound can still shake stadium speakers. ### **The Jobarteh Family** When you come from one of West Africa's principal kora-playing griot families, and your grandfather was the legendary Amadu Bansang Jobarteh, you're born with a legacy carved in stone. When you're also a woman, that same legacy becomes a wall. Sona Jobarteh crashed through it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_541411571_18385312279134677_8919058318930603739_n-1.jpg) **Image via @sonajobarteh* Born in London in 1983, Sona grew up between two worlds. Her father, Sanjally Jobarteh, is a master kora player from a griot dynasty tracing back to the 13th century. The Jobarteh family has guarded the kora tradition for hundreds of years; fathers teaching sons. Not daughters. Never daughters. But Sona learned anyway. She started at age four, taught first by her older brother, then by her father. While learning kora at home, she studied cello, piano, and composition at London's Royal College of Music. At 17, she traveled to Norway to challenge her father to teach her properly. They spent four years in intensive study. Her 2011 debut album *Fasiya* announced her arrival as the first female kora virtuoso from the griot tradition. But she didn't stop there, she reimagined it, incorporating electric guitar, drums, and jazz. Her 2022 album *Badinyaa Kumoo* pushed further, featuring collaborations with Youssou N'Dour. Today, Sona headlines festivals worldwide; Glastonbury, WOMAD, the Hollywood Bowl. Berklee College of Music awarded her an honorary doctorate. But perhaps her most revolutionary act is the Gambia Academy, which she founded in 2015\. It teaches students kora, balafon, and drumming alongside math and science. And crucially, there are no gender restrictions. Boys and girls learn kora side by side. > [ View this post on Instagram ](https://www.instagram.com/reel/DSKwGTkDZY3/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ChildFund (@childfund)](https://www.instagram.com/reel/DSKwGTkDZY3/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) She didn't just become the first woman from a griot family to master the kora professionally. She became a blueprint for what happens when talent and determination meets the courage to rewrite ancient rules. ### **The Touré Dynasty** Ali Farka Touré came from a noble lineage, which in traditional Malian society meant music was forbidden to him. Music belonged to griots. But Ali didn't care. As a child, he secretly built instruments and taught himself to play. He later created "desert blues,” a fusion of traditional Malian music with sounds that felt like American blues. His breakthrough came in the 1980s and 90s. In 1994, he recorded *Talking Timbuktu* with American guitarist Ry Cooder. It won a Grammy. His collaboration with Toumani Diabaté, *In the Heart of the Moon*, won another. When he died in 2006 at age 66, an entire nation mourned. His son, Vieux Farka Touré, born in 1981, is often called "the Hendrix of the Sahara." Ali had initially opposed his son's music career, even sending him to the army for military training. But Vieux couldn't stay away. He started secretly learning guitar in 2001\. With help from Toumani Diabaté, Vieux eventually convinced his father to give his blessing. Ali died just months after they recorded together. Vieux didn't simply recreate his father's music, he brought it into the 21st century. His albums layered in rock, Latin rhythms, reggae, and dub. In 2022, he teamed up with Texas trio Khruangbin for *Ali*, a reimagined cover album of his father's songs that introduced Ali Farka Touré to a generation who'd never heard of him. Beyond music, Vieux founded Amahrec Sahel, a nonprofit providing musical instruments for children in Mali. The country has been torn by conflict for over a decade, but through it all, Vieux has remained committed to keeping Mali's musical heritage alive. ### **The Dube Dynasty** Growing up in apartheid South Africa, Lucky had every reason not to be fortunate. His family was poor. He worked as a gardener while trying to stay in school. But Lucky discovered he could sing. He started in school choirs, then joined local bands playing mbaqanga. At 18, he signed with Teal Records. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_306434474_1725102627855181_288182669764492227_n-1.jpg) **Image via @roots\_reggae\_music\_* Then Lucky discovered reggae. Inspired by Bob Marley and Peter Tosh, he realized that reggae's messaging about oppression and liberation mapped perfectly onto South Africa's situation under apartheid. He then decided to switch genres entirely. In 1984, Lucky recorded *Rastas Never Die* but the album failed, selling only 4,000 copies. The apartheid government banned it in 1985\. His label told him to return to mbaqanga. Instead, Lucky went back into the studio and secretly recorded *Think About the Children*. It went platinum. From 1985 until his death in 2007, Lucky released 22 albums. He won multiple awards, signed with Motown in 1996, and was named "Best Selling African Recording Artist" at the World Music Awards. He performed at Live 8 in Johannesburg and became the voice of a generation. Countries across Africa celebrated his birthday as a national event. After his death in 2007, his children Thokozani (TK) and Nkulee carried on his legacy. TK occasionally performs with the Lucky Dube Band, keeping his father's music alive globally. He also founded Different Colours Productions, helping emerging artists navigate the music industry. He later earned an MBA, combining his IT career with his passion for supporting musicians. Nkulee has created her own path, blending "ethno-ragga" with soul and jazz. In 2014, she became the first non-Caribbean entertainer to receive seven nominations at the International World Reggae Music Awards, winning "Most Promising New Entertainer." The Dube name carries weight everywhere reggae is played. And through TK and Nkulee, the music continues into a new generation. # **Conclusion** These families didn't just shape African music. They showed the world what African music really is; not a style or a genre, but a living conversation across generations, a refusal to be silenced, and a promise that the sound will continue long after we're all gone. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Anele Mdoda Channels Her Ambition, Temi Coker Brings Art Home, Ciara Stuns In Benin URL: https://www.marmaladecollective.com/anele-mdoda-channels-her-ambition-temi-coker-brings-art-home-ciara-stuns-in-benin/ Last updated: 2026-01-26T10:00:56.000Z **Welcome to Vol 170 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I love women. I especially love African women who can hop onto hot streaks this early in the year. Last week we told you about[**Wunmi Mosaku's first executive producing gig**](https://deadline.com/2026/01/wunmi-mosaku-mango-executive-producer-disney-plus-fibroids-1236683884/?ref=marmaladecollective.com)**.** This week,[**she’s landed an Oscar nomination**](https://www.bbc.com/news/articles/c23rr0d5nzyo?ref=marmaladecollective.com)for *Sinners*. Two huge wins back-to-back has everyone (especially me) wondering: is she about to pull off a hat trick? Honestly, the way she's moving right now, I wouldn't bet against her. And neither should you. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Hampstead Heath Forest Walk, Feb 7th 2026 URL: https://www.marmaladecollective.com/hampstead-heath-forest-walk-feb-7th-2026/ Last updated: 2026-01-22T13:00:33.000Z Join us for an adventure through the beautiful Hampstead Heath - hosted by Bestday in partnership with Marmalade Collective. This Forest Walk is designed for people who want to slow down, breathe deeper, and be present, with nature, with themselves, and with others. Join us for a slow, mindful walk through Hampstead Heath, where there’s no agenda, no pressure, just space to: - Move at your own pace - Pause, reflect, and breathe - Connect (or simply be) with like-minded people - Let the forest reset your mind [RSVP FREE (LIMITED SPOTS)](https://www.eventbrite.co.uk/e/hampstead-heath-forest-walk-2026-tickets-1979359975971?aff=oddtdtcreator&ref=marmaladecollective.com) If you have any questions about this event, *reply via email* or [*send a message via WhatsApp*](https://wa.me/message/ENL4RKJDEKPQE1?ref=marmaladecollective.com). [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Forest-Walk.jpeg)](https://www.eventbrite.co.uk/e/hampstead-heath-forest-walk-2026-tickets-1979359975971?aff=oddtdtcreator&ref=marmaladecollective.com) ### African Art Clubs and Societies from the 1960s to 1990s URL: https://www.marmaladecollective.com/african-art-clubs-and-societies-from-the-1960s-to-1990s/ Last updated: 2026-01-20T09:50:53.000Z At the core of many countries in Africa is community, and that seeps into our art practice. Over decades, from independence-era optimism to creative resistance movements, the mid-20th century saw the rise of artistic clubs, societies, and collectives across Africa. These were not just places to make art; they were passionate forums and incubators of radical ideas, community expression, and cultural independence. Below, we explore several of the most influential. ### **Mbari Artists and Writers Club – Ibadan (Nigeria, 1961)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Mbari-Club-Image-via-@mbari.club.jpg) Mbari Club Image via @mbari.club Founded in Ibadan, Nigeria, in 1961, the Mbari Artists and Writers Club became a vibrant hub for writers, visual artists, musicians, actors, and intellectuals during the early post-independence era. The name *Mbari,* an Igbo term associated with creation and communal artistic houses, was suggested by Chinua Achebe and pointed to the ethos of creative renewal and collective expression. Mbari sought to foster a Pan-African cultural exchange, merging literature, visual arts, theatre, and music in a shared space. It provided a platform for African voices to tell their own stories, free from colonial frames. Founders and core members included Wole Soyinka, Chinua Achebe, Christopher Okigbo, JP Clark, Uche Okeke, Demas Nwoko, Bruce Onobrakpeya, Es’kia Mphahlele, and others. The club also hosted international figures like Jacob Lawrence and Langston Hughes. Mbari’s multi-faceted activities included theatre and dance performances, poetry readings, music (even early Fela Kuti performances), art exhibitions, and a library. It also operated a publishing arm connected with *Black Orpheus* journal, amplifying African and African-American literature. Although the Nigerian Civil War disrupted its momentum, Mbari’s impact on African modernist culture, publishing, and cross-disciplinary collaborations remains foundational. It influenced later artistic spaces and helped legitimise African cultural production on global terms. ### **Zaria Art Society – Zaria (Nigeria, 1958–1962)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Zaria-Art-Society-via-@Uche-Okeke-Legacy.jpg) Zaria Art Society via @Uche Okeke Legacy Merging out of the Nigerian College of Arts, Science and Technology in Zaria in 1958, the Zaria Art Society, often called the *Zaria Rebels,* was a student-led movement reacting against Eurocentric art curricula. The society promoted “natural synthesis”, blending indigenous artistic traditions (like Uli designs and Nok influences) with modernist forms. It was rooted in a broader post-colonial project of reorienting art towards Nigerian identity. Artists such as Uche Okeke, Demas Nwoko, Yusuf Grillo, Jimoh Akolo, Simon Okeke, and Bruce Onobrakpeya defined a generation of Nigerian modernists. Though short-lived (disbanded by 1962), the society deeply shaped Nigerian visual culture and influenced institutional art education and the broader Nigerian modern art movement ### **Medu Art Ensemble – Gaborone (Botswana, 1979–1985)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Medu-Art-Ensemble-via-@pan-atlantic-space-station.jpg) Medu Art Ensemble via Pan atlantic space station Formed in 1979 in Gaborone, Botswana, the Medu Art Ensemble was a multi-disciplinary collective rooted in anti-apartheid resistance and Pan-African solidarity. Comprising musicians, photographers, graphic artists, writers, and theatre practitioners, Medu worked as *“cultural workers”* to critique apartheid and support liberation movements in Southern Africa. They produced political posters (often clandestinely circulated), newsletters, exhibitions, music events, and workshops. Its annual Culture and Resistance Festival brought together artists and activists regionally. Though disbanded violently after an attack in 1985, Medu’s fusion of art and political struggle influenced later cultural resistance and community arts practices across Southern Africa. ### **Polly Street Art Centre – Johannesburg (South Africa, 1950s–1970s)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/polly-street-art-centre-via-@contemporary_art_stories.jpg) polly street art centre via @contemporary\_art\_stories In Johannesburg, the Polly Street Art Centre (active through the 1950s–1970s) became a vital training and exchange space amid Apartheid. Under the leadership of artist Cecil Skotnes from the early 1950s, the centre became a creative crossroads, offering workshops, mentorship, and exhibitions for Black South African artists in a segregated cultural landscape. Artists such as Sydney Kumalo, Ezrom Legae, Lucas Sithole, and Dumile Feni were shaped here. Though apartheid policies later forced closures or relocations, the centre’s influence persists in South African art histories. ### **Katlehong Art Society / Art Centre – Katlehong (South Africa, 1969 & 1977)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Katlehong-Art-Society-_-Art-Centre-via-@aspire-art.jpg) Katlehong Art Society / Art Centre via @aspire art Born from community efforts in Katlehong township near Johannesburg, the Katlehong Art Society was established in 1969 and led to the formal Katlehong Art Centre in 1977. Emerging from the need for creative spaces under apartheid-era restrictions, the society and centre offered programmes in painting, sculpture, ceramics, weaving, and workshops for local artists. By nurturing township artists and providing training accessible to youth and community members, Katlehong helped sustain creative practices that countered cultural marginalisation. ### **Zaire School of Popular Painting – Kinshasa (DRC, 1960s–1980s)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/zaria-school-of-popular-painting-via-@obelisk-art-history.jpg) Zarie school of popular painting via @obelisk art history In Kinshasa (then Zaire), the School of Popular Painting emerged in the late 1950s/1960s, led by artists like Chéri Samba, Moké, and Bodo. Rather than a formal club, the school formed a *loosely-connected collective* that made art reflecting everyday life, politics, identity, and social narratives. Its bold use of text and figurative imagery made the work highly *didactic* and accessible. This genre influenced broader contemporary African painting by exemplifying how art could directly engage social realities and public discourse. ### **Thupelo Art Project – South Africa (1985 onwards)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Thupelo-Art-Project-----South-Africa-by-The-Citizen.jpg) Thupelo Art Project via The Citizen Started in 1985 by David Koloane, Bill Ainslie and others in Johannesburg, the Thupelo Art Project was a workshop-based initiative modelled on the Triangle Network artists’ workshop in New York “Thupelo” means *“to teach by example”* (in Sotho). It provided collaborative workshop spaces where local and international artists could share skills, experiment with media, and push creative boundaries beyond apartheid constraints. Thupelo fostered experimentation, helped establish artist studios like Greatmore and Bag Factory, and strengthened the community through arts dialogue. ### **Mbari Mbayo – Osogbo (Nigeria, 1964)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/SaveClip.App_573050520_18083645062972403_3770455814871344272_n.jpg) Mbari Mbayo via @ko\_artspace Founded in 1964 in Osogbo, Nigeria, Mbari Mbayo emerged as an offshoot and spiritual successor to the Mbari Artists and Writers Club in Ibadan. While Mbari Ibadan leaned heavily into literary and intellectual exchange, Mbari Mbayo rooted itself more firmly in visual art, performance, and community-based creativity, becoming central to what is now known as the Osogbo Art Movement. Mbari Mbayo was established as a space for experimentation, cultural preservation, and artistic freedom, particularly for artists outside formal academic systems. It was deeply connected to the encouragement of indigenous Yoruba aesthetics, mythology, and spirituality, while still embracing modern artistic expression. The club was closely supported by Ulli and Georgina Beier, who played a significant role in documenting, mentoring, and promoting Osogbo artists locally and internationally. Mbari Mbayo nurtured and showcased artists such as Twins Seven-Seven, Muraina Oyelami, Jimoh Buraimoh, Adebisi Akanji, Susanne Wenger, and Bamidele Fakeye (associated with the wider Osogbo circle). Many of these artists went on to sustain decades-long careers, exhibiting globally while remaining deeply rooted in Yoruba cultural forms. The ethos of Mbari Mbayo centred on art as lived practice, inseparable from ritual, storytelling, music, and communal life. Rather than distancing art from tradition, the collective embraced masquerade, shrine painting, textile experimentation, batik, beadwork, and wood carving as contemporary expressions of heritage. This approach challenged Western hierarchies of “fine art” versus “craft,” positioning indigenous knowledge systems as intellectually rigorous and creatively expansive. Read ALSO 8 Classic African Films from the ’60s to the ’90s That Still Resonate Today [See Them ](https://www.marmaladecollective.com/8-classic-african-films-from-the-60s-to-the-90s-that-still-resonate-today/) ### **Honorary Mentions** ### Kane Kwei Carpentry Workshop – Teshie (Ghana, c.1950s–present) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Kane-Kwei-Carpentry-Workshop-via-@kanekweiworks.jpg) Kane Kwei Carpentry Workshop via @kanekweiworks Founded in the 1950s in Teshie, Accra, the Kane Kwei Carpentry Workshop is one of the most enduring examples of how African craft traditions evolved into globally recognised contemporary art practices. Established by Kane Kwei (1922–1992), the workshop became the birthplace of Ghana’s iconic fantasy coffins, sculptural forms shaped like fish, aeroplanes, cocoa pods, lions, shoes, and everyday objects tied to a person’s life, profession, or aspirations. Originally rooted in Ga funerary traditions, the coffins were designed to honour the deceased by visually narrating their identity and social role. What began as a deeply local, spiritual craft gradually became a sophisticated visual language, one that bridged ritual, storytelling, sculpture, and design. The Kane Kwei workshop functioned not as a single-artist studio but as a collective, intergenerational learning space. Apprenticeship was central: skills were passed down orally and practically, reinforcing communal knowledge over individual authorship. Rather than separating “art” from “craft,” the workshop embodied a worldview where function, symbolism, and aesthetics coexisted. Each coffin was simultaneously utilitarian, ceremonial, and expressive. After Kane Kwei’s death in 1992, his legacy continued through his nephew Paa Joe, who expanded the workshop’s international reach, followed by subsequent generations of carvers. This continuity underscores one of the workshop’s most powerful contributions: longevity without institutional dependency. From the 1980s onward, fantasy coffins entered global exhibitions and museum collections, including institutions like the Centre Pompidou and the British Museum. Despite this international attention, the workshop never abandoned its local purpose; funerals in Teshie remained its primary audience. ### **Nka: Journal of Contemporary African Art – Founded 1994** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2026/01/Nka_-Journal-of-Contemporary-African-Art-via-@underground8808_.jpg) Nka: Journal of Contemporary African Art via @underground8808 Launched in 1994, Nka: Journal of Contemporary African Art emerged as one of the most influential intellectual platforms for African and diasporic art discourse. Founded by Okwui Enwezor, Chika Okeke-Agulu, Salah Hassan, and Olu Oguibe, *Nka* was created at a moment when contemporary African art was gaining visibility but lacked rigorous, self-authored critical frameworks. *Nka* was established to provide a space where African artists, scholars, and curators could write their own histories, theories, and critiques, rather than being framed exclusively through Western academic lenses. The journal foregrounded voices from the continent and the diaspora, treating African art as intellectually complex, politically engaged, and historically situated. The title *“Nka”* — an Igbo word meaning *art* — reflects the journal’s grounding in African epistemologies. Its ethos was unapologetically critical, insisting on nuance, plurality, and debate. Unlike mainstream art magazines, *Nka* operated as both a scholarly journal and cultural intervention, blending essays, artist writings, interviews, and critical reviews. In many ways, *Nka* functioned like a club or society without walls, a discursive community bound by shared inquiry, debate, and cultural responsibility. # **Conclusion** Across continents and decades, African art societies from the ’60s through the ’90s anchored creative communities that demanded self-representation, political liberation, and cultural innovation. Each club, whether a formal *society*, or workshop project has left an imprint on artistic practice and identity that continues to inform African creative narratives today. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Moliy Tops Spotify, Wunmi Mosaku Joins Disney+, Trevor Noah Bids Grammys Goodbye URL: https://www.marmaladecollective.com/moliy-tops-spotify-wunmi-mosaku-joins-disney-trevor-noah-bids-grammys-goodbye/ Last updated: 2026-01-19T10:00:18.000Z **Welcome to Vol 169 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I’m not usually a dance in public kind of person, but for a brief, glorious moment, every time *“Shake It to the Max”* came on, decorum left the room. So seeing [**Moliy get recognized by Spotify**](https://www.morebranches.com/moliy-named-spotifys-equal-artiste-of-the-month/?ref=marmaladecollective.com) feels right. Very deserved. Like so many other African artists, she’s been quietly (and sometimes loudly) doing her thing, and now the world is catching up. I personally love to see it. Don’t you? *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 8 Classic African Films from the ’60s to the ’90s That Still Resonate Today URL: https://www.marmaladecollective.com/8-classic-african-films-from-the-60s-to-the-90s-that-still-resonate-today/ Last updated: 2026-01-13T07:17:33.000Z # **Introduction** African films from the 1960s to the 1990s captured everyday life, big dreams, quiet struggles, and moments of change across the continent. Many of these films were made at a time when African countries were finding their voices after colonial rule, and filmmakers were experimenting with new ways to tell their own stories. Even now, decades later, these films still feel familiar. They speak about love, ambition, power, identity, and community in ways that remain relatable. Here are ten classic African films from that era that continue to connect with many audiences today. ## Black Girl (La Noire de...) (1966, Senegal) Ousmane Sembène’s [**Black Girl**](https://www.amazon.com/Black-Girl-Ossie-Davis/dp/B07SV5DXV6?ref=marmaladecollective.com) is often described as the first major African film, and for good reason. It tells the story of Diouana, a young Senegalese woman who moves to France to work for a white family, dreaming of a better life. Instead, she is isolated, stripped of dignity, and treated more like an object than a person. What makes the film lasting is how it tells its story. Diouana’s experience reflects the emotional side of migration; hope, disappointment, and loneliness. Today, as many people still move in search of opportunity, her story continues to feel very real. ## The Battle of Algiers (1966, Algeria) [**The Battle of Algiers**](https://www.criterionchannel.com/the-battle-of-algiers?ref=marmaladecollective.com), which was co-written and directed by the brilliant Gillo Pontecorvo, looks at Algeria’s struggle for independence through the lives of ordinary people caught in the middle of conflict. Shot in a realistic style, the film feels almost like a documentary, which makes its story easy to believe and understand. Its lasting impact comes from how it shows both resistance and control without simplifying either side. The film still resonates because it helps viewers think about power, protest, and what it means to fight for change. It also reminds viewers that liberation is rarely peaceful, and history is often written through pain. ## Touki Bouki (1973, Senegal) If you think African cinema from this era was only serious political dramas, Djibril Diop Mambéty’s [**Touki Bouki**](https://www.criterionchannel.com/touki-bouki?ref=marmaladecollective.com) will change your mind. It’s bold, strange, and unforgettable. The film follows two young lovers in Dakar, played by Magaye and Mareme Niang, who dream of escaping to Paris, believing Europe holds all the answers. What makes Touki Bouki special is how it questions that dream. The film shows the tension between tradition and modern desire, between staying and leaving. Today, with so many young Africans still dreaming of “elsewhere,” the film feels like a mirror, asking whether escape truly equals freedom. ## Sankofa (1993, Ethiopia) Haile Gerima’s [**Sankofa**](https://www.amazon.com/Sankofa-Kofi-Ghanaba/dp/B0015H4IM8?ref=marmaladecollective.com) (1993) moves between present-day Ghana and the history of slavery, following a woman who is spiritually transported back in time. The film confronts the trauma of slavery head-on, centring the experiences of enslaved Africans rather than distant history books. Sankofa is still powerful because it insists that the past is not past, and that memory, healing, and resistance are ongoing processes, especially for people of African descent worldwide. ## Living in Bondage (1992, Nigeria) [**Living in Bondage**](https://youtu.be/ovSaEMEcUgU?si=gdYin1zJnerTAw7%5F&ref=marmaladecollective.com) tells a dramatic story about ambition, wealth, and consequence. The film follows a man who makes extreme choices in his pursuit of success, only to face the results of those same decisions. It featured iconic Nollywood stars like Kenneth Okonkwo, Francis Agu, Bob Manuel Udokwu, Ngozi Nwosu, and Kanayo O. Kanayo, and was in many ways a pivotal part of their early careers. Its impact lies not only in its story but in its influence. It reflects anxieties around materialism, morality, and spiritual consequences, issues still deeply present today. It also helped spark the rise of Nollywood, and proved that African stories, told locally, could reach massive audiences. ## Yeelen (1987, Mali) From Mali comes this visually stunning film that draws on West African mythology and oral traditions. Set in the 13th-century Mali Empire, [**Yeelen**](https://www.kanopy.com/en/product/justwatch-212520?utm%5Fsource=justwatch) follows a young man with magical powers who must confront his powerful sorcerer father in a spiritual battle. The title means "brightness" or "light" in Bambara. Yeelen was the first film by a Black African filmmaker, Souleymane Cissé, to compete at Cannes, where it won the Jury Prize. What makes it remarkable is how it tells an African story using African cosmology and storytelling traditions. Yeelen continues to resonate because it celebrates indigenous knowledge and reminds viewers that African histories and myths are rich enough to stand on their own, without explanation or comparison. ## Sambizanga (1972, Angola) Sarah Maldoror made history as one of the first women to direct a feature film in Africa with this powerful chronicle of Angola's fight for independence from Portugal. Based on true events, [**Sambizanga**](https://www.criterionchannel.com/sambizanga?ref=marmaladecollective.com) follows Maria as she searches for her husband Domingos, a resistance fighter who has been arrested and tortured by Portuguese authorities. What sets Sambizanga apart is its focus on a woman's perspective in the liberation struggle. While men are shown organizing and fighting, the film recognizes that women like Maria carried the revolution forward in their own ways, through resilience, determination, and refusing to give up. Maldoror's decision to center women's experiences in revolutionary cinema was groundbreaking. Today, as conversations about women's roles in social movements continue, Sambizanga stands as a testament to how women have always been central to the fight for freedom, even when history books overlooked them. ## Sarafina! (1992, South Africa) [**Sarafina!**](https://www.amazon.com/Sarafina-Leleti-Khumalo/dp/B08Z8C6V1S?ref=marmaladecollective.com) is set in apartheid-era South Africa and follows Sarafina, played by the brilliant Leleti Khumalo, a confident schoolgirl, and her classmates as they begin to question the unfair system around them. Starring icons like Whoopi Goldberg and Miriam Makeba, the story is inspired by the 1976 Soweto student protests and is told through music, dance, and classroom moments. The film shows how young people slowly become aware of injustice and start to speak up, even when it feels dangerous. What makes Sarafina! still so meaningful today is its focus on youth, courage, and expression. The students use music and movement to share their fears, hopes, and anger, making the story feel lively and human. The film reminds us that young voices matter and that art can be a powerful way to resist, remember, and demand change even across generations. # Conclusion These films continue to resonate because they were honest about their time and intentional in their storytelling. By focusing on real people, real struggles, and everyday life, they created stories that still feel familiar and relevant today. If you haven’t seen them yet and you’re curious about where African cinema has been, and why it still matters, they're a good place to start. ### Liked this? You may also like: [Must-Watch African Animated Series and Films](https://www.marmaladecollective.com/must-watch-african-animated-series-and-films/) ### Sandra Mujinga Takes Her Art Global, Cape Town Marks A Second New Year, Free The Youth Turns 10 URL: https://www.marmaladecollective.com/sandra-mujinga-takes-her-art-global-cape-town-marks-a-second-new-year-free-the-youth-turns-10/ Last updated: 2026-01-12T10:00:06.000Z **Welcome to Vol 168 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. So…how are those resolutions going? My neighbour has been trying to recruit me into her *5am, new year-new me-summer-body-before-June* routine, and while I deeply respect the discipline, I’ve decided to observe from afar for now. We’re barely two weeks into the new year, and everywhere I look, people are aspiring, perspiring and hitting the ground running with their New Year goals. It’s a little intimidating, but also kind of inspiring. Speaking of, your faves have been inspiring us a lot lately. [Rema and Angel Reese are showing some love](https://the49thstreet.com/topicals-latest-investors?ref=marmaladecollective.com) to African beauty icon Topicals’, and [Free The Youth is starting the year right](https://www.dazeddigital.com/event/article/69364/1/what-went-down-at-ghanas-jordan-brand-x-free-the-youth-rave?ref=marmaladecollective.com) with the most amazing collab ever. Have a great week! And remember: It’s okay to take baby steps this month. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Cynthia Erivo Bags An MBE, Maison Kébé Goes Global, Ama Qamata Finds Her Purpose URL: https://www.marmaladecollective.com/cynthia-erivo-bags-an-mbe-maison-kebe-goes-global-ama-qamata-finds-her-purpose/ Last updated: 2026-01-05T10:00:53.000Z **Welcome to Vol 167 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Happy New Year!!! Welcome to our very first newsletter of 2026! We've missed you. Honestly, it feels like we blinked and the holidays just...happened. You have no idea how glad and grateful we are to be back in your inbox. Not to be a tease, but this year is going to be something really special. We've been cooking up some truly amazing things behind the scenes, and we genuinely can't wait for you to see what we have planned for 2026\. Big ideas, fresh voices, and stories that'll make you think (and feel). All of that’s coming your way this year. But we'll get to all that later. For now, let's ease back into things together. Without further ado, here's your weekly dose of culture, curated with love, just for you. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### How Africans Celebrate New Year Across the Continent: Traditions and Meanings URL: https://www.marmaladecollective.com/how-africans-celebrate-new-year-across-the-continent-traditions-and-meanings/ Last updated: 2025-12-31T10:00:34.000Z # **Introduction** At midnight on December 31, the world seems to pause for just a second. Fireworks explode, music gets louder, messages flood our phones, and somewhere between the last count of the old year and the first breath of the new one, hope feels very close. Across Africa, the New Year arrives with prayer, fireworks, music, food, and bold fashion. Streets come alive, families gather, and traditions passed down through generations shape how the year is welcomed. From candle-lit church nights in Ghana to fireworks over the Nile in Egypt, ancestral rituals in southern Africa to street carnivals in coastal cities, Africans welcome the New Year in many different ways. Each celebration carries meaning; gratitude for survival, prayers for prosperity, honour for ancestors, and faith in what is yet to come. Here’s how different parts of the continent mark the beginning of another year. ## ## South Africa In South Africa, New Year celebrations stretch across two days. January 1st brings typical festivities like fireworks displays, street parties, and gatherings at iconic locations like Table Mountain in Cape Town, and the Kirstenbosch botanical gardens. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_29400879_2038554826392286_5865120546718482432_n-1.jpg) **Image via @djmikeyadventures* But it’s the second day that carries deeper historical significance. Tweede Nuwe Jaar, which translates to "Second New Year," has its roots in the painful history of slavery. Hundreds of years ago, enslaved people in the Cape were granted only one day off per year; January 2nd. While their enslavers rested from New Year's Day celebrations, the enslaved used this single day to visit friends and family, dress in festive attire, and celebrate their own new beginning. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_472318640_584315084231557_6852617673760870532_n-1.jpg) **Image via @izikomusuemssa* Today, Tweede Nuwe Jaar has transformed into the Cape Town Minstrel Carnival, also known as Kaapse Klopse. The streets explode with colour as thousands of performers parade through the city in elaborate costumes, accompanied by marching bands playing traditional songs. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_472553943_17930732459988849_3189059155476005145_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_416844747_18412588657016471_7071381409541643620_n--1-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_80818871_603385817062244_9174950059545040144_n.jpg) Beyond Cape Town, South Africans mark New Year's Day with charity events that embody the spirit of ubuntu; the interconnectedness of all people. Communities also give food, clothing, and gifts to those in need. ## Ethiopia and Eritrea In Ethiopia and Eritrea, the new year follows a completely different calendar. Known as Enkutatash, which means "gift of jewels," the Ethiopian New Year falls on September 11th (or September 12th in a leap year). This celebration is based on the ancient Ethiopian calendar, which has 13 months and is about seven years behind the Gregorian calendar. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_515437155_1262289995934990_5184787624189453518_n-1.jpg) **Image via BBC* Children dress in new clothes and go from house to house, singing songs and presenting fresh yellow bouquets to parents and neighbours. These flowers symbolize the renewal of life and the blessings of the coming year. Families gather for elaborate feasts featuring doro wat (a spicy chicken stew) served with injera (a spongy flatbread), and traditional drinks like tej, a honey wine. > [ View this post on Instagram ](https://www.instagram.com/reel/DObW4FNESsn/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Amhara አማራ (@amhara\_culture)](https://www.instagram.com/reel/DObW4FNESsn/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) As darkness falls, communities light large bonfires that burn through the night to ward off bad luck and light the path forward. The entire celebration comes alive with singing, dancing, and the sharing of stories that connect the present generation to their ancestors. ## North Africa Across Morocco, Algeria, Libya, and parts of Tunisia, the Berber (Amazigh) people celebrate their own new year called Yennayer, which falls around January 12th to 14th. It’s one of the oldest continuous traditions in North Africa, dating back thousands of years to when Berber communities relied on agricultural calendars to guide their planting and harvesting seasons. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_472989122_1424666215167792_6951650958394371729_n--1-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_473027540_9085654498222185_4055806027022267596_n.jpg) Yennayer celebrations centre around family, food, and cultural identity. The most important aspect is the preparation of a large, special feast. In many regions, families prepare a large couscous dish with seven vegetables, and other traditional dishes that symbolize prosperity. In Algeria's Kabyle region, families use meat from a sacrificed animal to complement the couscous. In Morocco's Sous region, people enjoy tagula, made from barley with aged butter and argan oil. > [ View this post on Instagram ](https://www.instagram.com/reel/DLHrZ-hsCpb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Bedouin | Travel Content Creator (@tunisianbedouin)](https://www.instagram.com/reel/DLHrZ-hsCpb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Traditional Berber music and dances called Ahwach and Ahidous are also performed. In recent decades, Yennayer has taken on additional significance as a symbol of Amazigh identity. In 2018, Algeria declared Yennayer a national public holiday, and Morocco followed suit in 2023. ## Ghana In Ghana, January 1st is celebrated with church services, parties, and fireworks in cities like Accra. Ghanaians also celebrate traditional festivals that mark renewal and harvest like the Homowo Festival of the Ga people. The name Homowo literally means "hooting at hunger." This tradition reminds the community never to take abundance for granted. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_455211970_1037323034550958_7115095642091765159_n-1.jpg) **Image via @jaywonphotography* When Ghanaians celebrate January 1st, many go to church services that blend Christian worship with African musical traditions, powerful choirs, energetic drumming, and joyful dancing. Others prefer nightclubs, pubs, or street celebrations. But the key element is togetherness, whether in sacred or secular spaces. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_539424901_18530570302029001_3731891453013137838_n-1.jpg) **Image via @newinghanatourism* ## East Africa In Kenya and Tanzania, New Year's Day is a public holiday with celebrations that take advantage of the warm summer weather. Many families head to the coast (beaches in Mombasa, Diani, Zanzibar, or Dar es Salaam) where they enjoy fireworks, swimming, and outdoor barbecues with their friends and family. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_561280910_18389605747133558_5507652200847750702_n--1--1.jpg) **Image via @thenomadicrasta* These coastal celebrations feature Swahili-influenced meals with dishes like pilau rice, chapati, fresh seafood cooked with coconut milk, and tropical fruits. The New Year period also happens during the best time for wildlife viewing in East Africa's national parks. Many people choose to spend the holiday on safari, seeing lions, elephants, and giraffes in their natural homes. > [ View this post on Instagram ](https://www.instagram.com/reel/C%5Ff2pc4xEY8/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Crosby Melendi (@crosbygracetravels)](https://www.instagram.com/reel/C%5Ff2pc4xEY8/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) In Uganda, New Year celebrations often focus on fire as a symbol of change and renewal. Big bonfires are lit across the country, representing burning away bad fortune. Families and neighbours gather around these fires for blessings, singing, and telling stories. ## Senegal Senegal has some of the most spectacular New Year celebrations in West Africa. The most famous is Le Fanal, a centuries-old tradition that takes place in Saint-Louis, the country's former colonial capital. This amazing festival happens during the last week of December and reaches its peak on December 31st with a parade of lights that brings the whole city to life. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_472401588_18064254466876532_3756521036768805341_n--1--1.jpg) **Image via @pourquoijaimelesenegal* The Fanal tradition dates back to the 18th century when wealthy mixed-race women would walk to midnight Mass on Christmas Eve, elegantly dressed and accompanied by servants carrying lanterns to light their way. Today's Fanal is absolutely breathtaking. Buildings, roundabouts, and parks throughout Saint-Louis are decorated with lights. The week features evening Sabar dance parties and fashion shows that build up to the grand finale; a massive parade of enormous, beautifully decorated lanterns (fanals) that float through the streets around midnight on New Year's Eve. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/IMG_8771-1.webp) **Image via OkayAfrica* Beyond Saint-Louis, Senegal also celebrates with the Abéné Festival, a 10-day drumming celebration that starts at the end of December and runs through New Year. Held in the Casamance region, this festival draws dancers and musicians from across West Africa, especially djembe and percussion players. New Year's Day goes hand in hand with the Senegalese concept of Teranga, or hospitality, which means means gathering with family for special meals featuring beloved dishes like thieboudienne (fish and rice stew), yassa (marinated chicken or fish), and mafe (peanut stew). ## Congo Both the Republic of Congo (Congo-Brazzaville) and the Democratic Republic of Congo (DRC) share a deep musical heritage that defines their New Year celebrations. In Kinshasa, the capital of the DRC, New Year's Eve is all about high energy dance music like rumba and ndombolo. In Brazzaville, the capital of the Republic of Congo, the same musical traditions create an energetic atmosphere that connects the two cities. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_454997229_1229418468242753_7020042436633594731_n-1.jpg) **Image via @fuaduakongo* New Year's celebrations in both Congos centre around festive gatherings where people come together with family and friends to say goodbye to the old year and welcome the new one. Fireworks light up the sky at midnight as people cheer to mark the beginning of the new year, and street parties take over the cities. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-35-1.png) **Image via The Broad Life* People attend church to give thanks for the past year and pray for prosperity in the coming year, and families prepare feasts at home with traditional dishes. For those who can afford it, pork and chicken are staples, along with cassava, plantains, fufu, and saka saka. Roasted meats and rice dishes are also a major feature. The preparation and sharing of these meals become acts of love and togetherness, reinforcing the bonds that hold families and communities together. ## Cameroon What makes Cameroon's New Year season really special is how it connects with major cultural festivals happening in December, creating an extended period of celebration that closes out the old year and ushers in the new one. Some of these are The Ngondo Festival, the Nguon Festival and FENAC (Festival National des Arts et de la Culture). Ngondo is celebrated by the Sawa people in Douala in early December, and it's all about connecting with water spirits, honouring ancestors, and seeking blessings for the community. > [ View this post on Instagram ](https://www.instagram.com/reel/DDC1Gu7OKGV/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by YENGAFRICA - Cameroon Tours & Activities (@yengafrica)](https://www.instagram.com/reel/DDC1Gu7OKGV/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Nguon Festival lasts seven days, with each day featuring different traditional dances, ritual ceremonies, conferences, and feasts showcasing the richness of Bamoun culture. And FENAC, the largest non-religious festival in the country takes place in Maroua, and is a celebration of the country's colourful arts scene. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-36-1.png) **Image via @albipoutchou* These festivals create an incredible atmosphere across Cameroon as the year comes to an end, and set a festive tone that carries right into New Year celebrations. ## Egypt Egypt celebrates New Year twice. Most Egyptians follow the Gregorian calendar and celebrate on December 31st with huge parties, concerts, and fireworks. Hotels along the Nile host elaborate dinner cruises where people enjoy gourmet food and watch fireworks light up the ancient skyline, and The Sound and Light Show at the Giza Pyramids becomes extra magical on New Year's Eve. > [ View this post on Instagram ](https://www.instagram.com/reel/Cm5-c7Wh2h6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Cairo, Egypt 🇪🇬 القاهرة Travel | Hotels | Tips (@thisiscairo)](https://www.instagram.com/reel/Cm5-c7Wh2h6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) But Egypt also celebrates the Coptic New Year (Nayrouz) on September 11th, which connects back to the ancient Egyptian calendar, which was based on the flooding of the Nile River and appearance of the star Sirius. The ancient Egyptians called their New Year festival Wepet Renpet, meaning "the opening of the year." They would bring images of their gods out of temples to be regenerated by sunlight, give presents to friends and family, and hold celebrations by the Pyramids of Giza. > [ View this post on Instagram ](https://www.instagram.com/p/DODa%5F5djNiN/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Essam l Travel + Photography (@essamphotography.eg)](https://www.instagram.com/p/DODa%5F5djNiN/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Modern Egyptian New Year celebrations merge this rich history with contemporary festivities. Families enjoy traditional foods like fatta, kofta, and basbousa, and the warm winter weather makes it perfect for beach celebrations in resort towns along the Red Sea, where people enjoy swimming, dining, and partying under the stars. # Conclusion African New Year traditions teach us that celebrating can be about more than just partying or making personal resolutions. It can also be about making communities stronger, honouring the wisdom of those who came before, and facing the future with both humility and hope. In a world that often feels lonely and disconnected, these traditions remind us that celebration works best when it's shared. Joy multiplies when you're with others. Problems feel lighter when you carry them together, and the future seems less scary when you face it surrounded by family, friends, and the memory of everyone who came before you. ### A Year in Conversation: The Complete Marmalade Interview Collection URL: https://www.marmaladecollective.com/a-year-in-conversation-the-complete-marmalade-interview-collection/ Last updated: 2025-12-29T10:00:48.000Z At Marmalade Collective, community and culture have always been central to us. The people, the stories, the questions; they’re where the real work happens. Over the course of 2025, we sat down with artists, founders, creatives, thinkers, and culture-shapers across the continent and diaspora, not just to interview them, but to listen. What came out of those conversations were moments of honesty, shared memory, ambition, and care. This compilation brings all of those interviews together in one place. It’s an archive of voices, ideas, and lived experiences that shaped our year; conversations that reminded us why storytelling still matters, and why community is something you build slowly, intentionally, and together. --- ## [Community, Culture, and Collaboration: The Driving Forces Behind MIZIZI](https://www.marmaladecollective.com/community-culture-and-collaboration-the-driving-forces-behind-mizizi/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-37-1.png) **Image via Mizizi* MIZIZI means "roots" in Swahili, and that's exactly what founder Paakow Essandoh set out to reclaim. What started as a university project in 2015 has grown into a global sportswear brand redefining what it means to wear your heritage. From Forbes collaborations to becoming a diaspora staple, MIZIZI fuses performance, style, and cultural pride into every piece. We sat down with Paakow to talk about building a movement that goes far beyond the jersey. ## [Finding Beauty in the Ordinary: Kashope on Love, Photography and Community](https://www.marmaladecollective.com/finding-beauty-in-the-ordinary-kashope-on-love-photography-and-community/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-38-1.png) **Image via Kashope* Photographer Kashope Elijah Faje doesn't need luxury to capture romance. Raised in a household where cameras were always present, he learned early that beauty lives in the everyday moments most would overlook. He challenges the idea that love requires extravagance, instead finding intimacy in the mundane. We talked to Kashope about growing up between cultures, building community through collaboration, and why the ordinary makes for the most honest storytelling. ## [Creating Home Away from Home: Inside ‘My Friend's House’ with Demilade](https://www.marmaladecollective.com/creating-home-away-from-home-inside-my-friends-house-with-demilade/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_462721728_499613946279155_8396058271135099160_n-1.jpg) After years in Lagos and then the U.S., Demilade Aina returned to Nigeria with a simple question: where do adults go to make friends without the pressure? The answer became My Friend's House—a third space that's exactly what it sounds like. Not a bar, not a café, just a living room designed for the kind of easy connection that's surprisingly hard to find as an adult. We talked to Demilade about building a business around belonging, and how she turned her love for small gatherings into a space where strangers become regulars. ## [Designing for Connection: How Cherif Gueye Reimagines Everyday Objects with VIJN](https://www.marmaladecollective.com/designing-for-connection-how-cherif-gueye-reimagines-everyday-objects-with-vijn/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-41-1.png) **Image via Cherif Gueye* Cherif Gueye believes the shape of a bowl can change how we connect. Growing up between Senegal and the U.S., he saw firsthand how objects and rituals bring people together. Now, through VIJN, he's creating everyday items—like ergonomic bowls designed specifically for shared meals—that turn functional objects into tools for connection. ## [Preserving Memory Through Art: Aminata on Identity, and Reclaiming the Past Through Creative Expression](https://www.marmaladecollective.com/preserving-memory-through-art-aminata-on-identity-and-reclaiming-the-past-through-creative-expression/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-42-1.png) **Image via Aminata* Aminata's art—whether writing, photography, or ceramics—is about making feelings tangible. Through her creative house Iyeketi, she transforms memory and pain into something you can hold. She spoke to us about her artistic process, how photography preserves what words can't, and the ways colourism and identity shape the stories she needs to tell. ## [Healing Through Sound: Ṣẹwà on Music, Community, and Her Debut Album 'Detox'](https://www.marmaladecollective.com/healing-through-sound-sewa-on-music-community-and-her-debut-album-soulful-agbero/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-43-1.png) **Image via Sewa* Ṣẹ̀wà uses her voice as both refuge and weapon. The Nigerian-born, Toronto-based artist blends Afrobeat, Fuji, Jazz, and R&B into something entirely her own—a sound that's sold out shows in two countries and earned her an opening slot for Asa. Made with her community and father in mind, her album *Detox* reveals the full scope of her Afro-soul vision. Ṣẹ̀wà reflected on the challenges that shaped her sound, and why music became her most honest form of healing. ## [Naledi Modupi Creates Art as a Celebration of Strength, Vulnerability and Beauty](https://www.marmaladecollective.com/naledi-modupi-creates-art-as-a-celebration-of-strength-vulnerability-and-beauty/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-44-1.png) **Image via Naledi Modupi* Naledi Tshegofatso Modupi draws African women the way they deserve to be seen; bold, layered, unapologetic. Her continuous line illustrations have gone from South Africa to London, Cape Town, and Chicago, rewriting tired narratives with every stroke. Naledi got honest about creative doubt, why collaboration fuels her work, and making sure her art actually reaches the people whose stories she's telling. ## [Telling Stories That Matter: Nyasha Kadandara on Film That Transcends Borders](https://www.marmaladecollective.com/telling-stories-that-matter-nyasha-kadandara-on-film-that-transcends-borders/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-45-1.png) **Image via Nyasha Kadandara* Nyasha Kadandara left finance to pick up a camera, and hasn't looked back. The Zimbabwean director and cinematographer has since premiered films at SXSW, DOC NYC, and CPH DOX, shot for BBC, CNN, and Vice, and built a career telling African stories that complicate the narrative. Her work digs into untold histories and the women shaping its future. She broke down the leap from spreadsheets to storytelling, why she gravitates toward stories. ## [DJ Melzi Makes Music for the People, and Everyone’s Tuned In](https://www.marmaladecollective.com/dj-melzi-makes-music-for-the-people-and-everyones-tuned-in/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-62-1.png) **Image via DJ Melzi* DJ Melzi is pushing Amapiano into its next era. Born in South Africa and now shaking dance floors in London, his sound is spiritual, soulful, and unapologetically global. As his music travels, one thing stays constant: a deep respect for the roots that shaped it. In this conversation, Melzi opens up about ambition, genre-bending, and building something bigger than the music; a movement powered by community, intention, and sound made to travel. ## [Making Room: How Space Studio Is Reshaping Nigeria's Music Scene](https://www.marmaladecollective.com/making-room-how-space-studio-is-reshaping-nigerias-music-scene/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-46-1.png) **Image via Space Studio* In 2020, three creatives from different corners of the world—Yosa, Esoterica, and Olayemi Oladapo—founded Space Studio for artists who don't fit neatly into playlists. Yosa, a DJ and producer making waves in Lagos, broke down how they're balancing business with creative freedom, building community without selling out, and why carving out literal and metaphorical space matters more than ever. ## [Pelumi Nubi is Changing the Way We See Africa Through Travel](https://www.marmaladecollective.com/pelumi-nubi-is-changing-the-way-we-see-africa-through-travel/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-47-1.png) **Image via Pelumi Nubi* Pelumi Nubi drove from London to Lagos solo and the world couldn't look away. Now she’s channeling that energy into projects that let locals tell their own stories. Pelumi opened up about ditching her PhD for the road, navigating identity across borders, and why African travel is still wrapped in myths that need dismantling. This one's for the dreamers weighing safety against curiosity, and anyone ready to stop planning and just go. ## [Herrana Addisu Turns Lived Experience into Visual Resistance](https://www.marmaladecollective.com/herrana-addisu-turns-lived-experience-into-visual-resistance/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-48-1.png) **Image via Herrana Addisu* Herrana Addisu left human rights work for filmmaking when she realized stories move people more than policy briefs. The Ethiopian-American artist founded Chucha Studios to reclaim who tells stories about Black and immigrant communities. Her debut film, *The River*, explores Ethiopian girlhood and the gendered danger of fetching water, drawn from her own childhood memories. In this feature, she discusses the shift from activism to art, why casting is political, and how memory fuels everything she makes ## [Ozoz Sokoh Finds Home and History in Every Nigerian Dish](https://www.marmaladecollective.com/ozoz-sokoh-finds-home-and-history-in-every-nigerian-dish/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-49-1.png) **Image via Ozoz Sokoh* Ozoz Sokoh tells Nigeria's story through its food. The culinary anthropologist behind Kitchen Butterfly spent a decade documenting the recipes and rituals that define Nigerian cuisine. Her new cookbook, *Chop Chop*, spans all six regions with over 100 recipes. But it's more than recipes; it's a cultural record for anyone reclaiming their food history. Ozoz reflects on the journey to publication, why documenting food requires nuance, and how the kitchen is a space for resistance and pride. ## [Kolapo Oladapo Shows That Culture Moves When Community Leads](https://www.marmaladecollective.com/kolapo-oladapos-creatiwork-centres-on-what-the-creative-industry-frequently-misses-intention-and-empathy/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-50-1.png) **Image via Kolapo Oladapo* This interview is a guided tour through Kolapo’s journey across music, media, tech, and storytelling and a call to action for everyone building within culture. Whether you’re a student, an artist, a brand manager, or just someone trying to figure things out, there’s a piece of his story that’ll resonate. ## [Kilubukila Is Reclaiming Congolese Design as a Tool for Power and Pride](https://www.marmaladecollective.com/kilubukila-is-reclaiming-congolese-design-as-a-tool-for-power-and-pride/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-51-1.png) **Image via Kilubukila* Every now and then, we come across a creative whose work doesn’t just look good, it *feels* like something bigger. Jess Kilubukila is one of those people. In our conversation with Jess, we talk about everything from his journey into the creative world, to what it really means to “formalise” artisan work in Kinshasa. We explore how he’s challenging the global gaze on African design, and what he’s dreaming into existence for the future of Kilubukila. ## [Mercedes Benson Is the Multihyphenate Powering Culture on Her Own Terms](https://www.marmaladecollective.com/mercedes-benson-is-the-multihyphenate-powering-culture-on-her-own-terms/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-52-1.png) **Image via Mercedes Benson* Mercedes Benson is the definition of a cultural architect. Moving between the DJ booth and the boardroom, she’s a London-based powerhouse who’s rewriting the industry’s DNA. In our conversation with Mercedes, we dive into her journey from a science degree to spinning for the likes of Louis Vuitton and Valentino, explore how she’s championing Black talent, the influence of her Nigerian heritage on her sound, and how she balances the world of fashion with a deep, mission-driven purpose. ## [Marième Mboup on Taking Fashion Beyond Aesthetics and Into Intention](https://www.marmaladecollective.com/marieme-mboup-on-taking-fashion-beyond-aesthetics-and-into-intention/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-53-1.png) **Image via Marieme Mboup* Marième Mboup, known as Yumboë, is a visual storyteller redefining fashion through the lens of heritage. From Dakar to Montreal, she’s a stylist and textile artist whose work refuses to follow trends, but anchors itself in Senegalese culture and intentionality. If you're curious about how fashion can be a tool for storytelling, resistance, and cultural preservation, or just want to hear from someone who’s doing it with honesty and heart, then you should read this. Marième is building something special, and it’s only the beginning. ## [Words of Azia on Preserving Culture Through Song](https://www.marmaladecollective.com/words-of-azia-on-preserving-culture-through-song/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-54-1.png) **Image via Words of Azia* Words of Azia is more than just a singer, she’s a mood, a ministry, and a bridge between worlds. The Ivorian artist has quickly made a name for herself by blending ethereal vocals with deep spirituality. In this conversation, we dive into how she weaves Bété, French, and English into her music to create a universal language of hope. We explore the intuition behind her 2024 debut, why she treats songwriting as a spiritual tool, and how she’s bringing Ivorian traditions into the global spotlight with nothing but love and intention. ## [Violeta Sofia is Taking Up Space in the Global Art World](https://www.marmaladecollective.com/violeta-sofia-is-taking-up-space-in-the-global-art-world/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-55-1.png) **Image via Violeta Sofia* Violeta Sofia is one of those artists who refuses to be boxed in. A Cameroonian-born, Spanish-raised photographer and activist, she blends the dramatic lighting of the Old Masters with a radically modern mission: making sure Black and female voices aren't just seen, but celebrated. Together, we trace her journey from picking up a camera at eight years old to exhibiting at the National Portrait Gallery. We explore how she turns conditions like vitiligo into poetic art, her fight for representation, and what it means to belong everywhere and nowhere at once. ## [A Beginner’s Guide to Collecting African Art](https://www.marmaladecollective.com/a-beginners-guide-to-collecting-african-art/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-63-1.png) **Elfreda SmrSet House* Art collecting still feels intimidating to most people; too expensive, too exclusive, too easy to get wrong. Lauren Demir, founder of Lofty Spot, disagrees. She built her platform to make collecting feel human, accessible, and less about insider knowledge than simply training your eye. Her latest feature explores sustainability and renewal through tactile, narrative-rich work, and she broke down how to start collecting, connect meaningfully with artists, and build something that grows with you. ## [Fiifi Abban’s Photography is Breathing Life into the Heart of Modern Africa](https://www.marmaladecollective.com/fiifi-abbans-photograpy-is-breathing-life-into-the-heart-of-modern-africa/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-58-1.png) **Image via Fiifi Abban* Fiifi Abban is proof that the most powerful stories often start with a simple spark. What began as a high school curiosity and a small camera has blossomed into a lens that captures the raw, warmth of contemporary Ghana. In our chat with Fiifi, we trace his evolution from the Ghanaian coast to becoming a leading voice in African photography, the quiet intimacy that defines his style, and his mission to show the world a version of Africa that feels both incredibly modern and timelessly soulful. ## [Cape Town Craft Club is Reviving the Joy of Crafting by Hand](https://www.marmaladecollective.com/cape-town-craft-club-is-reviving-the-joy-of-crafting-by-hand/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-59-1.png) **Imagee via CapeTown Craft Club* Andie Reeves is on a mission to make "slow living" social. What started as a few friends crafting in her living room has blossomed into the Cape Town Craft Club; a judgment-free space where people swap screen time for crochet hooks, clay, and conversation. She shared how she turned her passion for textiles into a city-wide movement, the magic of making things by hand, the creativity of Cape Town, and how her "Kind Craft Club" initiative is proving that a simple handmade blanket can be a powerful act of community care. ## [A Third Space Represents "The In-Between" for Creatives](https://www.marmaladecollective.com/a-third-space-represents-the-in-between-for-creatives/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-60-1.png) **Image via A Third Space* A Third Space is Nelson C.J’s answer to the beautiful chaos of Lagos. In a city that never stops moving, the writer and curator has carved out a "quiet rebellion," a sanctuary where the creative community can finally slow down, breathe, and actually connect. ## [Onyeka Igwe Curates a New Wave of International Moving Image at Bow Arts, London](https://www.marmaladecollective.com/onyeka-igwe-curates-a-new-wave-of-international-moving-image-at-bow-arts-london/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-61-1.png) **Image via Onyeka Igwe* Onyeka Igwe makes films that move, literally and emotionally. A London-born moving-image artist, she uses rhythm, archives, and everyday Black life to uncover stories that have been ignored for far too long. This winter, she leads *Visions in the Nunnery – Programme 2* at Bow Arts’ Nunnery Gallery alongside works by 24 artists from around the world. We spoke to Onyeka about returning to deeply personal work, curating across borders, and what her recent showcase means to her. ## [The Wine Club Lagos Is Changing How Nigeria Learns, Tastes, and Feels Wine](https://www.marmaladecollective.com/the-wine-club-lagos/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-64-1.png) **Image via Folakemi Alli-Balogun* Folakemi Alli-Balogun is rewriting Nigeria's wine story. Through The Wine Club Lagos, she's shifted wine from luxury symbol to shared cultural experience, building a 500+ member community through tastings that blend education with storytelling. Her latest move: *Symphony of Wine and Sound*, paired six wines with original orchestral compositions performed by a 20-piece ensemble. Folakemi discusses her journey into wine, the creative risks behind the Symphony event, and her belief that wine has a voice everyone already understands. # Conclusion At the heart of this guide are people who care deeply about what they’re building and who they’re building it for. Different paths, different stories, but the same thread of intention, culture, and community runs through every conversation. This collection is our way of holding space for those voices. A place to come back to, to discover something new, or to simply listen. ### Reflections on 2025 and What Comes Next URL: https://www.marmaladecollective.com/reflections-on-2025/ Last updated: 2025-12-29T10:00:20.000Z As I reflect on 2025, I'm reminded of why we built Marmalade Collective in the first place. It was never just about hosting events or creating content. It was about building a space where people like you could connect deeply with African culture and with each other. And this year, despite the challenges, we did exactly that. ## What we delivered Our newsletter reached **3,000+ subscribers every week**, bringing curated stories about contemporary African culture straight to your inbox. We published [**47 premium editorial guides**](https://www.marmaladecollective.com/tag/guides/) exploring everything from Afrofuturism to African restaurants to the intersections of diaspora identity. We hosted incredible campaigns - [**World Photography Day**](https://www.marmaladecollective.com/world-photography-day/) was a highlight - that sparked real conversations in our community. We established partnerships with **26 Afrocentric creators, influencers, and cultural tastemakers**. We built something rare: a space where African culture isn't relegated to a niche. It's celebrated as the global force it actually is. Most importantly, we grew to **5,700+ culturally-curious members** who show up because they believe in what we're building. ## Where we fell short I want to be honest: we hosted fewer events in 2025 than any year since we started in 2022\. That frustrates me because events are where the magic happens. They're where you move from reading about culture to feeling it. Where you go from being an audience to being part of a community. But 2025 taught me something valuable: focus matters. Sometimes saying yes to one thing means saying no to another. This year, I had to choose. And I chose to invest heavily in proving that our venture studio model works (Marmalade Ventures), which means other projects had to take a backseat. It's a trade-off I'm at peace with. Because it positions us to come back stronger in 2026. ## What 2026 looks like Here's the truth: in a world drowning in digital noise and AI-generated content, people are craving real human connection. They're hungry for experiences that feel authentic. That's what Marmalade Collective is built for. 2026 is the year we deliver on that promise. We're rethinking what "experiences" means beyond just events. We're planning immersive, curated moments that bring our community together from London to Lagos and beyond. We're also doubling down on content that matters. We're thinking bigger about how we use our platform to celebrate African excellence, amplify voices of local artisans and creators, and build a movement around cultural pride. ## To our community Thank you for believing in us. Thank you for showing up week after week, for engaging with our content, for joining our events, and for being part of something that actually matters. You chose Marmalade Collective because you wanted more than algorithm-driven content. You wanted curation. Authenticity. Community. A space where African culture isn't a trend - it's a lifestyle. We hear you. We see you. And we're committed to delivering experiences that honour your expectations and push what's possible. 2025 taught us what works. 2026 is when we scale it. With gratitude, Tola 🧡 Founder, Marmalade Collective 🚀 We're still on the mission to ***build a new mainstream shaped by Africa's culture, stories and emerging brands** ## Notable achievements [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/marmalade-collective-guides-2025-1.gif)](https://www.marmaladecollective.com/tag/guides/) - **January:** [Interviewed Paakow Essandoh - The Driving Forces Behind MIZIZI](https://www.instagram.com/p/DFc9NgWtBAo/?img%5Findex=1&ref=marmaladecollective.com) - **February:** Interviewed [Aminata](https://www.instagram.com/p/DGn6rqQtYav/?img%5Findex=1&ref=marmaladecollective.com), Cherif Gueye, Kashope and Others - **March:** [Hosted Virtual Event (MMM) with Gena West](https://www.instagram.com/p/DHyZf%5FVI0E5/?img%5Findex=1&ref=marmaladecollective.com) - **March:** [Empowering Progress - International Women's Month Campaign](https://www.marmaladecollective.com/empowering-progress-celebrating-african-women-for-international-womens-month/) - **April:** [Hosted JAM 'Nigerian Trivia Edition' Event](https://www.instagram.com/p/DIqcscvI75%5F/?ref=marmaladecollective.com) - **April:** [Refreshed Our Visual Identity](https://www.marmaladecollective.com/brand-refresh/) - **May:** Interviewed [Pelumi Nubi](https://www.marmaladecollective.com/pelumi-nubi-is-changing-the-way-we-see-africa-through-travel/), [Herrana Addisu](https://www.marmaladecollective.com/herrana-addisu-turns-lived-experience-into-visual-resistance/) and others - **May:** ['You Belong Here' - Africa Day Campaign](https://www.instagram.com/p/DKFSaIlIOtu/?img%5Findex=1&ref=marmaladecollective.com) - **June:** [Hosted Summer Forest Walk with Bestday](https://www.instagram.com/p/DK2F65KNP7v/?img%5Findex=1&ref=marmaladecollective.com) - **July:** Interviewed [Mercedes Benson](https://www.marmaladecollective.com/mercedes-benson-is-the-multihyphenate-powering-culture-on-her-own-terms/) - **July:** [Supported TALES as Community Media Partner](https://www.instagram.com/p/DL2u-gpNESV/?ref=marmaladecollective.com) \+ Hosted An Exclusive Dinner - **August:** Interviewed [Marième Mboup](https://www.marmaladecollective.com/marieme-mboup-on-taking-fashion-beyond-aesthetics-and-into-intention/), [DJ Melzi](https://www.instagram.com/p/DNYNTz9iWMj/?img%5Findex=1&ref=marmaladecollective.com) and others - **August:** [This Is Belonging - World Photography Day Campaign](https://www.marmaladecollective.com/world-photography-day/) - **September:** [Supported Faaji Sundays' Nigeria Independence Day Event](https://www.instagram.com/p/DPSDs43DN2R/?ref=marmaladecollective.com) - **September:** [Interviewed Ivorian artist, Words of Azia](https://www.marmaladecollective.com/words-of-azia-on-preserving-culture-through-song/) - **October:** [No Place Like Home - Black History Month Campaign](https://www.marmaladecollective.com/tag/beyond-black-2025/) - **October:** [Supported and Sponsored Orry Shenjobi's A WÀ ŃBĘ Solo Exhibition](https://www.instagram.com/p/DPQ5xDLjmEc/?ref=marmaladecollective.com) - **November:** [Partnered with Fela's Afrobeat Rebellion](https://www.instagram.com/p/DQtfyB8DIrn/?img%5Findex=1&ref=marmaladecollective.com) - **November:** Spotlighted Creative and Community Spaces Including [A Third Space 🇳🇬](https://www.marmaladecollective.com/a-third-space-represents-the-in-between-for-creatives/) and [Cape Town Craft Club 🇿🇦](https://www.marmaladecollective.com/cape-town-craft-club-is-reviving-the-joy-of-crafting-by-hand/) - **December:** [Beta Launched Experiences by Marmalade App](https://experiencesbymarmalade.com/?ref=marmaladecollective.com) - **December:** [Interviewed Onyeka Igwe, Moving-Image Artist](https://www.marmaladecollective.com/onyeka-igwe-curates-a-new-wave-of-international-moving-image-at-bow-arts-london/) - Also Check Out: [Member Spotlights](https://www.marmaladecollective.com/tag/member-spotlight/), [Ultimate Gift Guide](https://www.marmaladecollective.com/the-ultimate-marmalade-guide-to-gifting-2025/) and [Newsletters We Published in 2025](https://www.marmaladecollective.com/tag/newsletters/) ### The Wine Club Lagos Is Changing How Nigeria Learns, Tastes, and Feels Wine URL: https://www.marmaladecollective.com/the-wine-club-lagos/ Last updated: 2025-12-30T06:26:36.000Z Founded nearly a decade ago, The Wine Club Lagos has become a defining force in Nigeria’s evolving wine culture, shifting the conversation from wine as a luxury symbol to wine as a shared cultural experience. At the heart of this movement is Folakemi Alli-Balogun, a wine educator, cultural curator, and founder whose work blends education, storytelling, and creative expression to make wine more accessible and meaningful in Lagos. With certifications from the Cape Wine Academy and WSET Level 2 (with Distinction), and as a recipient of the Bordeaux Mentor Week global wine scholarship, Folakemi brings global wine knowledge into a local context. Through The Wine Club Lagos, now a community of over 500 members and 50+ tastings strong, she has steadily redefined how Nigerians learn, taste, and connect through wine. That vision reached a new peak in November 2025, with Symphony of Wine and Sound, an unprecedented multisensory experience pairing six internationally curated wines with original live orchestral compositions performed by a 20-piece ensemble at the Metropolitan Club. Created in collaboration with Vesta Orchestra, the event explored a simple yet radical question: *what does wine sound like?* Guests were invited to experience wine through tone, rhythm, memory, and emotion, resulting in moments that felt deeply personal and collective at once. In this interview, Folakemi reflects on her journey into wine, the power of community, and her belief that wine has a voice everyone instinctively understands. We discuss the making of *Symphony of Wine and Sound*, the creative risks behind it, and how she continues to reshape Nigeria’s wine narrative, one experience at a time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Folakemi-Alli-Balogun---Founder-jpg.jpg) Folakemi Alli-Balogun **So I always start like this. My first question is just for you to tell me about yourself; your background, what you enjoyed as a child, what you studied, and how you basically found yourself on this path that you’re on.** Okay, good question. I come from a family of three with an older brother and a younger sister. My dad was a banker, my mum a lawyer. I don’t really remember what I wanted to be as a child, but I was chatty, free-spirited, and for a while the baby of the house. I was very different from my quiet, introverted brother. People always told me I’d make a good lawyer, and for some reason, I hated that. I didn’t like being predicted or boxed in. So when it came time to choose subjects in secondary school, I deliberately went the science route, just to move as far away from law as possible. I continued with sciences all through secondary school, and when it was time for A-levels, I told everyone I wanted to be a doctor. Deep down, I didn’t care about it; I just thought, if this is the path, I could do it. Then, my mum had me speak to her sister, who’s a doctor. She asked if I was really sure about medicine, and that conversation somehow led me to pick the same subjects as my brother, who was already studying law. That’s how I ended up on the path to studying law. At first, I struggled a bit, but eventually, I got the hang of it. My mum was thrilled. Even though I didn’t have a deep passion for it, I thought, “I can do this.” At university, I actually grew to like law; the training sharpened my critical thinking and communication, but I knew I didn’t want to pursue it as a career. I went to law school, but was already plotting my escape. I chose a master’s in international business and global affairs, hoping to shift people’s perception of me, but it didn’t quite work. I practised law for about a year during NYSC, doing the full spectrum: court, company secretarial work, everything, then I stopped, looking for something different. That led me to PwC, one of the Big Four accounting firms, which marked the real start of shedding the “lawyer” label and exploring other paths. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Dawreyel-Photography-2025-59.jpg) **Thank you so much for sharing. There are so many things that I’m sure many Nigerian children can relate to. You later got into a different path entirely: wine education, cultural curation, and consulting, which I believe you must have started exploring from the time you found yourself at PwC. So I wanted to know what those early experiences were like, whether personal or professional, that shaped your curiosity about wine and the cultural space, even before you went on to formally study it.** I’ve always had a creative streak. From primary school through secondary school, I was involved in everything—drama club, singing, debating. Whatever extracurricular activities were available, I was part of them. I never aimed to be a singer or actress, but I’ve always expressed my creativity in different ways. At the time, I wasn’t thinking about wine at all, but I knew I wanted to do something beyond my professional work, even if I couldn’t articulate it. People around me could always see it. I also resisted others trying to define my path; just because I was at PwC or practising law didn’t mean they could tell me I should go into marketing or public speaking. I always had some creative outlet growing up, and I think that’s where it all started. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Copy-of-Manual-VI-12.jpg) **That makes sense. So what would you say inspired you to go on and study, or train, specifically in South Africa, and also with the WCT?** That’s a good question. I officially launched the wine club in 2016, though the idea came to me in late 2015\. Honestly, it just kind of happened. A friend suggested I start a wine club; neither of us really knew what that meant, but it sounded like something I wanted to explore. Luckily, I had a trip planned to Cape Town that Christmas, so I visited vineyards for inspiration. It was beautiful and inspiring, but I still wasn’t sure what I wanted to do. When I returned, I decided to just launch. I invited my friends, emotionally blackmailed them a bit, and they came. If you’d asked me that day, “What’s the wine club?” I’d have said, “I don’t know, I just launched.” Soon after, someone asked if I’d do a wine-and-steak pairing. I don’t eat red meat and didn’t know much about steak, but I said yes. It gave me a starting point; I had to learn about wine, about pairing, about tasting. I created a tasting with three wines and three steaks, invited people, and it came together. I did feel imposter syndrome or maybe just genuine uncertainty. I didn’t know where to get the right wines; I’d pick bottles that looked interesting or were recommended somewhere. Early on, someone in the culinary industry asked if I was a sommelier. When I said no, she discouraged me from starting the club. That knocked my confidence. I wondered, what if people ask me for my credentials? Still, I carried on. I’d tell people, “Nobody’s claiming to be an expert,” until a friend told me I shouldn’t say that. She suggested I get a certification. At the time, what I earned made it difficult, but I found a course and took it during another Cape Town trip. I learned a lot, especially about South African wine, which gave me a strong foundation. Alongside that, I kept learning online, reading, tasting, and visiting vineyards. Gradually, things came together. Eventually, I pursued a WSET certification because I wanted a globally recognised qualification. The wine club was growing, and people were beginning to see me as a wine expert. I wanted to ensure that when people asked about my training, I had something credible to show, and that’s why I went for it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/DSC_0329---Copy---Copy.jpg) **Thank you so much for sharing that. There were so many layers to it, and I’m really glad you found the confidence to keep moving forward despite the discouragement. And I think that brings me to my next question.** **You started the wine club from just an idea, and then you kept building on it. Now it’s been about ten years. Your club has grown beyond sharing wine to learning, curiosity, and even expression through wine. So I wanted to ask, what was the moment that made you realise that Lagos needed wine education? Not just consumption, not just *“let’s drink wine,”* but something deeper.** I don’t think it was a single moment. Early on, I realised that at my launch, I didn’t fully know what I was doing. But people were curious, and I wanted to move beyond just steak pairings and do something different. That’s when I came up with the idea of a blind tasting; pouring wine without people knowing what it was. I noticed that when people see a bottle, they sometimes judge it before tasting. A blind tasting removes that bias. I set up an experiment with three reds and three whites, giving people descriptions and asking them to match the taste to the wine. I even turned it into a little competition, collecting their answers and announcing the winners. The reactions were amazing, people loved it, celebrated when they got it right, and often said things like, “I learned something today” or “I had no idea.” It wasn’t just beginners; sometimes it was people who’d been drinking wine for decades. Seeing those responses consistently made it clear that the tastings should be about educating people, helping them discover something new about wine. That’s really what it became. **Thank you. And in that same vein, you hosted an event this year called *Symphony of Wine and Sound*. I found it really interesting that you chose to merge wine and drinking with music. I’d love for you to take us through that process, from coming up with the idea to actually working with an orchestra.** People often ask me, “With the wine club, your tastings aren’t expensive. How does it work?” For me, the key isn’t money, it’s who joins. I’m very selective. Yes, there’s a form and a few questions, but really, the main criterion is that I like you. I’m not looking for experts, just people who are easy to talk to, enjoy the events, and won’t make others uncomfortable. People also ask, “How do you make money from this? What’s the end goal?” When I started the club, it wasn’t about profit; it was a creative outlet. I had no interest in importing wine, opening a shop, or running a wine bar. The truth is, in Nigeria, the infrastructure and culture just aren’t there to sustain it. Running a wine bar requires constant traffic, inventory management, staffing, and overheads and that can easily turn passion into work. My tastings let me focus on what I love without being consumed by everything else. I wanted to create experiences, ways for people to engage with wine differently. About three years ago, I watched my cousin’s teenage band perform in London, and I was inspired. That’s when I asked myself: what does wine sound like? Could I create an experience that combined wine and sound? I started planning. Last year, I pitched the idea to a few companies, but it didn’t gain traction. This year, I made it a personal goal: I’m doing it, no matter what. Ideally, I wanted full funding first, but a friend told me to move in blind faith. A month before the event, I didn’t even have half the money. Still, I kept going. I engaged the orchestra early, teaching them to taste wine and documenting the process. I was supported by incredible people, my “angels”, who backed the project without knowing exactly how it would turn out. Even I didn’t know the full path. But we believed in each other, and through that shared faith, we made it happen. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Dawreyel-Photography-2025-126.jpg) A symphony of Wine and Sound **Thank you. What was that like, taking the orchestra right from the beginning and then having them translate that learning into music?** I had no doubt that if I taught the orchestra well, they would get it and make the musical associations, because I had already tested the idea. Last year, I invited a musically gifted friend over, laid out some wine, and showed him how to taste it—how to identify its characteristics. In less than an hour, he was already making associations. He didn’t have the terminology, but it was clear he understood. I thought, if he can get it, a whole orchestra can. I ran two full training sessions, and it went seamlessly because I had carefully planned everything. I broke things down using resources from the WSET, the way I was taught, and walked them through the Systematic Approach to Tasting Wine. It’s not arbitrary, and they all understood. They could describe the sensations, the characteristics, how it felt in the mouth, on the tongue, all of it. It was fascinating, and we captured the whole process in the documentary. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Dawreyel-Photography-2025-125.jpg) **Interesting. And just before I move on to my next question, I really enjoyed you speaking about moving in blind faith and just starting. I feel like many times, we tend to overthink, strategise, write a plan, rewrite the plan, and still feel stuck because we can’t fully see what we’re doing. But once you begin, you realise you actually have a way.** **You’ve talked previously about how wine has a voice and how everybody instinctively understands that, even though it can mean different things to different people. What reactions did you get during the performance or the event that affirmed that belief for you?** Before the performance, at one of my tastings, I pulled aside a few members and asked, “What do you think this wine sounds like?” I didn’t use any systematic approach; I just asked. This was captured on film, and I’d had similar conversations before, so I knew people would make associations, even if they weren’t the same. It’s all subjective. Some go very left field, but often those people aren’t regular wine drinkers, or they overthink it. Mostly, people respond in similar ways. For example, Bordeaux wines are deep, bold reds, so people associate a deep sound, some say double bass, others saxophone. Someone even made a sound on the spot, and I thought, absolutely, that makes sense. Going into the performance, I knew people would think along certain lines. During the event, I gave clues and pointers, and there weren’t strong disagreements; more of a spectrum of responses. In the documentary, you see people nodding, saying, “Oh, that makes sense.” Some don’t make any association between wine and sound, which is fair. But for the most part, it’s all about memory. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Dawreyel-Photography-2025-10.jpg) **I remember watching the video and seeing people go from wanting to dance, to recalling a childhood memory, to remembering that they were reading a book. I found that really interesting. And you mentioned community, you’ve built a growing one. You have more than 500 members and have hosted over 50 tastings. So I want to know what shift you’ve observed in how Nigerians engage with wine now. Have the types of questions changed? Has there been a shift in curiosity or misconceptions compared to when you first started? Even within the industry, would you say there’s been a shift?** With my members, at each tasting, there’s always curiosity; they want to know, and many have noticed how things have changed since they started. But at any tasting, there’s sometimes someone completely new. For example, at tasting number 48, it could be someone’s first time. Their questions might sound like those of long-time members, but everyone isn’t moving at the same pace. That said, I do see growing curiosity and interest in wine compared to when I first started. Every week, I meet someone who says, “I like wine, but I don’t know much about it. I just enjoy drinking it and pick a label blindly.” More people are coming of age, drinking responsibly, or being exposed to different wines. Growth is definitely happening. There’s also been a shift in perception of Nigeria as a wine market, though it’s not driven by our knowledge alone. Globally, wine consumption is declining in traditional regions, so producers are looking to new markets. Africa, and Nigeria in particular, has become interesting. If people enjoy champagne, they likely have a taste for wine too. With education and exposure, Nigerians can gradually expand their tastes beyond sweet wines toward drier styles. We’re growing, and people are noticing. Producers are starting to see our preferences and catering to them, though there’s still so much untapped potential. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/An-evening-with-Wole-Soyinka-2024-4.JPG) **That’s good to know. On educating and shaping consumer knowledge, your documentary will be a major way for many people to be exposed to wine or learn about it. What do you hope it reveals about African creativity, collaboration, and the definition of luxury for Africans and Nigerians?** I don’t want people to see wine as a luxury. The goal is to make wine approachable and spark curiosity, especially for those who’ve never tasted it. Many orchestra members had never engaged with wine before, yet once I broke it down, their interest piqued. It’s not about luxury; it’s about showing that even though we’re not producers or the biggest consumers, we can appreciate wine as an art form, put our own spin on it, and share it with the world. Nigerian creativity inspired this approach. When I spoke to the orchestra, no one said, “That’s impossible.” Everyone immediately started thinking, “How can we do this?” It reflects the Nigerian spirit: we believe we can do anything. The documentary also invites music lovers and non-wine enthusiasts to think differently, to associate wine with music, memories, and experience. It’s about thinking outside the box and appreciating wine in new ways, beyond traditional wine or luxury circles. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Dawreyel-Photography-2025-215.jpg) **From the start, you’ve made it clear you want to move away from the notion of wine as just a luxury, which I really appreciate. I also love how you mention curiosity. My last question is, now that you’ve blended wine, music, and memory, what other cultural intersections are you thinking of exploring next? Food, dance, art, literature?** Honestly, who knows? Last year, I hosted a tasting with Professor Soyinka, who’s famously said, “I’d rather drink wine than water.” At the tasting, he even said, “The less time we spend talking about wine, the more time we drink it.” It was really fun. For me, my attempt is to associate wine with other creative processes. For example, how can the process of making wine be juxtaposed with writing a book? Honestly, I don’t know what’s next, but creative ideas around wine are never far from me. Even with my regular tastings, I don’t know what the next one will be, but when it happens, it’s exciting. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/An-evening-with-Wole-Soyinka-2024-2.JPG) An evening with Wole Soyinka 2024 **Thank you!** ## [**Read also: A Third Space Represents "The In-Between" for Creatives**](https://www.marmaladecollective.com/a-third-space-represents-the-in-between-for-creatives/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### The Final Spread: A Year Of Culture, Curated Just For You URL: https://www.marmaladecollective.com/the-final-spread-a-year-of-culture-curated-just-for-you/ Last updated: 2025-12-22T10:00:02.000Z This is our last Marmalade newsletter of the year. That sentence feels heavier than I expected. Honestly? Writing to you every week has been one of the highlights of my year. There's something special about showing up in your inbox, sharing stories that matter, and watching this community grow into what it is now. On behalf of the entire Marmalade Collective team, thank you. Thank you for reading, replying to our emails, showing up to our events, and for being the kind of community that makes this feel less like work and more like hanging out with friends. As we close out the year, we wanted to take a moment to look back (not at everything we did), but at the things that stuck with us. This isn't a greatest hits list. It's a collection of the stories that stayed with us, the projects we're most proud of, and the moments that reminded us why we do this. Come take a walk down memory lane with us. We'll be back in your inbox in January, but for now, here's to endings, new beginnings, and everything in between. ❤ *Mary x,* Now on to the last peel 👇 _This post is for subscribers only._ ### A Beginner’s Guide to Collecting African Art URL: https://www.marmaladecollective.com/a-beginners-guide-to-collecting-african-art/ Last updated: 2025-12-16T15:09:38.000Z The world of art is expansive, experimental, and increasingly accessible, yet for many new collectors, stepping into it still feels daunting. There is the fear of “getting it wrong,” the pressure of cost, and the assumption that collecting is reserved for people with insider knowledge or deep pockets. But according to **Lauren Demir**, founder of [**Lofty Spot**](https://www.loftyspot.co.uk/?ref=marmaladecollective.com), collecting is far more human than people realise. She entered the art world not through elite networks, but by *training her eye* through exhibitions and “making art feel simple and open and something to live with.” Her platform is built specifically to meet people “where they are,” removing the intimidation that often shadows the art-buying process. And with **Second Spring**, a new collection by Nigerian–British multidisciplinary artist [**Elfreda Dali**](https://www.instagram.com/elfredadali/?hl=en&ref=marmaladecollective.com), Lofty Spot continues its mission with a body of work that speaks to sustainability, renewal, and the slow, attentive rhythm of making. It’s the perfect entry point into art; tactile, narrative-rich, and priced accessibly at £850 with payment plans available. While this guide uses the term *African Art,* for clarity, it’s important to acknowledge that many artists of African heritage, including Elfreda, create within a wider, global contemporary landscape that doesn’t fit neatly into any single label. This guide brings together their insights on how to start collecting art, how to connect meaningfully with artists, and how to build a collection that grows with you. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Material.jpg) Elfreda's materials ## **1\. Start With Resonance, Not Aesthetics** One of the biggest misconceptions in art collecting is that you must know “what you’re looking at” before making any decisions. But both Lauren and Elfreda insist that collecting begins with curiosity, not expertise. Elfreda encourages beginners to pay attention to what resonates with them *beyond* the visual. She suggests taking time to understand the mediums, textures, and stories that draw you in and, more importantly, understanding what you want your collection to reflect about you. For her, the question isn’t just *what you like*, but *why*. Lauren’s own collecting journey echoes this. Her first purchase, a large pastel piece filled with colour and texture, helped her understand what she liked “living with,” not just admiring. For beginners, this is essential: choose art you want around you every day. That choice, more than any external validation, is the beginning of a collection with integrity. Art offers a broad, diverse range of voices: experimental textiles, portraiture, abstraction, sculpture, sound, and multidisciplinary work that challenges traditional definitions of “fine art.” The key is recognising the parts of yourself that respond to certain materials, movements, and stories. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Lauren-Elfreda-.JPG) Lauren and Elfreda ## **2\. Follow the Story and the Values** Art is deeply tied to storytelling, materials, and cultural memory. Many collectors today want their spaces to reflect meaning: emotional, environmental, or personal. To do that, understanding an artist’s values is crucial. Elfreda notes that an artist’s story naturally reveals where their values lie. For those interested in emotional or environmental depth, she encourages paying attention to the transparency of the artist’s process and community. When artists work with intention, whether emotional, cultural, or ecological, “they never leave it out of the narrative.” That consistency becomes visible in their lifestyle, their methods, the people around them, and the work itself. Studio visits are one of the best ways to experience this. Seeing how an artist lives and works often creates the deepest form of understanding. Even when visits aren’t possible, following an artist’s online presence, interviews, or behind-the-scenes glimpses can reveal the “intersection between their story, their process, and their outcomes.” This connection isn’t just informational; it shapes the longevity of a piece. When you understand why something exists, you begin, as Elfreda says, “to see yourself in it.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/February-.jpg) February by Elfreda Dali ## **3\. Don’t Be Afraid of Textiles or Mixed Media** Textile art, long undervalued in Western art markets, is central to many African artistic traditions. Yet new collectors often feel unsure about works made from fabric, leather, or other tactile materials. Elfreda addresses this hesitancy by reminding us that textiles predate the economic dominance of painting and sculpture. Materials like leather, she explains, have existed across civilisations for centuries, holding roles in ritual, utility, identity, and history. Textile art “goes beyond decorative value,” reaching into lived experience in ways that other mediums often cannot. The challenge hasn’t been the craft, which is rigorous, technical, and deeply intentional, but the language around it. That language, she says, “is going through a rapid shift,” and collectors are catching up. For new collectors, starting with textiles can be a profound way to engage with art on material, historical, and cultural levels. ## **4\. *Second Spring*: Sustainability, Renewal, and Accessible Collecting** Elfreda’s **Second Spring**, co-curated by Lofty Spot, embodies sustainability not as a trend but as an ethos. For her, sustainability is “a way of living and creating that honours the connection between people, place, and planet.” It is a practice rooted in balance between growth and preservation, innovation and care. In this collection, she repurposes leftover materials from her larger works, using leather and fabric remnants to create map-like textile pieces that feel both ancient and contemporary. This isn’t only environmental; it reflects her philosophy of renewal, of allowing materials to regenerate into new stories. She describes sustainability as an act of honesty: asking who a material touches, where it comes from, and what happens to it when it leaves her hands. The works in *Second Spring* grew slowly, shaped by “patience, time, attention, and quiet persistence,” mirroring the natural cycles of regrowth the title evokes. Lauren sees this collaboration as a new model for accessible collecting. Each of the nine original works is priced at £850, a deliberate effort to keep the collection attainable while honouring the integrity of the practice. This is the ethos of Lofty Spot Editions: original works under £1,000 that allow new collectors to enter the world of contemporary art confidently. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Elfreda-In-Progress.PNG) Elfreda Dali work in progress ## **5\. How to Connect With Artists (Even From a Distance)** Connection is one of the most important parts of collecting. When a collector understands an artist’s process, their methods, their community, their worldview, the relationship becomes more than transactional. Elfreda believes that collectors should engage with the fragments of the artist’s world long before the finished piece. This creates an emotional bridge that helps people recognise themselves in the work. In her words, people gravitate toward works that align with their “own evolution and identity.” Being part of an artist’s community, even silently, matters. Following their process online, paying attention to recurring themes, attending their events, or reading about their practice helps build a kind of intimacy that can’t be rushed. Lauren emphasises that artists *love* to share their process. She founded Lofty Spot to make these conversations feel natural and unpressured, helping new collectors feel welcome rather than intimidated. ## **6\. Budgeting and Buying: Prints, Originals, and Payment Plans** One of the biggest barriers for beginners is the assumption that art requires large, immediate payments. Lauren dismantles this myth completely. A piece priced at £800 can feel overwhelming, but spread across four months, it becomes far more manageable. And many artists and galleries, especially those working with emerging African artists, are happy to arrange payment plans when asked. Prints are a gentle entry point, but Lauren notes that originals often hold a deeper emotional connection because “there’s something special about owning the piece the artist made by hand.” For early-career artists, a typical range is £750–£1,000 depending on medium and scale. It’s also important to budget for framing, which can add significantly to the final cost. The key, she says, is understanding *why* you want to collect, whether for meaning, memory, or legacy, and letting that guide your spending choices. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Jemila-Isa-Works--Top--Queen-of-Hearts--Bottom--Trance-.jpeg) Jemila Isa Works (Top- Queen of Hearts, Bottom- Trance) ## **7\. Discovering Artists Without Feeling Like an Outsider** The art ecosystem can seem close-knit, but Lauren insists that curiosity is enough to get you started. You don’t need insider connections; you just need to show up. Attend exhibitions, art fairs, open studios, and especially *degree shows*, where many rising artists first present their work. The more you go, the more familiar everyone becomes. Community builds itself. Online tools matter too: follow artists, small galleries, and artist-run spaces. See who they interact with, collaborate with, or promote. Over time, you’ll develop a map of artistic networks and your place within them. Most importantly, Lauren stresses that “most people in the art world are still learning as they go.” You’re not late, and you’re not out of place. Buying work from emerging African artists directly supports their visibility and career sustainability, a meaningful, concrete form of support. ## **8\. Supporting Artists Beyond Purchases** Collectors often underestimate non-financial support. Elfreda highlights how “small consistent actions” can shape an artist’s career. This includes attending events, introducing their work to others, or even hosting small gatherings where their art is shown or discussed. These gestures create community, something essential to African art ecosystems globally. In the lead-up to *Second Spring*, Elfreda notes that these small acts created “fertile ground” for the collection’s launch. Support, she reminds us, isn’t always monetary; sometimes it’s relational. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Lofty-Spot-x-Black-Eats-Ldn.jpg) Lofty Spot x Black Eats Ldn ## **9\. Choosing Art That Lasts, Emotionally and Physically** Longevity, for Elfreda, is both material and emotional. Physically, her works use couture-level techniques and durable materials designed to outlive trends. Emotionally, a work “lasts” when it remains relevant to you through different stages of your life, when it becomes a companion to your seasons. Collectors aren’t just buyers; they become custodians of the artist’s practice. When a work reflects the collector as much as it reflects the artist, it enters a generational dialogue. Lauren adds a practical perspective: in collecting, value can be unpredictable. “If you buy ten works,” she says, “maybe one will go up enough in value to cover the rest.” This is why she returns to the core principle: buy what you love, because you’re the one who will live with it. ## **10\. A Mindset for the Long Game** Collecting art is not a race. It is a slow, thoughtful process built on curiosity, connection, and evolving taste. Both Lauren and Elfreda believe that the more art you see, the more you understand what draws you in and the more confident you become in your choices. Follow artists over time, watch how their ideas grow, and trust the rhythm of your own eye. Lofty Spot’s Editions, starting with *Second Spring,* demonstrate that collecting doesn’t need to be exclusive or overwhelming. Art can be intimate, communal, and accessible. And most importantly: you don’t need to know everything before you begin. You just need to begin. [Explore the Second Spring Collection Here](https://www.loftyspot.co.uk/secondspringedition1?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Odeal Goes Global, MaXhosa Rewrites SA Style, Dave Hits The Road URL: https://www.marmaladecollective.com/odeal-goes-global-maxhosa-rewrites-sa-style-dave-hits-the-road/ Last updated: 2025-12-15T10:00:38.000Z **Welcome to Vol 165 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Remember how I went completely off last week about December in Lagos being a battlefield of overlapping events, double-booked nights, and FOMO-induced anxiety? How we're all out here playing event Tetris, trying to figure out which concert clashes with which album listening party, and which art exhibition is on the same night as that rooftop thing your friend won't stop posting about? As a solution to that problem, we're proud to present—drumroll please—[**Experiences by Marmalade**](https://www.instagram.com/p/DSAUaNLiHUa/?igsh=MWI5emNidTU0OWM1ZQ==&ref=marmaladecollective.com)**!** Specifically designed to end the December chaos once and for all. [**We've built a live website**](https://experiencesbymarmalade.com/?utm%5Fsource=ig&utm%5Fmedium=social&utm%5Fcontent=link%5Fin%5Fbio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQPMTI0MDI0NTc0Mjg3NDE0AAGnnwfuGiI1wszgOaTzoaJMWTxKeqRyYPEj9h9Rbo2VhgOTdFmqt%5Fak31TfP14%5Faem%5FCdxNQWvVstRHaE2zS88p6Q&access%5Ftoken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJzdWIiOiJvYmlyaWliZW1hcnlAZ21haWwuY29tIiwiZXhwIjoxNzY2MTMwNzIxLCJpYXQiOjE3NjU1MjU5MjF9.Js2TqIeONioX0LrLHDPcMuUr4zTUrfjfB0YLGcQLPtQ#) that curates the best of December in Lagos, taking all the stress out of finding events worth your time. Even better? You can connect with other people who want to attend the same events. If you're already in Lagos, booking a flight, planning your trip, or know friends and family who are flying in; this is for YOU. December is going to be mad, but at least now you'll know exactly where to show up (and who's coming with you). *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Onyeka Igwe Curates a New Wave of International Moving Image at Bow Arts, London URL: https://www.marmaladecollective.com/onyeka-igwe-curates-a-new-wave-of-international-moving-image-at-bow-arts-london/ Last updated: 2025-12-11T12:24:14.000Z Onyeka Igwe is a London-born moving-image artist and researcher whose work explores how we live together, drawing on the archive, the body, and everyday Black life to illuminate overlooked histories. Known for her rhythmic editing and sensorial approach to storytelling, her films have screened at MoMA, ICA London, Dhaka Art Summit, FESPACO, and major festivals worldwide. She has held solo exhibitions at MoMA PS1, LUX, Peer, and Mercer Union, and has earned nominations for the Jarman Award and Max Mara Artist Prize for Women, among others. She opens a solo exhibition at Tate Britain in 2025. This winter, Onyeka leads Visions in the Nunnery – Programme 2 at Bow Arts’ Nunnery Gallery, presenting her acclaimed film “*the names have been changed, including my own and truths have been altered* (2019)” alongside 24 international artists exploring memory, narrative, identity, and the archive. In our interview, we discuss her curatorial approach, the global resonances across the selected works, what it means to revisit a deeply personal film years later, the role of rhythm in her editing, and the significance of showing this work in her hometown at a pivotal moment in her career. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Onyeka_Igwe_in_the_studio_c_Somerset_House.png) Onyeka\_Igwe\_in\_the\_studio\_c\_Somerset\_House **The exhibition brings together 24 international filmmakers and artists, and I wanted to touch on your approach to curating such a diverse group of people. What qualities or themes would you say connect their work, and also connect their work to yours?** There was an open call for the program, and each program has a lead artist. I was the lead artist for this one, and people were responding a little bit to some of the themes and elements of my own work. Some of the things we were interested in exploring and highlighting were memory, identity, and the archive, because those are key for me. Also thinking about narrative, working with narrative, reworking narrative, and experimenting with narrative, because those are all features of my own practice. So we were trying to pick artists who worked within those themes in a way that would make sense in an exhibition. **I know that archiving and memory are also a big part of your work. Your film also explores colonial archives, family, and memory. So, how do you think showing it within this collective context changes or expands the conversation around the film?** I think that showing something in relation to other works can really highlight and bring out some of the ideas and themes, and allows you to see the work in a different way. I made the film, *the names have changed, including my own and truths have been altered,* in 2018–2019, so it’s about six years old now. A lot has changed. For me, it’s interesting to revisit it alongside newer works and different artists, and to see how some of these ideas around memory and identity have been taken up by other people. It gives a boost, or a new perspective, to my own work. **Yeah, that makes sense. *Visions in the Nunnery* has long been a platform pushing for experimental moving image and experimental art. What does it mean to you to be leading this program—Program 2—at this particular moment in your career, especially following some of the other milestones you’ve had?** I like to show my work in different contexts, and I’ve known about *Visions* for quite some time. It’s local to me, part of the area I grew up in in London. And I always like to show work in places that don’t necessarily attract the same crowd. *Visions* has a long history; people have been going for many years, especially people from that area. It’s also integrated with the University of East London; students there engage with the program and make their own work. So I think it’s a great opportunity for people to engage with my practice and the practices of other artists outside of these bigger institutions. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Ripple-Effect-still-by-Niyaz-Saghari.jpg) Ripple Effect still by Niyaz Saghari **One of the first things I noticed is how different the exhibition is, and how accommodating it is of people with styles that are not exactly mainstream. And on the artists in the program, many of them are early in their careers or just emerging. How do you see your role in nurturing and amplifying the new generation of filmmakers and moving-image artists?** I don’t know if I have a definitive role, but I’m always open to engaging with artists who are emerging or newer and sharing my experiences. I’m appreciative of having these conversations. When I was starting out, people helped me a lot by sharing their experiences, so I’m always up for doing the same. **The exhibition spans many geographies, many countries, and also personal histories; Nigeria, Ukraine, Argentina. What have you discovered, as you’ve been putting all of this together, about resonances across these international works?** I think it’s funny, one of the films that came through had a similar name to a film I made in the past. It’s by an artist called Emery Joan, and their film is called *We Will Learn to Call Ourselves New Names*. And I had a film a few years ago called *We Need New Names*. You know, it’s based on a book. So I think I can see a similarity; people thinking along similar lines, using similar strategies to engage with feelings of loss or distance or diaspora. And that comes from so many different communities that people are employing these similar approaches. For me, that’s comforting in some way, that across geography, there’s a moment in which we can meet, a kind of zone of contact, and that comes across in these film works. So I’m really excited to see all the works in the space, meet some of the filmmakers if they’re around, and just see what the resonances are when the works are actually in the space. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Still-from-the-names-have-been-changed-including-my-own-and-truths-have-been-altered_by_Onyeka-_Igwe.jpg) Still from the names have been changed including my own and truths have been altered\_by\_Onyeka \_Igwe **Congratulations on the opening. You have your own films and your own work showing as well, and your editing style is known specifically for being rhythmic and for the play between image and sound. So, what do you think about rhythm and dissonance within a collective context? Is it a form of choreography for you, or can it be everyone moving in their own sort of rhythm? I’d just like to hear your thoughts.** I think that internally in the films, there’s a specific kind of rhythm to the editing and to the relationship between sound and image. Sometimes I’m interested in creating dissonance, sometimes it’s a different type of relationship between the two. But for me, it’s that interplay that produces a kind of effect; a feeling, a reaction, and meaning for the audience, for the viewer. And then when that happens in space, it’s a different thing. And you’re right that people bring their own rhythm; how they move around the space is something I can’t control. And that helps them engage with the work differently. I’m really interested in those things: choreographing space, movement, and how that can activate moving image. And how breaking up the sound and image portions of a film can allow the audience to create their own rhythm. For me, that’s an experiment, it’s an open question, and I’m curious to learn from other people about what that creates for them. **That’s interesting. Coming from that, can you take us through your creative process a bit? Do you start with an idea? Do you start with a rhythm in mind? Or do you start with an image?** I think I start with a question; something I’m curious about, something I want to learn more about, something I want other people to help me puzzle through. And then I also have a kind of formal curiosity as well: something within the structure of cinema or the structure of art that I’m interested in testing out a bit more. So those two things come together, and that’s how the idea develops. So yeah, it’s usually not an image in particular. And the rhythm comes later. The rhythm of the edit is very intuitive in the moment of editing. When I have the images and sounds together, that’s when I figure out what the rhythm of the piece should be. And yeah, it’s something I sense rather than something I’m very prescriptive about. **Thank you for sharing. Curiosity definitely is a big tool for creatives and artists, and I love that that’s your first step. What would you say is your creative process in documenting and archiving?** In documenting and archiving, I try to be very open to anything that comes to me in the moment. I try to pay attention to my encounters with history, and to how all my senses react to something. So maybe I’m in an archive, reading about something, and it’s reminding me of food, or of an experience I had in a different place at a different time. I try to make notes of that, like writing a kind of diary of these experiences, so that when I come back to this material or research to make work, those experiences also come out in the work I’m making. **That makes sense. Thank you. Going back to the exhibition now, I know London’s film and moving-image community has grown immensely over the years. What does it mean to you to present your work in your hometown at a time when artistic film is gaining visibility?** It’s always special to show work where you live because it means the people you engage with, people you’re in community with, family, friends, can see it, can talk to you about it, and it can spark conversations. And yes, as you said, there’s a really vibrant film community or artist moving-image community in London that can also see my work. And you know, I got an email earlier this week from someone who had seen my work at Tate and wanted to share their experience and reflections. I find that those things are much more likely to happen where you live. And who knows where that conversation could go with that person, because it’s possible to start things from those small observations or small connections. And the person who emailed me was a filmmaker. So for me, that’s what I really value about showing where you live. Equally, showing in Nigeria is something I’m really curious about and want to pursue, because a lot of my work is thinking about Nigeria and thinking about my relationship to it. So I’m very curious about the conversations that could be had there as well. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Kadie-Salmon_Moon-Bathing_hand-coloured-black-and-white-moving-image_2018_still.jpg) Kadie Salmon\_Moon Bathing\_hand coloured black and white moving image\_2018\_still **Yeah, it’s great to get feedback from people who connect directly with your work and might even have known you for a long time without you knowing them. My last question to round off will be: when people see your work, when they see this exhibition and the works of the other artists, what would you like them to take away from the experience?** I don’t have any set ideas about what I want people to take away. I just want people to think, to think deeply about the issues or ideas or concepts that the works contain. Or for them to feel something about the works, and for that impression to linger. For it to stay with them a little longer and create some kind of movement or effect in their life. That’s what I hope for. **Thank you very much.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### The Ultimate Marmalade Guide to Gifting 2025 URL: https://www.marmaladecollective.com/the-ultimate-marmalade-guide-to-gifting-2025/ Last updated: 2025-12-10T15:26:50.000Z December is finally doing its slow walk into our lives, which means it’s officially gifting season. And if you’re anything like us, you’re tired of stress-scrolling through the same generic gift guides that have nothing to do with us, our culture, or our creativity. So we did what we do best; we went back through all the African and Afrocentric brands we’ve been eyeing all year and turned them into one cozy little gifting guide just for you. This guide is a love letter to African creativity, thoughtful gifting, and supporting brands that truly get it. --- ## FEATURED 🔥 ### [DÒDÒ Plantain-Infused Rum](https://www.drinkdodo.com/store?ref=marmaladecollective.com) A masterfully crafted spirit distilled from scratch and infused with the natural richness and caramelised sweetness of golden plantain, with a hint of spice. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/_H5A9214-1.jpg)](https://www.drinkdodo.com/store?ref=marmaladecollective.com) ## SKINCARE ### [Nokware Skincare Grande Box](https://nokwareskincare.com/product/her-grande-gift-box/?v=66e10e9ff65e&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/giftboxnew-3-alt-600x600-2-1.jpg)](https://nokwareskincare.com/product/her-grande-gift-box/?v=66e10e9ff65e&ref=marmaladecollective.com) **Image via Nokware Skincare* A collection of organic skincare essentials that scream pamper, self-love and glow! ### S’able Labs [Limited Edition Core Collection Giftset](https://uk.sablelabs.co/products/limited-edition-core-collection-giftset?ref=marmaladecollective.com) ### [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Untitled_design-12_720x-2-1-1.webp)](https://uk.sablelabs.co/products/limited-edition-core-collection-giftset?ref=marmaladecollective.com) **Image via S'ABLE Labs* For a limited time, get the S'ABLE Labs Core Collection Giftset, featuring three potent formulas enriched with African botanicals and their signature HyperPrevent technology. ### [TOPICALS’ Faded Starter Kit](https://mytopicals.com/en-gb/products/faded-starter-kit-unscented?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-1.png)](https://mytopicals.com/en-gb/products/faded-starter-kit-unscented?ref=marmaladecollective.com) **Image via Topicals* Each product is specially formulated with an award-winning blend of brightening ingredients to be most effective for the specific area you're targeting without stripping the skin. ### Modara Naturals: [**Asakwa With Hibiscus**](https://bellafricana.co.uk/product/modara-naturals-asakwa-with-hibiscus/?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Copy-of-Imaage1578-1-1.webp)](https://bellafricana.co.uk/product/modara-naturals-asakwa-with-hibiscus/?ref=marmaladecollective.com) **Image via Modara* An ancient West African soap recipe, tested and trusted to treat many skin conditions and give an even toned glowing skin. ### [R&R Skincare](https://www.instagram.com/randrskincareco/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-22.png)](https://www.instagram.com/randrskincareco/?ref=marmaladecollective.com#) **Image via @r&rskincare* [**R&R Skincare**](https://www.instagram.com/randrskincareco/?ref=marmaladecollective.com#) has built a name on turning shea butter into a full-blown lifestyle. Founded in 2010 by Valerie Obaze, the brand was inspired by her daughter and a desire to create natural, beautifully packaged products that felt luxurious yet authentic. ### [Hanahana Beauty](https://www.instagram.com/hanahana%5Fbeauty/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-25.png)](https://www.instagram.com/hanahana%5Fbeauty/?ref=marmaladecollective.com#) **Image via @hanahanabeauty* [**Hanahana Beauty**](https://www.instagram.com/hanahana%5Fbeauty/?ref=marmaladecollective.com#) tells its story through touch. Founded by Abena Boamah-Acheampong, the brand produces rich body butters and scrubs using shea sourced from the Katariga Women’s Shea Cooperative in Tamale. --- ## PERFUME ### [Scent of Africa](https://www.instagram.com/scentofafrica/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-23.png)](https://www.instagram.com/scentofafrica/?ref=marmaladecollective.com#) **Image via @scentofafrica* Taking the idea of wellness beyond skin, [**Scent of Africa**](https://www.instagram.com/scentofafrica/?ref=marmaladecollective.com#) explores how fragrance can tell stories and shape mood. Founded by perfumer Tanal Ghandour, it’s the first fine-fragrance house to emerge from the continent. ### [Maison Yusif Fragrance](https://www.instagram.com/maisonyusif/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-24.png)](https://www.instagram.com/maisonyusif/?ref=marmaladecollective.com#) **mage via @maisonyusif* [**Maison Yusif** ](https://www.instagram.com/maisonyusif/?ref=marmaladecollective.com#)is Ghana’s first niche artisan perfumery, founded in 2017 by Yusif Meizongo Jnr. Known for bold creations like *The Vatican* and *Leather To Excellence*, the brand blends African heritage with contemporary luxury. --- ## FOOD ### [Kwikish Jollof Paste](https://kwikish.com/products/original-kwikish-jollof-sauce?variant=49587727696202&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-3-1.png)](https://kwikish.com/products/original-kwikish-jollof-sauce?variant=49587727696202&ref=marmaladecollective.com) **Image via Kwikish* A rich, ready-to-use jollof base that brings bold Nigerian flavour to every pot. ### [Wild Ghana Coffee](https://www.adjoaa.com/collections/skincare/products/wild-ghana-coffee?variant=41972380729526&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/wild-ghana-coffee01643886258_1_3000x-1.webp)](https://www.adjoaa.com/collections/skincare/products/wild-ghana-coffee?variant=41972380729526&ref=marmaladecollective.com) **Image via Skin Gourmet* Ghana style coffee sustainably sourced and brewed in Eastern Ghana, by Skin Gourmet. ### [Skin Gourmet Palm Kernel Butter](https://www.adjoaa.com/collections/skin-gourmet/products/skin-gourmet-palm-kernel-butter?variant=42529389150390&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/palm-kernel-butter-11699527102_553bb652-d74e-4a87-8a82-116827ed1d28_3000x--1--1-1.webp)](https://www.adjoaa.com/collections/skincare/products/wild-ghana-coffee?variant=41972380729526&ref=marmaladecollective.com) **Image via Skin Gourmet* Handmade with love in Ghana, and crafted from the heart of palm fruit. --- ## APPAREL ### [Crocs x Olaolu Slawn](https://www.complex.com/shop/products/crocs-x-slawn-classic-clog-multi?dropID=831e0843-ae1d-4e03-8d1f-75f5d624580d&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/OIUX1F5EuzXE0WGMkdbbD-QLbES7_fd-1npH-eugwzg-1.webp)](https://www.complex.com/shop/products/crocs-x-slawn-classic-clog-multi?dropID=831e0843-ae1d-4e03-8d1f-75f5d624580d&ref=marmaladecollective.com) **Image via Crocs* A vibrant collaboration that transforms the Classic Clog into a canvas for bold graphic expression. ### [Foschini x Rich Mnisi](https://bash.com/s?persistentFilter=productClusterIds%3A11751%2Cstore%3Afoschini&storefrontCtx=foschini&ref=marmaladecollective.com) Limited Edition Capsule Collection [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Foschini-X-Rich-Mnisi-capsule-collection-1.webp)](https://bash.com/s?persistentFilter=productClusterIds%3A11751%2Cstore%3Afoschini&storefrontCtx=foschini&ref=marmaladecollective.com) **Image via Foschini* A stunning collection dedicated to embodying the confidence and elegance of South African women. ### [Garden of Sisterhood Collection](https://vlisco.com/pages/garden-of-sisterhood?%5Fpos=1&%5Fpsq=Garden+of&%5Fss=e&%5Fv=1.0&ref=marmaladecollective.com) – Vlisco [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/1080_x_1350_0006_CAMPAIGN_PHOTOSHOOT0865_A3_300dpi_sRGB_600x-1.webp)](https://vlisco.com/pages/garden-of-sisterhood?%5Fpos=1&%5Fpsq=Garden+of&%5Fss=e&%5Fv=1.0&ref=marmaladecollective.com) **Image via Vlisco* A tribute to beauty, growth, and the bonds that shape us, “The Garden of Sisterhood” is a reminder that when we celebrate ourselves and each other, we flourish. ### Adele Dejak‘s [**Jasiri Collection Lamu Bag**](https://adeledejak.com/products/jasiri-lamu-bag?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/JASIRILAMUBAGSMALL2-1.webp) **Image via Adele Dejak* Handmade in Kenya by Adele Dejak’s skilled artisans, this bag blends contemporary style with sustainable innovation. ### [**The Aku Kaftan**](https://ng.hertunba.com/index.php?route=product%2Fproduct&language=en-gb&product%5Fid=163&path=61%5F76&ref=marmaladecollective.com) – Hertunba Joy Collection [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/aku-kaftan-1-1.jpg)](https://ng.hertunba.com/index.php?route=product%2Fproduct&language=en-gb&product%5Fid=163&path=61%5F76&ref=marmaladecollective.com) **Image via Hertunba* The Aku Kaftan in Multicolor is a celebration of colour, craft, and culture. Made from 100% handwoven indigenous fabrics, each vibrant panel is a work of art. The result is a stunning, free-flowing kaftan that blends heritage craftsmanship with modern elegance. ### [NBDA x Quacktails](https://www.thenbda.com/products/nbda-x-quacktails-technical-slides-v101-pekin-copy?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/quacktails-1.webp)](https://www.thenbda.com/products/nbda-x-quacktails-technical-slides-v101-pekin-copy?ref=marmaladecollective.com) **Image via NBDA* Bold and energetic “Peckin slides,” bringing together NBDA’s innovative footwear approach and Quacktails’ playful brand identity. ### [Puma x Skepta](https://eu.puma.com/de/en/lifestyle/collaborations/puma-x-skepta?srsltid=AfmBOoqKE0bN1aZ4y9uC7Pdco44HgJCle5YTctY3QdAajiGlSxAuVJ54&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_532135031_18524670424018047_8453039175695040146_n-1.jpg)](https://eu.puma.com/de/en/lifestyle/collaborations/puma-x-skepta?srsltid=AfmBOoqKE0bN1aZ4y9uC7Pdco44HgJCle5YTctY3QdAajiGlSxAuVJ54&ref=marmaladecollective.com) **Image via Puma* Back to Black; An infusion of PUMA’s archive with Skepta’s distinctive perspective. ### Mmuso Maxwell’s [**Obhuti Abatsha Shirt**](https://mmusomaxwell.shop/products/%5Fobhuti-abatsha-shirt%5F?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/2025_03_MmusoMaxwell_MensWear_Look_044465-1.webp)](https://mmusomaxwell.shop/products/%5Fobhuti-abatsha-shirt%5F?ref=marmaladecollective.com) **Image via Mmuso Maxwell* Mmuso Maxwell’s debut menswear collection, Obhuti Abatsha, reimagines masculinity through memory, craftsmanship and care. ### [Kkerelé Halo Sandals](https://usd.kkerele.com/halo-p315962169?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/kkerele-sandals-1.png)](https://usd.kkerele.com/halo-p315962169?ref=marmaladecollective.com) **Image via Kkerelé* Kkerelé Halo sandals are made with leather wrapped lightweight platform soles. ### [KAI Collective Mita Jersey](https://kaicollective.com/en-ng/collections/new-in/products/mita-vintage-style-knitted-logo-jersey-red?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_525301802_17903875074231788_972284696914498237_n-1.jpg)](https://kaicollective.com/en-ng/collections/new-in/products/mita-vintage-style-knitted-logo-jersey-red?ref=marmaladecollective.com) **Image via KAI Collective* A nod to your fave vintage sport style, crafted for both comfort and statement outfits. ### [MARC JACOBS X MOWALOLA](https://www.marcjacobs.com/us-en/the-marc-jacobs/featured/marc-jacobs-x-mowalola/?srsltid=AfmBOorXo-rqjEpXwwyYb0LCxTSJZ57m6damulogdpJvNX3wR3vElLNo&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/marc-x-jacobs-1.webp)](https://www.marcjacobs.com/us-en/the-marc-jacobs/featured/marc-jacobs-x-mowalola/?srsltid=AfmBOorXo-rqjEpXwwyYb0LCxTSJZ57m6damulogdpJvNX3wR3vElLNo&ref=marmaladecollective.com) **Image via Marc Jacobs* A limited-edition capsule that merges Marc’s maximalist nostalgia with Mowalola Ogunlesi’s much-hyped unruliness. ### [Limited Edition Agbalumo Capsule Collection](https://nackapparel.com/collections/agbalumo-tee?ref=marmaladecollective.com) by NACK Apparel [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/agbalumo-1.webp)](https://nackapparel.com/collections/agbalumo-tee?ref=marmaladecollective.com) **Image via NACK Apparel* A celebration of the rich flavours and cultural significance of West Africa’s golden Agbalumo fruit. ### [This Is Us’ Signature Funtua Tee](https://thisisusworld.com/en-ng/products/this-is-funtua-signature-tee?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/thisisus-1.webp)](https://thisisusworld.com/en-ng/products/this-is-funtua-signature-tee?ref=marmaladecollective.com) **Image via This Is Us* Our signature boxy t-shirt in ivory and hausa states print dyed Funtua cotton. Fourth edition flag design in discreet "This is Funtua Nigerian Made Cotton" embroidery. ### Bôhten Eyewear [Lindiwe Oaka Sunglasses](https://bohten.com/products/lindiwe-chrome?ref=marmaladecollective.com) ### [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/lindiwe-oaka-sun-997326-2.webp)](https://bohten.com/products/lindiwe-chrome?ref=marmaladecollective.com) **Image via Bôhten* Bôhten’s highly anticipated first women's silhouette. ### [Ashluxe’s Flame Tank Top](https://ash-luxe.com/products/flame-tank-top?variant=41899010195554&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-5-1.png)](https://ash-luxe.com/products/flame-tank-top?variant=41899010195554&ref=marmaladecollective.com) **Image via Ashluxe* The perfect combination of edge and warm-weather luxury. ### [KSUBI x Mowalola](https://ksubi.com/collections/mowalola-ksubi-collection?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/JACKET_Mowa-crop-cheetah_036_700x-1.webp)](https://ksubi.com/collections/mowalola-ksubi-collection?ref=marmaladecollective.com) **Image via Mowalola* A team-up with London-based, Nigerian-born designer Mowalola and Ksubi for a 9-piece capsule blending bold design, signature denim, and Nigerian Y2K style. ### [BALGHA x ADIDAS](https://www.instagram.com/p/DH%5FXVY1u3XI/?igsh=MXVwN3N3bjcydW5jag%3D%3D&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_488208096_18048551267360568_6215248261318521595_n-1.jpg)](https://www.instagram.com/p/DH%5FXVY1u3XI/?igsh=MXVwN3N3bjcydW5jag%3D%3D&ref=marmaladecollective.com) **Image via Adidas* A unique fusion of Moroccan tradition and modern streetwear. ### [Kickers x MAINS](https://www.kickers.co.uk/kickers-x-mains.list?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/kickers-x-mains-1.webp)](https://www.kickers.co.uk/kickers-x-mains.list?ref=marmaladecollective.com) **Image via MAINS* The iconic limited-edition drop fronted by creative director and rap genius, Skepta. ### [AAKS’ Oroo Oak Tote](https://industrieafrica.com/products/oroo-oak-tote?%5Fpos=1&%5Ffid=ccdf10edb&%5Fss=c&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-6-1.png)](https://industrieafrica.com/products/aaks-oroo-oak-tote?%5Ffid=ccdf10edb&%5Fpos=1&%5Fss=c&ref=marmaladecollective.com&variant=46388995064085) **Image via AAKS* Made with traditional Ghanian weaving techniques. ### Loza Maléombho [**Accep Jacket**](https://industrieafrica.com/collections/loza-maleombho?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Industrie_Africa_LozaMaleombho_AdeleDejak_Jiamini_Zashadu_Maliko_Akidor_Josephine-1.webp)](https://industrieafrica.com/collections/loza-maleombho?ref=marmaladecollective.com) **Image via Loza Maleombho* Loza Maleombho pieces are crafted by local Ivorian artisans and feature bold decorative details; an ode to the synergies between Ivorian tribal aesthetics and New York City’s urban style. ### Emmy Kasbit’s [**Naza Set** ](https://industrieafrica.com/products/emmy-kasbit-naza-set?srsltid=AfmBOorBpFU8glLaTZp6C2bvF6wHZ5LXsGPcMpUnpHeab5LX0EUbJ3nC&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-8-1.png)](https://industrieafrica.com/products/emmy-kasbit-naza-set?srsltid=AfmBOorBpFU8glLaTZp6C2bvF6wHZ5LXsGPcMpUnpHeab5LX0EUbJ3nC&ref=marmaladecollective.com) **Image via Emmy Kasbit* Comprising a relaxed-fit shirt and straight-leg pants with swishy fringes along the cuffs, this easy-breezy duo offers a contemporary twist on the Ukara cloth—made exclusively for members of the Ekpe society. ### Adele Dejak's handcrafted [**Afro-Tsire Extra Bracelet**](https://industrieafrica.com/products/adele-dejak-afro-tsire-extra-bracelet?%5Fpos=25&%5Ffid=5dbdd38e3&%5Fss=c&ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-9-1.png)](https://industrieafrica.com/products/adele-dejak-afro-tsire-extra-bracelet?%5Fpos=25&%5Ffid=5dbdd38e3&%5Fss=c&ref=marmaladecollective.com) **Image via Adele Dejak* Handcrafted with brass, this statement bracelet captures the essence of African warrior traditions. Let it encircle your wrist, symbolizing your resilience and fierce spirit, while adding an extra touch of bold elegance to your ensemble. --- ## BOOKS ### [And Suddenly The Flowers Withered ](https://www.amazon.com/Suddenly-Flowers-Withered-Other-Stories/dp/B0BCMNTDHD?ref=marmaladecollective.com)– João Melo [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-10-1.png)](https://www.amazon.com/Suddenly-Flowers-Withered-Other-Stories/dp/B0BCMNTDHD?ref=marmaladecollective.com) **Image via Amazon* And Suddenly the Flowers Withered and Other Stories is a gripping collection that explores the quiet tragedies and emotional tensions of everyday life. Through deeply human characters and subtle, haunting moments, João touches on love, loss, betrayal, survival, and the fragile beauty of hope. ### [A Little Light](https://www.amazon.com/Little-Light-Nthikeng-Mohlele-ebook/dp/B0C5XRYBVW?ref=marmaladecollective.com) – Nthikeng Mohlele [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-11-1.png)](https://www.amazon.com/Little-Light-Nthikeng-Mohlele-ebook/dp/B0C5XRYBVW?ref=marmaladecollective.com) **Image via Amazon* A timely, sensitive collection of places, bodies, and hope, told in beautifully lit, precise stories. ### [Sanya](https://www.goodreads.com/book/show/75576129-sanya?ref=marmaladecollective.com) – Oyin Olugbile [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/SaveClip.App_544130807_18317914324241695_8315685345346502714_n-1.jpg)](https://www.goodreads.com/book/show/75576129-sanya?ref=marmaladecollective.com) **Image via Goodreads* Sànyà is a mythological fantasy that reimagines Yoruba cosmology through a fierce, female protagonist: Sànyà, who must protect her clairvoyant older brother Dada while wrestling with a dark prophecy tied to her growing power. ### [The Frightened](https://www.goodreads.com/book/show/173534425-the-frightened?ref=marmaladecollective.com) – Lethokuhle Msimang ### [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-21-1.png)](https://www.goodreads.com/book/show/173534425-the-frightened?ref=marmaladecollective.com) **Image via Sunday Times* In this lyrical, fragmented novella, Lethokuhle Msimang uses autobiographical and poetic interventions to lead the reader through landscapes of loss and longing, travelling between France, China, Spain and South Africa, to explore the troubled terrain of leaving and finding home. ### [Indaba My Children](https://www.goodreads.com/book/show/545399.Indaba%5FMy%5FChildren?ref=marmaladecollective.com) – Vusamazulu Credo Mutwa [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-15-1.png)](https://www.goodreads.com/book/show/545399.Indaba%5FMy%5FChildren?ref=marmaladecollective.com) **Image via Goodreads* My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it. ### [Vegan Africa: Plant-Based Recipes from Ethiopia to Senegal](https://www.goodreads.com/book/show/59891834-vegan-africa?ref=marmaladecollective.com) – Marie Kacouchia [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-16.png)](https://www.goodreads.com/book/show/59891834-vegan-africa?ref=marmaladecollective.com) **Image via Goodreads* Drawing from the cultures and traditions of more than 15 countries, years of cooking expertise, and cherished memories from her own childhood on the Ivory Coast, Marie Kacouchia takes us on a tour of flavourful, healthy, naturally plant-based African dishes. ### [An African History of Africa](https://www.amazon.com/African-History-Africa-Zeinab-Badawi/dp/0753560127?ref=marmaladecollective.com) – Zeinab Badawi [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-18-1.png)](https://www.amazon.com/African-History-Africa-Zeinab-Badawi/dp/0753560127?ref=marmaladecollective.com) **Image via Amazon* For too long, Africa’s history has been dominated by western narratives of slavery and colonialism, or simply ignored. Now, Zeinab Badawi sets the record straight. ### [Blackass](https://www.goodreads.com/book/show/23482810-blackass?ref=marmaladecollective.com) – Igoni Barrett [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-19-1.png)](https://www.goodreads.com/book/show/23482810-blackass?ref=marmaladecollective.com) **Image via Goodreads* Furo Wariboko, a young Nigerian, awakes the morning before a job interview to find that he’s been transformed into a white man. Igoni Barrett’s Blackass is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us simply by virtue of the way we look. ### [**Dream Count** ](https://www.goodreads.com/book/show/219521090-dream-count?ref=marmaladecollective.com)– Chimamanda Ngozi Adichie [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-20-1.png)](https://www.goodreads.com/book/show/219521090-dream-count?ref=marmaladecollective.com) **Image via Amazon* Four women navigate love, loss, and life choices during the pandemic. In *Dream Count*, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. --- ## SPIRITS & LIQUOR ### [Saint Ogun Rum](https://www.instagram.com/saintogun/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-26.png)](https://www.instagram.com/saintogun/?ref=marmaladecollective.com#) **Image via @saintogun* [**Saint Ogun**](https://www.instagram.com/saintogun/?ref=marmaladecollective.com#) is a contemporary African-inspired rum brand founded in 2020 by London-based friends Nic Akinnibosun and Rico Oyejobi. The brand honours Nigerian heritage while blending Caribbean rum traditions with a modern global outlook. ### [KWV Brandy](https://www.instagram.com/kwvbrandy/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-27.png)](https://www.instagram.com/kwvbrandy/?ref=marmaladecollective.com#) **Image via @kwvbrandy* [**KWV Brandy**](https://www.instagram.com/kwvbrandy/?ref=marmaladecollective.com#) is a true South African classic, carrying over a century of heritage in winemaking and distilling. ### [Bayab Gin](https://www.instagram.com/bayabgin/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-28.png)](https://www.instagram.com/bayabgin/?ref=marmaladecollective.com#) **Image via @bayabgin* [**Bayab Gin** ](https://www.instagram.com/bayabgin/?ref=marmaladecollective.com#)is a proudly African gin that shows off the continent’s natural flavours in every pour. Distilled in KwaZulu-Natal, South Africa, the brand is built around the iconic baobab fruit, known as the “tree of life.” ### [Mansas African Whisky](https://www.instagram.com/p/DFVEtgPNw%5F1/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igsh=MzRlODBiNWFlZA==) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-29.png)](https://www.instagram.com/p/DFVEtgPNw%5F1/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igsh=MzRlODBiNWFlZA==) [**Mansas African Whisky**](https://www.instagram.com/p/DFVEtgPNw%5F1/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igsh=MzRlODBiNWFlZA==) is proof that great whisky doesn’t just come from Scotland. Made in KwaZulu-Natal by Spearhead Spirits, it’s named after Mansa Musa, the legendary West African emperor known for his wealth and power. ### [DÒDÒ](https://www.instagram.com/drinkdodo/?ref=marmaladecollective.com#) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image-30.png)](https://www.instagram.com/drinkdodo/?ref=marmaladecollective.com#) **Image via @drinkdodo* Distilled from scratch and infused with the rich, caramelised sweetness of golden plantain, [DÒDÒ ](https://www.instagram.com/drinkdodo/?ref=marmaladecollective.com#)is a 40% rum spirit with layers of vanilla, brown sugar, spice, and deliciously overripe plantains. It’s fun, flavourful, and rooted in one of Nigeria’s most beloved foods, plantain. --- ## HERITAGE ### [WAKA WAKA: Observations on Contemporary African Life, Culture & Landscapes](https://denda.works/wakawaka/p/waka-waka-observations-on-contemporary-african-life-culture-landscape?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/Waka-Waka-1.webp)](https://denda.works/wakawaka/p/waka-waka-observations-on-contemporary-african-life-culture-landscape?ref=marmaladecollective.com) **Image via Denda Works* Featuring 300 masterfully captured photographs spanning two decades, this collection offers an authentic insider's perspective of Africa's dynamic evolution. ### Zuri Watu – [Limited Edition Heritage Playing Cards](https://zuriwatu.com/products/heritage-playing-cards-uk?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/2025-02-11_13-35-41_B_R8_S4_-Edit-Edit-1.webp)](https://zuriwatu.com/products/heritage-playing-cards-uk?ref=marmaladecollective.com) **Image via Zuri Watu* A luxury playing card brand which reveres the distinguished kings, queens, and leaders that shaped the continent's resplendent history and cultural legacy. ### Cuppashanti’s [Kentemania Collection](https://cuppashanti.com/collections/all?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/CUPPASHANTI-1.webp)](https://cuppashanti.com/collections/all?ref=marmaladecollective.com) **Image via Cuppashanti* A vibrant series of kente inspired cups (and a special [**behind-the-scenes look**](https://youtu.be/9WekuGqqla4?si=ryKstB0IeHw8KXuD&ref=marmaladecollective.com) into the Cuppashanti shoot). ### [**Zenzi Candle**](https://harrietallure.com/products/zenzi-1?ref=marmaladecollective.com) – Harriet Allure [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/12/image00008_d23ff02f-9398-4aaa-b019-4770a1e2fcf0-1.webp)](https://harrietallure.com/products/zenzi-1?ref=marmaladecollective.com) **Image via Harriet Allure* A vibrant new scent inspired by female strength, Swedish minimalism, and Ghanaian heritage. ### Yagazie Redefines Fine Art, Yinka Ilori Gets a Royal Nod, Pearl Thusi Steps Into Music URL: https://www.marmaladecollective.com/yagazie-redefines-fine-art-yinka-ilori-gets-a-royal-nod-pearl-thusi-steps-into-music/ Last updated: 2025-12-08T10:00:56.000Z **Welcome to Vol 164 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. So a friend asked me last week what my December plans are and I just...stared. Blinked twice. Laughed nervously. Because the honest answer is: I want to be OUTSIDE. Everywhere. All at once. December in Lagos is shaping up to be absolutely overwhelming in the best and most chaotic way possible, and I’m equal parts scared and excited for it. But before we spiral into the beautiful madness of Detty December, let's take a moment to celebrate some wins that are setting the tone for this new era. [**Yagazie Emezi is following her chi**](https://marieclaire.ng/yagazie-emezi-fine-art-photography-guided-by-her-chi/?ref=marmaladecollective.com)into a new chapter of fine art photography, and [**Yinka Ilori just made history**](https://africaartnews.com/posts/7360-2?ref=marmaladecollective.com) as a Royal Designer. As always, try to pace yourself this month. Drink water between trips. Charge your power bank. And remember; you can't attend everything, so prioritize the things that matter to you. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Oyelowo Takes on Othello, Bonang Matheba Redefines Luxury, Tems Drops New EP URL: https://www.marmaladecollective.com/oyelowo-takes-on-othello-bonang-matheba-redefines-luxury-tems-drops-new-ep/ Last updated: 2025-12-01T10:00:46.000Z **Welcome to Vol 163 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. ***\*screams in jingle bells\**** Welcome to December! Whether you’re flying across the world or staying right where you are, I hope your December plans include some version of food, family and fun, in no particular order. Personally I’m looking forward to all the returning aunties and uncles that’ll sneak money into my hands. We also have to say a massive thank you to everyone who participated in [**our spotlight series**](https://www.marmaladecollective.com/tag/member-spotlight/). Honestly, getting to showcase your stories and share what you're building has been one of the highlights of our year. And because we know you're all gearing up for Detty December, we've been cooking up something special behind the scenes. We can't spill details just yet, but it's coming soon and we absolutely cannot wait to share it with you. 😉 *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 🎁 Black Friday Exclusive Inside URL: https://www.marmaladecollective.com/black-friday-exclusive-inside/ Last updated: 2025-12-06T12:41:27.000Z We've never done this before 😱 This is the biggest discount we've ever given. Can you make the most of it, before time runs out? _This post is for subscribers only._ ### A Third Space Represents "The In-Between" for Creatives URL: https://www.marmaladecollective.com/a-third-space-represents-the-in-between-for-creatives/ Last updated: 2025-11-26T08:53:07.000Z A Third Space began as a quiet rebellion against Lagos’ overstimulating creative environment, a city teeming with art and culture, yet often too loud for real connection. Founded in early 2024 by writer and curator **Nelson C.J**, the space was built to offer something rare: somewhere that invites presence, curiosity, and meaningful exchange. Nelson, whose writing has appeared in *The New York Times, TIME Magazine, Teen Vogue,* among others, has long been drawn to the intersections of art, culture, and human experience. With A Third Space, he channels that curiosity into something tangible: a living, breathing community where creativity and dialogue coexist freely. It’s also defined by its atmosphere: warm, circular, and democratic. What started as an experiment has since evolved into a thriving collective. A Third Space now hosts gatherings, film clubs, craft talks, readings, and exhibitions, nurturing both emerging and established voices. Its projects, like *The Long Story Project*, honour oral storytelling traditions, while landmark events such as *Route 3*—a two-day festival that turned Lagos into a reflective creative oasis—showcase its ability to merge art, rest, and community in one seamless experience. In our conversation, Nelson spoke about the origins of A Third Space, the meaning behind its name, and the evolving notion of community in Lagos. We explored how collaboration, accessibility, and curiosity shape the space’s programming, what it means to belong in a city built on exclusivity, and why slowing down—simply sitting, listening, and being—is a radical act of creativity in itself. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_475107839_17857151793359808_5902985050644600426_n.jpg) A Third Space's first Warm Light series event. 📸: [@ocyrees](https://www.instagram.com/ocyrees/?ref=marmaladecollective.com) **So, my first question: I would like to get a quick background on A Third Space; the story behind it, how it started, and what inspired its creation.** Absolutely. I think A Third Space has a really interesting story because it was born out of looking around and not seeing the kind of space that reflected the things I was thinking about and cared deeply about. The idea really began at the start of 2024\. At the time, I was thinking seriously about what “community” looks like, or what it could mean, in Lagos. Everything I’d been seeing before then was mostly either loud events, parties, or raves, which I think are fantastic and integral to the pulse of the city. On the other hand, there are also very academically focused art events that aren’t always accessible, either in language or in their programming, to a wider audience. They are often tailored to people who already work in academic or high-art spaces. As someone who doesn’t really enjoy going to parties, I’ve always been drawn to conversations that are timely, accessible, and interesting. I just wasn’t seeing many spaces that engaged with everyday cultural or art-focused conversations in a way that felt urgent, deeply human, experimental, or even just curious. A lot of what I saw felt repetitive; the same talking points, the same ideas, the same topics we kept circling back to. So, A Third Space was born from this desire to create something different: a space designed around art and conversations that are culturally timely, personal, and deeply engaging, but also approachable to everyday people. I was also thinking about what it would feel like to have a space where I didn’t have to “perform” to belong, a place where you could just be and still enjoy yourself. That was the foundation. From there, the idea started to take shape: a space that’s easygoing, where the only thing you need to be is yourself. But also, a space that rethinks how and why people gather. Everything we do at A Third Space is driven by the need to question what already exists and explore how those formats can evolve. That’s why, when we do exhibitions, we think about how exhibitions can perform. Instead of a traditional setup, we might do something like Come and Collect, which we held for our one-year anniversary. At this art fair, we invited artists to create works priced under ₦100,000, making it accessible to early collectors. So really, it’s about looking at what already exists and reimagining how it could function, always using art as our focal point. Art, culture, and dialogue sit at the core of everything we do, and every event blends those three elements in some way. That’s essentially how A Third Space was born: from a need to rethink how culture and art spaces exist in Lagos, and to create something that feels meaningful, accessible, and alive. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_556709364_17888521053359808_2099084385646245985_n.jpg) “Come and Collect’ exhibition at A Third Space's Route 3 event **Thank you for sharing. I’ve been thinking about third spaces a lot, especially since we don’t have many here in Nigeria or in Lagos, just places you can walk into and be. I wanted to ask about the name *A Third Space.* Why did you choose that name specifically?** So I’d actually been reading about the idea of “third spaces.” I think I came across a *Guardian* article, and I’d also seen a few videos on TikTok around 2023\. But the funny thing is, when we thought of the name, the concept of “a third space” was still quite a fringe conversation. It wasn’t as popular as it’s become now, which I think is great. The name made sense because we wanted to represent the idea of the *in-between*, that liminal space between everything else happening around us. It ties directly into what we’re doing, because we see A Third Space as a place that incubates things that don’t fit neatly into traditional art spaces, things that might not “perform” well in those conventional contexts. And in many ways, in-between spaces — whether in a home or anywhere else — are often thought of as places to relax. You can be there and do nothing, and that’s perfectly fine. Or you can create, think, or have conversations. Because they’re largely undefined, they often become the best places to start something from scratch or to explore radical and interesting ideas. That’s really the meaning behind the name. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_500687605_17872612665359808_3688604997975813404_n.jpg) Vermillion curated by Eloghosa Osunde [@eloosunde](https://www.instagram.com/eloosunde/?ref=marmaladecollective.com) for A Third Space's Artist's Living Room Series. 📸: [@ocyrees](https://www.instagram.com/ocyrees/?ref=marmaladecollective.com) **I realise that for many Nigerians, our main spaces for socialisation are religious centres, then school, and then work. I think A Third Space is important right now as that middle ground where you can do something, or do nothing at all. You’ve been saying a lot of “we” while talking, so I wanted to touch on that. At its core, A third Space feels like a community. What does community mean to you? Who are the people that make up the A Third Space community, and how do you nurture that sense of collectiveness?** Yeah, that’s a great point, and I completely agree. When I say “we,” I usually mean the A Third Space team, but I also think of our community in a broader, non-traditional sense. It’s not a single cluster, but a fluid ecosystem. We aim to operate with some institutional thinking, creating pockets of space that serve a range of interests, all through art, culture, and dialogue. Our community includes thinkers, writers, artists, and filmmakers, mostly young people, who we really value. Programming naturally reaches different pockets: design events attract designers, film screenings draw film lovers, and our Warm Light Series brings in writers, readers, and those interested in cultural commentary. That’s also why we launched A3S’ Film Club, to serve that part of our community specifically. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_559274974_17888988297359808_2107768339986591359_n.jpg) [@storymiacademy](https://www.instagram.com/storymiacademy/?ref=marmaladecollective.com) presented six evocative short films and documentaries from six brilliant storytellers at A Third Space's Route 3 event We resist pigeonholing ourselves. Instead, we create programming that overlaps interests; a design lover might attend a reading, a film fan might come for a screening with a vinyl session. We’re driven by curiosity and want people to explore the parts of themselves that connect to different creative expressions. Our programming reflects both community response and our own thinking about culture: what feels urgent, relevant, or worth discussing. We design experiences for different clusters while encouraging crossover, which keeps the space alive and evolving. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_466340829_3153804108093359_1923072020983911313_n.jpg) A Third Space's first vinyl night and launch event. **Yes, definitely. That’s one of my favourite parts of the space. As someone with multiple interests who’s often been told to “niche down”, I really enjoy that you’ve created a space for everyone. Sometimes you don’t even know what you’re interested in until you walk in, listen, and think, *“Oh, this is actually interesting. Maybe archiving is something I want to explore.”* So, I appreciate that.** I love that you see it that way because discovery is such a huge part of what we try to do at A Third Space. I think curiosity really leads so much of what we do. We want people to come in and feel free to explore new parts of themselves. That’s also why, if you look at our programming, a lot of it is built around curiosity. For instance, we might invite an actor—someone whose work is primarily in performance—to write a short story and read it aloud. It’s something they might never have done before, but once they try it, they’re often really open to the experience. It allows them to explore a part of their creativity they hadn’t expressed yet. At the core of it, we’re also rethinking how art itself is presented. We don’t believe that a painter should only paint, or that the only way to experience painting is through a canvas. The same goes for filmmakers or musicians. There are so many ways to express and deliver art, and we’re very interested in opening those possibilities. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_557449886_17888521029359808_6438473625187529967_n.jpg) Reading from unpublished work by Uzoamaka Power [@uzoamakapower](https://www.instagram.com/uzoamakapower/?ref=marmaladecollective.com) **Thank you so much. I wanted to touch on collaboration as a key part of A Third Space, how you're able to bring people together. Have you found that difficult in any way? Especially approaching artists, since the industry can sometimes be unkind. How have you been able to create a safe space for artists to showcase their work and collaborate the way they want to?** I agree. You’re right. And it makes me so happy, people genuinely enjoy being asked to try something new. I think we often underestimate that. In Lagos’ art scene, we like to say people are “diverse,” but many artists diversify out of sheer will, not because the spaces around them encourage it. When I first got into the literary scene, I grew up seeing writers who were also photographers or painters. You’d open a publication and find the artwork done by one of the writers in the same issue. So it was surprising to later see how rarely people get the space to show those other parts of themselves. That’s what we try to offer at A Third Space: room to experiment. Our first event was a vinyl gathering where people just came to listen together. Then we worked with Yagazie, who was moving from photojournalism into artmaking, and helped incubate that shift. We also collaborated with Nicole Asinugo on a video essay based on her writing about memory and home. 0:00 /0:44 1× ‘Amen Lodge’, a Photo-Essay written and directed by Nicole Asinugo for A Third Space. For us, collaboration means inviting artists to explore something new while making sure they feel valued, supported, and part of the process. We want them to enjoy the challenge. Half the time, people leave saying, “I didn’t know I’d enjoy that!” and then they want to do more. There are few spaces here that allow that kind of freedom, where artists can be beginners again. So when we create those opportunities, people embrace them. Thankfully, collaboration has been beautiful. Artists trust us to handle their work with care, and that trust means everything. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_556726479_17888521158359808_5138303982922671643_n.jpg) Exhibition at Route 3\. Photography by [@olamidefawole](https://www.instagram.com/olamidefawole/?ref=marmaladecollective.com) **Thank you so much for sharing and for creating that space. You’ve talked about your other programs: the film club, the Thursday gatherings, the Long Story Project. I also wanted to touch on programming specifically, since that seems to be such a core part of A Third Space. How do you decide which areas to explore, and what creative journeys to highlight?** Everything we do is designed to help people slow down: to sit, listen, and be present for a moment. Our conversations feel circular, like talking with a friend rather than being lectured by someone who “knows better.” We believe in exchange, not hierarchy. The same goes for our readings; there’s something grounding about simply being read to, putting your phone away, and listening. That sense of presence is what we try to recreate across our programming. Our work is built around three pillars: **art, culture, and dialogue.** We think deeply about who’s in our community, what they care about, and how we can meet those interests in fresh, sometimes playful ways. We can do anything we want, as long as it’s thoughtful. Perspective is central. Everything we do has to say something; if it feels familiar, it still needs to carry our lens. That’s how many of our collaborations begin, with people whose viewpoints on culture feel urgent and worth sharing. Our programming is guided by community interest, curiosity, and cultural urgency, always asking how things can exist differently, how we can offer new ways of seeing, and how to make space for authenticity amid the noise. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_557844547_17888521071359808_672714012556350565_n.jpg) Vinyl listening at A Third Space **Thank you so much for sharing that. There are a couple of things I’d like to touch on from your answer. The first is inclusivity. Having been to many Lagos events and clubs, I’ve noticed that the city has a reputation for exclusivity; certain spaces are only for certain groups of people. In a city that often prides itself on being exclusive, what does belonging look like at *A Third Space*?** Yeah, that’s a great question. A big part of our work is making art and culture accessible without breaking the bank. We believe you shouldn’t have to think twice about paying to be in a space rich with conversation, creativity, and original thinking. Accessibility is non-negotiable; we’re always balancing affordability with sustainability. Most of our events are ticketed below ₦5,000, sometimes exactly ₦5,000\. Larger events may have tiered pricing to ensure everyone can attend. Beyond cost, we focus on creating communal spaces where hierarchies of power or status don’t exist. Seating is circular, rooms are small, and there are no VIP sections; everyone eats, drinks, and connects together. Of course, organising in Nigeria has challenges, and occasionally prices need to reflect that. But we also do free collaborations, like our work with Culture Custodian, so people can experience culture without any barriers. We imagine spaces where emerging artists feel at home, and established creatives feel comfortable without distance or pretence. For us, accessibility is emotional as well as financial, everything we do, from programming to design, is rooted in openness and belonging. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_558012873_17888521098359808_1972107054271078381_n.jpg) Library at A Third Space **Thank you. I remember seeing a post you did with *Joke Silva*, and it struck me how you brought together different generations, different people, at different stages of their craft to talk, share ideas, and connect. That’s really powerful.** **And just to close, since it’s been over a year now since you started *A Third Space*, are there any moments that have made you stop and think, *this* is why I’m doing this? What moments remind you of what *A Third Space* really stands for?** That’s a great question. One moment that stands out was right after Joke Silva’s event. It was a small venue, packed mostly with young people, and I think she was the oldest person in the room. What struck me was how effortlessly she connected with the crowd, despite the generational gap. I had worried there might be tension, but instead it was a rich, open exchange, reminding me how rare it is to have spaces where different generations can truly converse without assumptions getting in the way. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_531320171_17882470791359808_9042371990736376580_n.jpg) A Third Space's first Film Club event developed with [@s.ea.experience](https://www.instagram.com/s.ea.experience/?ref=marmaladecollective.com) with an insightful conversation with [@ajokesilva](https://www.instagram.com/ajokesilva/?ref=marmaladecollective.com) That experience affirmed for me that our work is necessary. Other moments, like people attending events, messaging about wishing they could come, or posting online about the programming, also mean a lot. But the most rewarding thing is seeing people linger after events, continuing conversations and connecting with each other. At Route 3, some stayed until nearly midnight because there was still so much to see and talk about. We love that A Third Space has become a place people want to stay in, not just attend. Ultimately, we hope to create a permanent space where everyone feels welcome, with corners that activate curiosity and thought, a space for exploring freely, democratising creativity, and expanding access to alternative spaces. **I did say that was my last question, but I lied. I have one more. As you move into a new chapter, doing more and newer work, what excites you most about *A Third Space* and about the creative community in Lagos and Nigeria?** I love that we’re moving into more interesting partnerships and collaborations, bringing our core ideas into new spaces. For example, we activated the Speaker’s Corner at this year’s Art X, which also marks their 10th anniversary, huge! ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_574785484_17892901950359808_8705120344554885086_n.jpg) [@artxlagos](https://www.instagram.com/artxlagos/?ref=marmaladecollective.com) Speakers’ Corner Even more exciting is how art spaces are opening up to alternative forms of art delivery. We’re asking: how can we do this through sound, text, performance, movement, or physical activation, rather than sticking to tradition? I’m genuinely optimistic about the art scene right now. So many people are doing thoughtful, imaginative work, imagining alternative existences. I’m hopeful for more spaces that are bold, brave, and intentional in supporting artists. It’s already happening, and I can’t wait to see more. **Thank you so much. I’m really excited too, and I can’t wait to be part of those spaces and experiences.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Show Dem Camp Shows Off African Art, Rich Mnisi Turns 10, Tyla Tours Tokyo URL: https://www.marmaladecollective.com/show-dem-camp-shows-off-african-art-rich-mnisi-turns-10-tyla-tours-tokyo/ Last updated: 2025-11-24T10:00:36.000Z **Welcome to Vol 162 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Welcome to a new week! I hope you already have a bunch of things you’re looking forward to, I know I definitely do. As for what’s been happening the last few weeks, I’m glad to report that your faves have been working hard to put Africa on the map.[**Rich Mnisi is celebrating 10 years**](https://iol.co.za/lifestyle/style-beauty/2025-11-17-from-runway-to-router-skins-rich-mnisis-10-year-celebration-dominates-2025-fashion-scene/?ref=marmaladecollective.com) of turning heads on the runway, and across the continent,[**Asake is gearing up to hit the SA stage**](https://iol.co.za/entertainment/music/2025-11-21-asakes-first-performance-in-south-africa-set-for-2026/?ref=marmaladecollective.com) for the very first time. Also…(drumroll) we have another amazing feature! Keep reading to find out who it is. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Member Spotlight: Damilola Adeyemi on Hustle, High Style & Solving Life’s Puzzles URL: https://www.marmaladecollective.com/member-spotlight-damilola-adeyemi-on-hustle-high-style-solving-lifes-puzzles/ Last updated: 2025-11-23T11:47:29.000Z [**Meet Damilola Adeyemi**,](https://www.instagram.com/d.yebajii/?ref=marmaladecollective.com) a London-based project manager and fashion stylist whose days flow between the gym, work, creative shoots, catching up with friends, and winding down with cooking and Netflix. Born and raised in Nigeria, he’s embraced London for its energy and its refusal to let anyone stay complacent and its endless opportunities. Driven by big dreams, Damilola is working toward building a business that spans the US, UK, and France. When he’s not styling, filming, or editing, you’ll probably find him solving one of his many Rubik’s cubes or deep in a game of chess. Guided by his personal mantra to live freely and without limitations, he’s carving out a life filled with creativity, curiosity, and possibility. **Tell us a bit about yourself. What do you do? and what does a regular day look like for you?** “I’m [**a project manager and Fashion stylist**](https://www.linkedin.com/in/basit-adeyemi-70040713b?trk=contact-info&ref=marmaladecollective.com), a regular day for me will be gym, work, link up with friends, work on some creative projects like filming/editing, cooking and then Netflix before bed.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/unnamed--3--1.jpg) **Image via Damilola Adeyemi* **Where did you grow up? and where do you live now?** “I’m Nigerian, grew up in Nigeria. I currently live in London, UK.” **What's your favourite thing about the city you live in?** “The city doesn’t permit laziness and complacency. Most of all, London is filled with amazing people and vast opportunities.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/unnamed-1.jpg) **Image via Damilola Adeyemi* **What's a personal goal or dream you're working toward?** “My dream is to set up my business in at least 3 major countries like the US, UK and France.” **What's one fun fact about you that most people don't know?** “I can solve different types of Rubik’s cubes and I’ve competed in a couple of Rubik’s cube competitions. Nerdy, i know 😅.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/unnamed--1--1.jpg) **Image via Damilola Adeyemi* **What’s something you’re currently obsessed with?** “Playing chess.” **What's a piece of advice you try to live by?** “The world is your oyster, ensure to live a free life, free from worries, free from fear and free from any form of limitations.” --- ## Want to be featured? At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? **We'd like to hear from you!** [Share Your Story](https://forms.gle/19pqAyRXg3hhLr8h9?ref=marmaladecollective.com) ### 10 African-Owned Brands Making Real Impact In Their Communities URL: https://www.marmaladecollective.com/10-african-owned-brands-making-real-impact-in-their-communities/ Last updated: 2025-11-22T18:53:42.000Z # **Introduction** There’s something powerful about the way craft works in Africa. It’s not just about beautiful fabrics or handmade baskets, it’s about people, their stories, and their survival. Behind every hand-stitched seam, there’s a woman earning her first stable income, a community centre filled with apprentices, or a traditional skill being passed to a new generation. Across the continent, African-owned brands are proving that creativity can be a form of community building. They’re using design, fashion, and craftsmanship not just to make things, but to make change, by training young people, creating dignified jobs, and keeping ancient techniques alive in a modern world. This is the new blueprint for African business, where profit and purpose aren't enemies trying to coexist, but partners amplifying each other. In the spirit of that, these 10 brands are proving you can create beautiful products, pay fair wages, preserve heritage, educate the next generation, and build a strong business, all at the same time. ## Alaffia ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_452961010_1522578181695634_9102564201199666718_n-1.jpg) **Image via @alaffia* Founded by Togolese entrepreneur Olowo-n'djo Tchala, this [**beauty and skincare company**](https://www.instagram.com/alaffia/?ref=marmaladecollective.com) makes products from shea butter and coconut oil using traditional West African methods. Alaffia has grown into a major source of employment in Togo, supporting thousands of natural resource producers and touching the lives of countless people through its foundation. They’ve helped students get to school by sending bikes their way, supported safe births for mothers, built schools that anchor whole communities, and planted huge stretches of new trees each year. > [ View this post on Instagram ](https://www.instagram.com/reel/DQeXUtOEajO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Alaffia (@alaffia)](https://www.instagram.com/reel/DQeXUtOEajO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Their model is simple; traditional knowledge + fair compensation = sustainable empowerment. They're not "saving" anyone; they're simply recognising that West African women have valuable skills and paying them fairly for it. And everything else that they’re committed to, from the schools, healthcare, the environmental work, and their programs to end female genital mutilation all flow from that core theme. ## Indego Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_448644000_490222263381022_1015524288279537691_n-1.jpg) **Image via @indego\_africa* Since 2007, [**Indego Africa**](https://www.instagram.com/indego%5Fafrica/?ref=marmaladecollective.com) has partnered with over 1,200 women across 23+ independent, artisan-owned cooperatives in Rwanda, Ghana, and refugee camps to create stunning handwoven baskets and home décor. But they're not just buying products, they're building entrepreneurs. > [ View this post on Instagram ](https://www.instagram.com/tv/B868h8BpFGb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Indego Africa (@indego\_africa)](https://www.instagram.com/tv/B868h8BpFGb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) According to Indego Africa's Annual & Social Impact Report, in 2023, 90% of their artisan partners reported increased income, 97% said their quality of life improved, and 40% in Rwanda started side businesses using skills from Indego Africa programs. They provide business training, vocational skills, workshops on health and wellness, and their Economic Inclusion for Refugees program has been equipping Burundian and Congolese refugees since 2016. ## Lemlem ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_557902903_1277816401024890_8828492737341416889_n-1.jpg) **Image via @lemlemofficial* Supermodel Liya Kebede founded[ **lemlem**](https://www.instagram.com/lemlemofficial/?ref=marmaladecollective.com) in 2007 after meeting traditional Ethiopian weavers who no longer had a market for their craft. The brand creates artisan-driven resort wear using traditional hand-weaving techniques, and has multiplied its workforce five times since inception with wages increasing by a similar magnitude. They work with women-run studios in Ethiopia, Kenya, and Morocco. Lemlem Foundation reports that since 2017, 135 women have graduated from artisan skills trainings, and 80% are employed in sewing and tailoring roles. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/image-2-1.png) **Image via @lemlemofficial* [**The lemlem Foundation**](https://www.lemlem.com/en-ng/pages/lemlem-foundation-projects?ref=marmaladecollective.com) opened a maternity centre in Hawassa in 2011 and runs a Stitching Academy in Kenya that has trained over 300 students; two-thirds of whom get employed. Students learn industrial sewing, quality control, but also financial literacy and basic business skills. With each purchase, 5% of proceeds go to the Foundation. In Ethiopia, where only 35% of university undergraduates are female and 80% of the population lives in rural areas, lemlem is creating dignified, well-paid alternatives while preserving centuries-old craft. ## Ubuntu Life ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_565532725_18533830117006290_7345059145783988726_n--1--1-1.jpg) **Image via @ubuntulife* [**Ubuntu Life**](https://www.instagram.com/ubuntu.life/?ref=marmaladecollective.com) is a Kenyan lifestyle brand that makes gorgeous handmade leather goods and accessories, but the real story started with nine mothers of children with special needs in Maai Mahiu who couldn't work because caring for their kids was literally a full-time job. To help with this, co-founders Zane Wilemon and Jeremiah Kuria created a special needs center providing therapy and education to over 350 children called[**the Ubuntu Foundation**](https://ubuntulife.foundation/?ref=marmaladecollective.com)**.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/image-3-1.png) **Image via @ubuntulife* Today, Ubuntu Life employs close to 150 full-time makers in Maai Mahiu and works with 800+ Maasai women in Kenya's Ngong Hills. Through this kind of holistic empowerment; caring for the kids, employing the moms, paying fair wages, and building community, Ubuntu Life proved that profit and purpose aren't enemies; they can be partners too. ## Studio One Eighty Nine ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/image-5-1.png) **Image via @studiooneeightynine* Co-founded by actress Rosario Dawson and Abrima Erwiah, [**Studio One Eighty Nine**](https://www.instagram.com/studiooneeightynine/?ref=marmaladecollective.com), an artisan-produced fashion brand, started after they traveled through Kenya, Burundi, Rwanda, and Congo in 2011 with V-Day (the movement to end violence against women). They launched their first collection on February 14, 2013, in honour of V-Day's One Billion Rising campaign. > [ View this post on Instagram ](https://www.instagram.com/reel/DADmMD4Rb3B/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Studio 189 (@studiooneeightynine)](https://www.instagram.com/reel/DADmMD4Rb3B/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) They source all materials from local Nigerian and Ghanaian fabric makers, provide training, and partner with schools and universities in Ghana and Zambia to design uniforms and create sustainability training schemes. They've collaborated with J.Crew, Aqua, Lexus, and Warby Parker, won the CFDA Lexus Fashion Initiative for Sustainability, and received the Martin Luther King Junior Award on Social Justice from UPenn in 2015\. Studio One Eighty Nine is proving that African production can compete at the highest levels and that traditional techniques like hand-batik and indigo dyeing deserve to be compensated as the sophisticated art forms they are. ## SOKO Kenya ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_568129229_18486248656075655_1763097003673396639_n-1.jpg) **Image via @sokokenya* [**SOKO Kenya**](https://www.instagram.com/sokokenya?igsh=MTU4eDZpbzl6aTNlaA==&ref=marmaladecollective.com) is an ethical clothing manufacturer in Kikambala, Kilifi, founded by Joanna Maiden. They're a sustainable factory providing living wage jobs while partnering with global fashion brands like Wales Bonner, Hayley Menzies, and ASOS. Through their charity, [**The Kujuwa Initiative**](https://www.instagram.com/kujuwainitiative?igsh=MTl0aTJ6Mnd5aHgzYw==&ref=marmaladecollective.com), they train and support young people, families and educators in sexual reproductive health, rights and menstrual hygiene management. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_563593854_18485608957075655_1117347908589217265_n-1.jpg) **Image via @sokokenya* Kujuwa helps girls access sanitary pads by producing and donating washable sanitary pads by up-cycling fabric waste from their SOKO Kenya clothing factory. They also divert fabric waste from landfills each year, turning it into reusable sanitary pads that provide up to three years of safe period protection. Kujuwa has engaged and educated a large network of people, shared thousands of sanitary pads with those who need them most, and created meaningful livelihood support for many within the communities they serve. They employ people trained through the [**SOKO Kenya Stitching Academy**](https://www.soko-kenya.com/communitytrust?ref=marmaladecollective.com) to produce the pads, providing the opportunity to earn a living wage and improve their quality of life. ## Oh-Lief ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_525661436_18524198380047857_2785632122536709493_n-1.jpg) **Image via @ohliefnatural* This family business creates gentle, natural baby skincare products using 100% natural, raw, and organic ingredients. Since 2015, [**Oh-Lief**](https://www.instagram.com/ohliefnaturalproducts/?ref=marmaladecollective.com) has partnered with Greenpop to plant indigenous trees every single month. When you buy their Baby Gift Box, you get a certificate for your baby with GPS coordinates of a tree planted on their behalf, connecting new life with environmental restoration and teaching parents from day one that we have a responsibility to care for the earth. > [ View this post on Instagram ](https://www.instagram.com/reel/DQbOtThCClW/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Oh-Lief Natural Products (@ohliefnaturalproducts)](https://www.instagram.com/reel/DQbOtThCClW/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) They also educate families about natural ingredients, support South African suppliers, and actively work to offset carbon footprints. Every tree that their customers' babies is their legacy. In a world where baby products are often filled with questionable chemicals and produced with zero regard for environmental impact, Oh-Lief is proving there's a better way, and making it accessible for regular South African families who care. ## Orange Culture ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_561594322_18541697407045746_8434588920503743950_n-1.jpg) **Image via @orangeculture* Founded by Adebayo Oke-Lawal in 2011, [**Orange Culture** ](https://www.instagram.com/orangecultureng/?ref=marmaladecollective.com)is a Lagos-based fashion brand that challenges traditional notions of gendered fashion, creating androgynous pieces that challenge the ideas of how masculine dressing is perceived in the society. Oke-Lawal started the brand but didn't stop at making beautiful clothes. He established The Orange Mentorship, a platform providing knowledge exchange sessions from industry practitioners to help aspiring designers across the continent and beyond. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_489382216_18505738762045746_6566288234720966132_n--1-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_502671296_18515562847045746_6849569171669892838_n--1-.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_520325318_18525197137045746_9009997669238533014_n.jpg) Orange Mentorship also runs a project called "Painting Your Dreams" that inspires young people through art. All Orange Culture pieces are manufactured in Lagos from ethically-sourced fabrics from local Nigerian makers, with staff going through rigorous training and skill acquisition opportunities. In Nigeria's hyper-masculine culture, Oke-Lawal is using fashion to say vulnerability and expression are strength, not weakness, and his free mentorship is ensuring young Nigerian designers don't have to figure everything out alone. ## Hanifa > [ View this post on Instagram ](https://www.instagram.com/reel/DIkE4GOysZc/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Hanifa (@hanifaofficial)](https://www.instagram.com/reel/DIkE4GOysZc/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Founded by Congolese-American designer Anifa Mvuemba in 2012, [**Hanifa**](https://www.instagram.com/hanifaofficial/?ref=marmaladecollective.com) is a D.C.-based contemporary brand known for edgy, feminine, size-inclusive clothing. In 2020, Mvuemba made history as the first brand to livestream a virtual runway show on Instagram using 3D models, and her Pink Label Congo collection with invisible models floating down the runway broke the internet. But what really matters is Concepts by Anifa Mvuemba (CBYAM), a mentoring program she started in 2020 for emerging designers. > [ View this post on Instagram ](https://www.instagram.com/reel/DJKCG2qASuj/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Hanifa (@hanifaofficial)](https://www.instagram.com/reel/DJKCG2qASuj/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Mvuemba is proving that "luxury" doesn't require a European pedigree, that you can be size-inclusive and high-end, and that African designers don't need validation from fashion houses to create innovative work. ## Ewami Essentials ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_424759386_18414992275026306_886313307290821382_n-1.jpg) **Image via @ewamiessentials* Founded by Oyindamola Bernard, [**Ewami Essentials**](https://www.instagram.com/ewamiessentials%5F/?ref=marmaladecollective.com) creates natural and organic skincare from locally-sourced African ingredients like shea butter, African black soap, and botanical oils. But Bernard is also building an ecosystem, working with local women and artisans in Ogun State (her hometown), buying raw materials from them, training them to make products, then purchasing the finished products, creating multiple income touchpoints. > [ View this post on Instagram ](https://www.instagram.com/reel/DHDaqomsJTE/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by EWAMI™️ - AFRICAN-INSPIRED SKINCARE (@ewamiessentials\_)](https://www.instagram.com/reel/DHDaqomsJTE/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Their sustainability approach includes planting five trees monthly through environmental organizations, partnering with Global Shea Alliance in Ghana, and the EwamiEarth program that rewards customers who return product bottles with discounts. # Conclusion None of these brands treat community impact as an afterthought or marketing angle. It's woven into their DNA from day one. They're creating dignified employment that pays fair wages, preserving traditional knowledge, educating the next generation, and proving you don't have to choose between profit and purpose. They understand something fundamental: sustainable impact isn't about charity. It's about respect. It's about recognising that traditional artisans possess valuable skills worth fair compensation, women deserve pathways to entrepreneurship and that communities thrive when businesses invest in the motherland. ### Cape Town Craft Club is Reviving the Joy of Crafting by Hand URL: https://www.marmaladecollective.com/cape-town-craft-club-is-reviving-the-joy-of-crafting-by-hand/ Last updated: 2025-11-20T14:31:33.000Z Cape Town Craft Club is a creative community that connects people over a shared love of making in a slower, more tactile way. Founded by Andie Reeves, a teacher and textile artist born and raised in Cape Town, the Club gathers people across the city to make things together, from embroidery and crochet to clay and collage, reminding us that making is special. What began as small “craft nights” among friends in Andie’s living room has evolved into a thriving creative community. The Club now meets monthly across various venues, hosting inclusive, judgment-free gatherings where anyone, from seasoned makers to those who haven’t picked up a crayon since childhood, can spend a few hours creating, chatting, or simply soaking in the atmosphere. Alongside its regular meet-ups, the Club also runs Kind Craft Club, an initiative that turns craft into care through annual toy and blanket drives for children and communities in need. In our conversation, Andie reflects on her own journey from sewing and embroidery to teaching and community-building, and the inspiration behind the Club’s mission to make crafting social again. We talked about Cape Town’s creative energy, the power of making things by hand, and how shared creativity can nurture connection in an increasingly individualised world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7058-1.JPG) **Can you tell me a little about yourself: where you’re from, what your childhood was like? Did you always like crafts?** I was born and raised in Cape Town and have lived here my whole life, except for a short stint in London. My parents were both very creative. My dad was a photographer and a “why buy it if you can make it” kind of person who built all our furniture and constantly redecorated the house. My mom started as a model and later became a stylist. I grew up surrounded by that energy of making things, and my dad gave me my first sewing machine. I was always drawn to arts and crafts, though I studied drama and music in school. After high school, my granny gave me her sewing machine because I’d broken my dad’s one, but that’s another story. I took a sewing course, and something just clicked. I was supposed to study drama, but after that course, I knew this was what I wanted to do. The feeling of sitting down to make something and ending the day with a piece you could wear was addictive. That excitement, the thought of “Oh my gosh, I can make my own clothes!”, still stays with me. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_9724.jpg) From there, I just kept sewing, learning mostly through trial and error. Later, I got an apprenticeship with a dressmaker, which was lucky because I wasn’t very good yet. She trained me for a year, and I learned everything on the job: pattern-making, working with fabrics, textures, all of it. After that, I started sewing clothes and selling them at markets. This was about 15 years ago, when markets were really booming in Cape Town. I’d sew during the week and sell on weekends. Eventually, I wanted to make my clothes more unique, so I started learning embroidery, which led me to crochet, weaving, and a bit of knitting. That’s been my craft journey. I’ve always believed you can teach yourself anything. I’ve tried all sorts of crafts, like macramé and knitting, and sometimes something just clicks. For me, that’s sewing, embroidery, and crochet. Those are my favourites. **Thank you for sharing, that’s really fun. I agree with you on learning anything. To my next question, you started the Cape Town Craft Club. I want to take us back to the moment you started it. What inspired you to begin, and what were you hoping to create at that time?** I started teaching embroidery in 2017 after someone messaged me saying, “I’ve seen your embroidery on Instagram, would you like to teach a class at my venue?” So I began teaching embroidery workshops and later added crochet classes too. I was teaching quite regularly, but during COVID I couldn’t run in-person sessions, except for a few mask-making workshops. Around that time, I started feeling a bit fatigued with the teaching side of things. I love crafting and being around people, but I didn’t enjoy being the one in charge, positioned as the expert, because I don’t really see myself that way. I prefer creating in a space where everyone is equal, where we can share knowledge, and there’s no pressure to perform. That feels much more fun. I used to live with friends for about five years, and we were all creatives in some way. We’d have little art nights in the lounge, doing things like linocuts, painting plates, or crocheting toys. After COVID, we all moved into our own places, and I really missed that sense of creative togetherness. So I started inviting friends over to my house for “craft nights.” It was so fun that I thought, “Oh my gosh, I should take this further.” I was making things and hanging out with people — my two favourite things. I approached a venue and pitched the idea of using the space for an evening where everyone pays a small fee per head. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/6.jpeg) At the time, around 2020 to 2021, community-focused events weren’t as common as they are now, so I had to sell the idea a bit harder. It was like, “You could do this at home for free, but here’s why it’s worth coming here.” In the beginning, I begged friends to come just to fill the room, but gradually, word spread. People came, they saw the benefit of crafting with others, and it grew from there. Now, I keep the events small, usually capped at 24 people, and they often sell out without me doing much promotion, which feels amazing. It was definitely a hustle at first. I just wanted to create a space where people could meet new friends, because it’s hard to do that after university or school. As adults, you have to be more intentional about it. I wanted a space where connection could happen more naturally, like it did at school, when friendships formed effortlessly. As adults, meeting up often means scheduling coffee or dinner, which is lovely but can feel intense. At craft night, you can crochet quietly for a while, then join a conversation, then drift back into your own space. It’s a relaxed way to socialise, and I think that resonates with a lot of people, especially introverts. Some people come and barely talk, but later say, “I had so much fun just listening to everyone’s conversations.” That’s exactly what I wanted to create: a space to meet people, feel inspired, and learn from each other. Someone might bring a craft I’ve never tried, or I’ll spot a new technique, or I’ll ask, “Hey, what do you think about this colour?” and get a whole room of creative opinions. That kind of exchange feels really special. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7696.jpg) **You also mentioned that, at first, this sense of community or having clubs started as a trend, but then it became something more. I want to touch on that. Why do you think people still crave these kinds of spaces? What’s the difference between doing it at home and doing it within that space, within that community?** Doing it at home is fun. You can listen to your favourite podcast or watch a series, but I think more people are starting to see the value in pushing themselves out of their comfort zones. If you always take the approach of, “It’s easier and cheaper to stay in and crochet while binge-watching *The Office*,” that’s great for a day or two. But ten days later, you might realise, “I haven’t really chatted to anyone,” or, “I haven’t laughed in a while.” People are realising how important it is to step out of their bubbles sometimes. At Craft Night, we get people from all walks of life, and you get to hear different points of view and meet all kinds of people. It’s very different from being at home with your partner or close friends, which is obviously lovely too. But sometimes you need to do something outside of that, even if it feels like a bit of a gamble. Maybe you won’t sit next to someone you instantly connect with, or maybe you’ll come alone, but if you push through, it’s usually worth it. More people are starting to appreciate the beauty of talking to those who are different from them or outside their usual circles. People often say Capetonians can be quite cliquey and not very open to making new friends, so we get a lot of out-of-towners, people new to the city, tourists, and digital nomads. They’re looking for community, and they find it here. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_5010.jpg) **What role do you think the city plays in shaping the vision for the club? Is there something about Cape Town’s creative energy or culture that makes it the right place for this kind of community?** I don’t really agree with the idea that Cape Town is cliquey. In my experience, people here are generally very warm. And honestly, the kind of person who comes to an event like this is already open and friendly. It’s not just Craft Club; it’s all these kinds of events that are popping up. If you’re open enough to show up to something like this, you’re probably easy to talk to and nice to be around. Cape Town is a very creative city, especially the CBD, which is where most of my events happen, rather than the suburbs. Everyone here seems to have some sort of side gig or creative outlet. Someone might have a nine-to-five, but in the evenings, they’re crocheting toys or working on an art project. There’s so much creative energy in the city, and I think that really fuels things. The city has this exciting energy, especially as we move into summer. People seem more open then. In winter, things definitely slow down and ticket sales drop because everyone, myself included, just wants to stay in. But I do think there’s something kind of magical about Cape Town, not to sound corny. There’s this buzz and excitement that makes it such an inspiring place. It feels like things are possible here. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Meg-2.jpg) **That’s lovely. Speaking of excitement and bringing people together, different kinds of people come to the club, from introverts to digital nomads. The club is open to absolutely anyone and everyone. How do you nurture that sense of inclusivity and belonging, even for people who’ve never crafted before?** I try to play a very active role during the evening. If someone comes alone, I make sure they feel included. It’s always a mix; some people come with friends, some meet friends there. But if someone arrives by themselves, I’ll chat with them, ask what they’re working on, and sit with them for a bit until someone else joins. I take hosting very seriously. I read this amazing book called *The Art of Gathering*, which really inspired me. It reminded me that you can’t just say, “Everyone, come and have fun.” You have to put in the effort and ask, “How can I make everyone feel welcome and at ease? How can I make this a good experience for everyone?” A huge part of it is welcoming people as they arrive and helping them feel settled and safe in the space. I move around the room throughout the night, chatting with people. If I notice someone sitting alone or not engaging much, I’ll go hang out with them for a while. What’s nice is that there’s already an instant icebreaker built into the event since everyone’s doing something with their hands. It’s such an easy, natural way to connect. You don’t have to talk about work or where you went to school, the usual small talk. The crowd is mostly people between 21 and 38, but we do get some older women too, and I always encourage more of them to come. A lot of older women feel insecure about being “the older person” at the event, which I totally understand. Last night, someone asked, “Is it okay that I’m here?” and I said, of course! Every time someone from either end of the age spectrum joins, it adds something special. We’ve even had an eight-year-old come before. I also make one ticket free for whoever wants it, no questions asked. That way, if someone can’t afford it, they can still come. Obviously, I have to cover venue hire and admin costs, but I wanted to make it a little more accessible. I introduced that policy this year after a wake-up moment. I was in a fabric store where one of my event posters was up, and I overheard someone say, “Oh, I’d love to go, but that’s really expensive.” And I thought, wow. It was affordable to me, it’s R150, about the cost of a cocktail, but that’s my experience. Cape Town is such an unequal place, and what feels affordable to me might not be for someone else. So, it’s not a huge gesture, but it’s something I can do, offering one free ticket that anyone can claim, completely anonymously. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7272.jpg) **I love that the space is inclusive, especially when it comes to different ages. A lot of spaces feel so youth-focused, and that’s great, but it’s nice to have that mix.** **And speaking of the gesture, which I think is a thoughtful initiative, you also have the Kind Craft Club that you do yearly, where you turn creativity into an act of kindness and solidarity. I wanted to know how that side of the community came about, who’s involved, and how you handle it.** Yeah, that’s a really fun part of the year. It’s a lot of admin, but it brings me so much joy. During COVID, I did a blanket drive because everyone was looking for ways to feel connected and give back. I organised a square drive for Mandela Day and collected about 900 squares. Sewing all the blankets together was a nightmare, but it was amazing to see what we could achieve just through my Instagram community. We ended up making about 20 sunny blankets from just a few posts. I thought, “Wow, what else could I do?” Drives asking for beanies or blankets are great, but they can feel a bit impersonal. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/1.JPG) So I started speaking directly with children’s homes, asking the kids what animals they liked so they could receive something they actually wanted. Each year we work with a different home. I ask the kids, “What’s your favourite animal?” I make a list, post it on Instagram, and people claim the animals almost instantly. Some years we’ve had around 72 animals made by people across the country. They send them to me, and I deliver them to the home in time for Christmas. Each child gets a toy made especially for them, and at a really high quality, because my community is so talented. These aren’t full-time artists, just people who love crafting in their spare time. It’s such a fun project. I also run donation drives and other initiatives. At the moment, I’m working with a home for adults with intellectual disabilities. I’ve organised volunteers and raised lots of donations. It’s been amazing to see how generous people are and how much the community wants to come together to give back. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Sav-4.jpg) **I really like that. Thank you so much for starting that initiative and giving back. My last question would be, as you look back at 2025, now that the year is almost over, you’ve been making, connecting, and creating. What would you say you’ve learned about community? And what are you most excited about for the coming year?** I used to feel insecure about charging for what I do. I thought someone might say, “Why are we paying you? You’re just putting people in a room.” That was my inner demon talking. But this year, I did a survey with Craft Club members, and so many people said it was totally worth it and that they were happy to pay. It was really affirming to know that people value what I do and the community we’ve built. Of course, I’m nothing without the people who come. I’ve also learned how generous people are. I usually do one charity drive a year, but this year I’ve done two. People donated boxes of beautiful wool and fabric, not just scraps, and they’re happy to give their time too. It’s so nice to see how much people want to help, give back, and support crafting and the work we do. Looking ahead, the events have really started to pick up. One event sold out after I posted about it just once on Instagram, and I was like, “Oh my gosh, that’s so exciting.” When I first started, I was running events weekly, but there wasn’t enough traction, so I switched to once a month. Now I’m thinking of doing two or even three a month, which would be really cool. More people have been reaching out for collaborations or just to say they see the value in what I’m doing, which feels so affirming. We’ve also had lots of new venues reaching out to host us, which is great. I’m excited to meet more people and collaborate with more creatives. I’ve recently worked with Open Book Fest, the Silent Reading Club, and my favourite restaurant, Arthur’s Mini — lots of cool things happening. I’m also collaborating with a friend on events focused on mindful connection. We’ll have “conversation menus,” prompts that get people asking each other deeper questions while crafting. So, crafting, but a little more conscious and thoughtful. We’ve got a few of those events planned, and I’m really excited. **That’s super exciting. Thank you so much for this.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Trevor Noah Lands Grammy Nod, Njerae Reinvents R&B, Champz Makes History URL: https://www.marmaladecollective.com/trevor-noah-lands-grammy-nod-njerae-reinvents-r-b-champz-makes-history/ Last updated: 2025-11-17T10:00:26.000Z **Welcome to Vol 161 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Oh, to be young and African in 2025; what a time to be alive. This week alone has been a masterclass in why the culture stays undefeated. [**Trevor Noah's snagged yet another Grammy**](https://iol.co.za/entertainment/books/2025-11-10-trevor-noah-scores-a-grammy-nomination-for-best-audiobook-with-into-the-uncut-grass/?ref=marmaladecollective.com) nomination, [**Soweto Fashion Week**](https://iol.co.za/saturday-star/news/2025-11-07-soweto-fashion-week-returns-with-a-strong-line-up-of-designers/?utm%5Fsource=flipboard&utm%5Fcontent=other#google%5Fvignette) came back louder than ever, and over in East Africa, [**Njerae is giving R&B**](https://thenativemag.com/how-njerae-is-rewriting-the-east-african-rb-story/?ref=marmaladecollective.com) a brand new language. And wait, wait, wait! We've got another member spotlight dropping this week, and I cannot wait for you to meet them. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Member Spotlight: Neville Cox on Creative Comebacks, Adventure & The Power of Persistence URL: https://www.marmaladecollective.com/member-spotlight-neville-cox/ Last updated: 2025-11-15T18:54:52.000Z [**Neville Cox**](https://www.instagram.com/humber006?igsh=ZjNvaGIzeG45aGlr&utm%5Fsource=qr#) is an exam scheduler at LAMDA drama school by day, and an art lover by night; in between both he’s quietly plotting his return to sculpture. Based in Tooting after growing up in East Sussex, he spends his working hours coordinating performing arts exams for school children and his free time drifting through London's gallery openings and exhibition spaces. He's the kind of person who once swam with stingrays at the Great Barrier Reef and now finds himself obsessed with The [**Great Women Artists podcast**](https://open.spotify.com/show/5Wm9c3ztyZZDUG20w5TFzD?si=wW7HBXioRMOXSain9hB8yg&ref=marmaladecollective.com). His philosophy is simple but sturdy: keep going, because if you're breathing, there's more right with you than wrong with you. For Neville, that means showing up, staying curious, and trusting that persistence outlasts rejection every time. **Tell us a bit about yourself. What do you do? and what does a regular day look like for you?** “I am Neville, 39, [**working in Hammersmith**](https://www.linkedin.com/in/neville-cox-03024a47/?ref=marmaladecollective.com) for a drama school called LAMDA, where I schedule LAMDA Exams for school children. Think music grade exams, but for performing arts!” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_8079--1--1.jpeg) **Image via Neville Cox* **Where did you grow up? and where do you live now?** “I grew up in East Sussex and now live in Tooting (SW London).” **What's your favourite thing about the city you live in?** “I like the art scene in London and I often go to exhibition openings and gallery events.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_2703-1.jpeg) **Image via Neville Cox* **What's a personal goal or dream you're working toward?** “I want to get back into sculpture and have even bought the stand for working with clay!” **What's one fun fact about you that most people don't know?** “I swam with sting rays in The Great Barrier Reef :)” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_2597-1.jpeg) **Image via Neville Cox* **What’s something you’re currently obsessed with?** “The[**Great Women Artists podcast**](https://open.spotify.com/show/5Wm9c3ztyZZDUG20w5TFzD?si=wW7HBXioRMOXSain9hB8yg&ref=marmaladecollective.com)podcast with Katy Hessel.” **What's a piece of advice you try to live by?** “Keep going. We all have rejections and failures in our lives, but try to keep going, because if you are breathing there is more right with you then wrong with you.” --- ## Want to be featured? At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? **We'd like to hear from you!** [Share Your Story](https://forms.gle/19pqAyRXg3hhLr8h9?ref=marmaladecollective.com) ### Anok Yai Claims Her Crown, Uzo Njoku Reinvents Ankara, Burna Goes Cinematic URL: https://www.marmaladecollective.com/anok-yai-claims-her-crown-uzo-njoku-reinvents-ankara-burna-goes-cinematic/ Last updated: 2025-11-10T10:00:59.000Z **Welcome to Vol 160 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Happy to be back in your inbox! So, last week was interesting, and by interesting, I mean I'm pretty sure I aged five years just sitting in traffic. At this point, I'm fully convinced we all need flying cars. But even with all that bumper-to-bumper drama, some really beautiful things caught my attention. Like [**Uzo Njoku’s refreshing Owambe exhibition**](https://marieclaire.ng/the-owambe-exhibition-by-uzo-njoku-is-bringing-you-original-ankara-fabric-with-a-twist/?ref=marmaladecollective.com), [**Burna Boy taking his genius into African cinema**](https://variety.com/2025/film/global/burna-boy-pan-african-cinema-3-cold-dishes-1236564275/?ref=marmaladecollective.com), and [**Anok Yai finallyyyy getting her flowers.**](https://www.dazeddigital.com/fashion/article/69022/1/anok-yai-crowned-model-of-the-year-2025-fashion-awards?utm%5Fsource=flipboard&utm%5Fcontent=DazedMagazine%2Fmagazine%2FNews) And speaking of beautiful things, remember how I promised we'd celebrate the month with our member’s stories? Well, the time has come! Keep reading to find out who our first feature is (ps: you're going to love their story). *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Member Spotlight: Kemi Quadri on Self-Expression, London Living, and the Beauty of Being Authentically Yourself URL: https://www.marmaladecollective.com/member-spotlight-kemi-quadri/ Last updated: 2025-11-25T14:45:08.000Z [**Kemi Quadri**](https://www.instagram.com/kemitheofficial/?ref=marmaladecollective.com) is a professional caseworker living in London, and working through casework that connects people to the power they need. Born in Nigeria and raised in East London, she spends her days problem-solving for Londoners, and her evenings exploring cultural and artistic venues, catching up with friends, and soaking in all the amazing food and fashion the city has to offer. When she’s not working or brainstorming business ideas, you’ll probably find her experimenting with skincare from her new favourite Korean brand, Corsx, brushing up her makeup game or pretending to be a rapper. She keeps it simple with one golden rule: be authentically you. **Tell us a bit about yourself. What do you do? and what does a regular day look like for you?** “I mostly [**specialise in casework**](https://www.linkedin.com/in/oluwakemi-quadri?ref=marmaladecollective.com). At work, it’s literally meetings and looking through correspondence with stakeholders, writing letters and dealing with briefings. At home, it’s maybe cooking, going for a walk and hanging out with my friends.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/kemi-1-1.jpg) **Image Credit: Kemi Quadri* **Where did you grow up? and where do you live now?** “I grew up predominantly in East London where I still reside with my parents.” **What's your favourite thing about the city you live in?** “I love London so much because of the fashion and food, it’s so diverse and really great for opportunities to earn money!” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/kemi-2-2-1.jpg) **Image Credit: Kemi Quadri* **What's a personal goal or dream you're working toward?** “I’m exploring some entrepreneurial ideas for the long term. But in the short term, I’m looking for a flatmate for London living (East/South). I hope the collective can help me with finding that professional woman with good hygiene like myself.” **What's one fun fact about you that most people don't know?** “I like to pretend to be a rapper in my spare time because I love music so much \* *covers face\*”* **What’s something you’re currently obsessed with?** “Skincare - I’ve starting buying Korean skincare brand Corsx, and I’m loving makeup so much more these days.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/kemi-3-1.jpg) **Image Credit: Kemi Quadri* **What's a piece of advice you try to live by?** “Be authentically you.” --- ## Want to be featured? At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? **We'd like to hear from you!** [Share Your Story](https://forms.gle/19pqAyRXg3hhLr8h9?ref=marmaladecollective.com) ### No Place Like Home: Finding Belonging Between Borders URL: https://www.marmaladecollective.com/no-place-like-home-finding-belonging-between-borders/ Last updated: 2025-11-07T11:25:10.000Z What does it mean to belong when home is both here and there, when your memories live in one place, but your future unfolds in another? This year, as part of our *Beyond Black: No Place Like Home* series, we’ve been exploring the rituals and gatherings that held our communities together. From Owambe parties to weddings, Sunday church services to house parties in diaspora homes, these were more than celebrations. They were how we remembered who we were. But in the quiet of migration—across oceans, seasons, and identities—many of us have learned that “home” is far more complex than geography. It’s connection. And sometimes, it’s something we have to rebuild from scratch. Across the stories of people like Jermaine Craig, Dele, Debb, Kilubukila, and Nush, we find the spectrum of this journey: missing home, finding it again, romanticising the return, reclaiming roots, and sometimes, creating a new version of home altogether. ### **The Feeling You Can’t Name** To put into words the feeling of a city you’re in not feeling like home is difficult, to say the least. There’s a kind of shyness in admitting it, a quiet guilt that maybe you’re just being ungrateful, that maybe if you adjusted your mindset, you’d feel settled. But there are some feelings you can’t logic your way out of. For many across the diaspora, that feeling sits in the in-between: between airports and accents, WhatsApp calls and homesickness. It’s that subtle ache of belonging everywhere and nowhere at once. Jermaine Craig captured this feeling perfectly in a LinkedIn post that resonated with thousands. *“I’ve been trying to put words to that feeling,”* he wrote. *“What exactly is it that’s missing when I’m back in Europe after a long stretch in Africa? Living on the continent can be frustrating and tough. But it’s also exciting, alive, and engaging in a way that Europe just isn’t for me.”* [I've been trying to put words to that feeling. What, exactly, is it that's missing when I'm back in 🇪🇺 Europe after a long stretch in Africa? Living on the continent can be frustrating and tough.… | Jermaine Craig | 116 commentsI’ve been trying to put words to that feeling. What, exactly, is it that’s missing when I’m back in 🇪🇺 Europe after a long stretch in Africa? Living on the continent can be frustrating and tough. But it’s also exciting, alive, and engaging in a way that Europe just isn’t for me. Since being back in London, I’ve been running around, busy with everything … but nothing feels truly additive, or aligned with a future I want to end up living in. I’ve only been back in the 🇬🇧 UK for two weeks, and already I’m ready to book a ticket back. This year, for the first time in my adult life, I’ve spent more time in Africa than in Europe. And I’m homesick. I’ve spoken to others who’ve made the move, and they say the same thing: there’s an addictiveness to the continent. It looks like I’m going back for good. Who else has made the move? How are you feeling about it? | 116 comments on LinkedIn![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/icon/al2o9zrvru7aqj8e1x2rzsrca)LinkedInJermaine Craig![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/thumbnail/1757324273728)](https://www.linkedin.com/posts/jermainecraig%5Five-been-trying-to-put-words-to-that-feeling-activity-7370752234562949120-x4SM?utm%5Fsource=share&utm%5Fmedium=member%5Fdesktop&rcm=ACoAAAYSrJ4BRj0inxtT5T8tzbkhJQe47ZupKP4) He went on to say, *“Since being back in London, I’ve been running around, busy with everything… but nothing feels truly additive or aligned with a future I want to end up living in.”* That yearning—the sense that your spirit is more alive elsewhere—is a feeling many who’ve lived between continents know intimately. Since writing that, Jermaine has now made the move to Nairobi. Maybe that’s what finding home again looks like: not just a place, but alignment. ### **The Return** The idea of “return” often comes with romanticism, dreams of warmth, familiarity, family. But in reality, it can be messy. You leave behind a version of yourself that learned to adapt abroad, and come home to a place that has changed while you were gone. For Dele, the journey home was less about idealism and more about clarity. He had studied and lived in the UK, where, like many, he believed that living outside Nigeria was the ultimate sign of success. But that definition started to unravel. [Watch Dele's Video Here](https://www.instagram.com/p/DPbGuazCNdf/?ref=marmaladecollective.com) In one of his recent reflections, he shared that moving back to Nigeria made him see that what he had been chasing wasn’t really what he wanted. *“There’s no place like home,”* he said simply. The return, for him, wasn’t just geographical but you can’t replace that feeling of walking down familiar streets and hearing Pidgin or Yoruba spill into conversation; to be understood without translation. That’s the thing about home, it recognises you even when you’ve forgotten how to speak its language. ### **Romanticising the Return** For others, moving back can feel like defeat until it becomes liberation. Debb, who had to move back to Nigeria after years abroad, confessed that she once saw it as a setback. *“Moving back home is not the end of the world even though I swore it was going to be,”* she wrote in her caption. But with time, her perspective softened. *“When you stop comparing your journey to everyone else’s and choose to romanticize it, you’ll realize you can still live fully and beautifully right where you are.”* [Watch Debb's Video Here](https://www.instagram.com/reel/DNtK1oX2lty/?igsh=MXByenlyaGZ4ano4cw==&ref=marmaladecollective.com) Her post read like a love letter to everyone trying to make peace with change. She encouraged her followers to set boundaries,*“You’re grown now. Be clear about what you need.”* To refresh their space, *“Don’t move back into your old room the way you left it.”* To rediscover their city, go to new restaurants, events, hidden spots, and do some of it solo. And above all, to lean into community: *“Find people who make you feel supported and seen. Community makes this season lighter and way more fun.”* Debb’s story reminds us that homecoming isn’t about recreating the past, it’s about creating something new that fits who you’ve become. ### **Reclaiming Home** For some, returning home is not about comfort but purpose. When we spoke to **Kilubukila**, a Congolese designer and entrepreneur, his story stood out for its intentionality. After years of working in finance and tech in Europe, he decided to move back to Kinshasa, not out of nostalgia, but conviction. *“Before being French or British, I’m Congolese,”* he told us. *“I grew up with Congolese culture. I think that was the last piece of my identity I hadn’t fully experienced, not just through visits, but by actually living there.”* Since moving back, he has built a brand that reimagines Congolese craftsmanship for the modern era, furniture and design rooted in Kuba textiles, handmade by artisans on the continent. *“I wanted something that reflected me as part of the African diaspora,”* he said. *“Not fully modern, not fully traditional, just a balance of both.”* [Kilubukila Is Reclaiming Congolese Design as a Tool for Power and PrideOn bringing Congolese heritage into the modern home through artisan-made textiles, bold colours, and sustainable design.![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/icon/Marmalade-Favicon-1.png)Marmalade CollectiveOmotola Saba![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/thumbnail/SaveClip.App_496823284_18500903284035494_1601748887096733223_n.jpg)](https://www.marmaladecollective.com/kilubukila-is-reclaiming-congolese-design-as-a-tool-for-power-and-pride/) Through his work, home becomes not just a location but an act of reclamation. It’s a reminder that belonging can be built. ### **Making Home Somewhere New** But what happens when home is not where you’re from, but where you’ve chosen to stay? Three years ago, **Nush** left London for Senegal with her family. Her Instagram post marking the anniversary reads like a diary of change: *“We bought our first family home… got married… started a retreats business with my sister-in-law… supported my husband as his little market garden grew into a whole organic farm!”* > [ View this post on Instagram ](https://www.instagram.com/reel/DOBcebFCANu/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Nush Cope | Motherhood | Senegal Life | Community (@nushcope)](https://www.instagram.com/reel/DOBcebFCANu/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) It hasn’t been without loss or loneliness. *“I miss my friends and family like crazy, only seeing them once a year if that,”* she wrote. She’s experienced grief, miscarriage, and the challenges of motherhood far from her original home. Yet, amid it all, she’s built new community. *“I’ve been taking a course to host sharing circles, especially for mums, because community has helped my mental health so much in motherhood.”* For Nush, home is the courage to say, *“I belong here now,”* even when it’s not always easy. ### **Coming Full Circle** Across all these stories—Jermaine finding alignment in Nairobi, Dele rediscovering peace in Nigeria, Debb choosing to romanticise her reality, Kilubukila reclaiming culture in Congo, and Nush building life in Senegal—there’s a shared truth: home isn’t static. It’s a living thing that grows and changes with us. We may leave, return, or rebuild entirely, but the search for belonging remains the same. It’s in the music that reminds us of childhood, the language that slips out when we’re tired, the smell of stew on a Sunday afternoon, the laughter that fills a room full of people who get it. As this year’s *Beyond Black: No Place Like Home* campaign draws to a close, we’re reminded that belonging is about connection. About the ways we gather, remember, and keep each other close, even across continents. Because in the end, home isn’t just where you’re from. It’s wherever you’re known. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Ciara Lights Up Lagos, Aya Nakamura Claims Her Crown, Adidas Champions Creativity URL: https://www.marmaladecollective.com/ciara-lights-up-lagos-aya-nakamura-claims-her-crown-adidas-champions-creativity/ Last updated: 2025-11-03T10:00:57.000Z **Welcome to Vol 159 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Welcome to November! ❤️ I can’t explain it but November has always felt like the “Thursday” of the year to me. We’re almost at the finish line, but not quite there yet. This month though, it’s not just about counting down and holiday plans for us, it’s about ***you***! We’d love to get to know our amazing community a bit better and share your stories with everyone. If you’d like to be featured, you can [**take a quick peek**](https://forms.gle/aMRutdTyvJKoRRuq6?ref=marmaladecollective.com) at our questions, and jump in! (I recommend not overthinking it) *Mary x,* Now on to the real peel 👇 🎉 Join The Celebration — [****Share Your Story Here**](https://forms.gle/aMRutdTyvJKoRRuq6?ref=marmaladecollective.com) _This post is for subscribers only._ ### Afrobeat Rebellion: Inside Fela Kuti's Landmark Lagos Exhibition URL: https://www.marmaladecollective.com/afrobeat-rebellion-inside-fela-kutis-landmark-lagos-exhibition/ Last updated: 2025-11-03T09:39:48.000Z 27 years after his death, Fela Anikulapo Kuti has returned to Lagos; not in flesh, but in spirit, sound, and memory. On October 12, 2025, the Afrobeat Rebellion exhibition opened at the Ecobank Pan African Centre, transforming the venue into a sprawling tribute to the man who turned music into a weapon and Lagos into the beating heart of a global revolution. This is not simply an exhibition. It is a homecoming. The journey to Lagos began in Paris, where the Philharmonie de Paris staged a retrospective in 2022 that critics called a revolutionary tribute. But there was always something incomplete about celebrating Fela in a European capital when the music was born here, in the humid, chaotic, electric streets of Lagos. Now, reimagined by the A Whitespace Creative Arts Foundation with support from the French Embassy and the Kuti family, the Lagos edition expands far beyond its Parisian predecessor. It is a living season of culture built to bridge generations, from elders who remember Fela firsthand to young people discovering his fire for the first time. ### **A Journey Through Sound and Resistance** Walking into Afrobeat Rebellion feels like stepping into Fela's mind. The space is expansive and immersive, with floor-to-ceiling screens projecting images and soundscapes that pull you in. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Fela-Kuti_-Afrobeat-Rebellion-2-1.jpg) **Image via @afrobeatrebellion* Every corner holds something: a piece of clothing, a photograph, a listening booth, a piece of history. The exhibition is organized into ten thematic sections that trace Fela's life from start to finish; Early Life, Lagos Baby, Daily Life, Kalakuta Republic, Queens, Shrine, Life on Tour, Legacy, and a global map showing Afrobeat's influence across continents. The rooms burst with colour. Reds, yellows, greens, and golds cover the walls, reflecting the vibrancy of Fela's life. This was a man who lived loudly, who refused to be silenced by persecution or violence, and the exhibition honours that energy. The visual design doesn't just document Fela's life, it celebrates it, wrapping visitors in the same brightness and defiance that defined his work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7565-1.jpeg) **Image via @afrobeatrebellion* The exhibition starts with Fela's early years, tracing his beginnings as a jazz and highlife musician. Born into an activist family—his mother, Funmilayo Ransome-Kuti, was a pioneering feminist and anti-colonial leader—Fela was shaped by both privilege and resistance. The display includes photographs from his youth, family letters, and materials that show the intellectual and political foundations of his later work. There's even a love letter from Funmilayo to Fela's father, a tender reminder that behind the historical figure was a woman with her own desires and strength. From there, the exhibition follows Fela abroad. He studied music in London, where he encountered Black Power movements and pan-African ideas that changed his worldview. When he returned to Nigeria in the early 1970s, he was no longer just a musician. He was a revolutionary. The exhibition documents this shift through album covers, newspaper clippings, rare recordings, and video footage. Visitors can step into listening booths and hear Fela's voice, not just singing, but speaking, explaining his philosophy, challenging power, calling for resistance. > [ View this post on Instagram ](https://www.instagram.com/reel/DQO7LFCCOGx/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by AFROBEAT REBELLION (@afrobeatrebellion)](https://www.instagram.com/reel/DQO7LFCCOGx/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### Kalakuta Republic: A Home, A Headquarters, A Refuge One of the most powerful sections is dedicated to the Kalakuta Republic, Fela's compound in Surulere that became both his home and his headquarters. Through archival photographs by various photographers who had rare access to Fela and his inner circle, visitors get an intimate look at daily life inside Kalakuta. Here is Fela reading, smoking, composing music. Here are his friends, his bandmates, his family. The images are tender and unguarded, showing a man who was not just a public figure but a human being with routines and relationships. The photographs also show the communal nature of Kalakuta. It was a place where musicians rehearsed, where ideas were debated, where people lived together in defiance of the government's attempts to silence them. The exhibition doesn't avoid the darker moments either. It documents the 1977 raid by a thousand soldiers, the burning of the compound, the injuries and deaths that followed. Through newspaper clippings and testimony, it makes clear that Fela's rebellion came at great cost, not just to him, but to those around him. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7651.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/SaveClip.App_572176709_18511485928070332_7044565440088206841_n-1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Kalakuta-Republik--c--Jean-Jacques-Mandel.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7662.jpeg) ### The Queens: Unseen and Underrepresented Perhaps the most complex and necessary section is dedicated to the Kalakuta Queens; Fela’s dancers, singers, and partners. In 1978, Fela married twenty-seven women in a single ceremony, an act that became one of the most talked-about aspects of his life. But the exhibition pushes beyond the spectacle. It names the women. It tells their stories. It shows their faces. The Queens were not passive participants in Fela's life. They were performers, collaborators, and, in many cases, survivors of complicated and often exploitative relationships with him. The exhibition doesn't hide this. It acknowledges the power imbalances, the predatory dynamics, and the ways Fela's radical politics didn't always extend to gender. It also insists that these women be seen as individuals with their own agency and contributions to Afrobeat's sound and energy. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7678-1.jpeg) **Image via @afrobeatrebellion* ### Sound, Vision, and Memory Afrobeat Rebellion is a mixed-media, multi-sensory experience. Alongside the photographs and archival objects are listening booths where visitors can hear Fela's music and interviews, video installations playing footage of his performances and trials, and reconstructed spaces that evoke the feeling of the Afrika Shrine. The exhibition even includes some of Fela's most iconic stage costumes and briefs. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Fela-Kuti_-Afrobeat-Rebellion--3-.jpg) **Image via @afrobeatrebellion* The soundscapes are particularly stunning. As visitors move through the rooms, they're surrounded by Fela's voice singing, speaking, laughing, arguing. The music isn't background noise. It's the structure of the experience, pulling visitors deeper into Fela's world. The exhibition also features a library and jukebox section, where visitors can browse books written by and about Fela, including titles like *Kalakuta Republic*, *Dis Fela Sef!* by Benson Idonije, and *Arrest the Music* by Tejumola Olaniyan. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Fela-Kuti_-Afrobeat-Rebellion--4--1.jpg) **Image via @afrobeatrebellion* ### A Living Festival of Culture Afrobeat Rebellion goes far beyond just the gallery walls. The Legacy Programmes, a weekly calendar of talks, performances, workshops, and screenings, turn the exhibition into a twelve-week cultural festival. The opening night on October 12 featured performances by Fela's youngest son, Seun Kuti, alongside the UK jazz group Ezra Collective, a collaboration that showed how Afrobeat has spread globally while remaining rooted in Lagos. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/Seun-Kuti-performing-at-the-Fela-Kuti_-Afrobeat-Rebellion-Opening-night-1.jpg) **Image via @afrobeatrebellion* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Ezra-Collective-performing-at-the-Fela-Kuti_-Afrobeat-Rebellion-Opening-night.-1.jpg) **Image via @afrobeatrebellion* Over the coming weeks, the Talks series will bring together leading voices to discuss Fela's ideas and impact. Speakers include Yeni Kuti, Prof. Oyeronke Oyewumi, Falana, Ade Bantu, Minna Salami, and Kadaria Ahmed. The Kalakuta Cinema, running every other Sunday for six weeks, will screen films like *Music Is a Weapon*, *The Lost Okoroshi*, *Mami Wata*, *Timbuktu*, and *Finding Fela*. The screenings take place in communal, traditional settings, echoing how Fela himself saw art; as something collective, not individualistic. For children, the Young Rebels' Corner offers interactive workshops where kids aged six to fifteen can create their own protest art, make music, and learn about the era. ### **The Legacy That Will Not Quiet** Afrobeat Rebellion doesn't present Fela as a saint. It shows his contradictions, his flaws, and his humanity. But it also insists that he be understood in his full complexity, not as a caricature, but as a man who used art as a weapon, turned music into a form of resistance. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/11/IMG_7566--3--1.jpeg) **Image via @afrobeatrebellion* The exhibition runs from October 12 to December 28, 2025, at the Ecobank Pan African Centre and is open to the public Fridays through Sundays from 10:00 a.m. to 6:00 p.m., with Thursdays reserved for VIP and institutional visits. General admission is free, though RSVPs are required for talks, workshops, and screenings due to limited capacity. It is, in every sense, a gift to Lagos; a city that gave the world Afrobeat and now gets to see its full story told on its own terms. At the end of the exhibition, visitors are left with a question. Not just "Who was Fela?" but "What will you do with what he left behind?" The music is still playing. The fight is still happening. And Lagos, as always, is at the centre of it all. ### Black Coffee Ignites Durban, Patoranking Honours His Roots, LFW Goes Global URL: https://www.marmaladecollective.com/black-coffee-ignites-durban-patoranking-honours-his-roots-lfw-goes-global/ Last updated: 2025-10-27T09:59:59.000Z **Welcome to Vol 158 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. October is almost over, and i won’t lie, I’m counting down the days till December. If I close my eyes for long enough, I can almost hear “Jingle Bells” playing somewhere in the distance. But while we wait for December to officially open her gates, I’m glad to report that the culture scene is on fire right now. [**Black Coffee is throwing not one but *two* huge concerts**](https://urbanlifestylesa.co.za/2025/10/21/ciza-major-league-djz-breetz-more-join-black-coffee-for-africa-is-not-a-jungle-durban/?ref=marmaladecollective.com) in South Africa, and [**Yinka Ilori is spreading colour**](https://artplugged.co.uk/yinka-ilori-foundation-play-design/?ref=marmaladecollective.com) (as usual) across the world with his new foundation. What’s your favourite culture story from the week? *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Fiifi Abban’s Photography is Breathing Life into the Heart of Modern Africa URL: https://www.marmaladecollective.com/fiifi-abbans-photograpy-is-breathing-life-into-the-heart-of-modern-africa/ Last updated: 2025-10-21T19:01:39.000Z Fiifi Abban is a Ghanaian photographer and visual artist whose work captures the depth, culture, and soul of contemporary African life. Born and raised along Ghana’s coast, his early exposure to art began in high school where he studied graphic design, before later exploring photography as a form of storytelling. What began as a simple curiosity with a camera gifted by his mother has evolved into a distinct creative voice known for its authenticity, warmth, and emotional depth. Working across portrait, fashion, and documentary photography, Fiifi’s images are marked by a quiet intimacy and a strong sense of identity. His work often reflects the beauty of African expression—its people, colours, and stories—offering a visual language that feels both modern and deeply rooted in tradition. In this conversation, we discussed Fiifi’s creative journey, from his early beginnings along Ghana’s coast to finding his voice as a photographer whose work bridges fashion, documentary, and culture. He opened up about how storytelling shapes his images, the warmth and freedom that define his visual style, and what it means to represent African stories on a global stage. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/fiifi_abban_-01_uznshu-2-1.jpg) **Image Credit: Fiifi Abban* **Let's go back a bit into your background. What was growing up like for you?** I was born and raised in Cape Coast, the coastal part of Ghana. My background is quite mixed. I was first exposed to art back in junior high school where I studied graphic design. Interestingly, I transitioned into banking and finance. That was before COVID. Even then, I’ve always had an interest in photography. I remember when I was young, my mom got me a point-and-shoot camera, that’s really how I fell in love with it. I didn’t even realise it back then; I just used to take it to school and photograph my friends for fun. Before COVID, I mostly used my mobile phone to shoot, just experimenting and having fun with it. Thankfully, I had some amazing people around me who saw potential in what I was doing and encouraged me to take it more seriously. I didn’t really see the vision at the time, but they helped me realise what I could do with mobile photography. That was around 2019\. Most of my early work was shot on an iPhone; in fact, even now, some of my favourite photos were taken before I ever owned a camera. I remember I used to tell my mom that I wanted to go to film school. She’s always been supportive, but here in Ghana, at that age, telling your mom you want to do photography or go into film school was almost impossible. Most parents wanted their kids to get white-collar jobs; to become doctors, engineers, or something “stable.” So, I couldn’t really convince her back then. But I’ve always wanted to do film or photography. Thankfully, I started getting a few commissioned works even while shooting with my mobile phone, and that’s really how it all began. Eventually, I got a professional camera, and it’s been an amazing journey ever since. Technically, this is my sixth year doing photography, since I started shooting on my phone before COVID. This marks about five years shooting professionally with a camera. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_278385307_491468719119460_3293665149790715901_n-1.jpg) **Image Credit: Fiifi Abban* **Was there a specific moment or experience when you knew, “Okay, this is it. I’m going to stick with photography and make it my full-time path?”** I can’t really point to a specific moment, but over time, once I started pursuing photography, I began to see the possibilities in it if you really invest in and nurture your craft. It wasn’t a sudden realisation; it just unfolded gradually. As I kept going, taking on different projects and exploring new things, I started to realise there was so much I could do with it. So no, there wasn’t one exact point when I decided, “I’m going to do this professionally.” It just happened naturally as I grew into it. Even now, I’m still figuring things out, there’s still so much to learn and a lot I’m experimenting with. **That’s really interesting. Growing up in Ghana, what role would you say that your community played in your creative expression and telling stories?** Growing up in the coastal area really played a big role in shaping me. It’s mostly a fishing community, and you can see storytelling in almost every part of that life. I don’t think I’ve even fully tapped into that side yet because there’s just so much happening there. The storytelling aspect really stands out to me; you can literally wake up in the morning, walk down the street, and it feels like a movie. You see kids playing, people fishing, everyone going about their day, and every scene tells a story. That’s something that’s influenced me a lot. I’d say the storytelling part of my background has played a major role in my work now, and even though I’m still exploring and experimenting, it’s definitely a big part of my journey as a photographer. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/3-2_wkcrun-1.jpg) **Image Credit: Fiifi Abban* **That must have been quite defining for you. What themes would you say describe your images, and how do they resonate?** Over time, I’ve also tried not to box myself in as a photographer. When I started, I didn’t really have a specific title. I was just taking photos. I wasn’t thinking, “I’m doing a documentary” or “I’m doing fashion.” As time went on, I realised I could explore different areas like documentary photography, fashion, portrait, even landscape. But looking back, most of my work has centred around fashion and documentary or commercial photography. So, if I had to describe the main themes that run through my work, I’d say blackness, freedom, and warmth. **Speaking of themes and how you share your photographs, you capture icons like Kendrick Lamar and Kamala, but you also photograph everyday people and brands. Yet, all your images carry that same sense of warmth and intimacy. How are you able to bring that same feeling to everyone you shoot?** Usually, when I’m shooting, if there’s room for me to talk to the model or subject, I like to tell them that I want to capture movement and presence; not stiff or superposed shots. I try to make them feel comfortable and just let them enjoy their own pace while I capture the moment. Over time, I’ve learned to trust my intuition. I usually have a sense of what I’m looking for, so I let them move naturally while I shoot. Later, during post-production, I can always tell; “Okay, this is the shot I was looking for.” But in cases where there isn’t much time, like when I was shooting Kendrick. It's a bit different. You barely have a few minutes, so you have to know exactly what you want. Maybe it’s a specific frame, lighting, or composition, you just have to make the most of the moment. When I photographed Kamala, for instance, I only had about five minutes because security was really tight. So, in that kind of situation, it’s all about documenting the presence and what’s happening in that moment, who’s around, and how you can frame that energy. So overall, when I have time, I let my subjects be free and present. When I don’t, I rely on instinct and quick judgment. Either way, it’s a very intuitive process, and after shooting, I can always recognise *that* shot that captures exactly what I was going for. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_281631078_169353225531384_2432754542304486803_n-1.jpg) **Image Credit: Fiifi Abban* **You mentioned that you do a lot of fashion photography. You collaborate a lot with Ghanaian and African brands, and you photograph African people in general. What does that mean to you, especially on a global level, to keep showcasing your culture and your people through your work?** I feel like there are so many stories to tell from here, and the goal is really to use every opportunity to show them to the world. Whether it’s a simple portrait, a self-portrait, a personal project, or a collaboration, I approach each one with that same mindset. As African creatives, I believe there are still so many untold stories. We have the voice and the perspective to share them ourselves. We don't have to wait for outsiders to come and tell our stories for us. Our culture is rich, layered, and deeply expressive, and I think we’ve only just begun to tap into that. So, for me, it means a lot to be part of projects that celebrate who we are no matter how small they may seem. Even a single portrait can carry a story that speaks of where we come from; you can look at it and know, “This is from Africa, this is from Ghana, this is from here.” The goal isn’t to step away from where we are to create, but to use what we have right here to share our stories with the world. That’s what drives me, and that’s why it always means so much to be part of work that tells those kinds of stories. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/ottawa-1.jpeg) **Image Credit: Fiifi Abban* **That’s such an interesting perspective. There's a lot of collaboration within the photography world and that comes with influences. Who are your biggest influences?** Over time, my influences have definitely evolved; it's a cycle that keeps changing. I’d say a lot of people have influenced me over the years: industry colleagues, people who came before me, and even people outside of photography entirely. There are so many names that it’s hard to mention everyone, but I’ve been fortunate to draw inspiration from different places. In Ghana, there are so many amazing creatives doing incredible work, and they inspire me a lot. Even beyond Ghana, there are people whose work has really shaped my vision and approach. Way before I even picked up a camera, Ekow Barnes was already shaping how I saw things. He’s a writer and content producer, and he helped me see how big this could become if I really took it seriously. In terms of photographers, there are a few names that stand out. I’ve been following Joshua Kissi since his street etiquette days. He's a great director and photographer. I also love how emotional Vivain Maier’s work feels. She was an incredible documentary photographer, and she had a great eye for composition and timing. Not forgetting one of the pioneers of African photography, James Barnor; his blend of portraiture and documentary storytelling is incredible. Currently, I’d say I’ve been really inspired by Richard Avedon. I love how raw and revealing his portraits are. He was a fashion photographer. So yeah, I’d say those are some of the people who’ve shaped my vision and influenced my career so far. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Asanti-2-1.jpg) **Image Credit: Fiifi Abban* **That really comes through in your work. Could you describe your photography as documentation, imaginative or is it a mix of both?** I’d say my work leans more toward documentation. I try as much as possible to capture everyday life and what’s happening around me at the moment. Of course, a bit of imagination comes into play sometimes, depending on the project, but for the most part, my work is rooted in documenting rather than creating imagined scenes. As I mentioned earlier, I’m a very intuitive creative. Whatever happens in the moment, I just try to document it as it is. Then afterwards, I go through the images and reflect on what I’ve captured. So, I’d say most of my photos are more about documentation and capturing real, living moments as they unfold. **What would you say are some of the biggest challenges that you faced as a creative? And what have you had to unlearn in the process?** I wouldn’t even want to call them challenges, because over time I’ve learned that every situation comes with an opportunity. As an African creative, I try to look at things from the perspective of, “How can I make the most of what I have right now?” But if I had to point out something I’ve really learned over the years, it’s not to compare myself with anyone. The industry, like you said, is very saturated, and to stand out or have a unique niche, you just have to focus on your own path. When I was starting out, one of the mistakes I made was comparing myself to others looking at who’s getting what project or who’s being recognized and wondering if I was doing enough. Over time, I’ve realised that comparison can really slow you down. So now, I just focus on my lane, my style, and how to get better at what I do. Another thing, not exactly a challenge, but a reality, is that being on this side of the continent sometimes comes with limitations. Resources can be scarce, so you’re often forced to create with whatever tools you have at the moment. And that can be tough, especially for young photographers and creatives who may not have access to the best equipment or opportunities. Still, I think that’s where a lot of our creativity shines through, we learn to maximize what we have, to make something out of very little. So, while it can be a challenge, it also becomes part of what shapes your voice and style as a creative. But overall, like I said, if I see something as a challenge, then I probably wouldn’t do anything about it. So instead, I ask myself; how do I maximize the little that I have? It definitely has its good and bad sides, but the biggest thing I’ve learned over the years is not to compare myself with others. For me, creativity is personal. It’s about getting better every day at what I do and growing within my own niche. I’ve also come to understand that people are always watching , even when you think no one is paying attention. You just have to keep creating. At one point, I used to think I was creating so people would see my work, but over time I realised that I need to create for myself first. I need to genuinely fall in love with what I’m doing. And once I do that, the right people, the people who connect with my work, will naturally gravitate toward it. So yeah, that’s one of the biggest lessons I’ve learned over the years: focus on your craft, stay consistent, and create from a place of love. Everything else will follow. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/abusua-1.jpeg) **Image Credit: Fiifi Abban* **That’s a beautiful perspective. What are some of your favourite projects?** That’s the thing, I’ve had so many amazing experiences working on different projects. Each one has given me a unique feeling or taught me something new. But in terms of picking a single favourite project, I don’t think I can. I’m always thinking about what’s next, what my next project could be, so I tend to see all the work I’ve done as my favourites in different ways. That said, there have definitely been some standout experiences. On certain sets, everything just flowed so seamlessly. I met incredible people, the energy was great, and it all came together naturally. Those moments usually become my favourite experiences, even if I can’t pick one specific project as my favourite overall. In terms of the final outcomes like how the images look or how the projects turned out, it’s really hard to narrow it down to just one. Each one holds something special for me in its own way. **What's next for you? What are you excited about in the future?** What I’m most excited about right now is that I’m in the middle of a journey of self-discovery. I’ve come to understand that no one can do it for me. I remember coming across a quote once that said, “No one is coming to save you, you have to save yourself.” That really stuck with me. So, what’s next for me is to keep finding out what I want to do and who I’m becoming. I see this whole thing as a long journey, one that we don’t always realise the depth of. It’s not just about creativity; it’s about growth in every sense. I’m learning to be a better person — a better friend, son, colleague, and lover — and I believe that kind of growth inevitably shows in the work too. So, I’d say what’s next for me is to keep walking this path of self-knowing & becoming, and to keep understanding what I’ve been called to do, because I genuinely believe there’s so much more that I have to offer. **That's a very beautiful way to sum it all up. Thank you so much for having this conversation.** ### Chimamanda Bags New Award, Nyashinski Enters New Era, Dada Gallery Comes Home URL: https://www.marmaladecollective.com/chimamanda-bags-new-award-nyashinski-enters-new-era-dada-gallery-comes-home/ Last updated: 2025-10-20T09:00:01.000Z **Welcome to Vol 157 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Last week was our anniversary issue! (still can’t believe it’s been three years). Thank you for reading, sharing, and being part of this little corner of culture with us. It’s also been a pretty huge month for African art. The 1-54 African Art Fair and the Nigerian Modernism exhibition at the Tate have been stealing global attention, [**Dada Gallery is finally planting roots**](https://africaartnews.com/dada-gallery-set-to-open-lagos-space/?ref=marmaladecollective.com) in Lagos, [**Anthony Azekwoh has everyone obsessed**](https://guzangs.com/anthony-azekwoh-nigerian-artist-cinematic-universe/?ref=marmaladecollective.com) with his mysterious new project, and [**artists like Sungi Mlengeya**](https://www.getunruly.com/articles/sungi-mlengeya-and-the-reimagining-of-black-womanhood?ref=marmaladecollective.com) are redefining what it means to see and paint Black womanhood. Oh, and if you’re in London, [**Orry Shenjobi’s “A Wà Ǹbẹ̀” exhibition**](https://www.africacentre.org.uk/event/a-solo-exhibition-by-orry-shenjobi-a-w-nb?ref=marmaladecollective.com) at The Africa Centre is still on. Take your friends (and enemies) and go see it. You’ll thank me later. Before I go, we’re still exploring how communal traditions shape our identity, and [**we’d love to hear what home and belonging mean to you**](https://www.marmaladecollective.com/beyond-black-no-place-like-home-open-call/). That’s all from me for now, cheers to a new week! *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Orry Shenjobi brings A WÀ ǸBẸ̀ to London in a Celebration of Community and Culture URL: https://www.marmaladecollective.com/orry-shenjobi-brings-a-wa-nbe-to-london-in-a-celebration-of-community-and-culture/ Last updated: 2025-10-15T17:19:49.000Z There’s a particular kind of magic that lives in the spaces where we gather, the thrum of drums echoing through a hall, the shimmer of *aso-ebi* fabric under warm light, the joy in waves of laughter. For Nigerian-British multidisciplinary artist **Orry Shenjobi**, these moments are not just fleeting bursts of happiness but acts of memory, belonging, and preservation. Born in 1997 and raised between Lagos and London, Shenjobi’s world has always straddled dualities; the familiar warmth of home and the restless pulse of the diaspora. Trained in product design at the University of Leeds and later earning a master’s in Social Innovation and Sustainable Futures from the University of the Arts London, she has cultivated a practice that blends craftsmanship, design, and social consciousness. Her art moves fluidly between mediums: photography, painting, textile, film, and scent. Each serves as a fragment of a larger vision, a world where culture isn’t merely represented, but felt. This October, she brings that world to **The Africa Centre in London** with *A WÀ ǸBẸ̀ Part II*, the continuation of her critically acclaimed exhibition first unveiled at the Venice Biennale as part of the Foreigners Everywhere exhibition with the European Cultural Centre (ECC). The title — *A wà ńbẹ̀*, Yoruba for “We are there” — is both statement and sentiment: an assertion of presence, a call to gather, a promise that even across oceans and histories, we remain connected. Following its debut on one of art’s most prestigious global stages, the exhibition now returns home to a city that mirrors its maker’s journey and to a community that has long carried the spirit of her work in its heart. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/1-I-Room--15-I-09-Orry-Shenjobi.-Personal-Structures-2024--Palazzo-Mora.-Photo-credits-Federico-Vespignani-LOW.jpg) 1 I Room 15 I 09 Orry Shenjobi. Personal Structures 2024, Palazzo Mora. Photo credits Federico Vespignani LOW ### **A Homecoming Through Celebration** When *A WÀ ǸBẸ̀* first appeared in Venice as part of the European Cultural Centre’s *Personal Structures* exhibition, it marked Shenjobi’s emergence onto the international stage, a moment of both introduction and affirmation. Against the backdrop of the Biennale’s theme *Foreigners Everywhere*, her work stood as a vivid reminder of how African cultures, particularly those of the Nigerian diaspora, continue to shape global creative consciousness. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/ORRY-A-WA-NBE-cut-7.jpg) **A WÀ ǸBẸ̀ Part II at* The Africa Centre in London But where Venice was about dialogue and visibility, London is about return and resonance. At The Africa Centre, *A WÀ ǸBẸ̀ Part II* becomes more than an exhibition; it becomes an embodiment. The show is a homecoming through sound, scent, and story; a reimagining of *Òwàmbè*, the legendary Nigerian celebration that inspires Shenjobi’s visual language. “Owambes are more than just parties; they are like a spiritual experience,” Shenjobi explains. “It’s about how we all come together, regardless of our backgrounds and tribes, to celebrate the sheer joy of life.” In *A WÀ ǸBẸ̀*, this joy becomes sacred, an act of remembering who we are, and where we come from. ### **Time, Space, and Existence; Crafting a Multisensory Memory** The conceptual framework of *A WÀ ǸBẸ̀ Part II* continues to draw from the triad of **Time, Space, and Existence**, but in London, these ideas are no longer abstract, they are sensorial, tangible, alive. Time unfolds through Shenjobi’s layered paintings and bricolage photography. Each image feels like an archive, a choreography of histories where personal memory meets collective inheritance. Her canvases shimmer with texture, with oil paint catching light of the rhinestones on a dancer’s dress, threads mapping the delicate ties that bind one generation to the next. In her world, time is not linear; it loops and lingers like a melody, one you can still hear long after the party ends. Space is reimagined entirely. The Africa Centre transforms into a living *Òwàmbè* hall, a site where sound, fabric, and film blur the boundaries between gallery and gathering. Shenjobi and her collaborators — curator **Usen Esiet**, sound artist **Yinka Bernie**, and textile designer **Suleiman Ismaila Gwarzo**— construct an atmosphere that pulls visitors inward. The scent of food, the pulse of drums, and the glimmer of fabric create a tapestry of sensation that makes the viewer not just an observer, but a participant. Existence reveals itself through rhythm and ritual. The short film, directed by Shenjobi and accompanied by Bernie’s enveloping soundscape, captures the heartbeat of celebration as both art and affirmation. The film’s pacing mirrors the tempo of an *Òwàmbè* in full flow, the camera moving like a dancer, tracing stories that live in laughter, movement, and stillness. Through this multisensory experience, *A WÀ ǸBẸ̀ Part II* becomes a space of communion, a collective memory rendered visible and audible. In Shenjobi’s hands, art becomes a bridge between the tangible and the spiritual. The exhibition’s textures speak to the material reality of celebration, while its atmosphere invites something metaphysical: a shared recognition that joy, too, is a form of survival. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/1-I-Room--15-I-06-Orry-Shenjobi.-Personal-Structures-2024--Palazzo-Mora.-Photo-credits-Federico-Vespignani-LOW--1--1.jpg) 1 I Room 15 I 08 Orry Shenjobi. Personal Structures 2024, Palazzo Mora. Photo credits Federico Vespignani HIGH ### **London as Setting, London as Spirit** To bring *A WÀ ǸBẸ̀ Part II* to The Africa Centre is to return the work to the pulse of its people. For over six decades, the Centre has stood as a home for African art and thought in London, a gathering place for those in search of cultural connection. Within its walls, Shenjobi’s installation feels less like a presentation and more like a continuation, a moment that ties together the global trajectory of *A WÀ ǸBẸ̀* with the lived experience of the African diaspora. Here, the exhibition becomes personal. It echoes the sounds of London’s own communities from Peckham’s weekend parties to Hackney’s open-air markets, where fragments of *Òwàmbè* culture persist in new forms. Shenjobi’s art captures that spirit: the constant negotiation between here and there, home and away. It is, at its core, a love letter to the diaspora to the people who keep joy alive wherever they find themselves. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/ORRY-A-WA-NBE-cut-3.jpg) **A WÀ ǸBẸ̀ Part II at* The Africa Centre in London ### **The Art of Celebration** What Orry Shenjobi achieves with *A WÀ ǸBẸ̀ Part II* is both poetic and profound. Through the act of reimagining the *Òwàmbè*, she reminds us that celebration is not frivolity, it is language, it is lineage. The colours, the textures, the rhythms of her work become metaphors for connection itself. In this exhibition, joy is treated as an inheritance, something passed down, reinterpreted, and preserved. “We, as a people, go through so much in life that we truly deserve these moments of balance and celebration,” Shenjobi says. *A WÀ ǸBẸ̀* is her response to that truth: an insistence that even in displacement, we find ways to return to ourselves. Ultimately, this is not just an exhibition about parties, it’s about presence. To say *A wà ńbẹ̀* is to declare that we exist, that we are part of something enduring. It’s about showing up — in art, in community, in life — and finding joy as both memory and method. ### **Watch, Listen, Experience** To step inside Shenjobi’s world, explore her process and reflections through: - [See the Exhibition](https://www.africacentre.org.uk/event/a-solo-exhibition-by-orry-shenjobi-a-w-nb?ref=marmaladecollective.com) - [Orry Shenjobi: A WÀ ǸBẸ̀ | Venice Edition](https://youtu.be/ns6MRCdGB-0?ref=marmaladecollective.com) - [Inside Studio Orry](https://youtu.be/X1UKcPb65WY?ref=marmaladecollective.com) - [The Making of A WÀ ǸBẸ̀](https://youtu.be/XEuCV%5FQYjmw?ref=marmaladecollective.com) And discover more at [orryshenjobi.com/a-wa-nbe](https://orryshenjobi.com/a-wa-nbe/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 3 Years of Culture: Celebrating 156 Volumes of The Spread 🍊 URL: https://www.marmaladecollective.com/3-years-of-culture-celebrating-156-volumes-of-the-spread/ Last updated: 2025-10-13T09:01:53.000Z **Welcome to Vol 156 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Heyyy, can you believe it?! The Spread is 3 years old! Three whole years of sharing stories that celebrate African culture, music, style, and the people making waves across the continent and diaspora. In those years, we’ve [**cheered on creatives**](https://www.marmaladecollective.com/superjazzclub-multitalented-collective/) shaping the conversation, [**spotlighted some of our amazing members**](https://www.marmaladecollective.com/tag/member-spotlight/), and watched culture shift and [**evolve from our very first issues**](https://www.marmaladecollective.com/kendrick-lamar-appears-on-the-cover-of-citizen-magazines-fantasy-issue/), and you’ve been along for the ride; reading, sharing, and letting us know that we’re building something that actually matters. This anniversary issue is a little bit of a rewind, a little bit of a celebration, and a whole lot of gratitude. We’re looking back at where we started, how we’ve grown, and some of the stories that made the years unforgettable. So here’s to three years of culture and creativity, and to the many more ahead, because trust us, we’re only just getting started. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### 10 African Restaurants Serving Culture This Black History Month URL: https://www.marmaladecollective.com/10-african-restaurants-serving-culture-this-black-history-month/ Last updated: 2025-10-08T11:12:16.000Z # Introduction Black History Month isn't just about looking back, it's about celebrating the living, breathing culture that's shaping our tables right now. And honestly? There's no better way to honour the richness of the African diaspora than through food that tells a story with every bite. These Afrocentric restaurants are doing more than serving meals; they're serving heritage, memory, and community on a plate. These spots are where recipes meet resilience, where spices carry history, and where every dish is a conversation between past and present. You might be craving the familiar comfort of Southern soul food with its deep African roots, or maybe you're ready to explore the bold flavours of East African berbere and injera. Either way, this month is the perfect time to pull up a chair. These 10 restaurants aren't just feeding bodies; they're nourishing spirits and keeping culture alive, one incredible meal at a time. --- ## 1\. Akoko, Fitzrovia [Akoko London Review: A Unique West African Culinary Journey in FitzroviaWelcome to our in-depth review of Akoko, a gem in the heart of London’s vibrant Fitzrovia neighbourhood that’s redefining West African cuisine with a modern twist. Located at 21 Berners Street, London, W1T 3LP, Akoko is more than just a restaurant; it’s a culinary adventure that promises to leave a![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/2023/11/8a49aa3ec2d2403ab6b48832fadc2b8e.webp)](https://www.experiencesbymarmalade.com/akoko-london-review-a-unique-west-african-culinary-journey-in-fitzrovia/?ref=marmaladecollective.com) ## 2\. Shakara, Marylebone [Shakara: Where West African Heritage Meets London StyleShakara is a celebration of African culture, craft, and creativity. Its bold vision and warm atmosphere help it carve out a unique space in London’s dining scene, proving that heritage and innovation can thrive side by side.![](https://www.experiencesbymarmalade.com/content/images/icon/Marmalade-Avatar-1.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/thumbnail/SaveClip.App_516509245_17890242513274405_2939527213063100046_n-1-1.jpg)](https://www.experiencesbymarmalade.com/shakara-where-west-african-heritage-meets-london-style/?ref=marmaladecollective.com) ## 3\. Ikoyi, Strand [Ikoyi Restaurant London: An Elevated West African TasteLocated in London’s vibrant Strand, Ikoyi Restaurant offers a tantalizing taste of West African cuisine, infused with a touch of modern flair. From its inviting ambiance to its delectable dishes, Ikoyi promises an unforgettable dining experience to food lovers. Summary Ikoyi Restaurant is a celebration of West African tastes, reimagined![](https://www.experiencesbymarmalade.com/content/images/icon/Marmalade-Avatar-2.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/thumbnail/Ikoyi-london-2019-SamGillespie-1.webp)](https://www.experiencesbymarmalade.com/ikoyi-restaurant-london-an-elevated-west-african-taste/?ref=marmaladecollective.com) ## 4\. Akara, Borough [Akara: A Contemporary West African RestaurantAkara, nestled in Borough Yards near London Bridge, is a contemporary West African restaurant that opened in September 2023\. The restaurant offers a relaxed dining atmosphere with an open kitchen and Afrobeats music, enhanced by friendly, attentive service.![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/2024/01/akara-1-1.jpg)](https://www.experiencesbymarmalade.com/akara-contemporary-west-african-restaurant/?ref=marmaladecollective.com) ## 5\. Little Baobab, The Africa Centre [Little Baobab: A Taste of Senegal in the Heart of LondonLittle Baobab offers something refreshingly soulful: a vibrant Senegalese dining experience rooted in tradition, rhythm, and community. It’s a rare blend of tradition and atmosphere that turns a simple night out into a cultural moment in the heart of London.![](https://www.experiencesbymarmalade.com/content/images/icon/Marmalade-Avatar-3.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/thumbnail/SaveClip.App_468464260_18334392994196504_1685987889624541625_n--1--1.jpg)](https://www.experiencesbymarmalade.com/little-baobab-a-taste-of-senegal-in-the-heart-of-london/?ref=marmaladecollective.com) ## 6\. Zeret Kitchen, Camberwell [A Guide to Zeret Kitchen: A Culinary Gem in CamberwellLocated in the Camberwell, Zeret Kitchen is a haven for Ethiopian cuisine enthusiasts and casual diners alike. With its warm and inviting ambiance, authentic flavours, and impeccable service, Zeret Kitchen has garnered rave reviews and a loyal following. Zeret Kitchen offers a taste of Ethiopia, transporting diners to a land![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/2023/11/277405401_654658135816096_2868106910759843510_n.jpg)](https://www.experiencesbymarmalade.com/a-guide-to-zeret-kitchen-a-culinary-gem-in-camberwell/?ref=marmaladecollective.com) ## 7\. Kudu, Peckham [Kudu Collective: A Culinary Gem in Peckham, LondonWelcome to our comprehensive review of Kudu Collective, a South African culinary oasis nestled in the heart of Peckham, London. This gem offers a unique dining experience that captures the essence of South African cuisine with a contemporary flair. Address and Contact Information: \* Kudu Collective Website: https://www.kuducollective.com/![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/size/w1200/2023/11/kudu-7-1-min-1224x816.jpg)](https://www.experiencesbymarmalade.com/kudu-collective-a-culinary-gem-in-peckham-london/?ref=marmaladecollective.com) ## 8\. Azou, Hammersmith [A Guide to Azou Restaurant London: North Africa’s Culinary HavenLocated in Hammersmith, London, Azou Restaurant beckons food enthusiasts with its tantalizing aromas and vibrant ambiance. When you step into this culinary haven, you embark on a delightful adventure of the flavours of North Africa. Here at Azou Restaurant Moroccan, Algerian, and Tunisian cuisines harmoniously intertwine. Azou Restaurant is a![](https://www.experiencesbymarmalade.com/content/images/icon/Marmalade-Avatar-5.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/thumbnail/Freshly-ground-herbs-and-spices-are-the-key-to-our-fragrant-dishes--Like-our-Facebook-page-and-share-this-post-on-Facebook-for-a-chance-to-win-a-free-meal-for-2---_____--mine--london--unitedkingdom--northlondon--ins.jpg)](https://www.experiencesbymarmalade.com/a-guide-to-azou-restaurant-london-the-north-africas-culinary-haven/?ref=marmaladecollective.com) ## 9\. Drip London, Clerkenwell [Drip London: Where West African Flavours Meet Nightlife EnergyDrip London has found a way to offer something rare: an elevated dining experience with a deeply personal touch. Its rich West African flavours, music, and atmosphere make it a space to stay, connect, and return to. A truly standout destination in contemporary London.![](https://www.experiencesbymarmalade.com/content/images/icon/Marmalade-Avatar-4.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/thumbnail/DSC_0368-1.jpg)](https://www.experiencesbymarmalade.com/drip-london-where-west-african-flavours-meet-nightlife-energy/?ref=marmaladecollective.com) ## 10\. Stork, Mayfair [A Guide to Stork Mayfair Restaurant: A Modern Pan-African CuisineLocated in the center of Mayfair, London, Stork Restaurant is a hidden culinary gem that deftly combines luxury with a contemporary eating experience. This restaurant serves guests looking for an unforgettable culinary adventure and is renowned for its inventive cuisine and elegant ambiance. For food fans and connoisseurs alike, Stork![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/2023/11/402701167_865547435148465_7189185680968085884_n-1.jpg)](https://www.experiencesbymarmalade.com/a-guide-to-stork-mayfair-restaurant-a-modern-pan-african-cuisine/?ref=marmaladecollective.com) --- Food has always been one of our most powerful storytellers, and these restaurants prove it every single day. They're not just preserving tradition, they're reimagining it, celebrating it, and inviting all of us to the table. So step outside your usual rotation. Bring your friends, bring your family, and bring your curiosity. Let these home-cooked flavours teach you something new, remind you of something old, or simply fill you up in the best possible way. ### Thirteen Years On, 1-54 Contemporary African Art Fair 2025 Still Sets the Pace URL: https://www.marmaladecollective.com/thirteen-years-on-1-54-contemporary-african-art-fair-2025-still-sets-the-pace/ Last updated: 2025-10-07T17:20:55.000Z From 16–19 October, the 1-54 Contemporary African Art Fair returns to Somerset House for its 13th consecutive year and this one’s shaping up to be its most dynamic yet. As the leading international fair dedicated to contemporary art from Africa and its diaspora, 1-54 has always been about the connection between artists and audiences, between the continent and its global community. This year, that spirit runs even deeper. The 2025 edition sees a wave of new galleries representing voices from across Africa and the wider diaspora, marking an important moment in how contemporary art from the global majority world is being seen and celebrated. It’s a shift that feels timely, one that recentres the narratives of art, creativity, and culture where they began. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Bev-Butkow-material-connections-VII-2024-Oil-paint-oil-pastel-printmaking-ink-on-canvas-45.5-x-40.5-cm.-Courtesy-of-Guns-and-Rain.-.jpg) Bev-Butkow-material-connections-VII-2024-Oil-paint-oil-pastel-printmaking-ink-on-canvas-45.5-x-40.5-cm.-Courtesy-of-Guns-and-Rain. ### **A Fair Rooted in Home, Spanning the World** Across Somerset House’s grand halls and courtyards, over fifty galleries from thirteen countries will exhibit works from more than one hundred artists. From painting and photography to textiles, sculpture, ceramics, and performance, the fair continues to stretch the definition of what contemporary African art can look like. Renowned names like Hassan Hajjaj, Ibrahim El-Salahi, Lakwena Maciver, and Seydou Keïta share space with a new generation of rising and emerging artists, including Joël Bigaignon, Zenaéca Singh, Khadija El Abyad, and Afeez Onakoya, each offering fresh visions of identity, place, and more. Running alongside the fair, Somerset House will also present the first major solo exhibition by Black British photographer Jennie Baptiste, whose work captures the energy and evolution of youth, fashion, and music within London’s Black British diaspora since the 1990s. Her exhibition offers a poetic reflection on visibility and self-expression, a powerful complement to 1-54’s celebration of global Black creativity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Image-credit-Roots-Manuva-by-Jennie-Baptiste--1999.-2.jpg) Image credit Roots Manuva by Jennie Baptiste, 1999. ### **Nigeria and South Africa in Focus** If there’s a country commanding attention this year, it’s **Nigeria**. More than fifteen Nigerian artists will be shown across the fair, reflecting the country’s undeniable presence in shaping contemporary African art. Highlights include Samuel Nnorom, represented by *Affinity Gallery*, whose sculptural storytelling through fabric and foam blurs the line between material and metaphor. Austin Uzor, showing with *MAĀT Gallery*, brings dreamlike canvases that explore the terrain between memory and migration. Meanwhile, Ayoola Gbolahan, exhibited by *The 1897 Gallery*, continues to investigate spirituality, colour, and cultural continuity in his bold, textural paintings. These artists form part of a strong Nigerian gallery line-up, including Rele, O’DA Art, SOTO, and Affinity Gallery, each representing a vital piece of the country’s ever-evolving creative ecosystem. South Africa also brings a powerful presence to the 2025 edition, with galleries like Afronova, Guns & Rain, Kalashnikovv, FILAFRIQUES, and Eclectica Contemporary all showcasing work that spans painting, photography, and mixed media. Among the artists to watch are Reggie Khumalo, whose work journeys through self and spirituality; Zana Masombuka, known for fusing photography and Ndebele symbolism in deeply personal narratives; and Boemo Diale, whose multidisciplinary practice explores femininity and the divine in contemporary culture. It’s a vibrant cross-section of voices, each rooted locally yet speaking powerfully to a global audience. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Zana-Masombuka-Ngesrhodlweni-eBandla-1-2023-Giclee-print-84-x-56-cm.----Zana-Masombuka.-Courtesy-the-Artist-and-October-Gallery.-Photo----John-Baloy-and-Bontle-Juku.jpeg.webp) Zana-Masombuka-Ngesrhodlweni-eBandla-1-2023-Giclee-print-84-x-56-cm.-©-Zana-Masombuka.-Courtesy-the-Artist-and-October-Gallery.-Photo-©-John-Baloy-and-Bontle-Juku.jpeg ### **Collaborations, Partnerships & Special Projects** Beyond the booths, 1-54 London expands into a constellation of creative partnerships and cultural collaborations that deepen the fair’s impact. This year’s Special Projects bring together fashion, heritage, and contemporary design through *Art Comes First*, which traces the shared histories of African craftsmanship and British tailoring. *Everyday Lusaka Gallery* reimagines Zambia’s photographic heritage through an archival lens, while *Nando’s* continues its long-term partnership with the *Spier Arts Trust*, supporting emerging South African artists. *Picha Art Centre* and *Seed Archives* add further layers of storytelling, broadening the dialogue between memory, material, and identity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Mr.-Vilas-and-Mr.-Patel-at-Fine-Art-Studios-interior--circa-1950s.-Courtesy-of-Fine-Art-Studios-and-Zambia-Belonging.jpeg) Mr. Vilas and Mr. Patel at Fine Art Studios interior, circa 1950s. Courtesy of Fine Art Studios and Zambia Belonging Supporting these projects are the fair’s partners, who help shape its global reach and sustainability. Afreximbank joins as Lead Partner, reinforcing its commitment to championing African art and creative economies across the continent. Christie’s, a long-time collaborator, continues to provide an international platform for artists and galleries through its global networks. Meanwhile, INFINIMENT COTY PARIS returns with its innovative *Artcycling Project*, inviting twenty-three artists — among them Thandiwe Muriu and Zana Masombuka — to transform fragrance packaging into sculptural works of art. Together, these collaborations illustrate how 1-54 functions not only as a fair but as a living ecosystem of creative exchange, bridging heritage, innovation, and community. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/Hassan-Hajjaj--Pikala-Legs--2016_1437--Painted-tyre--plastic-mat--wood-and-plexiglass--95.5-x-71-x-3.8-cm.-Courtesy-of-the-Artist-and-193-Gallery.-.jpg) Hassan Hajjaj, Pikala Legs, 2016\_1437, Painted tyre, plastic mat, wood and plexiglass, 95.5 x 71 x 3.8 cm. Courtesy of the Artist and 193 Gallery. ## Conclusion Thirteen years in, 1-54 is a cultural compass. It continues to remind us that African and diasporic art isn’t a side story within the global art world. And this year, with artists and galleries from the continent and beyond leading the dialogue, the pulse beats stronger and more grounded than ever. ## FAQs #### What is 1-54 Contemporary African Art Fair? Founded by Touria El Glaoui in 2013, 1-54 is the leading international fair dedicated to contemporary art from Africa and its diaspora. Its name references Africa’s fifty-four countries, a nod to the continent’s vast diversity. The fair now runs annually in London, Marrakech, and New York, with pop-up editions in Paris, establishing itself as a global meeting point for artists, collectors, curators, and cultural thinkers. #### When and where is this year’s London edition happening? The fair will take place at Somerset House in London from 16–19 October 2025\. The Press Preview opens on Thursday 16 October, followed by Public Days from Friday 17 to Sunday 19 October. Opening hours are from 11 AM to 7 PM on Friday and Saturday, and 11 AM to 6 PM on Sunday. Tickets are available via [1-54.com](https://1-54.com/?ref=marmaladecollective.com). #### Why does this year’s edition matter? Now in its thirteenth year, 1-54 continues to evolve, reflecting not just the growing global interest in African art, but also the agency of artists, curators, and galleries shaping their own narratives. With more representation from Africa and the diaspora than ever before, this edition feels particularly significant. It’s a moment that underscores how artists from the continent and beyond are not merely participating in the global art conversation; they’re leading it. #### Who are some of the key artists to look out for? Expect to see both acclaimed masters and emerging talents. The line-up includes internationally celebrated artists like Hassan Hajjaj, Lakwena Maciver, and Ibrahim El-Salahi, alongside rising voices such as Afeez Onakoya, Zenaéca Singh, and Khadija El Abyad. It’s this balance of legacy and new energy that gives 1-54 its unique rhythm and relevance. #### Are there exhibitions beyond the fair itself? Yes. Running alongside the fair, Somerset House will host the first major solo exhibition by Jennie Baptiste, the trailblazing Black British photographer known for documenting youth culture, music, and style since the 1990s. Her exhibition is open to all 1-54 ticket holders and will continue through to 4 January 2026. #### How does 1-54 connect with the wider creative community? Through long-standing collaborations with institutions such as Christie’s, Afreximbank, and INFINIMENT COTY PARIS, the fair actively nurtures cross-industry dialogue linking art with fashion, design, and heritage. It’s not only a space for showcasing talent but a platform for shaping the future of cultural production across borders. #### How can I keep up with updates and highlights? Follow [@154artfair](https://www.instagram.com/154artfair?ref=marmaladecollective.com) on Instagram and use #154artfair for artist spotlights, interviews, and behind-the-scenes moments throughout the week. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Dave Teases New Album, LABRUM Shakes Up John Lewis, Shatta Wale Eyes Grammy Glory URL: https://www.marmaladecollective.com/dave-teases-new-album-labrum-shakes-up-john-lewis-shatta-wale-eyes-grammy-glory/ Last updated: 2025-10-06T09:00:16.000Z **Welcome to Vol 155 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Can you believe we're already into a fresh new month? We're feeling all kinds of celebratory over here, and we've got SO much to share with you. First things first: our No Place Like Home campaign is officially live! And [**we want to hear YOUR stories**](https://www.marmaladecollective.com/beyond-black-no-place-like-home-open-call/) about what home means to you. If you're in the UK and you've got thoughts (and we know you do), we're all ears. Tell us how home shapes who you are, where you belong, or where you're still figuring it all out. And finally (because we know you lot love a good night out) make sure you grab your tickets to [**The Big Fat Nigerian Pub Quiz**](https://www.eventbrite.com/e/the-big-fat-nigerian-pub-quiz-tickets-1607071848159?ref=marmaladecollective.com). Bring your friends, bring your questionable general knowledge, and prepare to have an absolute blast. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Owambe: The Party That Held Us Together URL: https://www.marmaladecollective.com/owambe-the-party-that-held-us-together/ Last updated: 2025-10-05T14:05:42.000Z The first thing you notice is the music, that loud blend of juju guitars and talking drums that pours through compound walls and into the street like an open invitation. Then comes the smell: jollof rice battling it out with fried rice, while pepper soup bubbles somewhere nearby, making your mouth water. You're eight years old, holding on tight to your mother's wrapper as she weaves through a crowd of aunties and uncles all dressed in the same fabric; matching lace that turns everyone into one big, colourful family. Someone's getting married. Or buried. Or celebrating their fiftieth birthday. The reason doesn't matter as much as being there together. This is Owambe. This is home. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/IMG_7082-1.jpeg) **Image via @philadelphiamagazine* ### **How Parties Became Our Culture** The word "Owambe" doesn't really translate to English, and maybe that's perfect. It comes from Yoruba and literally means "it is there,” a simple phrase that grew to mean something much bigger. By the 1980s and 90s, Owambe had grown from traditional celebrations into something uniquely Nigerian: big parties where your standing in the community was measured by how many people showed up, how much food was served, and how much money was sprayed in the air. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/IMG_7084-3.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/4f60d842e011c4077bfe58b4752eeba4.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/5c6927c35b5a7ea7224b7b7376859cc0.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/c703155fc8ec14f856600e762851749c.jpg) But long before Instagram made *aso ebi* go viral, Owambe was quietly doing important work; holding communities together. These weren't just parties. They were how we survived, celebrated our success, and found joy together in a country that often asked us to be strong more than it gave us reasons to smile. The money sprayed at weddings helped newlyweds start their lives. Burial ceremonies honoured the dead while raising money for families left behind. Naming ceremonies welcomed babies into a community that promised to watch over them. Yes, it looked dramatic—naira notes raining down on dancers while Wasiu Alabi Pasuma or Obesere performed. But it was also about sharing. You weren't just giving money; you were showing up for people who mattered to you. It was a simple way of saying, *I stand with you, I celebrate with you, I am part of this family.* That sense of togetherness was the heart of Owambe. > [ View this post on Instagram ](https://www.instagram.com/reel/DObh1Q3iPS-/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ỌRRY shenjobi (@orryshenjobi)](https://www.instagram.com/reel/DObh1Q3iPS-/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### **Owambe: Then and Now** Over the years, Owambe has changed, but it has never lost its spirit. In the 1960s and 70s, it was all about highlife music and juju bands like King Sunny Ade, but today, it’s Burna Boy, Wizkid, and Asake filling the speakers. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/IMG_7083-1.jpeg) **Image via @zikoko* Now, there are professional event planners, photographers, and elaborate decorations. Davido might even perform at your wedding if you can afford it. Everything is bigger, fancier, more expensive. Instagram and TikTok have given Owambe a new stage, where the gele tutorials, the makeup, and even the spraying of money are shared all over the world. But no matter how modern it looks now, the feeling is the same: joy and unity. > [ View this post on Instagram ](https://www.instagram.com/tv/ByukHZrlW5v/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Wedding Rings●💍💎 (@bandsbymo)](https://www.instagram.com/tv/ByukHZrlW5v/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Today, you’ll find Owambe not only in Lagos or Ibadan, but also in London, Houston, and Toronto. Nigerians abroad carry it with them, turning banquet halls and backyards into little pieces of home. And in that way, it’s become part of a bigger story, one of African culture, identity, and tradition finding new life across continents. Just like gospel, jazz, carnival, or hip hop, Owambe is proof that celebration is also heritage. That’s why this Black History Month, as part of Marmalade Collective’s ***Beyond Black: No Place Like Home*** campaign, we’re honouring traditions like Owambe that tie us together and remind us that culture isn’t something distant in history books; it’s right here, in the music we dance to, the meals we share, and the ways we celebrate each other. Because at its heart, Owambe isn’t just a party, it’s a reminder that no matter where we go, there’s truly no place like home. ### Violeta Sofia is Taking Up Space in the Global Art World URL: https://www.marmaladecollective.com/violeta-sofia-is-taking-up-space-in-the-global-art-world/ Last updated: 2025-10-02T18:06:16.000Z Violeta Sofia is an award-winning artist, photographer, and activist whose career defies easy categorisation. Born in Cameroon and raised in Spain, with roots in Equatorial Guinea and a creative life shaped in the UK, her work is just as layered and complex. Over the years, she has exhibited at major institutions including the National Portrait Gallery and Christie’s, while her portraits and fine art photography have appeared on the covers of *Elle Italia*, *Deadline Hollywood*, and *The Telegraph Magazine*. What sets Violeta apart is her ability to weave together technical mastery and emotional depth. Inspired by the lighting of the Old Masters yet refusing to be confined by their Eurocentric traditions, she has developed a style that is both classical and radically new. Her acclaimed *Hand Masters* series, for instance, transforms the reality of living with vitiligo into powerful, poetic imagery that sits at the intersection of photography and painting. In her work, hands become flowers, symbols of growth, individuality, and resilience. But Violeta’s practice extends far beyond aesthetics. A committed advocate for representation, she has pushed for greater visibility of Black and female artists within spaces like the National Portrait Gallery. She sees art as dialogue, collaboration, and change. In this conversation, we discussed her journey from taking photographs at eight years old to showing at the 1-54 Contemporary African Art Fair, her reflections on belonging across cultures, the evolution of her practice, and how she continues to break boundaries between art forms, identities, and traditions. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/Belonging-and-Rebirth.-exhiibition-2A6A8836-small.jpg) Belonging and Rebirth Exhibition **You were introduced to photography quite early, at around eight years old, with your first camera. From those early days to now, what do you miss about that time, and what has that transition into where you are now been like?** When I look back, I feel very proud that I never stopped. From a very young age, I knew I was creative, but being an artist isn’t always supported by society, parents, or even friends. It can feel tough when your career choice isn’t fully understood. So, when I revisit my early work, what I see is determination. I see someone who didn’t give up, and that gives me joy because I’ve been able to keep doing what I love. In the beginning, I think I was trying to fit in. You copy, you imitate, you’re influenced by what your teachers show you, which isn’t always the work you would have naturally gravitated toward if left on your own. So my early work carried those influences, and in some ways, it still does. But now, I try to be more intentional about drawing inspiration from artists of colour. Because of my education and the way I was trained, my references were very male-oriented, often white male photographers. That shaped how my art grew. Even when you try to expand, it can be difficult to unlearn those frameworks and bring in new perspectives. But what excites me now is seeing more female photographers, more African and Black photographers; there’s been a real shift. Even if my own work still carries traces of that earlier education, I can feel that change happening through the new voices and the new generation. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/red9603-copymedium.jpg) **That’s a great way to start, as you touched on a number of themes I’d like to get into. Recently, I saw a caption where you said you’ve been described first as a Cameroonian artist, then as a British artist, and then as an artist from Spain. You explained that Cameroon, your birthplace, grounds you in heritage and tradition; Spain shaped you through a traditional education; and in the UK, you found freedom to be honest with yourself. Could you expand on that?** Thank you for picking up on that. I’ve become more personal on Instagram, but you never know who’s really reading, so it’s nice to know that you are. That caption came from an exhibition where my work was taken to Dubai. Every time I go to a new country, I feel I become a different version of myself. I was born in Cameroon, but we moved to Spain when I was less than a year old, and my father is from Equatorial Guinea. So from the start, I was Cameroonian and Spanish. Then, when I moved to London, I became Cameroonian, Spanish, and English. And now, when my work travels to places like Dubai or Saudi Arabia, I’m introduced yet again in new ways. People there will ask: “Is your work British? Is it Spanish?” But what I love is that in those places, they are really pushing forward African, Asian, and Arabic art. It’s interesting to step outside of Europe and realise that Europe isn’t the centre of the world. In places like Dubai, people are more curious if I say I’m African than if I say I’m Spanish, because that’s what they want to celebrate. One of the galleries that represents me lists me as Spanish, which I found very interesting. It made me realise that my identity shifts depending on where I am. In England, I’m usually seen as Spanish and Cameroonian. Outside England, people tend to see me as British and Cameroonian. It’s all these layers that keep building on who I am. At my core, I feel African; that’s my roots, my parents, my food, my culture. But Spain shaped my language, my expressions, the way I communicate and think. And then the UK gave me freedom. It gave me the support I needed to grow as an artist. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/new-exhiibiitioin_violeta-sofia_hand-master-artichoke-224283Rflat2small.jpg) Violeta Sofia's Hand Masters Blue Artichoke **Thank you so much for sharing. I think that was super insightful into your creative process and journey. You also talked about wanting to research African art and heritage, even though your education wasn’t inclusive of that. How were you able to connect with your roots from Cameroon and Equatorial Guinea, and how has that shown up in your work?** So, my work is split: I’m a portrait photographer, but I also do fine art. With portraiture, many of my sitters are white, and I’m proud of that, but in my personal projects, I focus on people of colour, mainly Black sitters. Then there’s my *Hand Masters* series, where I use flowers and my own hands with vitiligo. That work connects to the old masters, which makes it easy for audiences to engage with, but once you look closer, you see something new: my hands, my story. Bringing in my Africanness has been more complex. I didn’t grow up in Cameroon, so I often wonder: how do I tell that story? And will people from Cameroon accept it as authentic? When I visit, people immediately know I’m not from there, so there’s always this tension of belonging. One project, *Belonging and Rebirth*, came from listening to my parents share traditions and practices from home; rituals, connections with nature, herbal knowledge and the rest. In Equatorial Guinea, nature is at the centre of life, but here in Europe that connection feels lost. So I used flowers and plants to tell those stories, even though it was difficult without access to tropical plants. In a way, making that art became a way of rediscovering myself. But it also showed me how much has changed. My parents left decades ago, so some of what they taught me doesn’t exist anymore. Cousins back home don’t know the same traditions or speak the same languages. So I realised I was creating an *imaginary world* from fragments of memory. At the end of the project, I thought I was going to feel more rooted, but instead I realised my belonging is different. One of the central colours was red, inspired by a baptism ritual in my tribe where newborns are washed with red leaves. Red became a symbol I could carry forward. In the exhibition, I had a red oak tree, a European tree painted red, and I connected with it deeply. That was the revelation: I don’t need to chase a past that isn’t fully mine anymore. I can carry the red with me wherever I go, transforming it into my present. It’s a form of self-healing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/red-oak-ttree-119037-2_35x52cm_diabond_matt_small.jpg) Red Oak Tree **I think it can be bittersweet, but we always have to remember that everything changes.** Exactly, things change, and so do we. **Touching on that, you mentioned earlier the importance of seeing more representation, especially women of colour in art. You’ve also been active in pushing galleries to include underrepresented artists. How does that feel for you? What does that sense of community and inclusion mean?** For me, the only way forward is through community; bringing people in, sharing, and supporting one another. And I don’t just mean sharing work, but also sharing conversations, being open about what we’re going through. Because being an artist is lonely. It’s unregulated. No one teaches you the practical things: contracts, rates, or how to navigate the business side. You just learn as you go, often alone. That’s why it’s so important to create groups, to have people you can talk to, and to support each other where you can. When I entered the National Portrait Gallery, my artistic name, Violeta Sofia, meant people didn’t necessarily know my background. When they accepted my work, I had sitters who were all white, which is fine. But as I stood in the gallery looking at the walls, I thought, “Where are the women of colour?” It was a female-focused exhibition, so I asked if I was the only Black woman included. Turns out, there was just one other, and she had passed away. That was a striking moment. So, I made a proposal. I put forward 25 names to start. To their credit, they openly listened and expanded the exhibition. Suddenly, you didn’t just have Black photographers, but also Black sitters, sitters of all backgrounds. And importantly, it wasn’t stereotypical. Black photographers weren’t only photographing Black people. You had Asian photographers photographing Black sitters, Black photographers photographing white sitters, and so on. That was exciting to me because representation shouldn’t be limited or boxed in. I like creating positive change. I don’t like stagnation. I’m always asking, “Okay, this is good, but what’s next?” That exhibition was one step, but more change is still needed across different areas. **Thank you so much for sharing. I know this is deeply important, and it’s encouraging to see institutions responding and making space.** And it mattered that it was the National Portrait Gallery, such a big name. I wasn’t afraid to knock on the door and say, “We need change.” And it happened at a time when people were paying attention, just after Black Lives Matter. **Another thing I noticed is the sense of community around your work. Even scrolling through your page, there’s this spirit of collaboration; you post about other photographers, artists, and even friends’ exhibitions. So I want to know: what does community and collaboration mean in your work? How does it influence you personally, and as part of a wider creative network?** Well, along the way you naturally meet other photographers and artists, and those connections become important. For me, the main collaborations often happen through exhibitions. I sometimes curate, and I’ve always believed that when you bring more than one person together, the message travels further than if you stand alone. So group exhibitions are a form of collaboration I really value. It’s about sharing knowledge, ideas, and experiences, and I think that sense of connection has been essential to my growth. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_498204735_18507195226013402_2034205702352550647_n.jpg) **I think it’s important to continue these conversations; you’re encouraging newer artists that way. Just to pivot a bit, with your upcoming exhibitions—Me London and Somerset House during the 1-54 Contemporary African Art Fair 2025—what excites you most about showcasing your art in these spaces?** Two reasons, really, and both connect to my identity. A lot of the time, I ask myself, “Where do I fit in? Am I Spanish? Am I African?” So being included in something like the African Art Fair is an honour. Being invited into that space allows me to ground myself in the African conversation, which is really meaningful. This will also be my first time exhibiting at 1-54, and I’ll be showing with the Gillian Jason Gallery, which is female-only. That makes it even more special. With Me London, I’m being included in the Spanish conversation as well, which feels important too. Being part of that dialogue gives me a sense of inclusion I’ve struggled with before. Both shows carry deep meaning for me. I’m very, very grateful. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/20241121_02_exhibition_005.jpg) Belonging and Rebirth Exhibition, Hand Bad Factory **That’s very exciting. I also wanted to touch on your work with different galleries and clients. You’ve gone from Christie’s to Vogue, you continue to work with celebrities and even film. Does that kind of recognition change anything about your process or practice?** Honestly, I don’t think it does. My practice stays the same. But it *does* open conversations. I wouldn’t say it automatically opens doors, but it gives me something to talk about. For example, early on I’d say, “I’m building a portfolio.” Later, I could say, “I’ve done a cover for this magazine,” or “I’m exhibiting at Christie’s or the National Portrait Gallery.” Those milestones give you confidence and credibility. But people don’t just knock on your door because of it. No one has come to me saying, *“Oh, you’ve been at the National Portrait Gallery, I want you in my show.”* I’m still the one reaching out, sharing my story. The recognition doesn’t change my practice, but it does strengthen my CV, makes people trust me more, and create opportunities for bigger conversations. **I love to see artists like yourself winning. It’s incredible, to say the least. My next question is about your style, especially with the *Hand Masters* series. You use the Old Masters style, something you’ve said you didn’t connect with at first. But now you’ve transformed it into something of your own. So I wanted to ask about that creative process, how you take something you didn’t originally connect with and make it your own. How do you work through that transformation in your practice?** I didn’t have a plan for it. Some of it came from education; you go to school, you study photography, you learn about Old Master lighting. It stays at the back of your mind. Rembrandt lighting, for example, is just there, and when you start creating, that’s often what you fall back on. For me, it began when I developed vitiligo. At the time, people suddenly thought vitiligo was “fashionable” and wanted to photograph me. But I didn’t trust anyone to do that, I didn’t want my condition to be treated like a trend. It felt unfair: people saw vitiligo as “cool,” while other skin conditions were still stigmatised. So I decided I had to record myself instead. I remember seeing an image once, a man lying on a table holding flowers. I tried to recreate it, and that became the first *Hand Masters* piece. I thought, “This isn’t bad,” so I kept experimenting. The first piece did well, then the second became a Christmas card, and that’s when I realised it was taking the form of an Old Masters style. By the third, I was studying Dutch florals, and suddenly I found myself loving what I used to hate. That’s when the series really took shape. I kept the word “Masters” deliberately. The Old Masters we’re taught about don’t include African narratives; they’re European, educated in a certain way, and very exclusive. I thought: “Why can’t an African artist create ‘Old Masters’ too?” This is my art, my heritage, and I wanted to claim that space. I also chose to hide my face and centre the work on my hands. I wanted people to look at my hands, see their beauty, and not just see vitiligo. Adding flowers helped transform them into something healing. I used to be terrified of getting vitiligo on my hands, and when it happened, when they turned completely white, creating the *Hand Masters* series helped me embrace them. It was a process of both making art and learning to love myself. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/new-exhiibiitioin_-lilly-study-0818flat_ssmall.jpg) Violeta Sofia's Hand Masters Lily study **Thank you so much for sharing. Since this series will be shown in upcoming exhibitions, what do you hope people take away from experiencing it?** One of my main goals is to break the boundary between photography and painting. As a photographer, you’re expected to be highly technical: to know every detail about cameras, numbers, and lighting setups. But I don’t create from numbers, I create from feeling and emotion. On the other side, the art world often refuses to see photography as art; if it’s not oil painting with brushstrokes, it doesn’t count. But with my *Hand Masters* series, people are often confused: *is it a photograph, a painting, or even AI?* And I like that. To push it further, I print on canvas and paint over the photographs, so no one can box me into one category. I want to occupy both spaces. For me, the point is that art doesn’t need to be either/or. I’m both a photographer and an artist, and I want people to accept that. As a Black woman, people don’t expect me to be a photographer. I’ve been in studios where I’m holding the camera and people look around asking, *“Where’s the photographer?”* I am the photographer. I am the artist. Don’t try to reduce my work to one or the other; it’s both, and it’s valid. It’s the industry that tries to divide and categorise. My art exists in the middle, unapologetically. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/20241121_02_exhibition_029.jpg) **Thank you for sharing that. I think artists like you show that it’s possible to resist those limits. To close on a lighter note, you’ve mentioned that photography has taken you to countries you never even dreamed of visiting. What would you say are your top three places you’ve travelled to?** One of the most surprising places for me has been Jeddah in Saudi Arabia. I’ve been going there for four years now, and at first I was terrified, thinking, “Oh my goodness, I’m a Black woman, how will I be treated?” But it’s been one of my favourite experiences. The people were warm and welcoming. They have this beautiful culture of taking care of visitors; you’re in their country, so they make sure you feel safe. Of course, you have to be respectful, just like I would when visiting Cameroon, and that’s fine. Once I embraced that, I found the experience incredibly rewarding. I realised there’s so much opportunity in Arabic countries. They’re evolving, opening up, seeking new ideas. There’s pride there, and it makes you feel like you belong to a bigger world. It was a real eye-opener. **Thank you so much for sharing. This has been a wonderful conversation.** ### 9 African Spirit and Liquor Brands Worth Sipping In 2025 URL: https://www.marmaladecollective.com/9-african-spirit-and-liquor-brands-worth-sipping-in-2025/ Last updated: 2025-10-04T15:16:38.000Z # **Introduction** When most people think of African drinks, their minds often jump to palm wine or locally brewed beers, but the continent is quietly building an impressive lineup of spirits that can stand proudly alongside global giants. What makes these spirits exciting isn’t just the taste, it’s the stories behind them. Think golden marula fruit turned into a silky cream liqueur, Nigerian rum inspired by plantains, or vodka that helps support farmers across East and West Africa. Each bottle carries a little piece of culture, craft, and innovation, proving that Africa isn’t just catching up in the world of spirits, it’s carving out its own unique place at the bar. ## Amarula ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_503700041_18298252702223503_4808144432039081822_n-1.jpg) **Image via @amarulaofficial* [**Amarula** ](https://www.instagram.com/amarula%5Fofficial/?ref=marmaladecollective.com)is South Africa’s most famous cream liqueur, loved for its silky texture and sweet, nutty taste. Owned by Distell Group Limited, the brand has been around since 1989 and has grown into a global name, found in over 100 countries. What sets it apart is the Marula fruit, a golden, wild fruit harvested from the African savannah, often called the “elephant tree” because elephants can’t resist it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_491417570_18025030616674485_4833542007128500860_n-1.jpg) **Image via @amarulaofficial* The fruit is distilled into a spirit, aged in oak, and then blended with fresh cream to create Amarula’s signature flavour. Smooth, indulgent, and distinctly African, it’s the kind of drink that works just as well poured over ice as it does in a cocktail. ## Saint Ogun Rum ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_292413267_558513635779408_6139502303488909006_n-1.jpg) **Image via @saintogun* [**Saint Ogun**](https://www.instagram.com/saintogun/?ref=marmaladecollective.com) is a contemporary African-inspired rum brand founded in 2020 by London-based friends Nic Akinnibosun and Rico Oyejobi. Taking its name from Ògún, the Yoruba god of iron and craftsmanship, the brand honours Nigerian heritage while blending Caribbean rum traditions with a modern global outlook. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_131537290_392275808656045_5595527077047738787_n-1.jpg) **Image via @saintogun* Distilled from molasses and matured with a curated blend of influences, Saint Ogun delivers smooth, spiced layers of vanilla, caramel, and warm spice. It works beautifully neat or in cocktails, and has quickly gained attention as one of the continent’s premium African-owned rum labels. ## KWV Brandy ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_530788301_18524656600008256_2327697957635932171_n-1.jpg) **Image via @kwvbrandy* [**KWV Brandy**](https://www.instagram.com/kwvbrandy/?ref=marmaladecollective.com) is a true South African classic, carrying over a century of heritage in winemaking and distilling. Founded in 1918 in the Western Cape, KWV (short for *Koöperatieve Wijnbouwers Vereniging van Zuid-Afrika*) started as a collective of wine farmers and has since grown into one of the country’s most iconic, and awarded, drinks companies. Made from carefully selected local grapes, the brandy is double distilled in copper pot stills and then matured in oak barrels to develop its rich, smooth character. The result is a spirit with layers of dried fruit, spice, and warm vanilla; a perfect sipping brandy that reflects South Africa’s long tradition of turning vineyards into something truly world-class. ## Oaks & Âmes Rum ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_519887088_122244894746226584_1114233666445938804_n-1.jpg) **Image via @oaks&ames* Born on the island of Mauritius, [**Oaks & Âmes**](https://www.instagram.com/oaks%5Fand%5Fames/?e=2bfc1119-00c4-48ac-a68c-f91f71d90844&g=5&ref=marmaladecollective.com) is all about bringing the soul of local sugarcane to life. Childhood friends Rishi Ramloll and Anil Ramjuttun founded the brand with a shared vision: to put Mauritian rum on the world map through small-batch, pot-still distillation. Even the name tells a story; “oak” for the barrels that shape the spirit, and “âmes,” the French word for “souls,” as a tribute to the people behind the craft. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_495144941_122228841458226584_7333069549956061494_n-1.jpg) **Image via @oaks&ames* Every bottle starts with Mauritian molasses, distilled with care and aged in oak casks under the island’s tropical climate. The result is a rum layered with warm spice, vanilla, and bursts of tropical fruit, a taste that feels both exotic and familiar. ## Bayab Gin ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_526060752_18070622030473380_7793286010499110624_n--2--1.jpg) **Image via @bayabgin* [**Bayab Gin** ](https://www.instagram.com/bayabgin/?ref=marmaladecollective.com)is a proudly African gin that shows off the continent’s natural flavours in every pour. Distilled in KwaZulu-Natal, South Africa, the brand is built around the iconic baobab fruit, known as the “tree of life.” That tart, citrusy fruit gives Bayab its zing, while botanicals like juniper, orange peel, coriander, and rosemary round out the flavour. The result is a bright, refreshing gin that feels both familiar and distinctly African. No matter how you pour it, Bayab delivers a taste that’s crisp and easy to love. It’s a perfect example of how African ingredients can take a classic spirit and make it something new. ## Mansas African Whisky ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_475267092_18486605938048887_4061384312062551751_n-1.jpg) **Image via @mansasafricanwhisky* [**Mansas African Whisky**](https://www.instagram.com/p/DFVEtgPNw%5F1/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igsh=MzRlODBiNWFlZA==) is proof that great whisky doesn’t just come from Scotland. Made in KwaZulu-Natal by Spearhead Spirits, it’s named after Mansa Musa, the legendary West African emperor known for his wealth and power. The whisky is crafted from locally grown grains like maize, sorghum, rye, and barley, giving it a rich, earthy character that feels unmistakably African. Aged in reconditioned red wine barrels, Mansas has a warm, smooth taste with notes of caramel, vanilla, and toasted oak. It’s got enough complexity for whisky lovers but still goes down easy. Bold, homegrown, and proudly African, it’s the kind of drink that tells a story with every sip. ## Étän Rum ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_307800151_917013853020874_6046179756701543327_n-1.jpg) **Image via @etanrum* [**Étän Rum**](https://www.instagram.com/kakiraspirits/?ref=marmaladecollective.com) is a golden spiced rum created by the five Fosang sisters, Laura, Briget, Noella, Caroline, and Kareen, who drew from their Cameroonian heritage to build something both personal and bold. The name *Étän* means “five” in Munga’ka, a language spoken in Bali, in Northwest Cameroon. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_305247323_475574337526137_1249462842104191778_n-1.jpg) **Image via @etanrum* The rum is 40% ABV and built on a foundation of five botanicals: fevergrass, orange peel, cassia, ginger, and vanilla. This award-winning drink has no added sugar or artificial stuff; just natural spices and rum that deliver warmth, spice, and smooth flavour. ## Afrique Vodka ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_475577313_17897366514136422_5409756703618567753_n-1.jpg) Image via @afrquespirits [**Afrique Spirits**](https://www.instagram.com/afriquespirits/?ref=marmaladecollective.com)is a new spirit brand created by two friends, Jayne Doherty and Beverley Annan-Forson, that captures their Ghanaian roots and love for Africa. Their vodka brand launched in mid-2024, and comes in three flavours; Original, Mango & Papita (papaya), and Apple & Coconut. It’s made using sugar beet instead of wheat or grain, making it naturally gluten-free and gives the vodka a smooth, clean finish. What’s cool about Afrique is that it isn’t just about flavour; it’s about purpose too. Its founders work with farmers in Ghana, Kenya, and Tanzania to source fruit and support local communities, blending bold flavour with a social mission. ## DÒDÒ ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_553365317_17895608178311735_6453407627944724161_n-1.jpg) **Image via @drinkdodo* What started as an April Fool’s Day joke by creative entrepreneur Tola Alade’s Marmalade Collective, a media platform celebrating African culture, quickly turned into a real product after fans demanded it. The trial batch of [**DÒDÒ Plantain Rum**](https://www.instagram.com/drinkdodo/?ref=marmaladecollective.com) sold out almost immediately, proving just how much love there is for playful, proudly African spirits. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/SaveClip.App_545361875_17894019444311735_2485205747243765493_n--1--1.jpg) **Image via @drinkdodo* Distilled from scratch and infused with the rich, caramelised sweetness of golden plantain, DÒDÒ is a 40% rum spirit with layers of vanilla, brown sugar, spice, and deliciously overripe plantains. It’s fun, flavourful, and rooted in one of Nigeria’s most beloved foods, plantain. # Conclusion South Africa’s creamy Amarula, Nigeria’s playful DÒDÒ, and Cameroon’s bold Étän show just how diverse and exciting Africa’s spirits scene has become. These bottles aren’t only drinks, they’re stories of heritage, creativity, and a little rebellion against the ordinary. So the next time you’re stocking up your bar or hunting for a standout gift, skip the usual suspects and reach for an African-made spirit. Rum, vodka, brandy, or liqueur; each pour is a toast to innovation, culture, and a taste that’s proudly rooted in the motherland. ### Beyond Black: No Place Like Home – Open Call URL: https://www.marmaladecollective.com/beyond-black-no-place-like-home-open-call/ Last updated: 2025-10-06T09:32:35.000Z This Black History Month, we’re inviting you to take part in **Beyond Black: No Place Like Home**, our 2025 campaign exploring the power of communal traditions in shaping identity, memory, and belonging. We want to hear *your stories*. From **owambe parties** to **wedding ceremonies**, from the ritual of **wearing trads to church** to **house parties in diaspora homes**, these gatherings once formed the heartbeat of our communities. They were spaces where culture was passed down, where joy was collective, and where, no matter where we found ourselves, we could say: *“There’s no place like home.”* But today, many of these traditions are changing or fading. That’s why we’re opening up a space for you to share your experiences and reflections. ## The Open Call We want people in the UK to send in **short videos** of themselves reflecting on: - What gatherings did you grow up with that made you feel most at home? - Can you tell us about a moment at one of these gatherings, what you wore, what you heard, what you felt? - How did these traditions change when you moved to the UK or over time as you’ve been here? - Do you feel these kinds of gatherings are fading, and if so, what do you think we’re losing? - How do you and your community keep that spirit of gathering alive today - When you think of “No Place Like Home,” what does that mean to you? Your reflections will help us build a **collective portrait of belonging** that honours the past, documents the present, and imagines the future. Alongside videos, we’re also building a **photo archive**. We invite you to share images of: - Past communal gatherings (childhood, family events, older generations). - Present-day gatherings you’ve attended in the UK. - The moments—big or small—that capture that sense of *home*. This archive will become part of *Beyond Black’s* storytelling for Black History Month and beyond. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/Beyond-Black-BHM-Teaser---IG--2.png) ## How to Take Part ### 🎥 Video Guidelines To make sure your submission looks and sounds its best, please follow these steps: - **Background**: Film in front of a calm backdrop, without distractions. - **Orientation**: Record in **landscape (16:9)**, with yourself in the centre of the frame. Make sure there is enough space between the top of your head and edge of frame. - **Audio**: Make sure your audio is clear (use mics if possible, or record in a quiet space). - **Length**: Keep it concise, 2 to 3 minutes is perfect. You can send your video by **WeTransfer** or **WhatsApp** (details below). ### 📸 Photo Submissions - Scan or upload photos from your past gatherings. - Share current images that show how you and your community gather today. - High-resolution is preferable. ## Why Take Part? Your stories will be part of a broader campaign that: - Preserves cultural memory for the next generation. - Showcases the **depth and richness** of African communal traditions. - Challenges narrow stereotypes about what “African culture” looks like. - Celebrates the creativity, resilience, and reinvention of diaspora communities. Together, we’ll show that while traditions may evolve, the spirit remains, and there truly is *no place like home.* ### 👉 How to Submit 💌 Send your video or photos in a drive via [****WeTransfer**](https://wetransfer.com/?ref=marmaladecollective.com) to this email **hello@marmaladecollective.com* or [****WhatsApp**](https://wa.me/message/ENL4RKJDEKPQE1?ref=marmaladecollective.com) +447378545899. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/10/beyond_black_bhm_teaser_countries.gif) ### Slawn Sparks Dreamers, Ama Qamata Joins L’Oréal, Ugo Mozie Stuns in NYC URL: https://www.marmaladecollective.com/slawn-sparks-dreamers-ama-qamata-joins-loreal-ugo-mozie-stuns-in-nyc/ Last updated: 2025-09-29T09:00:40.000Z **Welcome to Vol 154 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Happy New Month! *“but it’s not yet…”* Yes yes I know it’s not officially October yet, but I wanted to be the first to wish you a little early joy; consider it an early gift. And speaking of early gifts, October is shaping up to be a big one for us at Marmalade. Last month we had a blast [**celebrating World Photography Day**](https://www.marmaladecollective.com/world-photography-day/), and this month we’re turning the spotlight on something even closer to our hearts: Black History Month. You know that saying, home is where the heart is? Well for us, home is where the culture is, and throughout October, we’re celebrating the traditions, stories, and communities that shape who we are. We’re kicking things off with something truly special: a London exhibition by Orry Shenjobi, called [***A Wa N Be*, bringing Owambe culture to life**](https://www.instagram.com/reel/DObh1Q3iPS-/?igsh=eW9wNnJ0NXk1dmNw&ref=marmaladecollective.com) and reimagining community through tradition. Plus, we’ll be diving into how our traditions shape our identity, and make us feel at home wherever we are. So buckle up my loves, I won’t give any more away because surprises (and torturous suspense) are half the fun \* **insert evil laugh\***, but I will say for now; mark your calendars and prepare to be very, very impressed. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### What's On This October (Updated) URL: https://www.marmaladecollective.com/whats-on-october-2025/ Last updated: 2025-10-08T11:34:40.000Z We’re outside celebrating culture this month! From Orry Shenjobi’s immersive A WÀ ǸBẸ̀ exhibition, to testing our Naija knowledge at The Big Fat Nigerian Pub Quiz, to dining fine at The Graceful Kitchen x Olu Olu Foods Supperclub — we’re linking up in true Marmalade style. _This post is for subscribers only._ ### African Comfort Foods to Try on Your Next Trip URL: https://www.marmaladecollective.com/african-comfort-foods-to-try-on-your-next-trip/ Last updated: 2025-09-22T09:03:43.000Z # **Introduction** There's something magical that happens when you step into any African kitchen; maybe it's a bustling Lagos street stall, or in a quiet home in rural Ethiopia. The air fills with stories told through the language of spice and smoke, tradition and innovation, and each dish carries the soul of a people, their history simmered into every bite. African cuisine isn't just food; it's a passport to understanding the continent's rich variety of cultures. Doesn’t matter if it’s the aromatic tagines of North Africa or the hearty stews of the south; every meal is an invitation to sit at the table of heritage and taste generations of love. ## Nigeria Nothing starts a friendly argument faster in West Africa than Jollof rice, and Nigeria's version is pure comfort food perfection. Each grain is a delicious amber, stained with tomatoes and vegetable oil, and perfumed with bay leaves and thyme. Sometimes, it's filled with meat that melts in your mouth, other times it’s crowned with prawns that pop with ocean sweetness. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_463156151_1189589112097214_1661273353125457456_n-1-1.jpg) **Image via @adoganrestaurant* Then there's Pepper Soup; liquid fire that somehow soothes while it burns. For this, catfish or goat meat swims in a broth alive with local spices that clear your sinuses and warm your soul. There’s also Pounded yam and Egusi stew, which includes perfectly smooth white yam and thick, green stew made from ground melon seeds, spinach, and chunks of beef that have soaked up every drop of palm oil goodness. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_476210301_18489322936057731_2856673512621296547_n-1.jpg) **Image via @opparel\_africa* On the streets, Suya reigns supreme. It’s made of thin beef strips coated in Yaji (a spice blend of ground peanuts, ginger, garlic, and peppers) then grilled over charcoal until the edges char. But nothing captures Nigerian creativity quite like Banga soup, which changes palm nut fruit into a rich, orange broth swimming with fresh fish and beef. And for something sweet, there's Chin Chin, bite-sized cubes of fried dough that are sweet and spiced with nutmeg, the perfect ending to any meal. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_544609971_18062570606357386_202368799527657021_n-1.jpg) **Image via @sought\_after\_bite* ## South Africa South African Bobotie tells the story of a nation in one dish. It’s spiced ground meat mixed with dried fruit and almonds, topped with egg custard that bakes to golden perfection. The spices have a distinct Cape Malay influence, while the sweetness speaks to local creativity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_544111106_17854882989519858_7993438216009060969_n-1.jpg) **Image via @worldfoodhacks.fr* From the same slow-cooking tradition comes Potjiekos, which is cooked in a three-legged cast iron pot over open flames. Layers of meat, vegetables, and spices cook together without stirring, each ingredient adding to something greater than the sum of its parts. Of course, no South African experience is complete without a proper Braai, where boerewors sausages spiral and sizzle. These coarse-ground beef and pork beauties are seasoned with coriander, cloves, and nutmeg, and each bite delivers a satisfying snap followed by juicy goodness. The grill also hosts Sosaties, skewered lamb marinated overnight in curry and dried apricots. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_184159856_114571217413820_5510929995863034574_n-1.jpg) **Image via @natashas.eats* For dessert, Koeksisters, which are twisted pastries that go from hot oil straight into cold syrup, creating treats that are a perfect mix of crispy and syrup-soaked sweetness. ## Ethiopia Ethiopian cuisine is all about sharing, and it starts with Injera, a sourdough flatbread with a texture like velvet and a sharp tang that wakes up your taste buds. It serves as both a plate and a utensil for the star of the show: Doro wat. This isn't just chicken stew, it's a religious experience. Hard-boiled eggs nestle in sauce with berbere chili blend, cardamom, and fenugreek creating delicious layers. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_523609173_18145938832402952_3382555120818790950_n-1-1.jpg) **Image via @roteiros\_de\_africa* Ethiopian Orthodox fasting traditions give us incredible vegetarian dishes like Shiro, and for the adventurous, there's also Kitfo, Ethiopia's take on a steak tartare where the finest beef is hand-minced and dressed with spiced butter, creating something thats both primal and refined. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_344115186_575645561329818_3268198668004770939_n-1.jpg) **Image via @\_mitmita* Alongside it, you'll find Gomen, a mix of collard greens braised with garlic, ginger, and just enough spice to warm without overwhelming. The feast often includes tibs, cubes of beef or lamb quickly seared with onions and rosemary, sometimes flambéed tableside with honey wine for a dramatic finish. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_369709197_3663871503849273_4838558595858598864_n-1.jpg) **Image via @\_mitmita* When everything comes together on one platter of Injera, it creates what Ethiopians call a "combination", proof that the best meals are meant to be shared. ## Morocco The first spoonful of authentic Moroccan Tagine is pure magic. The lamb falls apart like butter, each strand soaked in saffron, ginger, and cinnamon that dances between sweet and savoury. Dried apricots burst with sunshine while almonds add their crunch, all swimming in a sauce that's been kissed by slow fire. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_540468357_122235174302083449_2958920232513757777_n--1--1.jpg) **Image via @tajinerecipesbykhalid* If you look beyond this famous dish and you'll discover Pastilla, Morocco's sweet and savoury masterpiece wrapped in paper-thin pastry. Picture layers of flaky phyllo hugging spiced pigeon or chicken, crushed almonds with orange blossom water, and scrambled eggs with herbs, then dusted with powdered sugar and cinnamon. When Moroccans need comfort, they reach for Harira, a tomato-based soup that breaks Ramadan fasts across the kingdom. It’s rich with lentils, chickpeas, and tender lamb and perfumed with cilantro and brightened with lemon juice. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_500911186_18055081715210913_4385020117293650583_n-1.jpg) **Image via @apinchofsaffron\_amsterdam* On the streets, vendors flip Msemen with practiced hands, and for special occasions, there's Mechoui, whole lamb slow-roasted underground until the meat falls off the bone and the skin crackles with herbs, and Fissa, a celebration dish where torn pancake-like bread gets layered with chicken in a fenugreek, ginger, and saffron sauce; comfort food so good it's traditionally served to new mothers. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_125176096_421835465487064_5746065564707829816_n--1--1-1.jpg) **Image via @recette\_gourmande* ## Senegal Thieboudienne is Senegal's pride and joy. For this dish, fresh fish gets stuffed with herbs and scotch bonnet peppers, then simmers with vegetables in tomato sauce enriched with palm oil, and every grain of rice soaks up this incredible broth. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_450450457_1220496852493795_3285301931275109868_n-1.jpg) **Image via @madisonmagazine* Close behind is Yassa, where chicken or fish marinates in lemon juice and mustard before slow-cooking with mountains of caramelised onions. Then there's Mafe, the rich peanut stew that shows off West Africa's love affair with groundnuts. Beef or chicken simmers in smooth peanut sauce with sweet potatoes and okra, creating something both familiar and exotic. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_551191547_18371094406196504_8281789864843426196_n-1.jpg) **Image via @littlebaobabuk* For something lighter, Caldo is a clear fish soup that tastes like the ocean itself, served with bread for dipping. And let's not forget thiakry, a sweet couscous dessert mixed with yoghurt and vanilla that's like a hug in a bowl. ## Ghana In Ghana, eating Banku is an art form. This fermented corn and cassava dough has a slight tang and smooth texture that's perfect with grilled tilapia. The fish gets marinated in ginger, garlic, and scotch bonnet peppers until the skin crackles, and the meat stays flaky and spiced. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_515279279_18345417076088189_1210960721151309375_n--2--1.jpg) **Image via @naanaa\_mark* If you move further inland, you'll discover fufu and light soup, where stretchy plantain and cassava dumplings meet a clear broth simmering with goat meat, ginger and garden eggs. Another staple, Kenkey, is a corn dough wrapped in husks and steamed until it gets a distinctive sourness that pairs beautifully with fried fish and shitor din, a spicy black sauce that adds umami to everything. Then there's Red Red, named for the palm oil that stains both black-eyed peas and fried plantains crimson. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_487723192_17984602658804172_1411738601728158841_n--1-.jpg) **Image via @welovefoooooood* Groundnut soup shows Ghana's peanut game with yummy chicken in rich sauce made from peanut butter, and for snacking, Kelewele wins every time; ripe plantain cubes seasoned with ginger and cayenne, then fried until golden and caramelised on the edges. ## Madagascar Madagascar's Romazava is simple genius; a clear broth where beef simmers with local bones until the meat falls apart, while leafy greens add mineral earthiness and ginger provides warmth. The slow cooking pulls every ounce of flavour from the bones, creating a soup that's light yet deeply satisfying. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_483867411_17925452631023246_245823615365381520_n--1--1-1.jpg) **image via @chez.tatayoyo* Then there's Ravitoto, where cassava leaves get pounded to paste and slow-cooked with pork until creamy, the leaves adding earthy, slightly bitter taste that pairs beautifully with rich meat and coconut milk. Vary amin'anana shows off the island with rice and greens. The grains absorb the mineral essence of vegetables like watercress and sweet potato leaves while keeping their texture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_120842670_128660065313857_1705011201126128595_n-1.jpg) **Image via @cuisiner.le.monde* Madagascar's coast brings Coconut Curries where fresh fish or prawns simmer in coconut milk enriched with ginger and local herbs, creating flavours that exist nowhere else on earth. For something sweet and simple, Mofo Gasy are traditional rice cakes that are slightly sweet and wonderfully chewy. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_280114607_101561989214769_6032607600404115761_n-1.jpg) **Image via @tasting.madagascar* ## Tunisia Tunisian Couscous is Friday's blessing; tiny pasta pearls steamed to fluffy perfection, topped with seasonal stews that might feature lamb with turnips in winter or fresh vegetables in summer. The broth, enriched with harissa and preserved lemons, brings North African warmth tempered by citrus brightness. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/image-2-1.png) **Image via @nadir.bek89* For comfort food, Lablabi is breakfast soul food, with chickpeas stirred in spiced broth with chunks of bread, topped with a runny egg that creates richness as it swirls through the soup. The coast brings poisson complet—whole fish stuffed with breadcrumbs, herbs, and preserved lemons, baked until the skin crisps and flesh stays moist. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/image-3-1.png) **Image via @olissey* Seafood couscous combines the national grain with prawns, mussels, and fish in saffron-scented broth that speaks to Tunisia's crossroads culture, and Mechouia shows mastery of char, with grilled tomatoes, peppers, and onions chopped and dressed with olive oil and capers (the smoking adds depth while vegetables keep their character) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/image-4-1.png) **Image via @momolondon* For something sweet, Makroudh are semolina pastries stuffed with date paste and soaked in honey syrup, diamond-shaped treasures hiding concentrated sweetness that perfectly end meals celebrating Tunisia's ability to balance bold African flavours with refined Mediterranean traditions. ## Kenya Nyama choma is Kenya's social glue. It features bites of goat, beef, or lamb cooked over charcoal until the outside chars and the inside stays juicy. Simple seasoning with salt and garlic lets the natural flavours shine through that smoky kiss. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/image-5-1.png) **Image via @afrotakeaway* At the coast, Samaki wa nazi showcases Kenyan heritage with fresh fish simmered in coconut curry perfumed with cardamom and cumin. While you’re there, don't underestimate Sukuma wiki, as these aren't ordinary collard greens. When sautéed with onions, tomatoes, and maybe some leftover meat, they transform into something deeply satisfying that feeds families without breaking budgets. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/image-6-1.png) **Image via @enish\_dubai* Githeri takes simple maize and beans and makes them sing when slow-cooked with onions and tomatoes. And Mandazi, Kenya's answer to doughnuts, are cardamom-scented fried breads that are crispy on the outside, and perfectly fluffy on the inside. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/image-7-1.png) **Image via @hawonawrites* # Conclusion From Morocco's fragrant tagines to Tunisia's perfect couscous, Nigeria's joyful jollof debates to Ethiopia's communal platters, each country offers flavours that will surprise you, comfort you, and probably make you completely rethink what you thought you knew about African food. These aren't just meals, they're experiences that connect you to something bigger, something richer; something that tastes like home even when you're thousands of miles away. ### Kamara Revives Off-White, Africa Hosts First AI Film Fest, Davido Joins Coachella URL: https://www.marmaladecollective.com/kamara-revives-off-white-africa-hosts-first-ai-film-fest-davido-joins-coachella/ Last updated: 2025-09-22T09:00:14.000Z **Welcome to Vol 153 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. A friend once told me that the scariest part of growth is having to reinvent yourself over and over again. At the time I thought, “abeg, I can barely even reinvent my diet.” But this week kind of proved her right. [**Kamara brought Off-White back**](https://www.vogue.com/article/ib-kamaras-off-white-returns-to-new-york-fashion-week-with-a-city-inspired-graffiti-installation?ref=marmaladecollective.com) to New York with a fresh twist, and Thebe [**Magugu is going beyond the runway**](https://wwd.com/home-design/interior-design/thebe-magugu-suite-mount-nelson-belmond-hotel-cape-town-1238145944/?ref=marmaladecollective.com) into brand new territory. Each of them is proof that reinvention isn’t just scary; it’s also necessary. When was the last time you switched things up and surprised yourself? Oh, and before I forget, [**Faaji Sundays**](https://www.designmynight.com//london/whats-on/live-music/faajisundays-naija-independence?ref=marmaladecollective.com)(Nigerian Independence Edition) is right around the corner. You’ve got your ticket, right? *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Words of Azia on Preserving Culture Through Song URL: https://www.marmaladecollective.com/words-of-azia-on-preserving-culture-through-song/ Last updated: 2025-09-19T08:38:13.000Z All things spirituality, ethereal vocals, and impeccable songwriting; *Words of Azia* embodies them all. The Ivorian artiste has quickly carved out a space for herself with a discography that, though still growing, is already rich in depth and intention. Each release is an invitation into a world where sound, culture, and spirit flow together seamlessly. Since her 2024 debut *Glory*, Azia has woven together affirmations, cultural heritage, and soul-stirring melodies to create work that uplifts and ministers to listeners across languages. Singing in English, French, and Bété, and rooted in resilience and hope, her songs transcend borders, carrying echoes of tradition while embracing global influences. Her visuals, often featuring her family, especially her mother, add another layer of storytelling, grounding her artistry in heritage and community. In conversation, Azia is as intentional as her art. She speaks of intuition guiding her creative process, of music as a spiritual tool that must be handled with care, and of her pride in carrying her Ivorian traditions forward in a way that feels authentic to her. Above all, she views her artistry not as a pursuit of legacy, but as an act of giving, creating with love, and letting her work resonate in the ways it’s meant to. I sat down with Words of Azia to talk about her beginnings, her creative process, the role of community and heritage in her work, and her vision for the future. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_527468100_18521048806013116_5058546191271902355_n.jpg) Image by Shape of Art / La Perle Ocre **You’re Ivorian, but I’d love to hear in your own words where you came from, how that shaped your music, and what you were like as a child. Were you always into music? What did you want to do growing up?** So my mom is a musician. She released her first album around the time I was born, so from the very beginning, I was surrounded by music. She was always singing; that’s just her nature. My uncles and aunts sang at home too. And my dad is a huge music lover, he has a massive vinyl collection, and has been downloading music for years. I think he has something like 10,000 or 20,000 albums on his computer. So I really grew up in a warm, musical environment. Naturally, I started singing when I was very young. Whenever people at school asked what I wanted to do when I grew up, my answer was always singing. At first, I actually thought I’d become an opera singer, what we call “lyric” singing in French. Women in my family tend to have deep voices, and so do I, but eventually I moved away from that idea. When I was about 10, I told my family I wanted to learn an instrument to accompany my singing. My father encouraged me to learn guitar from one of his friends, and that’s how I started playing. Music has always been part of my life, even if I wasn’t always serious about it at first. As I got older, I considered other paths, studying history with a focus on Sub-Saharan African Studies at a university in Paris, for example. But music never left me. Eventually, I realised I needed to put it at the centre of my life to feel fulfilled and happy. That’s really how the journey of *Words of Azia* began. **Got it. So you grew up between your Ivorian roots, Paris, and, really, a global world in general. How would you say those different environments and experiences have influenced you and your music today?** I would say the music that I do is very hybrid, if that makes sense. It’s not like I’m just taking a heritage and staying in the same lane; I transform it. And the reason I transform it is because I am plural, because of the different environments I’ve been in, all the travels I’ve done, and the people who have surrounded me as well. Also, the fact that my dad is from another country than my mom, and that I’ve been between the Ivory Coast and France, it all shaped me. So my music feels like an alternative version of the heritage I received. That’s why I define my music now as world music. I have different influences from different places, and I build them together around this big root that is my Ivorian heritage. That’s the one I’m most connected to, especially because I’m very close to my mother and my family in the Ivory Coast. So that’s the biggest root, and then it’s fed with other elements around it, which makes it alternative and gives it a different colour. 0:00 /0:08 1× Azia and her mum. Filmed by Iyad Bgx **That makes sense. I know your artistry comes with a lot of intentionality; there are details in everything you do. I’d love to know how you choose those details, whether in your visuals or your songwriting. What does your creative process look like from the initial inspiration to the final visuals?** Honestly, I work very instinctively—intuitively, really. Usually, when I write music, I just start with a guitar and let the words flow. Later, I’ll go back and rework it, but in the beginning, I just let it happen. I don’t want to put too much control on the creative process, because for me it’s important to be in tune with who I am. If I let myself express things naturally, then the music is closer to who I really am. It’s the same with my visuals. Everything I do is about trying not to be shaped by anything outside of myself, not by what people think I should sound like or what they want me to do. I try to stay focused on my love for music and the passion I have for it. The more I stay true to what I feel, what I imagine, what comes into my mind, the more I enjoy the final result, whether that’s the song itself or the artwork around it. Once a song is done, ideas about visuals or outfits just start coming to me, and I let them flow, like water. For me, if an idea comes into my head, it’s because it’s meant to be realized in that way. If I imagined it, then God put it there, and that means I have to bring it to life like that. So I try to keep the whole process as natural as possible. **Why does visual storytelling play such a big role in your art and your music?** I’d say it actually plays a bigger role for other people than it does for me. People often tell me I have a strong visual identity, but for me, it just comes naturally. When I create, I see images in my head. I also imagine how I want to present myself, so I just share that. It’s another part of my creativity. For example, with clothes, I often imagine what I want to wear, then I’ll sketch it out and work with people to bring it to life. Same with jewelry, makeup, everything. The way I imagine it is very 360\. For me, it’s all part of the artistry, part of my creative journey. It goes hand in hand with the music. But I don’t create visuals with the intention of, “Okay, this has to impact people in this way.” It’s the same as when I create music; I just follow the ideas that pop into my head. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_514909359_18514950841013116_944672615174477443_n.jpg) Image by Anna Gatti Pierini **Thank you for sharing that. You mentioned what your visuals mean to people, and the same is true for your music. Listeners often describe it as something that ministers to them. But you also sing in different languages: English, French, and Bété. How do you create that kind of connection beyond language? And how do you decide which language to use for each song or part of a song?** With languages, I’d say that part is a little more intentional than the rest of my creative process. When I first started *Words of Azia*, I already knew I wanted to sing in English; that was the first idea I had. But with Bété, it happened differently. My mom speaks Bété, and I realized at some point that if I didn’t try to learn her language, one day, when she’s no longer here, I wouldn’t be able to pass it on to my children. It would just disappear with me. That really hit me. So I asked my mom to teach me words and sentences. I would send her things I wanted to say, and she’d translate them. That’s how we started. One day, I asked her to say something in Bété because I wanted to add it to my song *Glory*. She sent me a WhatsApp voice note of her singing, and that actually inspired another song, Lagô*.* It all came very naturally, like the flow of water I mentioned before. I didn’t plan to sing in Bété, but it made sense when it happened. It also created a new way for me to connect with my mom, and from there, we started to collaborate more. That’s how it unfolded. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_520615530_18518205007013116_3900484497000718012_n-1.jpg) Image by Graig Labranche **I love that. Speaking of your mom, I mentioned earlier that community is a big part of what we do here. In your songs and visuals, you often feature your family and your community. What does that mean to you? How do the people closest to you, your friends and family, influence you as a creative?** For me, you can’t do anything by yourself. *Words of Azia* wouldn’t be the same if it were just me. On so many levels, visuals, music, everything, there are people adding their vision, their flavour, their spice to the mix. That’s why I showcase them, and why I’m so grateful. The people I work with are also people I love. They’re part of my life outside of music. For example, the people who shoot my visuals—Tania and Litsy—are very close friends of mine. We were friends before we ever worked together. It’s the same with my mom. She’s one of the closest people to me in the world, and I get to create with her, too. That keeps me grounded. These people influence me, in my colors, in the way I approach music. So for me, I have to showcase them. **I love how your community, your friends, and your family are such an integral part of your creative journey. And speaking of community, your music and visuals are deeply rooted in your Ivorian heritage, but also mixed with other influences. Why is it important for you to preserve and showcase those traditions, even through things like fashion and words?** It's always about making sure my heritage doesn’t disappear. I felt like, if I don’t carry it with me, it could be lost. So in a way, I’m just doing my part, trying to maintain our tradition and culture, but in a way that’s different, because my story isn’t the same as my mom’s or my grandmother’s. It also comes from a personal place. As an individual, I want to hold onto that heritage within myself. And there’s definitely pride in it. I’m very proud of where I come from, very proud of the traditions. They’re things I love and cherish. So I’m happy to share them with the world, and I’m happy to wear them with pride, if that makes sense. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_531285410_18522476110013116_8528057705315219866_n.jpg) Image by Shape of Art / La Perle Ocre **It does. You’ve also mentioned that many of your songs carry recurring themes: affirmations, light, resilience, and hope. What do those themes mean to you personally? How do you connect them to your own life?** When I write music, the meaning is really important. I don’t want people to feel bad when they listen to my songs. I want the impact to be positive, I want them to feel at peace, to feel some kind of relief. That’s why I write about spirituality, resilience, and hope, because that’s what I want to give directly to people. For example, when I was writing my song Oyè wossô, I wasn’t in a good place personally. But in my head, I imagined myself speaking to someone else, telling them, *“There is a light inside you, and everyone can see it.”* That’s the way I approach creating: by sending that kind of message. And also, for me, when I write and sing, I need to feel good about the music myself. That’s why I don’t really share songs that are very sad or heavy, because if I sing them, I wouldn’t feel uplifted either. Music has to bring my spirit higher. I also believe music is a powerful spiritual tool, so you need to be very careful with it, careful with what you put into it, and with the intentions behind it. That’s where I stand on that. **Thank you for sharing. And it really does come across. Your music is uplifting.** Ah, I’m glad, I’m glad. **My last question, looking ahead, what kind of legacy, cultural or musical, do you hope to leave behind?** Honestly, I don’t really think about legacy in that way. I create with intention, but I try not to focus on the results. If my music touches people, inspires them to feel more rooted, more connected to themselves, or even to learn their language, I’m very happy and proud. But for me, it’s more about giving. I create with love and patience, and then I let it go, to resonate however it will with people. I can’t really project myself as if I have power over people. I’m just a person creating. If it has an impact, if it leaves something behind, that’s beautiful, but it’s not where my mind is when I’m making music. **I get that. Thank you. Any collaborations or projects you’re hoping to explore in the future?** Honestly, what I want most right now is to perform. To do more live shows, and to be able to create something really big and special for people with different elements, a real experience. That’s where my focus is for the coming year. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/09/SaveClip.App_521313097_18518204734013116_7563342919054984058_n.jpg) Image by Graig Labranche **That sounds very exciting. I can’t wait to see you perform. Thank you so much.** **Images via** [**Words of Azia**](https://www.instagram.com/wordsofazia/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Coker Rewrites Fashion, Shaboozey Unveils New Label, Elba Elevates African Cinema URL: https://www.marmaladecollective.com/coker-rewrites-fashion-shaboozey-unveils-new-label-elba-elevates-african-cinema/ Last updated: 2025-09-15T09:00:19.000Z **Welcome to Vol 152 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Fashion, music, cinema; Africa’s voices are everywhere this week, [**Tolu Coker is flipping fashion**](https://www.getunruly.com/articles/tolu-coker-is-building-a-new-fashion-language-rooted-restless-and-ready-for-the-world?ref=marmaladecollective.com) on its head, Idris[**Elba is betting big**](https://www.hollywoodreporter.com/news/general-news/idris-elba-dust-to-dreams-toronto-2025-1236365059/?ref=marmaladecollective.com) on African film, and [**dancers across Africa**](https://edition.cnn.com/videos/tv/2024/01/29/african-voices-changemakers-dance-phetla-saranouffi-spc.cnn?ref=marmaladecollective.com) are rewriting stories with every move they make. It’s a reminder that while all the headlines feel huge, the real story is about people choosing to create boldly. And if I’m being real, I needed that push today. Maybe you do too. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Ilori Hits Bloomingdale’s, Mafikizolo Honour Heritage, TikTok Backs SA Artists URL: https://www.marmaladecollective.com/ilori-hits-bloomingdales-mafikizolo-honour-heritage-tiktok-backs-sa-artists/ Last updated: 2025-09-08T09:00:13.000Z **Welcome to Vol 151 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. The ember months have a way of sneaking up on you. One day you're living your regular life, the next everyone's talking about travel, family gatherings, and who's cooking what. My wallet and diet are already scared. And I know a relative I haven't spoken to all year is about to remember I exist. But there's also something in how we all gravitate toward each other as the year winds down. Food tastes better, and somehow everything feels more connected. Whether home for you is across town or across an ocean, the ember months have this way of pulling us all back together. Isn’t that beautiful? *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### What's On This September URL: https://www.marmaladecollective.com/whats-on-september-2025/ Last updated: 2025-09-04T09:10:32.000Z This September, Marmalade members are stepping out! From live bands and day parties to pub quizzes with a Naija twist, we’ll be linking up at some of the city’s best cultural events and experiences. _This post is for subscribers only._ ### Gyakie Teases Debut, Davido Joins Scorpion Kings, Tems Heads to Kenya URL: https://www.marmaladecollective.com/gyakie-teases-debut-davido-joins-scorpion-kings-tems-heads-to-kenya/ Last updated: 2025-09-01T09:00:44.000Z **Welcome to Vol 150 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. August is gone and honestly, I'm not mad about it. It felt like it lasted 47 days but also somehow disappeared in a blink. You know that feeling? So here's to September; may it be the month where we finally stop apologizing for taking up space, where our achievements stack a little higher, and our joy becomes a little more infectious. Because honestly? The world needs more of what we bring to the table. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### DJ Waffles Joins Adidas, Edebiri Hits Broadway, FIFA Lands in Morocco URL: https://www.marmaladecollective.com/dj-waffles-joins-adidas-edebiri-hits-broadway-fifa-lands-in-morocco/ Last updated: 2025-08-25T09:00:21.000Z **Welcome to Vol 149 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. You know that feeling when you're scrolling through your phone gallery at 2am and suddenly you're cry-laughing at a blurry photo of your friend mid-sneeze from three months ago? That's exactly the kind of beautiful chaos we celebrated last week. We marked World Photography Day with a campaign that was all about capturing life’s little moments of magic. If you missed it, don’t worry, you can [check it out here](https://www.marmaladecollective.com/world-photography-day/). *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### This Is Belonging: A Marmalade World Photography Day Story URL: https://www.marmaladecollective.com/world-photography-day/ Last updated: 2025-08-19T09:48:47.000Z **My earliest, clearest memory of photography** is from when I was seven, at my primary school’s end-of-year party. My friends and I were told to line up by height. I was taller then, so I stood at the back. We leaned to the side, hands on each other’s shoulders. It was a classic pose from the 2000s and early 2010s. The picture was taken, printed in multiples, and each of us got to take one home. Since then, photography has been a constant presence: my 10th birthday shoot, family portraits, my 21st birthday shoot, my final year week at the university, my Pinterest boards. Even before those, a look at the walls in my living room or a flip through the albums my mother keeps safe, there I was: a baby, a toddler, surrounded by family and friends, some of whom I no longer remember. Sometimes these images take me back to the exact moment. Sometimes the memory is gone, but somehow still alive. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/me-as-a-child.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/final-year-week.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/me-at-10.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/little-Tola.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/at-21-1.jpg) From the start, photography has always been about storytelling, the idea of seeing something or experiencing a moment, then capturing it so you can return to it again and again. At one point, I could picture things more vividly than I could express them in words. I would share with a friend an image that depicted my mood. Yet that same image could mean something entirely different to them. It has always fascinated me how two people can see the same scene — the same flowers and trees, the same building, the same person — just slightly differently, and how that difference shapes how they choose to capture it Photography has since secured its place as an art form, an archival tool, and, even more so now, a means of expression, whether organic or staged. Like writing or painting, each person who picks up the camera has their own way of seeing, telling, and sharing a story. With the rise of social media and increasingly advanced phone cameras, we all wield this power to some extent. I am reminded of this every time I scroll through an app, whether it’s another “August dump,” a profile picture so I can know who I’m relating with, a recap of an event, an artwork being showcased, a smile being shared, or a moment of pain being captured. We’re taking pictures and sharing more than we ever have. At Marmalade, photography is a pillar. It is woven into everything we do; the stories we tell, the people we spotlight, the events we curate. It is a primary means of documentation, one that resonates deeply with us and with you, the community we serve. So, it felt only right that this year, for World Photography Day, we turned the lens toward the reason we document at all: people. **But what could that possibly look like?** We wanted to merge the worlds we live in: analogue and digital. We brainstormed how to bring this to life and thought of people who have built their work around people. In [a recent interview with DJ Melzi](https://www.marmaladecollective.com/dj-melzi-makes-music-for-the-people-and-everyones-tuned-in/), a South African DJ and producer, he shared something his mother often says: *Umuntu ngumuntu ngabantu*, which means “a person is a person through other people.” That is exactly what this campaign means to me. World Photography Day 2025 invites reflection on the theme “My Favourite Photo.” Marmalade is interpreting this through our community lens, both figuratively and literally. We handed out disposable cameras to two incredible people, asking them to spend two weeks capturing the people, moments, and connections that bring them joy: friends, chosen family, neighbours, collaborators, or even the quiet presence of strangers who make a space feel like home. ## **Our campaign theme: THIS IS BELONGING** In a world of instant captures and curated feeds, this campaign is about slowing down, looking closely, and reconnecting with the people around us. It centres African creatives through everyday beauty, vulnerability, and joy, honouring community not as a buzzword but as a lifeline. The brief was simple: capture moments that feel like belonging. ## **Chef Wu** Wunmi Durosinmi-Etti, professionally known as [Chef Wu](https://www.instagram.com/ounje%5Fco?igsh=OTM4YzhmbjZuZTM1&ref=marmaladecollective.com), is a culinary entrepreneur, private chef, and hospitality consultant with over a decade of experience in London and Nigeria. As the founder of Oúnjẹ Hospitality Co., she is renowned for her innovative approach to Nigerian cuisine, blending indigenous ingredients with contemporary techniques to create unforgettable dining experiences. Through her consulting work, Oúnjẹ Roundtables, and her podcast *One Bite at a Time*, Wunmi champions Nigerian cuisine and elevates the hospitality industry, fusing tradition with innovation to shape its future. For this campaign, she captured intimate moments at a shoot, an event with friends and family, and a wedding. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-22.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-18.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-16.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-15.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-13.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-11.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-10.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-09.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/Omotola-1-Disposable-02.jpg) This is what she had to say about that experience… What Community means to me: Chef Wu 0:00 /65.433832 1× > Community is the people and places that make you feel at home, safe and seen. It’s been truly eye-opening (ironically, since you use just one eye to look through a camera) to find myself in a moment and want to capture it, because ‘yes, this is part of my community.’ I’ve had times where I’m in a space and think, ‘yeah, this person, these people, this place, this is my community.’ Having the chance to capture that feels lovely, deeply reflective, and really edifying. [Watch Chef Wu's video](https://www.instagram.com/reel/DNh%5FyvkC3X2/?igsh=MTk2azQ1bHVyNnZsZg==&ref=marmaladecollective.com) ## **Bukky Asehinde** [Bukky Asehinde](https://www.instagram.com/bukkyasehinde?igsh=Z3AzMWZjMHl3MWZm&ref=marmaladecollective.com) is the CEO of Bellafricana and is passionate about helping African creative entrepreneurs thrive on the global stage. As the founder of Bellafricana, she has built a community that supports and showcases the best of African creativity. From digital marketing to community management and event curation, her focus is on creating opportunities for creatives in the fashion, art, beauty, and lifestyle industries to grow their businesses and reach new markets. Her images captured moments and people at the recent [TALES event.](https://www.marmaladecollective.com/a-guide-on-tales-2025-by-bellafricana/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0011_15A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0027_00A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0028_--A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0012_14A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0014_12A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0016_10A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0027_--A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0005_21A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/0009_17A.jpg) This is what she had to say about that experience... What Community means to me: Bukky Asehinde 0:00 /86.540771 1× > Community, to me, is about genuine connection. It’s people coming together not only for what they receive, but for what they can give and share. It’s a safe space where everyone feels seen, valued, and inspired to grow together. > At TALES, capturing community through my lens was deeply personal. I witnessed joy, pride, and authenticity in every interaction from the brands sharing their stories to the visitors experiencing African creativity in all its richness and excellence. It was heritage, innovation, and heart, all in one space. > It felt like documenting history, moments that remind us why we do what we do, and how powerful we are when we come together. [Watch Bukky's Video here](https://www.instagram.com/reel/DNh-HY0CDYn/?igsh=eXl0dm45dDZzeQ==&ref=marmaladecollective.com) So, what does belonging look like to you? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join **5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Wellness, Rooted: African Skin care & Fragrance Brands Reclaiming Rest & Self-Care URL: https://www.marmaladecollective.com/wellness-rooted-african-skin-care-hair-care-fragrance-brands-reclaiming-rest-self-care/ Last updated: 2025-08-19T11:18:18.000Z # **Introduction** In many African households, self-care is a tradition that’s been moving quietly for centuries. It’s in the morning steam rising from a bowl of *agbo*, in the slow rub of shea butter into skin, and in the deep scents of clove, marula, and black soap that mark the start and end of the day. These are acts of care passed down through hands and time, rooted in both necessity and love. Now, a wave of African and Black-owned wellness brands is carrying those rituals forward, reshaping them for the modern world while keeping their essence intact. They’re building businesses that speak to heritage as much as they do to hydration, that see beauty not just in the mirror but in the communities that make it possible. This isn’t just skincare or fragrance, it’s an invitation to pause, reconnect, and treat self-care as something far more meaningful than a weekend luxury. ## Maison Yusif Fragrance ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_527693631_18026881301706749_3982952538709682982_n-2.jpg) **Image via @maisonyusif* [**Maison Yusif** ](https://www.instagram.com/maisonyusif/?ref=marmaladecollective.com)is Ghana’s first niche artisan perfumery, founded in 2017 by Yusif Meizongo Jnr. Known for bold creations like *The Vatican* and *Leather To Excellence*, the brand blends African heritage with contemporary luxury. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_529970646_18027397496706749_7217178028467356885_n--1--2.jpg) **Image via @maisonyusif* Beyond just fragrance, Yusif uses the brand as a platform for impact through the Home of Humanity Foundation, which supports education and clean water initiatives. Maison Yusif invites its community behind the scenes, turning each scent into not just a product, but a story rooted in culture, connection, and purpose. > [ View this post on Instagram ](https://www.instagram.com/reel/DMZ6WJ7ujq1/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Maison Yusif (@maisonyusif)](https://www.instagram.com/reel/DMZ6WJ7ujq1/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## R&R Skincare ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_504363562_18517983985062055_222867643631684549_n-2.jpg) **Image via @r&rskincare* [**R&R Skincare**](https://www.instagram.com/randrskincareco/?ref=marmaladecollective.com) has built a name on turning shea butter into a full-blown lifestyle. Founded in 2010 by Valerie Obaze, the brand was inspired by her daughter and a desire to create natural, beautifully packaged products that felt luxurious yet authentic. Valerie works closely with women in northern Ghana, sourcing ingredients through fair-trade partnerships and providing training and stable income for them. For R&R, self-care is just as much about lifting others up as it is about nourishing your own skin. ## Arami Essentials ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_527456169_18417740317096906_3815202709242054034_n-2.jpg) **Image via @aramiessentials* [**Arami Essentials**](https://www.instagram.com/aramiessentials/?ref=marmaladecollective.com) brings a quieter, more minimal approach to beauty. Founded by Ore Lawani in 2016, the brand’s name, meaning “my body” in Yoruba, captures its personal and intimate approach. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_497532641_18406154131096906_3942622984444898169_n-2.jpg) **Image via @aramiessentials* Their multi-purpose oils, scrubs, and balms are made with West African botanicals, with products designed to be simple, multi-purpose, and easy to fit into any routine. The brand’s commitment to refillable packaging and eco-conscious sourcing makes every purchase an act of care for both self and planet. 0:00 /0:12 1× ## Nokware Skincare ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_517999618_18380395549192188_7535973838537312112_n-2.jpg) **Image via @nokware* [**Nokware Skincare**](https://www.instagram.com/nokwareskincare/?ref=marmaladecollective.com) is rooted in rich tradition. Founded by Tutuwa Ahwoi, the name “Nokware” means “truth” in Twi, and the brand stays true to that meaning. > [ View this post on Instagram ](https://www.instagram.com/reel/DL-ZlcFodYB/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Nokware Skincare (@nokwareskincare)](https://www.instagram.com/reel/DL-ZlcFodYB/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Their black soap, shea butter, and other products are made with ingredients sourced directly from rural communities, and packaged in eco-friendly materials like bamboo and calabash. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_501290270_18374919016192188_6813939305957233753_n-2.jpg) **Image via @nokware* Each purchase supports girls’ education programs for the daughters of their suppliers, making the act of self-care a contribution to a wider circle of care. ## Scent of Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_500979126_717277594161965_3367273480054706242_n-1-1-1.jpg) **Image via @scentofafrica* Taking the idea of wellness beyond skin, [**Scent of Africa**](https://www.instagram.com/scentofafrica/?ref=marmaladecollective.com) explores how fragrance can tell stories and shape mood. Founded by perfumer Tanal Ghandour, it’s the first fine-fragrance house to emerge from the continent. > [ View this post on Instagram ](https://www.instagram.com/reel/DKtzCfEA6IY/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Scent Of Africa (@scentofafrica)](https://www.instagram.com/reel/DKtzCfEA6IY/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Their collections draw inspiration from African myths and landscapes, transforming scent into a cultural experience. In a world where fragrance is often dominated by European houses, Scent of Africa is a reminder that African creativity has no borders. > [ View this post on Instagram ](https://www.instagram.com/reel/DI%5FAXAbO4j6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Scent Of Africa (@scentofafrica)](https://www.instagram.com/reel/DI%5FAXAbO4j6/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## Hanahana Beauty ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_503575938_18354577258156857_5590224717527457204_n-1.jpg) **Image via @hanahanabeauty* If Scent of Africa is about storytelling through scent, [**Hanahana Beauty**](https://www.instagram.com/hanahana%5Fbeauty/?ref=marmaladecollective.com) tells its story through touch. Founded by Abena Boamah-Acheampong, the brand produces rich body butters and scrubs using shea sourced from the Katariga Women’s Shea Cooperative in Tamale. > [ View this post on Instagram ](https://www.instagram.com/reel/DMP%5FrJbIpsX/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Abena Boamah-Acheampong (@beanieboamah)](https://www.instagram.com/reel/DMP%5FrJbIpsX/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Hanahana pays double the fair-trade rate, ensuring that the women who harvest the shea can live and work with dignity. Here, rest is political, a small daily ritual that supports economic empowerment. > [ View this post on Instagram ](https://www.instagram.com/reel/DGlXjrROh4f/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by TIPS 312 | West Loop, Chicago Nail Salon (@tips312\_)](https://www.instagram.com/reel/DGlXjrROh4f/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## Malée Natural Science ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_242536406_875629970005864_9072395980541760674_n-1.jpg) **Image via @malee* Founded by Zeze Oriaikhi-Sao, [**Malee**](https://www.instagram.com/maleeonline/?ref=marmaladecollective.com)creates botanical skincare, candles, and fragrances that blend science with age-old remedies. Their products often carry notes of African rooibos, mint, citrus, and spices blended together in a way that instantly calms you. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_45384629_194886714767971_2844969165210064174_n-1.jpg) **Image via @malee* The brand began as a personal mission to craft natural, luxurious skin, bath, and body products that felt rooted in South African heritage, and exceptionally effective. Using local botanicals, Zeze worked with cosmetic chemists to create clean formulations that steer clear of parabens, silicones, mineral oil, and animal-derived ingredients. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_26066623_165194587543370_6617706646426615808_n-1.jpg) **Image via @malee* Every product is designed to be more than just a treat for your skin or home; it’s a way to relax, refresh, and feel closer to nature, wherever you are. # Conclusion From Ghana to South Africa, these brands show that wellness can be both personal and collective. By drawing on African traditions, they’ve created products and experiences that invite us to rest, take care of ourselves, and stay connected to our heritage. In every jar, bottle, or bar of soap, there’s more than just a beauty product; there’s a story, a history, and a gentle push to slow down and honour the rituals that came before us. ### Skepta Shakes the UK, Mboko Stuns Osaka, DJ Maphorisa Heats Up NYC URL: https://www.marmaladecollective.com/skepta-shakes-the-uk-mboko-stuns-osaka-dj-maphorisa-heats-up-nyc/ Last updated: 2025-08-18T09:00:36.000Z **Welcome to Vol 148 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I remember when Afrobeats barely made it onto international charts, now Asake’s ‘Terminator’ is racking up Silver in the UK like it’s nothing. Feels like we’re watching the sound of home become the soundtrack of the world. And honestly, that’s beyond exciting. Speaking of exciting, we’ve been cooking up something special for World Photography Day, and were thrilled to share it with you! Think of it as a little love letter to creativity, captured through our lens. Oh, and guess what’s back? The Member Spotlight section! We’re so excited to show you what we’ve been working on, and even more excited to celebrate you. 😉 *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### DJ Melzi Makes Music for the People, and Everyone’s Tuned In URL: https://www.marmaladecollective.com/dj-melzi-makes-music-for-the-people-and-everyones-tuned-in/ Last updated: 2025-08-15T13:06:23.000Z DJ Melzi is leading Amapiano’s next chapter. At just 23, the platinum-selling producer has become the most-followed Amapiano DJ in the UK, with over a million fans across Instagram and TikTok and more than 40 million streams between YouTube and Spotify. But behind the numbers is an artist with a clear intention: to take Amapiano global, while staying true to his spiritual, soulful, and tribal-infused sound. Born in South Africa and now based in London, Melzi made his mark back home with a string of successful albums before relocating to the UK to inject new life into the Amapiano scene. Since then, he’s lit up clubs, festivals, and even members’ lounges across the country, opened for East African icon Diamond Platnumz, and collaborated with artists like Fireboy DML and Cassper Nyovest. Now, with a new album on the way and what he calls his "hottest" single yet, *Won’t Believe*, about to drop, Melzi is stepping outside his comfort zone, blending Amapiano with Afrobeats, house, bass, and pop for a high-energy, feel-good sound made for global dance floors. In this conversation, we speak to Melzi about his early love for DJing, the philosophy behind his genre-blurring sound, and how he’s balancing fame with study, entrepreneurship, and community-building. Known as *Melzi Wabatho* (“Melzi of the people”), he’s as grounded as they come, hosting fans for dinner or solving water crises in townships through his business. Keep reading for a look into how DJ Melzi’s global takeover is only just beginning. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/IMG_8471.JPG) **I find it really interesting that as a kid, you snuck off to learn how to DJ. I’m curious, what do you think drew you to it so deeply, even at that young age?** That’s always a bit of a tough question because I was so young that I don’t fully remember what pulled me in. But I’d say being surrounded by music lovers: my parents, my brothers, that environment definitely played a role in guiding me toward music. **And as you grew older, what kept you there? What made you want to stay in that space?** Honestly, it became a way for me to express myself. I’ve always been more introverted, not really one to be out and about all the time. I love people, but I tend to keep to myself. Music gave me a language, something I could speak through. I used to listen to a lot of music, and it connected with something deep in my soul. That’s what really kept me going. Also, it’s just such a vast, beautiful art form. There’s so much to explore in it, and that still excites me to this day. I can’t get enough of it. **I get that. You’ve described your sound as spiritual, tribal, and emotional. So I want to go a bit deeper. What kind of philosophy or intention do you bring into the studio when you’re creating? What are you trying to make or communicate with your music?** The one thing I always try to carry with me is to just be myself. As time goes on, especially with the influence of social media and everything around us, it gets harder to stay grounded in that. But I’ve realised that I’m at my best when I’m not overthinking, when I’m not worried about what I *should* be creating, but just doing what feels right in that moment. **Speaking of staying true to yourself, you're working on making your sound more expansive. How do you balance that? You know, staying rooted in South African music while also trying to reach new audiences and push the sound globally?** Honestly, at first, I didn’t know how to find that balance. The first time I went overseas, I heard a lot of different interpretations of amapiano sounds I wasn’t used to hearing back home. It threw me off a bit. But over time, I had to learn how to play more commercially, which definitely helped me grow as a musician. I started looking at people I look up to, like Black Coffee. I noticed how he plays a different set when he’s in South Africa compared to when he’s playing abroad. Even the way he releases and pushes his music shifts depending on the market. That opened my eyes to how you can adapt without losing your core. I'm still learning, I won’t lie, I’m not a master at it yet. But those are the kinds of references I use to help me navigate and find that balance. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/IMG_0740.jpeg) **That makes a lot of sense. Now, just shifting a bit outside of music, I know you're a student, you run a business, and you’re also involved in charity work. What keeps you going across all these different spaces?** I’ve always had an entrepreneurial spirit, probably because I come from a family of entrepreneurs. So, I've always wanted to branch out and expand myself by solving real problems. My main focus on the business side is my water distribution company. There are serious water crises in some townships, and I saw that as a problem I could help solve. So, in many ways, all the things I do, music, charity work, business, they’re all aligned. They all come from the same value system, which is about healing. Whether it's emotional, mental, or even physical, I want to make people feel better in some way. Putting a smile on someone’s face is something that truly gives me joy from within. So I can definitely say they are of the same likelihood, and they all feed my soul at the end of the day, the same way music does I highly believe my calling expands beyond music. I have always been driven and a big dreamer at heart. What drives me is remembering that where I was when I started is not where I am today. That’s enough proof that it’s definitely possible to go further. **On healing and solving problems, you’re also known for making yourself accessible to your fans. You’ve been intentional about building community, which is something I think a lot of artists struggle with. They often get caught up in the fame and lose that connection.** **What would you say you're doing differently, and how do you think other artists can better build that sense of community?** Honestly, that all comes from home. It’s how I was raised. My mom always says, *"Umuntu ngumuntu ngabantu"*, which means "a person is a person through other people." You can’t be human by yourself. That mindset really stuck with me. And I think it’s something more artists need to understand. At the end of the day, we’re not the ones streaming our own songs or sharing our own content; it’s the people. Without them, there’s literally nothing. No streams, no shows, no impact. So I feel like I owe them. I work for them. It’s just like running a business: the best business owners are the ones who take care of their employees, respect them, value them, and treat them well. That’s how I approach my fanbase.Even now, I haven’t pushed music in a while, but the love is still there, especially when I’m back home in South Africa. People haven’t forgotten me, and that means everything. That kind of support gives me purpose. Even in moments where I feel lost or unmotivated, it keeps me going. So I really believe artists need to remember that the power doesn’t lie in just their talent, it lies in the people who support them. **That’s such a powerful way to look at it. I think the artists I feel closest to—not in a parasocial way, but in a real communal sense—are the ones I remember the most.** Exactly. **And the music industry can be overwhelming. There’s a lot of noise, a lot of ego. How do you manage to stay grounded and still visible, even while focusing on other things?** Like I said, at the end of the day, it’s not just about me. If I had to lay out my values in order, I’d say: people come first. Before money, before the industry, before the artist, people come first. That’s what keeps me level-headed. My parents play a big role in that too. My mom actually downloaded Instagram just to keep up with me. She even checks the comments sometimes and goes, “People are commenting and you’re not responding, why are you doing that to people?” So now, if I post something and there are 20 comments within 15 minutes and I haven’t replied, she’s on my case! That kind of keeps me grounded. **That’s so funny.** Yeah, it’s mostly about how I was raised and, honestly, how I’m still being raised even now. That upbringing really shapes how I carry myself and how I relate to people. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/IMG_9451.JPG) **I love that. We use words like “community” and “my people” a lot, but who exactly are *your* people? When you say that, who are you really referring to? And how have they influenced your music, your sound, or even just your mindset?** When I say “my people,” I mean everyone in my circle. The ones in the studio with me, my family, and even my fans, both the ones I know and the ones I don’t. I stay in touch with some fans, ask them questions like, “What’s your favourite track? Why?” or “Be honest, how does this song make you feel?” Sometimes they’ll say, “This one doesn’t really feel like you,” and that helps me see where I might be drifting away from my core. It pulls me back. And the artists I work with in the studio, they’re a big part of it too. Even when I hesitate or feel unsure, like when I want to try something experimental, they’ll say, “Just do it. There’s no wrong move. That ‘weird’ idea? Try it. It might work.” So yeah, those are my people, the ones who challenge me, support me, and remind me to stay true to myself. **Thank you for sharing that. I want to take a bit of a detour back into music. You’ve described your upcoming music as stepping outside your comfort zone. What would you say is the biggest risk you’ve taken with this new record and the music you’re releasing now? What did you have to let go of or tap into to create this body of work?** I think the biggest risk I took was definitely musical. Amapiano has always been a very specific sound, especially for South Africans. I wouldn’t necessarily say it’s gatekept, but there’s a certain way it’s expected to sound. I’ve seen artists outside of South Africa experimenting with it and getting a lot of backlash. So, for me, even as a South African, the biggest scare for me was the thought, *what would they say? How would my already-existing fans take it? What if they don’t like it?* What would people say if I changed the sound to make it more adaptable to international listeners? Those are questions that would always run through my mind. Especially with more people watching me, it has sometimes taken a toll on me in the sense that I would be scared to be myself. So to tap into it, I had to let go of social, psychological, and musical limitations and remember that my greatest power in this journey is truly being myself because there’s no one who could ever do that better than me, myself. I also had to start studying music in a deeper way, looking at how other artists do it, especially those who perform globally. Do they change their sound? Do they approach performance differently? That became part of my learning curve. Let me give you a simple example. Amapiano songs are long, 8 minutes, 9 minutes. It’s a whole journey. **Like gospel.** Exactly! Super long, immersive tracks. But I had to start learning how music is made commercially, especially internationally. The songs are shorter, straight to the point. There’s a lot going on sonically, but it’s all very concise. So I had to figure out how to keep that richness but tighten it up. In a way, I had to let go of that long-form journey style, even though I wouldn’t say I lost it completely. It’s more like I grew out of certain patterns. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/IMG_6903.JPG) **That’s a good way to put it: growth, not loss. What are you most proud of with this record? And what are you most excited for people to hear?** Honestly, I’m proud of the whole project. I’ve always envisioned myself as more than just an Amapiano artist. I want to be a house artist, a pop artist, someone who takes Amapiano further, to the level of pop, house, Afrobeats, even R&B. And with this record, I finally hear all those influences blending together. When I listen to the song, I can’t even pinpoint one specific genre. I hear Amapiano, house, pop, Afrobeats, it’s everything I wanted to hear in music. And the tribal essence is still there. That balance is what I’m most proud of. That sounds exciting. You mentioned international influences and appealing to different audiences. You’ve lived between South Africa and the UK; different scenes, different cultures. How would you say that experience has shaped your outlook, not just on music but on life in general? And what version of yourself do you think you’re becoming as you grow? Uh-huh. I’d say I’m becoming a more equipped version of myself. I’m still the same person at my core, but now I’m more influenced, more knowledgeable. I’m learning a lot. Everywhere I go, I pick something up. That’s just who I am. For example, like you mentioned, in the UK, whenever I’m there for a show or event, I try to arrive early so I can just listen. I pay attention to the music, to how people mix, how the crowd reacts. That kind of observing is part of my personal research. That’s helped me a lot in understanding different cultures. Like in the UK, some things move faster and some slower. On stage, the energy is high, and it’s fast. But on the production side, I found things move much slower. I’ve always made music informally back home. In South Africa, I could record a track today, have it on my USB by midnight, and play it at a gig that same night.That’s a big difference. In South Africa, we can make 20 songs in a week, fully done. But in the UK, one song can take months, going back and forth with writers, producers, and teams. There are more layers and people involved. So yeah, I’m learning a lot about the professional side of music abroad, while still holding on to the more spontaneous, informal process I know from back home. It’s really interesting to see how different cultures approach the same thing. That’s interesting. I completely understand what you mean, being used to moving fast in your hometown, then having to adapt to a different pace somewhere else. It can be quite a shift. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/6e1fbd81-fc77-4e47-91f8-bbe36cc837e4.jpg) **Okay, I think I’ve just got one last question. Looking ahead, what are you currently dreaming into existence for yourself?** I’m dreaming of being on bigger international stages, playing in more countries, experiencing more cultures, and just expanding what I do to a global level.I’m working with more producers now, and honestly, I’m just allowing myself to experience and envision a bigger version of myself, in every way possible. As an entrepreneur and a producer, I want to keep learning. At some point, I’d also love to study music, especially jazz. I want to understand more about everything I’m doing. The goal is to be more equipped, day by day. That’s what I’m working towards. **I really love that. Just showing up and continuing to learn. It opens you up to so much. You get more exposure, and you're able to connect with more people. So I’m definitely tapping into what you're dreaming of!** Exactly. Let’s go! I’m all for it. **Thank you so much for this chat. It was really fun!** ### Member Spotlight: Joseph Omisope on Creative Strategy, Curiosity & the Power of Culture URL: https://www.marmaladecollective.com/member-spotlight-joseph-omisope-on-creative-strategy-curiosity-the-power-of-culture/ Last updated: 2025-08-13T21:52:29.000Z [**Joseph Omisope**](https://www.instagram.com/omis.jo/?ref=marmaladecollective.com)is a hospitality consultant and marketing mind carving space where culture and commerce meet. He’s the person brands call when they’re ready to think bigger; about strategy, storytelling, and how to bring bold ideas to life. East London born and raised, Joseph has a soft spot for the city’s food scene and a not-so-secret obsession with vintage cameras he swears he’ll use more often. Offline, he’s usually chasing a new idea or lost in a book that bends his thinking. One day, he’s hoping that journey leads to a doctorate with Ivy League ink. Until then, he’s following love, and letting curiosity do the rest. ### Tell us a bit about yourself. What do you do? and what does a regular day look like for you? "I’m a hospitality consultant and marketing strategist working at the intersection of culture, experience and innovation, with a particular focus on the Afro-diasporic niche. My work typically involves collaborating with talents, brands and cultural ventures to bring new ideas to life. Some days I’m facilitating brand partnerships or developing career strategies, or helping to articulate new concepts and strategic directions; other days I’m creating content, researching current trends and pitching new ideas. In a nutshell, I help manage the process of getting from idea to market**.**" ### Where did you grow up? And where do you live now? "I’ve lived in East London my whole life, I’m an Eastender through and through." ### What's your favourite thing about the city you live in? "London’s diversity is probably my favourite thing about the city, and particularly the city’s culinary scene where I think this diversity is best expressed. I believe we have one of the most exciting culinary scenes in the world, and in my opinion, probably the best Afro-diasporic culinary scene in the world." ### What's a personal goal or dream you're working toward? "I’d love to get my doctorate at an Ivy League institution like Yale or Harvard." ### What's one fun fact about you that most people don't know? "I’m a vintage camera enthusiast - which means I have a growing collection of vintage cameras that I only ever use once (although I’m working hard to change that)." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/08/SaveClip.App_437922500_388254000776067_8669086991148919378_n-1.jpg) **Image Credit: Joseph Omisope* ### What's a piece of advice you try to live by? "Follow Love." ### What's something you're currently obsessed with "I’m an avid reader and I’m currently obsessed with Joseph Campbell’s ‘Hero With a Thousand Faces’." --- ## Want to be featured? At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? **We'd like to hear from you!** [Share Your Story](https://forms.gle/19pqAyRXg3hhLr8h9?ref=marmaladecollective.com) ### Lupita & Junior Nyong’o Light Up Shakespeare, Amaarae Assembles Icons, IAMISIGO Turns Heads URL: https://www.marmaladecollective.com/lupita-junior-nyongo-light-up-shakespeare-amaarae-assembles-icons-iamisigo-turns-heads/ Last updated: 2025-08-11T09:00:45.000Z **Welcome to Vol 147 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture I hope August is treating you kindly so far, mine has been a mix of random cravings, impulsive plans, and stalking Amaarae around the internet. And who can blame me when the woman keeps serving looks and vocals like it’s an Olympic sport. Anyway, let’s get into today’s updates before I start pretending I can sing too. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Wizkid & Tyla Drop Dynamite, Roc Nation Hits Africa, Africa's Stories Head To Venice URL: https://www.marmaladecollective.com/wizkid-tyla-drop-dynamite-roc-nation-hits-africa-africas-stories-head-to-venice/ Last updated: 2025-08-04T09:00:33.000Z **Welcome to Vol 146 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Happy New Month! We hope you had a blast at TALES over the weekend, and you ate, shopped, danced and posed your way through all 10 days of it. (You're welcome, btw 😉). If you missed it…well, next time, just listen to us the first time. And speaking of listening to us, you’ll want to keep your eyes peeled this month because we’ve got more good stuff coming your way, and trust us, you’ll want a front row seat. *Mary x,* Now on to the real peel 👇 _This post is for subscribers only._ ### Marième Mboup on Taking Fashion Beyond Aesthetics and Into Intention URL: https://www.marmaladecollective.com/marieme-mboup-on-taking-fashion-beyond-aesthetics-and-into-intention/ Last updated: 2025-08-01T12:38:53.000Z Marième Mboup, known artistically as Yumboë, is forging a path in fashion that refuses to follow trends or conform to industry expectations. Born and raised in Dakar, Senegal, and now based in Montreal, Marième is a stylist, textile exploration artist and visual storyteller whose work is rooted in heritage, identity, and community. She describes her practice as an ongoing exploration, creating looks and garments that push the limits while staying deeply anchored in the rhythms of Senegalese culture. In this conversation, we spoke to the multidisciplinary creative about how she made the leap from modelling to styling, the pressure of overproduction in the fashion industry, and why she’s choosing to slow down in pursuit of intention and truth. We talked about the ways her community, both inherited and chosen, remains central to her work and her hope for more accountability in a fashion industry that has long borrowed from African cultures without recognition. If you're curious about how fashion can be a tool for storytelling, resistance, and cultural preservation, or you just want to hear from someone who’s doing it with honesty and heart, keep reading. Marième is building something special, and it’s only the beginning. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_515474758_18511842322016969_7155691301646215334_n.jpg) **Just to understand a little more about who you are, how did your childhood and background influence your creative work in any way?** So I grew up in Dakar, Senegal. I was born and raised there until I was 18\. When I think about how my childhood influenced my creative work, I’d say it’s less about how I was raised or who I was as a child, because honestly, I’ve changed a lot, and more about the culture I was surrounded by. My cultural heritage has had a huge impact, especially when it comes to clothing and textiles. I’ve always had examples around me of the elegant Senegalese woman; the way she accessorises, the gold jewellery, these images really stuck with me. And that’s why gold is such a key part of how I present myself and my work today. I think that influence really became clear once I moved away. When you leave your country, you start to see how much your culture has shaped your personality and your interests.When I came to Canada, I found myself wanting to reconnect with that part of me, especially as I started getting deeper into fashion and exploring textiles. Growing up at home gave me this foundation that continues to show up in the way I dress, how I present myself, and even what I choose to highlight in my work or on social media. So overall, my cultural heritage and the fact that I grew up back home continue to shape the direction of my creative work and the way I express myself. **That makes a lot of sense, and it really shines through. You once described your style and creative exploration as *atypical*, not quite what people expect when they think “into fashion.”What does that word mean to you now? And how has that idea evolved or influenced your journey over time?** *Atypical*—I think for me, that word has always meant something outside the norm, outside the conservative idea of what’s considered normal. It’s something unexpected, unfamiliar, or striking to the eye. That definition hasn’t really changed for me over time. What has evolved, though, is how I see it show up in my art. Anything can be atypical: a personality, a look, an accessory. It’s just something different, something you don’t see often. Now that I’m more immersed in fashion and paying attention to detail, I’m more aware of what’s considered "typical" and what isn’t. For example, when it comes to transgressive garments or fashion that challenges conventions, I’ve become more educated on those nuances. But I’ve also realised that "atypical" is really subjective. When you’re growing up at home, in your culture, nothing feels atypical; it just feels normal. It’s only when you leave and experience other cultures that you realise the way you dress, or the way you express yourself, might be seen as different or even radical. Like, when I wear my *boubou* or traditional accessories, it’s normal to me, it’s my culture. But here, people might see it and say, “Wow, that’s maximalist!” It’s taught me how perception changes based on environment. What feels natural and familiar to me can feel extraordinary or unconventional to someone else. So yeah, that’s kind of my relationship with the word *atypical*. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_498718558_18502682350016969_1708405604854353914_n.jpg) photography [@zoeyalden](https://www.instagram.com/zoeyalden/?ref=marmaladecollective.com) set assist [@whoiswylla](https://www.instagram.com/whoiswylla/?ref=marmaladecollective.com) **Especially now with the internet and media exposure. What’s considered traditional or everyday in one place can take on a whole new meaning somewhere else. You use pins as a specific creative tool you enjoy. Are there any other tools in your styling or draping toolkit that you swear by, like absolute must-haves?** Aside from pins and fabric… let me think. Honestly, it’s mostly just that—pins and fabric. Draping really only requires those two. You need the fabric and something to pin it onto, whether that’s a mannequin or a human body. It also depends on the kind of styling I’m doing. If it’s a straightforward draping project, that’s all I need. But if it’s a more layered styling contract where I’m incorporating other garments, then I’ll bring in other pieces, maybe some double-sided tape, especially if something needs to hold a specific shape or stay put. But if someone told me I had a draping set tomorrow, I’d literally just show up with my fabric and pins plus accessories, maybe, depending on the brief. **I love that. My next question takes us back to something you mentioned earlier, the women in your life introducing you to fashion. How would you say your family, your friends, and your community have shaped your creative lens?** They’ve shaped pretty much all of it. The women in my life are my biggest inspirations, not just my family, but my friends too. I’ve had the chance to meet incredibly creative and genuine people since moving here, and they inspire me every day, both in fashion and in how I choose to exist as a person. My sister, for instance, is my older sister, and as the eldest girl in the family, she naturally took on a kind of motherly role. Especially when I moved here, because she had come before me. She was the one who introduced me to modelling. My first shoot was with one of her close friends, a really talented photographer, and she encouraged me to go for it. That was the beginning. She’s always guided me, especially when I felt lost, like when you're in a space where you're not even studying something you love. She's always been a steady hand and a big inspiration. Then there’s my mom. I think I really began to appreciate her style and influence after I moved away and started exploring fashion for myself. Growing up, our styles were nothing alike; my style five years ago is unrecognisable compared to now. But through her, I started rediscovering myself as an adult, reconnecting with my culture, and learning to express it through what I wear, how I dress, how I accessorise, and how I carry myself. The women in my life have played a huge role in shaping the way I think and create today. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_491452511_18498407398016969_8312422047398575538_n.jpg) photography [@zoeyalden](https://www.instagram.com/zoeyalden/?ref=marmaladecollective.com) set assist [@whoiswylla](https://www.instagram.com/whoiswylla/?ref=marmaladecollective.com) **That’s beautiful. I also wanted to ask about community more broadly. I’ve noticed it’s a recurring theme in your yearbook project, in your styling work, and even in your visual storytelling. What does community mean to you? And how does it tie into the way you tell stories, especially stories about identity or shared experiences?** Community, to me, is everything. I honestly can’t imagine my life without it. Back home in Senegal, for example, we’re extremely community-driven, more than anywhere else I’ve seen. It’s something we’re known for, and I grew up with that deep sense of connection all my life. So when I moved to Canada, I didn’t feel like I had completely lost that because I still had people I knew here, and there's also a sizable Senegalese community. But at the same time, I quickly realised how different things are here; Canada is much more individualistic. That was a big shift for me. I had to find, or rather build, an additional community, especially in the creative space. Even though there are many Senegalese people here, I didn’t have that many close friends from back home in the same space. So I had to carve out a new community, one rooted in creativity. What really worked for me was connecting with people who were not only around my age but were also immigrants. We shared similar creative interests and also similar lived experiences. That made it easier to relate emotionally, creatively, and culturally. Even though I resonate with many BIPOC communities here too, the group that really gave me a sense of safety and belonging was the creative immigrant community in Montreal. And I’m grateful we found each other. That community has played a huge role in my creative journey and growth. Collaborating with others has been central to how I’ve evolved as an artist. Montreal is very open in that sense, sometimes even too open, but it means people are always down to create together, to learn, and to support. That openness helped me a lot. It gave me space to shape myself as an artist and as a person. **I love that you were able to find your community and even discover new parts of yourself in the process. Speaking of your projects, I’m curious, how do you choose the ones you take on? And what kinds of stories are you most compelled to tell through your art and your garments?** The stories I’m most drawn to are the ones with meaning and purpose. Whenever I choose a project, the first thing I need to do is meet the person behind it. That conversation is crucial. What’s the intention? What are you trying to represent? Because if we don’t share the same vision, the collaboration won’t work. The outcome won’t feel true, and it won’t represent the story the way it’s meant to be told. For me, it’s about alignment, both with the person and the story. Where is this story coming from? Is it personal? Is it from your community? The more connected you are to a story, the more powerful the impact. And for me to do my best work, the story has to resonate. If I can’t relate to it, I can still work on it, but the passion won’t be there. The work won’t be as honest. So I always make sure we share a common vision, and that the story matters to all of us involved. I’m usually drawn to BIPOC, African, Afro-descendant, Caribbean, or Indigenous narratives. Most of my projects are rooted in African cultural heritage, mythology, or history. I once worked on a project about Indigenous and Black cowboys in the American West. I gravitate toward stories that involve deep research, stories that teach me something. If I’m not learning, I’m not growing. I need to walk away from every project having grown in some way. What new knowledge did I gain? What history was unfamiliar to me? What can I research to better understand the context? That’s really how I decide who and what to work with. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_426384160_1782933702212490_735400575221036254_n.jpg) Marieme's styling work on the TERANGA YEARBOOK 🇸🇳 project directed by [@piiiirre](https://www.instagram.com/piiiirre/?ref=marmaladecollective.com) **So, it sounds like for you, art and fashion are tools for cultural preservation and, in many ways, a form of resistance. I want to dig deeper into that. In what ways do you think fashion contributes to preserving culture? Do you think it plays a vital role? Because especially in media, we often say we're "telling stories" or "educating people," but do you think fashion genuinely helps preserve and communicate culture?** I think it really depends on the situation; it's a case-by-case thing. Take Canada, for example. It’s a Western country, but when it comes to fashion spaces, I do think we have the opportunity to represent and preserve our culture in certain ways. That said, there’s always the risk of appropriation. Because our cultures are beautiful and visually striking, people may want to include them in their projects without fully understanding what they’re drawing from. And that’s where it can slip into appropriation, when it becomes just a trend or an aesthetic, rather than a true representation of something deeply rooted. It’s not just about visual appeal. These things carry meaning. They’re part of our history, our values, our whole culture. So again, it really depends. Fashion spaces and creative projects *can* absolutely serve as a means to preserve culture. I believe that any project that accurately and respectfully represents your cultural heritage contributes to its preservation. It doesn’t matter if it’s modern or traditional as long as it's done with intention and respect. But here’s why I say it’s case by case: Let’s say you’re working on a project where the creative director wants to draw from Senegalese mythology or cultural stories. If that person isn't Senegalese, or isn’t Black or of African descent, it raises questions. Why do they want to explore this? Do they actually know what they're referencing? Have they done their research? Or are they just using it because it looks cool or trendy? That’s where intention becomes so important. What are they going to do with this culture? Are they going to westernise it? Are they going to strip it of its meaning? So yes, fashion spaces *can* be powerful tools for cultural preservation, especially for West Africans and BIPOC communities in general. But we need to be careful about who we collaborate with and make sure the intent is respectful and informed. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_469580918_18471235804016969_1607453688488930295_n.jpg) Modelling for [@mag\_clindoeil](https://www.instagram.com/mag%5Fclindoeil/?ref=marmaladecollective.com) [@humankindmgmt](https://www.instagram.com/humankindmgmt/?ref=marmaladecollective.com) **Thank you for sharing that. I completely agree; it often comes down to intention, and really learning the meaning behind what’s being represented. One other question I had was around the challenges you’ve faced as you’ve grown and evolved in the industry, and how you’ve been able to subvert or navigate those challenges.** In the fashion industry itself… I'd say I’ve faced more challenges as a model than as someone working in fashion design or textiles. As a dark-skinned model, you always run into issues; there's always going to be a shoot where they don't have your shade of foundation or they mishandle your hair. So yeah, modelling has definitely come with its own set of challenges. The way I’ve dealt with that is by being honest and open, speaking up about those insecurities and calling out what’s not okay. I think if you want to be part of an industry like fashion, you need to be able to stand your ground, because situations like that *will* happen. But when it comes to textiles, styling, and just exploring fashion more broadly, my biggest challenge has been learning how to overcome *over-creation*. What I mean is, especially in Montreal, there’s this pressure to constantly produce. Every week, there’s a new shoot, a new idea, something happening. People treat it like it’s normal, but it’s not. And when I first started, I really bought into that. I thought, “Whoa, I’m not doing enough, I need to catch up.” So I took on a lot of projects that I did enjoy at the time, but looking back, me now, in 2025, I don't really relate to those works anymore. And that’s okay. They helped me grow. They taught me things. But the real lesson was learning to slow down. I had to resist the pressure of what everyone else was doing and stop letting social media set the pace for me. I had to learn to take time not necessarily to perfect, but to *develop* my craft. To make sure whatever I was creating came with intention, came with *research*. That’s what I needed. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_522002017_18514785565016969_3716749571259210998_n.jpg) **That really struck a chord with me. I don't think a lot of people talk about over-creation enough. I remember having to pause my Instagram for a while because every time I opened the app, someone was doing something amazing, and I’d think, “I need to be making something too.” But like you said, especially for people who love learning and research, it just takes time. And that’s okay. Some people spend two years on a single project, and that’s still valid. But social media makes it feel like we need to keep producing at a ridiculous pace. So, thank you for bringing that up; it’s such a real challenge.** **As you continue evolving as an artist and a stylist, what are some of your dreams or visions for the industry at large and for yourself?** For the industry at large, I think my vision is for Afro-descendant creators to receive more credit. I strongly believe that many elements of today’s Western fashion industry have been heavily influenced by African traditional garments, long before fashion was even considered an “industry” on the continent. We've contributed so much through our garments, our patterns, the ways we construct and wear clothes, and the meaning we attach to different looks. Our influence is undeniable. My hope for the future is that the African cultures that inspire so much of Western fashion not only receive proper credit but are also given space within the industry, at fashion weeks, in exhibitions, and on global fashion stages. Because honestly, 60% of what’s in those spaces came from us. So yes, my vision is about recognition, representation, and also accountability especially from Western designers and brands. They often draw from African aesthetics without acknowledging their sources. They'll claim it as their own or label it as vague "inspiration," but if you trace certain patterns seen in brands like Louis Vuitton or Gucci, you’ll find them in West Africa, Central Africa, embedded in textiles made by artisans long before those fashion houses even existed. It’s not a coincidence. I hope that in the future, there’s more transparency and accountability from these brands. As for my personal journey, I’m still finding my way in the fashion industry. I know I want to continue learning, refining my technique, and becoming more specialised in design and fashion history. I want to be able to tell stories and histories through my garments. Where it all leads, I leave that in God’s hands. But what’s most important to me is not losing the passion. I want to pursue paths that keep me grounded and inspired, never creating for clout or just for money. That’s not why I fell in love with textiles and design in the first place. **Thank you so much for sharing that, especially on the topic of accountability. I completely agree. Even within African fashion, there’s still a lack of proper credit; brands here, too often fail to acknowledge the artisans behind their work or the true sources of their inspiration. It’s a wider issue that affects both local and international scenes.** **And regarding your journey, I think your approach to keep exploring and staying rooted in your passion is such a beautiful way to move through this industry. Those are all the questions I have. Thank you so, so much. This has been great.** [Find Marième Mboup on Instagram](https://www.instagram.com/sheyumboe/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join **5500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This August URL: https://www.marmaladecollective.com/whats-on-august-2025/ Last updated: 2025-07-30T13:03:02.000Z August is calling, and we’re answering with good food, big energy, and plenty to look forward to. From open-air celebrations to slow dinners with new faces, it’s all about culture, connection, and making the most of special moments. _This post is for subscribers only._ ### Joel Quayson Bags Dior, Tyla & Tems Go Global & Olivia Yacé Heads to Miss Universe URL: https://www.marmaladecollective.com/joel-quayson-bags-dior-tyla-tems-go-global-olivia-yace-heads-to-miss-universe/ Last updated: 2025-07-28T09:00:18.000Z **Welcome to Vol 145 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Tiny reminder (in case you were wondering); [**TALES: The African Lifestyle Experience**](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com) is still very much on! So if you’ve been meaning to check it out, there’s still time to grab your spot. Also, we’re linking up virtually **this evening at 7PM** for our fan favourite [**Marmalade Member Mondays**](https://lu.ma/b6n9f8vn?ref=marmaladecollective.com)! Pop in and say hi, we’ll be waiting for you 💛 *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### African Fashion Capitals to Know: Lagos, Accra, Johannesburg and Beyond URL: https://www.marmaladecollective.com/african-fashion-capitals-to-know-lagos-accra-johannesburg-and-beyond/ Last updated: 2025-07-28T08:56:48.000Z # **Introduction** There’s something magnetic about African fashion right now. It’s bold, full of heart, and impossible to ignore. In recent years, cities across the continent have quietly but powerfully carved out space on the global style map. Lagos Fashion Week has consistently raised the bar, with designers like Oríré and Kíléntár blending bold structure with thoughtful sustainability. In Dakar, Chanel’s Métiers d’art show—its first in Sub-Saharan Africa—marked a turning point, not just for luxury fashion, but for the deeper conversations it sparked around collaboration, craftsmanship, and culture. Elsewhere, Accra is finding fresh ways to embrace circular fashion, Nairobi is leaning into tech and ethics, and Johannesburg’s streetwear scene keeps evolving. Each city brings something different to the table, shaped by their local histories, materials, and communities. And while none of this is entirely new, the attention feels different now. The world is looking a little more closely,and paying a little more respect. Which makes this the perfect time to explore some of the cities shaping Africa’s evolving fashion identity; some familiar, others still coming into their own. ## **Lagos, Nigeria** Lagos doesn’t sleep, and neither does its style scene. Known for its high-energy fashion weeks and fearless streetwear culture, it’s home to designers like Kenneth Ize, Orange Culture, and Lisa Folawiyo; names pushing boundaries with prints, tailoring, and pure creative flair. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_502671296_18515562847045746_6849569171669892838_n-1.jpg) **Image via@*[**orangecultureng*](https://www.instagram.com/orangecultureng/?e=cdbfbc40-d3fd-4222-b288-e060f5bc5c5d&g=5&ref=marmaladecollective.com) > [ View this post on Instagram ](https://www.instagram.com/p/C0Zf2ZnMAW9/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Lisa Folawiyo (@lisafolawiyo)](https://www.instagram.com/p/C0Zf2ZnMAW9/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Lagos Fashion Week draws global press, models, and buyers, cementing the city’s place on the international style map. Meanwhile, cultural crossovers like *Our Homecoming* festival blend streetwear, music, and art into a creative melting pot, and platforms like *Street Souk* have become the go-to for Africa’s streetwear movement. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_491416665_18307578274241116_4435270646891892788_n-1.jpg) **Image via @*[**ourhomecoming*](https://www.instagram.com/ourhomecoming/?e=20e25d90-78eb-4826-8163-16aefef66ab3&g=5&ref=marmaladecollective.com) But beyond the glitz is a thriving underground of young designers making magic with limited resources and a lot of heart. ## Accra, Ghana Accra brings colour, culture, and cool in one breath. Its fashion scene is steadily growing, with a strong sense of identity rooted in Ghanaian craftsmanship. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_124821729_3916785855000626_566395524572682328_n-1.jpg) **Image via @*[**lisafolawiyo*](https://www.instagram.com/lisafolawiyo/?e=fd52c34b-ded7-4f0b-b003-cbbf560d8d74&g=5&ref=marmaladecollective.com) Events like Accra Fashion Week and The Glitz Africa Fashion Week showcase everything from rich kente to fresh takes on streetwear. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_355414641_646425110838432_1318827268256724690_n-1.jpg) **Image via @studiooneeightynine* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_328859427_192889166689491_2960609393148545616_n-1.jpg) **Image via @urbaneghofficial* And brands like Christie Brown and Studio One Eighty Nine blend traditional techniques with modern design, giving the city a look that’s all its own. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_491451630_18509532628017463_6744194606980070878_n-1.jpg) **Image via @*[**christiebrowngh*](https://www.instagram.com/christiebrowngh/?e=b9f298ec-e119-4445-a666-241640da2e4e&g=5&ref=marmaladecollective.com) ## Johannesburg, South Africa Johannesburg is where creativity and commerce meet. It’s a city known for both polished elegance and cutting-edge street style. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_499885908_18502663873017867_8786304935228560684_n-1.jpg) **Image via @*[**rich\_mnisi*](https://www.instagram.com/rich%5Fmnisi/?e=2a7a5e05-ee10-4455-badc-abe569eb109b&g=5&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_490315034_18495387265017867_1239877310851932610_n-1.jpg) **Image via @*[**rich\_mnisi*](https://www.instagram.com/rich%5Fmnisi/?e=2a7a5e05-ee10-4455-badc-abe569eb109b&g=5&ref=marmaladecollective.com) SA Fashion Week and AFI Fashion Week regularly put local talent in the spotlight, while designers like Rich Mnisi, Thebe Magugu, and Maxhosa Africa have broken through globally. > [ View this post on Instagram ](https://www.instagram.com/p/CziyRqpAAP7/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by What's on in Joburg (@whatsoninjoburg)](https://www.instagram.com/p/CziyRqpAAP7/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Joburg fashion is expressive, political, and always deeply personal. The city's retail and media scene also gives young designers a strong platform to grow. ## Dakar, Senegal Dakar has a deep fashion soul. It’s home to some of the most striking couture on the continent, often mixing French influence with rich West African heritage. It’s pride and joy, Dakar Fashion Week, is one of the oldest in the region and keeps evolving with every edition. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_524598040_17989563011823860_687834752017643169_n-1.jpg) **Image via @thefashionedmuseum* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_188809469_119422206868394_2395965933256001214_n-1.jpg) **Image via @tacko\_arth* In December 2022, Chanel made fashion history by staging its first Métiers d’art show in Sub‑Saharan Africa, right in Dakar, bringing high luxury to local artisans and launching long-term collaborations. Designers like Selly Raby Kane and Adama Paris have also become cultural figures, using fashion as a form of storytelling and resistance. You’ll find everything here from streetwear, to regal gowns, and avant-garde pieces, often on the same runway. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_500090197_18506849614063097_8924413554469872655_n-1.jpg) **Image via @*[**sellyrabykane*](https://www.instagram.com/sellyrabykane/?e=93bb5cf2-f8ca-4d07-9279-80442777ad9d&g=5&ref=marmaladecollective.com) ## Nairobi, Kenya Nairobi’s fashion feels like the city itself: young, energetic, and full of new ideas. The Nairobi Fashion Hub and Tribal Chic event have given emerging designers a space to shine, while labels like KikoRomeo and Ikojn are leading with sustainable design and strong African aesthetics. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_486691530_18498929260037413_8711214860166142335_n-1.jpg) **Image via @*[**kikoromeo*](https://www.instagram.com/kikoromeo/?e=0306a1de-5f9d-4ed9-b7ed-6a639a8f5751&g=5&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_312787408_440186258243070_7189222491021849647_n-1.jpg) **Image via @*[**kikoromeo*](https://www.instagram.com/kikoromeo/?e=0306a1de-5f9d-4ed9-b7ed-6a639a8f5751&g=5&ref=marmaladecollective.com) Nairobi is also home to a growing thrift and upcycling movement, where Gen Z style lovers turn secondhand finds into statement looks. It has one of the most active thrift fashion scenes in Africa, and locals even have nicknames for popular secondhand spots, like "Gikosh" for Gikomba market. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/image-2-1.png) **Image via @dazed* ## Abidjan, Côte d’Ivoire Abidjan is stylish to the core. The city has seen a fashion revival with events like Afrik Fashion Show and designers like Loza Maléombho, whose futuristic, feminine designs have caught even Beyoncé’s eye. > [ View this post on Instagram ](https://www.instagram.com/reel/DDX1I-UIQmk/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Afrikfashion week (@afrikfashionweek)](https://www.instagram.com/reel/DDX1I-UIQmk/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) There’s a certain effortless chic to fashion in Abidjan. It’s in the way people dress every day, and it’s in the growing support for homegrown fashion businesses. > [ View this post on Instagram ](https://www.instagram.com/p/DJG6ni3o4KG/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Loza Maléombho (@lozamaleombho)](https://www.instagram.com/p/DJG6ni3o4KG/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## Addis Ababa, Ethiopia Addis Ababa’s style scene is rich in heritage. Traditional weaving and handcraft still shape modern collections, and there’s pride in keeping Ethiopian fashion rooted in its identity. Events like Hub of Africa Fashion Week help bring these stories to the world. > [ View this post on Instagram ](https://www.instagram.com/p/DFb1l05iZEP/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Natura - wooden jewelry (@naturaaccessories)](https://www.instagram.com/p/DFb1l05iZEP/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Even though the industry is still be developing, Addis holds potential for sustainable fashion and artisan-focused brands. > [ View this post on Instagram ](https://www.instagram.com/reel/DGdgAbUo-7C/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by HAFW (@hub\_of\_africa\_addis)](https://www.instagram.com/reel/DGdgAbUo-7C/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## Casablanca, Morocco Known for its glamorous Caftan Show, running since 1996, Casablanca combines traditional North African embroidery with streetwear collectives and modern adaptations of caftans. > [ View this post on Instagram ](https://www.instagram.com/p/DLDuiRPI5QM/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Mannequin Maroc 🇲🇦 (@mannequin.maroc)](https://www.instagram.com/p/DLDuiRPI5QM/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Casablanca blends old-world elegance with a modern edge. Its fashion reflects the city’s position between Africa, Europe, and the Arab world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_51683051_2191801807741471_2664162015042662319_n-1.jpg) **Image via @orientalfashionshow\_officiel* While Morocco is known for textiles and craftsmanship, its fashion events, like Casablanca Fashion Week and Oriental Fashion Show, bring fresh global attention. And brands like Maison ARTC and Casablanca (yes, that’s the brand name) are using fashion to blur cultural lines and build global identities. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_520267741_18512014879015465_3274450835528645926_n-1.jpg) **Image via @*[**maisonartc*](https://www.instagram.com/maisonartc/?e=a43d6c13-4674-4c45-8dd5-14014ade3569&g=5&ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_519981495_18512014897015465_1457526866216577264_n-1.jpg) **Image via @*[**maisonartc*](https://www.instagram.com/maisonartc/?e=a43d6c13-4674-4c45-8dd5-14014ade3569&g=5&ref=marmaladecollective.com) # Conclusion African fashion cities are not one-size-fits-all. Each one brings something fresh; stories woven into fabric, identities in silhouette, and dreams sewn into every stitch. The global fashion world is finally paying attention, but the heart of African fashion has always been here, beating in cities big and small, known and unknown. So, whether you're a buyer, brand, or fashion lover, there's no better time to explore what these capitals are creating than now ### Ayo Edebiri Makes EMMY History, Burna Boy Drops Bold Album, Imane Ayissi Shines in Paris URL: https://www.marmaladecollective.com/ayo-edebiri-makes-emmy-history-burna-boy-drops-bold-album-imane-ayissi-shines-in-paris/ Last updated: 2025-07-21T09:00:43.000Z **Welcome to Vol 144 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. We teased it in last week’s issue, and now it’s *finally* here! [**TALES: The African Lifestyle Experience by Bellafricana**](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com) is happening **this** **Friday**, and you don’t want to miss it. Picture this: handcrafted fashion, mouthwatering food, rich culture, and a community that feels like home. It’s the ultimate day out, and it’s all about celebrating Africa in style. So clear your schedule, call up your friends, get your (free 👀) tickets and come ready to shop, eat, and be inspired. See you there! *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Join Us at TALES: The African Lifestyle Experience URL: https://www.marmaladecollective.com/tales-the-african-lifestyle-experience-2025/ Last updated: 2025-07-16T09:00:51.000Z If you’ve ever wanted to experience the full spectrum of African talent, from fashion and beauty to art, design, and storytelling, we have just the thing for you. 🎉 We’re proud to announce that ****Marmalade Collective is an official community media partner** for [****TALES: The African Lifestyle Experience by Bellafricana 2025**](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com)****,** a 10-day celebration of African creativity, community, and cultural brilliance happening from ****July 25 to August 3** at ****Luxury Promise, 28 Cavendish Square, London W1G 0DB** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/DSC03467-1-1.jpg)](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com) ### What is TALES? TALES (short for *The African Lifestyle Experience*) is Bellafricana’s flagship pop-up event. Think: 💫 Over 70 curated brands from across Africa and the diaspora 🎨 Live art and cultural showcases 🗣 Fireside chats with creative icons and founders 🤝 Meaningful connections with fellow lovers of culture, creativity, and community 🎁 Plus: the chance to win a £200 gift card, exclusive travel discounts, and much more And the best part? **It’s completely free to attend**. [Save Your Spot](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com) ### Why we’re involved At Marmalade, we’re all about spotlighting the beauty of community and the power of creativity, so this partnership felt like home. TALES is a shared celebration of what it means to create, connect, and belong. And we want you to be part of it. ### Want the full scoop? We published a **full guide to TALES 2025:** what to expect, who’s coming, and why it matters. 👉🏾 [**Read the full guide to TALES 2025**](https://www.marmaladecollective.com/a-guide-on-tales-2025-by-bellafricana/) Let’s make it a summer to remember. [Free To Attend](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/TALES-Instagram-Post-2-.png)](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com) ### Davido Shuts Down Portugal, Slawn Makes F1 History, Tchouameni Bridges Culture URL: https://www.marmaladecollective.com/davido-shuts-down-portugal-slawn-makes-f1-history-tchouameni-bridges-culture/ Last updated: 2025-07-14T09:00:15.000Z **Welcome to Vol 143 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Now for the exciting bit: something special is coming up, and it’s got all the makings of a perfect day out. Think culture, community, and a celebration of African lifestyle like you’ve never seen before. [***TALES: The African Lifestyle Experience*** ](https://www.eventbrite.co.uk/e/tales-the-african-lifestyle-experience-tickets-1321118965389?ref=marmaladecollective.com)(by Bellafricana) is just around the corner, and trust me when I say you want to be there. That’s all for now. Go forth and prosper! *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Afrofuturism in Fashion: Imagining African Futures Through Style URL: https://www.marmaladecollective.com/afrofuturism-in-fashion-imagining-african-futures-through-style/ Last updated: 2025-07-13T14:41:13.000Z # **Introduction** When we think of the future, it’s often imagined through a Western, tech-heavy lens. But Afrofuturism flips that script. It reimagines the future by centering African identity, Black culture, and ancestral wisdom, with a heavy dose of creativity and imagination. In fashion, this means bold silhouettes, rich symbolism, high-tech materials, and a fusion of tradition with innovation. Whether through sci-fi-inspired runway shows, traditional patterns made into futuristic designs, or wearable art that feels like it belongs in Wakanda, Afrofuturism and fashion go hand in hand. And the best part? It’s no longer just a concept; it’s a global force led by incredible designers and brands across the globe. Here are 7 of the most exciting names defining Afrofuturism in fashion: ## Selly Raby Kane ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_499668104_18506845192063097_6685394886013924134_n-1.jpg) **Image via @sellyrabykane* A standout name in Afrofuturist fashion, [Selly Raby Kane](https://www.instagram.com/sellyrabykane?igsh=MWdsc3JicTdtMmRlag==&ref=marmaladecollective.com) blends surrealism, streetwear, and West African storytelling. Her designs look like something out of a sci-fi dream, often incorporating exaggerated shapes, electric colours, and intricate embroidery. > [ View this post on Instagram ](https://www.instagram.com/p/DDSJetACSCg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Selly Raby Kane (@sellyrabykane)](https://www.instagram.com/p/DDSJetACSCg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Her work is about rebellion, reinvention, and imagining Dakar through a fantastical lens. ## Mowalola ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_515496067_18515852089054499_6238237784032403637_n--1--1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_509347624_18513511141054499_3240871563647268456_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_509797477_18513511132054499_6479533157290727490_n.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_514985362_18515852077054499_6374796500024881974_n.jpg) **Image via @mowalola* [Mowalola](https://www.instagram.com/mowalola?igsh=MXM3amVsOXd2YTlxeQ==&ref=marmaladecollective.com) Ogunlesi is a Nigerian-British designer pushing boundaries with her provocative, punk-meets-space-age aesthetic. From futuristic biker jackets to PVC dresses, her pieces explore Black identity, sexuality, and power with an unfiltered edge. > [ View this post on Instagram ](https://www.instagram.com/p/Co2W9cwNu2i/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Nacho Fraga (@nacho\_fraga76)](https://www.instagram.com/p/Co2W9cwNu2i/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) She’s worked as a design director for Kanye West’s Yeezy Gap project, bringing her unapologetic vision to the mainstream and proving that Afrofuturist fashion can be both subversive and culturally defining. ## Rich Mnisi ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_488419372_18493871569017867_292840822775006898_n-1.jpg) **Image via @rich\_mnisi* [Rich Mnisi](https://www.instagram.com/rich%5Fmnisi?igsh=eng1anMxbGQ0ejVh&ref=marmaladecollective.com) merges luxury fashion with South African heritage and futuristic fantasy. Their collections often feature bold prints, fluid silhouettes, and genderless designs. They're not afraid to challenge norms and consistently reinvents what African high fashion can look like in the modern (and future) world. > [ View this post on Instagram ](https://www.instagram.com/p/DLXcjkRs7X4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by RICH MNISI (@rich\_mnisi)](https://www.instagram.com/p/DLXcjkRs7X4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## Orange Culture ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_489382216_18505738762045746_6566288234720966132_n-1.jpg) **Image via @orangecultureng* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_474477493_18490670716045746_8811050871296765767_n-1.jpg) **Image via @orangecultureng* Founded by Adebayo Oke-Lawal, [Orange Culture](https://www.instagram.com/orangecultureng?igsh=ZGp0cmxramx6em1w&ref=marmaladecollective.com) has been redefining African masculinity through androgynous designs with emotional depth. Their use of sheer fabrics, vibrant colours, and traditional prints layered into futuristic tailoring captures the soul of Afrofuturism in everyday wear. ## Bloke ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_245290155_363516358858116_5494933023808048721_n-1.jpg) **Image via @blokeng* [Bloke](https://www.instagram.com/bloke%5Fco?igsh=OXpvbTF3M283dGxu&ref=marmaladecollective.com), a genderless knitwear brand founded by Faith Oluwajimi, is all about softness, storytelling, and innovation. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_66651743_2140946696014270_2517372756229913165_n-1-1.jpg) **Image via @blokeng* Mixing slow fashion with surrealism and Yoruba influences, Bloke pieces often look like wearable poems: artsy, conceptual, and deeply intentional. ## Tokyo James ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_465774229_18472107730061219_1469309893797149049_n-1.jpg) **Image via @tokyojamess* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_82218925_494281027948221_1841337360239229633_n-1-1.jpg) **Image via @tokyojamess* [Tokyo James](https://www.instagram.com/tokyojamess?igsh=MTB6YXNteXI5bHFwOQ==&ref=marmaladecollective.com) mixes European tailoring with African-inspired details and futuristic finishes. Their sharp, minimalist aesthetic is often paired with high-shine materials or unexpected textures. It’s fashion for the modern African man, but from a whole new dimension. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_470165364_18479757772061219_3126707637485599568_n-1.jpg) **Image via @tokyojamess* ## Maison ARTC ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/SaveClip.App_509623642_18507212890015465_3324110786834476792_n-1.jpg) **Image via @maisonartc* Based in Marrakech, [Maison ARTC](https://www.instagram.com/maisonartc?igsh=MWs2ZGNncHU1ZWl3cw==&ref=marmaladecollective.com) creates one-of-a-kind pieces that feel like art installations. The brand fuses recycled materials, Afro-Arab influences, and dystopian fantasy to craft garments that are as thought-provoking as they are beautiful. > [ View this post on Instagram ](https://www.instagram.com/p/DL%5F-dP7tiDU/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ارشي إفراح (@maisonartc)](https://www.instagram.com/p/DL%5F-dP7tiDU/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) # Conclusion Afrofuturism isn’t just about shiny fabrics or wild silhouettes, it’s a cultural statement. It says: Black people belong in the future. Our stories, our ancestors, our aesthetics; they all have a place in what’s to come. And these designers and brands aren’t just making clothes, they’re building worlds. Exploring Afrofuturism through style is an invitation to dream. Not just about what fashion can look like, but who gets to be seen in it. ### A Guide on TALES 2025 by Bellafricana URL: https://www.marmaladecollective.com/a-guide-on-tales-2025-by-bellafricana/ Last updated: 2025-07-10T11:15:00.000Z Every summer, London pulses with fashion, art, and culture, but for ten remarkable days this July, the city will do more than just buzz. It will *glow* with the brilliance of African creativity. **TALES: The African Lifestyle Experience by Bellafricana** is back, and it’s *reimagining* what a showcase of African excellence can look like. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/DSC00578-scaled.jpg) ## What Is TALES? **TALES (The African Lifestyle Experience)** is Bellafricana’s flagship event, a curated celebration of Africa’s rich creative industries. Founded by **Bukky Asehinde**, TALES is a marketplace, but even more, it’s a movement, built on community, collaboration, and creative entrepreneurship. Hosted annually in London, TALES brings together African and African-inspired brands from around the globe to connect with a diverse audience hungry for authenticity, quality, and innovation. ### A Journey Through the Years In **2023**, TALES debuted as a vibrant one-of-a-kind pop-up event, introducing over 30 brands to a London audience eager to discover something new. It was intimate but electric, a taste of what was to come. In **2024**, TALES returned under the theme *“Undiscovered Africa.”* Held at Gallery Different in Fitzrovia, it showcased over **40 brands**, each telling a unique story through fashion, beauty, art, and homeware. With its welcoming energy and powerful sense of community, the event drew thousands of visitors from creative enthusiasts and cultural tastemakers to the simply curious, all seeking deeper connections to African creativity. ### Why TALES Matters TALES exists to create space, real, tangible space, for African creatives to thrive globally. It’s about shifting narratives, expanding opportunities, and building a thriving community of makers and lovers of craft. Whether you're a young designer from Accra or a beauty entrepreneur in London, TALES is where your story belongs. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/Abiola-Desalu-founder-Modara-and-customers-at-TALES-scaled.jpg) ## What’s New in TALES 2025? This year’s edition, themed **“Reimagine 2025,”** is the most ambitious yet. Set in London’s iconic West End, TALES 2025 takes place at **Luxury Promise**, an elegant showroom located at **28 Cavendish Square**, just steps from Oxford Street. From **July 25 to August 3**, over **70 curated brands** will transform this luxurious space into a living, breathing celebration of African artistry. ### What makes this year different, and what should you expect? If you’ve never been to TALES before, here’s a breakdown of what’s in store: - **More Brands, More Stories**: With 70+ African and diaspora-owned brands, expect a wider, more diverse range of offerings; high fashion and home fragrance to fine art and interior pieces, all deeply rooted in African heritage. - **A New Format for Conversation**: Forget the formal panels. TALES 2025 introduces **fireside chats.** They’re more relaxed, real conversations with trailblazing creatives, designers, and entrepreneurs. Sit in as these thought leaders and cultural workers share honest reflections about building creative businesses, navigating the global market, preserving heritage, and staying inspired. - **Cross-Generational Spotlights**: The beloved **Kidpreneur x Veteran** segment returns, and it brings the new generation of entrepreneurs face-to-face with seasoned icons. It’s about dialogue, mentorship, and honouring every stage of the journey. featuring inspiring dialogues between Gen Z entrepreneurs like *Oreofe* and industry pioneers like *Gloria Ije Anyaehie-Coker*, founder of GIA1 Fashion. - **Air Peace Flight Discounts**: Through a new partnership with **Air Peace**, attendees and vendors flying into London can enjoy **15% off base fares**, making it easier than ever for creatives across the continent to participate. - **Support from the City of Westminster**: This year, TALES is proudly supported by the City of Westminster and the New West End Company. This means wider visibility across London, from Oxford Street’s digital platforms to city-wide cultural endorsements. - **Live Art & Cultural Immersion:** Art is not just on display, it’s created live. Join artists like *Isaac Emokpae* and *Kofo Nolla-Omidiran* as they host collaborative doodling and painting sessions. You'll witness the creative process in action, and even add your own mark to communal pieces. Throughout the 10 days, attendees will also enjoy African music, culinary delights, and cultural showcases that give you a deeper understanding of the continent’s evolving creative spirit. ## Why Should You Attend TALES 2025? Sure, you can shop all you want, but beyond that, it’s a portal into community, into culture, into creativity. Here’s why you should come: - **Free Entry** — All you need to do is RSVP. - **70+ vendors** to explore each day. - **Diverse creatives** — from 13-year-old prodigies to 70-year-old legends. - **Unforgettable atmosphere** — welcoming, soulful, and full of energy. - **Meet industry experts**, network with fellow creatives, and gain real-world inspiration. - **Win a £200 gift card** just by attending. - **Discover new products** you won’t find anywhere else. - **Be part of something bigger** — a creative movement that is changing the narrative of African entrepreneurship. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/TALES-Instagram-Post-5---1-.png) ## Frequently Asked Questions (FAQs) #### What is TALES again? TALES (The African Lifestyle Experience) is an annual creative showcase by Bellafricana. It’s a 10-day celebration of African fashion, art, beauty, home décor, and culture, held in central London. Think of it as an immersive retail, networking, and cultural experience all in one. #### Who is it for? TALES is open to everyone — lovers of African culture, curious shoppers, media professionals, diaspora creatives, investors, and anyone who values authenticity and artistry. #### How can I register? Visit [tales.bellafricana.co.uk](https://tales.bellafricana.co.uk/?ref=marmaladecollective.com) to RSVP for free or apply to be a vendor. #### Where exactly is the venue? ****Luxury Promise** ****The Corner Showroom** 28 Cavendish Square (off Oxford Street), London W1G 0DB #### What dates should I block off? 🗓 ****July 25 – August 3, 2025** 🕙 Open daily from 10am – 9pm #### I’m flying in — any support? Yes! Through a special partnership with Air Peace, vendors and attendees can get 15% off base fare on flights to London. A beautiful bonus for anyone travelling from Nigeria and beyond. ## Final Thoughts ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/Press-blog-banner-1.png) TALES 2025 is reimagining what African creativity looks like on a global stage. It’s a space where culture is celebrated, and community is everything. So whether you're a buyer, browser, or believer in the power of African brilliance, come. **Come shop, connect, and celebrate.** 🔗 **RSVP now**: [tales.bellafricana.co.uk](https://tales.bellafricana.co.uk/?ref=marmaladecollective.com) 📸 **Follow the journey**: Instagram: [@bell\_africana](https://instagram.com/bell%5Fafricana?ref=marmaladecollective.com) | [@bellafricanauk](https://instagram.com/bellafricanauk?ref=marmaladecollective.com) TikTok: @bellafricanauk LinkedIn: Bellafricana ## Sign up for Marmalade Collective Bringing Africa's culture and stories to life through content and community Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This July? URL: https://www.marmaladecollective.com/whats-on-this-july/ Last updated: 2025-07-09T16:51:40.000Z July’s heating up – and so are our plans. From posh, sunny sips to a cozy MMM, this month is all about turning up the energy and making memories that taste like summer. _This post is for subscribers only._ ### Angelique Kidjo Shines in Hollywood, Adidas Opens in Africa, Ayra Starr Breaks Records URL: https://www.marmaladecollective.com/angelique-kidjo-shines-in-hollywood-adidas-opens-in-africa-ayra-starr-breaks-records/ Last updated: 2025-07-07T09:00:31.000Z **Welcome to Vol 142 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. I had one of those rare weekends where everything just flowed; I (finally) sorted out my to-do list, caught up with a few friends, and actually felt present the whole time. A solid 8/10. I hope your weekend gave you something to smile about too. What did you get up to? *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Chapter 6: The Three Pillars URL: https://www.marmaladecollective.com/the-three-pillars/ Last updated: 2025-07-06T23:36:21.000Z The architecture of the new mainstream rests on three fundamental pillars that together create an unshakeable foundation for cultural transformation. These aren't abstract concepts—they're the concrete building blocks that turn scattered communities into unified movements, individual voices into choruses of change, and cultural pride into economic power. ## Content. Community. Commerce. These three pillars work in harmony, each strengthening the others, creating a virtuous cycle that amplifies African culture and stories until they become impossible to ignore. Understanding how they interconnect is crucial to building the new mainstream, because none can stand alone for long. ## Content: The Foundation of Cultural Currency Content is where everything begins. Not just any content—authentic, high-quality content that reflects the full spectrum of African experience. This is the foundation upon which all cultural movements are built, because stories shape reality. For too long, African stories have been told by others, filtered through foreign perspectives, reduced to stereotypes that serve someone else's narrative. The new mainstream demands that we reclaim our storytelling power and use it strategically. **Content creates connection before commerce.** Before anyone will buy from you, invest in your vision, or join your movement, they need to feel something. They need to see themselves reflected in your stories. They need to experience that moment of recognition where they think, "Finally, someone gets it." Consider how Michaela Coel's "I May Destroy You" didn't just entertain—it sparked global conversations about consent, trauma, and healing that resonated far beyond its primary audience. Or how Burna Boy's "African Giant" album didn't just top charts—it redefined how the world perceives African artists and their global influence. This is content as cultural currency. It holds value, it can be exchanged, and it appreciates over time when done authentically. **The Content Multiplier Effect** works like this: One powerful piece of authentic content gets shared, sparks conversation, and creates demand for more. Each piece builds on the last, creating a library of cultural reference points that becomes invaluable to your community. But here's what most people miss—content must be both mirror and window. It must reflect the experiences of your core community (mirror) while offering insights into African culture for those discovering it (window). This dual function is what allows content to build bridges while strengthening identity. ## Community: The Amplification Engine Content without community is just broadcasting into the void. Community is what transforms individual voices into collective power, turning scattered audience members into a unified movement. **Real community is built on shared values, not just shared interests.** Anyone can create a Facebook group or Discord server. Building authentic community requires deeper intentionality. It's about creating spaces where people feel genuinely seen, heard, and valued for who they are. The most powerful communities in the new mainstream share three characteristics: **Purpose-driven connection.** Members aren't just there to consume content—they're there to contribute to something larger than themselves. They see themselves as part of a cultural movement, not just an audience. **Genuine reciprocity.** Value flows in all directions, not just from creators to consumers. Community members support each other, collaborate on projects, and collectively build the culture they want to see. **Cultural authenticity.** The community feels unmistakably African in its energy, values, and expression, even as it welcomes curious outsiders who approach with respect and genuine interest. **Community creates the multiplier effect** that turns individual efforts into collective impact. When one person in a strong community succeeds, they lift others with them. When someone creates powerful content, the community amplifies it. When opportunities arise, they're shared. This is how Homecoming Festival went from Beyoncé's personal project to a cultural moment that inspired thousands of other creators, sparked academic discussions, and influenced fashion, music, and visual arts globally. The community that formed around that cultural expression became a force multiplier. ## Commerce: The Sustainability Generator The third pillar—commerce—is where many cultural movements stumble. There's often discomfort around monetising culture, as if financial success somehow diminishes authenticity. This thinking keeps communities dependent and movements unsustainable. **Commerce isn't the corruption of culture—it's the fuel that keeps cultural movements alive and growing.** Money follows attention, and attention follows authentic cultural expression. The question isn't whether to monetise, but how to do it in ways that strengthen rather than compromise your cultural integrity. The new mainstream approaches commerce as circulation, not extraction. Instead of taking value out of communities, it circulates value within them, creating sustainable ecosystems where cultural authenticity and financial success reinforce each other. **Commerce takes many forms** in the cultural economy: Direct monetisation through subscriptions, merchandise, events, and experiences that people genuinely want and value. Strategic partnerships with brands that align with your values and enhance rather than dilute your cultural expression. Creating platforms and marketplaces where community members can build their own economic opportunities. Developing products and services that solve real problems while celebrating cultural identity. The key is ensuring that every commercial activity strengthens the content and community pillars rather than competing with them. ## How the Three Pillars Interconnect The magic happens when all three pillars work together in harmony: **Content feeds community** by giving people something meaningful to discuss, share, and rally around. Great content sparks conversations that build relationships. **Community amplifies content** by sharing it, discussing it, and creating derivative works that expand its reach and impact. **Commerce sustains content creation** by providing the resources needed to maintain quality and consistency over time. **Community drives commerce** by creating demand for products and experiences that feel authentic to the culture. **Content enables commerce** by building the trust and cultural credibility necessary for authentic monetisation. **Commerce strengthens community** by creating shared economic opportunities and reducing dependence on external funding sources. This interconnection creates a self-reinforcing cycle that becomes stronger over time. As each pillar strengthens, it supports the others, creating exponential rather than linear growth. ## Building Your Three Pillars Start with content, but think systematically about all three from the beginning: **For Content:** Focus on authenticity over polish, consistency over perfection, and community value over viral potential. Create content that your community genuinely wants to see and share. **For Community:** Prioritise genuine connection over growth metrics. Create spaces where people feel safe being authentic and valued for their contributions. **For Commerce:** Align financial opportunities with community values. Create value for your community before extracting value from it. **Measure what matters:** Track engagement depth, not just reach. Community retention, not just growth. Customer lifetime value, not just transaction volume. The three pillars aren't a business model—they're a cultural development framework. They're how scattered voices become unified movements, how niche communities become mainstream influence, and how cultural pride transforms into sustainable power. When these three pillars are strong and interconnected, something remarkable happens: you stop chasing the mainstream and start creating it. The culture you've built becomes the reference point others aspire to. Your community becomes the standard others try to replicate. Your approach becomes the model others study. This is how the new mainstream rises—not by asking permission to sit at existing tables, but by building tables so compelling that everyone wants to join. The three pillars are your blueprint for construction. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### Earth, Memory, and the Spaces We Inhabit URL: https://www.marmaladecollective.com/earth-memory-and-the-spaces-we-inhabit/ Last updated: 2025-07-02T19:53:42.000Z When we talk about architecture, we often reach for the visible: concrete walls, steel beams, soaring towers. But what happens when we let go of those conventions? What if we begin with earth? With rhythm? With memory? What if space isn’t something to simply enter but something to feel, hear, and remember? In *Earth, Memory and the Spaces We Inhabit*, the inaugural exhibition by Black Females in Architecture (BFA), presented in collaboration with DēpART for the 2025 London Festival of Architecture, we’re invited to radically reimagine what architecture means and who gets to define it. This exhibition doesn’t just ask us to look at buildings. It asks us to listen to the women who shape them long before the first brick is laid. ## **The Ground We Stand On: Redefining Architecture from the Earth Up** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/LFA_Takeover_Exhibition_NowGallery_0311.jpg) Held at NOW Gallery, the exhibition is rooted, quite literally, in African soil and sensibilities. The architectural structures housing the show draw from traditional West African circular buildings made from earth, often by women. Their terracotta forms, finished in clay-based paint, evoke warmth, continuity, and care. But this isn’t nostalgia. It’s a strategy of survival and vision. In a field where Black women remain critically underrepresented, comprising less than 0.5% of licensed architects in the UK, this show is filling a gap and rebuilding the frame entirely. *Earth, Memory and the Spaces We Inhabit* critiques the system and offers an alternative blueprint, grounded in matrilineal values and lived Black experience. The project emerged from The Ma Project, a research-led inquiry into Black womanhood, spatial care, and intergenerational memory. And it takes its cue from the Akan concept of *Sankofa*—to look back in order to move forward. As curator **Chantel Akworkor Thompson** reflects, *“Personally, centring African women’s voices in this exhibition is deeply rooted in my own Akan maternal lineage... That history taught me that what’s often called ‘feminism’ today wasn’t a Western reaction, but a foundational, organizing principle in many African societies—non-binary, relational, and embedded in everyday life.”* For Thompson, this work is both personal and political. *“Professionally, this inheritance pushed me to question whose knowledges are centred in exhibitions and to resist extractive approaches in favour of spaces shaped by dialogue and respect.”* That curatorial stance comes through powerfully in a show where storytelling, healing, and memory take precedence over spectacle. ## **Sonic Labour as Spatial Design** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/LFA_Takeover_Exhibition_NowGallery_0323.jpg) At the centre of the exhibition is a powerful sonic installation titled *There Was a Chorus Before Concrete*, produced by Ghana-based creative lab Ɛdan in collaboration with acclaimed DJ and sound artist TMSKDJ. The piece weaves together field recordings from Sierra Leone and Ghana—songs, conversations, sweeping, waiting—into an ambient archive of women’s sonic labour. Led by Ɛdan’s founder, **Carina Tenewaa Kanbi**, the research captured sound as a living architecture: something carried in the body, in breath, in repetition. *“My work treats everyday sounds—like sweeping footsteps, street calls, queuing rhythms—as more than ambient noise; they are carriers of ancestral memory and agents of spatial creation,”* Kanbi shares. *“These sounds frame how we experience and inhabit space… Sonic labour affirms that architecture is as much about lived time and repeated gestures as it is about solid structures.”* This installation reframes space not as static but rhythmic. Not just what we build, but what we pass down. Listening becomes a practice of care: a way to design with sensitivity, memory, and imagination. **TMSKDJ’s** soundscape adds layers of tempo and texture, transforming domestic rituals into spatial scores. *“I believe sound accesses memory in a way visuals can’t because it bypasses logic,”* she explains. *“It hits you in the most random way. You can close your eyes and still be transported, smell the air, feel the humidity, hear the soul of a place. It’s like a shortcut to emotion and memory.”* Here, architecture is no longer defined by form alone but by frequency. By vibration. By the affective textures of Black womanhood. As TMSKDJ puts it, *“Sound doesn’t just accompany the story, it is the story.”* ## **The Invisible Architects of Everyday Life** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/BFAExhibition_TobiSobowale_www.shobolondon.com_55.jpg) The exhibition also features a series of intimate, observational films by Liberian-Ghanaian filmmaker Cianeh A. Kpukuyou. These cinematic portraits capture the gestures, labours, and intimacies of women whose spatial influence is often unacknowledged. From folding laundry to preparing food, these quiet acts are revealed as the infrastructure of care, evidence of the invisible architectures women build every day. As Thompson notes, *“I wanted the exhibition to honour not just contemporary African women’s practices but also the deep intergenerational links that sustain them, even across colonial and diasporic disruptions… Here, architecture isn’t only about built forms but also social repair, storytelling, ecological balance, and community autonomy.”* By making the overlooked visible and the unheard audible, this exhibition disrupts the canon of architecture and offers a powerful counter-archive shaped by memory, feeling, and matrilineal transmission. ## **An Invitation to Listen, Not Just Look** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/07/LFA_Takeover_Exhibition_NowGallery_0167.jpg) Image credit: Shobo Photography Rather than present a fixed vision of architecture, *Earth, Memory and the Spaces We Inhabit* opens a space for feeling, remembering, and imagining. It reminds us that before blueprints, there were songs. Before foundations, there were footsteps. Before buildings, there were bodies carrying knowledge across generations. In this space, architecture is no longer only about permanence; it’s about presence. It’s about the frequencies we inherit and the futures we tune into. And as we step into these sculptural spaces, as we hear women’s voices ripple through the walls, we are asked to consider: **What kind of world could we design if we began by listening?** Follow the work of [Black Females in Architecture](https://www.instagram.com/blackfemarc/?ref=marmaladecollective.com) and [Ɛdan](https://www.instagram.com/edanghana/?ref=marmaladecollective.com) as they will soon be announcing a follow-up exhibition on West African soil for later this year. Images courtesy of NOW Gallery\_Alberto Romano and Shobo Photography ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Amaarae Heats Up Summer, Sauti Sol Breaks Records, Little Simz Heads on Tour URL: https://www.marmaladecollective.com/amaarae-heats-up-summer-sauti-sol-breaks-records-little-simz-heads-on-tour/ Last updated: 2025-06-30T09:00:23.000Z **Welcome to Vol 141 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Somehow, it’s the last day of June. Half the year gone—just like that. But hey, no need to panic. Slow down, and try to notice the soft stuff, fun bits, and all the moments that made the year feel a little less like a blur. So before July shows up with its own noise, take a breath, scroll slowly, and treat yourself to all the good stuff we’ve lined up this week. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Mercedes Benson Is the Multihyphenate Powering Culture on Her Own Terms URL: https://www.marmaladecollective.com/mercedes-benson-is-the-multihyphenate-powering-culture-on-her-own-terms/ Last updated: 2025-06-27T08:39:07.000Z When you think of someone who truly lives at the intersection of culture, music, fashion, and impact, you’re likely thinking of someone like Mercedes Benson. A London-based powerhouse of Nigerian heritage, Mercedes is a DJ, digital curator, entrepreneur, and community builder who’s doing more than spinning decks at high-profile events. She’s reshaping the creative industry from the inside out. We spoke to Mercedes because her journey is one that defies easy categorisation. She’s graced the booths at luxury brand activations for names like Louis Vuitton and Valentino, DJed for crowds under the glittering lights of Fashion Week, and for the likes of Selfridges, YouTube Music, Spotify, the list goes on. But it’s not just the accolades or the brand names that make her stand out; it’s her mission. As the founder of *SocialFixt*, a platform championing Black talent and diverse hiring in the creative industries, and *Powered by Purpose*, a new initiative supporting mid-career women creatives, Mercedes is carving out a new blueprint for how culture-makers move, collaborate, and lead. She's living proof that it's possible to exist boldly at the intersection of music, marketing, and meaningful impact. In our conversation, she takes us through her early days growing up in a Nigerian household and the spark that led her from a science degree to becoming one of London’s most influential cultural curators. We talked about everything from navigating burnout and creative balance to how Afrobeats, community, and diasporic pride shaped her sound, her storytelling, and her sense of self. Whether you’re a multi-hyphenate creative, a budding entrepreneur, or someone figuring out how to turn passion into impact, this one’s for you. Keep reading—you’re going to want to take notes. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_309694391_1115871249110863_394762610131579393_n.jpg) Mercedes DJing for the launch of Jungle Prime Video for Prime Video UK **Let’s start with your background. What was your upbringing like? Did you always have an interest in fashion and music?** I’d say I grew up in a very traditionally academic Nigerian household. I was raised by a single mum; it was just the two of us, and because of that, she placed a huge emphasis on education. It was always positioned as the key to changing our story. She wanted the best for me and didn’t want me to repeat certain mistakes she’d made. So education was a big thing. My mindset was shaped around trying my best, working hard, and pushing myself. There was a little bit of competitiveness in there, too, not in an aggressive way, but more like, “If you can be top of the class, why not try?” I was your typical A-student. But I also loved hobbies — netball, sports, and especially drama and dance. The only problem was that bringing drama and dance back home? That was stressful. So I always say I kind of lived a double life. At school, I was excelling academically, but I was also secretly signing up for every drama and dance class I could. I’d say I was in the library, but really, I was off doing mini performances at summer drama clubs. So yeah, my love for entertainment and performing started young. And being an only child, it was just me at home, me and MTV Base, The Box, Channel U… flipping through Sky channels that were always playing music, especially Black music — hip-hop, R&B. I was part of that MTV generation, obsessed with performance, music, and everything entertainment. But I didn’t know how to get into it. **At what point did things start to shift? How did you transition from a traditional path into the creative world?** Things started to shift when I got my first job at 16 working in retail. Honestly, I encourage everyone to work in retail if they can; it opens you up socially and exposes you to different personalities and ways of thinking. It was the first time I saw that not everyone had the same “education is everything” mindset. People had different dreams, studied different subjects. That exposure got me thinking differently. Then, around 2008–2009, Tumblr and Twitter came on the scene, and suddenly I was able to connect with people around the world who had similar interests. That’s when the curiosity started to deepen. I began moving further away from this rigid academic lens of what my life should look like and started exploring other paths. That’s also when I first heard about marketing, I didn’t even know it was a career path until a friend told me she was studying it at uni. Still, I stuck with my academic route and went on to study Biomedical Science at St. George’s. But once I moved out and got that freedom, especially being in London — which was such a cultural hotspot at the time — that curiosity exploded until one day, I stumbled upon Somerset House and, by chance, Fashion Week. That moment changed everything. I skipped uni one day, went back to Fashion Week wearing the best outfit I owned and ended up getting snapped by a Vogue Italia editor. I had no idea at the time until the next day when people were like, “Hey, you’re on Vogue.” And lo and behold, there I was on Vogue Italia. I was just like, “Wait… what is this?” That’s when blogging, fashion, and street style really became a thing for me. I started blogging my outfits, sharing my music taste, and my hobbies. But at the back of my mind, I still had my mum’s voice saying, “Everything needs to make sense.” So even though these things were becoming my passion, I was thinking: “Okay, cool. How can I make money from this?” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_459042122_1276787867012606_1838009211094044394_n.jpg) **How did you get your break in the industry, and how did DJing come into the picture?** That’s when the hunt for an internship began. Eventually, I landed one at Adidas, thankfully, in the entertainment marketing department. What started as a short placement turned into two years of me relentlessly staying on their radar until they finally brought me on full-time. That’s when I’d say my career in entertainment and marketing really took off. It was an exciting time, and I got to witness firsthand the intersection of music and brand partnerships. That experience really helped me understand the music business and entertainment industry as a whole. It also opened up my black book. I started meeting so many influential people in the Black music scene. From there, I kept building my marketing career, working at Complex Media and solidifying my lane, but I was also becoming the side hustle queen. I was building an online community, still documenting my music style, and then thought, *You know what? I want to start throwing parties.* These ideas just started flowing. The longer you’re in the industry, the more random, exciting ideas pop into your head and I’ve always been the kind of person who has to bring them to life, even if they feel out of reach. That’s how *Future Sounds* started. It was all about elevating the futuristic sounds of R&B, especially at a time when alternative hip-hop mixes were just starting to make waves. We were throwing these really cool parties and building a bit of a buzz. Off the back of that, someone from Lovebox approached me to bring that Future Sounds energy to the festival, but they only had one DJ slot. I don’t know what it was, but even though I could’ve put someone else forward, I just thought, *I know exactly how I want this moment to feel. I know the kind of music I want to play.* So I said, let me try to learn how to DJ for this opportunity, so it actually makes sense. That’s when DJ Neptizzle, who was a friend at the time, taught me how to DJ. I had three months to figure it out. And I did it. I performed the set and it was amazing. Afterwards, I thought, *You know what? I actually really enjoy this.* That’s when DJing started becoming a real thing for me. I think this was around the end of 2016, going into 2017\. It all happened pretty organically, to be fair. At the time, I was still working my 9 to 5\. The following year, I left Google and took a job at a fashion company, but it didn’t work out at all. Within six weeks, I was out of a job. But I had DJing, and I had my social media. So I told myself, *This might be the perfect time to solidify myself as a DJ.* There was also this defiant energy in me, I didn’t want a company to dictate my future. Getting fired is such an unsettling experience, especially when it’s unexpected. I hated that feeling of someone else being in control of my destiny. So I decided: I’ll do part-time marketing work if needed, but it’s time to bet on myself. And if DJing is what I want, then let’s go. So yeah, 2017 was when I went all in. And now it’s been almost 10 years—I haven’t looked back. That was a really long summary! ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_458997125_2237945379883321_3045450755099134618_n.jpg) Mercedes at London Fashion Week **That was really good. You actually answered a few of my other questions too. It’s interesting how you transitioned from marketing and social media into DJing. As someone with multiple interests in different but connected fields, did it feel like you were navigating different worlds? How were you able to blend these things together without burning out or losing grasp of any of them?** I’d say it worked because all the worlds I was navigating—entertainment, fashion, music, influencer marketing—they were all intertwined. Even with my background in marketing, I was still operating in those creative spaces. So when I decided to become a DJ, it was honestly the best decision I could have made at the time. Everyone I had worked with was seeing me step into something new. But I decided to pivot and fully pursue DJing. People were surprised. But one thing I noticed? People were actually willing to help. A lot of my peers were still working at brands or within corporations, and they started reaching out, like, “Oh, you’re DJing now? I need a DJ. Do you want to play for Universal? For Adidas?” Even my old Google team asked me to come back and DJ for them. So it came full circle. It just made sense. It also made me realise that yes, being talented is great, but building meaningful relationships can take you even further. And I don’t mean in a transactional way, it’s just about being a good person and nurturing those connections. Because when you need support, those same people will be there for you. At the end of the day, I think when you’re a creative, you’re a creative at your core. Some people thrive by doing one thing and doing it well, which is amazing. But for people like me, who flow naturally between different disciplines, it’s about embracing that fluidity. I love conceptualising and strategy just as much as I love the art of DJing. So I thought, why not merge those two worlds and make it work? Not just for me, but for the people around me too. It worked seamlessly, I’m not going to lie. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_455675242_18452975335036589_5891363958938733200_n.jpg) Mercedes for Hennessy x NBA launch at Selfridges **I love that. What you said about building genuine relationships really stood out. It’s more about trust. Like, “I see you. I know your work. I’ll give you the gig.”** **With Future Sounds and some of the other projects you've done, there’s a strong community-led focus. So I’m curious, when did you start feeling the pull toward doing more community-based or impact-driven work?** Back in 2017, when I got fired, I had already been working on this idea quietly in the background—SocialFixt. At the time, it came from a very personal place. I kept asking myself: Why am I always the only Black girl in every company I work at? Working at Adidas was a very unique experience because all my managers were women of colour, from Black to other ethnic minority backgrounds. That environment gave me a sense of what things *could* look like. But when I left Adidas and moved to places like Google, it felt different. At first, it was exciting, but the novelty wore off. I quickly realised I was the only one on my team who really understood popular culture in London and, more importantly, what Black culture or culture from a POC lens looked like. That started to feel like a burden. Around that time, I was also out and about a lot, going to parties in Shoreditch, meeting tons of Black and brown creatives who were trying to break into the industry but struggling. That got me curious. I started asking hiring managers if diverse talents were even applying for these roles, and the answer I kept hearing was, “No.” They claimed the roles were out there, but we just weren’t applying. That blew my mind. But then I had to ask myself—would I have applied to Google if they hadn’t found me? Probably not. And it made me realise that a lot of us don’t even see ourselves *inside* these institutions. We’re so used to being the consumer—drinking Coca-Cola, wearing Nike—but we don’t often think, *why don’t I work behind the scenes of these brands instead of just buying from them?* Black people are some of the biggest consumers and spenders, but we’re not in the rooms where decisions are made. So SocialFixt was my way of getting more Black people into those rooms, into meaningful roles and leadership positions. It started simply. I created a private Facebook group, just inviting my friends and saying, “If nepotism is the game, let’s flip it on its head. Let’s look out for each other.” It was built on a ‘for us, by us’ mentality. That group went from 10 people to 100, and even though we don’t use it much now, it has nearly 7,000 members. That alone was a business case for community-led hiring. There was clearly a need, and we needed to be the ones helping each other into these spaces. At the same time, I saw that brands and companies were really struggling with diverse hiring, and I thought, maybe I can help solve that problem too. We started hosting events in 2018, and by then, I had more time because I’d been let go. Then 2020 happened. We went into lockdown, and with the BLM protest, suddenly the world started paying attention. Companies began reaching out, wanting help tackling internal issues, from institutional racism to inclusive recruitment. That’s when SocialFixt really found its place, building community, challenging hiring norms, and pushing for systemic change. It all happened very organically, but it started with a simple thought and a willingness to act on it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_469479630_18474591400036589_8618652763845436294_n.jpg) **That’s really important work. As a British-Nigerian creative shaping culture from the diaspora, has your heritage played a role in your voice or your storytelling? Is there any part of you or your connection to Africa or Nigeria that’s helped shape the kinds of stories you tell?** I think if I wasn’t Nigerian, I’m not sure I’d have the same drive, the same resilience or desire to reach my full potential. That relentless spirit? That’s just something we Nigerians have. We’re wired to aim for excellence and make the most of whatever we have. I lean on that. I draw confidence from the global impact Nigerians have made. There’s a Nigerian in every corner of the world—running businesses, making moves—and we’re killing it. It’s something to be proud of. Even when the systems or policies back home don’t always support us, it doesn’t take away from what we’ve built or who we are. And the rise of Afrobeats has been huge for me. When I first learned how to DJ, I was playing mostly R&B and house. But as Afrobeats started gaining international recognition, thanks to artists like Davido and Wizkid becoming household names, it gave me the confidence to really lean into the genre. I started playing Afrobeats in all my sets, championing it everywhere I went. I make it a point to DJ at Nigerian-owned venues, support Nigerian brands, perform at places like Afro Nation, and go back to Lagos for Detty December. I want to maintain that presence and connection. It’s not just pride, it’s shaped me as a DJ and pushed me to centre the sounds I love, especially Afrobeats. And now with Amapiano rising, I’ve been able to fuse it into my sound. It’s lit. I can’t lie. **The rise of Afrobeats has really shifted things, even in the diaspora. I remember when we were younger, in secondary school, it wasn’t “cool” to listen to Nigerian music. People would say, “I’d rather listen to stuff from the UK or the US.” But now? People are proud to say they love Nigerian music. And it’s not even just Afrobeats—it’s R&B, alté, …** Yes, exactly. And I get why some Afrobeats artists don’t want to be boxed in. Afro *anything* represents sounds from Africa, sure. But there’s so much range. We have artists like Tems giving us that R&B vibe. Show Dem Camp gives us alté. The old-school alté guys—like Teezee and BOJ—bring a different flavour entirely. And then, of course, you’ve got artists like Davido dropping those big commercial hits. It just shows we’re not a monolith. We’re lit, but in so many different ways. And being able to represent that through music? That’s been a game-changer for me. Honestly, it’s just cool to be Nigerian. I’m not gonna lie. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_504540525_18512438881036589_334506128335823102_n.jpg) Mercedes for Spotify **Love that. You've mentioned a couple of things that you’re constantly juggling, and I know there’s a lot of conversation around burnout and balance lately. How do you take care of yourself and protect your creativity when you're always in motion?** Yeah, I think it’s really important to take time out. People love to glamorise the self-employed life—being your own boss, working for yourself, being a creative—and I’m just like, *girl*, you go from a 9-to-5 to working 24/7\. Your brain doesn’t switch off. From a creative perspective, everything becomes an idea; everything could be inspiration. Going out is inspiration. Listening to other DJs, watching how they move, that's inspiration. So my brain literally doesn’t stop. And honestly, it *can’t* stop, because this is also my livelihood. I have to keep responding to opportunities, creating new ones, sending out cold emails, following up with warm leads, it’s non-stop. You really have to be your own marketing team, your own manager, your own plugger. It’s a lot. If I could *deinfluence* people from becoming DJs, I’d say: just be prepared to work mentally 24/7\. At least with a 9-to-5, you can switch off and actually enjoy your hobbies. But when your hobby becomes your job, balance becomes trickier. What works for me is being really *extreme* about it. There are days when I’m fully on, and then there are days when I’m completely off. After my DJ sets, for example, I take Mondays off, completely. So now I keep my Mondays super chill. I do slow-burn things that don’t require much brainpower—like window shopping, bingeing Netflix, watching reality TV—just normal, mindless things. That helps me recharge so that when it’s time to go again, I can show up fully, whether it’s for a DJ set, networking, or whatever the next opportunity is. So yeah, it’s about creating those extremes. That’s how I try to find my balance. **I love that.** It’s still hard, though. But I do think one of the best things about being a DJ is that it’s passion-led. I *genuinely* enjoy what I do. So yes, it’s work, but I’m outside, I’m having fun, I’m with my friends, I’m experiencing new things. Like going to Glastonbury—yes, it’s a job, but it’s also a festival. I get to enjoy it too. I’m not saving lives or anything, but it’s a great job. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_465513922_18468918631036589_6066408636021942068_n.jpg) **It’s great that you’re still able to enjoy it, because I think one of my personal fears is turning a passion or hobby into work and then losing the joy that came with it. So, honestly, I’m really glad, but also a bit surprised to hear that you’ve still kept the joy of being a DJ. So beyond DJing, what are some of the most exciting ventures, collaborations, or projects you're currently working on, things that really excite you?** Right now, I’d say it’s about empowering the next generation of creatives. I’ve been a DJ for about eight or nine years, and I’ve experienced so many waves, highs and lows. I’ve grown a lot, and now I want to become an expert in my field and take things to the next level. At the same time, I want to share that journey, what it *really* feels like, with others. I'm doing more documenting, especially through platforms like TikTok and YouTube Shorts. I love how they let you show life in a more organic, real way. I’m relearning how to use social media, not to make everything super polished, but to keep it raw and behind the scenes. I want to give people the real tea on what it’s like to be a DJ: navigating industry politics, dealing with mismanagement, understanding the money, and knowing your worth. And that doesn’t just apply to DJing, it applies to the creative world in general. So I’m just trying to be more honest and transparent with my online presence. I’m also planning to push *SocialFixt* more than ever. I can’t lie, towards the end of last year, I felt demoralised. So many budget cuts were happening. Brand partners weren’t really pushing the narrative to champion Black talent anymore, so I had to take a step back and reset. But now, after that pause, I’ve restrategised. The next phase for *SocialFixt* is career coaching. It's one thing to get people into the room, but we also need to make sure they *stay* there and feel supported. Especially Black talent, we often see people dropping off around the middle management level. It’s discouraging, and it’s a big reason why we still have less than 1% of Black and brown talent in C-suite positions. We do so much to build the bottom but rarely make it to the top. I want to help change that. I want to mentor and support creatives who want to move up and feel like they have a network that’s got their back. I also recently launched a platform called *Powered by Purpose*. It’s still in its early days, but the idea is to create an intimate, safe space for women in the creative industry, especially those at mid to senior level. A space where we can connect, support one another, and also learn from women who’ve gone ahead of us, those who are 10, 15, even 20 years into their careers. We’re going to be working for a long time. And the way things are going, they might even raise the pension age, so we need to build careers we can sustain. We need to stay ahead of the curve and know how our careers can evolve. The best way to do that? Hear from people who’ve already walked that path. So that’s the vision for now: mentoring, coaching, championing, and building spaces where we can all grow together. But who knows, it might evolve. We’ll see! ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_484149956_18493139560036589_350913405013819377_n.jpg) **That’s really exciting. I watched a video of you recently. You were speaking during your gig, and it made me think. I never really considered how DJs actually feel while playing the music. It just reminded me how important documenting those moments is. And with SocialFixt and *Powered by* *Progress*, I think now more than ever is the time to have these conversations.** **Thank you so much, this has been really fun.** ### A Guide to Creative Spaces in Lagos URL: https://www.marmaladecollective.com/a-guide-to-creative-spaces-in-lagos/ Last updated: 2025-06-28T09:25:28.000Z # **Introduction** Lagos is a city alive with creativity. From bold murals to soulful music, it’s a place where ideas come to life. But beyond the noise and the hustle lies a growing network of creative spaces that offer artists, thinkers, and culture lovers room to breathe, build, and belong. These places are built for collaboration, conversation, and bold self-expression, and they reflect the rhythm of Lagos itself: vibrant, unpredictable, and always evolving. Whether you're an emerging artist, a curious visitor, or just someone seeking inspiration, these spaces open the door to Lagos’ thriving creative scene. Here’s a look at some of the most exciting places shaping the culture of the city today. ## Friends of 16 ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_505725333_18086727943675705_8407640703466701535_n-1-1.jpg) **Image via @friendsof16* [Friends of 16](https://www.instagram.com/friends%5Fof%5F16?igsh=MThycWtjMzE0emRjYw==&ref=marmaladecollective.com) is more than just an art space; it’s a creative incubator and cultural hub hosted by 16/16, a Lagos-based design-focused space. Established as a response to the lack of independent, artist-led spaces in Lagos, Friends of 16 offers a platform where boundary-pushing ideas can grow, especially those that challenge dominant narratives around art, politics, and identity. It serves as a launchpad for early-career artists, writers, performers, and thinkers, providing not just a venue but also mentorship, residencies, workshops, and community programs. Events like *The Counter Narrative* film screening series have explored African identities through independent cinema, while *Space(s) Between Us*, a collaborative installation and performance, invited audiences to engage with themes of migration, memory, and belonging. In a city that can sometimes feel overwhelming or commercially driven, this space offers a refreshing pocket of reflection and experimentation, an underground salon for Lagos' artistically curious. ## A Third Space ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_501965916_17872852308359808_5349839131970035022_n-1.jpg) **Image via @athirdspace* Situated in Ikoyi, this space was established as a public-facing cultural venue that encourages both literary and artistic exploration. The name itself plays on the sociological concept of a “third space”—a place outside of home and work where community and creativity can flourish. At its core, [A Third Space](https://www.instagram.com/athirdspace%5F%5F%5F?igsh=bzdmMG42YWd2Y29k&ref=marmaladecollective.com) is an independent, multidisciplinary art space. It regularly hosts book readings, writing workshops, exhibitions, open mics, and panel conversations that bring together writers, thinkers, translators, artists, and curious audiences. It leans heavily into celebrating African languages and storytelling while remaining open to global collaborations. ## My Friend’s House ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_478130836_18296156659211366_5040732623719417999_n-1-1.jpg) **Image via @myfriendshouse* [My Friend’s House](https://www.instagram.com/myfriendshouse%5Fng?igsh=NGl4cjFsODl3cDdj&ref=marmaladecollective.com) is a creative and social space in Lagos founded by Demilade Akingbe, designed as an intimate “third place” for adults seeking meaningful connection and creative expression by way of shared experiences like cooking, music, laughter, and conversation. My Friend’s House is about real connection. From nostalgic karaoke nights and themed dinners to spontaneous hangouts and collaborative cooking sessions, every event is designed to be low-pressure and high-energy. But beyond just the events, My Friend’s House fills a gap in Lagos’s creative and social ecosystem by offering an alternative to the typical nightlife or networking circuit, and encouraging a slower, more intentional way of gathering. ## Ile Mimu ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_481689423_17884723338229254_3697446595887220263_n-1.jpg) **Image via @ile\_mimu* [Ìlé Mímú](https://www.instagram.com/ile%5Fmimu/?ref=marmaladecollective.com) is not your typical bar; it’s a Yoruba-inspired, creative rooftop space that fuses culture, storytelling, and experimentation. The name itself means “House of Drink” in Yoruba, but the experience goes far beyond just cocktails. Designed to feel like a cultural shrine meets social salon, the space is carefully curated with artifacts and visual elements that echo traditional aesthetics. On any given weekend, you might walk into an intimate TGIF event with Yoruba cocktails made from ògógóró, a storytelling circle, or a spontaneous creative jam session. Everything is designed to encourage vulnerability, serendipity, and genuine connection; whether that means making a new friend, dancing barefoot under the stars, or co-creating a new drink with the bartenders. ## Guests Artists Space Foundation ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_504469834_18086390494675705_5312379216684283146_n-1.jpg) **Image via @gasfoundation* [Guest Artists Space (G.A.S.) Foundation](https://www.instagram.com/gasfoundation?igsh=MWh6anFrZzF6MnFrNg==&ref=marmaladecollective.com) is a creative residency and arts organisation in Lagos founded by British-Nigerian artist Yinka Shonibare in 2019\. The Lagos space is located in Oniru and was designed by Elsie Owusu, with Nigerian architect Nihinlola Shonibare. Beyond Lagos, G.A.S. also runs a second site in Ijebu-Ode, on a 54-acre piece of land that functions as both a farm and a residency. G.A.S. is about exchange of disciplines and cultures between people. Through residencies, public programmes, and collaborations, it creates a platform for conversation, growth, and new ideas, both for Nigerian artists and international visitors. In recent years, this spirit has come alive through a range of thoughtful and often cross-disciplinary programming. Take “Residency Open Studio,” where residents like photographer Nengi Nelson invite the community into their process, offering a rare window into work-in-progress and honest feedback sessions. Or “AfterImages,” a powerful film installation series that examined colonial legacies through experimental cinema from Cameroon and other parts of the Global South. At heart, it’s a space that values curiosity and care, and offers something quite rare: time and room to explore. ## Untitled Lagos ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_471056959_18469075963006270_7268955905185468079_n-1.jpg) **Image via @UntitledLagos* [Untitled Lagos](https://www.instagram.com/untitled%5Flagos?igsh=eHR6dWlvNTh4djJ0&ref=marmaladecollective.com) is a contemporary creative space in the heart of Ikoyi, Lagos. Founded by Nigerian photographer and visual artist Daniel Obasi, Untitled was born out of a desire to build a space that nurtures visual storytelling, collaboration, and artistic expression outside the rigid structure of traditional galleries. What sets Untitled apart is its commitment to being fluid. It functions as a studio, gallery, residency space, and event venue, depending on the needs of the moment. The space has hosted intimate exhibitions, art salons, creative workshops, and film screenings, all designed to centre African narratives and encourage local talent. ## The Treehouse ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_332164281_501829062029706_7790059857235305742_n-1.jpg) **Image via @thetreehouselagos* [The Treehouse](https://www.instagram.com/treehouselagos?igsh=aDZua2tkNXhqaWN1&ref=marmaladecollective.com) is a privately-run, experimental art and creative space designed to encourage creative experimentation, artistic research, and “radical and open questions.” The kind of creative hideout where people can share ideas and connect. As an inviting platform for boundary-pushing artists, The Treehouse hosts a variety of programmes including residencies and workshops, pop‑up exhibitions, performance art, salons, screenings, open studio events, and salon-style gatherings where creatives share food, drinks, ideas, and sometimes a new exhibition each week. Its ethos is clear: to allow artists the freedom to stretch mediums and push the limits of convention in ways that traditional galleries often don’t. Over time, it’s become an important spot in the Lagos art scene, attracting artists and creatives who are looking for a welcoming place to experiment and gather outside the usual gallery spaces. ## Nimbus Art Centre ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_116155572_1705932192902360_7127439049957611726_n-1.jpg) **Image via @NimbusArtGallery* [Nimbus Art Centre](https://www.instagram.com/nimbus%5Fart%5Fgallery/?ref=marmaladecollective.com) is a vibrant cultural space in Lagos, founded by art curator Chike Nwagbogu. Housed above the iconic Bogobiri House, it blends a contemporary art gallery with live music, exhibitions, and a cozy café-bar vibe. More than a gallery, it’s a creative hub where artists, collectors, and culture lovers connect, offering everything from advisory services to open mic nights, all in a space that celebrates Nigerian art and soul. # Conclusion What makes these spaces stand out isn’t just the art on the walls or the music; it’s the sense of purpose behind them. Each one, in its own way, is creating room for people to explore, experiment, and be seen. Together, they’re helping to shape a Lagos where creativity isn’t on the sidelines, it’s front and centre. And as the city continues to grow, so do the stories, sounds, and ideas coming out of these corners of inspiration. ### Fela Makes Grammy History, Gyakie Stuns For Forbes, DJ Cuppy Joins Global Changemakers URL: https://www.marmaladecollective.com/fela-makes-grammy-history-gyakie-stuns-for-forbes-dj-cuppy-joins-global-changemakers/ Last updated: 2025-06-23T09:00:34.000Z **Welcome to Vol 140 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. If you’re reading this, it might be time to touch grass—literally. Step away from your screen, find some sun, and remind yourself that life exists outside schedules and deadlines. Go outside. Breathe. And let a mosquito remind you that you’re alive. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Chapter 5: From Diaspora to Nation URL: https://www.marmaladecollective.com/from-diaspora-to-nation/ Last updated: 2025-06-22T11:25:49.000Z > *"A nation is not conquered until the hearts of its women are on the ground."* This Cheyenne proverb speaks to something profound about the nature of belonging—that true nationhood exists first in the spirit, in the collective consciousness of a people, before it ever manifests in physical territory or political structures. Today, we stand at a remarkable inflection point in human history. For the first time ever, we have the technological infrastructure to create nations that exist primarily in digital space, bound not by geographic borders but by shared culture, values, and vision. The African diaspora—150 million people scattered across every continent—represents perhaps the greatest opportunity to demonstrate this new model of belonging. But the journey from diaspora to digital nation requires us to fundamentally reimagine what we mean when we say "nation" itself. ## The Diaspora Paradox Traditional thinking views diaspora as dispersion—a scattering, a loss, a weakening of collective identity through geographic separation. The very word carries connotations of exile, of being displaced from a true home. Under this framework, the African diaspora has been seen as a tragic consequence of historical forces: the slave trade, colonialism, economic migration driven by necessity rather than choice. This perspective, while acknowledging real historical trauma, fundamentally misses the revolutionary potential of our current moment. What if diaspora isn't dispersion but distribution? What if geographic scatter actually creates unprecedented opportunities for cultural influence and economic coordination? Consider the mathematics of influence. A concentrated population of 150 million people in a single geographic location would constitute a significant nation-state. But 150 million people distributed across major cities in North America, Europe, Asia, and Australia? That's a presence in every major economic and cultural centre on the planet. That's not weakness—that's a network effect waiting to be activated. The African diaspora isn't scattered debris from historical catastrophe. We are seeds planted in every fertile ground on Earth, ready to grow into something the world has never seen: a truly global cultural nation. ## The Architecture of Belonging Traditional nation-states are built on what we might call the "territory first" model. You control land, establish borders, create institutions within those borders, and then develop culture and identity around shared geographic experience. The people belong to the place, and the place defines the people. But culture-first nations work in reverse. The culture comes first—shared stories, values, aesthetics, ways of seeing the world. The people belong to each other and to shared meaning, and then they create the infrastructure to support that belonging. The place serves the people, not the other way around. This isn't just theoretical. We've seen glimpses of culture-first belonging throughout history. Jewish communities maintained coherent cultural identity across millennia of geographic dispersion. The early Christian church created belonging that transcended tribal and national boundaries. More recently, we've witnessed the emergence of digital-native communities that create profound bonds without ever meeting in physical space. The difference now is scale and technology. We have the tools to create culture-first nations at unprecedented scale, with infrastructure sophisticated enough to support not just cultural exchange but economic coordination, collective decision-making, and coordinated action in the physical world. For the African diaspora, this represents a complete reframe of our situation. We're not displaced people trying to reconnect with distant homelands. We're the founding citizens of humanity's first truly global cultural nation. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ## The Five Stages of National Evolution Every nation—whether geographic or cultural—passes through predictable stages of development. Understanding these stages helps us see where we are and where we're going. ### Stage 1: Tribal Consciousness Small groups recognise shared identity and begin to coordinate around common interests. For the African diaspora, this stage has been happening for decades in local communities—Caribbean neighbourhoods in Brooklyn, African student associations on university campuses, professional networks like the National Society of Black Engineers. ### Stage 2: Network Effects Separate tribal groups begin connecting with each other, recognising that their local interests align with similar groups elsewhere. Social media has accelerated this stage dramatically. A young Nigerian entrepreneur in Lagos can now connect directly with a Ghanaian-American venture capitalist in Silicon Valley and a Afro-Brazilian creative director in São Paulo. ### Stage 3: Cultural Coordination The network begins to coordinate cultural production and consumption. We see this in the global success of Afrobeats, the international influence of African fashion, the worldwide audience for content creators who centre African culture. The culture becomes consciously global while remaining authentically rooted. ### Stage 4: Economic Integration Cultural coordination leads to economic coordination. Investment flows follow cultural connections. Trade relationships develop along cultural lines. We're beginning to see this as African diaspora investors increasingly look to African startups, as African fashion brands find global markets through diaspora networks, as remittances evolve from simple money transfers to sophisticated financial instruments. ### Stage 5: Political Influence Economic coordination creates political influence. The cultural nation begins to shape policy, influence elections, coordinate responses to global issues. This is the stage we're approaching—where the African diaspora acts not just as separate immigrant communities but as a coordinated global political force. Most of the African diaspora is currently moving from Stage 2 to Stage 3\. But the infrastructure we're building—the platforms, the economic models, the cultural institutions—is designed to accelerate our movement through all five stages. ## The Three Pillars Revisited Remember our three pillars: Content, Community, and Commerce. In the context of nation-building, these pillars take on deeper meaning. ### Content becomes our Constitution. The stories we tell, the values we celebrate, the visions we share—these become the fundamental laws of our cultural nation. Unlike geographic nations, where constitutions are written documents, cultural nations have living constitutions that evolve through ongoing cultural creation and curation. ### Community becomes our Civil Society. The relationships we build, the networks we nurture, the ways we support each other—these become the social infrastructure that holds our nation together. This isn't just about social media connections. It's about creating genuine accountability, mutual aid, collective decision-making processes. ### Commerce becomes our Economic System. The ways we exchange value, support each other's ventures, coordinate financial resources—these become the economic foundation that makes our cultural nation sustainable and powerful. This includes everything from supporting Black-owned businesses to creating new financial instruments that serve diaspora needs. When these three pillars work together, they create something unprecedented: a nation that exists everywhere and nowhere, that belongs to all its citizens regardless of their physical location, that grows stronger through digital connection rather than geographic concentration. ## Redefining Citizenship What does it mean to be a citizen of a cultural nation? Traditional citizenship is binary—you either have it or you don't, based on birth location or legal process. Cultural citizenship is more nuanced, more participatory, more alive. Cultural citizenship is earned through engagement. You become a citizen by participating in the culture, contributing to the community, supporting the economic ecosystem. Your citizenship grows stronger the more you engage. There are no passive citizens in a cultural nation—everyone is either actively participating or gradually fading from the community. This creates a fundamentally different relationship between individual and nation. Geographic nations often treat citizens as subjects—people who owe loyalty and taxes in exchange for services and protection. Cultural nations treat citizens as stakeholders—people who have ownership in the shared project and who benefit directly from its success. For the African diaspora, this reframe is particularly powerful. We're not immigrants trying to assimilate into other people's nations. We're not exiles dreaming of return to distant homelands. We're founding citizens of a new kind of nation entirely—one that includes everyone who sees themselves in our story and wants to contribute to our future. ## The Network State in Practice [Balaji Srinivasan popularised the term "network state"](https://thenetworkstate.com/?ref=marmaladecollective.com) to describe this new form of organisation—a highly aligned online community with a capacity for collective action that crowdfunds territory around the world and eventually gains diplomatic recognition from pre-existing states. But for cultural nations like the one we're building, diplomatic recognition from existing states isn't the goal. Cultural influence is the goal. Economic coordination is the goal. Collective flourishing is the goal. We don't need other countries to recognise us as a nation. We need other countries to recognise our cultural influence, our economic power, our ability to shape global trends and coordinate global action. We need them to see us as a force they must engage with, collaborate with, learn from. This is already happening. When global brands want to reach young consumers, they increasingly look to African cultural producers for inspiration. When investors want to find the next big opportunities, they increasingly look to African and diaspora entrepreneurs. When cities want to attract creative talent, they increasingly focus on cultural diversity and African cultural amenities. We're not building a nation that exists alongside other nations. We're building a nation that exists within and across other nations, that makes every place we are a little more aligned with our values, a little more supportive of our flourishing. ## The Practical Path Forward How do we actually make this transition from diaspora to nation? The path is both simple and complex, both individual and collective. ### Individual Level: Every person who identifies with African culture has a choice. You can remain a passive consumer of other people's cultural products, or you can become an active creator and curator of our shared culture. You can spend your money wherever is convenient, or you can consciously support businesses that align with our values. You can engage with your local community as an individual, or you can see yourself as a representative of something larger. ### Community Level: Every African diaspora community—whether geographic or interest-based—has a choice. You can remain focused only on local issues, or you can see your local community as a node in a global network. You can compete with other African communities for limited resources, or you can coordinate with them to create shared abundance. ### Platform Level: Every creator, entrepreneur, and leader building for African diaspora audiences has a choice. You can build isolated platforms that extract value from our communities, or you can build interoperable infrastructure that strengthens our collective capacity. You can optimise for short-term individual success, or you can optimise for long-term community flourishing. The most powerful aspect of this transition is that it doesn't require anyone's permission. We don't need government approval to start seeing ourselves as citizens of a cultural nation. We don't need institutional support to start coordinating across geographic boundaries. We don't need venture capital to start building the infrastructure we need. We just need to begin. And we need to begin together. ## The Future of Belonging Fifty years from now, when historians look back at this moment, they will see it as the beginning of a new chapter in human organisation. The era when humanity learned to create nations based on shared culture rather than shared geography. The era when digital tools finally became sophisticated enough to support the full complexity of human community at global scale. 0:00 /2:04 1× The African diaspora has the opportunity to be the first example of this new model working at full scale. Not because we're somehow special or chosen, but because our circumstances—150 million people distributed globally, connected by culture but not constrained by geography—make us the perfect test case for culture-first nation building. But the vision extends beyond us. If we can prove that cultural nations work, we open the door for other global communities to organise in similar ways. Religious communities, professional communities, ideological communities—all could learn from our model and adapt it to their own needs. We're not just building a nation for ourselves. We're pioneering a new form of human organisation that could help solve some of the biggest challenges facing humanity in the 21st century: how to maintain meaningful community in an increasingly mobile world, how to coordinate action across traditional boundaries, how to create belonging that transcends the accidents of birth and geography. This is bigger than culture. This is bigger than economics. This is about fundamentally expanding what it means to be human in a connected world. The diaspora phase of our story is ending. The nation-building phase is beginning. The question isn't whether this will happen. The question is whether you'll be a founding citizen or a late adopter. Whether you'll help build the infrastructure or just benefit from what others create. Whether you'll be part of the story we tell about how the new mainstream began. The choice is yours. But the time is now. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### Kilubukila Is Reclaiming Congolese Design as a Tool for Power and Pride URL: https://www.marmaladecollective.com/kilubukila-is-reclaiming-congolese-design-as-a-tool-for-power-and-pride/ Last updated: 2025-06-19T07:08:41.000Z Every now and then, we come across a creative whose work doesn’t just look good, it *feels* like something bigger. Jess Kilubukila is one of those people. Born in the Congolese diaspora and raised in France, Jess didn’t follow the well-worn path into design. His early career was in finance and public policy, with a deep interest in systems, structure, and social impact. But somewhere between corporate spreadsheets and policy briefs, he felt the pull to return to something more tactile, more personal, and more rooted in the cultural traditions he grew up with. Enter **Kilubukila**, the eponymous design brand that blends modern aesthetics with traditional Congolese craftsmanship, and does so while creating dignified, sustainable jobs for artisans in the DRC. At the heart of Kilubukila is the Kuba textile — a centuries-old fabric handwoven from raffia palm — reimagined for the now. Each piece is handmade, slow-crafted, and signed by the artisan who created it. It’s not just décor; it’s identity made tangible. We love Kilubukila because it refuses to fit neatly into a box. It’s a design studio, a cultural project, a community space and above all, a living archive of Congolese creativity. In our conversation with Jess, we talk about everything from his journey into the creative world, to colour as resistance, to what it really means to “formalise” artisan work in Kinshasa. We explore how he’s challenging the global gaze on African design, and what he’s dreaming into existence for the future of Kilubukila. This interview is for anyone who cares about thoughtful design, cultural heritage, and the power of creativity to build community and shift narratives, especially those in the African and diasporic creative space. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_488448962_18499619443011159_1731167940371591116_n.jpg) **I wanted to start by talking with you about your background, where your creative journey began, and how your upbringing has shaped the work you do now.** A bit about me first: I'm from the Congolese diaspora. I grew up in France, where I studied philosophy, then moved to London to study finance. I went on to work in investment banking for a while, followed by some time in startups focused on digital payments and financial tech. So, I don't come from a traditional creative background, but I’ve always had a strong interest in making and building things. My grandfather was a carpenter, so working with my hands has always felt natural to me. It was actually during my time in investment banking—bored, staring at Excel sheets all day—that I felt the urge to return to creating something tangible. I started learning upholstery, experimenting with classic French Thonet chairs and reupholstering them with African fabrics. I sold them at markets in the UK and got a really positive response. From there, I started thinking more deeply about Congolese craftsmanship and how I could incorporate those skills and cultural elements into my work. That led me to Kuba textiles, a traditional fabric from the DRC, and the idea of building a product line rooted in Congolese culture. I launched my first collection using Kuba, set up a workshop in Kinshasa, and began collaborating with local artisans not just on textiles but also on furniture. That was six years ago. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_28157819_443264109444106_954330033680285696_n.jpg) **Thank you for that quick rundown. I found it especially interesting that you come from a finance background before entering the creative world. Was there a particular moment that pushed you to pursue this path more seriously?** That’s a great question. Actually, I still work part-time in the creative space. The rest of the time, I’m a consultant on public policy in the Congo, focusing on areas like public health, agricultural development and forest preservation. I like having both worlds; it’s like two sides of the same coin. On one hand, I contribute to shaping large-scale social and environmental policy. On the other hand, I get to connect directly with artisans and work on preserving and celebrating Congolese culture through design. So there was never a dramatic shift; I've always done both and still enjoy that balance. But the turning point came when I decided to move back to Congo. That happened after a major design trade event in Paris, Maison & Objet. I secured a large order from some big French retailers, and I realised it was time to take things more seriously. That was around 2019 or 2020\. It also marked the start of my five-year plan to build something more sustainable and impactful. **Did you always plan to move back to Congo permanently, or was it just for the order, and then you'd return?** Yeah, I always had it in mind to go back, to settle in and see what it was like. Even before I entered the creative space, it was a long-standing ambition of mine to return and see how I could contribute. I wanted to explore how my skills could align with my ambitions, especially through the lens of being part of the diaspora and giving back in a meaningful way. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_487846339_18499619434011159_3727054603950922864_n.jpg) **That makes sense. I think my next question is, why was it important for you to root the brand in Congolese heritage? You have a mix of different cultural influences, French and British, so why was it important to ground it in Congolese craftsmanship and tradition? What does that mean to you?** For me, before being French or British, I’m Congolese. I come from Congolese traditions. I grew up with Congolese culture. And I think that was the last piece of my identity I hadn’t fully experienced, not just through holiday visits, but by actually living there. I wanted to understand what it meant to be there on the ground; to work, to face the daily challenges like power cuts, water shortages, traffic congestion, the heat, but also to enjoy the beautiful nature, the music, and being surrounded by African people. That was something deeply important to me. In terms of the brand, I noticed a gap, both in the market and in the aesthetic I was drawn to. I was starting to earn more and began investing in interior design, which I love. But I couldn’t really see myself in the typical “African decor” that was out there. A lot of it felt very colonial in style. I wanted something that felt true to who I am, modern but grounded in tradition. I wanted it to be made by artisans on the continent, something that reflected me as part of the African diaspora. Not fully modern, not fully traditional, just a balance of both. And I think that’s the space my brand is trying to define. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_497394275_18501399928035494_7876622530088509297_n.jpg) **You’ve just perfectly led me to my next question. I was going to ask about your mission to challenge the modern African aesthetic—what that looks like in practice.** I’ll speak from a Congolese perspective, since that’s the one I know best. Colonisation hit Congo very hard, so much so that we’ve almost forgotten what pre-colonial life looked like. We're still in the process of reclaiming our values, which includes redefining our aesthetic and how we see one another. What I’m trying to do is dig into traditional Congolese craft, culture, and art, and use that to create modern products, pieces that appeal not only to Congolese people but also to an international audience. I think this tension between tradition and modernity is powerful. It could be the key to finding our identity again and to restoring pride in Congo. Just this morning, I was talking to another creative who makes beautiful soaps. She asked me, “Where is your main market? Who buys your work?” And we came to the same conclusion: unfortunately, Congolese people aren’t buying our products at the level we’d hope, even though we’re trying to elevate Congolese culture. So part of our mission is to change that. I want to support and invest in beautiful, well-made products from Congo because I’m proud of them, because they reflect who I am. And I believe that’s the mission we, as Congolese creatives, need to take on. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_302187538_466233188834631_9113905694072246950_n.jpg) **You mentioned something earlier about the tension between past and present, tradition and modern aesthetics. How do you approach that creative tension? How do you make sure you're balancing both?** I think an easy answer is that I use traditional making processes but incorporate more modern aesthetics. For example, with my leading products, cushions and rugs, I use traditional Kuba textile techniques, but I'm introducing new objects, new patterns, and new designs. So the products speak to someone who’s drawn to tradition, they’ll recognise the textile, but they also speak to someone with a broader or more contemporary perspective because the designs are more modern, the colours are different. So in our creative process, that’s where the modernity lies. But when it comes to the making itself, I try to be more conservative because I think it's important to safeguard our traditions. **Let me expand on that a bit. You mentioned colour as a way you bring in modernity, and I know it plays a vital role in your collections. What’s your process for choosing colours? Where do these palettes come from? Is it something that comes naturally to you?** Most of the colours we use are natural, though unfortunately, not all of them. I try to use what’s around me. So I work with local skills and natural pigments when I can. For example, I’ll use charcoal for black, certain roots for yellow and brown, etc. It means I often have to work with a limited palette, and that’s fine, but I do also import some pigments. For instance, blue isn’t something I can source locally in the DRC, so I import it. My colour choices really come from what’s available to me and what resonates with me personally. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_494918120_18499202305035494_3992026070181873934_n.jpg) **I see. When you started the brand, did you always know you wanted to work with colour? Why did you go that route, especially now when minimal aesthetics are so popular?** Yes, I’ve always loved colour. I think interiors should reflect personality. Monochrome spaces feel a little boring to me. There’s no point in having a home that looks like everyone else’s. When you use colour, you're making bold choices. You're expressing yourself more clearly and honestly. For me, colour represents being bold, not shy, being proud of who you are, and I think that has to be expressed visually. If you look around in Africa, in the DRC, for example, people wear colour in their clothes. They wear bold prints. It’s colourful outside too: the flowers, the greenery... So why shouldn't our interiors reflect that vibrancy? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_310364856_668931707708768_5716513211910202396_n.jpg) **I completely agree. You mentioned that you work with artisans across the DRC. What has that journey of collaboration looked like for you, and what has it taught you?** It’s been a difficult journey. When I was in London, my job was completely different. I was mainly focused on the creative process, ensuring product quality and design. But when I moved back to Congo, everything changed. I found myself much more involved in project management and organisational challenges. You become the person who solves problems; your artisan has a family emergency, their child is sick, or you’re waiting for raw materials that were supposed to arrive three weeks ago with no word from the supplier. All of this makes building a business on the African continent, and in the DRC in particular, much harder. So, unfortunately, I’ve had to become more of a problem solver than a creative. **Absolutely. These are challenges many entrepreneurs face across Africa. On your website, you mention “formalising artisans.” I’d love for you to unpack what that means and what kind of impact you're hoping it will have.** One of the brand’s main goals is to create economic opportunities for the artisans we work with. In Congo, the creative industry is very informal. Many artisans operate in what you might call the "dark market"; they don’t have official status, formal training, or even a proper workspace. Their conditions are extremely precarious. What we’re trying to do is offer structure and support. We provide a shared workspace, textile-making training, some sales and marketing skills, and even medical and financial support. If an artisan wants to launch their own product line or business, we try to equip them with the tools to do so. The goal is to help them transition from informal workers to creative entrepreneurs by filling the gap left by both government and private sector support. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_496063800_18500903350035494_3484422182321787372_n.jpg) **That’s amazing. And have you started seeing the impact of this over the years?** Definitely. The most visible impact has been on the artisans within our workshop. We've seen people grow from entry-level artisans to heads of departments like quality control. Some have been able to pay their children’s school fees all the way up to university, which is something we’re really proud of. We’ve also expanded our program from working with just six artisans at the beginning to now collaborating with about 60\. That’s a big win for us. **Community is a huge part of what we do, so I’m curious — how would you say your vision is shaped by community, and how does that influence your brand?** I think community is absolutely central to what I do. The work we create is for the community and made by the community. It's a deeply identity-driven process both in how we design and in the final product itself. Our pieces are created collaboratively, and we make it a point for each maker to sign their product. That way, the person who receives it knows exactly who made it. We don't want our products to be anonymous. We want people to know that Margaret in London bought something crafted by Maman Helene in Kinshasa. Another core part of our mission, which I’ve spoken about before, is to create economic opportunities. One of the atelier’s main goals is job creation. I believe giving people a way to earn a living by making something they’re proud of — something rooted in their identity and culture — is one of the best ways to support a community. And because they’re part of that community, the income they earn gets reinvested in it. It supports their families, their surroundings. That’s why our workshop isn’t based in central Kinshasa, where the wealthy live, but rather closer to where artisans actually reside in the suburbs. We want them to feel comfortable, connected to the work, and empowered by the process. We also show them where their work ends up. We’ve had pieces go to the Brooklyn Museum in New York, for example, and we share photos with them so they can see their craft reaching places and people they may never have imagined. It’s about making a very local process feel globally relevant and deeply connected. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_503765176_18505354231035494_4286433995633110793_n.jpg) **That makes perfect sense. On your page, there’s a recurring theme around slow living and slow design. I’d love to hear more about why that’s important to you and what it really means in the context of your work.** It’s honestly at the heart of everything we do. We're working with culture, with identity-based products. We’re not here to mass produce or make things that don’t carry meaning. We want our artisans to work in dignified conditions, using local materials and dyes whenever possible. We want our process to respect the environment and the people involved. To us, caring for the people and the planet is inherently African. It’s a way of life that reflects respect for the community, because no community can exist without its environment. That’s why this philosophy is so foundational to the brand. It was also recognised when we partnered with the UNDP and contributed to the Sustainable Development Goals, showing that a model of production grounded in culture and ecology can, and should, be a viable business model. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_487810143_18499619452011159_5357213362574135135_n.jpg) **I couldn’t agree more, especially in this age of fast fashion and mass production. I think it’s so necessary to slow down.** **Another question I had is: What do you personally hope the world will unlearn about African design? And in turn, what should we relearn about African design and craftsmanship more broadly?** One thing I really hope the world unlearns is this idea that African design is primarily meant for export — that it’s made only for Western consumption. African design isn’t tribal or stuck in the past; it’s dynamic, intellectual, and ever-evolving. The world must unlearn the idea that it’s only valuable when reinterpreted through Western eyes. That’s the kind of mindset that kept African design stuck in a sort of colonial aesthetic for too long. Now, I think it's time to shift that. We should be learning how to embrace slow living, how to value our own quality of life, starting within our homes. Our spaces should feel beautiful, natural, and respectful, not just of aesthetics but of our environment and our makers. But most importantly, design should be made on the continent. We need to uplift and invest in our own traditions and our own creativity, not just as a heritage, but as a living, evolving practice. We need to relearn that African design holds deep knowledge: in symbols, in structure, in sustainability. It’s contemporary, rooted, and forward-thinking all at once. There’s no single aesthetic, just a rich, plural tapestry. We should also move away from extractive economic models and toward ones that centre local production and consumption. Respecting ourselves and our culture means living well in our own spaces. You don’t need to be wealthy to feel comfortable. Comfort doesn’t have to be a luxury; it can be cultural. We need to relearn that what we produce and what we live with should reflect our values, our environment, and our communities. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/06/SaveClip.App_499772430_18503363677035494_3654736751777195465_n.jpg) **What are you dreaming into existence for KILUBUKILA over the next few years?** We’re building Kilubukila into a multidisciplinary creative studio where design meets education, culture meets innovation. A space that trains and employs local artisans, especially women and youth, with dignified, skilled work. Our goal: to become a globally recognised textile and interior design house rooted in Congolese excellence. More than a brand, Kilubukila will be a home for creativity, heritage, and community impact. **Thank you so much for sharing your story with us!** Images via [@kilubukila](https://www.instagram.com/kilubukila/?ref=marmaladecollective.com) ### Chapter 4: The Power of Collective Consciousness URL: https://www.marmaladecollective.com/the-power-of-collective-consciousness/ Last updated: 2025-06-17T10:41:36.000Z The afternoon light filtered through the windows of the Brooklyn apartment as Amara scrolled through her phone, watching a video of a young woman in Lagos performing the same dance she'd just learned from a creator in Atlanta. Within minutes, she saw variations from São Paulo, London, and Johannesburg. What struck her wasn't just the viral nature of the movement—it was the subtle ways each performer had made it their own while maintaining its essential character. In that moment, she was witnessing something profound: the emergence of a collective consciousness that transcended continents. This is the power we're building toward—a shared cultural mind that exists not in any single place, but in the connections between us all. ## The Digital Hive Mind Collective consciousness isn't a new concept. Sociologist Émile Durkheim described it over a century ago as the set of shared beliefs and moral attitudes that operate as a unifying force within society. But what we're experiencing today is unprecedented in its scope and speed. Digital tools have given us the ability to create, share, and evolve cultural consciousness in real-time across global distances. Consider what happens when 50,000 people simultaneously react to a major cultural moment—perhaps a breakthrough by an African artist on the global stage, or a significant political development affecting the diaspora. Their individual responses, amplified and connected through digital platforms, create something larger than the sum of its parts. They form a collective intelligence that can process complex cultural and social information faster and more nuancedly than any single individual could. This isn't just about viral content or trending topics. It's about the emergence of shared ways of thinking, feeling, and responding to the world. When a young person in Toronto sees how their peers in Accra are navigating similar challenges around identity and belonging, they're not just consuming content—they're participating in the formation of a collective consciousness that spans the Atlantic. ## The Tools of Connection The platforms we use daily—social media, messaging apps, streaming services—are more than entertainment or communication tools. They're the neural pathways of our emerging collective consciousness. Each like, share, comment, and collaboration strengthens these pathways, making certain ideas, values, and cultural expressions more likely to spread and take root. But the most powerful tool isn't any single platform—it's the meta-layer of consciousness that emerges when these platforms work together. When someone creates content on TikTok that inspires a response on X (formerly Twitter), which leads to a deeper discussion on a Discord server, which results in a real-world meetup, we're seeing the collective consciousness at work. This interconnectedness creates what network theorists call "emergent properties"—characteristics that arise from the complex interactions within a system but don't exist in any individual component. The African diaspora's collective consciousness is one such emergent property, born from millions of individual digital interactions but possessing qualities that transcend any single person's experience. ## Shared Memory, Shared Dreams One of the most powerful aspects of our digital collective consciousness is its ability to create shared memories and shared dreams. When major cultural moments happen—a historic album release, a significant social movement, a breakthrough in African cinema—they don't just happen to individuals. They happen to the collective. These shared experiences become part of our common cultural DNA. A teenager in South London who wasn't alive during the original #EndSARS protests can still carry the emotional and cultural memory of that moment, transmitted through the collective consciousness. Similarly, when we collectively dream about African cities becoming global tech hubs, or imagine African languages becoming programming languages, these aren't just individual fantasies—they become shared visions that can drive real action. The power of this shared dreaming cannot be overstated. When enough people hold the same vision with enough intensity, it begins to reshape reality. The collective consciousness becomes a cultural compass, pointing us toward futures we can build together. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ## The Authenticity Engine One of the most remarkable features of our collective consciousness is its ability to distinguish authentic cultural expression from appropriation or imitation. This isn't programmed into any algorithm—it emerges from the collective wisdom of millions of people who carry authentic cultural knowledge. When something genuinely resonates with African cultural values and experiences, the collective consciousness amplifies it organically. When something feels inauthentic or exploitative, the same collective wisdom tends to reject it. This creates a kind of "authenticity engine" that helps maintain cultural integrity even as our expressions evolve and adapt. This doesn't mean our collective consciousness is perfect or infallible. Like any complex system, it can sometimes propagate misinformation or amplify harmful ideas. But over time, the system has shown a remarkable ability to self-correct, especially when it comes to matters of cultural authenticity and values. ## Rituals of Connection The collective consciousness isn't just abstract—it manifests in concrete rituals and practices that bind us together. These might be as simple as the way we collectively celebrate achievements by African artists, or as complex as the coordinated responses to social justice issues affecting the diaspora. Consider the phenomenon of "collective listening"—when a highly anticipated album drops and millions of people experience it simultaneously, sharing their reactions in real-time. This creates a shared emotional journey that becomes part of our collective memory. Or think about how certain phrases, memes, or cultural references can instantly connect diaspora members across different countries and contexts. These rituals don't require physical proximity or formal organisation. They emerge organically from our shared digital experiences and reinforce our sense of belonging to something larger than ourselves. ## The Wisdom of Crowds, the Intelligence of Culture Our collective consciousness demonstrates what researchers call "the wisdom of crowds"—the idea that large groups of people can often make better decisions and predictions than individual experts. But what we're building goes beyond crowd wisdom. We're creating cultural intelligence—a collective ability to navigate complex questions of identity, belonging, and cultural expression. This cultural intelligence helps us distinguish between healthy cultural evolution and harmful dilution. It guides us in determining which global influences to embrace and which to resist. It helps us maintain our essential character while adapting to new circumstances and opportunities. Most importantly, it allows us to coordinate our actions and responses in ways that were impossible before digital connectivity. When issues arise that affect the diaspora, our collective consciousness can rapidly assess, discuss, and mobilise responses that reflect our shared values and interests. ## The Network Effect of Identity As more people participate in our collective consciousness, its power grows exponentially. This is the network effect applied to identity and culture. Each new participant doesn't just add their individual perspective—they add new connections, new possibilities for cultural transmission, and new nodes in our network of consciousness. This growing network effect explains why African cultural influence has been accelerating globally. It's not just that individual African creators are more talented or that African culture is inherently superior. It's that our collective consciousness has reached a critical mass where it can effectively coordinate cultural production, distribution, and influence on a global scale. The more people who participate authentically in this collective consciousness, the stronger and more influential it becomes. This creates a positive feedback loop where success breeds more success, influence creates more influence, and consciousness expands consciousness. ## Challenges and Responsibilities Building a collective consciousness through digital tools isn't without its challenges. We must navigate issues of privacy and surveillance, the risk of echo chambers, the potential for manipulation by bad actors, and the digital divides that still exclude many from full participation. We also bear the responsibility of ensuring that our collective consciousness remains inclusive and representative. The digital divide means that certain voices—often the most economically disadvantaged—may be underrepresented in our collective consciousness. We must actively work to bridge these gaps and ensure that our shared identity reflects the full diversity of our experiences. There's also the challenge of maintaining cultural authenticity while remaining open to growth and change. Our collective consciousness must be strong enough to resist harmful influences while remaining flexible enough to evolve with changing circumstances. ## The Consciousness Revolution What we're witnessing isn't just technological change—it's a consciousness revolution. For the first time in human history, a globally dispersed population can maintain and develop a shared cultural consciousness without relying on traditional institutions like churches, schools, or governments. This represents a fundamental shift in how human societies organise themselves. We're proving that culture and consciousness can transcend geography, that identity can be maintained across distances, and that meaningful communities can exist primarily in digital space while having profound real-world impact. The implications extend far beyond the African diaspora. We're pioneering new forms of human organisation that could transform how all dispersed communities—from religious groups to professional networks to ideological movements—maintain coherence and coordinate action. ## Living the Connection The power of collective consciousness isn't just theoretical—it's something you can experience and participate in right now. Every time you engage authentically with African cultural content online, every time you share something that reflects our values, every time you connect with someone else who shares this vision, you're strengthening our collective consciousness. You don't need to be a content creator or influencer to participate. The collective consciousness is built from millions of small actions: the choice to support African creators, the decision to share authentic cultural content, the commitment to engaging respectfully with diverse perspectives within our community. [Ozoz Sokoh Finds Home and History in Every Nigerian DishShe shares the journey behind her debut cookbook Chop Chop, exploring the roots of Nigerian cuisine and the stories that live within every recipe.![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/icon/Marmalade-Favicon.png)Marmalade CollectiveOmotola Saba![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/thumbnail/OSokoh_Photographer_Oluwapelumi-Bamidele-of-OviaReflexPhotography.jpg)](https://www.marmaladecollective.com/ozoz-sokoh-finds-home-and-history-in-every-nigerian-dish/) Your individual consciousness matters because it contributes to our collective wisdom. Your authentic expression strengthens our shared identity. Your digital choices help shape the cultural landscape we're all navigating together. ## The Future of Shared Mind As we look toward the future, the potential of our collective consciousness continues to expand. Emerging technologies like virtual and augmented reality will create even more immersive shared experiences. Artificial intelligence will help us process and respond to cultural information at unprecedented scales. Blockchain and other decentralised technologies will give us new ways to coordinate and govern our collective activities. But the technology is secondary to the consciousness itself. What matters most is our commitment to authentic participation, our willingness to contribute to something larger than ourselves, and our vision of what we can accomplish together. The collective consciousness we're building isn't just about preserving the past or even about thriving in the present. It's about creating the future—a future where African culture and values help shape global civilisation, where diaspora communities can maintain deep connections across any distance, and where shared consciousness becomes a force for positive change in the world. Every day, through our digital interactions and cultural choices, we're not just participating in this collective consciousness—we're building it. We're proving that connection is stronger than distance, that culture can transcend geography, and that consciousness itself can be a revolutionary force. The new mainstream isn't just about changing what's popular or trendy. It's about changing how human consciousness itself operates in a digitally connected world. And that revolution starts with each of us choosing to participate authentically in the collective consciousness we're creating together. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### Tems Makes Halftime History, Ojude Oba Shines, Senegal Triumphs over England URL: https://www.marmaladecollective.com/tems-makes-halftime-history-ojude-oba-shines-senegal-triumphs-over-england/ Last updated: 2025-06-16T08:59:59.000Z **Welcome to Vol 139 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. After watching Ojude Oba and the BET Awards back to back, one thing is clear: Africans don’t play when it comes to style. From the elegance of traditional aso-oke and beads to bold, futuristic red carpet looks; the range is wild–and beautiful. Honestly, I’m in awe, and at this point, I’ve accepted that the only thing more diverse than our style is the aura we wear it with. Because the way some of you are dressing, your ancestors are clapping. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Elba Sparks African Cinema, Asake Drops New Album, Van Gogh Honours African Art URL: https://www.marmaladecollective.com/salah-makes-history-burna-headlines-global-fest-african-cinema-shines-in-london-copy/ Last updated: 2025-06-09T09:00:47.000Z **Welcome to Vol 138 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Welcome to June! Can you believe we’re already here? It feels like just yesterday we were setting New Year’s resolutions. A friend of mine said they’re treating this month like a soft launch. No pressure, just showing up, looking cute, and doing the work that pays them with confidence. Honestly? I might join them. That said, what’s one thing you’re secretly excited about this month? *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Chapter 3: Culture Over Geography URL: https://www.marmaladecollective.com/culture-over-geography/ Last updated: 2025-06-08T09:00:20.000Z The map on your wall lies to you. Those clean lines dividing nations, those neat borders separating "us" from "them"—they're artefacts of a world that no longer exists. In Lagos, a tech entrepreneur builds an app that connects farmers across three continents. In London, a second-generation Ghanaian starts a podcast that reaches more people in Accra than the local radio station. In Atlanta, a group of friends launches a fashion brand that influences street style from Johannesburg to Nairobi to Kingston. The real borders today aren't drawn by colonial administrators or carved out by wars. They're drawn by culture, by shared stories, by the invisible threads that connect hearts and minds across oceans. Welcome to the age where culture trumps geography. ## The Invisible Nation Every morning, millions of people wake up and check their phones. They scroll through content, connect with friends, consume media, and participate in conversations. Without realising it, they're crossing borders that don't appear on any map. They're citizens of invisible nations built not on land, but on shared understanding. Consider the global phenomenon of Afrobeats. Nigerian artists like Burna Boy and Wizkid don't just top charts in Lagos—they dominate playlists in London, New York, and São Paulo. Their music creates a cultural territory that spans continents, where a young professional in Toronto feels more kinship with a university student in Kampala than with their next-door neighbour. This isn't just about music. It's about the fundamental shift in how human beings organise themselves. For the first time in history, we can choose our tribes based on who we truly are, not just where we happened to be born. ## The Geography of Belonging Traditional nations ask: "Where are you from?" Cultural nations ask: "Who are you?" The difference is profound. Geographic nations are accidents of birth, history, and often violence. Cultural nations are choices—conscious decisions about values, aspirations, and identity. When a Kenyan entrepreneur in Silicon Valley connects with a Senegalese artist in Paris over their shared vision for African innovation, they're not bonding over passports. They're recognising each other as citizens of the same cultural nation. This shift creates new forms of belonging that are both more inclusive and more authentic than traditional nationalism. A third-generation Nigerian-American doesn't need to choose between being Nigerian or American—they can be a citizen of the global African cultural nation while maintaining their other identities. Geography divides. Culture connects. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ## The Power of Shared Stories Nations have always been built on shared stories. The difference is that geographic nations often force everyone within their borders to accept the same narrative, regardless of their actual experience. Cultural nations form around stories that people genuinely connect with. The African diaspora shares stories that transcend borders: stories of resilience in the face of adversity, of innovation born from necessity, of maintaining dignity despite systematic oppression, of building something beautiful from whatever materials were available. These stories create a cultural DNA that links a jazz musician in New Orleans to a tech entrepreneur in Cape Town to a fashion designer in London. When Chimamanda Ngozi Adichie warns about "the danger of a single story," she's not just talking about representation in media. She's talking about the power of narrative to create or destroy cultural nations. When African stories are told only by outsiders, when African experiences are filtered through foreign perspectives, the cultural nation weakens. When Africans control their own narratives, the nation strengthens. ## Digital Territories The internet didn't just give us new ways to communicate—it gave us new ways to organise society. Online, communities form around interest, passion, and values rather than proximity. This creates opportunities for cultural nations that were impossible in the analog world. Consider the rise of "Black Twitter"—not an official platform, but a cultural space where African diaspora voices amplify each other, create shared meaning, and respond collectively to events. When Nigerians protest against police brutality with #EndSARS, the hashtag becomes a digital territory where Nigerians worldwide gather, organise, and act as one nation despite being scattered across continents. > Enough is enough! ✊🏾 [#EndSARS](https://twitter.com/hashtag/EndSARS?src=hash&ref%5Fsrc=twsrc%5Etfw&ref=marmaladecollective.com) 📸: [@lordnc](https://twitter.com/lordnc?ref%5Fsrc=twsrc%5Etfw&ref=marmaladecollective.com) [pic.twitter.com/9ai3J5Vkw8](https://t.co/9ai3J5Vkw8?ref=marmaladecollective.com) > > — BET (@BET) [October 25, 2020](https://twitter.com/BET/status/1320170068802555906?ref%5Fsrc=twsrc%5Etfw&ref=marmaladecollective.com) These digital territories are real territories. They have customs, languages, leaders, and power structures. They create economic value, drive political change, and shape global culture. Most importantly, they allow people to be full citizens rather than perpetual visitors in someone else's country. ## The Economics of Cultural Citizenship Cultural nations aren't just social constructs—they're economic realities. When members of a cultural nation preferentially do business with each other, support each other's ventures, and share opportunities, they create economic zones that transcend geographic boundaries. The African diaspora represents $2.5 trillion in annual spending power. When this economic force operates as a cultural nation rather than scattered individuals, it becomes one of the world's most powerful economies. A fashion brand that authentically represents African aesthetics doesn't need to succeed in every geographic market—it needs to succeed with the global African cultural nation. This creates new forms of economic sovereignty. Instead of being dependent on geographic nations that may not fully embrace them, cultural citizens can build economic systems that serve their own interests and values. ## The New Citizenship Traditional citizenship comes with paperwork, bureaucracy, and often, compromise. You get the citizenship of wherever you were born or wherever you can get approval. Cultural citizenship is earned through participation, contribution, and authentic connection to the community's values. In the African cultural nation, citizenship isn't about ancestry requirements or language tests. It's about contributing to the community's growth, amplifying its values, and helping other citizens thrive. A non-African who genuinely supports African innovation, invests in African businesses, and advocates for African interests can become a cultural citizen. Meanwhile, someone of African descent who actively works against African interests remains an outsider. This meritocratic approach to belonging creates stronger, more cohesive communities than geographic accidents ever could. ## Challenges of the Borderless World The shift from geography to culture isn't without challenges. Cultural nations can become echo chambers, reinforcing existing beliefs without the friction that geographic diversity provides. They can also struggle with questions of authenticity—who gets to define what the culture is and isn't? There's also the risk of digital colonialism, where the platforms that host cultural nations are owned and controlled by others. If the infrastructure of cultural citizenship is built on someone else's land, how sovereign can the cultural nation really be? These challenges are real, but they're also solvable. The key is building cultural nations that are open enough to evolve, diverse enough to avoid groupthink, and sovereign enough to control their own infrastructure. ## The Great Sorting We're living through what historians will likely call the Great Sorting—a massive reorganisation of human society along cultural rather than geographic lines. People are finding their tribes, their nations, their homes in ways that their grandparents couldn't imagine. For the African diaspora, this represents an unprecedented opportunity. For the first time since the disruptions of slavery and colonialism, Africans worldwide can unite not as visitors in other people's countries, but as citizens of their own cultural nation. This doesn't mean abandoning geographic nations or retreating into cultural silos. It means adding a new layer of identity and belonging that complements rather than competes with existing loyalties. A cultural nation strengthens its members, making them better citizens of their geographic nations and more effective global citizens overall. ## The Choice Before Us The choice isn't between geography and culture—it's between passive acceptance of the borders others drew for us and active creation of the communities we actually want to belong to. Geographic borders will always exist. But they no longer have to define us. Culture offers us the power to choose our nations, to build our communities, and to create belonging based on who we are rather than where we happened to be born. The African cultural nation is already forming. The question isn't whether it will exist—it's whether you'll be a passive observer or an active architect of its construction. In the next chapter, we'll explore how digital tools are creating new forms of collective consciousness that make cultural nations not just possible, but inevitable. But first, ask yourself: If culture matters more than geography, what does that mean for how you think about home, about belonging, about the future you want to build? The map on your wall may lie to you, but the community in your phone tells you the truth: you belong wherever your values are shared, wherever your contributions are valued, wherever your full self is welcomed. Welcome to the nation you choose, not the one you were given. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### Kolapo Oladapo Shows That Culture Moves When Community Leads URL: https://www.marmaladecollective.com/kolapo-oladapos-creatiwork-centres-on-what-the-creative-industry-frequently-misses-intention-and-empathy/ Last updated: 2025-06-06T16:26:43.000Z If you’ve spent time in Nigeria’s creative, tech, music or entertainment scenes over the past decade, chances are you’ve come across something Kolapo Oladapo has touched, whether you knew it or not. A trained lawyer turned designer, strategist, and tech builder, Kolapo’s journey is anything but conventional. His journey includes work as a photojournalist capturing life amid insurgency in Northern Nigeria and creating viral political art that satirised government corruption through reimagined album covers. In building bridges, Kolapo and his team launched Aux Africa at Cool FM, bringing then-underground artists like Tems, Oxlade, and Fireboy into the spotlight. He also played a key role in securing partnerships with Apple Music, helping to syndicate shows like *Africa Now* and *Rap Life* on Nigerian radio for the first time. In 2019, off the success of Aux Africa, he pitched *Clout Africa*, a content acceleration and creative hub for artists and creators, where he launched Clout Sessions, Clout Magazine, and Clout Awards. Under his leadership, the platform collaborated with Mavin, Universal, Sony, and even NPR’s Tiny Desk, and produced content featuring artists like Ayra Starr, Blaqbonez, Adekunle Gold, Seun Kuti, and more. During the COVID-19 pandemic, he and his team also led the *Pad for a Girl* campaign and *Freedom Concert*, spotlighting period poverty and using music as a tool for advocacy. More recently, Kolapo co-founded *COCOA*, a creative community bridging African creators with global opportunities. Through COCOA, he helped develop *SIP AI*, a Pidgin-to-English tool that helps professionals communicate better in formal environments. Alongside this, he launched *Arroweye Pro*, an AI-powered reporting tool that helps African record labels and creators track music campaign performance, making data transparent and investment-worthy. In this conversation, we talk about all of that and more. From humble beginnings, editing album covers and designing shirts for his law school class, to leading campaigns, Kolapo opens up about what it means to build with purpose. He shares why he believes empathy is the most important business skill, why artists should be thinking beyond streaming into physical products, and why we must really listen to understand the pulse of the community. This interview is a guided tour through Kolapo’s journey across music, media, tech, and storytelling and a call to action for everyone building within culture. Whether you’re a student, an artist, a brand manager, or just someone trying to figure things out, there’s a piece of his story that’ll resonate. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Kolapo-7-3.JPG) **What was your childhood like, and how did it shape your creative instincts?** I started my journey as the last of six children. I had four sisters and a brother, so I spent a lot of time alone. Everyone else was either in secondary school, university, or just generally older. My worldview was mostly shaped by how I experienced things on my own. I didn’t even start watching cartoons until I was about 12\. I used to think Tom and Jerry and Mickey Mouse were all part of the same show. It wasn’t until someone gave me a Tom and Jerry compilation at age 10 that I realised, “Oh wow, these are separate characters.” Most of my early media exposure came from whatever my dad, brother, or sisters were watching, mainly news, and sometimes movies. So, in a way, my entry into entertainment was sort of from the back door. **Interesting. So, how did your upbringing influence your sense of work and values?** Growing up, even when I came first or second in school, my dad didn’t really celebrate it. He believed in separating school from home life. So I never chased praise, I chased meaningful work. My dad also made us pitch any school-related expenses. Full PowerPoint presentations, Excel sheets, and round-table family discussions. It was funny, but that’s where I learned how to communicate value, and it’s shaped everything I’ve done since, from photography to branding to design. **That’s nice! How did you first get into design and media production?** While I was still in school, my brother introduced me to a bunch of software: Adobe PageMaker, Photoshop, etc. By the time I got to university, I had figured out how to crack them and started selling the software. My origin story is basically a crime story. (I’m joking. Kind of.) This was during the BlackBerry era before streaming took off. People were still downloading music via random sites. I’d browse the Billboard Hot 100 to know what songs were trending because people came to me to get music. And many downloaded tracks had ugly thumbnails or watermarks, people didn’t like that. So I started redesigning album art to make it cleaner. That’s how I got into graphics. It evolved into curating movies, too. People would ask, “Hey, I came for Artist A, what else do you have?” I wasn’t even a music head initially, but I started researching artists just to sell better. I redesigned album art for Taylor Swift, knew her fonts, producer credits, and all, even if I wasn’t a huge fan. At some point, I started dabbling in DJing. I already had access to Virtual DJ, and one of my roommates told me I was actually pretty good. I had an instinct for what flowed, so I’d download effects and transition kits, mixing for birthdays or listening parties for upcoming artists. I’d design album covers and even edit short promo videos, a whole mini-release package, before I knew that’s what it was. **Oh wow. What’s one of the most unexpected creative projects you launched?** I actually started a mini cinema while in university. My school was in Osun, and there wasn’t much to do. A girl I was dating then had a dad who managed a local institute. He had this underused space, and I told him, “You could turn this into a cinema.” I got projectors from Lagos and turned the room into an experience. Fancy popcorn, photo booths, music, and even pizza slices. It wasn’t just about the films, people came for the vibes. We worked with photographers, used popcorn-scented sprays, and promoted it through Twitter. It really became a thing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/FemmePLT-17-7.JPG) **That sounds super fun. So after university, you went to law school. How did law school change your path or reinforce it?** After undergrad, I went to law school. Obviously, you can’t skip lectures there the way you could in uni, but I still found ways to stay creative. I designed our passing-out shirts (even before we got results), built networks, and kept making stuff. That’s actually where things took a turn. Someone I met referred me for a project designing illustrated banners for hospitals during the Ebola, things like how to wash your hands or prevent disease transmission. We did it in multiple languages, and that was the first time I made real money from creative work. **After that was NYSC. How did NYSC influence your creative outlook?** I went to Kano for NYSC, and it turned out to be one of my best life decisions. I travelled all over Nigeria, Borno, Jigawa, Bauchi, Calabar, taking photos and sharing what I saw. CNN even featured me at one point. In Calabar, I had a surreal experience. I visited a village, drank moonshine, and rode on a bike with two grown men through banana plantations. We even ran out of fuel and bought from someone’s house pump. We got into an accident, and I still have the scar. But I captured amazing images, saw beautiful places, and felt like a photojournalist, without even knowing that’s what I was doing. **That’s adventurous. What was the moment you knew you needed to pivot your career?** After NYSC, I returned to Lagos and got a job at an agency. One day, I was at the cinema watching “War Dogs” and saw their excitement. I thought, “If I can’t feel this excited about my work, risk and all, then I shouldn’t be doing it.” I sent in my resignation email right there in that cinema room. Three months later, I started working at Cool FM as Head of Digital. That’s where Aux Africa was born. The whole idea came from a place of empathy; artists like Tems, Blaqbonez, Oxlade, and others were bubbling, but there was no infrastructure or visibility. They had the sound, but no one really knew them. So we built platforms to amplify their voices. **How did Aux Africa evolve, and how did it eventually lead to Clout Africa?** Just to backtrack a bit, Aux Africa was actually built off a very specific problem. Artists had buzz, but no visuals. Take “Mr. Rebel” by Tems, everyone was hearing it, but no one knew her face. Meanwhile, our inboxes at Cool FM were flooded with “Please play my song” emails. So, I just started replying. We didn’t wait around. We picked artists with potential and started creating content: simple videos, interviews, live performances. That’s how it began. It was literally just me and two interns. That was the entire digital department when we started. I had a Samsung S7 Edge, my official work phone, which also doubled as the department’s camera. That, along with a borrowed camera from the TV station in our compound, was what we used to shoot the first Aux Sessions. We’d reach out to artists like, “Yo, your song is good, do you want to come shoot this?” And they’d pull up. One of the angles was shot with the S7 Edge. The other, with that borrowed camera. And somehow, those videos actually worked. They did what they were supposed to do: create visibility for artists who deserved it. To this day, Tems’ session is still the most viewed video on Cool FM’s YouTube channel. Last I checked, it had over 850,000 views. That’s from a phone and a borrowed camera. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_1641-3-1.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_0085-2.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_0097-2.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_0107-2.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_0111-2.jpg) Then came Clout Africa, which, of course, became a much bigger machine. And honestly, a lot of those ideas weren’t from some business textbook. They came from watching people, from asking, “What do these artists and audiences need? What’s missing?” That’s it. Look, I don’t care what business school you went to, empathy is the most important skill in the world. If you can put yourself in someone else’s shoes and actually understand what they need, and then develop the skills to give it to them, you have a business. Full stop. There’s no other trick. People will trust you if they feel like you “get” them. Like, “This person knew exactly what I needed when I needed it.” **What did that experience teach you about creativity, resourcefulness, and starting out?** All of that validated something I’ve always believed: you don’t have to start perfect. You don’t need the best gear or a huge team. You just need an idea, a sense of purpose, and the willingness to start with what you have. Because truthfully, you never know what’s going to happen. But nothing will happen if you don’t start. That’s always been my motto. **What major partnerships or milestones came out of the work you were doing at the time?** We landed the Apple Music syndication deal, which is still running. First, we did an agreement around *Rap Life* and *Africa Now Radio*, and later *The Agenda with Dotty*. That opened doors to campaigns like the *Shazam 3+3* campaign, still the only one Shazam has done in West Africa, as far as I know. Then came the *Africa to the World* playlist and *Naija Risers*. That was my first brush with Apple Music. And then, at Clout, we started working with just about everybody; Fireboy, Ayra Starr, Oxlade, Blaqbonez, Wizkid, etc. It became a hub for artists. And eventually, it led to working with Apple/Platoon in 2022, where we’ve pulled off some major projects across. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_7910-5.JPG) **Very impressive. You mentioned at the start that you were just trying things. When did your mindset shift from just trying things out to actually feeling passionate about the creative industry?** It’s like when you’ve always dreamed of going to Disneyland. You finally go, come back, and then someone tries to flex about going there, you’d be like, “Bro, calm down.” That’s how I feel about my journey. Once I started seeing results and feedback, even though I wasn’t chasing them, it made me want to keep going. It was a kind of personal, positive reinforcement. I wasn’t just chasing success, I was chasing the joy of doing the thing well. I love feedback, even from people who don’t like me. If I can convince someone who isn’t a fan, then I don’t have to worry about the ones who already support me. That keeps me grounded, seeking validation from within, but also learning from the harshest critics. I just try stuff, see what works, and keep building from there. **How has your work evolved recently, and how are you balancing it with personal sustainability?** We’ve done stakeholder engagements across West Africa, in Nigeria, Ghana, and recently we did a music room refurbishment project at Queens College in partnership with Femme Africa, which is honestly my favourite project of all time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/082A5998--1-.JPEG) Right now, I’m just resting because, well, I don’t really try to overwork myself. On a personal level, I also work at COCOA, where we have calls with people trying to enter the industry who think I actually know what I’m doing. I host those sessions and just tell them stories, kind of like I’m telling you now, to make them comfortable with building from a place of anxiety. Anxiety is always there, but you have to push through it. There’s no other way. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/E85F12BB-E0DB-4D99-8BA9-FC5A70D1995F-3.JPG) **Tell us about your AI projects. How did SIP AI come about, and what impact has it had?** It’s AI in Pidgin, which is basically a localised effort to make AI knowledge accessible for informal workers operating in formal sectors, and for creative professionals working across the board. I believe Pidgin is a powerful tool because it cuts across West Africa. For example, we’ve seen that many diaspora people working in places like China might be employed at companies where English isn’t their first language, so they struggle to communicate formally in English. That was the spark behind *SIP AI*, our first AI tool. I remember being close to my colleagues who were drivers and cleaners, people whose everyday stories and needs were so real and raw. They often wanted to send emails but didn’t know how to properly word them for their heads of department. I used to help them write those emails. From that experience, I realised there are way more people like them in the world, working in workplaces but not comfortable with English. So, we created SIP AI. Today, it has over 25,000 uses, with about 6,000 professionals actively using it since we launched in May 2023\. **What other innovations have you been working on, and how are you using automation to support the creative industry?** Since then, I’ve been working with my team on *Arroweye Pro* and automation. Basically, anything I see that’s a routine task, I use code to automate it. If it’s an email I send every week, I automate that. If it’s a report I write regularly, I create the framework and automate it too. A lot of these tools I use myself, and also send to my friends and colleagues to test. Now, with AI, I’m able to scale computing power to solve more complex problems I face regularly. Music marketing reporting is a huge challenge in Africa—it actually stifles a lot of investment. If I don’t have clarity in a business, I can’t invest, right? Data is what gives that clarity. With *Arroweye Pro*, we’ve tested it with several record labels and label services companies across Africa and Europe. What we found is that when you give brands investing in artists or creators in Nigeria clear and transparent reporting, it boosts their confidence and increases their investment flow. They know exactly where their data is, have access to historical spending data, and can compare their spend against the Arroweye Pro they’re getting from streams and other marketplaces that host their digital products. **You’ve moved through so many phases: photojournalism, radio, tech, entrepreneurship. How has that shaped your perspective on Nigerian culture and the creative industry?** Back then, it felt like we were just playing around. Now, it’s a real industry with subcultures: music influencers, stylists, bloggers. It’s an ecosystem. Even if I’m not on Billboard, if I’m on Native Mag, I’m good. I’m still visible to the audience that matters. I work in this industry now. It pays salaries. It opens doors. I didn’t dream of working at Apple, but here I am. Same with others working at Warner, Virgin, and so on. We’re in a renaissance era for Afrobeats. Labels that left during the military era are now coming back and hiring Nigerians to lead the charge. Music has always been there, but now it’s exportable. Look at the Met Gala, Nigerians were front and centre. That visibility? It’s powered by music. Music is spiritual. It’s like an incantation, you play a song and it moves people, heals them, hypes them, even makes them cry. Nigerian artists know how to channel that, whether it’s heartbreak, joy, or defiance. And behind them are teams, producers, A&Rs, marketers, all working to make that emotion travel. Honestly, I think we need our own African Grammys. Latin music has its own institutions, and so does country music. They’re not waiting on the West to tell them they’re good. Why should we? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_5170-3.JPG) **You’ve also led a lot of community projects, Invisible People of the North, Pad for a Girl, and the Queen’s College *\[an all-girls secondary school in Lagos\]* project. Why is community-centred storytelling important to you, and how do you keep empathy at the heart of it all?** Three things. First, I saw early on that change doesn’t have to come from government. In our small corner of the world, we didn’t need government funding to build a music room in a public school. That’s how powerless the system can be. Dangote built a refinery and disrupted an entire national corporation. So, imagine what communities can do if we come together. If your road is bad, fix it. No permission needed. Second, every strong creative ecosystem I’ve studied has a strong sense of ownership. Take country music. They won’t let you in unless you’re really part of that life. I respect that. Nigerian cities should be the same. Let Lagos own its sound. Let Benin, Kano, and Abuja claim their cultural lanes and build on that. When we gatekeep with love and intention, we build lasting value. That’s how fintech moved the needle in Nigeria; people built despite the obstacles, and the laws had to catch up. Third, one music room in QC is great, but what’s the scale? We need every label building infrastructure in every school. One-off charity projects don’t move the needle. Replication does. I love it when my ideas get stolen because that means they’re spreading. We all benefit when the ecosystem is healthy. Even if we’re competing or stealing each other’s partners, if the industry thrives, we all win. I want us to move past events and hashtags. Don’t just *talk* about empowering young girls in music, build the damn studio. Let’s stop presenting problems like they’re new. Even ChatGPT can tell you what’s wrong. We need to execute. That’s what I learned working at Apple. The system exposes your inefficiencies; you either level up or fall behind. I want that kind of structure for Afrobeats. Not just isolated wins, but systems that create lasting change. I might not live to see it fully happen, but I’ll keep doing my part. **Beyond the social work, you’ve done a lot to amplify voices, from COCOA to Clout Africa. How do you identify the real gaps in industries like music, tech, or even Arroweye Pro? What helps you recognise when a community or space needs support?** Honestly, it all comes down to empathy. Talk to people, really listen. You hear one person mention a problem, then another, and soon you realise, “This is a real issue. Maybe I can help.” And if I can’t solve it directly, I’ll bring in someone who can. It's not about fixing everything at once, but moving things forward. Listening, intentionally and without judgment, is hard, even in personal relationships. But it's essential. People sometimes can’t express their pain fully in English, but when they speak in their native language, the emotion cuts through. That’s why I love talking to drivers, security guards, and everyday people. I learn more from them than I do from meetings. My parents were both politicians, and they taught me that lesson early. At the end of the day, empathy is a core principle. Even across religion, their stories all point back to compassion and deep listening. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/IMG_2395-3.JPG) **You’ve been in tech for a while now with COCOA and Arroweye Pro, you’re integrating AI and education into the creative space. What excites you about that intersection?** The way we consume music is already driven by tech, iTunes, Spotify, Apple Music, and AI-powered playlists. But what really excites me is what’s next: digital experiences becoming physical products. Why can’t artists have fan clubs with annual memberships? Imagine perks like NFC show passes or exclusive merch. I’d buy it. But here’s the problem: streaming revenue isn’t rising, and marketing is getting more expensive. Social media algorithms are unpredictable. You can’t rely on virality. That’s why we need to bring back campus tours—that’s how fan bases were built. Small gigs sharpen artists before they hit the big stages like the O2\. You don’t want someone blowing up online and flopping live. We need balance: digital streams *and* real-life performance infrastructure. With Aux Radio, we turned an underperforming weekend slot at Cool FM into a hotspot. We told them: these artists have friends, roommates, family who’ll tune in. And they did, listenership spiked in three weeks. Advertisers followed. People want to hear their people on air. That kind of grassroots support is powerful. If I hear Wizkid on the radio, I might skip it, I'll find it online later. But if I hear my friend? I’m locked in. That’s accountability and connection. We need more of that. Campus tours, local radio, real venues, not just bars selling overpriced drinks, but places with stages, bands, DJs, full setups. Let Nigerian brands supply everything: furniture, mic stands, stage design. Have you seen *Sinners*? That film had an African soul. Characters rich in aesthetic and energy. The visuals, the costume, the simplicity, it shows what’s possible. We need that vibe in real life. I want to buy a Wizkid extension cord, watch Davido’s album as a pop-up TV channel, or walk into an airport showing a documentary on Afrobeats. We have the culture, we just need to put it everywhere. **Is there a dream project you haven’t worked on yet?** To be honest? No social media, a landline, and mornings on a beach with my girl. A farm where I grow my own food. That’s the dream. But seriously, I don’t chase projects, I look for problems. One big goal is a university tour, then music programs in every school, funded by labels. There are kids in America signing $2 million deals at 11 years old. That can happen here, too. Same talent. Same audience. We just need structure. If I’ve done something that worked once, I want to see it everywhere, nationally, continentally. Physical products by African artists, real pipelines from school to studio to stage. And yeah, that tour. If I haven’t said it enough, *the university tour*. But ultimately? I want to drop the phone one day, know I’ve tried, and just go be with my family. **This was wonderful. Thank you for speaking with me!** ### Salah Makes History, Burna Headlines Global Fest, African Cinema Shines in London URL: https://www.marmaladecollective.com/salah-makes-history-burna-headlines-global-fest-african-cinema-shines-in-london/ Last updated: 2025-06-02T09:00:54.000Z **Welcome to Vol 137 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Someone said May felt like a whole year packed into four weeks, and I’ve never agreed with anything more. I hope you were able to find little pockets of joy in there somewhere. And a massive thank you to everyone who came through for our last Marmalade Member Monday! We see you, we love you, and we hope you come back for more. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Ozoz Sokoh Finds Home and History in Every Nigerian Dish URL: https://www.marmaladecollective.com/ozoz-sokoh-finds-home-and-history-in-every-nigerian-dish/ Last updated: 2025-05-28T18:27:52.000Z Ozoz Sokoh is many things: a culinary anthropologist, writer, educator, and self-proclaimed food explorer. But above all, she’s a storyteller, one who tells the story of Nigeria through its food. Known to many by her online moniker *Kitchen Butterfly*, Ozoz has spent over a decade tracing the roots, rituals, and richness of Nigerian cuisine. What began as a personal blog in 2009, born out of homesickness and a love for cooking has evolved into a vibrant archive of recipes, research, and reflections on identity, memory, and migration. With a background in geology and a scientist’s eye for detail, she’s turned her attention to what’s on our plates: asking what it says about where we come from, and how we carry that forward. Her new cookbook, *Chop Chop: Cooking the Food of Nigeria* (Artisan, 2025), is a milestone for Nigerian culinary storytelling. Spanning all six regions of the country, the book offers over 100 recipes from beloved staples like jollof rice and suya, to lesser-known gems like yòyò (fried whitebait) and the spice aridan. But *Chop Chop* is more than a cookbook, it’s an invitation to see food as history, protest, comfort, and connection. It’s a cultural record, written for those who want to remember, rediscover, and reclaim. In this conversation for Marmalade Collective, we spoke with Ozoz about the long journey behind *Chop Chop*, the complexity of documenting Nigerian food with care and nuance, and how the kitchen can be a space of resistance, healing, and cultural pride. We touched on everything from food diasporas and personal rituals, to the politics of naming and the joy of soaking garri. This one’s for the culture and the hungry. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/WhatsApp-Image-2025-05-19-at-11.52.45-PM--1-.jpeg) **My first question really is, I know you went abroad, first to Liverpool, to study geology, which is quite a shift from what you’re doing now. I wanted to ask: what inspired that transformation, and how has your background in science shaped the way you approach food?** So, I had actually studied at a University in Nigeria for three years before moving abroad to study geology. I chose geology because Nigeria is rich in oil and gas, and I thought, “I’ll get a good job when I graduate, and I’ll have money, simple.” But of course, things didn’t quite work out that way. Partway through my studies, I was homesick and tired. But I knew I had no choice; my parents were paying international fees, so I had to push through. It was during that period that I began to think about food as more than just eating. Being homesick, I realised that Nigerian food brought me comfort. So every time I felt down or missed home, I’d cook, hang out with friends, and chat. There was food, yes, but also community, sustenance, memory, and nostalgia. I graduated as a geologist, moved back to Nigeria, got a job in the field, and later moved to the Netherlands. At that point, I had a good job and I was making money, but I wasn’t enjoying it. I realised that I didn’t want to keep doing that, but the catch was, I didn’t know yet what I wanted to do. So I started paying attention to myself to what brought me joy, what I was naturally drawn to. I remember one Friday night: my ex-partner and a friend were writing blog posts while I was in the kitchen making Chinese fried rice. I was chopping green beans and peppers in our kitchen, and suddenly it hit me, I love food, and I’ve always loved writing. Maybe I could start a blog. Funny enough, years before that, I had tried to convince my dad to let me study literature abroad instead of geology. He said absolutely not, that was something I could do on weekends. But my mom’s an English teacher, and I’d always written essays, poems, and compositions. That night in the kitchen felt like a lightbulb moment. I’d been reading food blogs for a while, and it suddenly felt like the right thing to do. I started brainstorming names, first *A Little Bit of Chilli*, because I loved adding dry pepper and chillies to everything, even desserts. But that felt too stereotypical, given how people often associate Nigerian food with spiciness. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Tomatoes_byJamesRansom-2.jpg) Tomatoes and Peppers by James Ransom Then I thought of *I’m Not a Plastic Spoon* because I liked wooden spoons. Still, that didn’t feel quite right either. At the time, my children were really young, three under the age of four, and we used to visit a butterfly garden often. One day, I saw all the stages of a butterfly’s life, from egg, to caterpillar, to chrysalis, to butterfly, and it struck me that it mirrored my own journey with food. As a child, I didn’t eat much at all. Then I started eating. Later, I found comfort in food. And by the time I began writing my blog, I was starting to think about the historical and cultural context of food. So I launched the blog while still working as a geologist. But over time, my food work began to grow. I tried everything, photography, filmmaking, food styling, anything related to food, I explored it. I started the blog in 2009, and after nine years, in 2018, I quit my geology job, and I fully transitioned into working in food. It was a long journey, but absolutely worth it. My scientific background gave me skills that still serve me today: observational, documentation, and experimental approaches. So when I’m testing recipes or trying new ideas, I approach it like an experiment. **I love the idea of food as comfort, as something you enjoy that’s still deeply rooted in home. That brings me conveniently to my next question. You started *Kitchen Butterfly* as a way to document recipes, especially for your children, as a deeply personal project. When did you realise that this was more than just something for you and your family? That it was bigger, something about community, memory, and maybe even cultural preservation?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/2019-1114_epe_byJamesRansom.jpg) Epe by James Ransom For a long time, it really was just about me. I was on this journey, looking for Nigerian recipes that didn’t exist in the way I wanted. So I started writing my own versions, documenting them so I could come back to them later. A huge shift happened in 2011\. I had just moved back to Nigeria from the Netherlands and reached out to an American website to pitch an idea. They replied, “Sorry, we don’t take unsolicited pitches. We commission writers.” I was really ticked off. I thought, "What do you mean? You have a website that barely reflects any diversity, and I’m offering you something fresh." I was angry. But then I redirected that energy. I thought, "Why am I casting pearls before swine?" I could just build my own platform, create my own knowledge base, and document what I was doing for myself. Somewhere in my mind, I always knew I wanted to write a cookbook. At the time, I wasn’t even sure if it would be Nigerian-focused. But I knew Nigerians needed this information, we shouldn’t have to search for things like the information in seasonal produce calendars. This knowledge should be readily available. And not just for others, for me too. My head was full, and I didn’t want to keep it all in there. I wanted a place where I could return to it easily. Eventually, people began to reach out with messages and questions, and I started to feel a small sense of community forming. But it’s funny; with blogs, only a tiny percentage of readers actually comment. You could have thousands of views on a post and not even five comments. Community, for me, means call and response, dialogue. But I could still sense that people cared about the things I was writing. They’d engage with me more on platforms like X (Twitter) or Instagram, where communication was easier and more immediate. So I’d say I found a stronger sense of community through social media than directly through the blog. Still, I saw that people were responding to my experiments, my photography, my writing, whether it was rooted in classic Nigerian cuisine or a newer perspective I was bringing to ingredients. **That makes perfect sense. You mentioned that at the time, you weren’t really thinking about starting a cookbook, although it was somewhere in the back of your mind. And now, you’ve written *Chop Chop*, the Cookbook. You’ve written this, and it’s more than just a recipe book; it’s essentially an archive. What was the emotional journey like in creating something so expansive and rooted?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Chop-Chop-Cover-Image_byJamesRansom.jpg) Chop Chop Cover by James Ransom It was traumatic in parts. I’d do it again. I have zero regrets, but it was hard for many reasons. I went into the process really confident. I had written a book proposal where I clearly laid out my ideas and vision, and that’s what helped my agent secure a book deal with publishers. Because of that, I felt assured, I knew what I wanted to do and where I was headed. I thought it would be easy. I know Nigerian cuisine and culture well, so I didn’t anticipate any major issues. But once I sat down to write, even with a solid table of contents and a clear roadmap, I found myself deviating from that plan, even though I was still focused on the same end goal. One of the first things I noticed was that some of the things I was confident about were suddenly being called into question, like the botanical names of herbs. Documentation around Nigerian cuisine is often inconsistent. You’ll see ingredients labelled incorrectly, and those errors get repeated across websites and platforms. You don’t even realise your source is wrong. I’d come across the name of a vegetable I thought I knew, only to find I couldn’t confirm it with a reliable, primary source. That brought up doubt. Was I even sure of what I was doing? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/53565334536_8e7155d31d.jpg) BTS of the writing process for Chop Chop The second thing I noticed was that I was writing in absolute terms, “Nigerians do this,” “Nigerians eat that.” But the more I wrote, the more I researched, and the more conversations I had, the more I realised there are no absolutes. At best, I could say, “I’ve seen Nigerians do this,” or “I’ve heard that.” Blanket statements didn’t work. That shook my confidence, too. I’m Nigerian, I thought I knew us. Eventually, I realised there’s a way to approach this work with humility. You can honour what you *do* know while giving space to what you don’t. That shift helped me change how I thought and wrote. I became more intentional about using language that reflected my knowledge while leaving room for other experiences and interpretations. And where I didn’t know something, I asked. When working on recipes from northern Nigeria, I reached out to friends from the region and asked questions. I brought in as many cultural experts, friends, and sources of knowledge as I could because I wanted to do it justice. I wanted this to be a seminal work, something instructive not just for Nigerians, but for West Africans and even non-Africans, to see the beauty, richness, and value of Nigerian cuisine. Those were some of the key things on my mind during the process. **That’s interesting to think about, I can only imagine! How long did it take to write the book?** I started working on it in 2019\. But I’ve been writing about Nigerian food for what, 16 years? **I can imagine it must’ve been an emotional rollercoaster to finish the book.** **You mentioned something earlier about how you can't make blanket statements about Nigeria. As we know, Nigerians are incredibly diverse, with multiple cultures and ways of doing things. And there’s that classic saying, “In my house, we do it this way.” Yet you were also trying to span the different regions of Nigeria, highlighting both iconic and lesser-known dishes. So, how did you decide which recipes and stories were important to include?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/53565653224_0d488ec2eb.jpg) BTS of the chapters for Chop Chop At this point, I did a brain dump of all the recipes I knew, ones I’d eaten, discovered, and remembered. That was my starting point: this massive brainstorm. I’d kind of had that list in my head for a long time, mentally working through the different regions and dishes. Once I got everything down, I created buckets, like breakfast, snacks, and started refining the recipes. Some of the categories actually started changing as I went. For example, I originally grouped soups, stews, and sauces together. But as I started writing the headnotes, the introductory parts of each recipe, I realised that stews and sauces were typically paired with grains, cereals, and vegetables, while soups were usually eaten with swallows or soft doughs. So it made sense to separate them. When I think of Nigerian soups like egusi, ogbono, or okra, the primary context is eating them with swallows. Sure, some people eat them with rice or plantains (I eat Egusi soup with rice, I eat Banga with rice), but the primary use is still as an accompaniment to swallows. Then I looked at stews, they’re more often paired with plantains, yams, and rice, so they felt different. Even though I started with a certain structure, I ended up breaking it down differently as I went along. Another example is snacks. Initially, I grouped all snacks and small chops together. But then I started thinking about context. Small chops, samosas, spring rolls, puff-puff, are so tied to parties and celebrations in a way that everyday snacks aren’t. You might still see chin chin at a party, sure, and yes, I eat puff-puff at home too. But there’s something distinctly festive about that small chops spread. So the chapters evolved as I thought through not just the food, but the cultural and contextual meanings. It wasn’t just about writing recipes, it was about stepping back, being critical, and asking, “Do these categories make sense?” In doing that, the clarity came even if I didn’t start out thinking in terms of regions or themes. **Yeah, that makes sense. And when it comes to different regions and places, how do you decide, “Okay, these are the recipes I’m going to do,” or “These are the ones that represent these people”?** I knew I had a broad knowledge of Nigerian cuisine. I had either eaten or engaged with ingredients and dishes from across the six regions. For example, I have a friend, Ngozi, in Jos who runs a fruit and vegetable company called [Earth Fresh Foods](https://www.instagram.com/earthfreshfoodsng/?ref=marmaladecollective.com). Through her, I discovered ingredients from Plateau, things like dried sweet potatoes or rice still in its husk, which is sometimes used in *kunu*. Then I have another friend, Ellen, who is Tiv, and her mom gave me all sorts of ingredients like ground millet mixed with spices, which they use to make a breakfast porridge called Ibyer. All of this happened before I started writing my book, so I already had a pretty good sense of Nigerian cuisine on both national and regional levels. **I love that. Moving beyond your cookbook and into your broader work around the global imprint of West African food, I wanted to ask: What are some of the connections you’ve seen between West Africa and the diaspora when it comes to food? And what does that connection mean to you personally and to people who are interested?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/2024-0226_chop-chop_jollof-rice_byJamesRansom.jpg) Jollof rice by by James Ransom I think it has a strong connection to heritage, legacy, and language. Take *Akara*, for example. Over the last few years, I’ve been working on an atlas of foodways and foodways connections, and *Akara* is one of those dishes that appears across the Black Atlantic. You’ll find versions of it everywhere, from West Africa to the Caribbean coast, all the way up to the American South. And many of those versions still honour the name: you’ll see it called *acarajé*, *akala*, *calas*, the language links are very strong. The similarities are significant, but there are also differences shaped by geography and availability. In Nigeria, *Akara* is made from black-eyed beans or cowpeas, the same as in Brazil. But in other places, it might be made from taro, cocoyam, pumpkin, fish, salt cod or rice. Basically, people used whatever ingredients they had, but the core remained the same: a batter or dough that was deep-fried into fritters. That continuity in name and form helps you trace an edible trail all the way back to West Africa. I’ve written pieces about these shared connections. It’s important to me to highlight this for several reasons. First, people often question whether Nigerian or West African food has history or legacy. But it does, our food has left a mark. It has influenced cuisines across the world, and while we’ve also been influenced by others, we’ve absolutely done the work of shaping global cuisines too. There are also many dishes that reflect these connections beyond the transatlantic enslavement of West Africans. In the case of *Akara* and *acarajé*, yes, that link is rooted in the forced migration of enslaved West Africans. But the fact that these foods endured, that they evolved while still preserving their essence, is a form of protest, resistance, and cultural survival. Even when our people weren’t allowed to write or document, they passed down these foods. That, to me, is incredibly powerful. Another example is curry powder. In Nigeria, we make a kind of chicken curry, and you’ll find similar curries in Korea, Japan, the American South, and other parts of Africa. In that case, the connection comes through British colonialism, and curry powder as a blend has become a global construct. And that, too, gives us a way to look at both the similarities and subtle differences in food cultures around the world. **That’s beautiful to see. You live in Canada, and I want to know how you keep those ties to your cultural roots. I mean, you wrote most of your book while abroad. You may have been travelling, here and there, but you weren’t based in Nigeria. So, how do you stay connected to your roots and your culture?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/WhatsApp-Image-2025-05-19-at-11.52.45-PM.jpeg) It’s like asking, "How do I keep myself?" I’m Nigerian through and through. There’s no day I’m not Nigerian. It’s baked into who I am. I eat Nigerian, I drink Nigerian, everything I do is through the lens of being Nigerian. That means there’s almost always stew in my fridge or freezer. One way I stay close to home is by surrounding myself with Nigerian things, whether that's books or ingredients. I also built a mosaic of sources to meet my needs for Nigerian food. That means finding similar ingredients at regular grocery stores or going to speciality stores that cater to other cultures with similar food traditions. For example, if I want certain cuts of meat and can’t get to a Nigerian store, I’ll go to a Chinese shop. If I’m looking for smoked mackerel, sometimes I’ll go to a Polish or Eastern European store. Writing the cookbook helped me create a kind of map for myself, where to find Nigerian ingredients and their best substitutes, because that’s the reality of living away from home. I also support Nigerian stores online and sometimes even order ingredients or food directly from Nigeria because I crave a particular taste. It’s all part of my journey as an adult, piecing together different parts to make the whole. And honestly, I crave Nigerian food often. Thankfully, things like plantains are easier to find now; they’re always in the shops. **Speaking of roots, how do you think food can serve as a bridge between the past and the future? Especially considering the work you do with** [**Feast Afrique**](https://www.feastafrique.com/?ref=marmaladecollective.com)**. I’m such a big fan of the historical references you share. How do you think food connects us to our history and also helps guide younger generations, both here at home and in the diaspora?** That’s such a beautiful question. When I think back to my work as a geologist, one of the key principles is *uniformitarianism*, the idea that the present is the key to the past. Geology studies processes over time. Layers of sediment build up, and by studying what we see today, we can understand what happened in the past. Each layer tells a story: the top layer is the youngest, and the deeper you go, the older it gets. It’s the same thing with food. I can look at what we’re eating today and work backwards. That’s part of what I love about cookbooks; they help map out the evolution of Nigerian cuisine and culture. I once came across a Nigerian cookbook from 1910 that spoke poorly of local eggs, saying they were so bad they were only good for throwing at people during elections, which, interestingly, ties into the global history of egg-throwing during protests. But by 1934, you start to see eggs appear in actual recipes. My research revealed that during the Great Depression in the 1930s, colonial governments promoted eggs in African diets to combat malnutrition. It was a quick fix, eggs as a protein source. So today, when we see eggs in so many Nigerian dishes, few people realise this practice stems from colonial nutrition policies over a century ago. That’s the power of food; it tells stories. Recently, a friend, Dorothy, gave me a special kind of salt from Cross River. She explained how families take turns harvesting it during the dry season. I became curious and found academic papers on the politics of salt in Cross River during colonial times. Everyday ingredients like salt aren’t just kitchen staples, they hold deep cultural and historical meaning. Because I know who I am as a Nigerian, when I meet people who try to challenge that, it doesn’t faze me. Maybe when I was younger, I could be swayed, but not anymore. I know who I am. Part of that confidence comes from knowing we have history, we have culture. West African knowledge, not just labour, was instrumental in transforming other continents we went to. People were stolen from West Africa not only to work the land but also because they had the agricultural expertise, like growing rice in swampy areas. That knowledge shaped the American South’s rice industry. So when people reduce the transatlantic enslavement of West Africans to just “labour,” they miss the full picture. Our ancestors brought intellect and skill. And when you look at global migration today, you see echoes of that, countries seeking skilled immigrants to boost their economies. The system isn’t as brutal, but the premise remains: people are valued for their knowledge. That’s why the geological framework, *the present is the key to the past*, still shapes the way I think about food. It’s not just about ingredients; it’s about history, culture, and identity. **That’s such an interesting point, and I think it's super important. It’s hard to find proper documentation, but the more I get exposed to work like yours, the more I see, we *do* have deep roots, we *do* have history, and we *did and do* have intellectuals. We had people who shared knowledge. And I think it's so important, especially for the younger generation, to realise that.** My niece was looking for a particular cassava chip called Abacha Mmiri, but she only knew the name in Rivers, where it's called Bobozi. She was trying to explain it to her friend: “This thing my grandma used to make for me.” She goes online, searches the name, and what comes up? A reference to my blog. And in that blog post, I’m talking about the same thing her grandmother gave me. That was such a full-circle moment. My niece, living abroad, just wanted a taste of home and a way to connect with a friend. She only knew that one local name, and thankfully, she found a resource. That’s one of the greatest joys for me. We have to leave those trails for the people coming after us. **I absolutely love that story. Now that you’re a professor, someone who teaches and does public work, what are some of the powerful responses you’ve received in relation to food and your work?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/Photographer_Oluwapelumi-Bamidele-of-OviaReflexPhotography.jpg) Photographer: Oluwapelumi Bamidele of OviaReflex Photography A lot of my work is in food, travel, and tourism studies. As much as I can, I bring in shared foods and drinks. When I teach, I always look for examples that show similarities across cultures and cuisines. Some students are amazed to learn that Nigerian food isn’t all spicy or peppery. They’re surprised to see that our food shares similarities with what they know. And many are curious about how I transitioned from geology to gastronomy. I’ve received really great feedback about *Chop Chop* and my other projects, how they teach people, shine a light on Nigerian cuisine and culture, and use language to create global understanding. People often ask, “Where can I get the ingredients?” And I’m like, “Everywhere!” I’m not saying you have to struggle to find Nigerian ingredients, but when I cook food from another culture, I take the time to invest in finding the right ingredients and learning the recipes. I know I’m the exception because I love food and that process of discovery. But still, I’d like people to do the same for Nigerian cuisine. You can always ask me questions, but you can also do your own research. That’s why I’m so passionate about documentation. The more knowledge we preserve, the more references people will have and the more they’ll see Nigerian cuisine and culture as something worth exploring deeply, with pride and agency. **And there's so much joy in discovering that kind of information about yourself. It gives you a real sense of accomplishment. My final question is a personal one: What are some of your favourite comfort foods and drinks?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/2024-0226_chop-chop_soaked-garri-3401_byJamesRansom.jpg) Soaked Garri by James Ransom My favourite? Soaking *garri*. I think soaking *garri* is number one! I think about *puff-puff* a lot. I don’t make it too often because I know if I do, I’ll eat too much of it. But it’s definitely a comfort food. *Pounded yam and egusi*, yes. Or *pounded yam* with *okra stew*. Not often, though. With drinks, definitely *zobo* or *Chapman*, top of my list. And *palm wine*. Sometimes I think about palm wine a lot. Sweet, fresh, straight from the tree, before it has a chance to sour. That creamy sweetness, that slight booziness. Beautiful. **Thank you. This has been so much fun. I’ve learned so much and really enjoyed the conversation.** ### Chapter 2: Digital Diasporas - How 150M People Scattered Globally Can Unite Digitally URL: https://www.marmaladecollective.com/digital-diasporas-how-150m-people-scattered-globally-can-unite-digitally/ Last updated: 2025-05-28T16:02:23.000Z ## The Scattering and the Gathering In a bustling café in Lagos, a young entrepreneur finalises a business deal with her cousin in Toronto. In London, a doctor hosts a virtual dinner party with family members spread across five continents. In São Paulo, an artist collaborates with musicians in Johannesburg and New York on a song that will debut simultaneously in all three cities. These scenes, playing out thousands of times daily across the globe, tell a new story about what it means to be African in the 21st century. The African diaspora - approximately 150 million souls spread across every continent - represents one of humanity's great dispersions. Yet what was once a story of separation has become, in the digital age, a narrative of unprecedented connection. The same technologies that have reshaped global communication have created something extraordinary: the possibility of a diaspora that is scattered physically but united digitally. ## The Numbers Tell a Story Consider the scale: If the African diaspora were a country, it would be the world's ninth most populous nation. This dispersed population generates an estimated $2.5 trillion in annual economic activity. In the United States alone, African immigrants have higher educational attainment rates than the general population. In Europe, African diaspora communities are reshaping cities from Paris to Berlin. In Asia, African traders and entrepreneurs are building new bridges between continents. Yet until recently, this vast network operated in silos. Nigerian communities in Houston had little connection to Senegalese communities in Paris. Ethiopian entrepreneurs in Silicon Valley operated separately from Ghanaian tech innovators in London. The diaspora was less a network than an archipelago - islands of culture and connection separated by vast digital oceans. ## The Digital Bridge Enter the smartphone. Enter social media. Enter the age of instant, global, affordable communication. Suddenly, the barriers that kept diaspora communities isolated began to crumble. WhatsApp groups connected extended families across continents. Instagram allowed cultural creators to share their work instantly with global audiences. LinkedIn enabled professional networks to span hemispheres. But these were just the early tremors of a larger shift. What we're witnessing now is the emergence of purpose-built digital infrastructure designed specifically to unite the African diaspora. Not as passengers on platforms built for other purposes, but as architects of their own digital destiny. ## From Fragmentation to Federation The transformation is profound. Where once diaspora identity was maintained through occasional remittances and annual visits home, it now pulses through fiber optic cables and satellite signals every second of every day. A grandmother in Nairobi can watch her grandchild's first steps in real-time in Minneapolis. A startup founder in Kigali can get mentorship from a venture capitalist in San Francisco. A fashion designer in Dakar can sell directly to customers in Dubai. This isn't just about maintaining connections to home - it's about creating an entirely new form of collective identity. Digital diasporas don't just preserve culture; they evolve it. They create new traditions, new forms of expression, new ways of being African that transcend the limitations of geography. ## The Three Digital Bridges Three critical bridges enable this digital union: 1. **The Communication Bridge**: Platforms that allow real-time, multi-modal communication across time zones and continents. Not just text and voice, but video, virtual reality, and shared digital experiences that create presence across distance. 2. **The Cultural Bridge**: Digital spaces where cultural knowledge, traditions, and innovations are shared, preserved, and transformed. From TikTok dances that go viral globally to online markets for traditional crafts, culture flows in all directions. 3. **The Economic Bridge**: Financial infrastructure that enables seamless economic participation regardless of location. From mobile money to cryptocurrency, from e-commerce to remote work platforms, economic barriers dissolve in the digital realm. ## The Network Effect of Identity Here's where it gets interesting: As more members of the diaspora connect digitally, the value of the network increases exponentially. Each new connection doesn't just add one more node - it multiplies the possibilities for collaboration, commerce, and cultural exchange. A musician in Lagos connects with a producer in Los Angeles, leading to a collaboration that introduces both to new audiences. Their success inspires others. Soon, a web of creative partnerships spans the globe, each connection strengthening the whole network. This network effect applies to every domain - business, education, arts, technology. The diaspora becomes more than the sum of its parts. It becomes a distributed superorganism, capable of coordinated action at unprecedented scale. ## Digital Tools for Diaspora Unity The tools enabling this transformation are evolving rapidly: - **Identity Platforms**: Systems that verify and celebrate African identity while respecting privacy and individual autonomy - **Cultural Archives**: Digital repositories that preserve and share cultural knowledge across generations - **Economic Networks**: Platforms that facilitate trade, investment, and financial services within the diaspora - **Educational Hubs**: Online universities and skill-sharing platforms that democratise access to knowledge - **Governance Systems**: Digital decision-making tools that allow distributed communities to coordinate effectively ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ## The Challenges We Must Address Digital unity isn't without its challenges. The digital divide means not all diaspora members have equal access to these tools. Language barriers persist - though AI translation is rapidly breaking them down. Cultural differences within the diaspora sometimes create friction in digital spaces. There's also the question of authenticity. How do we preserve the essence of African cultures while embracing digital transformation? How do we ensure that digitisation enhances rather than erases traditional ways of knowing and being? ## The Path Forward The answer lies not in choosing between tradition and technology, but in wielding technology in service of cultural continuity and evolution. Digital diasporas succeed when they: 1. **Honour the past while building the future** \- Using technology to preserve and transmit traditional knowledge while creating new forms of cultural expression 2. **Include everyone** \- Building systems that work for the grandmother in the village and the programmer in Silicon Valley 3. **Create value for all participants** \- Ensuring that digital participation leads to tangible benefits - economic, social, cultural, and spiritual 4. **Maintain autonomy** \- Resisting the colonisation of digital spaces by building and owning our own platforms 5. **Foster genuine connection** \- Using technology to deepen rather than replace human relationships ## A New Chapter in an Ancient Story The story of the African diaspora is ancient - dating back millennia to the first human migrations out of Africa. But we are writing a new chapter, one where physical distance no longer means cultural disconnection. Where the phrase "we are all African" takes on new meaning in digital spaces that recognize no borders. The 150 million members of the African diaspora are no longer scattered fragments but nodes in a vast, interconnected network. Each connection strengthens the whole. Each innovation benefits all. Each story adds to our collective narrative. We are witnessing the birth of something unprecedented: a truly global African community, united not by geography but by shared identity, common purpose, and digital infrastructure designed for cultural sovereignty. The diaspora is uniting digitally. The question is not whether this will happen - it's already happening. The question is how we'll shape this union to serve our highest aspirations. How we'll use these tools to build not just connections, but community. Not just networks, but a new way of being African in the world. This is our moment. This is our opportunity. To transform separation into strength. To turn distance into connection. To build the world's first truly digital diaspora. Welcome to the future of African identity. Welcome to the digital union of the scattered. Welcome home. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### What's On This June? URL: https://www.marmaladecollective.com/whats-on-june-2025/ Last updated: 2025-05-28T12:00:05.000Z June is here – and we’re serving up culture; 6-course dining experience, summer forest walk and more. From your plate to your path to your people – June is about feeding all your senses. _This post is for subscribers only._ ### How Artists Like The Cavemen and Rema are Reviving Traditional African Sounds in Modern Music URL: https://www.marmaladecollective.com/how-artists-like-the-cavemen-and-rema-are-reviving-traditional-african-sounds-in-modern-music/ Last updated: 2025-05-26T14:15:39.000Z There’s something about traditional African music that refuses to die, and rightfully so. Rooted in ritual, storytelling, and spiritual expression, it flows through the veins of the continent’s past, present and future. It's in the talking drum at festivals, the ululation during weddings, and the call-and-response of a people who’ve always found joy and power in rhythm. Fast forward a few centuries and what do you get? Afrobeats. A genre that’s not only a chart-topping global export but a living, breathing evolution of the traditional sounds that raised it. But even beyond Afrobeats, African rhythms are everywhere. Amapiano is lighting up clubs in Berlin and Brooklyn, and hip-hop producers are digging through old African samples. Clearly, the influence of traditional African music is not just being preserved, it’s being reimagined. ## The Legacy of Traditional African Music ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/SaveClip.App_469489655_18331429261199791_1319792223604782961_n--1-.jpg) Image via @lostinvinyl Long before global playlists started obsessively shuffling Afrobeats and Amapiano, music in Africa wasn’t just entertainment, it was everything. It was how entire communities remembered, rebelled, worshipped, and healed. From the griots of Mali, whose *kora* melodies carried the oral history of empires, to the Yoruba *bata* drums that summoned deities during sacred rituals and festivals, music was, and still is, a living archive of African identity. Every single region had its rhythm. In East Africa, *taarab* blended Swahili poetry perfectly with Arabic and Indian instrumentation. In Central Africa, *soukous* music emerged from Congolese *rumba*, which is itself a descendant of Afro-Cuban music. West Africa gave us Highlife, Fuji, Apala, and Agidigbo; each tied to communal gatherings, spiritual ceremonies, royal courts, and everyday survival. And these weren’t just passive sounds. They moved bodies, yes, but they also told stories, preserved dialects, called ancestors, and shouted protest. Music was woven into the social fabric of the society itself: births had songs, funerals had chants, and even farming came with its own “soundtrack.” The instruments, such as balafons, talking drums, mbiras, and ngomas, weren’t just tools of sound. They were extensions of the African soul. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/SaveClip.App_485893434_18489571447021683_9040270244254859772_n--1--1.jpg) **Image via @*[**lionsdenmcr*](https://www.instagram.com/lionsdenmcr/?e=7092e1c9-0f02-4f7c-a77c-0a058043015b&g=5&ref=marmaladecollective.com) Even though it may be easy to think these traditional sounds and layered heritage have faded with time, they haven't. Rather than become relics of the past, they’ve evolved, reshaped by colonization, modernity, and the diaspora, and now they've found new life in today’s genre-defying African sound. ## Afrobeats: A New Chapter Today’s Afrobeats (not to be confused with Fela’s singular “Afrobeat”) carries within it layers of Yoruba percussion, Highlife melodies, Igbo call-and-response, and Hausa rhythms, all rolled into one sound. And these traditional roots are the soil from which global stars like Wizkid, Burna Boy, Ayra Starr and Asake continue to grow. Take The Cavemen, for instance. This Nigerian duo is Highlife reincarnated in Gen Z form. Their music is soaked in ancestral melodies, sung mostly in Igbo, and backed by guitar licks that wouldn’t sound out of place in a 1970s Enugu bar. And yet, they tour both Lagos and London, pulling in fans who don't even speak the language. Also, Burna Boy’s “Twice As Tall” and “African Giant” albums are practically thesis papers in African music lineage. You can hear everything from Fela to Angelique Kidjo to South African Zulu choirs in the production. Rema, Afrobeats’ (or Afrorave, as he calls it) experimental poster boy, has also openly cited traditional Nigerian genres like Fuji and church music as his early inspirations. His voice dips into melodious chants, and his beats often merge trap drums with bata drums. On hit song, “Charm,” he blended pop with traditional cadence. On another fan favourite, “Is it A Crime”, he sampled Sade, a British-Nigerian icon whose own music is steeped in African jazz. Even in his latest work, Rema’s art feels like a cultural puzzle, part Benin kingdom royalty, part Lagos club night, part SoundCloud era. And so far it seems to be working for him. ## Amapiano: From Township to TikTok Over in South Africa, Amapiano is having its own moment, and it’s not a moment that’s ending anytime soon. With its log drums, upbeat chords, and slowed-down house beats, Amapiano draws directly from *kwaito*, which itself evolved from *marabi* and traditional South African styles like *maskandi* and *mbaqanga*. Today's SA artists like Kabza De Small, Uncle Waffles, and Musa Keys are spreading a gospel that feels both new and deeply ancestral. In Ghana, acts like King Ayisoba fuse traditional two-string kologo sounds with modern electronics. His music feels raw, almost ceremonial, yet it fits in perfectly at global festivals. Wiyaala blends tribal chants with pop melodies and sings in local languages like Sissala and Waale. Amaarae, one of Ghana's most well known exports mixes different styles in her music, combining Afrobeat with modern, futuristic sounds. Her unique voice and bold style have made her popular around the world and one of the most exciting artists from Ghana today. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/SaveClip.App_434564118_1796158924231463_5620016477434005968_n--1--1.jpg) **Image via @*[**amaarae*](https://www.instagram.com/amaarae/?ref=marmaladecollective.com) In Kenya, Sauti Sol’s rich harmonies carry the soul of Benga and Taarab music, while still collaborating with global acts like Burna Boy and Patoranking. And Tanzanian artists like Diamond Platnumz and Zuchu incorporate elements of Taarab and traditional Swahili rhythms into their Bongo Flava sounds, finding new ways to modernize them for a younger, more pop-hungry audience. ## Global Artists with African Roots Unsurprisingly, even the diaspora isn’t left out either. British-Gambian artist J Hus combines Afro-infused beats with his grime flows and rap, often referencing juju and traditional lore in his lyrics. And French-Malian star Aya Nakamura writes pop bangers with Afro-Caribbean and West African inspiration, proudly giving Francophone African teens a soundtrack that sounds like them. Even American R&B and pop have started to bend toward African rhythms. Tems' soulful, almost spiritual vocal style owes as much to old Yoruba hymns as it does to alternative R&B. And with her writing credit on WizKid’s “Essence” and major feature on “Wait for U,” she’s exporting not just her voice, but an entire emotional sound rooted in African music. And it’s not just African artists who are paying homage. Whether consciously or not, Western musicians are also tapping into traditional African archives too. On “IGOR,” Tyler the Creator sampled a song by Zimbabwe’s Hallelujah Chicken Run Band, a 1970s outfit that merged Shona traditional music with funk and electric guitars. Drake’s “One Dance,” arguably the song that opened the door for Afrobeats on global charts, featured Nigerian singer Wizkid and borrowed from the rhythm of UK Funky and Afro-house, which are both descendants of African drumming and polyrhythms. Even Beyoncé’s “The Lion King: The Gift” wasn't just a guestlist of Afrobeats features. It was a cultural mixtape, with traditional chants, Swahili interludes, Yoruba proverbs, and even ancestral drums all layered into the sound design. It was a full-on immersion into traditional Africa. ## Conclusion What we’re seeing today isn’t just a comeback of African music, it’s a reshaping of the global sound as we know it. Not long ago, this kind of music was seen as old-fashioned or not cool enough. But now, traditional African music isn’t being ignored anymore; it’s taking the lead, with its drums, chants, and deeply cultural roots. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Nasty C Makes Bold Music Move, Wizkid Heads to a Major Stage, Daniel Etim Effiong Shines at Cannes URL: https://www.marmaladecollective.com/nasty-c-makes-bold-music-move-wizkid-heads-to-a-major-stage-daniel-etim-effiong-shines-at-cannes/ Last updated: 2025-05-26T09:00:16.000Z **Welcome to Vol 136 of the Spread!** Hello and welcome back to the Spread, your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Last week, I caught myself (more than once) wishing I could be a kid again. No emails, no deadlines, just unlimited snack breaks and blaming my mess on my siblings. Adulting really is the plot twist no one warned us about. Cheers to finding your inner child this week! And an excited heads-up: our next Marmalade Member Monday event is ***tonight* at 7 PM!** It’s your chance to commune, connect, swap ideas, and get exclusive updates on all things Marmalade. So if you haven’t signed up yet (and I wonder why…) [**sign up now**](https://lu.ma/s4em95d6?ref=marmaladecollective.com) before spots fill up! See you there, *Mary x* ❤️ Marmalade Member Monday is back—****tonight at 7,** and you do NOT want to miss it! [****Sign up here**](https://lu.ma/s4em95d6?ref=marmaladecollective.com) to save yourself a seat. Now, on to the real peel 👇 _This post is for subscribers only._ ### Black Sherif Bags BET Nod, Rema Honoured in Boston, Africa’s Stars Shine at AMAs URL: https://www.marmaladecollective.com/black-sherif-bags-bet-nod-rema-honoured-in-boston-africas-stars-shine-at-amas/ Last updated: 2025-05-19T09:00:52.000Z **Welcome to Vol 135 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Somewhere in the world, Black Sherif is casually bagging a BET nomination, and here I am, celebrating because I remembered all my passwords last week. But wins come in all shapes and sizes, my friend. Speaking of wins, our next Member Monday event is just **one week away!** Next Monday, we’re bringing everyone together to connect, share ideas, and get the inside scoop on all the exciting things we’ve got coming up at Marmalade. Spaces fill fast, so if you haven’t already, [**sign up here**](https://lu.ma/s4em95d6?ref=marmaladecollective.com) before it sneaks up on you. Oh, and you're welcome in advance for the great time you had. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Herrana Addisu Turns Lived Experience into Visual Resistance URL: https://www.marmaladecollective.com/herrana-addisu-turns-lived-experience-into-visual-resistance/ Last updated: 2025-05-16T08:53:33.000Z Herrana Addisu is a multi-disciplinary artist, filmmaker, and social impact strategist whose work sits at the intersection of storytelling, advocacy, and cultural memory. Raised between Addis Ababa and the United States, Herrana’s upbringing and the migration journey of her family deeply inform her artistic lens and commitment to justice. With academic roots in political science, gender studies, and international law, Herrana began her career in human rights, working across anti-trafficking, labour rights, and global women’s movements. But it was through photography and film that she discovered a more intimate, visceral way to reach communities and bridge the gap between policy and lived experience. Out of this vision came Chucha Studios, a creative production agency Herrana founded to centre the voices of marginalised communities and reimagine visual storytelling as a tool for systemic change. At Chucha, art and activism are inseparable. The studio partners with brands, artists, and grassroots organisations to tell stories that challenge dominant narratives, particularly around Black and immigrant identities, through casting, creative direction, event production, and strategic advocacy. Their process is rooted in restorative justice, with a focus on amplifying underrepresented voices through a community-led and deeply respectful approach to storytelling. In our interview, Herrana shared the deeply personal roots of her work, from her early fascination with memory and resistance to the intimate experiences that shaped her debut film, *The River ወንዙ*. The film is an homage to Ethiopian girlhood, beauty, and the gendered risks tied to water access, inspired by Herrana’s own memories of a river near her childhood home. We also discussed *Welcome Home*, Chucha’s first major series, which centres Black immigrant stories often overlooked in mainstream narratives. In blending archival photography with personal narrative, the series reclaims space for joy, strength, and resilience within the diasporic experience. Herrana’s intuitive approach to choosing stories, guided by memory, identity, and urgency, underscores her commitment to making work that is not only representative but resonant. Whether she’s directing, modelling, or collaborating across disciplines, Herrana is forging a path that refuses to separate art from justice. With *The River* currently on the festival circuit and a new film in the works, she and Chucha Studios continue to explore the power of visual storytelling as a force for cultural preservation and transformative change. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_467866981_582516967570221_6306824033420158374_n.jpg) Photography by [@a\_kid\_named\_trav](https://www.instagram.com/a%5Fkid%5Fnamed%5Ftrav/?ref=marmaladecollective.com) for [@thecorecet](https://www.instagram.com/thecorecet/?ref=marmaladecollective.com) **Tell me about your background.** I was raised between Addis Ababa and the U.S., where my early life was shaped by a deep sense of movement between places, languages, and cultures. Growing up, I was always drawn to storytelling. I didn't have the language for it then, but I was fascinated by the ways people remembered, resisted, and rebuilt. I wouldn’t say I always knew I’d be a filmmaker, but I’ve always known I wanted to honour untold stories, especially those at the intersections, and wanted to do something creative. That passion eventually led me to advocacy and sustainability work, and over time, I began to realise that visual storytelling was one of the most powerful ways to connect policy with people. That’s how I found my way to the work I do now. **You blend social impact with artistry, with storytelling as your main goal. How has your background influenced that, and what was your turning point?** My background is in social impact and political science. I did my undergrad in political science and gender studies, then went on to do a master’s in international law and human rights, focusing on women in conflict, particularly their roles in political negotiations and peacekeeping. I later worked in anti-human trafficking, with a strong focus on labour rights and legislation. But growing up African, there’s this idea that being an artist isn’t realistic; it’s seen as unstable. You’re pushed toward ‘serious’ careers. And I followed that path: I got the degrees, moved to New York, and worked in humanitarian spaces. I ticked every box, but it still didn’t feel fulfilling. I began to realise that a lot of the work I was doing, while important, wasn’t reaching the communities it was meant for. These big conversations around social justice often happen within the same circles, speaking to the same audiences. I wanted to reach more people in a way that felt more personal and healing, not just for others, but for myself too, because doing this type of work can also be very draining, especially when you’re living through the very realities you’re trying to challenge. Talking about women’s rights and equity, for example, while also being a person of colour, it’s hard to separate the work from your own lived experiences and internalised trauma. Navigating those spaces becomes deeply personal. That’s when I started getting into photography, not with the intention of building a career, but simply because I enjoyed it. It was an outlet. But over time, I noticed I was naturally drawn to telling stories about my community. It became a way for me to express what I was already advocating for in my professional life, just through a different, more visual and emotional medium. Eventually, the two paths started to merge. At first, I didn’t even realise what I was doing, I didn’t have a name for it. It was only about two years later that it clicked for me: I could actually build something out of this. I could start a production company, or call myself an artist focused on these kinds of stories. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_454638439_817451387165198_2384474056398922117_n.jpg) Still from “THE RIVER”. Produced by Qene Films **What inspired you to start Chucha Studios, and how have your heritage and your mother’s legacy influenced it?** It all ties back to my “why.” My culture plays a huge role in shaping my perspective and identity as an artist. You can see it in the tones, the colours, and the overall style I gravitate toward. So much of my artistic language is rooted in memory, especially memories from growing up at my grandmother’s house. My set design, in particular, often draws from those deeply personal moments, as well as from my faith. I grew up going to church every Sunday, and I remember how visually rich that experience was; the reds, the blues, the vibrant colour palettes, the symmetry in everything from the architecture to the stained glass. It’s only recently that I’ve realised how much of my visual sensibility comes from those early exposures to colour, structure, and feeling. My heritage and upbringing are at the core of that influence. And then there’s my mom. She always reminded me that just because something hasn’t been done before, or isn’t widely understood, doesn’t mean it’s impossible. That mindset really shaped the ethos of Chucha Studios. We’re not just a production company, we’re a vehicle for systemic change. You rarely see studios using art this intentionally to engage with social impact, especially in such an in-depth and culturally-rooted way. And right now, it’s hard not to notice how Black art and Black voices are often commodified, used as marketing tools, and then discarded when the trend fades. We’ve seen the support roll back. We’ve seen people disengage. And that's what my production company really aims to have. It's not a choice, and it's part of our ethos and our ways of doing business overall. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_412616016_1378319316405158_6348934033468990287_n.jpg) **How do you see film contributing to systemic change, especially in how the world views Black people and Africa?** I think film and photography have this unique ability to capture people’s stories without the barriers that often exist in other forms of storytelling. Especially when it comes to advocacy, I’ve found that so many spaces require a certain level of education, status, or the ability to articulate yourself in a way that fits into institutional norms. There’s a kind of elitism that shows up in politics and the social justice world, and it can unintentionally silence the very voices it’s trying to uplift. But art, especially film, creates space for something different. It allows people to be visible, to be their own advocates, and to speak from experience without needing someone else to speak on their behalf. It’s about agency. It’s about visibility. It’s what I often think of as a ‘survivor’s approach to change’ where the people who’ve lived these stories are the ones leading the conversation. That’s also a big part of my debut film, *The River*. Produced by Qene Films, we cast and collaborated directly with people who could speak from experience. I could sit behind the lens and be more of a vessel to help people have that platform to share their own voices instead of taking up space. **You just mentioned The River. It touches on themes like water access, beauty, and girlhood in Ethiopia; what, in particular, inspired the project, and what was the most personal aspect for you in creating it?** The inspiration for *The River* came from a real place, quite literally. There’s a river near my childhood home called **Kabenna**. Growing up, it held this dual meaning: it was a source of life, of water, but also a place of danger. I remember there being a very strong connotation around it, whenever we went to fetch water or got close to the stream, we had to be cautious. There were real vulnerabilities we faced: kidnappings, gender-based violence. As kids, especially girls, we were never allowed to go alone to the river, the lakes, or even the forest. You just never knew what was going to happen, and there's this disconnect that you have from nature, or a sense of fear that you have from it because of what society has built around it. That’s why I wanted to tell this story, not just literally, but through a narrative structured around poetry and four distinct scenes. Each scene could stand alone as its own short film, yet together, they form a larger, layered conversation about what it means to be a woman, not just in Ethiopia, but in the global South more broadly. 0:00 /0:21 1× Clip from The River **What would you say was most personal for you about its creation?** There’s a scene in the film that’s rooted in one of my most personal memories; moments I shared with my mother. She used to play the guitar, and I would go horseback riding with her. So if you’ve seen clips of the little girl with the guitar or the horses in the trailer, those visuals are drawn directly from that memory. It was also one of the most difficult scenes for me to create emotionally. Growing up, I had recorded a song with her on my phone. After she passed away, that recording meant the world to me; it was like a piece of her that I could still hold onto. But when I was in Ethiopia, someone stole my phone. And I know, to them, it was just a phone, but they didn't realise what they took from me. I didn’t even care about the phone itself. So I think, in a way, I created that scene to give that memory a second life. To make it tangible again, not just for the film but for myself. It was very special to me. **Another one of your projects that speaks to film and photography as agents for change is the *Welcome Home* series that focuses on Black immigrant experiences. Why was it important for you to tell that story, and how were you able to do it in such a creative medium?** *Welcome Home* was actually one of my first projects. I released it in 2022, and the idea was to tell stories around what it really looks like to be a Black immigrant. You know, a lot of times when we see immigration covered in the news or on social media, it rarely ever intersects with the Black experience. But the truth is, those two realities are deeply connected. There’s xenophobia, of course, but what happens when the system itself is also systemically racist? People often don’t talk about how Black immigrants are deported at higher rates, largely because Black communities are already policed at higher rates. That connection is there, but it’s ignored or overlooked entirely. With *Welcome Home*, I really wanted to shine a light on that, on the experience of being both Black and an immigrant, and also, importantly, on the resilience it takes to carry that identity. I didn’t want it to just be a story about hardship. I wanted to show the strength, the resilience, the incredible will it takes to leave behind everything you know and start over in search of a better life. 0:00 /1:00 1× Clip from Welcome Home **It's a very important story. Why did you choose to use archival photography?** So with Welcome Home, it's a series that's very dear to me, and I think as an artist, I'm always trying to explore different mediums of art and storytelling. So even with photography, poetry, with my film The River, music, tapping into that a little bit more, event production, I've always been exploring different ways to deliver and show up my work and archiving is something that I've always enjoyed. And I think you two could probably relate to that. You know, sometimes you grow up and you see, like fire images of your great grandparents or your grandparents, and you're like, who took these, like amazing photos that are curated, that were just taken. And I wanted to always explore and intersect working with archival images. And I met Ranata from black archives, and I know she's been wanting to do a little bit more work on touching on black diaspora stories. So that's where we kind of found the middle ground, and the happy medium of her being a huge expert in black archival photography and footage, and then me having the series, and we just kind of collaborated, and made it happen. **How do you decide which stories to tell and when to tell them?** Honestly, it’s all intuitive. I create from identity and memory; my lived experiences and the people around me. *The River* came from growing up near water. *Welcome Home* came from being raised by immigrants. These stories are personal. And I just know when it’s time. It’s a gut thing. What calls me, what feels urgent? That’s what I follow. **What would surprise people about your process and what happens behind the scenes?** That we're all still figuring it out, and the greatest moments often happen by accident. Even with *The River*, there were scenes we hadn’t planned to shoot, but we did anyway. Especially in post-production, there were so many parts of the film that took a different direction. I wasn’t expecting it to turn out the way it did, but it did. That’s something I always tell people: of course, have a vision for your art. But when you’re working with a team, a talented group of artists, there are so many ways your work can be interpreted. Don’t be afraid to shift from your original idea. Being open to feedback and other people’s input can really help shape and build your story. At the same time, it’s important to know when to trust your gut and stand by what feels right to you. **How do you make sure your collaborators and communities feel seen and respected?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_426358898_1148423042833031_4518432913447235372_n.jpg) BTS of The River Yeah, I think one way is, as I mentioned, I want everybody to feel proud of what they're working on. Whether you're in front of the scene or behind it, I want everyone to feel like they’ve put in their best and are proud of the work being put out overall. I think transparency and just trying to be open within my process is something I really try to practice. I’m not perfect, but it’s something I’m mindful of, especially as a director. Hearing everybody’s voices matters. And respect is a big one. A lot of people underestimate how disrespectful things can get on set. There’s this hierarchy, and the way people speak to each other can be wild sometimes. That’s something I really try to be conscious of. Production can be super stressful; things move fast, you’re racing against the light, producers are yelling, and it can easily become chaotic. People start talking to you crazy, if I’m being honest. But no matter how much pressure I’m under, I never want to normalise that kind of behaviour. How you treat people, how you speak to them, that matters. And unfortunately, that kind of treatment has been way too normalised in the film world. **I think that's very important to note. Speaking of the wider community. How have they responded to some of your projects?** I think overall, thankfully, it’s been good. But of course, there’s always criticism. Especially when I go back home, I get a little nervous. Like, I can speak my native language really well, but I can’t always hold a full professional conversation in it. And I think people sometimes nitpick at stuff like that, just to find a flaw. That’s something you have to learn to navigate. There will always be people doing absolutely nothing who will still tell you you’re doing absolutely everything wrong. Learning to cancel that noise out is important, but also understanding where people are coming from is a balance. With Chucha Studios and the kind of work I do, I don’t have the privilege of ignoring certain things. I can’t just say, “Oh, it’s just art.” When you commit to telling stories that are about change, about community, you have to hold yourself to a higher standard. You owe that to the people you’re representing. And I think that’s both the gift and the curse of the work I do. **You also model, direct, and recently had your first portrait painted. How do you balance all these creative outlets?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_483921255_18485939530014494_8644331984905769948_n.jpg) Portrait of Herrana Yes, for the portrait, actually, it was [Jas](https://www.instagram.com/jasknightart/?ref=marmaladecollective.com) who painted it. He’s a painter, and it was the first time someone painted a portrait of me. It was really nice to be a muse for him. Overall, I try not to separate out a lot of my work. Sometimes things naturally intertwine. Even with modelling, I see it as something I do for myself, a way to document myself. Not just always being behind the lens, but also expressing myself and my artistry from within. It’s something I hold really personally. Modelling is actually what made me fall in love with film. Just being outside, on set, meeting so many amazing photographers, videographers, and creatives, became my toolbox for learning about the industry. Understanding what people do, how sets work. I always say modelling was my school, it taught me a lot about being a director and creative director as well. **What’s next for you and Chucha Studios?** We’re still submitting *The River* to film festivals, so fingers crossed for more screenings. I’m also working on an exciting project on the continent this fall, and I’m writing the script for my next film. It’s a lot of behind-the-scenes work right now, but I’m excited for what’s coming. **I’m excited as well. Thank you for speaking with me.** [Images from Herrana Addisu](https://www.instagram.com/herranathegreat%5F/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Ayra Starr Goes Platinum, African Designers Dominate Met, Apple Music Spotlights Africa URL: https://www.marmaladecollective.com/ayra-starr-goes-platinum-african-designers-dominate-met-apple-music-spotlights-africa/ Last updated: 2025-05-12T09:00:30.000Z **Welcome to Vol 134 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. One of the best things about being a certified fashion lover is having a legitimate excuse to spend my entire weekend obsessing over MET Gala looks without shame. And let me just say, our African faves? They *ate*. Honestly, I’m still recovering. Anyway, I hope May’s been kind to you so far. Whether you’re chasing big goals or just trying to stay afloat, try to remember that slow progress is still progress. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Chapter 1: The New Mainstream Manifesto URL: https://www.marmaladecollective.com/the-new-mainstream-manifesto/ Last updated: 2025-05-11T14:49:31.000Z ## Introducing the Vision of a Cultural Network State We stand at the threshold of history's most audacious experiment: the birth of the world's first cultural network state. Not bound by borders, not limited by geography, not constrained by the old rules of nationhood. This is the New Mainstream—a digital nation of 150 million African hearts beating as one across every corner of the globe. ### The Old Maps Are Burning For too long, we've accepted a world where culture follows power, where mainstream means Western, where our stories are told in whispers while others' are broadcast in symphonies. But the tectonic plates of global culture are shifting. The old maps—those arbitrary lines drawn by colonial hands—are becoming irrelevant in an age where your neighbour might be 10,000 miles away but share your values, dreams, and heritage more deeply than the person next door. We've been taught to see ourselves as scattered fragments—the African diaspora, dispersed and disconnected. But what if this dispersion wasn't our weakness but our greatest strength? What if being everywhere meant we could be THE mainstream everywhere? ### The Digital Dawn The internet didn't just connect computers; it connected souls. For the first time in human history, physical distance has become meaningless in the formation of community. A young Afrobeats artist in Lagos can collaborate in real-time with a producer in Los Angeles. An entrepreneur in Accra can build a business with partners in London, Toronto, and Johannesburg. A grandmother in Kingston can teach her grandson in Paris the recipes that kept their family together for generations. This isn't just connection—it's reconstitution. We're not just finding each other; we're finding ourselves. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### The Three Revolutions **The Cultural Revolution**: We're witnessing the end of cultural hegemony. TikTok has done what centuries of soft power couldn't—democratised global influence. African sounds dominate global charts. African fashion walks every major runway. African food feeds the world's most sophisticated palates. But we're still guests at someone else's party. It's time to host our own. **The Economic Revolution**: The African diaspora controls $2.5 trillion in economic power—more than the GDP of most nations. Yet this wealth remains fragmented, flowing through systems that weren't built for us, enriching platforms that don't understand us. What if we could coordinate this economic might? What if every dollar, pound, and naira spent within our community strengthened our collective power? **The Technological Revolution**: The tools to build nations no longer require armies or territories. They require vision, coordination, and the courage to reimagine what a nation can be. Blockchain enables trustless cooperation. AI amplifies authentic voices. Super-apps create entire economies. The infrastructure for a digital nation isn't just ready—it's waiting. ### The Network State Emerges A network state isn't a place—it's a choice. It's millions of individuals choosing to align their cultural, economic, and social lives around shared values and goals. It's replacing the randomness of birth location with the intentionality of chosen community. It's the radical idea that in the 21st century, culture can be a more powerful organising principle than geography. But this isn't about rejecting physical nations. It's about transcending their limitations. It's about creating a complementary layer of belonging that serves us in ways traditional nations cannot. You can be proudly Nigerian, American, British, or Brazilian while also being a citizen of the New Mainstream. ### The Mainstream Flip Here's the audacious claim: African culture IS mainstream culture—the world just hasn't realised it yet. From the rhythms that power global music to the flavours that define contemporary cuisine, from the fashion that sets trends to the wisdom that guides movements, African influence permeates everything. We're not trying to join the mainstream; we're revealing that we've been it all along. The flip happens when we stop seeking validation from existing systems and start building our own. When we stop being consumers of culture and become its primary producers. When we stop letting others mediate our connections and create direct pathways to each other. ### The Digital Nation Blueprint Imagine a platform that isn't just an app but a nation. Where your morning begins with news from across the African world, curated by us, for us. Where your business connects directly with 150 million potential customers who share your values. Where your children learn their history from their own people. Where your vote shapes cultural and economic decisions that affect your community globally. This platform would have: **Cultural Sovereignty**: We decide what stories get told, what voices get amplified, what values get promoted. No more fighting algorithms designed for someone else's worldview. **Economic Coordination**: Every transaction strengthens our collective economy. Buy from us, sell to us, invest with us. Create wealth that circulates within our community before it flows out. **Social Infrastructure**: From dating to networking, from education to entertainment—every aspect of social life designed with our culture at the centre, not as an afterthought. **Governance Mechanisms**: Democratic participation that goes beyond voting—actual influence over the direction of our digital nation through DAOs, community councils, and cultural leadership. ### The Path Forward This manifesto isn't a dream—it's a declaration of intent. The New Mainstream will be built day by day, connection by connection, transaction by transaction. It starts with consciousness—recognising that we are not minorities in our own story. We are the protagonists of a new chapter in human organisation. The choice is yours. Remain scattered, speaking in whispers, playing by rules you didn't write. Or join us in building something unprecedented—a nation without borders, a culture without limits, a future without permission. We are 150 million strong. We generate trillions in economic power. We influence every corner of global culture. We have the tools, the talent, and the time. The only question left is: Are you ready to be part of the New Mainstream? ### The First Steps 1. **Acknowledge Your Power**: You're not just part of a diaspora—you're a founding citizen of a new kind of nation. 2. **Connect Intentionally**: Every connection within our community strengthens our network state. 3. **Create Consciously**: Every piece of content, every business, every innovation adds to our cultural sovereignty. 4. **Consume Strategically**: Your economic choices are votes for the future you want to see. 5. **Build Boldly**: Don't wait for permission. Start creating the institutions, platforms, and systems we need. ### The Invitation This manifesto is not complete. It's a living document that will be written by millions of hands, shaped by millions of dreams, and realised by millions of actions. Each chapter that follows will dive deep into the mechanics of building this unprecedented experiment in human organisation. But it starts here, with you, reading these words and feeling that ancient recognition—the same feeling your ancestors had when they heard the drums calling them home. Except this time, home isn't a place. It's a choice. It's a movement. It's a revolution. Welcome to the New Mainstream. Welcome home. 📣 The revolution will not be televised—it will be digitised, decentralised and driven by us. The New Mainstream starts now. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/05/The-New-Mainstream-Hero.gif) ## Join Our Mission to Build The New Mainstream Join 5,500+ visionaries reshaping what it means to belong. Get weekly insights on culture, content, community and commerce. Become a Citizen Email sent! Check your inbox to complete your signup. It's free. Unsubscribe anytime. ### Pelumi Nubi is Changing the Way We See Africa Through Travel URL: https://www.marmaladecollective.com/pelumi-nubi-is-changing-the-way-we-see-africa-through-travel/ Last updated: 2025-05-09T08:57:38.000Z Pelumi Nubi, a British-Nigerian creative, first caught global attention with her solo “London to Lagos” road trip, a bold journey that showed wanderlust with a sense of mission. Today, she continues that momentum through *One Week In*, a travel docuseries co-created with Africell. But this isn’t just another influencer travelogue. Through her lens, and often, through the voices of the locals she meets, Pelumi captures the nuance, joy, and everyday brilliance of African destinations too often overlooked or misunderstood. We caught up with Pelumi at a pivotal moment in her journey. Fresh off premieres in London and The Gambia, she opened up to us about everything from rethinking her PhD to pursue her passion, to navigating identity on the move, and the hard-earned joy of building something that feels meaningful. We talked about the myths that still shroud travel in Africa, the balance between staying rooted and staying curious, and why the magic really *is* in the doing. This conversation is for anyone dreaming of adventure, or wondering what it means to take ownership of their story. **What first sparked your love for travel, and how has it changed over the years?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Photo-4-.JPG) I’ve always enjoyed travelling. I think my mom gave me the travel bug. She also loved exploring. My first international trip was to the US to visit cousins, so family travel was kind of the big one at first. As I got older, I started thinking about how big the world is and how much there is to see. I remember reading a quote that really stuck with me: "If we were meant to stay in one place, we’d have roots like trees." The fact that we have feet means we’re meant to explore. I love the joy, the discovery, the newness that comes with travel. In day-to-day life, it’s easy to go into autopilot, but being in a new place almost forces you to slow down and really take things in. I think that’s such a gift, it’s the kind of experience that keeps on giving. Travel became a big part of my life from quite a young age, but it became more intentional when I got to university. I started seeing opportunities to travel through exchange programs and similar things, I took them and loved every bit of it. Then, of course, 2020 came along. It was a pivotal year for a lot of people. For me, it was the one thing none of us could do: travel. And that’s when I realised just how much it meant to me. Sometimes, it takes losing something to realise how important it truly is. From that point on, I kind of became a full-time traveller and I’ve been travelling ever since. **That’s a beautiful way to see life. Would you say your perspective has evolved from when you were just travelling with family to now, travelling full-time?** My travel style is definitely more off the beaten path. I like doing things that aren’t part of the usual “top 10 things to do” or checklist-type experiences. I’m really into cultural immersion; seeing places from the perspective of local people rather than through my own foreign lens. I also really enjoy the freedom this job gives me. One day I could be in one country, and a few hours later, I might be on another continent. It’s wild to think that I actually get to call this a job. There have been so many incredible opportunities that come with it. Of course, there have been tough moments, it’s not all glamorous, even though that’s what people tend to see. It can be challenging, but honestly, the advantages far outweigh the downsides. And yeah, it’s just something I truly love. I don’t think I’ll ever stop travelling. I just love the thrill of trying new things and experiencing something completely different. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-7.jpg) **How has moving from one city to another shaped your perspective on identity and belonging? And how do you own your identity when you're on the move?** I think I have a really strong foundation when it comes to being Nigerian. My parents did a great job of instilling that sense of identity of who I am and where I come from, with a strong cultural grounding. At the same time, travelling opens you up. You start to realise that, really, we’re more similar than we are different. There’s so much overlap in the human experience; the desire to love and to be loved. Every day becomes a teachable moment when you travel. You’re constantly learning something new, and it humbles you. It reminds me that I don’t know everything. Whenever I’m in a new place, I find myself in that constant learning phase, and I think that’s one of the true joys of travel, it’s one of the best teachers. You learn things you’d never pick up in a classroom like how to manage people, understand different cultures, and adapt. Open-mindedness is a big part of travelling for me, but so is holding onto my cultural roots. That grounding definitely comes from my upbringing and is something my parents continue to reaffirm. They’re both still alive and doing well, and they often remind me of where I come from and what truly matters, those core values. So for me, it’s about picking the things that align with my own values. We don’t always have to see eye to eye, but we can still respect each other’s views. It’s a constant balancing act. I don’t always get it right, sometimes I drop the ball, but I think what matters most is being intentional about finding that balance. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/PELUMI-HOLDING-POSTER-IN-FRONT-OF-LUMI.JPG) Pelumi's London to Lagos drive **You left a PhD program to pursue travel full-time. Do you ever reflect on that decision? And would you say that travel has been its own kind of education?** So, I didn’t just leave. The lab actually faced a shutdown because of the pandemic; we all know what happened in 2020\. After that, it became a question of whether I wanted to restart the program or move on. So, it wasn’t a case of me simply walking away. It was a lot more complicated than that, if that makes sense. Is travel a form of constant education? I’d say absolutely yes. You’re right, travel does provide an education. For context, I was in the program for quite a while before the lab closed. And I always tell people, skills are transferable. When I was planning my London to Lagos trip, the level of research involved was intense, and it directly pulled from my academic background. That PhD experience gave me the ability to take massive amounts of information and condense it into something simplified and actionable. So, nothing was wasted. In a way, I think I went through that phase just to pick up those exact skills that now serve me in my travel life. I always tell people: first, think about what brings you joy because life is so short. And second, understand that life has chapters. In some cultures or upbringings, we’re made to feel like failures when we step away from something or try something new. But that’s part of the journey. Even some of the greatest people in history dropped out or realised they needed to pivot. They didn’t fail—they adapted. So, yes, to answer your question, travel is very much an education. The things I’ve learned on the road are things you won’t find in any curriculum. It’s that real-world knowledge, the kind that connects you to people in ways you wouldn’t expect. I mean, one of my favourite things is being in a conversation where I can talk about football, fashion, a random natural phenomenon, or even a local tribe’s culture. People’s eyes light up when you know how to say hello in their language. That kind of connection? You can’t fake it. Travel has given me that. It’s a gift, truly. And I always encourage people; if you can, do it. It’s worth it. **What inspired you to start your own travel show, and how exactly do you think this would shift the narrative?** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-27.jpg) BTS from 'One Week In' Great question. So, especially when it comes to the African narrative, you often hear people and see things written by people who don’t look like us. And I think the mistake we often make is not stepping up to tell our own stories. Why don’t we take ownership of our narrative? That’s really the heart behind this travel show, which is a collaboration with Africell—a telecom company, operating in The Gambia, Sierra Leone, Angola, and the DRC. It’s a joint project with them, and for me, it builds on the London to Lagos journey, which already covered a lot of West Africa. But this wasn’t just about driving, it was also about showcasing the continent. I remember sharing places like the Basilica in Yamoussoukro, Ivory Coast, the biggest church in the world, by the way, and people were shocked. I posted it and got comments like, “That’s not in Africa!” And I understood the reaction, because it’s so grand, so extravagant. it doesn’t fit the image people are used to seeing. That’s what made me realise: there are so many hidden gems across Africa that rarely get spotlighted in mainstream media. So the question became, what can we do about that? And that’s how the idea for *One Week In* was born. The title itself comes from the idea, if you only had one week in a place, what should you see, eat, and do? There are some unique selling points to the show. First and foremost, it's about showcasing the continent in a positive, intentional light. Because let’s be honest, we get *so much* negative press. This is about balance, about offering a different lens through which to see Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-16.jpg) Number two is that it’s not about me coming in with a foreign perspective; it's about letting the locals tell their own stories. That was really important to me. So, in a lot of the episodes, I’m being shown around by a local, someone who takes me to their favourite spots to eat, places they love, and hidden gems that truly reflect the culture. That way, viewers get a real sense of cultural immersion when they watch. This project was deeply important to me. Right now, we’ve started with The Gambia and Sierra Leone, those are the ones going live first. But honestly, I’m hoping this is just the beginning. I’d love for this to become something of a lifelong project where I eventually cover all 54 African countries. A lot of people still think Africa is one big country, rather than a continent full of rich and diverse cultures. So, if we can build a kind of visual database, episodes of these different locations, with me exploring alongside locals, I really hope it inspires more people in the diaspora to visit. At our London premiere, that was some of the best feedback we received. People told me that just from watching the episode, The Gambia shot straight to the top of their bucket list. That’s the dream: more people from the diaspora and international audiences feeling drawn to explore and reconnect with the continent. So, at its core, it's really about boosting tourism, because in many countries, tourism is one of the highest contributors to GDP. I wanted to encourage people to actually visit and, more importantly, shift the outdated and negative narratives that some people still have about travelling to African countries. You won’t get kidnapped, you won’t get killed. Those are just harmful stereotypes that need to go. Even for locals, this project had a big impact. When we premiered the show in The Gambia, I had grown adults telling me they had lived there their whole lives and didn’t know some of these places existed. Or maybe they’d heard of them, but never actually visited. But after seeing it visually, seeing it brought to life, they felt inspired to explore their own country. So, it’s not just about international tourism, but also encouraging local exploration. It’s definitely a work of love. A collaboration with an incredible brand. And I truly hope it’s just the beginning—one of many to come. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-12.jpg) **You mentioned that you wanted to change the narrative to be a positive one. What aspects of travel in Africa do you think are the most misunderstood?** It’s the people. It’s the culture. You know, when you travel to places, unfortunately, it just takes a few bad eggs for an entire country, or even a continent, to be judged unfairly. You might have a bad encounter with a corrupt officer, for example, but that doesn’t mean everyone is like that. Yet somehow, we’re rarely given the benefit of the doubt. What’s even more frustrating is that someone who doesn’t look like me, a content creator or influencer, can visit and share their version of a place, and that narrative gets accepted as truth. But that’s just one perspective, one lived experience. It’s not the full picture. That’s why I believe so deeply in us telling our own stories. Because there’s so much more to Africa than poverty. So much more than corruption. So much more than being lumped into a single monolithic identity. You’ll hear people say, “I’m going to Africa,” but what does that even mean? Africa is a continent, not a country. You wouldn’t say, “I’m going to Europe,” without following it up with, “I’m visiting Italy”, or “I’m off to Paris.” But when it comes to Africa, it’s often just reduced to safari or struggle, and that’s the problem. There's so much richness here: the traditions, the trade, the daily lives of incredible people doing incredible things. So, yeah, this work is really about changing the message. It’s about educating people, showing that this continent is full of life, humanity, beauty, and diversity. And above all, reminding the world that these are real people, not just headlines or stereotypes. **It's important that we educate them that we’re much more than just a country. You've started with the Gambia; what would you say would be some of your most surprising or unexpected experiences in those locations?** The Gambia is small; you look at it on the map, and its shape is so unique. The entire country is practically wrapped around the Gambia River, which is central to its livelihood and identity. What makes it even more interesting is that, in the middle of so many French-speaking countries in West Africa, The Gambia stands out as one of the few that speaks English. For travellers like me coming from Nigeria or other English-speaking countries, that’s a huge plus, especially if you don’t speak French and want to explore West Africa without the language barrier. It makes The Gambia super accessible. But beyond language, I was struck by how much you can do there. For such a small country, you’d think it might get boring, but honestly, it’s the opposite. The beaches? Some of the best I’ve been to, perfect for anyone looking for a relaxed, chill vacation. If your vibe is rest, sunsets, and sea breeze, The Gambia is the spot. Sierra Leone is much bigger, and there’s so much more to uncover, especially if you step outside the capital. Most people just stay in Freetown, but if you travel just three hours out, you’ll find Banana Island. It’s honestly like stumbling upon a hidden Maldives within Africa. Crystal clear waters, untouched beauty, it’s paradise. And then there’s the food. Chef’s kiss. Both The Gambia and Sierra Leone delivered in full. I’m not even going to lie, I added weight; everything was just too good to resist! And if you’re into adventure, Sierra Leone is packed with thrill, wildlife, nature, hikes, it’s a dream for the bold-hearted. What also stood out to me was the cultural overlap. Being in West Africa, you’ll see a lot of shared heritage, like similar dishes, but with little twists. Maybe they use palm oil where we wouldn’t in Nigeria. So it’s familiar, but fresh. And that contrast—the similarities and the differences—is what made exploring both countries so intriguing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-3.jpg) The Gambian Premiere **You've done the premiere in London and another in the Gambia. What was the response from both the diaspora and the local African community? What has that taught you, if anything?** I think there is definitely a need for this. The premiere in London was incredible, completely sold out, and the excitement was clear. People were eager to discover new destinations, and many people said they’d add Gambia to their bucket list. It’s often mentioned in the news, but usually in a negative light, so showcasing it in a positive way was refreshing. The production quality was top-notch, not at all low-grade. We used a full production company to bring it to life, and screening it on a cinema-sized screen really made it pop. My travel style leans heavily on storytelling, and this series definitely reflects that. It’s about taking the audience on a journey through a range of emotions. There are moments of fear, like when we explore legends and stories of dragons in the river, which is incredibly enchanting. The series episodes are short, only 4 to 5 minutes each. In today’s world of fast-paced information, I wanted to make sure every second counted. As they say, it’s harder to write one page of a diary than ten, because you have to condense all the information into the most engaging and meaningful way possible. There’s no fluff; just the essentials that will captivate and inform. In total, there are five episodes, each around 4-5 minutes long, so you can watch the whole series in about 20 minutes. The format breaks down a typical day-by-day travel itinerary, giving a quick but thorough glimpse of the experience. For Gambia, the feedback was amazing, especially from locals who didn’t realise certain places existed or had heard about them but never made the effort to visit. We're hoping that by showcasing these local spots, locals will be inspired to visit them as well. For example, there’s a place called Baboon Island in Gambia, which is a preserved natural area. It’s almost like a day escape, where you can see mostly chimpanzees in their natural habitat. It's truly mesmerising and absolutely breathtaking. After seeing it, at least three or four people told me they were planning to visit Baboon Island, saying they never realised how beautiful it was in person. The feedback has been incredible, honestly. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-29.jpg) Pelumi at Baboon Island in Gambia **You mentioned how your storytelling plays a big role. Also that you always like to see it from a local point of view. How exactly do you approach storytelling when it comes to travel to make sure that it's authentic?** I don't sugarcoat anything. I tell people exactly what I see, without trying to rig the game or act. Maybe in the future I’ll dabble in acting, but for now, I’m just a host presenting things as they are. There's a lot of honesty in my approach. With London to Lagos, there was a lot of transparency about my emotions. My audience saw me cry, saw me get frustrated, and the same goes for this series. They saw me release turtles, something I had never done before. The excitement and freedom I felt as they made their way into the ocean were real, and people got to experience that with me. These are genuine human emotions. Being open about how I feel and allowing that to reflect on camera has really helped make the show relatable. I also make sure to ask questions that some people might be afraid to ask, like how the locals feel about being from their community and what their day-to-day life is like. Giving people the space to share their own stories has been one of the most powerful ways I’ve been able to make this work. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-14.jpg) **What would you say were some of the tougher moments from filming?** The schedule was honestly quite tough. I always tell people that this wasn’t one of those productions where we had a whole month in each destination and cherry-picked the best moments. It was a real, honest one week in each place. That meant no retakes, no set-building, and no making things look pretty for the camera. Some days, I was tired. We’d spend long hours filming with very short breaks in between. But that, in a way, mirrors the actual travel experience; sometimes it’s exhausting, unpredictable, and you just have to roll with it. Most productions have the luxury of planning and polishing everything. But in this case, we didn’t. For example, one of our episodes was supposed to be about fishing in a local village, but when we got there, it was Sunday, and people don’t fish on Sundays. We couldn’t shoot the next day either because we were already moving on. So we had to plead with the locals, and they were so kind. They said, “You are our guest, we’ll try our best.” And with fishing, it’s not like you can force a catch. But miraculously, we did. It was a massive fish, bigger than my body! That moment felt so special because it unfolded naturally, not because it was staged. There was also a time I sprained my ankle coming down Sugarloaf Mountain. I still had a whole week of filming ahead. It wasn’t glamorous, I had to limp through some scenes, and the crew had to shoot me from the waist up just to hide it. But that’s part of the reality of travel. Things happen; plans go wrong, bodies get tired, and mishaps occur. And for me, showing that on camera was important. Being honest about those moments helps people understand that travel isn’t always picture-perfect, but it’s still worth it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Recce-25.jpg) **You started with the Gambia and Sierra Leone. What new countries do you want to explore next? And where do you see your content going years from now?** Like I said, this is a lifetime project for me. The goal is to eventually cover all 54 African countries. I think there’s so much value in having that kind of journey documented, especially in a format like a travel show or TV series. To my knowledge, no one’s done it quite like that before, and it’s something I would love to leave behind as a legacy. At the same time, I’m working on multiple projects. One of them is a podcast called Delusional Determination, where I take people on a journey, literally. We’ll have real, raw conversations while driving from one location to another. It still ties into travel, but it’s also about the people I meet, people doing incredible things around the world. The idea is to explore what it really takes to chase a dream and reflect on the ripple effect that one bold step can have. I mean, going from London to Lagos and now having my own travel show? Only God knows where I’ll be in a few years. Travel is still very personal to me, too. I’ve got my own bucket list, I want to visit every single country in the world. I’m currently at country number 89, and Antarctica is on the list as my final continent. I’ve done six out of seven so far. So between my personal goals and all these creative projects, I’m just going with the flow and making things happen—one adventure at a time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Launch-London-21.jpg) The London Premiere **Does that mean that there'll ever be a day when you settle down, or will you always be on the move?** I think I’ll always be travelling, you know? But then again, they say never say never. I think “settling down” looks different for everyone; it really depends on how you choose to define it. My lifestyle has never exactly followed the conventional path, so I doubt it’ll suddenly become traditional overnight. There’s always been this part of my journey that might not make sense to others, but it makes complete sense to me. And honestly, with God’s help, I’m just taking it one day at a time, focused on building a legacy that outlives me. So yes, I will settle down… but it probably won’t look like what most people expect. And I’m okay with that. **Being an African woman in the travel space can be tough. How have you navigated that, and what sort of hope and empowerment can you bring to women who want to travel the world?** Yeah, I always say that I just hope my lifestyle encourages other people to be audacious, to be brave. I wasn’t born with a silver spoon, but I do recognise that I have certain privileges. For example, I have passport privilege—I travel with both my Nigerian and British passports. So I understand the struggles people face with low-mobility passports. That’s the first thing. Second, I just want to show people that you don’t have to live the most conventional life. I think, especially as women, we’re often boxed into what we can or cannot do, and breaking those boundaries has become one of my life’s biggest goals. One of my mantras is: the magic is in the doing. I really want to encourage people to take action. So many people get stuck in the cycle of waiting for the perfect time, perfect tools, perfect circumstances. But I always tell people, I used Lumi, my car that I drove from London to Lagos, because that’s what I had. I’ve had her for five years. Everyone said I needed a 4x4 or something newer and stronger, but I just went with what was in my hands. And that’s the message I try to share, you don’t need everything to be perfect to begin. You just need to begin. You don’t have to have it all figured out as long as you take action. Fail fast, learn faster. I don’t see failure as the opposite of success; I see it as part of the journey. Something you have to go through to grow. You get better over time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/LUMI-IN-AFRICA-IN-FRONT-OF-BABOAB-TREE.JPG) Lumi Funny story with this travel show; it’s a collaboration with Africell, but I actually got cast for a completely different role at first. I didn’t get that role. But out of that "no," this whole new series was born. It became something even better, something co-created from scratch. That’s the thing, sometimes a “no” just redirects you to something greater. I think a lot of people assume everyone else has it all figured out. But the truth is, most of us are just winging it, trying things, and hoping they land. And honestly, that’s okay. So yeah, I hope that when people see my journey, they realise this is just someone who played the cards she was dealt and kept playing. Because the truth is, if you don’t stop, you can’t fail. That’s really it. If you don’t stop, you can’t fail. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Pelumi-Launch-London-19-1.jpg) Pelumi at the London Premiere **Thank you for sharing that. My last question would be, where can people watch your show?** The show will be airing exclusively on Africell Holding’s YouTube channel as a weekly series. The very first episode dropped on the 9th of April, 2025 and after that, a new episode will go live every Wednesday. So you can always catch up there if you miss one! I’ll also be sharing behind-the-scenes moments, teasers, and some fun bits on socials so you can follow along with the journey in real-time. **It was so lovely to have this conversation with you! I’m excited to watch the show.** ### Grace Ladoja Expands Homecoming, Rema Wins at Headies, Assefa Breaks Marathon Record URL: https://www.marmaladecollective.com/grace-ladoja-expands-homecoming-rema-wins-at-headies-assefa-breaks-marathon-record/ Last updated: 2025-05-05T09:00:14.000Z **Welcome to Vol 133 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Happy new month! We’re officially in that part of the year where time starts flying, so this is your reminder to pause, breathe, and maybe finally reply that one email from March (no judgement). Big love to everyone who joined us for our last Member Monday event. The energy was amazing, and we’re already counting down to the next one. Keep an eye out—it’s coming sooner than you think. We’ve also got a few spicy things cooking this month, like an [**exclusive first sip** ](https://lu.ma/jmku6xq3?ref=marmaladecollective.com)of our plantain-infused rum, DÒDÒ, and of course, [**our next MMM**](https://lu.ma/s4em95d6?ref=marmaladecollective.com). Oh, and one more thing, Marmalade is putting out an [**open call**](https://forms.gle/gSzbodEyjUxqedYd6?ref=marmaladecollective.com) for volunteers! If you’ve ever wanted to be part of the magic behind the scenes, now’s your chance, don't miss it! *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Making Room: How Space Studio Is Reshaping Nigeria's Music Scene URL: https://www.marmaladecollective.com/making-room-how-space-studio-is-reshaping-nigerias-music-scene/ Last updated: 2025-05-02T11:43:09.000Z Where mainstream sounds dominate studio time, Space Studio is quietly, but powerfully, building something different. Founded in 2020 by three creatives from different corners of the world—[Yosa](https://www.instagram.com/duttyyosa/?ref=marmaladecollective.com), [Esoterica](https://www.instagram.com/esotericaexistsagain/?ref=marmaladecollective.com), and [Olayemi Oladapo](https://www.instagram.com/ymz.gg/?ref=marmaladecollective.com)—the studio was born out of a shared desire to carve out space for artists who didn’t quite fit the mould. Whether it’s soul, folk, indie-rock, or left-of-centre hip-hop, Space Studio exists as both a literal and metaphorical room for creative freedom. Abigail, whose stage name is Esoterica, brings her genre-blending artistry into the fold, while Olayemi, an experienced music executive and lawyer, grounds the project with his industry insight. Then there’s Yosa, a DJ, producer, and one of Lagos’ most exciting new fixtures. I got the chance to catch up with Yosa, and we talked about everything from the studio’s beginnings, the music and community they’re nurturing, the wild balancing act of business and vibes, and what it means to build something meaningful and sustainable in a rapidly shifting creative ecosystem. Space Studio is a reminder that our creative passions need room for intention, collaboration, and maybe, a little chaos. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_474183718_475606118685169_7427923544546484263_n.jpg) **You’ve carved out a unique space for indie and alternative artists, those who don’t exactly fit into the mainstream. What inspired that community and the studio?** I make music, and the partners I co-founded the studio with were already making music together. But we’ve never really made mainstream sounds. We all come from different backgrounds, growing up in other parts of the world and then returning to Nigeria, wanting to make music that felt natural to us. There weren’t many spaces catering to that kind of sound. Most studios here are geared toward the commercial market, it’s very pop-focused. A lot of people just want to "blow," so naturally, most studios you walk into are all about pop music. So we thought, why not create a space for ourselves? And as we started doing that, we began meeting other artists who also didn’t quite fit into the pop mainstream mould. I used to host small studio sessions in my house, next to my bedroom. Artists would come through and we’d discover these insane talents who often didn’t even realise how good they were, mostly because they hadn’t received that external validation. No one had told them, “Yo, this stuff you’re making is amazing.” A lot of times, when these artists work with producers or managers, and they sound like Frank Ocean, the feedback they get is, “Can you sound more like Wizkid or Victony?” Meanwhile, they’re making incredible music. Yeah, so that was the push to build a space for ourselves and for artists like that. A space where they could feel comfortable, meet others like them, and just make what felt true. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_377460882_178826288566300_3065260626980149690_n.jpg) **I totally agree. It’s hard for musicians to find spaces that allow for difference. I listen across genres, EDM, indie, and I follow Abigail’s work too. I’ve also heard some of your sets, and they’re quite different from the mainstream. I wanted to know how each of the founders brings their individual artistic influences into the space, especially since you all have your own projects and schedules. How does that work?** Yeah. I think it works because we’re all just focused on doing our own thing and bringing our best. We each bring our minds together to create what is now Space Studio; the look and feel, the colours, even the sound. Abby grew up in the UK and would come back to Nigeria almost every year. I grew up in the US and travelled a lot with my family. So we’ve all been exposed to different kinds of music. I grew up on Christian alternative rock and also hip-hop. Abby listened to a lot of Adele, Lily Allen, and Kings of Leon. We brought all those influences together, along with our time now living in Lagos, and they shape the sound and the vibe of Space Studio. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_470487228_873353731536004_8720259533353658031_n.jpg) **Got it. We’ve talked about how Space Studio is different, but what makes your creative process unique? Beyond a traditional studio, what does your process actually look like?** We put a lot of emphasis on just hanging out and talking. Artists and creatives in Lagos don’t have many spaces to just gather and talk about what they’re experiencing. Being an artist comes with really specific challenges, not everyone can relate. Only a tiny percentage of people in the world are going through the same things. So we’ve created a space where artists can come and talk to each other. Right now, the people around the studio are all incredible musicians, some unsigned, still figuring out their sound, how they write, what their process is. Others have been doing this longer, have more confidence, and are signing their first deals. And they all get to sit together and share. We talk about everything, balancing ego and confidence, working with producers, and finding managers. We talk about Nigeria, politics, TikTok, and Reels... It’s a creative community. And that’s just as valuable to me as the music. **That sounds really fun. I think *Space Jam* is one of the ways you’ve brought that into the public space with performances and all of that. Can you tell me more about the intent and energy behind *Space Jam*?** Yeah, *Space Jam* gives artists a platform to perform, connect with fans, and build a community around their music. It’s also a way for them to develop stage presence, vocal dexterity, and performance skills. That aspect of artist development often gets skipped over here. So as we start releasing music, *Space Jam* gives people the chance to see these artists live and early. Some of them, I really believe, will be some of the biggest acts in the world. It’s a chance to catch them now, for just a little bit of change, before they blow up. 0:00 /1:21 1× Selected moments from the Engage Space Two Year Anniversary - 22/09/24 via [ymkupnext](https://www.instagram.com/ymkupnext/?ref=marmaladecollective.com) and [engage\_space](https://www.instagram.com/engage%5Fspace/?ref=marmaladecollective.com) **And beyond music, you bring in fashion, art, there’s this creative cross-pollination. How important is that collaboration between different mediums and creatives?** It’s huge. Think about artists like Tyler, the Creator or The Weeknd, they talk about world-building. It’s more than just music. It’s fashion, visuals, and storytelling. We’re doing something similar, trying to educate and build a community around this new indie movement. What do people in this scene wear? We have a thrift element, too. One of our close friends, Eno, owns a thrifting community called *Boho Funk*. He’s a stylist for people like Lady Donli, The Cavemen, and some of our own artists. So if you want to know what the Nigerian indie music scene *sounds* like, you come to *Space Jam*. If you want to know what it *looks* like, you can literally buy the clothes these artists are wearing. We also work with visual artists who are outside the mainstream or just up-and-coming. We wanted that full 360 experience for both the fans and the community. **I love that. Some of my favourite artists have that kind of world-building, and you can feel the passion for art beyond the music. Who are some artists you think have nailed that world-building?** Definitely Tyler. Kanye, the GOAT. Dominic Fike is another favourite, maybe not as heavy on visuals, but you can still enter his universe. The way his photos are taken, his style, it’s cohesive. Oh, and Doja. She’s a beast. **Great answers. I’d add *Twenty One Pilots,* they’ve built this whole world around their albums. There’s lore, websites, scrolls**… True, true. I haven’t listened to them much since like 2017, but I’m glad you brought them back up. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_461277130_1581118072511666_7868137813698710151_n.jpg) **So, with all this energy coming from artists, what role does the *audience* play in shaping the culture, beyond just listening?** Honestly, the audience is everything, lowkey, highkey. They’re why we’re doing this. You can’t build a sound without people to listen to it. Especially now, with TikTok and short-form content, a lot of people just release music and hope it blows up online. But we think a new era is coming, one where you build a real fanbase. Not just followers, but actual people from your hometown, your community. That’s what we’re trying to do with *Space Jam:* connect artists to real humans who listen and care. People in Nigeria would be surprised by how many others are listening to artists like 21 Pilots, Clairo, or Dominic Fike. There’s just not always a clear outlet to find artists like that locally. So we’re building that bridge. It’s a symbiotic relationship; artists need fans, and fans need a scene. **I get that. I believe Space Studio started in 2020\. What have been some of your biggest challenges or learning curves since then?** I guess the biggest challenge was that we started a business based on friendship and vibes. We just wanted to bring our friends around to make music. But at the end of the day, it was actually a business. And that combination, business and vibes, is like oil and water. So we had to figure out, and are still figuring out, how to balance both. It’s not like I’ve figured it out yet, but learning how to navigate that space where “You guys are my friends, but I also need to make this work as a business,” has been real. It needs to be sustainable, it can’t just cannibalise itself. It’s a passion project, yes, but we’re constantly trying to find a way to make it a sustainable passion project. That’s been one of the biggest challenges so far, and it's something we're actively working on. Another challenge has been with the Space Jam shows, as venues are a big issue in Lagos. Space, for creatives, is the biggest luxury. And there just aren’t many venues that are truly well-suited for live performances, spaces where fans can have a good experience and not have to pay too much. That combination is rare. Also, a big thing is, in places like the UK or US, as an artist develops, they can play shows for 20 people, then 50, then 100, 200, 500, you scale gradually. But here, upcoming artists mostly get slotted in as openers at those massive December shows, you know the ones, where there are 15 openers. They get to perform one and a half songs before the DJ cuts them off. It doesn’t create space for rehearsing, learning stage presence, or engaging the crowd. We don’t have the venues that support that kind of growth. We used to host shows in the compound of our studio, but as things grew, we started getting neighbour complaints. So we had to start figuring out different venues to use. Thankfully, we found a beautiful venue in Ikeja that we’ve used for the last two editions. Moving forward, we’re definitely looking for more interesting venues that suit our needs. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_296176013_579905117115947_3792496608088391027_n.jpg) **Yeah, I can see how that would be a huge problem. But I do think more spaces are starting to pop up in Lagos, more open, more willing to support the creative community. So, looking ahead, what’s the vision for Space Studio in 2025?** 2025 is all about releasing music. That’s the vision this year: putting out music. And then we’re doing four Space Jam shows, one every quarter. But the main focus: be on the lookout for music from Space, and also from all the individual artists we work with. **All right. I’m already excited. It’s been a pleasure speaking with you.** **Images via** [**@**engage\_space](https://www.instagram.com/engage%5Fspace/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This May? URL: https://www.marmaladecollective.com/whats-on-may-2025/ Last updated: 2025-04-30T09:00:15.000Z The sun’s out 😎 (finally!) and so are we! This May, we’re shaking things up with a special Bank Holiday meet-up just for you, an exclusive tasting event of our plantain-infused rum, DÒDÒ (trust us, you’ll want to brag about this)...plus more _This post is for subscribers only._ ### Burna Boy Shuts Down Stade de France, Savara Redefines Kenyan Sound, Mo Abudu Joins TIME 100 URL: https://www.marmaladecollective.com/burna-boy-shuts-down-stade-de-france-savara-redefines-kenyan-sound-mo-abudu-joins-time-100/ Last updated: 2025-04-28T09:00:05.000Z **Welcome to Vol 132 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Now, onto something extra exciting: Marmalade Collective has had a makeover! That’s right, we’ve gone through a complete brand overhaul, and we’re loving the [**fresh new look**](https://www.instagram.com/marmaladecollective?utm%5Fsource=ig%5Fweb%5Fbutton%5Fshare%5Fsheet&igsh=ZDNlZDc0MzIxNw==). It’s still us, just with a little more shine. We’d love to hear your thoughts, so take a moment to check us out and feel free to hit us up with your feedback! Also…the countdown is officially on! Our next [**Marmalade Member Monday**](https://lu.ma/5e5buy4m?ref=marmaladecollective.com) is happening TONIGHT at 7pm, and this time it’s a special Founders’ Edition! If you're an entrepreneur, this is your chance to connect, share stories, and learn from each other in a safe, supportive space. You won’t want to miss it (trust me). See you there! *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Amoako Boafo Brings Accra To London, Wizkid Shares Documentary and Yinka Shonibare Debuts in Africa URL: https://www.marmaladecollective.com/amoako-boafo-brings-accra-to-london-wizkid-shares-documentary-and-yinka-shonibare-debuts-in-africa/ Last updated: 2025-04-21T09:00:50.000Z **Welcome to Vol 131 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. First off–Happy Easter! I hope your weekend was filled with good food, great company, and some much-needed downtime. And now for the juicy part: Our next [**Marmalade Member Monday**](https://lu.ma/5e5buy4m?ref=marmaladecollective.com) is coming up soon and this time, it’s a special Founders’ Edition. Think of it as a safe space for entrepreneurs within our community to connect, learn and share stories. That's it! Chat again soon. Till then, don't be a stranger. *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Cassper Nyovest Set To Headline in Cape Town, Oxlade Drops Deluxe Album, and SA Film Festival Returns URL: https://www.marmaladecollective.com/cassper-nyovest-set-to-headline-in-cape-town-oxlade-drops-deluxe-album-and-sa-film-festival-returns/ Last updated: 2025-04-14T09:00:11.000Z **Welcome to Vol 130 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. A little bird told me that [**JAM is happening this Saturday!**](https://lu.ma/ngjjvlss?ref=marmaladecollective.com) If you haven’t gotten your ticket yet, this is your gentle-but-firm nudge because now’s the time. Don’t wait to be told how it went while everyone else is posting recap videos. On a brighter note, my week’s actually been pretty wholesome. I got through my to-do list without crying (small wins!), discovered a new [**Afrobeats playlist**](https://open.spotify.com/playlist/5pTML6fcrGmcpBsLPRaQXj?si=mDLwOg%5F4QD2E17I98zMXmg&pi=oiS2n6QOSvOdE&ref=marmaladecollective.com) that had me dancing in the shower, and somehow managed to drink water like an adult. Growth. Okay, that’s enough from me. Just wanted to check in, remind you about the magic ahead, and send you some warmth through the screen. Catch you at JAM? With love and small chops, Mary x Now, on to the real peel 👇 _This post is for subscribers only._ ### A Guide to African Creative Hubs in the UK URL: https://www.marmaladecollective.com/a-guide-to-african-creative-hubs-in-the-uk/ Last updated: 2025-04-12T13:44:38.000Z # **Introduction** Across the UK, African creatives are creating and finding spaces for themselves. From grassroots collectives to purpose-driven platforms, a new generation of hubs is rising; places where creativity, community, and culture collide. These are more than just event spaces or galleries, they’re launchpads for bold ideas, home bases for diaspora stories, and bridges between Africa and the wider world. Whether you're a creative entrepreneur, an art lover, or simply culturally curious, these hubs offer space to explore, connect, and celebrate African identity in all its diversity. Here's a look at some of the most exciting African creative spaces shaping the UK’s cultural scene right now. ## **Turaka Creative Hub (Medway, Kent)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Turuka-2.jpg) Via @[turaka\_uk](https://www.instagram.com/turaka%5Fuk/?ref=marmaladecollective.com) Founded in 2023 by Nigerian artist Aduke Aladekomo, [Turaka](https://turaka.co.uk/?ref=marmaladecollective.com) is a colourful hub nestled in the heart of Medway, Kent. The space brings African creativity to life through visual and performing arts, fashion, and design, each deeply rooted in heritage. Turaka hosts hands-on workshops, cultural events, and a marketplace for African-inspired products. It’s a space designed not just to showcase art, but to foster dialogue and build community. ## **The Africa Centre (London)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/the-africa-centre.png) Via [@theafricacentre](https://www.instagram.com/theafricacentre/?ref=marmaladecollective.com) A cultural institution since 1964, [The Africa Centre](https://www.africacentre.org.uk/?ref=marmaladecollective.com) in Southwark remains a cornerstone of Pan-African identity in the UK. Its mission: to connect, educate, and empower the global African diaspora. Through exhibitions, performances, talks and social programs, it offers a platform for creative and cultural exchange, remaining as vital and vibrant today as it was at its founding. ## **Utopia Theatre Creative Hub (Sheffield)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Utopia-Theatre.jpg) Via @[utopia\_theatre](https://www.instagram.com/utopia%5Ftheatre/?ref=marmaladecollective.com) Utopia Theatre, led by Mojisola Kareem-Elufowoju, has long championed African stories on stage. In 2023, it launched the [Utopia Theatre Creative Hub](https://www.utopiatheatre.co.uk/?ref=marmaladecollective.com) in Sheffield—a lively space for artistic development, performance, and community engagement. Here, creatives can experiment, collaborate, and bring African traditions to life through contemporary theatre. The space is also open to the wider public for events, making African storytelling accessible to all. ## **Afri-Co-Lab (St Leonards-On-Sea)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Afri-Co-Lab.jpg) Via @[afri.co.lab](https://www.instagram.com/afri.co.lab/?ref=marmaladecollective.com) On the southern coast in East Sussex, [Afri-Co-Lab](https://www.afri-co-lab.org/?ref=marmaladecollective.com) brings a unique blend of Ugandan heritage and British seaside spirit. Founded by fashion designers Anna and Lilly, this community hub thrives on creativity, sustainability, and inclusion. From sewing socials to youth workshops and dance sessions, Afri-Co-Lab invites people to explore African culture through hands-on, joyful expression. ## **Rele Gallery (London)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Rele-Gallery-2.jpg) Via @[relegallery](https://www.instagram.com/relegallery/?ref=marmaladecollective.com) In the heart of Mayfair, [Rele Gallery](https://www.instagram.com/relegallery/?hl=en&ref=marmaladecollective.com) is helping reframe how African art is perceived globally. Founded by Nigerian curator Adenrele Sonariwo, it showcases contemporary works that are bold, evocative, and deeply rooted in African narratives. Its London debut featured Nigerian artist Peju Alatise, whose work draws on Yoruba mythology. Rele is not just about art—it’s about shifting perspectives and making space for new African voices in the global art scene. ## **EbonyLife Place UK (London)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/ebonylife.jpg) Via [Consultants Collaborative Partnership](https://www.google.com/url?sa=i&url=https%3A%2F%2Fwww.consultantscollaborative.com%2Fprojects%2Fprojects.html&psig=AOvVaw0THcAphKxR9YUCGIt7gaP7&ust=1744481072101000&source=images&cd=vfe&opi=89978449&ved=0CAMQjB1qFwoTCIjQtcjI0IwDFQAAAAAdAAAAABAY) Coming in late 2025, [EbonyLife Place](https://ebonylifeplace.com/?ref=marmaladecollective.com) London is set to become a cultural landmark. Media mogul Mo Abudu is bringing her successful Lagos concept to Wandsworth Road, complete with the city’s first African cinema, a signature Nigerian restaurant, fashion and art retail spaces, and creative studios. It’s more than entertainment, it’s a home for African talent in the UK, designed to amplify stories, foster collaboration, and build a bridge between Africa and the world stage. ## **Bellafricana UK** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Bellafricana-1-2.jpg) Via @[bellafricanauk](https://www.instagram.com/bellafricanauk/?ref=marmaladecollective.com) [Bellafricana UK](https://bellafricana.com/?ref=marmaladecollective.com) is where creativity meets commerce. Founded by Nigerian entrepreneur Bukky Asehinde, this tech-enabled community supports African creative entrepreneurs across fashion, beauty, home, food, and art industries. What began as a search for connection while living abroad evolved into a mission: to make African-made products globally accessible and to give their makers the visibility and support they deserve. Since 2016, Bellafricana has built a thriving “creative family”, offering resources, visibility, and business guidance that helps small African brands grow and scale sustainably. With the UK chapter, that mission now extends to the diaspora—connecting African makers to global markets and audiences. ## **Marmalade Collective (London + Global)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/JAM-x-Masta-House.gif) Via @[marmaladecollective](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) [Marmalade Collective](https://www.marmaladecollective.com/) is a global community for the culturally curious, built around one simple idea: Africa’s stories belong in the mainstream. Founded by Tola Alade, the platform curates immersive experiences that bring African culture to life through film screenings, supper clubs, intimate talks, and premium content. With a growing member base, Marmalade fosters meaningful connection both online and IRL, hosting regular virtual hangouts and in-person meetups in London (with more cities to come). Whether it’s a travel series, a pop-up event, or a culture guide, Marmalade is all about discovery, belonging, and celebrating the richness of African culture in ways that feel personal, inspiring, and real. # Conclusion What connects these hubs, despite their different sizes, formats, and locations, is a shared purpose: to centre African creativity and redefine how it's experienced in the UK. They offer sanctuary, spotlight, and support—platforms that nurture not only art, but identity and opportunity. As these hubs grow and evolve, they’re not just changing how African culture is seen, they’re changing who gets to shape it. ### Little Simz Curates London's Meltdown ‘25, Joeboy Hits New Era, and ZUGU TV Expands Globally URL: https://www.marmaladecollective.com/little-simz-curates-londons-meltdown-25-joeboy-hits-new-era-and-zugu-tv-expands-globally/ Last updated: 2025-04-07T09:00:58.000Z **Welcome to Vol 129 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Happy new month! March packed its bags and left like it forgot to pay rent, and now here we are in April–fresh and bursting with creativity. A huge shoutout to everyone who joined our last [Member Monday](https://lu.ma/ujhbt31h?ref=marmaladecollective.com). If you missed it, don’t worry, we’re not holding grudges…much. Just be sure to pull up to the next one, or risk hearing about all the fun secondhand. That's all from me; and remember—if life gives you lemons this month, at least try to trade them for something more useful (like plantain). *Mary x* Now, on to the real peel 👇 _This post is for subscribers only._ ### Must-Read Books by African Women: Our Current & Upcoming Picks URL: https://www.marmaladecollective.com/must-read-books-by-african-women-our-current-upcoming-picks/ Last updated: 2025-04-04T11:43:20.000Z There’s something special about books by African women writers. They offer fresh perspectives on everything from love and identity to resilience and hope. These authors bring us stories that are as diverse as the continent itself, offering unique voices that reflect a wide range of experiences. Each book is a window into the lives of women navigating the intricacies of love, loss, identity, and self-discovery. With their compelling narratives, these books are our personal invitations to reflect, feel, and learn. From powerful debuts to upcoming releases, these are the books guaranteed to take us on unforgettable journeys. Here’s a list of what we’re reading now and what we can’t wait to dive into soon. ### Dream Count by Chimamanda Ngozi Adichie ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Dream-Count-by-Chimamanda-Ngozi-Adichie-1.jpg) **Image via Open Country Mag* Published: March 2025 Dream Count follows four Nigerian women in their thirties trying to figure out life, love, and success in the U.S. As they chase dreams, navigate messy relationships, and deal with the weight of their pasts, their lives become more intertwined than they ever expected. Sharp, heartfelt, and packed with Adichie's signature wit, this is a story about friendship, ambition, and the search for home. [Purchase](https://www.amazon.com/Dream-Count-Chimamanda-Ngozi-Adichie/dp/0593802721?ref=marmaladecollective.com) ### We Have Everything We Need To Start Again by Koleka Putuma ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/We-Have-Everything-We-Need-To-Start-Again-by-Koleka-Putuma-via-@kolekaputuma-1.jpg) **Image via @kolekaptuma* Published: June 2024 This poetry collection is an exploration of survival, healing, and reclaiming power. In We Have Everything We Need To Start Again, Putuma masterfully weaves together themes of personal and collective trauma, the quest for liberation, and the resilience of African women in the face of adversity. Her work is celebrated for its emotional depth, striking commentary on race and gender, and bold storytelling that refuses to be silenced. [Purchase](https://www.amazon.com/Have-Everything-Need-Start-Again/dp/1471413322?ref=marmaladecollective.com) ### Bantu Knots by Lebo Mazibuko ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Bantu-Knots-by-Lebo-Mazibuko-2-via-@tales_by_lebomazibuko-1.jpg) **Image via @tales\_by\_lebomazibuko* Published: June 2024 A heartfelt coming-of-age novel, Bantu Knots tells the story of a young South African girl navigating the complexities of womanhood, heritage, and self-discovery. Using Bantu knots as a metaphor for cultural pride and resistance, Mazibuko explores themes of beauty standards, identity, and the pressures that come with growing up in a society that often dictates how Black women should exist. [Purchase ](https://www.amazon.com/Bantu-Knots-Lebo-Mazibuko/dp/0795710275?ref=marmaladecollective.com) ### Ghostroots by Pemi Aguda ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Ghostroots-by-Pemi-Aguda-via-@booksandbrunch.ng-1.jpg) **Image via @booksandbrunch.ng* Published: May 2024 Set in a mythical version of Lagos, Ghostroots is a stunning debut collection of short stories that explore the often fraught relationships between mothers and daughters haunted by ancestral ghosts. With elements of magical realism and psychological horror, Aguda masterfully crafts narratives that feel both deeply intimate and eerily surreal. The collection was a finalist for the 2024 National Book Award. [Purchase](https://www.amazon.com/Ghostroots-Stories-Pemi-Aguda/dp/1324065850?ref=marmaladecollective.com) ### We Were Girls Once by Aiwanose Odafen ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/We-Were-Girls-Once-by-Aiwanose-Odafen-1-1.jpg) **Image via Lafiya Health* Published: June 2024 We Were Girls Once follows best friends Ego, Zina, and Eriife as they navigate the turbulence of university life, political unrest, and personal aspirations. Set against the backdrop of Nigeria’s ever-changing landscape, the book explores whether they—and their country—can overcome the obstacles that threaten to tear them apart. Odafen’s storytelling captures the fragility of youth, the strength of female friendship, and the struggle for self-determination. [Purchase](https://www.amazon.com/Untitled-book-2-Aiwanose-Odafen-ebook/dp/B0BHTKRV4B?ref=marmaladecollective.com) ### The Creation Of Half Broken People by Siphiwe Gloria Ndlovu ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/The-Creation-Of-Half-Broken-People-by-Siphiwe-Gloria-Ndlovu-1.jpg) **Image via House of Anansi Press* Expected Release Date: April 2025 Blending African Gothic with historical fiction, this novel delves into themes of madness and female rebellion within the contexts of colonialism, patriarchy, and capitalism. In The Creation Of Half Broken People**,** Ndlovu’s signature lyrical style brings to life a story of women who refuse to be erased, challenging the forces that seek to silence them. [Purchase](https://www.amazon.com/Creation-Half-Broken-People-Novel/dp/1487013272?ref=marmaladecollective.com) ### Somadina by Akwaeke Emezi ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Somadina-by-Akwaeke-Emezi-via-@satrayreads-1.jpg) **Image via @satrayreads* Expected Release Date: April 2025 A mesmerising tale set in a magical West African landscape, Somadina follows a young girl on a quest to find her missing twin while navigating her own emerging powers. Emezi, known for their ability to blend spirituality with fantasy, delivers a novel rich in mythology, self-discovery, and the power of sisterhood. [Purchase](https://www.amazon.com/Somadina-Akwaeke-Emezi/dp/0593309073?ref=marmaladecollective.com) ### Dream Hotel by Laila Lalami ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Dream-Hotel-by-Laila-Lalami-2-1.jpg) **Image via @lailawrites* Published: March 2025 In a world where governments can access people’s dreams, Dream Hotel explores the intersections of surveillance, personal freedom, and resistance. Lalami’s storytelling shines as she crafts a near-future reality that feels unsettlingly close to our own, questioning the limits of privacy and the cost of security. [Purchase](https://www.amazon.com/Dream-Hotel-Novel-Laila-Lalami/dp/0593317602?ref=marmaladecollective.com) ### The House of Rust by Khadija Abdalla Bajaber ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/The-House-of-Rust-by-Khadija-Abdalla-Bajaber-via-@somanami_ke-1.jpg) **Image via @somanami\_ke* Published: May 2021 A breathtaking blend of Swahili folklore and magical realism, The House of Rust follows Aisha, a young girl from Mombasa who embarks on a dangerous sea journey to find her missing fisherman father. Guided by a talking cat and an enigmatic sea captain, she discovers a world filled with strange creatures and hidden secrets. Bajaber’s lyrical prose and imaginative storytelling create a unique coming-of-age tale that explores themes of courage, destiny, and the power of self-belief. Winner of the Graywolf Press African Fiction Prize, this novel is an essential read for lovers of myth and adventure. [Purchase ](https://www.amazon.com/House-Rust-Khadija-Abdalla-Bajaber/dp/1644450682?ref=marmaladecollective.com) ### The Girl with the Louding Voice (Illustrated Edition) by Abi Daré ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/SaveClip.App_147520396_1018980625296966_3351895638173680133_n-1.jpg) **Image via @reyesreadingreview* Release Date: July 2025 This special edition of The Girl with the Louding Voice brings Adunni’s powerful story to life with stunning illustrations that enhance the emotional weight of her journey. The novel follows a young Nigerian girl determined to fight for her education and independence despite the societal obstacles in her way. Daré’s debut became a global sensation, and this illustrated edition offers an even more immersive reading experience for both new and returning fans. [Purchase](https://www.amazon.com/Girl-Louding-Voice-Novel/dp/1524746029?ref=marmaladecollective.com) ### An Unusual Grief by Yewande Omotoso ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/An-Unusual-Grief-by-Yewande-Omotoso-1.webp) **Image via @LIBRIS* Published: February 2021 This quietly uplifting novel follows Mojisola, a reserved woman who embarks on an unexpected journey of self-discovery after the passing of her estranged daughter, Yinka. Moving into Yinka’s apartment, she immerses herself in her daughter's world, uncovering hidden layers of both their lives. What starts as an exploration of grief becomes a story of reinvention, unexpected joy, and newfound freedom. Omotoso’s storytelling in An Unusual Grief is tender and thoughtful, offering a hopeful and quietly humorous look at life, loss, and second chances. [Purchase](https://www.amazon.com/Unusual-Grief-Yewande-Omotoso/dp/1913175138?ref=marmaladecollective.com) ### Maame by Jessica George ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/Maame-by-Jessica-George-3-1.jpeg) **Image via @Rebel Women Lit* Published: January 2023 This heartwarming and witty novel follows Maddie, a 25-year-old Ghanaian woman living in London who finally gets the chance to step out of her strict family obligations and experience independence. As she navigates firsts in dating, friendship, and career, she also confronts the grief and cultural expectations that have shaped her. Maame is a funny, moving, and hopeful story about self-discovery and learning to embrace life on your own terms. [Purchase](https://www.amazon.com/Maame-Novel-Jessica-George/dp/1250282527?ref=marmaladecollective.com) ### The Edge of Water by Olufunke Grace Bankole ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/04/The-Edge-of-Water-by-Olufunke-Grace-Bankole-via-@ameriesbookclub-1.jpg) Image via @amariesbookclub Published: February 2025 Spanning Nigeria and post-Katrina New Orleans, The Edge of Water follows three generations of Yoruba women whose lives are shaped by fate, family, and the pull of home. Amina leaves Nigeria for a new life in America, but disaster forces her to reconsider everything. Years later, her daughter searches for the truths that connect them across continents. A lyrical, moving story of identity, resilience, and the ties that bind us. [Purchase](https://www.amazon.com/Edge-Water-Olufunke-Grace-Bankole/dp/1963108051?ref=marmaladecollective.com) What are you reading today? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join 5,5****00+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Davido Unveils Five-City Tour, Xowié Wins Big, and Lagos Gallery Weekend Returns URL: https://www.marmaladecollective.com/davido-unveils-five-city-tour-xowie-wins-big-and-lagos-gallery-weekend-returns/ Last updated: 2025-04-04T13:02:45.000Z **Welcome to Vol 128 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Now, on to the real peel 👇 ###### FEATURE STORY ## Aṣa Selected for Prestigious 2025 Yale World Fellows Programme ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_473990956_18488953897011340_6903798320194333734_n-1-1-1.jpg) **Image Credit: ASA/Instagram* Nigerian singer-songwriter Asa just added another impressive achievement to her already stellar career—**she’s been named a 2025 Yale World Fellow!** The programme, **run by Yale University’s International Leadership Centre**, brings together a select group of global change makers for an intensive four-month leadership experience. Out of thousands of applicants, only 16 were chosen this year, and Aṣa is one of them. Aṣa has never been just about the music. Sure, she’s given us timeless hits like Jailer and Fire on the Mountain, but her influence goes far beyond that. She’s always used her platform to talk about identity, culture, and social change, making her a perfect fit for a program about shaping a better world. Since its launch in 2002, **the Yale World Fellows programme has trained over 400 leaders from 101 countries,** helping them expand their impact. In other words, Yale isn’t just picking successful people—they’re picking people who want to make a real difference. Who knows? This might be the beginning of Aṣa stepping into an even bigger role—one that blends music, activism, and leadership in ways we haven’t seen before. Whatever happens next, one thing’s for sure: she’s making Nigeria (and the world) proud. [Read on BellaNaija](https://www.bellanaija.com/2025/03/a%e1%b9%a3a-2025-yale-world-fellow-announced/?ref=marmaladecollective.com) ## 🔥 Trending Stories - [**Davido Unveils Exclusive Five-City Tour**](https://www.bellanaija.com/2025/03/davido-five-city-tour-5ive/?ref=marmaladecollective.com)Ahead of ‘5IVE’ Album Drop, *via BellaNaija* - SA’s [**Xowié named Apple Music Up Next**](https://www.musicinafrica.net/magazine/sas-xowie-named-apple-music-next-artist?ref=marmaladecollective.com) artist, *via MusicInAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_318328383_915700412749181_7481640129511824728_n-1-1.jpg) **Image Credit: XOWIE/Instagram* - [**Ebele Ojechi’s ‘For The Glory’ Collection**](https://www.bellanaija.com/2025/03/ebele-ojechi-chelsea-igbo-collection/?ref=marmaladecollective.com) for Chelsea FC is a Beautiful Tribute to Igbo Culture, *via BellaNaija* - [**Tems Set to Headline J. Cole’s Dreamville**](https://www.afrocritik.com/tems-set-to-headline-j-coles-dreamville-festival-2025/?ref=marmaladecollective.com) Festival 2025, *via Afrocritik* - [**NSG Connects London and West Africa**](https://www.okayafrica.com/nsg-the-big-6-interview/?ref=marmaladecollective.com) on ‘The Big 6’, *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_453858781_465403409800790_5524845335366961456_n-1.jpg) **Image Credit: NSG/Instagram* - Creele Animation Studios Announces Plans for **“**[**Sopo”, New Fela Kuti-Inspired Animated Short**](https://www.afrocritik.com/creele-animation-studios-announces-plans-for-sopo-new-fela-kuti-inspired-animated-short/?ref=marmaladecollective.com)**,** *via Afrocritik* - [**Lagos Gallery Weekend Unveils 2025 Edition:**](https://www.artreport.africa/post/234-art-fair-2025-sets-the-stage-for-a-new-patronage-era-1?ref=marmaladecollective.com)Celebrating Art, Culture, and Lagos, *via ArtReportAfrica* --- ## ⏳ Trivia Time ### What inspired Asa to choose her stage name? A) A childhood nickname B) A Yoruba proverb C) Her favourite animal, the hawk D) Her grandmother's maiden name *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Telling Stories That Matter: Nyasha Kadandara on Film That Transcends Borders ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_296340589_474522881345682_4681689993012782397_n-1.webp) **Image Credit: Nyasha Kadandara* The last of our iconic Womens’ Month features is Nyasha Kadandara, an award-winning Pan-African director and cinematographer whose work spans various storytelling mediums, including documentaries, virtual reality, and fiction. Hailing from Zimbabwe, she has garnered international recognition with her films, such as Through the Fire, Le Lac, and Matabeleland, which have premiered at major festivals like SXSW, DOC NYC and CPH DOX. In this conversation, we explore Nyasha's journey from finance to filmmaking, her passion for stories that challenge the status quo, and how she’s using her platform to empower African women. [Read & Share Guide](https://www.marmaladecollective.com/telling-stories-that-matter-nyasha-kadandara-on-film-that-transcends-borders/) --- ## What We're... 📰 **Reading:** [**Soft Magic**](https://www.goodreads.com/book/show/44030542-soft-magic?ref=marmaladecollective.com)**,** by Upile Chisala 🎧 **Listening to: ‘**[**4Kampe II**](https://open.spotify.com/track/2fhVsI54lSCFyW7sw5WPfR?si=ip%5F6TKqoQ5aVxvXLje4yCg&context=spotify%3Aalbum%3A15TFuzRGsXwFuW1HzwoQNk&ref=marmaladecollective.com)**’** by Joe Dwet File and Burna Boy 📺 **Watching:** [**Journey of an African Colony**](https://www.netflix.com/ng/title/81324674?preventIntent=true&utm%5Fsource=chatgpt.com)**; a** deep-dive into the untold stories and unsung heroes that paved Nigeria's road to independence. 🎟️ **Booking:** [**JAM: Nigerian Trivia Edition**](https://lu.ma/ngjjvlss?ref=marmaladecollective.com); A very special edition of JAM to celebrate Nigerian pop culture, and bring together the Marmalade community for a night of fun, connection and friendly competition. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/JAM-Nigerian-Trivia-Edition---Members-1-1.jpeg)](https://lu.ma/ngjjvlss?ref=marmaladecollective.com) 👀 **Eyeing:** The[**Kathiani Link Bracelet**](https://industrieafrica.com/products/jiamini-kathiani-link-bracelet?%5Fpos=14&%5Ffid=031a0d916&%5Fss=c&ref=marmaladecollective.com)**,** by Jiamini --- ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/You-Belong-Here-1.png)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: C****) Her favourite animal, the hawk** ### Marmalade Member Mondays: In conversation with Gena West URL: https://www.marmaladecollective.com/mmm-gena-west/ Last updated: 2025-03-27T15:00:30.000Z MMM is an exclusive, members-only virtual series designed to spark connection, conversation and community. The theme for this edition is "Empowering Progress", as part of our celebration of International Women's Month. _This post is for subscribers only._ ### Telling Stories That Matter: Nyasha Kadandara on Film That Transcends Borders URL: https://www.marmaladecollective.com/telling-stories-that-matter-nyasha-kadandara-on-film-that-transcends-borders/ Last updated: 2025-04-23T15:26:25.000Z Nyasha Kadandara is an award-winning Pan-African director and cinematographer whose work spans various storytelling mediums, including documentaries, virtual reality, and fiction. Hailing from Zimbabwe, she has garnered international recognition with her films, such as *Through the Fire*, *Le Lac*, and *Matabeleland*, which have premiered at major festivals like SXSW, DOC NYC and CPH DOX. Her expertise behind the camera has taken her across continents, and she has worked with leading media outlets like BBC, CNN, and Vice as she continues to highlight African stories, revealing deeper truths about the continent’s history, politics, and people. In this conversation, we explore Nyasha's journey from finance to filmmaking, her passion for stories that challenge the status quo, and how she’s using her platform to empower African women. Her drive to create immersive narratives often centred on Africa, sheds light on the power of storytelling in inspiring change and through her work, Nyasha reflects on what it means to lead with compassion, authenticity, and a relentless pursuit of progress. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Nyasha-Kadandara-Head-Shot.jpg) Nyasha **My first question is about your background and how you got started. I know you transitioned from finance to filmmaking and storytelling, so could you explain how that happened? Was this something you always wanted to do?** No, this wasn’t always what I wanted to do. I was studying finance at the University of Cape Town and started working as a features writer for the student newspaper in my second year. By my final year, I became the editor, and I loved it – the storytelling, the rush of getting the paper out, it was all so fulfilling. After graduation, I worked as a consultant for two years but wasn’t truly happy. My mom challenged me to think about what I really wanted to do, and that’s when I decided to pursue journalism, specifically documentary filmmaking. I applied to Columbia, got accepted, and completed my program there. Since then, I’ve been making films, and the rest is history. **That makes a lot of sense. Your work spans multiple mediums. I’m curious; why did you choose to focus on documentaries? I know you mentioned being a features writer, but what drew you to storytelling in this form?** I consider myself a very visual person, and I don't think writing is my strongest skill. I'm much better in person, especially when interacting with people. But when it comes to visuals, that's where I truly connect. Initially, deciding to work in documentary felt like a bit of a gamble, but the moment I held a camera, I knew—this is it, this is what brings me joy. Even now, production is still the best part for me. Filming, being on the ground, and seeing people through the lens, that’s always the highlight of my career. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/2020-le-lac-poster.png) Poster for Le Lac **I see. But what pushed you to experiment with these different formats like fiction and virtual reality, and what drives you to tell the type of stories you do?** When it comes to formats, I’ve learned it’s best to use the one that enhances the story the most. For [*Le Lac*](https://www.nyashakadandara.com/le-lac?ref=marmaladecollective.com), a virtual reality documentary, I wanted to explore how the lake was shrinking and impacted by the insurgency, but through the perspective of the lake itself. I thought about this because, as humans, we tend to focus on how things affect us first. But what if we flipped that? Especially since Lake Chad is so remote, unlike places like Lake Victoria, it’s difficult to access unless you’re working in the humanitarian sector. It’s cut off from most of the continent and the world. I wanted to make the experience as immersive as possible since it's not easy for people to visit, and that’s why virtual reality felt like the strongest medium to tell the story. I wanted people to feel like they were right there, in the heart of the place, to see it for themselves. This is important, especially in conversations about climate change, where there’s still disbelief and denial about how bad things really are. That was one of the driving factors for *Le Lac* to ensure no one doubted what was happening. That said, virtual reality has its limitations. There's only so long someone can sit in a headset, and there are constraints on the types of storytelling elements you can incorporate. So, it’s not a format that works for every story or documentary. With other films, sometimes the medium evolves as I’m figuring out the best way to tell the story. In my film that just premiered, [*Matabeleland*](https://lbxafrica.com/film/matabeleland?ref=marmaladecollective.com), which actually started as a multimedia project, I was collaborating with two other creatives—one working on text and the other on photography. I was handling the video. The original plan was to create a short seven-minute story focused on life a year after Robert Mugabe stepped down following the coup. But eventually, it evolved into a feature film. This shift happened after consulting with others, including my producer, who encouraged me to explore the story more deeply. What started as a short video within a larger multimedia piece turned into a feature documentary, which required much more time to tell the story properly. Instead of just one shoot focused on a single event, we ended up filming over six years. The story now delves into the broader themes of trauma, love, and faith. I’ve realised that sometimes the way you tell a story or the medium you're working with can change as the project unfolds. Another project I'd mention is *Come Sunrise We Shall Rule*, which is a feature currently in late development. This is a fiction project that I began writing during the pandemic when travel and work were limited, forcing me to rethink how I tell stories. The story is set in the 1970s in what was then Rhodesia, now Zimbabwe. Given the lack of archival footage from that period, it didn’t make sense to approach it as a documentary. I wasn’t sure what we’d show. Instead, I leaned on my journalistic tools, interviewing people who lived through that time, were involved in the struggle, or academics who’ve researched it, and used those insights to write a dramatised version of the story. Fiction gave me the creative freedom to shape the narrative as I wanted. In this case, *Come Sunrise We Shall Rule* felt right as a fiction film rather than a documentary because it allowed for more flexibility in how the story is told. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Matabeleland-STILL-2.png) Matabeleland Still **What I really appreciate about you using different mediums is that it shows you're truly focused on the story. You're not just putting it out there for the sake of it, but thoughtfully considering how it will resonate with the audience.** **You mentioned Matabeleland, a deeply personal project for you, which has evolved from a single shoot to a full feature film about Zimbabwe. I’d love to dive deeper into the story behind it and explore the hope it brings to the audience.** This film is very personal, set in Matabeleland, where I grew up. It's also home to the main character, Chris Nyathi, a man in his 60s who is struggling to reconcile his current life and relationships, particularly with his partner, Dumi, who loves him deeply and wants to marry him. But something holds Chris back. As we follow him, we see him struggle at work and in life, believing that unresolved issues in Matabeleland are the cause. Chris’s father, Julius Mvulo Nyathi, was killed in 1983 during the Gukurahundi genocide, in which over 20,000 people lost their lives. His father was left in a shallow, unmarked grave, and as Africans, the way we bury and honour our dead is deeply important. Chris feels haunted or cursed because his father’s burial was not done properly, and this weighs heavily on him. When Robert Mugabe stepped down in 2017, there was a sense of renewed hope across Zimbabwe. For the first time, I found myself filming there, after having worked in other regions. It felt like a new beginning for many, including Chris, who finally had the chance to search for his father’s remains and bury him properly. He enlists the help of Shari Eppel, a forensic anthropologist from Matabeleland, who has dedicated her life to exhuming and re-burying victims of the Gukurahundi genocide. This film is also a love letter to Matabeleland, a region that has endured so much trauma since Zimbabwe’s independence. Chris and I are both immigrants, and that shared experience is one of the things that bonded us. The film explores Chris’s relationships, particularly with his charismatic and loving partner, Dumi, who is incredibly supportive despite Chris’s internal struggles. Watching their relationship is heartwarming. Dumi’s unconditional love shines through. What I hope this film brings to audiences, especially Africans, is a sense of visibility. The story is deeply personal, not overtly political, despite touching on the genocide. It paints a portrait of what it’s like to be a Zimbabwean from our region, and I think many will find Chris to be a relatable character. His vulnerability, especially in his interactions with Dumi, is something we rarely see on screen. For African viewers, my hope is that they watch this film and feel a connection, whether to Chris, Dumi, or their situation, and see themselves or their families reflected in the story. That’s something I strive for in all my films: to give us more airtime, to have stories where viewers can say, “I identify with that.” Additionally, I hope this film sparks conversation and action, particularly in Zimbabwe, about the ongoing effects of the genocide. By showing how Chris is still impacted by his father’s unresolved death, I hope it encourages support for the victims and their families, helping them to find their loved ones and bury them properly. This is something deeply important to all of us, as we honour the wishes of our ancestors. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/f212f851-7f7b-46e3-a65b-3d6f9a08d3bc.JPG) Nyasha at the CPH DOX premiere of Matabeleland **Thank you so much for sharing that. I think it's a beautiful story, and I’m glad you’re telling it, allowing people to feel seen. It's relatable to several countries across Africa, which share similar experiences.** **You also mentioned schooling in South Africa, coming from Zimbabwe, and being based in Kenya. These are all places where community plays a significant role, not just generally but personally. Could you share how your own community, your friends, and the people closest to you impact your work and life?** Being in Kenya has been life-changing for me in terms of finding a film community that has helped me grow and be ambitious. I know it's rare and special. But every once in a while, a friend will visit from somewhere like London, New York, or Berlin, places with seemingly bigger and more developed film industries. And they'll say, "Wow, you guys have such a cool network here, supporting each other, promoting each other's work”. Especially when you're the only two Black filmmakers at a festival overseas, we’re often determined to rally together and make enough noise for ten. There's a lot of camaraderie in that, and I've been so lucky to find a strong tribe of people to connect with; people I can bounce ideas off, ask to watch a rough cut, or get help figuring out a logline or scene. Kenya has so much potential and ambition in the film industry. Even though there are challenges, the ambition here has shaped me as a filmmaker. But more broadly, as you mentioned, I’m from Zimbabwe. I lived in South Africa for seven years and have now lived in Kenya for eight. I also have this goal of travelling to every African country, and I’m almost halfway there, 22 or 23 countries so far. Every time I visit a new country, people always think I’m from there, and they ask, "Where are you from?" But generally, I feel like I fit in, and people are always welcoming. There’s a special warmth when they realise I’m not from the U.S. or elsewhere, but from Zimbabwe, and that I’ve come to visit them in, say, Dakar. I’ve been lucky to travel a lot for work, but I’m also intentional about travelling for pleasure because I love Africa. We’re special, cool, and wonderful. When I go somewhere new, I love how it breaks down the stereotypes I’ve heard and also, in the funniest ways, fulfils them. I come back inspired, thinking about stories I need to tell, seeing connections between communities, and realising how interconnected we all are. It’s so important to understand that Africa isn’t a single entity, we’re diverse. A lot of the borders we have are constructs from over 100 years ago, and we’re doing ourselves a disservice by sticking to them. We need to travel more among ourselves, learn from each other, and grow together. For example, you might go to Benin and see something in their border control that could be helpful elsewhere. Or come to Kenya and see how mobile money works and wonder why it hasn’t been implemented everywhere. Beyond filmmaking, as an African, I want to experience everything and find ways to connect us all. One of the things I’ve loved about working in Kenya is bringing a Southern African perspective to East Africa. Collaborating across the continent has been exciting, like working on a project about the Copper Queens in Zambia, because football is life! I love sports, side note. These cross-continental collaborations are becoming more common, and people are more open to them. We're starting to look within Africa instead of always looking outside. Kenya has been a great launchpad for that, and I hope this growth continues. Even you guys reaching out to me from Nigeria, it’s so cool to know my work is being seen across the continent! ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Matabeleland-STILL-1.png) Still from Matabeleland **I was really happy to come across your work. It’s a tough industry, as you said. So, to find someone who’s doing it the way it should be done, telling important stories, and building a community to share them, it’s beautiful.** **A lot of your work, as you mentioned, is intercountry within Africa, focusing on underrepresented voices. You’re blending artistry with activism, which is not always easy to balance. How do you manage to maintain that balance while staying true to the story?** I wouldn’t call myself an activist, to be honest, but there’s that quote, can’t remember who said it, about how all art is activism, and all art is political in some way. I think that’s true because even when you try to tell a simple, happy story, like I’ve tried, something always comes up. Conflict is just a part of life. I also think it looks like artists are being activists because we want to say something, and with film, at least for me, it’s about sparking conversation. It’s not enough for me to just talk about it, I want the audience to engage and have those conversations themselves. Sometimes, though, it feels like the work becomes political without even meaning to. Like when I did a film on sex trafficking, after that, everyone assumed I was only into investigative journalism. But the story landed in my lap, and I felt compelled to tell it. It became investigative because there were elements of danger and wrongdoing that needed to be exposed. I just felt people should know. It’s a very human instinct, I think. If you see someone steal a purse, you’d shout 'thief!' It’s the same thing with art. We see something wrong or right, and instead of yelling about it in the street, we make a film. It’s just what anyone would do when confronted with the truth, they want to point it out and say, ‘This is wrong,’ or ‘This is right.’ ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/COPPER-QUEENS-BTS-1.png) Copper Queens BTS **I totally agree that art has always been and continues to be a platform for stories that people are often too afraid to speak about especially those of underrepresented voices. With that said, you've created several films and documentaries focused on women and their experiences, particularly in Africa. I wanted to know what role you think storytelling plays in empowering women, especially within African cinema.** For me, a big part of why I make films is for myself. I come from a small country, and while we're known, it's often for the wrong reasons. When I travel, I meet people who have misconceptions, and it can feel so lonely, like you're invisible, unseen. As a woman working as a director and cinematographer, roles that are typically dominated by men, especially white men—it’s isolating. No matter what story I'm telling, the job itself is lonely and alienating. I just want to feel less alone. It helps when I see others like me doing what I’m doing. When someone like Blitz Bazawule from Ghana directs *The Color Purple*, I think, *Maybe I can do that too.* I’ve had people reach out to me anonymously—on Instagram, by email, saying, “Thank you for this. Something similar happened to me,” or, “This is my cousin’s story.” That’s the goal for me. To create that connection. I remember working on a project about the Zambian women’s football team when they went to the Women's World Cup for the first time. One of the players asked me why I was telling their story since I’m not from Zambia. Well, first, I have a deep obsession with sports, something that could fill its own podcast, but more importantly, your experience is my experience. You're coming from a country that people barely know or, when they do, they reduce you to one harmful stereotype. Then you go into spaces where you're one of a handful of Black people. Africans only have four slots in the World Cup, it’s like being the only one in the room. That loneliness, that frustration, I understand it. And then, you're still dealing with the patriarchy in African society, where many think women should just stay home and raise children. That experience is universal. Your wanting to play football is a universal story for so many women. Your story could inspire someone trying to cure cancer, for instance, because women aren’t encouraged to pursue STEM. They pigeonhole us into specific professions. So, when I’m making a film about something like the football team, I’m thinking, *This is one less thing people will believe we can’t do as women*. That universal experience, especially for Black women, is so important. For those of us in the industry, that’s the mission: to make it just a little easier for the next person or the little girl at home watching TV and thinking, *That could be me.* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/COPPER-QUEENS-STILL-01.jpg) Copper Queens **First of all, thank you for sharing such important stories. I was actually going to bring up the Zambian team, so I’m glad you mentioned it.** **You had a podcast where you explored themes like ethics and representation. Will it be coming back, and what other conversations do you think we need to be having in the industry?** I'm not sure if [Repicture](https://www.everydayprojects.org/repicture?ref=marmaladecollective.com) will come back; it was a project with Everyday Projects. It was really fun, especially because most of our conversations were with photographers. Photographers often work alone or with a writer, but it's still a pretty solitary experience for them. In contrast, documentary or film tends to have more collaboration since you need a team to do multiple things. We had a lot of conversations like that, and it was interesting. As creators, it's so important to connect. I have friends who are authors, and they’re going through similar struggles with publishers, just like I deal with sales agents or distribution, questions of how we’re selling our work, where funding is coming from. A big issue for African creatives is that much of the financial support comes from outside the continent. How do we convince our own audiences to engage with our stories, watch our films, and attend our events? That conversation needs to continue. We can lean on each other for support during tough times, whether you're stuck on a proposal or a scene, even if the person you're turning to isn’t in the same field. It’s about understanding the journey. Those conversations are vital, and I don’t think we’re having enough of them, especially in the podcast space here on the continent. Hopefully, someone will create more opportunities for those discussions, because we have so much to learn from each other, and it’s just good to have that support. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/COPPER-QUEENS-BTS-2.png) **Agreed. These are really important conversations, and it’s great to see more people starting to realise that and speak out. Hopefully, we’ll continue to see even more of that as time goes on.** **I think my final question is, what’s next for you? I know you're currently working on the fiction film, but generally, what's on the horizon? What does progress look like for you?** As you know, we have other projects in the pipeline. I think real progress would be if making the next film isn’t as hard as making the first one, or the one before that. I want my work to speak for itself without constantly having to justify why someone should fund it, without all the grant applications and seeking validation. I’m not sure what these future projects will look like, but I want to keep challenging myself and growing through the work. I just want to keep telling stories. Maybe one day, I’ll even do a TV series. It’s funny to say that now because it’s been so stressful trying to finish everything for *Matabeleland*. Yesterday, someone asked me what font I wanted for the credits, and I laughed. It’s all the little things you don’t think about. So when I talk about doing a series, I have to laugh because it feels like I must enjoy suffering. But, honestly, I love being challenged; that’s the reality. Professionally, I’m looking to push myself more and also continue reaching wider audiences. But for me, Africa is always home. That’s the goal. If someone in Mauritania, Benin, Morocco, or Sierra Leone watches my film, I’d be overjoyed. Just getting my work to them would make me so happy. That’s something we’re working on, distributing African stories across different linguistic and geographic barriers: Anglophone, Francophone, Lusophone, you name it. It’s something I’m truly passionate about. **It's lovely to hear that from you. That'll be all from me for now. Thank you so much for doing this. It's been really fun and inspiring listening to you talk about your work.** ### Stormzy Honoured by Cambridge, Risky Boys Go Viral, and Simi Marks Women’s Month URL: https://www.marmaladecollective.com/stormzy-honoured-by-cambridge-risky-boys-go-viral-and-simi-marks-womens-month/ Last updated: 2025-03-24T10:00:58.000Z **Welcome to Vol 127 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. ❤️ This month’s edition of Marmalade Member Mondays (MMM) is coming up on March 31, and our special guest is singer, TV host, and author, Gena West. [sign up here](https://lu.ma/ujhbt31h?ref=marmaladecollective.com)! Now, on to the real peel 👇 ###### FEATURE STORY ## Mo Abudu’s EbonyLife Place Expands to London with African Film and Culture Hub ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_485514767_18490847617017748_630139500361673923_n-1.jpg) **Image Credit: Mo Abudu/Instagram* Mo Abudu is taking African storytelling to new heights. The media mogul recently announced that **her company, EbonyLife Group, has secured a prime location on London’s Wandsworth Road**. Situated near the West End and the American Embassy, this new space offers breathtaking views of the city. But more than the location, it’s the vision behind it that’s truly exciting. Set to launch in late 2025, EbonyLife Place London will be a groundbreaking cultural and creative hub dedicated to showcasing African talent. It will provide filmmakers, artists, musicians, fashion designers, and other creatives with a space to display their work, expand their reach, and build global connections. **At the heart of the project is EbonyLife Cinemas London, the first African cinema in the city,** offering a dedicated space for Nollywood and African film premieres. Food lovers will get to experience Turaka London, a vibrant Nigerian restaurant bringing bold flavours to the UK. The space will also feature art exhibitions, highlighting African artists, and a fashion retail section, showcasing top designers from the continent. With this expansion, Mo Abudu is creating a global stage for African creativity, reinforcing her commitment to amplifying African voices and culture. London is about to experience something truly special. [Read on BellaNaija](https://www.bellanaija.com/2025/03/mo-abudu-ebonylife-london-hub/?ref=marmaladecollective.com) ## 🔥 Trending Stories - [**Stormzy to receive honorary Cambridge University doctorate**](https://www.theguardian.com/music/2025/mar/19/stormzy-to-receive-honorary-cambridge-university-doctorate?ref=marmaladecollective.com)**,** *via The Guardian* - [**The Risky Boys Are Turning Cairo’s Vibrant Energy Into Viral Fashion**](https://www.okayafrica.com/risky-boys-cairo-fashion-shows/?ref=marmaladecollective.com) Shows, *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_468152938_1223883565333925_4480007051935659633_n-1.jpg) **Image Credit: The Risky Boys/Instagram* - [**David Kusi Boye-Doe is The First LVMH Prize Semi-Finalist**](https://www.okayafrica.com/boyedoe-lvmh-ghana-designer/?ref=marmaladecollective.com) From Ghana, *via OkayAfrica* - [**Adedayo Agarau’s Debut Poetry Collection, “The Years of Blood**](https://www.afrocritik.com/adedayo-agarau-the-years-of-blood-set-for-release-fordham-university-press/?ref=marmaladecollective.com)**”**, Set for Release by Fordham University Press, *via Afrocritik* - [**Simi Celebrates Women’s History Month**](https://culturecustodian.com/simi-celebrates-womens-history-month-with-woman-to-woman-video/?ref=marmaladecollective.com)With “Woman To Woman” Video, *via Culture Custodian* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_470799252_18481354045012033_4506603367250157610_n-1.jpg) **Image Credit: Simi/Instagram* - South Sudanese Sprinter [**Gout Gout Runs Fastest 200 Meters Time in the World**](https://www.okayafrica.com/gout-gout-south-sudan-sprinter/?ref=marmaladecollective.com)This Year, *via OkayAfrica* - [**Quadri Aruna Reclaims His Spot**](https://www.bellanaija.com/2025/03/quadri-aruna-africa-table-tennis/?ref=marmaladecollective.com) as Africa’s No. 1 Table Tennis Player, *via BellaNaija* --- ## ⏳ Trivia Time ### Before becoming a media mogul, Mo Abudu had a successful career in which field? A) Journalism B) Human Resources C) Fashion Design D) Event Planning *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Naledi Modupi Creates Art as a Celebration of Strength, Vulnerability and Beauty ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_485881812_18300415798211366_2544949877759508955_n.jpg-1.webp) **Image Credit: Naledi Modupi* Our next incredible IWD feature is Naledi Tshegofatso Modupi. Naledi is a South African artist and illustrator whose work boldly explores black womanhood, identity and the strength of African women. Known for her bold use of continuous lines and colour, her style is distinct, with a focus on the digital medium, she creates works that are both visually dynamic and deeply symbolic. Her journey, which began in her South African community, has taken her across the world, with her art showcased in cities like London, Cape Town, and Chicago. In this interview, Naledi reflects on how her creativity was nurtured by her family and how discovering black female artists in high school sparked the idea that art could be her career. With a focus on both digital and traditional mediums, she discusses how her work serves as a tool for empowerment, particularly for African women, whose stories and experiences she brings to the forefront through her unique style. [Read & Share Guide](https://www.marmaladecollective.com/naledi-modupi-creates-art-as-a-celebration-of-strength-vulnerability-and-beauty/) --- ## What We're... 📰 **Reading:** [**Lagos Noir**](https://www.amazon.com/dp/B076QCQ4RW/ref=dp-kindle-redirect?%5Fencoding=UTF8&btkr=1&ref=marmaladecollective.com), edited by Chris Abani 🎧 **Listening to:** [**Painless Melody**](https://open.spotify.com/track/5V5euYL3vuOTjO21URlTla?si=%5FcaLm6pPSXW9zyXsZIjRhw&ref=marmaladecollective.com), by Braye 📺 **Watching:** How Nigerian singer [**Patoranking and a British army vet are driving change**](https://edition.cnn.com/2025/02/07/world/video/patoranking-tech-investment-youth-derrick-cobinnah-avcm-spc?ref=marmaladecollective.com) through philanthropy 🎟️ **Booking:** [**JAM: Nigerian Trivia Edition**](https://lu.ma/ngjjvlss?ref=marmaladecollective.com); A special edition of JAM to celebrate Nigerian pop culture, and designed to bring together the Marmalade community for a night of fun, connection and friendly competition. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/JAM-Nigerian-Trivia-Edition---Members-1-1.jpeg) 👀 **Eyeing:** The limited-edition [**Kickers x MAINS collection**](https://www.kickers.co.uk/kickers-x-mains.list?ref=marmaladecollective.com)**,** fronted by Creative Director and rapper, Skepta --- ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/You-Belong-Here-1.png)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Human Resources** ### Naledi Modupi Creates Art as a Celebration of Strength, Vulnerability and Beauty URL: https://www.marmaladecollective.com/naledi-modupi-creates-art-as-a-celebration-of-strength-vulnerability-and-beauty/ Last updated: 2025-04-23T15:19:41.000Z Naledi Tshegofatso Modupi is a South African artist and illustrator whose work boldly explores black womanhood, identity and the strength of African women. Known for her bold use of continuous lines and colour, her style is distinct, with a focus on the digital medium, she creates works that are both visually dynamic and deeply symbolic. Her journey, which began in her South African community, has taken her across the world, with her art showcased in cities like London, Cape Town, and Chicago. In this interview, Naledi reflects on how her creativity was nurtured by her family and how discovering black female artists in high school sparked the idea that art could be her career. With a focus on both digital and traditional mediums, she discusses how her work serves as a tool for empowerment, particularly for African women, whose stories and experiences she brings to the forefront through her unique style. At the core of our conversation is the theme of *Empowering Progress*, which Naledi embodies in her mission to uplift and celebrate African women through her art. She talks about the importance of representation and how her art challenges narrow narratives about black women, offering instead a nuanced, multifaceted celebration of their strength, vulnerability, and beauty. She also speaks candidly about the challenges she faces, from battling creative doubts to finding her voice while exploring how her community and upbringing have shaped her perspective, why collaboration is central to her artistic philosophy, and how she’s striving to ensure her work is accessible and meaningful to the very people whose stories it represents. Naledi’s story is one of commitment, using her platform to inspire others, drive progress, and redefine how African women are seen and celebrated in the global creative space. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Hi-Res-Image-1.JPG) A picture of Naledi Modupi **To start, could you tell me about your background? What was your journey like growing up, and is this the path you always envisioned for yourself?** I’m from Johannesburg, South Africa, specifically the east end. My community is quite traditional and straightforward. The idea of a "party life" doesn’t really exist there. People grow up to become teachers, doctors, or other conventional professionals. So, becoming an artist wasn’t something I ever considered because I simply didn’t see any artists around me. I didn’t even realise it was a career option. That said, I’ve always loved creating. Drawing, making things, it's something I’ve done my entire life. I was raised by women, including my mum, who is incredibly creative herself. However, she never pursued a creative career, so I never saw her as an example of what was possible in that sense. But looking back now as an adult, I realise I grew up in a very creative household. I only truly considered becoming an artist in high school. That’s when I first learned about Black artists and women in the art industry through the textbooks we studied. My family had always nurtured my creativity; it was never discouraged. But until high school, I saw it as just a hobby. Taking art as a subject changed that perspective. I remember in grade 12, I learned about Black female artists from South Africa, and that opened my eyes to the many possibilities ahead of me. That was the moment I started seeing art as a real career path. **That definitely makes sense. What would you say was the key moment that sparked your professional journey? The moment when you thought, 'This is what I need to pursue now'?** The very first time I felt like I truly belonged was in the art space. My community embraced my craft so quickly when I started sharing my art, even while I was still studying. It felt amazing to be accepted so easily. Before that, I was just studying for the sake of it, just to get a job and make a living. But when I started creating and sharing my art, I felt a new kind of excitement, not just for what I was doing, but for my future, which was something I had never really been excited about before. It just felt right. Like I had finally found myself, and everything was aligning perfectly. It also happened to be my final year of university, and at that point, I realised I could actually do this. Opportunities started coming my way, and I was even able to start making money while still in school. By the time I graduated, it already felt like my career had begun. I just jumped right into it, and I have no regrets. I know this is where I belong. I just need to work harder, be more intentional, and fully commit to this journey. But there’s no doubt, this is what I’m meant to do. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Inside-is-Better.png) Inside Is Better by Naledi Modupi **Having started early, you've explored different mediums. Currently, your focus is on digital art with some traditional elements. What led you to choose digital as your primary medium?** If I had to describe myself, I’d say I’m a multidisciplinary artist. In high school, I took art as a subject, and every term, we worked with different mediums. Each term was an opportunity for me to learn something new, whether it was oil paint, acrylic, charcoal, or even sculpting figures from clay. That experience shaped me into someone who’s always open to exploring new techniques because I get bored easily. I never wanted to limit myself to just one medium. Digital art came into my life at a time when I couldn’t afford to experiment with all these different materials. Then I discovered Procreate, which had everything: acrylic brushes, oil paint brushes, and endless possibilities. It allowed me to create whatever I imagined without worrying about buying expensive supplies or storing physical artwork that might get damaged, especially since I didn’t have buyers yet. That’s how I stumbled upon digital art, and it quickly became where I felt most comfortable and expressive. While I’d love to expand more into traditional pieces, digital art remains my safe space, and it’s where I truly feel free to create. **Making the most of the resources you have is key. Speaking of creating, how would you describe your process, from the initial idea to completing a full piece of work?** I don’t usually start with a clear idea in mind, I just know I want to recreate a photo. Most of the time, it’s either a picture of a friend or an image I love but don’t feel like sharing as just a photo. Instead, I start wondering how I can *reimagine* it. I also have a lot of fun with my pieces, and I can almost always tell which season of my life I created them in. I naturally gravitate toward certain colours depending on how I’m feeling. When I look back at my work, I can see when I was happy and excited, and I can also tell when I was going through a darker time. I don’t plan my pieces, I just start reimagining a photo and keep going until I feel like there’s nothing more to add. That’s when I know it’s done. With my traditional paintings, though, it’s a different story. I find them a bit intimidating because there’s no *undo* button. With digital art, I can start over or make quick changes, but traditional painting feels more final, and that makes me hesitant. That’s probably why I don’t create as many traditional pieces. I often try to plan them out first, just to see how they’ll look. But when I transfer that vision onto a canvas and it doesn’t turn out exactly as planned, I start doubting myself. Right now, I’m working on becoming more comfortable with traditional painting, learning to embrace the process and accept that I can’t go back. I want to let that be part of the story I tell through my art. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Original-Artwork.png) A photo of her mom and her aunt **Many artists can likely relate to that. You mentioned photography and recreating, which is fascinating. How do you select the photographs you work with?** I enjoy taking photos. Not that I’d call myself a photographer, but I love capturing moments. If you’ve ever seen my personal Instagram, you’d know it’s like my own little doodle diary, a curated space filled with things I find interesting. I have so many photos that I don’t know what to do with them. They’re mostly friends, family, or even just people I come across. I hesitate to share them sometimes because they don’t always have a clear subject or a “fun face” that makes them instantly engaging. But every now and then, I take a picture that feels special to me, even if it wouldn’t mean much to anyone else. One example is a photo I took of my aunt doing my mom’s makeup for her wedding. It was such a beautiful, intimate moment, but I knew that to an outsider, it might just seem like another picture. That’s where my art comes in. Instead of letting these moments stay hidden in my camera roll, I recreate them in my style, transforming them into something more universal, something that can connect with others in a different way. That’s how I choose which pictures to turn into art. It’s about giving a photo a longer life, allowing it to exist beyond just being an image on my phone. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Artwork-Recreation.png) An art piece recreation of the taken photograph **That’s wonderful. The photograph of your mom and aunt leads perfectly into my next question. Your work often centres on women, particularly Black women, and you share their stories with such depth. How did that focus come about, what does it mean to you personally, and why do these stories resonate with you the most?** I don’t really enjoy talking; that’s just who I am, whether in social settings or one-on-one. I think I’m more of a listener, an observer. Growing up, I was surrounded by women—my mum, my granny, my entire community was filled with women, except for my younger brother. That gave me a unique perspective, a chance to not just learn about women but to really understand how different we all are. Society tends to put Black women into one box, but in reality, we’re so layered, so complex. Each one of us carries a different kind of strength. Take my grandmother on my dad’s side; she’s calm and quiet, but unbelievably strong in her own way. People don’t often talk about that kind of strength, the kind that doesn’t need to be loud to be powerful. Then there’s my mum; bold, outspoken, the kind of woman you see on TV when they talk about “strong Black women.” But even she has a softer, more vulnerable side that doesn’t always get acknowledged. I want to tell these stories. I’m still figuring out how to do it in a way that truly captures what I see and feel, but that’s the heart of my work. Right now, I’m celebrating womanhood and being African, and I’m happy with that. But I also know there’s more I want to say, more layers to uncover. I don’t think I’m even halfway there yet, but what I’m creating right now feels right. **Thank you for sharing that. How does it feel to hear people describe your work as empowering, and how has your art empowered you personally?** It makes me feel really proud. It might seem small in the grand scheme of things, but it does feel like I’m contributing to the world in my own way. You have doctors who heal people, activists who fight for change, and all these people doing big, tangible things to impact lives. And sometimes, especially in the creative space, it’s easy to feel like you’re not doing “real work” that changes the world. But in moments like this, I’m reminded of how important these little pockets of creativity are. Art empowers people. It brings life, joy, and a sense of pride—not just to those who experience it but to the artist as well. Through my work, I’ve learned to embrace who I am, knowing that who I am is worth celebrating. I put my art out there, and people connect with it, celebrate it, and love it for what it is. More than anything, it’s incredibly special to see other women, especially Black women, see themselves in my work and feel embraced, seen, and celebrated. That’s powerful. Because for so long, we’ve been defined by a single narrative, a single image of strength, but we are so much more than that. Through my art, I want to show that we are complex, vibrant, and beautifully layered. And if my work helps even one person feel truly seen, then that is enough. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/The-Othership.png) The Othership by Naledi Modupi **Art has a unique power in storytelling. You once described it as your 'saving grace.' Could you elaborate on what that means and how art has personally impacted your life?** The world, as a whole, gives me so much anxiety because it’s so uncertain; I never know what tomorrow will look like. But my art is my safe place, my little sanctuary. It’s the one space where I have control over how my world looks, how I imagine it, and how I bring it to life. Everything in it is shaped by me, and the people who step into it, whether by viewing, embracing, or sharing it, are part of that experience. At the same time, art has given me a kind of freedom I didn’t always have. The freedom to speak, to belong, to exist in a space that feels entirely my own. In many ways, it has even provided financial freedom, proving that I can carve out a place for myself in the world through my work. There are no rules, just endless possibilities. It came at a time when I really needed to feel like what I had to say mattered, that I mattered. And through my art, I found that space. I found that voice. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_315880964_146587821453796_2063787398180313901_n.jpg) Naledi's art for Constellations: Global Reflections (CGR) **That’s wonderful. On the topic of people embracing your work, you’ve collaborated with brands like Converse and Birkenstock. How significant is collaboration for you in your creative journey?** It’s extremely important. As an artist, I had to define the kind of artist I want to be. I have friends whose work is in galleries, and I completely understand the power of that. My art could be in galleries, but I don’t think it would communicate what it’s meant to be in that space. I want my art to be on everything. I want it to be accessible, to exist in everyday life, to reach the people whose stories it tells. My art is meant to speak to the community that raised me, so if it isn’t accessible to them, then it’s not truly fulfilling its purpose. That’s why collaborations excite me. Seeing my work on brands I grew up with, on things my mum and the people around me wear and use every day, it makes the connection real. I love the idea of my art being a constant reminder to people, whether on sneakers, home decor, or even something as simple as tea or toothpaste. I want it to remind people of their power, of their beauty, of womanhood, of our stories. That’s my goal, beyond myself. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_349587676_945462840067356_4580869752141540414_n.jpg) Naledi's art collaboration for [@art.in.rug](https://www.instagram.com/art.in.rug/?ref=marmaladecollective.com) **You're creating for the people who raised you, for your own community. How does your community shape your art, and in turn, how does that impact you personally?** I think I’ve touched on this before, but to take it a step further, my community influences me deeply as an artist and in my life’s journey. I see so much talent and greatness around me, yet many people don’t chase their dreams. It’s not that they don’t see their magic; maybe they do, but they don’t always believe it’s worthy of being shared with the world. That motivates me. I want to share these stories in a way that uplifts and empowers others to believe in their own greatness. My community inspires me not just because of its stories, but because I want the people in it to see themselves, to recognise the beauty in their everyday lives and to understand that their experiences are worth celebrating. One of the most beautiful moments is when my mum sees my work or hears me talk about her in interviews. It’s almost like she can’t believe that her story is something the world would want to hear. And that’s the thing—I don’t think we always realise how incredible our lives are. Maybe because they don’t look traditionally "glamorous" or because they are tied to being black in South Africa, to history and struggle. But there is beauty in all of it, in the realness, the authenticity. That’s my community. And I want to lift it up and share it with the world. **It’s wonderful to be reminded of that beauty. I’m also curious—who or what would you say are your biggest inspirations today?** My mum is my biggest inspiration. I know that sounds cliché, but she truly is. The kind of woman she is, so real, so unapologetically herself, has shaped me in ways I’m only now beginning to fully understand and appreciate. Growing up, I didn’t really see her. She was just my mum, this person I didn’t always understand. But now, as I grow, I recognise why she is the way she is, and it amazes me. She’s incredible. And while I don’t want to be exactly like her, I want to embody that same authenticity in my own way. She inspires me to be real, to be bold, to be whoever I need to be at any given moment, because that’s just who she is. If I can reflect even a fraction of that in my work, in my interviews, or in how I show up in the world, then I will. She is the kind of woman I aspire to be, and I remind myself of that every day. Whatever I do, I just want to show up as myself. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_466119888_18464942227002718_597860405098607870_n.jpg) **I love hearing about your progress, I would also like to know—what are some of the challenges you’ve faced, particularly as a woman in the art world?** I might be experiencing a bit of downtime right now. I’ve been feeling extremely insecure about my work, and honestly, I don’t even know how to fully explain it. For the past few months, I’ve been searching for the right words to describe what I’m going through, but all I know is that I feel stuck. It’s like my work isn’t growing, and I’m not sure if I’m growing with it. That feeling of detachment is scary because my art has always been such a personal part of me. Right now, this is probably the lowest point in my artistic journey. I feel uncertain about where it’s going, and I know I need to step back and reassess. But, in a way, this interview has been a reminder of why I do what I do. Even as I answer these questions, I catch myself thinking, “Wow, I actually do know what I need to do”. It’s like speaking my truth out loud makes me realise that I already have the answers, I just need to trust them. So, I guess this is my moment to reinforce my belief in my work, to grow with it, and to find my way forward again. **Even moments of uncertainty play a role in shaping us. What do you hope the future holds for your art and for you in general?** I really want growth. I want my art to reach more places and to live on more things, just like I mentioned before. But beyond that, I want to identify with my art in a deeper way. Right now, it feels like I have to tap into something external to create, and that’s not how it’s always been. I want to be so in touch with my creativity that it flows naturally, without second-guessing, without wondering if people will like it, or if someone will buy it, because at this point, it is my next meal, you know? And I don’t want that pressure. For me, the future means my art existing for what it is, without anxiety, without the weight of expectations, but simply for the story it’s meant to tell. Because I can feel how powerful it’s going to be. It’s just about telling that story. **I love that, and I'm certain that the future will definitely bring all of these things. Thank you very much for speaking with me. It’s been lovely** ### JAM: Nigerian Trivia Edition, Apr 19th URL: https://www.marmaladecollective.com/jam-nigerian-trivia-edition-apr-19th/ Last updated: 2025-03-19T13:00:53.000Z A special edition of JAM to celebrate Nigerian pop culture and designed to bring together the Marmalade community for a night of fun, connection and friendly competition. _This post is for subscribers only._ ### Forbes Honours Tiwa Savage, and Richard Mofe-Damijo Joins Children of Blood and Bone URL: https://www.marmaladecollective.com/forbes-honours-tiwa-savage-and-richard-mofe-damijo-joins-children-of-blood-and-bone/ Last updated: 2025-03-17T10:00:06.000Z **Welcome to Vol 126 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. ❤️ Join us for this month’s edition of Marmalade Member Mondays (MMM) with our special guest; singer TV host and author, Gena West, on March 31\. [sign up here](https://lu.ma/ujhbt31h?ref=marmaladecollective.com) Now, on to the real peel 👇 ###### FEATURE STORY ## Simisola Gbadamosi Makes History as Youngest Nigerian Emmy Nominee ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/image--2-_012429-1.png) **Image Credit: CNN/Instagram* At just 13, Nigerian actress **Simisola Gbadamosi is making waves**! She’s officially the youngest Nigerian to earn an Emmy nomination, landing a spot in the Outstanding Younger Voice Performer category at the 3rd Annual Children’s and Family Emmy Awards. Her role as Tola Martins in Disney+’s Iwájú has put her on the global stage—and it’s a huge win for Nigeria’s entertainment industry. **Iwájú, a six-episode animated series** that premiered in February 2024, takes viewers into a futuristic Lagos, following Tola, a rich island girl, and Kole, a tech-savvy whiz, as they navigate themes of inequality and adventure. A collaboration between Disney Animation and Kugali Media, the show blends Nigerian culture with innovative storytelling. Reacting to her nomination, Simisola shared, “Being nominated for this Emmy is truly an honor. I’m so grateful to be recognized alongside such incredible talent, whom I’ve actually watched, and to be part of a project that means so much. This moment is a dream (that I didn’t know I had) come true.” With the awards set for March 15, 2025, in Los Angeles, all eyes are on this rising star. No matter the outcome, she’s already making history—and inspiring young African creatives to dream big! [Read on Afrocritik ](https://www.afrocritik.com/simisola-gbadamosi-makes-history-as-youngest-nigerian-emmy-nominee/?ref=marmaladecollective.com) ## 🔥 Trending Stories - Richard Mofe-Damijo set to Lead [**Nigerian Cast of ‘Children of Blood and Bone’ Film Adaptation**](https://www.okayafrica.com/ayra-starr-children-blood-bone/?ref=marmaladecollective.com)**,** *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_482501188_18488147428008019_4896357335716598610_n-1.jpg) **Image Credit: RMD/Instagram* - [**Dentsu Kenya launches school**](https://www.citizen.digital/entertainment/dentsu-kenya-launches-school-to-train-next-generation-influencers-n359015?ref=marmaladecollective.com) to train next generation influencers, *via Citizen Digital* - [**Norman Maake to thrill with new film**](https://www.gq.co.za/culture/entertainment/norman-maake-to-thrill-with-new-film-sebata-the-beast-at-the-joburg-film-festival-bb8e4943-ab51-41ab-92a7-c94969191dcf?ref=marmaladecollective.com): Sebata: The Beast, at the Joburg Film festival, *via GQ SA* - [**M.anifest Solidifies His Legacy as a Storyteller**](https://www.okayafrica.com/manifest-new-road-guava-trees/?ref=marmaladecollective.com) on ‘New Road and Guava Trees’, *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_483594961_18490907116029317_868147742839421178_n-1.jpg) **Image Credit: M.anifest/Instagram* - [**Eniola Bolaji Extends Unbeaten Streak**](https://culturecustodian.com/eniola-bolaji-extends-unbeaten-streak-with-spanish-para-badminton-gold/?ref=marmaladecollective.com) with Spanish Para Badminton Gold, *via Culture Custodian* - Ngozi Okonjo-Iweala, Tiwa Savage, Nissi Ogulu & Others[**Honoured at 2025 Forbes Women Africa Award**s](https://www.bellanaija.com/2025/03/forbes-women-africa-awards-2025/?ref=marmaladecollective.com), *via BellaNaija* - [**Christian Saint brings Ghanaian culture to life**](https://www.gq.co.za/entertainment/christian-saint-brings-ghanaian-culture-to-life-through-a-lens-focused-on-african-stories-b391c604-e81c-47e3-a879-ce94ff4fdd4f?ref=marmaladecollective.com) through a lens focused on African stories, *via GQ SA* --- ## ⏳ Trivia Time ### What is the name of Nigeria's first ever feature-length animated film? A) Lady Buckit and the Motley Mopsters B) Bino and Fino: The Movie C) Malika: Warrior Queen D) Sade: The Secret Princess *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Ṣẹwà on Music, Community, and Her Debut Album 'Soulful Agbero’ ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_483963657_18299603506211366_3694924819542129582_n.jpg-1.webp) **Image Credit: Sewa/Instagram* The very first of our iconic Women's Month features is **singer, songwriter, multi-instrumentalist, and budding composer, Ṣẹ̀wà**; whose genre-bending music is both a tribute to her Nigerian roots and a reflection of her global experiences. She’s sold out concerts in Nigeria and Toronto, recently opened for the renowned Asa, and is currently working on her debut album set to launch her on a Canadian tour in 2025. In this interview, Ṣẹ̀wà opens up about her unique path, from learning guitar as a bucket-list wish to overcoming challenges and discovering the healing power of music. Join us as we delve into the mind of a rising star who’s on the brink of reshaping the soundscape of Afro-soul and beyond. This month, at Marmalade Collective, we’re leaning into that legacy with our theme: Empowering Progress. [Read & Share Guide](https://www.marmaladecollective.com/healing-through-sound-sewa-on-music-community-and-her-debut-album-soulful-agbero/) --- ## What We're... 📰 **Reading:** [**Honey and Spice**](https://www.amazon.com/Honey-Spice-Novel-Bolu-Babalola/dp/0063141485?ref=marmaladecollective.com) by Bolu Babalola 🎧 **Listening to:** [**Imimangaliso**](https://open.spotify.com/track/1M7j3BdQiqzK30LehjOFDN?si=6bqEb1qIRsGuea4UU7qhwA&context=spotify%3Aplaylist%3A37i9dQZF1DX5ja5oV6Kto0&ref=marmaladecollective.com)by Lia Butler. 📺 **Watching:** [**Afrobeats: The Backstory**](https://www.netflix.com/ng/title/81591183?preventIntent=true&source=35), a docu-series capturing the socio-cultural forces that shaped Afrobeats, celebrating its pioneers and the vibrant Lagos scene that birthed it. 🎟️ **Booking:** The All Nigerian Pub Quiz Presents: The [**International Women's Day Pub Quiz**](https://www.eventbrite.com/e/the-all-nigerian-pub-quiz-presents-the-international-womens-day-pub-quiz-tickets-1272708267689?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/all-nigerian-pub-quiz--1-_012501.gif)](https://www.eventbrite.com/e/the-all-nigerian-pub-quiz-presents-the-international-womens-day-pub-quiz-tickets-1272708267689?ref=marmaladecollective.com) 👀 **Eyeing:** Adele Dejak's handcrafted [**Afro-Tsire Extra Bracelet**](https://industrieafrica.com/products/adele-dejak-afro-tsire-extra-bracelet?%5Fpos=25&%5Ffid=5dbdd38e3&%5Fss=c&ref=marmaladecollective.com)**,** a statement piece capturing the essence of African warrior traditions. --- ## 🧡 Member Spotlight: Francetta Evans-Anfom, Music Journalist and Blogger ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/image--1-_013002-2-1.png) **Image Credit: BlackFemaleCopywriters.com* Meet Francetta Evans-Anfom, a music journalist and blogger spotlighting Afrobeats and Amapiano in the UK. When she’s not covering festivals or reviewing the latest hits, she’s ghostwriting for architects or indulging her love for Disney and Pixar films. [Get To Know Francetta ](https://www.marmaladecollective.com/francetta-evans-anfom-on-afrobeats-journalism-and-architectural-storytelling/) ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Lady Buckit and the Motley Mopsters** ### Member Spotlight: Francetta Evans-Anfom on Afrobeats, Journalism and Architectural Storytelling URL: https://www.marmaladecollective.com/francetta-evans-anfom-on-afrobeats-journalism-and-architectural-storytelling/ Last updated: 2025-03-17T01:10:12.000Z [**Francetta Evans-Anfom**](https://www.linkedin.com/in/francettaevans?utm%5Fsource=share&utm%5Fcampaign=share%5Fvia&utm%5Fcontent=profile&utm%5Fmedium=ios%5Fapphttps://www.linkedin.com/in/francettaevans?utm%5Fsource=share&utm%5Fcampaign=share%5Fvia&utm%5Fcontent=profile&utm%5Fmedium=ios%5Fapp) is a music and festival blogger putting Afrobeats and Amapiano on the map in the UK. As the founder of the award-winning Dats Muzik blog, she covers everything from rising artists to major festivals, all while ghostwriting for architects by day. She's based in London with roots in Nigeria and Ghana, and she’s always on the move—whether it’s VIP at a concert, crafting the next big review, or obsessing over tracksuits to survive the UK cold. Oh, and don’t be surprised if you catch her geeking out over a Disney or Pixar classic. ### Tell us a bit about yourself. What do you do? and what does a regular day look like for you? "I’m 34 and grew up with entrepreneurship, music and architecture in my family. I have an award-winning Afrobeats to genres music & festival ‘blog of the year’ 2024/25\. I started [Dats Muzik blog ](https://medium.com/@datsmuzik/the-award-finalist-amapiano-and-house-music-blogger-on-instagram-and-youtube-dats-muzik-3f35d73192b0?ref=marmaladecollective.com)because I noticed there weren’t many or any Afrobeat and Amapiano blogs in the UK. Loads in Africa, obviously. In the mornings I do marketing and ghostwriting for architects and in the afternoon I focus on writing reviews for up and coming and established artists e.g. LaRizzle, FlavourTrip, P-Squared, Bella Shmurda, BNXN. Get to go to gigs, concerts and festivals as VIP- 50 Cent, Asake, Chris Brown, MicLowry, Scorpion Kings, DBN Gogo, Ife Ogunjobi, Cross The Tracks festival, Field Day festival and CitySplash festival to name some. Some of the artists have featured in Gangs Of Lagos film, Kiss FM, Ministry of Sound, Tirade World, Aprtment Life, Bella Naija, BBC Radio 1Xrra and more." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_299982677_637146660900982_175349659530026986_n-1.jpg) **Image Credit: Francetta Evans-Anfom/ Instagram* ### Where did you grow up? And where do you live now? "I’m from Nigeria and Ghana. Grew up in London and still live there." ### What's your favourite thing about the city you live in? "The culture." ### What's a personal goal or dream you're working toward? "To be the no1 Afrobeat music & festival blogger + the go-to-expert ghostwriter in Architecture & Design." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_376257223_18351207961079920_1340762653689171942_n-1-1.jpg) **Image Credit: Francetta Evans-Anfom* ### What's one fun fact about you that most people don't know? "I’m a Disney and Pixar film fanatic." ### What's a piece of advice you try to live by? "Take each situation in life and deal with first and do the top 3 things/ tasks each day, so you feel like you’ve achieved something everyday." ### What's something you're currently obsessed with "I’m obsessed with tracksuits at the moment. It’s too cold in the UK everyday lol." --- ## Want to be featured? At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? **We'd like to hear from you!** [Share Your Story](https://forms.gle/19pqAyRXg3hhLr8h9?ref=marmaladecollective.com) ### Healing Through Sound: Ṣẹwà on Music, Community, and Her Debut Album 'Detox' URL: https://www.marmaladecollective.com/healing-through-sound-sewa-on-music-community-and-her-debut-album-soulful-agbero/ Last updated: 2025-11-28T05:28:06.000Z The power of sound often transcends words, and Nigerian-born, Toronto-based artist Ṣẹwà uses her soulful voice as both a refuge and a weapon. Music is a form of healing for her, a creative outlet where she channels the complex emotions tied to her life experiences. With a sound that seamlessly blends Afrobeat, Fuji, Jazz, and R&B, Ṣẹ̀wà’s captivating performances and distinctive Afro-soul vibe have mesmerised audiences. A singer, songwriter, multi-instrumentalist, and budding composer, Ṣẹ̀wà’s genre-bending music is both a tribute to her Nigerian roots and a reflection of her global experiences. She’s sold out concerts in Nigeria and Toronto, recently opened for the renowned Asa, and is currently working on her debut album set to launch her on a Canadian tour in 2025. Her upcoming debut album, *Detox*, is a testament to her eclectic personality, blending live instruments with African influences. The 13-track project, made with her community, also includes a powerful bonus track dedicated to her father and the album promises to introduce listeners to the full spectrum of her sound and story. In this interview, Ṣẹ̀wà opens up about her unique path, from learning guitar as a bucket-list wish to overcoming challenges and discovering the healing power of music. Join us as we delve into the mind of a rising star who’s on the brink of reshaping the soundscape of Afro-soul and beyond. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_470156646_18027181271611265_7974763678637092629_n.jpg) Via filltheblnk **I’d love you to share about your background. Is this what you always wanted to do?** Unlike most musicians, I didn’t start off loving music. In fact, I only picked it up in 2016 after a life-changing accident in my family. It was such a profound event that I felt like I was at heaven’s door, so I decided to tick something off my bucket list. I asked my granddad to buy me a guitar, sort of like a last wish. I figured, if I was going to die, I should at least do something I’d always been curious about. Growing up, my family went to Church, and I was always fascinated by the guitar players. I remember wondering how they could make beautiful sounds with six or sometimes seven strings. Whenever I went to church programs, I’d sneak off to detune someone’s guitar, a terrible thing to do, but I found it so amusing. I’d then run back to my parents, and they couldn’t scold me because I’d hide beside my dad. It’s a funny memory I still hold on to. Anyway, my granddad bought me the guitar for 15,000 naira. I still remember it. It was a pretty cheap guitar, and I think I’ve broken it by now, but at the time, it felt perfect. I started learning an Asa song, and coincidentally, the chorus had my granddad’s last name in it. He would laugh every time I sang it, although I was terrible at singing. In fact, someone once told me I was a "sorry excuse for a singer," and honestly, I probably was back then. What most people didn’t know was that I was dealing with a lot. I was grieving my dad, who passed away in the same accident that changed everything for me. I was in physical pain too, I had a sore on my leg that doctors couldn’t heal, and my temperature was constantly high. But as soon as I started playing the guitar and singing (badly), my mind shifted away from the grief and pain. It was like my brain let my body start healing. That’s when I became a believer in the power of mental health. If your mind can stop your body from healing, how can anyone deny the connection between the two? So, that’s how I started playing guitar. When I was in Unilag, I carried my guitar everywhere around campus. People even nicknamed me “guitar girl.” Recently, someone emailed me, saying they remember me lugging my guitar around New Hall. It’s funny, they reminded me of something I’d rather forget, but it was still nice to hear from them. I want to talk about those days because, wow, I felt like I was living life at full speed. Then, in 2021, I moved to Canada. My mom had been here since 2016, so she moved all of us here in 2021, though she’d been in Canada since before everything happened back in 2016, the year that changed my life. So, after years in Lagos, my grandparents and I finally joined her, and now the whole family is here. The first year I came to Toronto, I found it tough to understand the music scene. Hip-hop dominates here, likely because of Drake. Funny enough, I’ve bumped into Drake twice since I’ve been here, once at a restaurant. It’s so random, but it reminds me of Lagos, like when you go to the Island and just bump into someone famous. That’s what it feels like here. In that first year, I spent a lot of time at karaoke nights and open mics, trying to understand the sound and figure out how to fit my own music into it. My sound is Afro-soul, and it’s very different from what’s popular here. What I noticed, though, is that people loved it when I infused Yoruba into my music. They didn’t understand what I was saying, but they enjoyed the vibe and uniqueness. In my second year, I decided to take my music more seriously. Before, I was just going with the flow, but then I thought, “Let me actually do this.” Up until that point, I had only released eight songs, mainly because I just didn’t get around to releasing them. But I wanted to push myself further, so in October 2023, I put together my first concert. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_478160412_18395971225102935_6912306314291211177_n.jpg) Asa and Ṣẹwà on stage It was a 120-person capacity event, and I was shocked when it sold out! I honestly didn’t expect it because I thought, “Who even knows me here?” I figured my friends and family would show up, which was maybe 10 people, but what about the rest? I only had three weeks to plan the show, tickets went up in the second week, and by the last week, it was sold out. My mom was just as surprised as I was. I didn’t have much of a budget, so I asked my band, who were all my friends, to help me out. I told them, “I don’t have money, but I’ll bring food.” My mom cooked because I was too busy with rehearsals, but in the end, my band had to leave before they could eat the food, so I ended up eating it myself. Despite the chaos, the show went incredibly well. It was such a surreal moment. I feel like I’ve been on some people's radar this year. I did another show, and the same thing happened; it went really well. Then I heard Asa was coming to Toronto in October last year, and I thought, "Who else?" Because every time I perform somewhere with Nigerians in the audience, someone always says, "You remind me of Asa." I don’t think I’ve ever performed in front of Nigerians without hearing that. It’s a huge compliment, of course. When I found out Asa was coming, I thought, "Who better to open for her?" Luckily, the promoter asked me to open for her, and I was thrilled. But the real surprise came when Asa called me back on stage to sing with her. That was such a huge moment for me. Honestly, I thought I’d freeze up, but I didn’t. It felt like I wasn’t even the one singing; it was like an out-of-body experience. I was watching myself perform, completely starstruck. Afterwards, I was like, "Did that really happen?" It didn’t sink in until I saw the video, and I realised, "Yeah, that actually happened!" So that’s been my journey, from selling music to this point. Now, I’m working on an album set to release in May, and I have a single dropping next month. I’m just putting the finishing touches on everything, and it should all come together beautifully very soon. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_292662904_141705918526971_8684662875292266312_n.jpg) **That's really exciting! I think your journey is a testament to the power of music—the healing power, in particular. I really appreciate that. You blend Afro-soul, jazz, and R&B in such a unique way. So, I wanted to ask: how do you approach blending these sounds together? I know they’re interwoven, but what does your creative process look like when you’re working with these genres?** So, the only thing I really try to do intentionally is incorporate Yoruba into my music, even though I didn’t grow up speaking it. I was born in Kaduna, and we lived in an area with wealthy Hausa people who spoke perfect English, almost British-sounding. It’s funny because here in Canada, they say I have an accent, but back home, I never did. It’s weird, but I digress. Growing up in Kaduna, we mostly spoke English, but when I moved to Lagos, I made an effort to learn Yoruba. Whenever I saw my grandparents, I asked them to speak Yoruba to me, and while I would respond horribly, I made sure I understood it. Now, I can speak it fairly well, though I still want to perfect my accent. When it comes to music, though, Yoruba has such a natural flow, it blends so well with musical tones. Even if I mispronounce something, it still fits the melody, but I make sure to double-check my Yoruba with my friends, Toluwalase and Dotti the deity, and sometimes a musician friend, Kunle. One thing I wish I could do is those classic church riffs. I didn’t grow up singing in church, so I don’t have that background. I’m envious of people who can do them, it’s such a cool skill. My style is more Afro-jazz, probably because I grew up listening to artists like Nina Simone, Louis Armstrong, Charlie Parker, Miles Davis, and Sarah Vaughan. I love jazz. It’s a huge influence on me, and I feel like that comes through in the way I sing and riff. I once heard an artist say they weren’t influenced by anyone, and I just thought, "How?!" You can’t be an artist and not be influenced by something. Everything you do, even how you speak, is influenced by something or someone. To me, that kind of statement just sounds unnecessary. The fact that I lived in Lagos makes it easier for me to infuse Afro elements into my music. Even if I sing purely in English, my lyrics still have an Afro feel to them, just in how I phrase things. It’s the way you word your lyrics, and I think that’s part of what makes Afro-soul so special. When I’m writing, the first thing that comes to mind is the guitar, obviously. I know most people start by mumbling lyrics or melodies, but for me, I usually have a concept in mind. For example, I might think, “This person broke my heart,” and then I’ll pick up my guitar and start writing about it. I’ll build on that initial idea, then expand, sometimes even using tools like Google or RhymeZone to find rhymes, like “what rhymes with breakfast.” That’s how I develop my lyrics. I see myself more as a singer than a guitarist. My guitar is more of an accompaniment; my main instrument is my voice. Without the singing, the guitar wouldn’t make sense. I’m not a virtuoso who can just play the guitar and have it stand on its own, it’s my singing that brings everything together. I’ve also started learning audio engineering, focusing on mixing and mastering. I’m still learning the production side of things, though. I consider myself more of a composer than a producer. I can compose parts of songs and tell the band how I want things to sound, almost like a director. I’ll say, “I want this to sound like that,” and they’ll execute it. But when it comes to actually producing and putting everything on the computer, that’s not my strongest skill. I can give input, like, “Put the drums here, add this there,” but production isn’t my strength. My strongest skills are singing, then guitar, and finally, audio engineering. I actually just finished some audio engineering work before this call, and I’ll probably get back to it right after. **One thing that stands out to me is when you mentioned earlier that your singing wasn’t great, to say the least. But now, singing has become one of your strengths. How did that progression happen? What changed?** That's true. I just started singing a lot without really trying to get better. If I had been more intentional, maybe I would have learned some extra skills, but I was just singing for the sake of it. I wish I had put more effort into improving. One day, I sang, and suddenly people started crying, and I thought, "Am I making you cry?" You should have seen me that day, I was so confused! Someone was crying, and I kept apologising. I even turned off my mic because the person was crying so much, and I thought, "What's going on?" Another time, I ended up crying on stage, thinking about my dad, and then everyone else started crying too. I was like, "Oh no, I don't want to make you guys cry!" It's amazing to touch people's emotions like that, though. As an artist, it's such an ego boost to move people through your music. I've cried at concerts, watching my favourite artists perform. It's an honour to evoke that kind of emotion, but at the same time, I'm such an empath that I feel it deeply, and sometimes I don’t want to make people cry *too* much. But yeah, I just sang a lot. I didn’t intentionally work on my skills. I also used to be terrible at singing with a band. I would get so distracted by all the different moving pieces, like the drums, that it would completely throw me off. Back in 2019 and 2020, I was super uncomfortable with it, and even my band members could tell. They’d straight up tell me, "You can't sing with a band." And I'd be like, "Yeah, I know, you don’t have to remind me!" But now, I can't imagine performing without a band. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_455030223_18368153803102935_180805806343174796_n.jpg) Taken by [@thefifographer](https://www.instagram.com/thefifographer/?ref=marmaladecollective.com) at Johnny Drille’s Concert in June, 2024 **It’s lovely to see you're now really comfortable with your music now, which brings me to my next question. Throughout our conversation, you've mentioned a few people, and since community is a big theme here, I wanted to dive deeper into that. Could you share more about how your band plays a role in your music and how you were able to bring everything together, from arriving in Toronto to finding your community? How has that journey been, and what do you envision for the future when it comes to your community?** Thank you for that question. It’s a really good one because my band members and friends are people who have played with me when I couldn’t afford to pay them. God willing, they’ll still be with me when I can pay them well. I’ve rarely seen an artist who can put together an eight- or nine-piece band purely based on relationships. I feel so honoured and lucky. I’m usually not speechless, but these people are just incredible. My pianist recently moved to Australia, so I’ll be working with someone else soon. His name is Kyle, and even from Australia, he helps me bring my vision to life. The bassist, Devin, is amazing; he shreds both guitar and bass. There’s also Ibeji from Nigeria, who wanted a band, and since we make similar kinds of music, it just fits. Then there’s my drummer, Temi. He’s a bit annoying in the most adorable way. He’ll say no to something, but then later show up and say yes. It’s frustrating but endearing at the same time. My backup singers, Leonardo and Ekene, are so talented. I’m genuinely emotional thinking about how lucky I am to have them. I can’t believe I’ve found such sweet people to work with. Then there’s Mr. Durotimi, my talking drummer. I found him on an online marketplace when I was looking for a talking drummer near me. He was actually selling his talking drum! I asked him if he could play for me at my concert, and though I didn’t have much to offer, he said he would do it for free. I was stunned because he didn’t even know me. Kunle is another incredible musician; he plays in an orchestra here and serves as my main guitarist. He’s also a musical director, and he even played with me for Asa, which was amazing. They’ve been so supportive in helping me get to the point where I can. Most musicians try to find other people to collaborate with, but these guys understand my sound and have stuck with me for a while. I want to make sure it’s worth their time in the long run. I met most of my band members at open mics or through Instagram. Those open mics really helped me make the most valuable connections. For example, I met Devin, the guitarist, through my friend James, whom I also met at one of the performances I attended. Moving to this country as an immigrant is tough. When we first arrived, it was like everyone was just minding their business. There’s this sort of depression that hits you the moment you get off the plane. People don’t ask how your day is going unless you’re in church or school, so it’s been hard to find that connection. I went to Seneca College to study audio engineering, and I was the only Black person and the only girl in my class, which felt very weird. But despite that, my family is here, and that gives me some comfort, even though it’s not quite the same as back home. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_438754904_18351944644102935_1533243323126019209_n.jpg) Ṣẹwà performing **It’s really sweet that you’ve found your community and friends in your band. You mentioned your sold-out concert and how you didn’t even expect it, and then opening for Asa, especially when she called you back on stage to sing with her. What would you say have been some of the biggest moments where you thought, “Yes, music is definitely what I’m meant to do in life?”** I think there are so many moments like that, and I find myself reflecting on them often. I used to date someone who was in the music scene, and while he had a well-deserved bright light, I found myself dimming my own to fit in, both consciously and subconsciously. Those were some of the darkest months of my life because I wasn’t living in alignment with my purpose. I kept asking myself, “What am I supposed to be doing with my life?” I couldn’t picture myself doing anything else. I’m not cut out for a 9-to-5\. Honestly, I think I would lose myself if I had to sit at a desk all day. I worked a 9-to-5 for a few months two years ago, and it was the worst time of my life. I couldn’t create; my brain just wasn’t functioning. But the moment I quit that job, that same day, I wrote five songs. That’s when it hit me: there’s nothing else I’m meant to do but music. There have been so many moments that validated this for me. I remember during the Aṣa concert, someone tweeted, "When opportunity meets preparation," and that resonated with me. I’ve been preparing for so long, not just for that moment, but for everything that’s leading up to where I’m truly meant to be. That experience was incredibly validating. Any doubts I had about my music disappeared after that, and now I’m fully committed to what I’m working on, especially my album. Performing is another defining moment for me. Every time I get on stage, I feel completely at home. It’s my safe space, and everything else just goes quiet in my mind. I have ADHD and depression, so I’m used to my mind always racing, but when I’m performing, it’s the one time everything just settles. If people in the crowd are talking, I usually don’t even hear them, unless it’s really distracting. There are countless moments like this where I realise there’s nothing else I’d rather be doing. Even if I wasn’t singing, I’d still be in the music business—maybe as a manager or an A&R, because I’ve always had a knack for recognising talent. So many of my friends from Lagos who I knew would be successful, are now huge celebrities, and I’m like, “I knew it.” I could always spot the stars. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_468943532_18385520047102935_3294274050364595170_n.jpg) Cover for Ṣẹwà's first headline concert **That makes sense. As I mentioned earlier, music is incredibly healing, and your story is a powerful testament to that. I find it really inspiring. Speaking of inspiration, I wanted to ask, what are some of the challenges or lessons you've encountered on your journey, and how have they shaped or inspired you?** Being a Black woman, especially one who doesn't fit the conventional mold of beauty, comes with its own challenges. Society says we have a voice, but honestly, it’s more performative than real. On top of that, I’m not skinny, I’m thick, and I’m not considered conventionally attractive by certain standards. I don’t dress to be "decent" or to make a statement, I just dress for comfort. I have body dysmorphia, so I tend to wear oversized or long dresses to feel more comfortable in my skin. But I know my body still shows, and I’m okay with that. I dress this way because it's my style and it suits me. It's not about decency, I just know what works for me. When I sing, especially about heartbreak, people often assume I’m talking about a guy. But really, I use that as a metaphor for deeper emotions, particularly about my dad and how I’ve processed those feelings. I'm not yet ready to be raw and open about it. So I channel that pain into something more relatable for others. As much as I love that people focus on my music, it also means the only thing I’m known for is my singing, which can feel limiting. People want more; they want something extra to latch onto. It’s a double-edged sword being a woman, you hate it but love it at the same time. Society is what it is. And being a Black woman doing soul music? Whew, where do I even begin? I’ve been told that I can’t perform in certain places because my music is "too slow" or "boring." Promoters have said, “I don’t want you playing guitar here; it’s too public an event." I get it, there’s a place for everything. But when I’m being excluded, it’s frustrating. At events, the music tends to sound repetitive because they have 10 opening acts that all follow the same vibe. It gets tiring for the audience after a while, but when I suggest doing something different, they turn me down. Funny enough, those same people who rejected me before are now asking me to perform at their events or open for artists coming to town. I’ll find my own way in, but it’s weird how the tables have turned. It’s tough doing music as a Black woman. I once wrote down my thoughts on this: “As a Black woman making soul music, one challenge I face is that not everybody resonates with my genre. Especially when mainstream music tends to favour other styles, people often expect Black artists to fit certain boxes. But I’ve learned to embrace that uniqueness. I stay true to my craft, trusting my artistry and connecting with those who value authenticity. It’s also about breaking barriers, being consistent, and creating music that speaks to me and my audience.” Mic drop. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_358475647_18304778959102935_9069874403655121920_n.jpg) Cover of Ṣẹwà's first EP **Your genre is soulful, and I feel it carries a lot of emotion, which I absolutely love. But sometimes, people can be a bit shallow, especially when it comes to music. The industry itself is very brutal, particularly for women, whether it’s the music industry or the media. My last question is about your album and single. Can you share what that journey has been like? What has the process been, and what can we expect from it?** The album is called *Detox*. It’s more about embracing a personality. I’ve been called a thug before and even unladylike. As soon as you don't fit the stereotype of being “feminine,” people label you as manly. I’m soulful, but I’ve also been described as hyper-expressive, and that's just who I am. I’m very energetic until I eventually crash. One day, someone called me a “soulful thug,” and I thought, "Yeah, that fits." It just made so much sense for my personality. Even the way I talk probably gives off those vibes. But when I say “thug,” I don’t mean it in the way people usually think, like being “ratchet” or not caring. It’s more about reclaiming the word for myself and owning it. So, yeah, that’s where the album name came from. It was originally supposed to be a 12-track album, but I think I’m going to add a bonus track, a song I did for my dad. I had planned to include it on my next album, which is more focused on my ex, but it felt weird to mix those two themes. So, I figured it would fit better on *Detox*, which doesn’t really have a specific theme, it’s more of an introduction to my sound. I recently performed that song for my dad and ended up crying on stage. The audience was crying too. It was sad, but in a way, it was also really beautiful. I scheduled my show on Father's Day intentionally, so I wouldn’t dwell too much on the day itself. But, of course, I ended up crying anyway. It’s okay though, it’s good to be vulnerable sometimes. That performance confirmed that this song belongs on this album. The project I’m working on is a 13-track album. I wanted each song to have a live component, so I’ve incorporated live instruments. I composed most of the tracks, though two of the songs were produced by friends. Timi Dre produced Rotimi and Seventh, a Jamaican-Canadian, produced Lagos Loving. Lagos Loving, the first single is a feel-good track about a guy trying to win back a girl who’s had enough and is telling him to leave her alone. The song has a jazzy vibe, but I didn’t sing it in a typical jazz style. Even with my Afro-soul approach, you can still hear African influences in how I sing, especially with the Yoruba I included in the song. Writing it was such a fun experience! Fun fact: I got inspired to write "Lagos Loving" after hearing a song by PJ Morton and Asa called All The Dreamers, and after listening to it, my friend played me a beat, and I just started singing the chorus. It all clicked, and everyone loved it, my audio engineer, the guy distributing the track, even the graphic designer. The single is coming out soon, and we're aiming for a late April or early May release for the full album. The project is very much a community effort. My friends play the instruments, Temi plays the drums on all the live tracks, Kyle plays the keys and guitar, and I also did some of the guitar work. Jakim composed the strings and orchestral ensemble for a song called "Brother Kewe," which is such a feel-good track too. Altogether, the project should be about 40 minutes long, with most songs around four minutes each. The album, titled *Detox*, is my debut, a true introduction to my sound and my life. I’m so excited about the cover art, which will be shot by a photographer named Tayo, and Rakiya will be doing my hair for it. I’m really happy with how everything is coming together. The first single is so good, and I don’t want it to go unnoticed. It’s a Welcome to My Sound, Welcome to My Life album **I love that. Thank you so much for talking through your journey with me. I’m excited for the album and all that’s to come.** ### The African Women Who Paved the Way URL: https://www.marmaladecollective.com/the-african-women-who-paved-the-way/ Last updated: 2025-03-22T13:54:11.000Z Throughout Africa's rich and diverse history, women have continuously broken barriers, challenged societal norms, and laid the foundation for future generations to rise. From literature to film, art to music, and activism to environmental conservation, African women have been at the forefront of transformative movements across the continent. This article shines a spotlight on ten trailblazing women who have made significant contributions in their respective fields, paving the way for future generations. These women, spanning various industries, have not only empowered others through their work but have also redefined what it means to be a leader, artist, and advocate for change in Africa and beyond. ### **1\. Muthoni Likimani (Kenya) – Literature, Media** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_45598583_310228546250901_7746778642737813856_n--1-.jpg) Image via @[shujaastories](https://www.instagram.com/shujaastories/?ref=marmaladecollective.com) Muthoni Likimani is a Kenyan author, journalist, and women’s rights activist. Likimani has written extensively on African women’s struggles and has been a powerful voice in the media, advocating for women's rights in post-colonial Kenya. She is known for works like *“They Shall Be Chastised”* and *“What Does a Man Want?”* Likimani has been a pioneer in media and literature, breaking cultural taboos and promoting African women’s voices. ### **2\. Esther Mahlangu (South Africa) – Art** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_468451794_18377874097105969_8921386355197836506_n.jpg) Image via @[bmwgroupculture](https://www.instagram.com/bmwgroupculture/?ref=marmaladecollective.com) Esther Mahlangu is a South African artist known for her bold, large-scale paintings inspired by traditional Ndebele art. Mahlangu has brought Ndebele art to the global stage, creating large-scale works for galleries and collaborations with international brands like BMW and British Airways. Her work is a vibrant expression of African heritage, combining traditional Ndebele geometric patterns with contemporary aesthetics. At over 80 years old, Mahlangu remains an iconic figure in African art. ### **3\. Wangari Maathai (Kenya) – Environmental Activism, Literature** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_46522509_325691028157471_6189234336603339297_n.jpg) Image via @[joinearthtoday](https://www.instagram.com/joinearthtoday/?ref=marmaladecollective.com) Wangari Maathai was a Kenyan environmentalist, political activist, and author. Maathai founded the Green Belt Movement, a grassroots organisation focused on environmental conservation and women’s empowerment. She was the first African woman to win the Nobel Peace Prize in 2004 for her work in sustainable development, democracy, and peace. Her books, including *"Unbowed: A Memoir"*, continue to inspire environmental activism globally. ### **4\. Ama Ata Aidoo (Ghana) – Literature** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_350524316_983633059502628_2830109012570074854_n.jpg) Image via @[veryghanaian](https://www.instagram.com/veryghanaian/?ref=marmaladecollective.com) Ama Ata Aidoo is a Ghanaian writer and academic. Aidoo’s novels, short stories, and plays, such as *"Changes: A Love Story"* and *"Our Sister Killjoy,"* examine the roles of women in African society. She was one of the first African women to publish in English and is celebrated for her feminist perspective in African literature. Her first play, The Dilemma of a Ghost, was published in 1965, making Aidoo the first published female African dramatist. ### **5\. Angelique Kidjo (Benin) – Music** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_469652851_579390218035813_1470020473077242566_n.jpg) Image via @[afrikmag](https://www.instagram.com/afrikmag/?ref=marmaladecollective.com) Angelique Kidjo is a Grammy-winning singer-songwriter and activist. Kidjo is known for blending West African traditions with global influences such as jazz, funk, and Latin music. Her albums like *"Djin Djin"* and *"Eve"* have won critical acclaim worldwide. Kidjo has won five Grammy Awards and is a 2023 Polar Music Prize laureate making her The first African woman to win three American Grammy Awards. In addition to her music, she is an advocate for women's rights and African development. ### **6\. Tsitsi Dangarembga (Zimbabwe) – Film & Literature** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_277291963_1003625910557221_3498455312545641811_n.jpg) Image via @[brittlepaper](https://www.instagram.com/brittlepaper/?ref=marmaladecollective.com) Tsitsi Dangarembga, born in 1959, is a Zimbabwean filmmaker, author, and cultural activist. She is widely known for her literary work as well as her contributions to African cinema. Dangarembga gained international acclaim for her debut novel *Nervous Conditions* (1988), the first book in a trilogy. She later expanded her storytelling into film, directing and writing films such as *Everyone’s Child* (1996), which was one of Zimbabwe’s first full-length feature films directed by a woman. Dangarembga is also an activist, advocating for social justice and the rights of women in Zimbabwe. ### **9\. Safi Faye (Senegal) – Film** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_332937728_920047975836231_685655829282410089_n.jpg) Image via @[alfredascinema](https://www.instagram.com/alfredascinema/?ref=marmaladecollective.com) Safi Faye, born in 1943, is a Senegalese filmmaker and ethnologist who is considered one of the pioneers of African cinema. Faye was the first Sub-Saharan African woman to direct a commercially distributed feature film, *Kaddu Beykat* (1975), which focused on rural Senegalese life. Her films often blend ethnography with narrative storytelling and tackle issues like colonialism, tradition, and modernity. Faye’s work has inspired generations of African filmmakers, particularly women in the industry. ### **10\. Letta Mbulu (South Africa) – Music & Cultural Preservation** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_69517928_372890053645503_4653123506190602130_n.jpg) Image via @[metrofmsa](https://www.instagram.com/metrofmsa/?ref=marmaladecollective.com) Letta Mbulu, born in 1942, is a South African singer and songwriter whose career has spanned several decades. Letta Mbulu is renowned for preserving traditional African music while incorporating jazz, soul, and world music elements. She has also contributed to film soundtracks, including for *Roots* and *The Color Purple*. Mbulu was part of the anti-apartheid movement and used her music to speak out against oppression. Her career has paved the way for African musicians internationally. ### **11\. Aïcha Macky (Niger) – Film** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_272861389_1094394187992614_6465306755960092925_n.jpg) Image via @[filmsfemmesafrique](https://www.instagram.com/filmsfemmesafrique/?ref=marmaladecollective.com) Aïcha Macky, born in 1982, is a documentary filmmaker from Niger. Macky is known for using film to tackle taboo social issues in Niger, especially concerning women. Her most well-known documentary, *The Fruitless Tree* (2016), addresses the stigma of infertility in African societies. Macky’s films provide a voice to marginalised groups and challenge traditional societal norms, making her a pioneer in African documentary cinema. The legacies of Muthoni Likimani, Esther Mahlangu, Wangari Maathai, and the other remarkable women in this article serve as reminders of the resilience, creativity, and leadership that African women embody. Through literature, activism, art, and music, they have each used their platforms to inspire and elevate the voices of those who came after them. Their groundbreaking work continues to influence a new wave of African women who are following in their footsteps, determined to create positive change in their communities and the world. These pioneers not only shaped the cultural, social, and political landscapes of their time but have left an indelible mark on history, reminding us all of the power of women to transform the world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****5,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's On This March? URL: https://www.marmaladecollective.com/whats-on-march-2025/ Last updated: 2025-03-12T10:00:43.000Z March is serving up premium vibes! We’re closing out *International Women’s Month* with Marmalade Member Mondays featuring [***the legendary Gena West***](https://lu.ma/ujhbt31h?ref=marmaladecollective.com)—expect powerful convos on *Empowering Progress*. Then, in April, we turn up with [***JAM: Nigerian Trivia Edition***](https://lu.ma/ngjjvlss?ref=marmaladecollective.com)—a house party meets pop culture showdown. Paid members get in free! Let’s get into it👇 --- _This post is for subscribers only._ ### Roy Kanyi Is Named Top TikToker, and Ezekiel Nathaniel Breaks Record URL: https://www.marmaladecollective.com/roy-kanyi-is-named-top-tiktoker-and-ezekiel-nathaniel-breaks-record/ Last updated: 2025-03-10T10:00:20.000Z **Welcome to Vol 125 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. ✈️ In other big news, Marmalade is curating travel experiences, and we'd like you to help us shape them! ****Take this quick survey** [****here**](https://docs.google.com/forms/d/e/1FAIpQLSfOhMPxi1Z7wbIwGxMJMOKmTwKB0gSv4KK8K6UmhMCof9fYUQ/viewform?ref=marmaladecollective.com) to share your travel style. Now, on to the real peel 👇 ###### FEATURE STORY ## Funke Akindele Crowned West Africa's Box Office Queen As 'Everybody Loves Jenifa' Grosses N1.8 Billion ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_479898097_18493691737027265_7377453774866768729_n.jpg) **Image Credit: Funke Akindele//Instagram* Nollywood genius, Funke Akindele has once again cemented her status as the Queen of the Box Office with her latest hit, Everyone Loves Jenifa, which continues to shatter expectations. Just last Friday, the film grossed over N1.8 billion, solidifying its place as West Africa’s highest-grossing movie of all time, according to FilmOne, its distributor. Akindele’s reign at the box office isn’t just a lucky streak; it’s the result of years of strategic storytelling, intentional growth, and an undeniable connection with her audience. In December 2024, Everyone Loves Jenifa was already making history, becoming the highest-grossing Nollywood film of the year with N511 million and setting records as the fastest Nollywood movie to hit N500 million in just 12 days. But this isn’t her first rodeo. Since 2020, she's dominated the industry with back-to-back blockbusters, from Omo Ghetto: The Saga to A Tribe Called Judah, and now, Everyone Loves Jenifa. Each film not only outperforms the last but also redefines what’s possible for Nollywood. Now, with Everyone Loves Jenifa taking Nollywood to unprecedented heights, Akindele proves yet again that she isn’t just making movies–she’s making history. And if her track record is anything to go by, this is only the beginning. [Read on PremiumTimesNG ](https://www.premiumtimesng.com/entertainment/nollywood/778336-funke-akindele-crowned-west-africas-box-office-queen-as-everybody-loves-jenifa-grosses-n1-8-billion.html?ref=marmaladecollective.com) ## 🔥 Trending Stories - [**Kenyan content creator Roy Kanyi**](https://www.citizen.digital/entertainment/kenyan-content-creator-roy-kanyi-named-among-six-african-tiktokers-to-watch-in-2025-n357597?ref=marmaladecollective.com)named among six African TikTokers to watch in 2025, *via Citizen Digital* - [**Wizkid makes directorial debut**](https://www.pulse.ng/articles/entertainment/music/wizkid-makes-directorial-debut-in-the-minted-music-video-for-kese-2025030615334922352?ref=marmaladecollective.com) in newly minted music video for 'Kese,’ *via PulseNG* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_483313576_18491544049015771_4909702435323036919_n.jpg) **Image Credit: Wizkid/Instagram* - [**Nairobi hosts Top Italian Wine**](https://www.citizen.digital/entertainment/a-taste-of-italy-nairobi-hosts-top-wine-roadshow-n357617?ref=marmaladecollective.com) Roadshow, *via Citizen Digital* - [**Kenya’s Edwin Kibet & Ethiopia’s Guta Meseret Hirpa**](https://www.bellanaija.com/2025/02/access-bank-marathon-2025-edwin-kibet-hirpa-winners/?ref=marmaladecollective.com)Finish First at the 2025 Access Bank Lagos City Marathon, *via BellaNaija* - [**Ugochukwu Onukwubiri Makes A Bold Fashion Statement**](https://www.afrocritik.com/ugochukwu-onukwubiri-makes-a-bold-fashion-statement-at-imperial-black-official-launch/?ref=marmaladecollective.com) at Imperial Black Official Launch, *via Afrocritik* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_461806109_504004689223613_2958183339633657150_n--1-.jpg) **Image Credit: Ugochukwu Onukwubiri/Instagram* - [**Ezekiel Nathaniel Breaks African 400m Indoor Record**](https://culturecustodian.com/ezekiel-nathaniel-breaks-african-400m-indoor-record-again-in-historic-run/?ref=marmaladecollective.com)Again in Historic Run, *via Culture Custodian* - Here are [**Africa's 9 most visited countries**](https://africa.businessinsider.com/local/lifestyle/africas-9-most-visited-countries/9c9mbc2?ref=marmaladecollective.com), *via Business Insider* --- ## ⏳ Trivia Time ### Which Nollywood movie was the first to make it to the Oscars? A) The Wedding Party B) King of Boys C) Lionheart D) Omo Ghetto: The Saga *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Empowering Progress: Celebrating African Women for International Women’s Month ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/MarmaladeIWM2025Trailer.gif) For African women specifically, Women’s Month has always carried a unique weight. Across the continent and the diaspora, women have not only fought for equality, but have also been the backbone of cultural, political, and economic revolutions. Today, Women’s Month is more than just a day, it’s a season of recognition, a chance to uplift voices that have been silenced, to reclaim narratives, and to celebrate the progress made by women who continue to shape our world. This month, at Marmalade Collective, we’re leaning into that legacy with our theme: Empowering Progress. [Read & Share Guide](https://www.marmaladecollective.com/empowering-progress-celebrating-african-women-for-international-womens-month/) --- ## What We're... 📰 **Reading:** [**The Woman Next Door**](https://www.penguin.co.uk/books/431184/the-woman-next-door-by-yewande-omotoso/9781784701376?ref=marmaladecollective.com), by Yewande Omotoso 🎧 **Listening to:** [**Flood**](https://open.spotify.com/track/6xTHApbdtb0GZEHqpKe2MU?si=ZBUYStDGQVixANEYXVazTA&context=spotify%3Aalbum%3A2W71nSL9RnbhRvnlwDlmT1&ref=marmaladecollective.com), by Little Simz, Obongjayar, and Moonlight Sannely. 📺 **Watching:** [**Queen Cleopatra**](https://www.netflix.com/ng/title/81230204?preventIntent=true&s=a&trkid=13747225&trg=cp&vlang=en&clip=81636983&ref=marmaladecollective.com); a finely crafted four-episode series portraying the life and reign of Cleopatra VII, the last active ruler of the Ptolemaic Kingdom of Egypt. 🎟️ **Booking:** The All Nigerian Pub Quiz Presents: The [**International Women's Day Pub Quiz**](https://www.eventbrite.com/e/the-all-nigerian-pub-quiz-presents-the-international-womens-day-pub-quiz-tickets-1272708267689?ref=marmaladecollective.com) 👀 **Eyeing:** [**AAKS’ Oroo Oak Tote,**](https://industrieafrica.com/products/oroo-oak-tote?%5Fpos=1&%5Ffid=ccdf10edb&%5Fss=c&ref=marmaladecollective.com) made with traditional Ghanian weaving techniques --- ## 🧡 Member Spotlight: Shelcy Joseph ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/090724_SS_S-C_33-4-1.jpg) **Image Credit: Shelcy Joseph* Meet Shelcy Joseph, a fashion editor and cultural storyteller exploring the intersections of style and business. She spends her days shaping editorial strategies and consumer culture; but catch her off duty, and you'll find her deep in a book, sketching designs, or uncovering New York’s hidden gems. [Get To Know Shelcy](https://www.marmaladecollective.com/shelcy-joseph-on-fashion-storytelling-the-art-of-timeless-style/) ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****(C) Lionheart** ### Member Spotlight: Shelcy Joseph on Fashion, Storytelling, & the Art of Timeless Style URL: https://www.marmaladecollective.com/shelcy-joseph-on-fashion-storytelling-the-art-of-timeless-style/ Last updated: 2025-04-06T18:23:35.000Z [**Shelcy Joseph**](https://www.linkedin.com/in/shelcyjoseph/?ref=marmaladecollective.com) is a fashion editor, content creator, and event host with an eye for style and a mind for business. Through her newsletter Market Appointment on Substack, she explores the intersection of consumer culture, garment history, and fashion strategy. By day, she’s advising Macy’s on editorial direction or crafting brand partnerships for her page @nycxclothes–by night, she’s likely diving into a book, sketching fashion concepts, or soaking up New York’s vibrant cultural scene. Born and raised in Haiti, Shelcy carries a deep admiration for her homeland’s history, but New York has become her second home. She's fluent in four languages (yes, four!), and dreams of creating a physical space where fashion and culture collide in meaningful conversations. Her mantra? “Things of quality have no fear of time”–a fitting motto for someone shaping the future of fashion while honoring its past. ### Tell us a bit about yourself. What do you do? and what does a regular day look like for you? "I'm a fashion editor, content creator and event host with a special focus on consumer culture, garment history and business. During the day, I am either writing for my newsletter [**Market Appointment on Substack**](https://marketappointment.substack.com/), advising my client Macy's on editorial fashion strategy or creating brand partnership assets for my page [**@nycxclothes**](https://www.instagram.com/nycxclothes?ref=marmaladecollective.com)**.**" > [ View this post on Instagram ](https://www.instagram.com/p/DGmQcP6NF1G/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Shelcy & Christy (@nycxclothes)](https://www.instagram.com/p/DGmQcP6NF1G/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### Where did you grow up? And where do you live now? "I have been fortunate enough to be born and raised in Haiti, which has given me so much perspective and a deep admiration for my country's history. But I now live in New York, which has become a sort of second home thanks to its diversity of cultures." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Martin-21-1.jpeg) ### What's your favourite thing about the city you live in? "The spontaneity of it and randomness of people you'll meet. There is also a strong intellectual scene through cinema, literary clubs and museums, which I love engaging with." ### What's a personal goal or dream you're working toward? Launch a physical space to hold fashion culture conversations and welcome fellow creatives. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Headshot-1.jpeg) **Image Credit: Shelcy Joseph* ### What's one fun fact about you that most people don't know? "I speak four languages: Creole, French, English and Spanish. I am also a very good fashion sketcher." ### What's a piece of advice you try to live by? "Things of quality have no fear of time." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/NYFW-11-1.jpeg) **Image Credit: Shelcy Joseph* ### What's something you're currently obsessed with "Physical books, which I know sounds SO cliché, but I'm rediscovering my love of them after an extensive period spent mostly consuming digital articles." --- ## Want to be featured? At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? **We'd like to hear from you!** [Share Your Story](https://forms.gle/19pqAyRXg3hhLr8h9?ref=marmaladecollective.com) ### Empowering Progress: Celebrating African Women for International Women’s Month URL: https://www.marmaladecollective.com/empowering-progress-celebrating-african-women-for-international-womens-month/ Last updated: 2025-03-06T14:53:34.000Z Every March, the world pauses to celebrate the achievements, resilience, and power of women. And with good reason. International Women’s Day (IWD) isn’t just a date on the calendar, it’s a movement, a call to action, and a reminder of how far we’ve come and how much further we still need to go as a society. What began in the early 1900s as a labour movement for women’s rights has evolved into a global celebration of progress, solidarity, and empowerment. And for African women specifically, Women’s Month has always carried a unique weight. Across the continent and the diaspora, women have not only fought for equality, but have also been the backbone of cultural, political, and economic revolutions. From the anti-colonial resistance led by legends like **Funmilayo Ransome-Kuti** and **Winnie Mandela**, to the present-day waves of women driving change in business, the arts, and technology, African women have always been at the forefront of shaping history. Today, Women’s Month is more than just a day, it’s a season of recognition, a chance to uplift voices that have been silenced, to reclaim narratives, and to celebrate the progress made by women who continue to shape our world. This month, at Marmalade Collective, we’re leaning into that legacy with our theme: **Empowering Progress.** ## What “Empowering Progress” means for African Women When we talk about progress, we don’t mean vague, feel-good notions of change. We’re talking about real, tangible movement. The kind that transforms industries, redefines representation, and shifts power, and African women are already leading the charge, from music to filmmaking, literature to fashion, activism to business. This month, our focus is clear: women’s empowerment, leadership, and actionable change. We’re not just celebrating achievements; we’re spotlighting the work still being done and the barriers still being broken. And so, we’re dedicating March to the women who are actively reshaping culture, society, and history. ## What “Empowering Progress” means for Marmalade ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_478160412_18395971225102935_6912306314291211177_n-1.jpg) Asa and Ṣẹwà on stage Throughout March, Marmalade Collective will spotlight women who are redefining African identity and storytelling through their art. ### *Women in Music: Sewà* One of the most powerful ways women have shaped culture is through music. This month, we’re highlighting Nigerian Canada-based musician, **Ṣẹ̀wà**, a genre-blending artist whose sound is as rich as her roots. Combining Afrobeat, Fuji, Jazz, R&B, and Soul, she embodies the evolution of African music. From selling out shows in Nigeria to making waves in Toronto, she’s proving that African women in music don’t just participate, they lead. ### *Women in Art: Naledi Tshegofatso Modupi* South-African visual artist, **Naledi Modupi** is using her craft to celebrate Blackness and femininity in all their boldness. Her striking portraits, characterised by vibrant colours and continuous lines, tell stories of identity, strength, and selfhood. Having showcased her work from Johannesburg to London, she’s carving out space for African women in the global art scene–one powerful image at a time. ### *Women in Film: Nyasha Kadandara* In film, few voices are pushing boundaries like **Nyasha Kadandara**. As a Zimbabwean, Kenya-base journalist and documentary filmmaker, she brings underrepresented African stories to light with an unflinching lens. Whether through VR storytelling, feature documentaries, or in-depth journalism, she’s redefining how African women’s experiences are documented and shared. These three phenomenal women will be taking centre stage in our celebration of all the ways African women are showing up, taking up space, and reshaping the cultural landscape in ways that are impossible to ignore. ## Honouring the Trailblazers & Elevating the Voices of Now ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_461321836_1099604344851847_3288316336817992043_n.jpg) Esther Mahlangu via [esthermahlanguart](https://www.instagram.com/esthermahlanguart/?ref=marmaladecollective.com) As we celebrate today’s pioneers, we'll also honour the legendary women who've paved the way for others like **Esther Mahlangu,** the global icon of contemporary African painting, **Safi Faye**, the first Sub-Saharan woman to direct a feature film, reshaping African cinema and many more women who defied the odds and changed the game. Alongside them, we’re also spotlighting contemporary authors, featuring must-read books by African women, and celebrating women-led fashion brands that are shaping the future of style. Definitely something to look forward to. ## Spotlighting the Women of Marmalade: A Community of Powerhouses ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/IMG_2268_Original_Original-2-2.jpg) Toyo Odetunde, a marmalade member At Marmalade Collective, our community is everything. The women who make up our collective are more than just readers or followers; they’re creators, thinkers, and visionaries who are pushing African culture forward. And that’s why we’re dedicating space to the women of Marmalade, and showcasing the incredible work of the artists, writers, and innovators within our own community. Expect to see curated carousels, deep dives into African women’s impact across industries, and interactive conversations that keep the spirit of IWD alive all month long. ## Join Our Year-Round Commitment International Women’s Day isn’t just a celebration, it’s a call to action. And for us, celebrating African women is never confined to a single day. We honour them year-round, amplifying their voices, sharing their stories, and making sure that the work they do is seen, heard, and valued. This month, we’re doubling down on that mission because progress doesn’t happen in isolation. It happens when we show up, uplift each other, and create spaces where African women’s contributions aren’t just acknowledged, but celebrated in all their glory. Join us as we honour the past, amplify the present, and shape the future. Because when African women rise, the world follows. *Written by: Mary Obiri-Ibe and edited by Omotola Saba* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Favour Ofili Breaks Records, Ayra Starr Tops Spotify, and Khartoum Wins Big URL: https://www.marmaladecollective.com/favour-ofili-breaks-records-ayra-starr-tops-spotify-and-khartoum-wins-big/ Last updated: 2025-03-03T10:00:36.000Z **Welcome to Vol 124 of The Spread!** Hello and welcome back to The Spread; your weekly edit of all the best stories and global news about Africans shaping mainstream culture. Now, on to the real peel 👇 ###### FEATURE STORY ## Chimamanda Ngozi Adichie is Bringing Dream Count to Life in a Stunning Audiobook ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_481380079_18320115793161451_3720319200287466888_n.jpg) **Image Credit: Chimamanda Adichie/Instagram* Great news for book lovers and Adichie fans—Dream Count, her highly anticipated new novel, is coming as an audiobook! Even better? It’s narrated by Chimamanda Ngozi Adichie herself, making this a truly special listening experience. Thanks to an exclusive partnership between Narrative Landscape Press and Genti Audio, this release brings Dream Count–which is hitting bookshelves on the 4th of March–to an even wider audience. Genti Audio, known for championing African storytelling in African voices and languages, is the perfect platform for this collaboration. And with Narrative Landscape Press’s dedication to making African literature accessible across multiple formats, this is a win for both readers and listeners alike. In Dream Count, Adichie weaves a rich and deeply moving story of four Black women whose lives intertwine across continents and social classes. The novel moves between Nigeria and America, exploring love, longing, and the pursuit of happiness with Adichie’s signature warmth and keen insight. Described by The Telegraph as a “luxuriously layered new novel,” Dream Count is an unforgettable read—and now, an equally unforgettable listen. [Read on Afrocritik](https://www.afrocritik.com/narrative-landscape-press-partners-with-genti-audio-for-distribution-of-dream-count-audiobook-in-nigeria/?ref=marmaladecollective.com) ## 🔥 Trending Stories - Sudanese Documentary, **‘**[**Khartoum’ Wins Peace Film Prize**](https://www.okayafrica.com/sudanese-documentary-khartoum-war-poetry/?ref=marmaladecollective.com) at 75th Berline, *via* *OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_456692978_18460712602059219_6314889621204324709_n.jpg) **Image Credit: Timeea M Ahmed/Instagram* - [**Hassan Hajjaj’s Latest Exhibition**](https://www.okayafrica.com/hassan-hajjaj-exhibition-hannah-traore/?ref=marmaladecollective.com), People of My Time, is Centering Community and Friendship, *via Okay Africa* - [**Favour Ofili Shines**](https://culturecustodian.com/favour-ofili-shines-with-record-breaking-run-amid-olympic-snub/?ref=marmaladecollective.com)with Record-Breaking Run Amid Olympic Snub, *via* *Culture Custodian* - [**Tems and Tyla Join Spotify**](https://www.okayafrica.com/tems-tyla-spotify-billion-streams/?ref=marmaladecollective.com)'s Billions Club, via *OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_480301769_18480732460063577_4098074088667925352_n-1.jpg) **Image Source: Tems/Instagram* - [**Ayra Starr Tops Spotify’s Nigeria Global Impact List**](https://culturecustodian.com/ayra-starr-tops-spotifys-nigeria-global-impact-list-2025/?ref=marmaladecollective.com) 2025, *via* *Culture Custodian* - [**Joburg Film Festival 2025**](https://www.afrocritik.com/joburg-film-festival-to-open-with-premiere-ernest-cole-documentary/?ref=marmaladecollective.com)to Open with Premiere of Ernest Cole Documentary, *via Afrocritik* - 8 [**African Art Fairs and Festivals**](https://rollingstoneafrica.com/culture/art-features/8-african-art-fairs-and-festivals-to-attend-in-2025/?ref=marmaladecollective.com) to Attend in 2025, *via RollingstoneAfrica* --- ## ⏳ Trivia Time ### Before becoming a global music star, what was Tems' pursuing as a career? A) Economics B) Fashion Design C) Digital Marketing D) Software Engineering *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Aminata on Identity and Reclaiming the Past Through Creative Expression ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/SaveClip.App_471495095_1732847084230196_3397304042178404123_n.jpg) **Image Credit: Aminata* Aminata's work is a testament to the power of memory, emotion, and personal history. Through her art—whether it's writing, photography, or ceramics—she finds ways to externalise the feelings and experiences that have shaped her. Little Girl Blue, one of such deeply personal pieces, was born from a need to honour her younger self, to make tangible the complexities of growing up, and to challenge the ways we extend (or withhold) grace based on appearance. Her creative journey isn’t just about aesthetics; it’s about validation, about making space for emotions often dismissed, and about transforming pain into something beautiful. In this conversation, we explore Aminata’s artistic process, the roots of her creative house, Iyeketi, the stories behind her most personal works, and how photography, in particular, has become a vessel for preserving the intangible. We discuss the ways colourism, memory, and identity influence her art, and how she has learned to reclaim moments from her past and turn them into something lasting and beautiful. [Read & Share Guide](https://www.marmaladecollective.com/preserving-memory-through-art-aminata-on-identity-and-reclaiming-the-past-through-creative-expression/) --- ## What We're... 📰 **Reading:** [**We Have Everything We Need to Start Again**](https://www.goodreads.com/book/show/199706837-we-have-everything-we-need-to-start-again?ref=marmaladecollective.com), by Koleka Potuma; a hopeful poetry collection about growing up in today’s complex world. 🎧 **Listening to:** [**Ayra Starr dishing about her plans for the year,**](https://open.spotify.com/episode/7qW3f9Ike9VrZbqRSxa9lp?si=PaBExBxiTbO3CSbQZ2OU3g&ref=marmaladecollective.com) and making music onthe I Said What I Said podcast. 📺 **Watching:** [**‘African Queens: Njinga’**](https://www.netflix.com/ng/title/81650731?preventIntent=true&ref=marmaladecollective.com)**,** a bold retelling of the brave efforts of warrior queen Njinga in precolonial Angola. 🎟️ **Booking:** [**Toyotastes' Table**,](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com) a curated, multi-course spread of all the best Nigerian and West African flavours. It's sponsored by DOdO, and **happening this Sunday**, so don't forget to grab your tickets! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Snapinst.app_476899909_18054734888102594_5365912384071734599_n_1080.jpg)](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com) **Image Credit: toyotastes' table* 👀 **Eyeing:** Loza Maléombho’s fabulous[ **Accep Jacket**](https://industrieafrica.com/collections/loza-maleombho?ref=marmaladecollective.com) --- ## 🧡 Member Spotlight: Toyo Odetunde ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/IMG_2268_Original_Original-2.jpg) **Image Credit: Toyo Odetunde* Meet Toyo, a food and travel writer, private chef, and storyteller celebrating Nigerian flavours with a global twist. When she’s not hosting vibrant supper clubs, she’s probably experimenting with spice blends or reminiscing about her childhood TV debut. [Get To Know Toyo](https://www.marmaladecollective.com/toyo-odetunde-on-travel-nigerian-flavors-the-magic-of-shared-meals/) ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****(C) Digital Marketing** ### Member Spotlight: Toyo Odetunde on Travel, Nigerian Flavours and the Magic of Shared Meals URL: https://www.marmaladecollective.com/toyo-odetunde-on-travel-nigerian-flavors-the-magic-of-shared-meals/ Last updated: 2025-03-01T18:50:04.000Z Toyo Odetunde is a food and travel writer, recipe developer, and private chef with a knack for turning meals into unforgettable experiences. Born in South London, with early childhood memories rooted in Hong Kong, she’s spent her life exploring flavours, cultures, and the stories they tell. Her supper clubs are more than just dinner—they’re a celebration of Nigerian ingredients, global influences, and the magic that happens when people gather around a table. At her core, Toyo is a storyteller, whether through her writing or the dishes she creates. She’s on a mission to share the joy, complexity, and depth of West African cuisine with the world. When she’s not busy curating multi-course feasts or mixing up her signature welcome drink, she’s probably obsessing over a new spice blend—or laughing about the time she starred in a TV ad at just six years old. ### Tell us a bit about yourself. What do you do? and what does a regular day look like for you? I’m a food and travel writer, recipe developer and private chef, and have also worked as a lawyer. I also host supper clubs! These are refined multi-course spreads creatively celebrating Nigerian flavours and ingredients, often incorporating influences from my travels and experiences living abroad. Make sure to join the next one from 6pm on Sunday 9 March. My bespoke welcome drink, 'The Wúrà', will be made using the warm, caramel-y notes of DÒDÒ plantain-infused rum. Come hungry, and either alone or with company - it'll be an evening of learning and laughter either way. 🎟️ You can find the custom-made menu and purchase your ticket [here](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/03/Snapinst.app_476899909_18054734888102594_5365912384071734599_n_1080.jpg) ### Where did you grow up? And where do you live now? I was born in South London and have spent most of my life here. I spent my early childhood in Hong Kong. _This post is for subscribers only._ ### Preserving Memory Through Art: Aminata on Identity, and Reclaiming the Past Through Creative Expression URL: https://www.marmaladecollective.com/preserving-memory-through-art-aminata-on-identity-and-reclaiming-the-past-through-creative-expression/ Last updated: 2025-04-23T14:56:06.000Z Aminata's work is a testament to the power of memory, emotion, and personal history. Through her art, whether it's writing, photography, or ceramics, she finds ways to externalise the feelings and experiences that have shaped her. Little Girl Blue, one of such deeply personal pieces, was born from a need to honour her younger self, to make tangible the complexities of growing up, and to challenge the ways we extend (or withhold) grace based on appearance. Her creative journey isn’t just about aesthetics; it’s about validation, about making space for emotions often dismissed, about transforming pain into something beautiful. In this conversation, we explore Aminata’s artistic process, the roots of her creative house, Iyeketi, the stories behind her most personal works, and how photography, in particular, has become a vessel for preserving the intangible. We discuss the ways colourism, memory, and identity influence her art, and how she has learned to reclaim moments from her past and turn them into something lasting and beautiful. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_296001400_182056267605737_5849258545688823016_n.jpg) **What was it like growing up as a child in Senegal?** I was born and raised in Dakar, Senegal, and my family still lives there. Now, I’m in Canada with my sister. Growing up in Dakar was a mix of conflicting realities for me. On one hand, I was deeply rooted in my culture, my family is very indigenous to Senegal, and we've been there forever. But on the other hand, I struggled with colourism, which created tension in different spaces. At the time, and even now to some extent, colourism was a big issue. If you were darker than what was considered the norm, you faced a lot of bullying. Despite all these challenges, I wouldn’t change my experience of growing up in Dakar, it was the best thing. I love Dakar; it’s my home, filled with memories of family, cousins, and community. But school was particularly difficult because of the way colourism played out there. Before I found the arts in general, books became my first escape, and my dad was a big part of that. Outside of that, I also loved painting and drawing. But like many African parents, mine didn’t see art as a viable career path. Growing up, it just wasn’t an option from their perspective. Now, there’s been a shift, more openness to creative fields, but back then, pursuing art professionally wasn’t encouraged. Still, my childhood was a nuanced experience, like any other. It had its challenges, but it was also a very privileged one, allowing me to explore different interests and learn about the world in many ways. **Thank you. It’s important to mention these issues, including colourism. It's lovely that you found solace in books and art. When did you first realise that art was your love language and that it was something that you wanted to pursue?** Funny enough, my shift toward fully embracing art is pretty recent, maybe a year or two ago. Before that, I saw it as more of a hobby, a way to express myself outside the rhythm of capitalism. But everything changed when I started a sculpture program two or three years ago. That was the moment I realised just how important art was to me. My practice evolved from scattered creative pursuits into something more defined, sculpture became my foundation. Before that, I was heavily involved in the fashion scene. I did some styling and customised clothes and shoes, so my art had a strong textile and fashion influence. Even now, there’s still a textile element to my work, but it's more rooted in studio arts. Being in the fashion industry for a while really shifted my perspective on art and commerce. I still believe fashion and art go hand in hand, but the commercial aspect of fashion, especially the consumerism, felt too brutal. Working in that space, I struggled with the culture and the character of people in the industry. It just didn’t align with what I believed art should be: something meaningful, something beneficial to people. That realisation pushed me to step away from fashion and focus entirely on studio arts, on creating for myself. Until two years ago, I hadn’t really defined what brought me joy or made me feel grounded in my art. But once I did, I made the conscious decision to fully invest in my practice. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_475870367_18482789794042474_8652290267689040759_n.jpg) Sculptural Study by Aminata **I completely understand that. The commercial side can be hard to take in. I’m glad that it led you to find your path. You work across multiple disciplines, including visual arts, ceramics, and writing as well. How would you define yourself as an artist?** I know the word multi-disciplinary gets overused, but I think it genuinely applies to artistry. I recently heard someone say that to be an artist, you need to be in a constant state of play, always ready to learn. That really resonated with me because I’ve seen it in my own art practice and in others’. Artists usually have a medium they feel comfortable with—something that, through practice and technique, becomes second nature. But along the way, other materials and methods start calling to you. You find yourself experimenting, asking, ‘Why not try this with that material? What happens if I combine these?' Before you know it, you’re working across multiple disciplines because they feed into one another. That constant play is what allows you to discover what excites you, what resonates, and what expands your artistic language. For me, that process started after high school. I had stopped drawing and painting when I entered university because, as my mom put it, that’s not serious work. But creativity found its way back through fashion. I played with dressing up and exploring shapes and silhouettes. Then, styling led me to construction, realising that when I didn’t have access to the right pieces, I had to build them myself. That process of layering and assembling translated into a love for working with my hands, which led me to ceramics. In ceramics, I fell in love with shaping, which naturally progressed into sculpture using different materials. So for me, being an artist is about living. Your experiences, interests, and curiosities all shape your practice, and more often than not, that practice becomes multidisciplinary. It’s a constant evolution, and I think I’ve only recently come to fully embrace that. **That makes a lot of sense. I noticed you also enjoy spaces and architecture in general. How did that come about**? With sculpture, I also started discovering more artists and architects, and I’ve come to really admire the way architects define space, not just in terms of construction, but in how we live and interact within those spaces. Funny enough, at one point, I wanted to be an architect. But then I realised I hate math. That was the dealbreaker. Still, my love for architecture never faded, so I found another way to engage with it, through sculpture. Sculpture, in a way, led me back to architecture and design in general, including interior design. Because at its core, artistry is design. Even though they’re considered separate fields, the creative process feels the same, building something from the ground up. That’s why you see architects transitioning into creative direction for fashion houses. The foundation is similar; it’s all about structure, form, and function. Travelling has also made me more aware of how our environment shapes us. The imagery we see every day, the layout of our cities, and even the smallest design choices influence how we move, interact, and experience life. When I lived in Montreal, for example, I noticed how walkable the city is. The streets are shorter, making it easier to cross, and certain areas are blocked off for pedestrians. That kind of urban planning directly affects how a community functions, how people connect, and how they move through their daily lives. It made me realise how deeply design impacts not just aesthetics but the way we exist in a space. How do people engage in this neighbourhood? Places are urbanely designed in a way that they have access to each other more easily, it encourages interaction and community. During a visit to Singapore earlier last year, I discovered some architects. I learn through reading as well. I also have friends who are architects and work in architecture, some enjoy it and some don’t, and they find themselves slipping and transitioning into other means of art, like fashion. This exposure developed this little passion of mine for architecture, and a part of me still believes that one day, I’ll go back and get a bachelor’s in architecture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_462178610_529469443154096_1530788052650728934_n.jpg) Aminata with one of her sculptures **That would be very cool. It’s all so connected, at the end of the day. You’ve mentioned a couple of places and I’ve seen some of your videos exploring spaces in your home country, Senegal, as well. I wanted to ask what in Africa has influenced the way you tell stories or the way you look at art?** That’s an interesting question, one I’ve never really asked myself before. But I think, whether I’m fully aware of it or not, my influences come from many places. Writers, for sure, because I love reading, and storytelling plays a huge role in how I approach art. Lived experiences shape a lot of my work, and now, more than ever, I find that places influence me as well. If you had asked me three years ago, I probably wouldn’t have said that. I wasn’t as aware of my environment back then. But as I’ve grown into myself, I’ve started to see the world differently. There’s still a lot of discovery happening—I'm still in my twenties, after all. But certain inspirations stand out: authors and directors I admire, and architects I’ve come across at symposium’s and other conferences; and Senegalese artisans, who have been a constant presence in my life. In Dakar, for example, you see artisans displaying their work along the roadsides all the time. It’s part of the everyday landscape, something I grew up with but never fully appreciated until I got older. That kind of imagery, so deeply woven into daily life, becomes an influence even when you don’t realise it. And when you grow up within a certain environment, it’s just your reality, and you don’t always recognise how different it is from other places. It’s only when you step away, experience new spaces, and then return that you start to see things with fresh eyes. Living in Montreal for a few years and travelling in between really made me notice how cultural practices shape everything: the way we build, the way we arrange our surroundings, the way we tell stories, and even how we live our daily lives. That shift in perspective helped me appreciate my own culture more. I started seeing the value in things I once took for granted, whether it’s the stories passed down through my family, the way my aunts share experiences, or even the textiles I use in my work. A lot of the fabrics I work with were given to me by family members, not something I went out and bought. In Senegal, we’re big on giving, hospitality is at the core of who we are. We give stories, we give objects, we share spaces. And for me, receiving these things, whether they’re physical or intangible, becomes a way of learning, of taking in culture and history in a deeply personal way. **Speaking of drawing inspiration, what exactly are your own general inspirations? I know Iyeketi means to uplift. So what inspired that? And what inspires you in general?** So, if I were to say it directly, it means "to lift something up." It refers to picking something up, and I think I was in a phase of my life where I took this as a personal driving force. At the time, I often felt alienated, not just within fashion, but within the creative scene as a whole. I struggled to understand the reasoning behind how people navigated it, especially when it came to promoting messages or ideologies they claimed to believe in, messages that were supposed to support the community and culture. The culture is the people, after all. But while there was plenty of talk about uplifting the community, I saw little action to back it up. I noticed contradictions, people publicly advocating for protecting others while privately enabling harmful behaviour. Some individuals would go online and champion causes like protecting Black women, yet behind the scenes, their actions told a different story. They were commodifying these messages, using them to gain access to spaces they claimed to reject, yet actively sought out. Recognising this hypocrisy, I made the decision to remove myself from that environment. I needed to ground myself in my own artistic practice and redefine who I was outside of a creative community that no longer aligned with my values. That’s where Iyeketi came from; it became a mindset, a commitment to openness, both within myself and toward whatever unfolded in my journey. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_471715539_18478612462042474_3120084097455676337_n.jpg) To be an artist, or to truly find yourself as one, you have to live your life. And living comes with challenges, choices, and an understanding of where you stand in different situations. Who are you beyond the things you say? How do you actually behave when faced with the same situations you judge others for? How do you show up for the people and causes you claim to love, whether in an abstract sense or in real, tangible ways? Who are we really protecting? Who are we enabling by refusing to take a stand? If the opportunities we chase are built on the very harm we claim to oppose, then should we willingly partake in them? That realisation became a compass for my art practice. It shaped the stories I wanted to amplify and engage with. I love my family. I love my friends. They, along with so many others, are my direct connection to a communal practice. They don’t exist in a vacuum or as theoretical concepts; they are real people with real lives. So, my question became: How do I align my art with the things that truly matter to me? How do I ensure that my work contributes to the well-being of the people I care about, whether in thought or in action? And I think that’s where my love for certain themes and ideas comes from. When I talk about stories, when I mention authors, these are people who genuinely believe in endogenous practices and the idea that we are all interconnected. Whether we share a nationality, a culture, or not, we are mirrors of each other at the end of the day. That understanding has become the foundation of what I believe in and what I strive to enable through the imagery I create, the work that interests me, the projects I choose to be part of, and the people I want to support, surround myself with, and love. To me, all of these things are intertwined. They aren’t separate threads but part of a larger whole that should be uplifted together. And that just makes sense. **Perfect. Judging from the way you've just spoken about how everything came about, it’s clear that it’s very personal. And so is a lot of your work; from Little Girl Blue to even your ceramic pieces. Walk me through the emotions and ideas behind specific pieces that you make.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_362367269_1354261898488802_1647792301588336627_n.jpg) Little Girl Blue was born from a moment of self-reflection and realisation that, in some ways, I was letting down my younger self. As a child, I often felt unappreciated and denied the same grace as others because of how I looked. I wanted to externalise those feelings, to create something tangible in a world where fashion often felt fleeting, existing only in images and posts. I gathered fabrics that carried history; curtains from my childhood home, a piece of my mom’s dress, and other materials tied to my past. A childhood photo became central to the piece. I remember that day: I had been happy until I was scolded for no reason and then told to smile for the picture. That moment stayed with me, it wasn’t that I chose to frown; my environment had shaped my response. Little Girl Blue was my way of reclaiming that moment, of transforming pain into something meaningful. My childhood was beautiful, but injustice was woven into it. I felt things deeply, even when I lacked the words. Over time, I saw how these experiences shape us, how even those who love us can cause harm. It’s never just one story; it’s layers, colliding to form who we become. In making Little Girl Blue, I honoured my younger self, acknowledged my pain, and made peace with it. Colourism also played a role in these experiences, yet it was often dismissed. It’s not just about attraction, it’s about who is given patience, grace, and the space to be human. It dictates who gets left behind in times of war, as we’ve seen so often. Who is viewed as expendable and whose bodies are seen as a space that is naturalised for harm. The question is: why does this spectrum of desirability dictate how much humanity and compassion we’re extended? For dark-skinned girls, life was never easy, no matter where we were. Little Girl Blue became a declaration of what I deserved: grace, understanding, and the right to just be. It marked a turning point, letting go of certain people and stepping into myself. While ceramics feel like play, my deepest emotions always return to photography, especially archival family photos. That’s where my memories live, where my connection to home, Senegal, feels most real. There’s something so delicate about those memories, like they can only truly exist in souvenirs. A photograph may be flat, but the emotions tied to it make it feel alive to me. And then the question becomes: how do I translate that for others? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/little-girl-blue.jpg) Little Girl Blue **I enjoyed walking through that with you—thank you. We consume things digitally now. You're on Instagram and TikTok, and you’ve built a community there, but you also love working with your hands—creating things you can touch and feel. How has digital storytelling blended with your traditional mediums? And how has social media influenced your work and the way you connect with others?** That’s still an ongoing journey for me, figuring out how to connect my physical work to the digital space. There’s definitely a community and interest online, but sometimes, to me, a picture falls flat. I’m particularly drawn to video because I feel like emotions come through more in motion than in a static image, though, of course, some photographers are incredible at capturing that essence in a single shot. So, for me, this remains an open question. I often create work that I never post, not because I don’t want to share it, but because I struggle to translate how it makes me feel in real life through a digital camera. That can be frustrating, so sometimes, I just don’t do it. Lately, I’ve been trying to break that mould by experimenting more with recording and editing. But anything longer than 30 seconds? Wow. I suddenly understand why editors get paid so well. I can’t be everything; I can’t be the artist, the editor, and everything in between. So sometimes, it’s easier to keep it to myself, share it with friends, or simply post a quick picture in a dump without making a whole thing about it. That’s also why writing is important as an artist; it helps you present your work when images alone aren’t enough. I was recently at a design symposium and I saw an artist whose work I’ve admired for a while, Delali Cofie. He has a series of sculptures that are worn on the body, and I think the whole project is called At the Conjuring of Roots, I Wished To Meet Me. I already loved the work, but reading his artist statement gave it a whole new layer of meaning for me. It made me realise that the process, the why behind making something, and the conscious decisions taken along the way, is a crucial part of storytelling. That process itself can help explain the work in a way that visuals alone sometimes cannot. I’ve been yearning to write more. I really do enjoy writing, but I think university took the joy out of it for me. After writing so many papers, I just hit a wall, like, okay, I’m exhausted. So now, I’m trying to rediscover writing for myself, outside of that academic space. Lately, I’ve been reading two authors who have really stuck with me: Akwaeke Emezi and Malidoma Somé. They both have this way of not just explaining a concept but fully embodying it in their writing. It’s so clear, so immersive, that I just get it instantly, even when it’s fiction. I find that so beautiful, and I yearn to write like that. But, if I’m being honest, I’m also intimidated by it. The idea of sharing with an online community is something every artist grapples with, I think. I was talking to a friend of mine, Raul, he's a painter in his 40s, has worked in so many different mediums, and is now teaching me how to paint. Even with all his experience, he still has questions about social media and storytelling. Not necessarily about building a huge audience, but about reaching people, getting the stories we long to tell in front of the people who need to hear them. That’s why physical spaces matter so much. Exhibitions, symposiums, and conferences; these are crucial for community-building and discussions that go beyond just the art itself. They create space for conversations about ideologies that shape the arts, about how we can move forward, and sometimes just for pure play, for joy. And when I find myself overthinking all of this, feeling lost in the process, I remind myself that all I have to do is exist in a way that makes sense today. That’s enough. **Absolutely. It’s difficult to share something so personal and find the ‘right’ way to do so. As you’ve mentioned before, you love fashion, and I would describe your style as bold, poetic, and playful. How does fashion tie into your overall artistic identity?** My fashion is deeply tied to how I feel; it all flows from simply living. Fashion videos come easily to me because they’re effortless; I’m already wearing the outfits, so setting up my phone before heading out feels natural. I owe my love of fashion to my mother. She was the star of the family, always arriving with a look that turned heads. Watching her get dressed was mesmerising; no matter how she felt, she carried herself with grace and self-respect. I think I’ve taken that with me, but in my own way. My style shifts depending on where I am. In Canada, especially in winter, my outfits are more practical and toned down because I’m focused on getting things done. But in Dakar, it’s different. I feel bolder and more experimental with textures and colours. There, dressing up is slower, and more intentional, less about function, and more about expression. When I was younger, I swore off black. It felt flat, like a missed opportunity for something bolder. Now, I wear it all the time, not for style, but for practicality. In the studio, black hides stains and keeps me looking put together. Ironically, what I once rejected now serves me in ways I never expected. But I still find ways to make it interesting, focusing on silhouettes, structured pieces, and statement outfits that stand out. My style has also shifted toward comfort. I used to love high-waisted pants, but now? If it’s uncomfortable, I’m not wearing it. There’s a deep self-respect in choosing comfort—physically, emotionally, and creatively. Fashion (and life) should move in alignment with how you feel. Statement pieces do the work for you when effort feels out of reach. When people ask, “How do you dress like that?” the answer is simple: by living. Prioritising comfort and instinct naturally shapes your style. And in a world that constantly destabilises us, especially as Black people, choosing ease is a quiet act of resistance. Whether in fashion, art, or life, it’s about finding what makes sense for you and holding onto it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_445396963_1150721909388381_1400015454880631380_n-1.jpg) **Finally, what's next for you?** I think I’m living in my next right now. I just moved cities after spending eight years in Montreal, where I started feeling stagnant. Last year, I realised I wanted to take sculpture and installation more seriously, so I applied to one of my dream schools, and now, I’m in their sculpture program. Moving cities felt like stepping into the next stage of my life. Montreal had a creative community, but it didn’t quite reflect what I was looking for. I have friends there whom I love dearly; they were my anchors, but I needed something new, something that made me feel like my life was moving forward again. So now, I’m in a transition phase, still adjusting, still exploring. It’s challenging, but I’m staying open to whatever feels right, comfortable, and in alignment with how I want to exist both for myself and for others. Lately, I’ve been enjoying my time in the studio, meeting other artists, and doing studio visits. That’s actually how I’ve been making new friends; people invite me to their studios, and I get to see their work up close. That’s how I met Raul, a painter, and his partner Flora, who has a papermaking studio. I even learned how to make paper! It’s not for me (too wet!), but it was a cool experience. So right now, I’m just settling into this phase, feeling however I feel each day and moving accordingly. I’m taking care of the people I love, showing up when it matters, and holding myself accountable for the things I’m still learning. There’s always more to learn, always more growth ahead. But for now, I’m embracing this next, wherever it leads. **Thank you so much, Aminata. It was a pleasure speaking with you.** *Written by: Mary Obiri-Ibe and Omotola Saba* ### Ayra Starr Wins at MOBO, Jacob Kiplimo Breaks World Record, Africa’s First AI Film is Here URL: https://www.marmaladecollective.com/ayra-starr-wins-at-mobo-jacob-kiplimo-breaks-world-record-africas-first-ai-film-is-here/ Last updated: 2025-02-24T10:00:20.000Z **Welcome to Vol 123 of The Spread!** Hello and welcome back to The Spread; your very own weekly edit of all the best stories and global news about Africans shaping mainstream culture. Now, on to the real peel 👇 ###### FEATURE STORY ## Burna Boy makes history as the first African star to grace the Billboard France cover ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_479384891_18491318380040996_5700848465704156983_n.jpg) **Image Credit: TraceWestAfrica/Instagram* At this point, breaking records is just another day in Burna’s life. Billboard France just launched, and for their first-ever cover, they had only one name in mind: Burna Boy. That’s right—he’s officially the first African artist to grace the cover of Billboard France, proving once again that he’s not just part of the global music conversation; he IS the conversation. But besides being just a magazine cover, it’s also a moment—one that comes right before another major milestone: his Stade de France concert happening on April 18, 2025\. The 80,000-capacity venue is set to be filled with fans, marking yet another history-making performance on European soil. But as always, it’s bigger than him. “This isn’t just a win for me. It’s a win for a continent, for a culture, and for a people whose stories deserve to be heard on the world’s biggest stages,” he told Billboard France. Burna has been putting African music front and centre for years, and the world is finally catching up. Billboard France even called him the “ambassador of Nigeria’s booming music scene,” a well-earned title for someone who’s taken Afrobeats from Port Harcourt to Paris and beyond. His highly anticipated album, No Sign of Weakness, is also on the way, and this cover story is the perfect warm-up for it. Burna isn’t just holding the door open for African music–he’s tearing it off its hinges. And we wouldn’t expect anything less. [Read on BellaNaija](https://www.bellanaija.com/2025/02/burna-boy-billboard-france-stade-de-france/?ref=marmaladecollective.com) ## 🔥 Trending Stories - [**Jacob Kiplimo Shatters Half Marathon**](https://www.okayafrica.com/jacob-kiplimo-half-marathon-world-record/?ref=marmaladecollective.com) World Record Ahead of London Marathon Debut, *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_479437070_18487932445002476_5043443072444276967_n-1.jpg) **Image Credit: Jacob Kiplimo/Instagram* - Ayra Starr becomes [**first woman to win MOBO**](https://the49thstreet.com/mobo-awards-2025-ayra-starr-breaks-16-year-old-record/?ref=marmaladecollective.com) best African music award in 16 years, *via The 49th Street* - [**Circle Art Gallery in Nairobi**](https://www.theeastafrican.co.ke/tea/magazine/circle-art-gallery-in-nairobi-host-talent-across-continent-4927646?ref=marmaladecollective.com) is playing host to the continent's biggest talent, *via The East African* - [**Tems and Elmiene**](https://www.okayafrica.com/tems-elmiene-roots-picnic-2025/?ref=marmaladecollective.com) Are Performing at the 2025 Roots Picnic, *via OkayAfrica* - Makemation: [**Africa’s First AI-Themed Feature Film**](https://culturecustodian.com/makemation-africas-first-ai-themed-feature-film/?ref=marmaladecollective.com) is set for release, *via Culture Custodian* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/a9fd3e1b-409a-42e7-89a4-b55b18ee379c_1080x1080.jpg) **Image Source: the creative brief* - South Africa’s culinary elite honoured at the [**2025 Luxe Restaurant Awards**](https://www.gq.co.za/culture/food-drink/south-africas-culinary-elite-honoured-at-the-2025-luxe-restaurant-awards-e84c498c-3163-4a61-9e4a-704bea6c9e7c?ref=marmaladecollective.com), *via GQ SA* - Four African Designers Have Qualified As [**Semi-Finalists for the LVMH Prize**](https://www.okayafrica.com/lvmh-prize-2025-african-designers/?ref=marmaladecollective.com) 2025, *via OkayAfrica* --- ## ⏳ Trivia Time ### Burna Boy’s sister, Nissi Ogulu, is known for her work in which other field except music? A) Architecture B) Animation and automotive design C) Journalism D) Fashion design *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Designing for Connection: How Cherif Gueye Reimagines Everyday Objects with VIJN ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_464958690_1655124472080771_5486171257352132662_n-1.jpg) **Image Credit: Cherif Gueye / VIJN* Cherif Gueye, the founder of VIJN, is reimagining how we connect with each other through the simplest yet most essential items—everyday objects. With a background shaped by a multicultural upbringing, spanning Senegal and the United States, Cherif’s life has been a fun blend of community, creativity, and a deep love for building. Raised in a large family compound in Senegal, he learned the true value of community through the country’s renowned hospitality and this spirit of connection became the backbone of VIJN, his tactile design company. Through innovative products like ergonomic bowls crafted to encourage interaction, the goal is to bring people together in meaningful ways. In this interview, we dive into Cherif’s journey from content development and marketing to founding VIJN, exploring how his passion for creating shared experiences sparked the brand's inception. [Read & Share Guide](https://www.marmaladecollective.com/designing-for-connection-how-cherif-gueye-reimagines-everyday-objects-with-vijn/) --- ## What We're... 📰 **Reading:** [**River Spirit**](https://www.nytimes.com/2023/03/07/books/review/leila-aboulela-river-spirit.html?ref=marmaladecollective.com), a novel by Leila Aboulela, which follows the journey of a young girl in a torn 19th-century Sudan. 🎧 **Listening to:** [**Beg For It**](https://open.spotify.com/track/62toM9v7NsspHYCfaudxHZ?si=n6x23al%5FTk6MK88SicauvQ&context=spotify%3Aalbum%3A1BinKRne8TTTTp8PHojN8l&ref=marmaladecollective.com), by Njerae 📺 **Watching:** [**African Art Renaissance**](https://www.aljazeera.com/program/in-the-field/2025/2/16/african-art-renaissance-voices-from-the-continent-and-the-diaspora?ref=marmaladecollective.com), a documentary exploring contemporary African art from the perspective of three influential women bridging the continent and its global diaspora. 🎟️ **Booking:** [**Toyotastes' Table**](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com), a curated, multi-course spread of all the best Nigerian and West African flavours. Sponsored by DÒDÒ. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Snapinst.app_476899909_18054734888102594_5365912384071734599_n_1080.jpg)](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com) **Image Credit: toyotastes' table* 👀 **Eyeing:** This [**Insulated Bomber**](https://www.canadagoose.com/ca/en/pr/insulated-bomber-for-giants-of-africa-2441UGA.html?ref=marmaladecollective.com) from Giants of Africa x The Canada Goose --- ## 🧡 Member Spotlight: Kenechukwu Uche ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/IMG_0176-1.jpeg) **Image Courtesy: Kenechukwu Uche* Meet **Kenechukwu Uche**, a fintech growth strategist and entrepreneur exploring the possibilities of AI and Stablecoins. Born in Nigeria and currently based in Kigali, he spends his days solving growth challenges for startups and tinkering on new ideas with his team. He’s serious about his work but not as formal as people think—get to know him, and you might catch him singing, dancing, or cracking a joke when you least expect it. [Get To Know Kene](https://www.marmaladecollective.com/kenechukwu-uche-on-product-growth-ai-stablecoins-making-bold-moves/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Screenshot-2024-08-02-at-08.16.40-1.png) ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: [****B) Animation and automotive design**](https://en.wikipedia.org/wiki/Nissi%5FOgulu?ref=marmaladecollective.com) ### Member Spotlight: Kenechukwu Uche on Product Growth, AI, Stablecoins & Making Bold Moves URL: https://www.marmaladecollective.com/kenechukwu-uche-on-product-growth-ai-stablecoins-making-bold-moves/ Last updated: 2025-02-23T21:42:25.000Z [**Kenechukwu Uche**](https://www.linkedin.com/in/uchekene/?ref=marmaladecollective.com) is a growth advisor and entrepreneur exploring the potential of AI and Stablecoins for e-commerce through his company called Fluentshop. Born in Nigeria and currently based in Kigali, he spends his days solving product growth puzzles for early stage fintech companies and tinkering on what’s possible with AI & Stablecoins. He’s serious about his work but not as formal as people think – get to know him, and you might catch him singing, dancing, or cracking a dry dad joke when you least expect it. ### Tell us a bit about yourself. What do you do? and what does a regular day look like for you? "I wear two hats. First, I am a growth advisor, acquiring users for early stage fintech startups. Second, I'm an entrepreneur tinkering on what's possible with AI and Stablecoins for e-commerce. My regular day starts by hitting the gym or doing 100 pushups indoors while blasting Gabzy or Oxlade. I sprint through my morning standup calls with a hot cup of coffee and prepare a tasklist for the day. After work, I scroll through twitter for a bit while demolishing a plate of hot eba" ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/697241f7-287b-4091-a72c-64e6a3161038.JPG.jpg) **Image Credit: Kenechukwu Uche* ### Where did you grow up? and where do you live now? "I was born in a small town called Ituku in Enugu, South East Nigeria. Had most of my early education across South West Nigeria in Ile-Ife and Akure. Came back to Owerri for college. Moved to Lagos immediately after graduation and got my first job at a furniture company in Ikeja. I am currently living in Kigali, Rwanda but moving to California this summer to study a Masters in Innovation & Entrepreneurship at University of California and was awarded both the prestigious Merage for Africa Full-Tuition scholarship & Merage for Africa ambassador which recognises an individual’s stellar academic and professional accomplishments." _This post is for subscribers only._ ### Designing for Connection: How Cherif Gueye Reimagines Everyday Objects with VIJN URL: https://www.marmaladecollective.com/designing-for-connection-how-cherif-gueye-reimagines-everyday-objects-with-vijn/ Last updated: 2025-04-23T14:43:33.000Z ![audio-thumbnail](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/media/2025/02/Cherif-Podcast_thumb.jpeg) Podcast: How Cherif Gueye Reimagines Everyday Objects with VIJN 0:00 /642.32 1× Cherif Gueye, the founder of VIJN, is reimagining how we connect with each other through the simplest yet most essential items, everyday objects. With a background shaped by a multicultural upbringing, spanning Senegal and the United States, Cherif’s life has been a fun blend of community, creativity, and a deep love for building. Raised in a large family compound in Senegal, he learned the true value of community through the country’s renowned hospitality and this spirit of connection became the backbone of VIJN, his tactile design company. Through innovative products like ergonomic bowls crafted to encourage interaction, the goal is to bring people together in meaningful ways. In this interview, we dive into Cherif’s journey from content development and marketing to founding VIJN, exploring how his passion for creating shared experiences sparked the brand's inception. We talk about his thought process behind designing objects that foster real-life connections, the challenges he’s faced, his unique approach to collaboration with artisans, and the future of VIJN as it continues to grow into a brand that blends art, design, and community-building. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_467553784_580754117685479_4569104992045475486_n-1.jpg) **Tell me about your journey, and background, and how that has influenced your work right now.** I was born in New Jersey to two Senegalese parents, but by the time I was one, I went back home to live with family in Senegal. We lived in a large family compound, which isn't as grand as it sounds, it was about 40 family members sharing a house. That's where I grew up from ages one to six, and it instilled in me a deep sense of sharing. I still keep my baby pictures on the mantle, especially those from my birthdays, which I consider some of my favourite memories, getting all the kids together to play, riding bikes, and just enjoying each other’s company. In Senegal, we're known for our hospitality, or 'Teraanga' as it's known to us. Fridays, in particular, stand out to me. After Jummah prayers, my aunt would make lunch in a large pan and always prepare a second one, telling us to invite the neighbourhood kids. As a child, I thought it was just a fun gathering, but as an adult, I realised it was about fostering a sense of community and taking care of one another. When I moved back to the U.S. at age six, I felt completely separated from that way of life. I grew up in Greenville, North Carolina, about a four-hour drive south of Washington, DC. My family was the only Senegalese family in the area. I took English as a second language class, and I would often get asked, "Why are you here?". From ages 6 to 10, it was tough dealing with feeling so "othered" and different. But I kept going, and by my teenage years, I was surrounded by other first-generation kids. My whole friend group was made up of first-generation kids, and we stayed tight even when I started community college. At community college, I developed a strong interest in writing. I wanted to be a journalist, but as a first-generation immigrant, I felt the pressure to support my family and knew that journalism wouldn’t be lucrative early on. So, I shifted my passion for writing toward learning about social media and public relations. After that, I transferred to NC State University to finish my four-year degree. Upon graduating, I landed my first job as an assistant publisher for Adidas Originals in Portland, Oregon. Portland is another place where I felt "othered" as it's predominantly white, but ironically, it helped me connect more deeply with my African identity. I met a lot of Nigerians, Zimbabweans, and Ghanaians, and we formed a tight-knit group at Adidas. After two years at Adidas, I was approached by Netflix to work on creative marketing campaigns, which led me to move to Los Angeles, where I’ve been living for the past seven years. At Netflix, I worked on campaigns for young adult shows, developing 360-degree marketing strategies. My passion for writing evolved into crafting briefs to describe shows in a way that would excite audiences through marketing. I left Netflix right around the start of the pandemic, which led to a whirlwind of freelance projects with Hulu, Amazon Studios, and in the music industry. By the end of 2020, I joined Bleacher Report to work on sports shows. Bleacher Report is a platform in the U.S. that covers sports through social media and YouTube, and I was hired to produce shows for both YouTube and TV. After two years there, I stepped out again to focus on developing my own businesses. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_464305368_9009494505751063_1265465340901432206_n.jpg) The first venture I started was a strategy business, where clients from various industries I had experience in would bring me in to help build their rollouts and launches for products and services. During that time, I also began thinking about how I could create something of my own. That's where the idea for a product company resurfaced. I became deeply interested in design, specifically, how design could be used to bring people together. That’s the core vision behind VIJN. VIJN, pronounced ‘vision,’ was built as a platform to connect people together, and the way I’ve chosen to do this is by designing objects we use in our everyday lives, expanding their function and purpose. We debuted on September 18th, 2024, with a dinner party that had no tables. The concept was to take a space, place 25 people in a circle where they could all see one another, and have them use the first product we designed: ergonomic bowls. These bowls sit comfortably in the hand, making it easy and secure to pass around. They’re kitchen-ready and crafted at the highest quality in Portugal. At the event, we served a five-course meal entirely using these bowls. After each course, guests would point to a stranger and sit next to them for the next course. While it started off a bit awkward, by the end of the night, everyone had made new connections. In December, we had a two-week holiday pop-up at Soho House, where people could interact with the elements and shapes we designed. Now, we’re preparing for a new dinner series and other exciting projects. The core purpose of VIJN remains to bring people together, and we achieve that by designing and expanding the function of everyday objects. We started with bowls, but we’re expanding into other categories, essentially, anything you use daily. We believe VIJN can redesign these objects and use them as a conduit to foster connection. That’s the journey, from the start to where we are today. **That's very inspiring and impressive as well. It's very nice to see everyday objects coming to life in ways that spark wonder. You touched a bit on how you got here to VIJN. But I wanted to dig into that a little bit more. How did you go from content development, marketing and so on to VIJN? What exactly was that inspiration for you to own your own brand?** I’ve been in my corporate career for nearly nine years now. During that time, I’ve worked on so many projects for other people, whether it’s corporations, Hollywood companies, or friends. I’ve given a lot of my time and energy to bringing other people's ideas to life. Through that journey, I’ve always been fascinated by business, understanding not only the creative side but also the mechanics behind it. That’s what got me into some of these rooms in the first place. I’m a very curious person with many hobbies, and in 2021, I picked up ceramics. As I got into it, I started thinking about how we interact with everyday objects, especially ceramics, in a practical sense, how they feel in our hands. Often, ceramics are made to be beautiful objects that sit on a table, but I thought, “What if we focused on creating something that’s not only beautiful but also strong, something meant to be held and passed from hand to hand?” That thought process became really important to me, as I wanted to put my own perspective into the things I was making. This shift also reflected a deeper transition for me. I’d been working on other people’s projects, getting offered projects with alcohol-based ventures that didn’t align with my values as a Muslim man. As I stepped into my 30s, I realised it was a blessing to help others, but I needed to create something of my own, something that reflected my values. It became crucial to me not just to work for money but to ensure that my work aligned with how I wanted to contribute to the world. That’s when VIJN came into being. VIJN was the first project where I truly put something out there on my own, and it was nerve-wracking at first. I was so used to working with big names, and here I was launching something personal, even down to its unique spelling. But it’s been a beautiful exercise in faith. Above all, I’ve wanted to show gratitude for my faith and have it reflected in the business I build, the problems I solve, and the values I offer to people. So, creating VIJN became about building something that reflects me, my community, and the person I want to grow into. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/IMG3516-R01-022A.png) VIJN x Joyce dinner **There are a couple of things I find interesting here. Before you mentioned it, I was going to ask if VIJN was an acronym but it's interesting to know it's just a different spelling of ‘Vision’. How did that come to mind?** To me, the word "vision" represents the idea of building a life that reflects your chosen values. While I spend a lot of time on my laptop and phone, I have so many hobbies and interests that encourage me to put them down. I play chess, do indoor climbing, play soccer, and hike. These activities help me disconnect from the digital world and immerse myself in the beauty of real life. That’s the vision of life I hold, one that's uniquely mine. When I chose the company name, I wanted a word that felt huge, but with a playful twist, like misspelling it to give it character. It's one of those names where people who know it will understand how to spell, pronounce, or say it correctly. I love how I still get people saying it wrong! My intention is that, over time, more people will recognise it as “vision” and learn the story behind it, a story about building a vision not just for myself but for others too. When we created these bowls, we designed them in sets of three, primarily for eating. But I've seen people use them in their own unique ways, some for decorating, others for planting moss trees or arranging Ikebanas *\[Japanese art of flower arrangement\].* That’s exactly what "vision" means to me: making something, whether it’s an object or a space, that allows others to create their own vision of how to use it. It’s open to interpretation, and that’s the beauty of it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_464281899_1268466054184042_721020961114902059_n.jpg) **That's nice, truly. With regards to being outside of your devices, many people are going back to that. Just really connecting with the world in general. And it brings me to my next question. You make a lot of these things for community sake, I wanted to know how you ensure the artisans, the retailers, the creatives and the people that you build for feel included and a part of something bigger.** On the artisan side, I mentioned earlier that I believe writing is my core skill, and communicating clearly is key. When working with artisans, whether it's a designer shaping a product or a chef I hire for an event, I aim to be efficient with my words while giving them the space to bring their own flavour. For example, I hired a well-known LA chef, Naj Austin, for a dinner event. All I told her was, "We're having dinner in these bowls, no table, and no utensils. We want shareable, finger foods. What comes to mind for you?" She was surprised I didn’t give her specific instructions. I simply said, "You're the expert. You know what you're doing, and your focus on interactive eating aligns perfectly with this concept." I like to give people the most straightforward brief possible and leave room for their creativity. Often, they exceed my expectations, which reinforces the trust I want with my creative partners. I want VIJN to be a platform where these artisans can shine and bring people together. Because, in the end, real-life connection is far more meaningful than anything online. We're all getting detached, thinking that connection is just about social media, but nothing beats in-person interaction. That's why I align with creatives who share this belief and trust them to bring their own "sauce" to the project. As for the audience, I think about storytelling as a way to show people how much better real life is compared to digital life, without forcing it. We’re all online, using laptops and phones daily, so it's not about rejecting technology. It’s about creating a narrative that real life is still the best, especially when it comes to interaction. I'm obsessed with the idea of reclaiming interaction for the analogue world. If you Google "interaction" today, you mostly find digital references, but at its core, interaction is about the exchange between people. It existed long before computers. So when I talk about bringing people together, I mean true interaction, getting people to share, talk, and connect. Everything we create, from objects to spaces, reflects this philosophy. We want people to remember they can choose to engage with the world in more tactile, real ways. Even my hobbies reflect this. Recently, I posted on Instagram about climbing with friends. After focusing heavily on products in the past year, I realised I needed to show more of the hobbies that inspire me. Whether it’s climbing, playing chess, or writing letters by hand, all of it ties back to my passion for tactility and real-life interaction. That’s why I describe the company not just as a design company, but a tactile company. We make real objects for real spaces and real people. At the end of the day, my goal is to help people reconnect with the physical world through the choices they make, what they use, where they go, and how they spend their time. It’s all about reclaiming the quality of real life through interaction and being mindful of the world around us. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_475640017_18036250709594698_6540887997487766462_n.jpg) **That flows right into what I wanted to speak on next, the colours and the textures of the pieces for VIJN feel very intentional even just from looking at them on socials. How do you choose them? How do you know exactly what to do next? And what's the intentionality behind these pieces?** Intentional, we get that word a lot, and it’s by far one of my favourite words. It's necessary when we talk about the problems we're trying to solve: bringing people back to real life, being present, and using good products. There’s a sense of intentionality in everything we do. There are so many bowls, design companies, and people in this space. But the intentionality we bring, whether in the textures or the colours we choose, ensures that everything feels specific from the start. Take the first three colours of our bowls. One is called "Dune," a sand exterior colour with an orange and pink interior. Like a sunset on a beach or desert. The idea was to create something subtle, where the outside fits seamlessly with someone’s interior design, but the inside has a pop of colour. Then there's "Wave," inspired by ocean waves. This blue bowl is for people who want their ceramics to be a statement piece. Finally, we have "Green," the most popular. It has a deep, almost midnight-blue interior and a forest-green exterior. We designed these pieces and produced them in Portugal, known for some of the best ceramics in the world, not just for quality but for kitchen readiness. The bowls are microwave-safe, BPA-free, lead-free, none of the bad stuff that’s often found in everyday products. When we visited Portugal to see the product being made, we were blown away by the inspiration around us. "Wave" was inspired by the massive 100-foot waves at Nazaré, a coastal city known for having the biggest waves on Earth. "Green" came from a train ride I took through a forest, where the blur of trees felt like an endless sea of green. These colours are deeply tied to the experiences we had while bringing this product to life. And future colours will continue to reflect intentionality. We’re thinking about a brown hue that represents the unity of our community in LA, where we have many Nigerians and Ethiopians. This deep brown will reflect the beautiful skin tones around us that unite us. I'm really trying to be observant of what surrounds me, using that as a way to stand out. I'm learning more and more that the more I tap into the specificity of my life, my hobbies, my communities, my interests, the more intentionality naturally flows into what I create. That’s what I want people to feel. Whether it resonates with you or not, I want you to look at our products and think, "This feels one-of-a-kind." That's the feeling I want to evoke every time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_468983547_793682939550491_2390022830227509863_n.jpg) **And you can see it even from the products. I was going to say I had a favourite colour, but I really don't. I like all of them a lot, but I think brown would most likely be my favourite.** It's a special one. Every time people see it, I have it here in my house, it moves them. The deep, rich brown paired with the almost-orange inside creates an interesting contrast. Orange is my favourite colour, and whenever I think about us as young Africans, especially those of us in the first generation living in LA, we've been so intentional about building this community. We've been focused on fostering this sense of connection. When I'm around everyone, orange is the colour I feel: bright, potent, and deep. I see brown, but I feel orange. It's about being thoughtful, simplifying things, and connecting stories. Even when I work with artisans or creatives, or when I brief myself, I aim for simplicity. I believe working with what's right in front of you will make you stand out because the things I choose to focus on are so specific and unique. I was just telling a friend last night, who shoots all of our work, that I'm growing more confident in showing people the spaces I see. They stand out immediately. For example, you see our bowls in dining settings, and then all of a sudden, they're being used for climbing. I have a new product coming this year, an everyday object built with a climber's mentality, connecting two worlds that usually don’t intersect but are both growing fast. I’m realising I can do this over and over again, because I cross-pollinate so many different areas. I don't have to try too hard to be intentional; I just need to show people what’s in front of me, and they'll see it. It's my community, and it’s authentic to us. That’s why intentionality means so much to me. In a world that’s so loud, I think we need more of it. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_464958690_1655124472080771_5486171257352132662_n.jpg) **The difference is that there's no disconnect between you and the product or you, your community and the products and that shows, which is why the word comes up a lot. You've mentioned that you have a lot of African communities. I would like to know how that plays a role. How does the creativity of Africa and Africans play a role in your brand?** The core of my work goes back to my time in Senegal from ages 1 to 6, where I learned the value of *Teraanga,* hospitality. While I develop products across many categories, we've begun to see plenty of solutions for objects related to hospitality, like bowls, utensils, and other essentials. This is rooted in our culture, where connecting through food is the most fundamental way we bond. Sharing a meal and gathering around food is central to how we, as Senegalese people, connect with one another. You could argue that prayer is important, but eating together is our number one way of building community. This philosophy is at the core of who I am. As I grow, I see many African brands emerging in the worlds of fashion and beauty, like what [Paakow is doing with MIZIZI](https://www.marmaladecollective.com/community-culture-and-collaboration-the-driving-forces-behind-mizizi/) or what Daily Paper represents. Brands like Ami Cole in the beauty space are also making waves. I want to carve out a space for myself in design and hospitality that bridges the gap between the African diaspora in America and those born and raised in Africa, whether in Senegal or Nigeria. I have ideas for developing products in Senegal and want to see them come to life. For me, it all goes back to how we, as Senegalese people, live: we make something and bring people together around it. That's the essence of Senegalese culture. My vision is to take that approach to many areas. I want to create across various touchpoints, make something, gather people, and let the community shape how it's used and the stories we tell around it. That's why I started with a tactile company; it's a platform to bring people together. By making something and gathering people around it, they dictate its use and the narratives that emerge. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/IMG3516-R01-020A.png) **For most Africans, there's always a sense of community**—**coming together and sharing is super special to us. So it's great to see that it plays a part everywhere. VIJN is still quite young. What have been some of the challenges or learning experiences you’ve had?** Challenges… It’s tough building a business, especially one that feels so personal. Being vulnerable with something that’s entirely your own isn't always easy. I’m in LA, surrounded by an amazing community of first-generation Africans and other talented people. But so often, I see everyone flexing these big projects with big names attached to them, which can be intimidating. I’m launching something completely new, and it feels like I’m giving a piece of my heart away. The pressure of putting what I believe in out there for public consumption while staying intentional and focusing on what’s in front of me is huge. Mashallah, I have a younger brother who's a business prodigy. He runs three thriving financial businesses in Senegal. What I admire about him is how detached he is from his work; his businesses aren’t a reflection of his personal interests. He keeps it cut-and-dry, and that’s smart. For me, it’s different. This work is my heart on display, and I hope it convinces people to give me their time, energy, and money. I constantly question whether that's the right approach. Should I be commodifying my passions for bringing people together and creating cool things? My intuition tells me yes. I’m blessed to be in a position to have a positive impact. I want to be an example of putting something meaningful out there with consistency. But still, the challenge of exposing that part of myself is real. Another challenge is patience. I have big visions for the future, and I’m faithful that more will happen than I can imagine right now. But I have to remind myself that even successful companies I look up to have been around for at least 10 years. I’ve only been at this for five months. Naturally, there’s some impatience. I intend to build a team of people who think about this VIJN with me every day. Right now, I’m doing it mostly on my own, and while I collaborate with creative partners on a project basis, I long for that day when I have a core team. It’s all about generating revenue, getting people to see themselves in my business, and trusting the process. The two biggest challenges I face are putting a piece of my heart out there and practising patience. Beautiful things will continue to happen, and over time, I’ll earn more responsibility and trust. I just have to keep going and stop looking at the clock. One day I’ll look up, and it’ll be five years later, and I’ll have a community around me, bringing energy and ideas. So, yeah, patience and heart, those are the keys. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/IMG3514-R01-012A.png) **A lot of creatives struggle with the points you’ve just raised. You’re putting out something you’re very connected to, and you can get different responses or no response at all. Before we go on, you mentioned, quickly, the photographer and videographer who work on VIJN’s visuals, and I wanted to give a shout-out to them because the visuals are stunning. My final question would be for you to share any future plans. You've touched on the new colour, and that there’ll be new products, what more can you share?** How do I do a lot without doing a lot? Lately, I've been working on something where, instead of laying everything out upfront, I hold back on specifics until things are finished. It’s a practice in humility, but I’ll say this: I’m fascinated by the idea of juxtaposition, bringing together things from different worlds that don’t seem like they belong. What you can expect from me is a lot of that. I have three new products lined up and a series of events that tie into these passions. A year from now, some people will get it immediately, seeing how these different elements fit together. Others might not understand at all, thinking we’re scattered. And I’m excited for both reactions. I want people to feel seen if they, too, have multiple interests that they want to bring together, or to question why we don’t stick to just one thing forever. That’s the beauty of it. Expect juxtaposition, expect a collision of things you wouldn’t think go together, but through design and the act of bringing people together, it will become clear why they should coexist. I want to help break that mould, and I think you’ll get it. **Absolutely. Thank you very much for this conversation, It’s been inspiring. Looking forward to what VIJN has in store.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Tems invests in San Diego FC, Joseph Deng joins LA Dodgers, Palmwine Icecream at Berlin Fashion Week URL: https://www.marmaladecollective.com/tems-invests-in-san-diego-fc-joseph-deng-joins-la-dodgers-palmwine-icecream-at-berlin-fashion-week/ Last updated: 2025-02-17T10:00:38.000Z **Welcome to Vol 122 of The Spread!** A big hello to our new (and returning) subscribers! If you didn't already know, The Spread is your weekly edit of the best stories and global news on Africans shaping mainstream culture. February is already packing its bags–short, sweet, and leaving some people lovestruck while the rest of us side-eye couples soft-launching their relationships. If (like mine) your Valentine’s Day plans involved ignoring love songs and focusing on self-care, at least take notes from Tyla–because no one secures a bag, and a serve, quite like her. It feels like every other day, another African artist is making history, and honestly, I love that for us. 😍 Speaking of things to love, our virtual [****Member Mondays are finally kicking off on February 24th**](https://lu.ma/7ygelrfa?ref=marmaladecollective.com) \* *insert excited scream\** and we're looking forward to connecting with all of you. If you’re more of an in-person person, we're hosting [****IRL Meetup on February 21st**](https://www.marmaladecollective.com/whats-on-february-2025/), and trust me, you’ll want to be there. Oh, and our Spotlight section is officially open! Keep reading to see our first feature. Mary x Now, on to the real peel 👇 ###### FEATURE STORY ## 🏆 Grammy Award Winner Tyla Is The New Face Of Nike ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/tyla-nike-inarticle-img-portrait.jpg) **TYLA ROCKING THE AIR MAX DN8: Courtesy of @tygerprint* Tyla is on a winning streak, and she’s not slowing down anytime soon. Fresh off her Grammy win and turning heads with her Super Bowl look, **the South African star is now making waves in the fashion world**; this time with Nike. **The global sportswear giant has tapped her as its latest ambassador**, placing her alongside music heavyweights like Travis Scott, Billie Eilish, and Drake. And even though details of the partnership largely remain under wraps, **it’s clear that Nike is making a strategic play in Africa**, and Tyla is the perfect fit, because her effortless ability to blend music, movement, and fashion has made her a global style icon. With this deal, **Tyla will join a growing list of South African stars who’ve worked with Nike**, from DBN Gogo to PSL giants like Kaizer Chiefs. And it's clear that Nike sees what the world already knows: she’s got the talent, influence, and the star power to take them to the next level. [Read on The South African](https://www.thesouthafrican.com/lifestyle/celeb-news/international-celebs/tyla-signs-endorsement-deal-with-nike/?ref=marmaladecollective.com) ## 🔥 Trending Stories - Baseball Player [**Joseph Deng Makes History**](https://www.bellanaija.com/2025/01/first-south-sudanese-player-joseph-deng/?ref=marmaladecollective.com) as First South Sudanese to be Signed by the Los Angeles Dodgers, *via BellaNaija* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_474182930_18491897860063664_2111799470342800645_n-1.jpg) **Image Credit: NWE/ Instagram* - [**Palmwine Icecream Makes History**](https://debonairafrik.com/palmwine-icecream-makes-history-at-berlin-fashion-week/?ref=marmaladecollective.com) as the First African-Based Brand on Berlin Fashion Week’s Runway, *via Debonair Afrik* - [**Tems Joins Ownership Group of MLS side**](https://culturecustodian.com/tems-joins-ownership-group-of-mls-side-san-diego-fc/?ref=marmaladecollective.com), San Diego FC, *via Culture Custodian* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_477687882_18012642458699351_995991709172459997_n-1.jpg) **Image Source: NotJustOk/Instagram* - Pan African Film and Arts Festival [**Unveils 2025 Film Guide**](https://www.afrocritik.com/pan-african-film-and-arts-festival-unveils-2025-film-guide/?ref=marmaladecollective.com), *via Afrocritik* - Culture Critic, [**Anchi Vibes, Wins TikTok Africa's Creator of the Year Award**,](https://www.okayafrica.com/tiktok-awards-africa-anchi-vibes/?ref=marmaladecollective.com) *via OkayAfrica* - France's Foremost Streaming Platform, [**TF1+ Is Coming To Africa**](https://culturecustodian.com/tf1-frances-streaming-platform-turns-to-africa/?ref=marmaladecollective.com), *via Culture Custodian* - Tiwa Savage, Ayra Starr, [**Rema & More Nominated for 17th Headies Awards**](https://www.bellanaija.com/2025/02/17th-headies-awards-nominees/?ref=marmaladecollective.com), *via BellaNaija* --- ## ⏳ Trivia Time ### Which South African city is Tyla from? A) Cape Town B) Durban C) Johannesburg D) Pretoria *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Creating Home Away from Home: Inside ‘My Friend's House’ with Demilade ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_462721728_499613946279155_8396058271135099160_n-1.jpg) **Image Credit: Demilade* When it comes to creating spaces where people feel instantly at home, Demilade has mastered the art. **After living different lives as a lawyer in Lagos and a consultant in the U.S., she returned to Nigeria with a fresh vision**—one that blended her love for intimate gatherings with the need for community. And so, **My Friend's House was born, a space where people can hang out, feel at ease, and connect without the formalities of traditional social settings**. Described as a haven "for when you want to be at home but not in your own home," My Friend's House speaks to the heart of community and belonging, especially for those finding it hard to make new friends as adults. Described as a haven "for when you want to be at home but not in your own home," **My Friend's House speaks to the heart of community and belonging**, especially for those finding it hard to make new friends as adults. [Read & Share Guide](https://www.marmaladecollective.com/creating-home-away-from-home-inside-my-friends-house-with-demilade/) --- ## What We're... 📰 **Reading:** How [**Congo’s stylish Sapeur**](https://theconversation.com/congos-stylish-sapeur-movement-goes-beyond-fashion-5-deeper-insights-246919?ref=marmaladecollective.com) movement is going beyond fashion. 🎧 **Listening to:** [**Baby (Is it a Crime)**](https://open.spotify.com/track/6NOrpcicPUh2eaj8bAD44u?si=UUt-y2XSQECu9e%5FSZQShZw&ref=marmaladecollective.com), by Rema. 📺 **Watching:** [**(Un)credited: the Story of Afro dance’**](https://www.redbull.com/ng-en/films/un-credited?ref=marmaladecollective.com); a Red Bull documentary, streaming on Netflix, that tells us of Nigeria’s unsung dance heroes and notable figures behind the country’s Afrobeats and viral TikTok dance sensations. 🎟️ **Booking:** [**Toyotastes**](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com), a curated, multi-course spread of all the best Nigerian and West African flavours. Sponsored by DÒDÒ. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/with-rum-1.png)](https://www.tickettailor.com/events/toyotastes/1591574?ref=marmaladecollective.com) 👀 **Eyeing:** Emmy Kasbit’s [**Naza Dress**](https://industrieafrica.com/products/emmy-kasbit-naza-set?srsltid=AfmBOorBpFU8glLaTZp6C2bvF6wHZ5LXsGPcMpUnpHeab5LX0EUbJ3nC&ref=marmaladecollective.com)–a thoughtful interpretation of sacred Udara cloth. --- ## 🧡 Member Spotlight: Tolani Agoro ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/WhatsApp-Image-2025-02-14-at-15.22.10--1--1-1.jpeg) Meet [**Tolani Agoro**](https://www.marmaladecollective.com/member-spotlight-tolani-agoro/), founder of [**Chapmans of London**](https://www.marmaladecollective.com/member-spotlight-tolani-agoro/), who's bringing Nigerian beverage culture to the UK while balancing life as a new mother. Based in South West London, she's working to make Chapman drinks as recognisable as Porn Star Martinis, driven by her love of food culture and guided by her faith. A self-described "half twin" who shares a birthday with her sister, Tolani splits her days between growing her business and caring for her 8-month-old son. [Get To Know Tolani](https://www.marmaladecollective.com/member-spotlight-tolani-agoro/) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Screenshot-2024-08-02-at-08.16.40-1.png) ## We See YOU! At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? ****We'd like to hear from you!** [Share Your Story](https://forms.gle/5GKaGFMN9S1H2YUt5?ref=marmaladecollective.com) ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Johannesburg** ### Member Spotlight: Tolani Agoro on Taking Chapman Mainstream URL: https://www.marmaladecollective.com/member-spotlight-tolani-agoro/ Last updated: 2025-02-15T12:51:37.000Z Meet [**Tolani Agoro**](https://www.linkedin.com/in/tolani-a-1ab02b26/?ref=marmaladecollective.com), founder of [**Chapmans of London**](https://www.instagram.com/chapmansoflondon/?ref=marmaladecollective.com), who's bringing Nigerian beverage culture to the UK while balancing life as a new mother. Based in South West London, she's working to make Chapman drinks as recognisable as Porn Star Martinis, driven by her love of food culture and guided by her faith. A self-described "half twin" who shares a birthday with her sister, Tolani splits her days between growing her business and caring for her 8-month-old son. ### Tell us a bit about yourself. What do you do? and what does a regular day look like for you? "My name is Tolani Agoro and I'm the founder of Chapmans of London where we are on a mission to bring the vibrant flavours and culture of Nigeria through our beverages. I'm also a mother to my 8 month old so my day is typically navigating between all the different tasks of a business such as calling for leads, meetings for collaborations, checking up on customers to then changing and feeding my baby, a rollercoaster :)" ### Where did you grow up? and where do you live now? "My parents lived briefly in America and Nigeria when I was younger but we settled in North London and Hertfordshire. I now live in South West London with my family :)" _This post is for subscribers only._ ### Creating Home Away from Home: Inside ‘My Friend's House’ with Demilade URL: https://www.marmaladecollective.com/creating-home-away-from-home-inside-my-friends-house-with-demilade/ Last updated: 2025-04-23T14:35:21.000Z ![audio-thumbnail](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/media/2025/02/Demilade-Podcast_thumb.jpg) Podcast: Inside ‘My Friend's House’ with Demilade 0:00 /756.72 1× When it comes to creating spaces where people feel instantly at home, Demilade has mastered the art. After living different lives as a lawyer in Lagos and a consultant in the U.S., she returned to Nigeria with a fresh vision, one that blended her love for intimate gatherings with the need for community. And so, *My Friend's House* was born, a space where people can hang out, feel at ease, and connect without the formalities of traditional social settings. Described as a haven "for when you want to be at home but not in your own home," *My Friend's House* speaks to the heart of community and belonging, especially for those finding it hard to make new friends as adults. In this conversation, we dive into Demilade’s journey of building *My Friend's House*, exploring how her personal love for small gatherings inspired her to create a space that prioritises comfort, connection, and shared experiences. From movie nights and game nights to impromptu karaoke sessions, *My Friend's House* is all about offering a third space where guests can relax, meet new people, and just be themselves, without the pressure of spending a lot or conforming to expectations. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Demilade1.jpg) **Can you tell me about your background and what inspired you to start My Friend's House?** A lot of the time, I feel like I’ve lived different lives, and this feels like my third. There’s not much from the first two, when I was a lawyer in Lagos or a consultant in the U.S., that directly impacts *My Friend’s House*. But one thing has always been constant: my love for community and small, intimate gatherings. I’ve always leaned towards spending time with a small group of people for hours on end rather than being in large crowds, which can overwhelm me. Coming back to Lagos can be challenging. It’s difficult to make friends as an adult. It’s hard to find people who share your interests outside of work or church. Some people, especially extroverts, naturally build community; they can go out, meet people at clubs, and easily form connections. But for others, it’s harder, and they need a bit more of a nudge. *My Friend’s House* became my way of saying, “Hey, these are the things I enjoy doing. If you like them too, come join me.” And since then, it’s grown **I agree with you on the difficulty of making friends as an adult. But how did it go from just having the idea to now making it a reality?** When I moved back to Lagos, I wasn’t working yet, and I felt like there wasn’t much for me to do. My days were spent waiting for my friends who had jobs to finish work so I could talk to them. I found myself cooking all the time, and eventually, I just decided to share it. Hosting dinner parties and bringing people together is something I love, so it made sense to create a space for that. One day, my mentor and advisor said, “Perfection is the enemy of good.” Then it all clicked for me, sometimes, you just have to start. That mindset is very much in line with who I am. When I have an idea, I execute it immediately, sometimes within the hour, without putting too much thought into the long-term logistics. Growing up, I moved around a lot, and I’ve always just had this belief that things tend to work out. I’ve learned to move with blind faith, knowing that even if things don’t go as planned, it’s not the end of the world. If it doesn’t work out, we pivot. If it does, great, we keep going. There’s no secret sauce or magic formula behind it, my approach is simple: wake up, have an idea, execute it. It’s like people who hit the gym early in the morning. They don’t give themselves time to think about how tired they are, they just get up and go. By the time their brain fully wakes up, they’re already halfway there. That’s how I treat *My Friend’s House* and a lot of my ideas. I dive in, and by the time my brain catches up, I’m too far in to turn back, so we have to make it work. Often, things turn out differently than I originally planned, and I’m perfectly fine with that. I’m happy to let things unfold naturally, without forcing myself to stick to a rigid path. The only thing I make sure of is that I start. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/IMG_2840.png) **I love the idea of just starting something. Don’t overthink it, because by the time you spend too long planning and analysing, you get fatigued.** Exactly! If you spend too much time thinking about it, you get fatigued, paralysis sets in. You just won’t do anything because you're overthinking. Take my *Disney Adult Karaoke* event in December, for example. I was on TikTok one day and made a video about how much I love Disney songs and how I’d love to one day sing along with food, drinks, and other people. It wasn’t super viral or anything, maybe it got 1,000 or 2,000 views. But I figured, why not? I announced it, thinking we’d do one event with maybe 15 people, just enough to cover the cost of the food. It didn’t have to be a big money-maker. But to my surprise, it ended up being really popular! That’s the thing with *My Friend’s House,* sometimes, it’s about listening to what people want and giving them exactly that. Sure, I know at some point I’ll have to sit down and think about how to make it more sustainable and long-lasting. As long as we’re able to cover our costs, it gives us the flexibility to try new things. Sometimes, we stumble upon gems, and other times, we create a small, enjoyable experience for 20 people, and that’s equally rewarding. **I'm glad you brought that up. The business and profit aspect of such a space. Do you think it can take away from the community aspect?** I believe community should be more of an altruistic venture. Realistically, it’s something that should be supported by the government, funded as a public service or through charities and donors. But with the world becoming so capitalistic, the question now is, "How am I going to get my money back?" And that’s what has stopped people from forming real connections. In the past, if you were new to an area, you could go to the local community centre, join clubs, or attend events. Now, we don’t have that as much anymore. A lot of things have moved online, which is great. Now I can access events happening in Tokyo, but the reality is, I’m not actually in Tokyo. So while that access is valuable, it’s not a full experience. Of course, the business aspect can’t be ignored. But my hope is to create sustainable projects that can fund other community-building activities. We, as people, need these spaces. I can’t spend all my time just going from work to home, there has to be a third place, a space for community and connection. I also think it’s important not to rely on friends to tell us what’s going on all the time. Someone told me in December, after coming from the UK, that she really enjoyed our event because she didn’t have to call a friend in Lagos to find out what was happening, she found the event herself and just showed up. And that’s exactly what we’re trying to create: a space where you can discover and participate in activities without needing someone to show you the way. **I think it's so important because, as young people, what we're really missing is a third space, somewhere beyond home and work. That's exactly what *My Friend's House* represents. It's a place where you can just come, hang out, and be yourself with no expectations.** No expectations. There's no dress code. Our movie and TV nights are free. You can spend as much or as little as you want. And while this might be more unique to Nigeria, sometimes it feels like to really enjoy yourself in Lagos, you have to spend a good amount of money. That’s why, whenever people message me asking, “Do I need to pay? Is it free? What do I need to know?” my answer is always the same: “You don’t need to know anything. The movie starts around 7:30\. If you want a drink, there's a bar. If you want food, just order from the waiters. If you don't want to spend any money, that’s fine, the movie will still be playing.” It's great to know I can create a space where people can have a good time, regardless of their budget. Not every event can be like that, some will cost more, but I do try to keep things reasonable and offer a good mix. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_462721728_499613946279155_8396058271135099160_n.jpg) **That's super important. I wanted to know how you cultivate a feeling of comfort and belonging with your guests.** One of the beautiful things about *My Friend’s House* is that most of the people who come already feel like they know me, thanks to social media, especially TikTok. They’ve seen my journey, maybe watched me cook or share an opinion, so when they show up, it’s like we’ve already spoken. That initial familiarity helps people feel comfortable. But what I’m really mindful of is not forcing anyone to be comfortable, if that makes sense. I grew up shy, and I know how frustrating it is when people try to drag you out of your shell before you’re ready. So, I try not to draw attention to anyone’s shyness. I allow people to come as they are. If you're extroverted, colourful, and vibrant, great. Be yourself. If you're quiet, laid-back, or more introverted, that’s perfectly fine too. I think what happens is people feel comfortable just being themselves, however they show up. It’s not a space where everyone has to sing along to Disney songs. If you just want to sit back, watch others sing, and enjoy the environment, you’re totally welcome to do that. And maybe the next time you come, you’ll feel more comfortable and open up a little. But I never want to force the vibe. There’s room for extroverts and introverts to exist in the same space, having fun in their own way, even if that fun looks different to each person. **That’s a fantastic approach! You mentioned that movie nights and game nights are big parts of *My Friend's House.* How do you decide what events to host, and how do you bring people in for them?** When deciding what events to host, I always ask myself, “What would *I* like to attend?” It’s like when you’re trying to make friends, people always say to go do something you enjoy, and you’ll naturally bond with others who enjoy the same thing. So I don’t try to host events that I think will be popular just for the sake of it. I ask myself, “Demi, what are you into right now?” Then I put it out there, and people who are also interested will find it, whether through TikTok, Instagram, or word of mouth. For example, let’s say the biggest thing to do in Lagos is paintballing. Just because it’s popular doesn’t mean I’d host a paintballing event, because I don’t like paintballing. But maybe I’m really into bird-watching, so I’ll host a bird-watching event. That way, I’m excited about it, and that enthusiasm shows. It wouldn’t make sense to host an event I’m not passionate about, just because it’s trendy. The energy would be off, and people could tell I’m not really into it. So that’s how I approach event planning, I follow my own interests, and the community naturally grows from there, organically. There’s no need to force it. Sometimes, people request events, and I’ll listen if it’s something I’m into. If someone suggests candle-making and I think, “Actually, I *do* like making candles,” I’ll plan a candle-making event. Five people might show up, and that’s great. But if I’m not doing an event someone requested, it’s probably because I know I couldn’t host it well. I also believe I don’t have to do *everything.* There’s space for other third spaces to focus on niche things. *My Friend’s House* doesn’t have to cover all the bases. I focus on what I enjoy, and the people who are interested will come. For movie nights, I usually just run a poll on Instagram. I pick five movies, people vote, and whichever gets the most votes wins! ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/IMG_2887.png) **That makes sense. From watching your TikToks, reels, and highlights from your events, it’s clear that food plays a big role at *My Friend’s House*, and beyond that, you seem to enjoy cooking. Could you talk a bit about your relationship with food and how it influences your space?** My love is less about cooking and more about eating. But I can’t always eat out, so I’ve had to learn to make certain dishes myself. It’s kind of like going to the gym: most people don’t really enjoy the gym itself, but they like the results. In the same way, I like eating, so in order to eat, I have to cook. I used to really hate being in the kitchen, and even now, sometimes I still feel that way. So I try to make the experience more enjoyable, maybe I’ll pour a glass of wine or juice, put on some music, or have a TV show playing in the background. It turns into an unwinding activity, and my reward at the end is a delicious meal. Food definitely brings people together, but it’s not the main focus of *My Friend’s House*. I’d love to invite chefs into the kitchen for dinners, or explore different cuisines. I can’t, and don’t want to, cook everything myself. There’s space for others to contribute, and I’m excited to see how that evolves. **Fun! Are there any new ideas or fresh perspectives you’d like to bring to *My Friend’s House*?** Definitely. I have a lot of ideas I want to explore, but it all comes down to timing, execution, and finding the right partners to collaborate with. Like I said, I’d love to bring in more people for our dinners, but I also want to expand into more community-focused events. I’d like to branch out into other areas, maybe host a yearly planning session or a CV and career-building workshop. It’s about making *My Friend’s House* a space that impacts not just your social life, but also your personal or professional life. Anything you could do at a friend’s house, you should be able to do here. **What’s the frequency of events at *My Friend’s House*? Is there a set schedule?** We do movie nights roughly twice a month. If there’s a popular TV show, we might have weekly viewing parties. We also host two dinners a month, usually back to back. This year, I’m hoping to offer private events, so it’s like, instead of *My Friend’s House*, it becomes *Your Friend’s House*. You and a group of friends can book a curated night where we cook, host, and plan activities for you. We can do this in your space or ours. It’ll depend on demand, but it’s something I’d like to introduce this year. **That sounds like a lot of fun. What do you hope people take away from their experience at *My Friend’s House*?** I hope people make new friends and enjoy a memorable evening. Ultimately, I just want them to feel like they’ve done something different, had fun, and experienced something new. It’s all about the connections. **I love that. It’s so comforting to know spaces like this exist. Thank you so much for your time, it’s been great talking to you.** **Image sources:** [**My Friend's House** ](https://www.instagram.com/myfriendshouse%5Fng/?ref=marmaladecollective.com)**and** [**Demilade**](https://www.instagram.com/demii%5Fak/?ref=marmaladecollective.com)**.** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Seun Kuti Tours the US, Formula One in Africa, Kitale Film Week Returns & The Last Ranger Goes to the Oscars URL: https://www.marmaladecollective.com/seun-kuti-tours-the-us-formula-one-in-africa-kitale-film-week-returns-the-last-ranger-goes-to-the-oscars/ Last updated: 2025-02-10T10:00:15.000Z **Welcome to Vol 121 of The Spread!** Hello and welcome to our new (and current) subscribers! The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. But before that… Big things are coming to Marmalade! We're kicking off [**Marmalade Member Mondays**](https://lu.ma/7ygelrfa?ref=marmaladecollective.com)—a virtual hangout to connect and share with our amazing community. Plus, our [**IRL Meetups launch in February**](https://www.marmaladecollective.com/whats-on-february-2025/), so get ready to link up in person! Also, if you've got something cool to share, our **Spotlight** section is open—reach out if you'd like to be featured in *The Spread!* And don’t forget—March is all about our **exclusive members-only events**, including **JAM** (the ultimate house party) and our **Homemade Supperclub.** Now, on to the real peel 👇 ###### FEATURE STORY ## 🏆 Tems Wins 'Best African Music Performance' at the 2025 Grammys ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_476060332_18049229660230496_5910521084061042744_n.jpg.webp) **Image Credit: Winaface/Instagram* Tems has done it again! The Nigerian singer just picked up her second Grammy, this time for Best African Music Performance, with her hit Love Me Jeje. The song is a nod to nostalgia, and cleverly reimagines Seyi Sodimu’s 1997 classic of the same name, blending old-school charm with Tems’ signature soulful touch. This marks Tems’ second Grammy win, following her Best Melodic Rap Performance award in 2023 for WAIT FOR YOU, her hit collaboration with Future and Drake. And even though she and Rema missed out on Best Global Music Album—which went to American artist Matt B for Alkebulan II—there’s no doubt that Afrobeats and African artists are taking up more space at music’s biggest night. The Grammys might still have a long way to go in fully recognizing African music’s depth and influence, but Tems’ back-to-back wins prove that she’s not just part of the conversation–she’s helping lead it. Tems is in her era, and the world is listening. [Read on OkayAfrica](https://www.okayafrica.com/tems-grammys-best-african-music/?ref=marmaladecollective.com) ## 🔥 Trending Stories - [**Seun Kuti & Egypt 80**](https://www.okayafrica.com/seun-kuti-us-tour-zamrock-remix/?ref=marmaladecollective.com) Announce US tour dates, *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_467578731_18259670911248003_5155586160040363329_n--1-.jpg) **Image Credit: Seun Kuti/Instagram* - [**Formula One on its way back to Africa**](https://www.bbc.com/sport/formula1/articles/cq8k55exqvko?ref=marmaladecollective.com) for the first time in 30 years, *via BBC Africa* - [**Kitale Film Week 2025**](https://akoroko.com/kitale-film-week-western-kenya/?ref=marmaladecollective.com) is bringing movie lovers around the world to Western Kenya, *via Akoroko* - [**Afro Nation Portugal 2025**](https://www.okayafrica.com/afro-nation-2025-tems-burna-boy/?ref=marmaladecollective.com)is coming, and it's lining up the biggest performances, *via OkayAfrica* - [**Tramaine Suubi releases her Debut Collection**](https://www.afrocritik.com/tramaine-suubi-talks-debut-collection-the-craft-of-poetry-and-the-art-of-literary-stewardship/?ref=marmaladecollective.com), and preaches the craft of poetry, *via Afrocritik* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_471841855_535010202858766_2919174821501419465_n.jpg) **Image Credit: Tramaine Suubi/Instagram* - Cindy Lee's South African short film, [**The Last Ranger, is taking Africa to the 97th Oscars**](https://culturecustodian.com/cindy-lees-the-last-ranger-keeps-africas-hopes-high-ahead-of-the-97th-academy-awards/?ref=marmaladecollective.com), *via Culture Custodian* - 10 [**African Fashion Events to Watch Out for in 2025**](https://www.afrocritik.com/10-african-fashion-events-to-watch-out-for-in-2025/?ref=marmaladecollective.com), *via Afrocritik* --- ## ⏳ Trivia Time ### What was the name of Seun Kuti’s first album? A) Africa With Fury: Rise B) Heavier Yet (Lays The Crownless Head) C) Many Things D) Black Times *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: Finding Beauty in the Ordinary: Kashope on Love, Photography and Community ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_470197929_18293745589237633_1347811660822087368_n-1-1.jpg) **Image Source: Kashope* Kashope Elijah Faje’s latest series focuses on portraying love in everyday scenarios, challenging the societal norms that equate romance with just luxury. Instead, Kashope captures love in its most accessible form—couples enjoying mundane moments, like doing chores or riding a bike, reminding us that love, much like photography, is often found in the ordinary. We explore how Kashope’s background, his connection to community, and his belief in collaboration have all contributed to his storytelling process. He shares his insights on creating authentic and heartfelt images, how working with a team brings his visions to life, and how he’s building a community of creatives around him. [Read & Share Guide](https://www.marmaladecollective.com/community-culture-and-collaboration-the-driving-forces-behind-mizizi/) --- ## What We're... 📰 **Reading:** Culture Custodian’s deep-dive into [**Shalom Obiago’s journey**](https://culturecustodian.com/shalom-obiago-is-authentically-himself/?ref=marmaladecollective.com) as an actor caught between two worlds. 🎧 **Listening to:** [**Netara**](https://open.spotify.com/track/6WTvdhvGXdSkOFd9UFhLA6?si=EgRmxtALTyu09Pjt%5F3qHBA&ref=marmaladecollective.com) by Fatoumata Diawara. 📺 **Watching:** How [**Bongo Flava Icon Alikiba and Ghanaian rapper Kofi Kinaata**](https://edition.cnn.com/2024/12/16/world/video/alikiba-kofi-kinaata-make-a-difference-african-voices-spc?ref=marmaladecollective.com) are using their star power to make a real difference. 🎟️ **Booking:** [**Basketmouth’s live show**](https://www.cokobar.com/events/3733/basketmouth-live-london-2025?ref=marmaladecollective.com) in London this Saturday. 👀 **Eyeing:** Hertunba’s new, and exclusive, custom [**Donda Mesh Dress**](https://industrieafrica.com/products/hertunba-donda-mesh-dress?%5Fpos=6&%5Ffid=8bbfe22a3&%5Fss=c&ref=marmaladecollective.com) ## Was this forwarded to you? Liked what you read? Don’t miss the next one. Subscribe now and join thousands of culturally curious readers staying ahead of the conversation. [Subscribe Now](https://www.marmaladecollective.com/subscribe/) --- ## 🧡 Member Spotlight: Get Featured ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Screenshot-2023-07-05-at-17.27.08-1.png) At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? We'd like to hear from you! **Want to be featured?** This is your space to share your journey, showcase your work, and inspire a community that truly sees you. 💌 ****Hit reply**, and we'll give your story the spotlight it deserves! --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Many Things** ### What's On This February? URL: https://www.marmaladecollective.com/whats-on-february-2025/ Last updated: 2025-02-07T13:00:18.000Z As we roll into February, we’re turning up the heat with community-focussed events and experiences that remind you *exactly* why you belong here. This month, it’s all about mapping where we’re headed *together*—because Marmalade isn’t just a platform; it’s a community built by *you*. So, whether you're joining our virtual hangout or can't wait to meet up in-person, we’ve got something sweet lined up for everyone. Let’s get into it 👇 --- _This post is for subscribers only._ ### Finding Beauty in the Ordinary: Kashope on Love, Photography and Community URL: https://www.marmaladecollective.com/finding-beauty-in-the-ordinary-kashope-on-love-photography-and-community/ Last updated: 2025-04-23T14:29:34.000Z ![audio-thumbnail](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/media/2025/02/Kashope_-Finding-Beauty-in-the-Ordinary-Through-Photography-and-Community_thumb.jpg) Podcast: Kashope on Love, Photography and Community 0:00 /958.88 1× Born into a family where photography was ever-present, Kashope Elijah Faje’s unique upbringing and exposure to different cultures shaped his ability to see beauty in the simplest of things. His latest series focuses on portraying love in everyday scenarios, challenging the societal norms that equate romance with just luxury. Instead, Kashope captures love in its most accessible form, couples enjoying mundane moments, like doing chores or riding a bike, reminding us that love, much like photography, is often found in the ordinary. We explore how Kashope’s background, his connection to the community, and his belief in collaboration have all contributed to his storytelling process. He shares his insights on creating authentic and heartfelt images, how working with a team brings his visions to life, and how he’s building a community of creatives around him. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/20250203_093501.jpg) [Kashope](https://www.instagram.com/thekashope/?ref=marmaladecollective.com) **Tell me a bit about your background, what's your journey been as a photographer?** My dad is Yoruba, and my mom is Igala, from Kogi State, and I was born in her village. But I grew up all over, moving between different states, and living with various family members. It was always my choice. My parents believed in letting me make my own decisions from a young age, so as long as it was safe, I could visit relatives and friends. Looking back, that freedom allowed me to experience the world early, learn about different cultures, and shape my own narratives. It gave me an eye for stories, but I didn’t realise how much of a foundation it laid for my approach to photography until much later. Family played a huge role, too. Photography was important in my household. All my aunties and uncles had their own personal digital cameras and camcorders, not professionally, just for fun. Every birthday, picnic, or family gathering was captured. I always had family photos packed in my suitcase whenever I travelled. My photography journey started like that, casual and personal. I went to the University of Benin to study dentistry, and in my first year, I had a Blackberry phone, taking pictures of my classmates and random moments. I loved it. Then, in my fifth year, a friend introduced me to photographers on Instagram who posted their work, from documentaries to portraits. That was the first time I saw photography as more than just capturing moments, it was an art form. I started sharing my photos online, mostly for posterity, asking myself, ‘What can I create that will last?’ I began learning photography on YouTube, watching tutorials to the point where I neglected my books, even during exams. My interest just spiked, and I couldn’t ignore it. At that time, I didn’t even have a camera yet, but I kept taking pictures with my phone, which had upgraded to an Android by then. I’d call up my friends, get them to dress up, and take photos. Eventually, with my savings and help from my mom, I bought my first camera, a Nikon D90\. I was so excited. Since I had already watched countless tutorials, using it wasn’t foreign to me. The moment I got the camera, I was off, taking pictures everywhere. I remember photographing traffic lights and snapping shots of the driver’s mirror while in a taxi back to school. I was just that thrilled. When I returned to school, I was still taking photos nonstop. One day, I saw a little girl and took her picture, edited it on my phone with Lightroom, and posted it. I didn’t even know how to use a laptop for post-production at the time, Photoshop seemed overwhelming as a beginner. But I was just doing my thing, sharing my work. Then, the guy who sold me the camera reached out. He saw the pictures I posted and told me I had a wedding to photograph, a traditional wedding. That was my first paid gig, and I earned 6,000 Naira. For me, it wasn’t about the money; it was just the fact that someone thought I was good enough to shoot their event. In a month, I was making about 20- 25 K. I wasn’t aiming to buy anything fancy, just to enjoy life a bit more, like getting ice cream whenever I wanted. I discovered there was a photography community at my university, and I joined. That community was instrumental in my growth. I learned that photographers could even make more than dentists, and I developed my skills. It was also helpful that I could borrow equipment like lights, softboxes, and reflectors from the community and lend whatever I had. Collaboration became key, and I started posting more, getting more clients, even some high-profile ones that came as a shock to me. Some clients would even provide high-end equipment for me, which helped me get more attention when I posted those images. One post that really stands out was a shot of a random Mercedes car I saw near where I lived. I posted the photos, and Mercedes themselves replied to my post, and that brought so much attention. I always tell young photographers: the best camera is the one you have right now. Yes, there’s a difference when you’re shooting with high-end equipment, but you have to start where you are. At the end of the day, we’re not magicians. We can only photograph what’s in front of us, and the subject matters just as much as the tools. Looking back, I can see God’s hand in my journey. Things just seemed to fall into place. I never had to struggle too much, and I knew deep down that this is exactly what I’m supposed to be doing. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/20250203_093508.jpg) **This is truly inspiring. I’d love to hear about your creative process, from the initial idea to executing the final shot. How do you develop your concepts and bring them to life?** I try to draw inspiration from things around me. I believe that, sometimes, we tend to think of the biggest, most complex ideas when it comes to creativity, and in doing so, we can overlook the simplicity and beauty right in front of us. If you're not paying attention to your surroundings, it becomes easy to miss those moments. For a while, I made the mistake of wanting to tell stories that felt distant, stories that didn’t resonate with me personally. But over time, I realised that the things around me, those unique, everyday experiences, are what make my work distinct. These are the things that will truly set me apart. Like Fela said, "I have to identify myself with Africa." Once I started embracing that mindset, my creative process shifted. Now, I approach every project as one cohesive body of work. Pre-production is essential, and there’s so much that goes into it, moodboarding, styling, makeup, hair, choosing the right locations and models. All these elements need to align with the story I want to tell. For example, I can't depict a simple love story in a skyscraper or an extravagant setting. Even if it’s editorial, everything must come together to tell the same story. The details matter because they support the overall vision. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_469781643_18293745139237633_2069190864168927665_n.jpg) A Lagos Love Story with [Hawa Magaji](https://www.instagram.com/hawa%5Fmagaji/?ref=marmaladecollective.com) and [Mike Afolarin](https://www.instagram.com/mikeafolarin/?ref=marmaladecollective.com) **So, how did the Love Stories series start?** The inspiration for the romance series came from noticing how romance is becoming highly monetised. These days, if it’s not a super expensive restaurant or the most extravagant outfit, it’s not deemed worthy of being posted on TikTok or Instagram. We forget that the average Nigerian doesn’t have access to these luxuries. Even secondary school students comment on my work, so I try to be intentional about the stories I tell because they travel far and influence narratives. I’m playing a role in showcasing Africa, and the question is: how do I do that in the best light? Sure, there’s always room for improvement, but we don’t need to demonise our stories. That’s the core inspiration behind everything I do now. How can I portray our simple stories in ways that look grand, that show joy? For the Love series, it’s the same. For the first one, I wanted to capture young lovers having fun in a simple, everyday way, just chilling, playing games, doing simple chores. Then, for the bike romance, it’s a concept every Nigerian is familiar with. The location was a simple red container as a background, and the right styling and models made the difference. **You mentioned there are a lot of things that go into it, from location to casting, makeup, and styling. How important would you say your community or your team of collaborators are?** People see pictures and can easily give all the credit to the photographer, but it’s not just about the photographer. As a photographer, having a team that understands your vision makes all the difference. I always seek to collaborate with the best minds because if I have a vision and don’t have the right people to interpret it, it’s not going to turn out well. For the bike shoot, it was my first time working with [Senami, the stylist](https://www.instagram.com/stylesenami/?ref=marmaladecollective.com). I didn’t have any prior relationship with her. I just liked her work, reached out, shared my vision, and she loved it and was willing to work with me. I’ve learned not to stick with familiar people for convenience but to work with people whose work I admire. I’m grateful to God for giving me a good mind to come up with ideas and a good eye to spot angles and the right people to work with. But I also recognise my limits, I’m not a stylist, makeup artist, or hairstylist. So when I need things done, I make sure to seek out the best people. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_469978075_18293736865237633_5801370006625834373_n.jpg) Flower shop with [Saskay](https://www.instagram.com/officialsaskay/?ref=marmaladecollective.com) **You’ve shared experiences about your community from your university days, and now you’re advising younger photographers on the importance of community. How has the community influenced your work?** Community is essential because no one can do anything alone, right? There’s a saying: "If you want to go fast, go alone. If you want to go far, go together." Right from the start, the community has been important. I worked with the right people early on. As my brand grows, I’m trying to accommodate more people, bringing interns into the studio, for example. I’ve moved from being dependent on a community to building one myself. I’m training people, and it impacts me as much as it does them. Community has also helped with personal collaborations. Many people don’t realise that personal projects can be costly for photographers. But with the support of my community, we pool our resources, often just covering the location, logistics, and refreshments, and everyone contributes their best to the project. So yes, having a strong community makes it easier to execute my vision. When I have a shoot, I immediately think of three, four, or five names for styling, makeup, or hair. It’s helped my work tremendously. But trust me, collaborating in Lagos is difficult. It’s not just about building a network, it’s about maintaining those relationships, listening to everyone’s opinions, and making sure they feel included. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_473534902_915327520716790_7994034257967698505_n.jpg) Lagos Bike Romance with [Nabila Yakubu ](https://www.instagram.com/nabila.yakubu/?ref=marmaladecollective.com)and [Davou Pwajok ](https://www.instagram.com/thefrenchman%5F%5F/?ref=marmaladecollective.com) **You're absolutely right about the power of collaboration, when everyone’s on the same page, the result can be truly beautiful. Speaking of love stories, I wanted to ask about your preparation process. You often photograph weddings, so you're familiar with capturing intimate moments, and also with your current series focused on everyday routines, how do you approach those subtle, intimate moments? What’s that process like?** The way I approach photographing intimate moments really starts with pre-production. Like I always tell my photographers, 70% of the work is done before you even get to the shoot. If you have the right people working with you, the images naturally turn out great. Take Mike and Hawa's shoot, for example. They had never met before the session. But I had met both of them separately and knew they were individually amazing, easy-going, and great to work with. I had a gut feeling that they would click on set. No magic can create chemistry if it’s not there, but for them, it just happened. They were comfortable, the goal was to have fun, and that’s exactly what they did. Another approach I take is to keep the vibe on set very warm and chatty. I’ll say things like, "Your makeup looks amazing," or "You look beautiful, don't worry about it, this is going to be easy." It helps build the confidence of whoever I’m shooting, whether it's a solo subject, a couple, or people who are meeting for the first time. That relaxed energy allows them to let go of any anxiety and bring out positive vibes. And then, of course, there’s music. I always make sure we have good music playing; it sets the mood, especially if we’re aiming for a romantic vibe. It doesn’t make the shoot effortless, but it definitely helps us get on the right track. **I love that approach. Now, you have a few exciting projects in the works, like reimagining Bible characters and continuing your love series. What’s next for you, and what ideas are you excited to explore?** For this love series, I’m really interested in combining music and African culture with romance. I’m focusing on three of Nigeria's major tribes, and the plan is to showcase each tribe with a traditional musical instrument that’s unique to them, and have the subjects play those instruments for their partners. Beyond that, I’m working on a series featuring sportswomen, which is something I’m excited about. But the Bible characters project is the one that’s really challenging me the most. It’s a big one, and I feel like it's going to push me creatively in new ways. **That all sounds so exciting! I can’t wait to see how these projects unfold.** **Images via** [**Thekashope** ](https://www.instagram.com/thekashope/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 1-54 African Art Fair in Morocco, AfroFuture US Debut, Togo YEYE x Vlisco Collab + More URL: https://www.marmaladecollective.com/1-54-african-art-fair-in-morocco-afrofuture-us-debut-togo-yeye-x-vlisco-collab-more-2/ Last updated: 2025-02-03T10:00:57.000Z **Welcome to Vol 120 of The Spread!** If you’re new here, welcome, you’re in good company. If you're not, welcome back, we hope you missed us. **We’re kicking off our first newsletter of the year with some exciting new updates!** In addition to your weekly roundup of Africans making waves in global news and mainstream culture, we’re launching Marmalade Member Mondays–bi-weekly virtual events, and hosting IRL Meetups starting in February. And that’s not all! 🗓️ Mark your calendars for our exclusive quarterly events, including the ultimate house party experience, ****JAM, and our intimate Homemade Supperclub, coming in March**. (But these events are just for paid members, so don’t miss out!). [***Discover more**](https://www.marmaladecollective.com/whats-next-marmalade-in-2025/) Now, on to the real peel... ###### FEATURE STORY ## 🇳🇬 Nigerians Nominated For The 67th Grammy Awards ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/FTN_Davido_Hero_1644x925.jpeg) **Image Courtesy of Grammys* The Grammys have come and gone (again), and just like last year, it was another moment for Nigerian music in the global spotlight. Even though 2024 wasn’t exactly the most groundbreaking year for Afrobeats internationally, the nominations told a different story. Eight Nigerians, including heavyweights like **Burna Boy, Wizkid, and Davido, secured a spot** on the list, and even more impressively, **Tems made history** as the first Nigerian artist nominated in a major category: Best R&B Song. Also worth celebrating, was **Rema’s genre-blending HEIS** which stood out as a top contender for Best Global Album. And with **Trevor Noah returning as host**, the night was packed with unforgettable moments, cementing Afrobeats' place on music’s biggest stage. [Read on Culture Custodian](https://culturecustodian.com/nigerians-nominated-for-the-67th-grammy-awards-and-their-winning-prospects/?ref=marmaladecollective.com) ## 🔥 Trending Stories - The [**1-54 African Art Fair is coming to Morocco**](https://www.okayafrica.com/1-54-contemporary-art-fair-marrakech/?ref=marmaladecollective.com), *via OkayAfrica* - [**AfroFuture's 2025 Calendar**](https://travelnoire.com/afrofuture-2025?ref=marmaladecollective.com) is bringing African culture to the US for the first time ever, *via TravelNoire* - [**M.A.D Solutions announces new project**](https://thenativemag.com/m-a-d-solutions-unveils-m-a-d-solutions-for-creators-in-partnership-with-youtube/?ref=marmaladecollective.com), M.A.D Solutions for Creators, in partnership with YouTube, *via Nativemag* - Tomi Adeyemi’s [**“Children of Blood and Bone” is getting a big screen adaptation**](https://www.okayafrica.com/children-blood-bone-film-coming/?ref=marmaladecollective.com); here's everything we know about it, *via OkayAfrica* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_258223076_638276410870161_6703971361400275240_n.jpg) **Image Source: Tomi Adeyemi/Instagram* - Johannesburg’s second-oldest bar, [**Kitchener's Carvery Bar, is re-opening its doors**](https://www.glamour.co.za/lifestyle/castle-lager-brings-new-energy-to-braamfontein-with-kitcheners-b778e8bf-bc60-4998-bd4d-081e0648f88f?ref=marmaladecollective.com) in a new partnership with Castle Lager and Play Braamfontein, *via Glamour SA* - Togolese art collective [**Togo Yeye’s stunning visuals**](https://www.okayafrica.com/togo-yeye-vlisco-collaboration/?ref=marmaladecollective.com) are finding a new home with Vlisco collab, *via OkayAfrica* - Ghana's [**Kojo Kingsley Schindler teams up with Dutch brand The Daily**](https://rollingstoneafrica.com/culture/fashion-features/fashion-and-football-collide-as-kojo-kingsley-schindler-teams-up-with-daily-paper/?ref=marmaladecollective.com), in perfect blend of fashion and football, *via Rollingstone Africa* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_464938997_517793921406345_2530879132470420024_n.jpg) **Image Source: Kojo Kingsley Schindler/Instagram* --- ## ⏳ Trivia Time ### Who is set to play a live action Zélie in the upcoming Children of Blood and Bones movie? A) Amandla Stenberg B) Tosin Cole C) Thuso Mbedu D) Dominique Fishback *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 Guide: This Founder Turned His Struggle With Identity Into A Global Movement ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/SaveClip.App_464467064_18465118393052707_1068128314659192867_n.jpg) **Image Courtesy of Paakow Essandoh* When you think of sportswear, it’s easy to focus on performance or style—but MIZIZI takes it a step further, fusing fashion with cultural identity. Founded in 2015 by Paakow Essandoh, MIZIZI is a global sportswear brand that’s all about celebrating African roots and creating a deeper connection for the African diaspora. The brand’s name, which means "roots" in Swahili, speaks to its mission: reminding people of their cultural origins and allowing them to proudly express that through fashion. In this conversation with Paakow, we dive into his journey, experiences and the brand’s mission to highlight cultural identity. [Read & Share Guide](https://www.marmaladecollective.com/community-culture-and-collaboration-the-driving-forces-behind-mizizi/) --- ## What We're... 📰 **Reading:** Myah Ariel’s breathtaking romance fiction, [**“No Ordinary Love”**](https://www.cosmopolitan.com/entertainment/books/a63411931/myah-ariels-no-ordinary-love-excerpt/?ref=marmaladecollective.com) 🎧 **Listening to:** [**So It Goes**](https://open.spotify.com/album/5NcIQDB0iObPQx5U3K0OoC?si=8kbb1rlnQCWei50OADfJ1g&ref=marmaladecollective.com), by Black Sherif and Fireboy DML. 📺 **Watching:** [**Perfect Woman**](https://youtu.be/0yp1bp4w0Fc?si=jwdHR%5F55%5Fz5LwIg8&ref=marmaladecollective.com), a short film about sisterhood, survival and the realities of cervical cancer. 🎟️ **Booking:** Jamming at London’s ultimate African Electronic Music experience: [**Jika Fridays**](https://ra.co/events/2077119?ref=marmaladecollective.com), hosted by Egg London 👀 **Eyeing:** The iconic hand-embellished [**Zaza Bag by Onalaja**](https://industrieafrica.com/products/purple-zaza-large-bag?ref=marmaladecollective.com) ## Was this forwarded to you? Liked what you read? Don’t miss the next one. Subscribe now and join thousands of culturally curious readers staying ahead of the conversation. [Subscribe Now](https://www.marmaladecollective.com/subscribe/) --- ## 🧡 Member Spotlight: Get Featured ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/02/Screenshot-2023-08-07-at-10.35.31.png) At Marmalade, we believe in celebrating all the incredible voices that make our community thrive. Are you a creative shaking up the scene, an entrepreneur building something bold, or a culture enthusiast with a story or two to tell? We'd like to hear from you! Want to be featured? This is your space to share your journey, showcase your work, and inspire a community that truly sees you. 💌 ****Hit reply**, and we'll give your story the spotlight it deserves! --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [**Advertise**](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [**Instagram**](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [**LinkedIn**](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 **Reply** to this email - 👨🏾‍💻 [**Speak to us**](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project --- ###### AD ## 🔑 Unlock More with Premium Membership A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Thuso Mbedu** ### Community, Culture, and Collaboration: The Driving Forces Behind MIZIZI URL: https://www.marmaladecollective.com/community-culture-and-collaboration-the-driving-forces-behind-mizizi/ Last updated: 2025-04-23T14:23:15.000Z ![audio-thumbnail](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/media/2025/02/MIZIZI_-Culture--Community--and-Collaboration-in-Sportswear_thumb.jpg) Podcast: Paakow Essandoh on The Driving Forces Behind MIZIZI 0:00 /585.4 1× When you think of sportswear, it’s easy to focus on performance or style, but MIZIZI takes it a step further, fusing fashion with cultural identity. Founded in 2015 by Paakow Essandoh, MIZIZI is a global sportswear brand that’s all about celebrating African roots and creating a deeper connection for the African diaspora. The brand’s name, which means "roots" in Swahili, speaks to its mission: reminding people of their cultural origins and allowing them to proudly express that through fashion. At just 20, while pursuing a degree in health science at the University of South Florida, Paakow started what has now become a movement that transcends traditional clothing lines. MIZIZI isn’t just about jerseys or streetwear, it’s about connection, celebration, and representation. The brand has grown significantly under Paakow’s leadership, collaborating with major platforms like Forbes and Vogue while becoming the go-to streetwear brand for people across the diaspora. In this conversation with Paakow, we dive into his journey, experiences and the brand’s mission to highlight cultural identity. **Growing up between Ghana and the U.S., how did your cultural experiences shape your identity and influence your journey?** It's been tough. From a young age, I never felt like I was Ghanaian enough for Ghanaians or American enough for Americans; I couldn't fit in all the way. I realised that at a young age, I kind of turned it into a superpower where I would do my best to adapt to the audiences that I was around. And it was a way for me to fit in and build community. As I've gotten older and especially with building MIZIZI, I've learned the power of accepting different facets of your identity and knowing and recognising that we're layered and that we're diverse. There's no static identity, it's just a collage of all these different ones. And yeah, I've turned it into a superpower, and it has allowed me to communicate and work with communities from all over the continent, whether it be South Africa or Ethiopia or wherever the case may be. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/01/SaveClip.App_464467064_18465118393052707_1068128314659192867_n.jpg) Paakow Essandoh **I understand the need to camouflage when you get to certain areas but I think that these are experiences that come together in the future and you're able to build on.** **So what would you say were some of your passions and interests at the time when you were growing up and how it has now, transferred into what you do at the moment?** It's hard because I wouldn't say that MIZIZI stemmed from any hobbies of mine. A bit of background: I'm an only child of a single parent. It's always been just me and my mum, and we've bounced around from state to state, and in each of the different locations that we lived in, I've learned to be really independent. And since then, I've always founded or started new businesses, which have been a little lucrative. I liked to start different things, whether it was selling magazines at school or selling candy or a trash service at my apartment where we were living in Texas. And I had a small background in fashion in high school. I used to do a lot of graffiti, and I turned one design into a t-shirt. Throughout that process, I learned a lot about fabrics, prints, and price points. By the time I got to USF and went to Florida for college, I was going down a route for pharmacy, but I truly wasn't happy. And it was actually a Kenyan who convinced me to lean more into my entrepreneurial self. If you know anything about Kenyans, they can be very endeavorous people, and he showed me that it's okay to take a path less travelled. So it was just having those backgrounds where I've started small businesses here and there and having knowledge on printing on shirts, the price points, and what the cost would need to be in order to start something in regards to a clothing line or fashion brand. I decided to lean into it after that freshman year and nine years later it's evolved into what it is today. **We know sports are a really big deal in Africa, football, etc. It’s great to see that representation of the African roots and the culture, but what role does your personal connection with Ghana and the diaspora play within your designs and your brand in general?** I think that MIZIZI gave me an outlet to connect deeper with my Ghanaian roots. Growing up in different states, although my mom spoke Twi *\[a popular Ghanaian language\]* at home, I'm just going to call it what it is, I rejected my culture in the beginning. And it wasn't until I got older that I started accepting myself more and becoming more and more proud of it. So MIZIZI has allowed me to connect with Ghanaians deeply, making them proud of me. I feel accepted more, and I have built that community that I didn't necessarily feel like I had while I was growing up. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/01/SaveClip.App_469085704_17901293907087703_4636472956436662883_n.jpg) **That makes sense. How do you keep that cultural significance fresh and authentic in every drop or every collection?** I get a little obsessive when it comes to finding cultures. Whenever we decide on a country that we're going to explore, I try to really learn what I can about the current pop culture, the history, and how one thing became what it is today. And at the end of the day, it's really just talking to people that are from these countries, getting to actually know them, learning about them, their histories, their families, going to events with them, sharing food and breaking bread with them. You have to be a genuine friend and appreciate these cultures in order for it to translate authentically through the content, the designs and the visuals that we put out for each campaign. It all starts with just taking an interest in the culture and then doing absolutely everything that you can to learn about it, to appreciate the small aspects, to where you finally get deep enough to learn their inside jokes and their easter eggs, every culture has those. And we try to make sure that we're reflecting that within how we're talking about or just going about the campaign, so that people can truly feel seen, and it doesn't feel like we're just appropriating their culture. **That makes perfect sense. And it even bleeds into what I wanted to mention next, that you often highlight significant movements in your jerseys, like the Mattar blue jersey for Sudan. So, how do you see these drops or collections or see fashion in general as a tool for supporting social change and honouring these moments?** Being transparent, we can do a better job of highlighting different movements. In the past, navigating some of these lines has been tricky because when you're trying to represent an entire culture, you recognise there are multiple sides and multiple nuances in conflict, to begin with. So we've tried to take a more neutral approach, but still show that we do have a stance and wrong is wrong, and injustice anywhere is an injustice at home. We try to make sure that we're still supporting, and we're still on the right side of history, but I'm not going to act like we've done the loudest job that we possibly could. We've faced a bit of backlash in the future or in the past regarding some campaigns that, although they were supposed to be representing the entire diaspora or representing something for an entire country, the root of some of these conflicts is tribal. So when you pick a side, it comes off as picking one person over another. **Seeing as countries in Africa are very diverse, with different tribes and different opinions, I see how that could be a problem. How do you plan on navigating that going forward?** I think we've told ourselves that for any movement or any political conflict that we get behind, we want to make sure that we're well-researched before we take a loud stance on it. And doing more to talk to people from these communities so that we're getting nuanced opinions and the true perspective as opposed to one perspective, which may be loudest on social media. But at the end of the day, it all boils down to talking to people and actually getting to know them, getting to know why they feel the way they do, so that you're able to see what may not necessarily always be displayed online. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/01/SaveClip.App_371275639_18367038553068263_3007978250219547894_n.jpg) **I see this as a learning curve or a learning experience for the brand and for yourself. What other learning experiences have you had as an entrepreneur with your brand or with any other work you've done in the past?** I think in the beginning, we were trying to release as many jersey designs for as many countries as possible. And when you try to do that and when you rush things, they don't come out as quality as they could. I think early in MIZIZI’s journey, that was the approach that we had taken. Because of this, we've made mistakes. We've not fully appreciated the entirety of cultures, or we just come from a tone-deaf perspective. As we've grown older, we've recognised the importance of actually getting the community involved anytime we're rolling out these campaigns which includes talking to them, getting ideas, including their work with their approvals, working with different designers and getting their feedback or design perspective on how one thing may look as opposed to another. And truly befriending people from these communities. What it all comes down to is how you can connect with someone on a deep enough level that the work you put out makes them feel seen. And I think as we've gotten older, we've gotten better at doing so. The only flaw is that it's forced us to take a slower approach to some of our rollouts. I'd rather make a small group happy and feel like they're truly seen, versus a large group that just accepts something that's mid or subpar just because they're trying to ride a hype wave or trend. **So, for you as an entrepreneur, what are some of the lessons you'll say you've learned?** I've learned that communication is literally everything. Businesses are just people to people, and people do business with people that they like. You have to talk to your customers, you have to talk to your team, you have to have talks with yourself and make sure that you're coming from a stable or just an unbiased place or perception. Growing up as an introvert, I would shy away a lot from putting myself out there, having those hard conversations or even speaking in general. So with entrepreneurship, it's kind of forced me to grow into that role where I'm okay with speaking to people. I'm okay with sharing my mind, my thoughts, and my opinions so that I'm able to get a more fruitful and well-rounded perspective back, especially when I am rolling out products that represent different types of cultures and different types of people. And all that to say, it all truly boils down to the communication and the depth of the conversations that you're having. **It's super important. I mean, that's why we're having such conversations. I know you've worked with a couple of brands and global platforms like HypeBeast. How do you think collaborations help your brand and the impact you want to have within Africa and the diaspora?** The power of collaborations is that you're able to leverage each other's reach. Working with different companies that may have a bigger speaker phone to amplify a message, you're able to help portray those stories or those cultures to a louder audience or a louder network, versus one that may just be your own. I truly think that's the power of collaborations. It allows you to tap into larger markets and tell those stories with help. And I recognise that with MIZIZI, I want to continue this. Although it's been a few years since we had our last collaborations, we've actually been talking to a few companies to see what we can do about amplifying some of those lesser-known stories so that African stories can be told on a global scale with genuine African input in them. **I love that. What new collaborations, projects or collections are you excited about this year or next year?** I can't share the names of the collaborations that we have yet, but I will say we're talking to companies within the sports, music and travel industries. All to help tell African stories on a larger scale. And ultimately, as we look towards 2026 and 2028 with the World Cup and the Olympics coming to the States, we're going to see what we can do to get involved. For new collections, something is coming this year. We’ve got something in the works. **That's exciting. Last one, if you could choose any creator or designer in fashion, music, art, or film, who could be dead or alive, to collaborate with, who would it be?** I’m mostly inspired by my peers. I learned that your heroes are still people at the end of the day. It's the people that I keep around me that are truly inspiring me. And I want to give a shout-out to, we're not blood, but he's my little brother. His name is [Aaron Lawson.](https://www.instagram.com/aaronlwsn/?hl=en&ref=marmaladecollective.com) He's an incredible kid. He's one of the most talented cinematographers that I've met. His work ethic always shows me "All right, keep it up, keep working harder." So yeah, I think that Aaron is one. He's younger, but I learn so much from him all the time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2025/01/SaveClip.App_469730749_18454045939068263_6759986851648873006_n-1.jpg) **I love that. Shows even more, the power of community. Lastly, what's in store for the future at MIZIZI?** I would just say just be on the lookout. we've had to have some internal changes, some structural changes, but we're working. As we're getting older, we may not necessarily always have jerseys available for every country. So this year we're really trying to hone hard on customisations and allowing people to get those one-of-one designs for their country so that they too can feel represented regardless of where they're at and where they're from. **That's really nice. Thank you very much, Paakow. It’s been a pleasure speaking to you.** **Images credit:**[ **MIZIZI shop**](https://www.instagram.com/mizizishop/?hl=en&ref=marmaladecollective.com) **and** [**Paakow Essandoh**](https://www.instagram.com/paakowessandoh/?ref=marmaladecollective.com) ### What’s Next: Marmalade in 2025 URL: https://www.marmaladecollective.com/whats-next-marmalade-in-2025/ Last updated: 2025-01-05T18:00:51.000Z Happy New Year from all of us at Marmalade! As we step into 2025, we’re filled with excitement and purpose, thanks to you—our vibrant and ever-growing community. This year, we’re doubling down on what makes Marmalade unique... _This post is for subscribers only._ ### DÒDÒ x Kneluchii: End of Year Soiree URL: https://www.marmaladecollective.com/dodo-x-kneluchii-end-of-year-soiree/ Last updated: 2024-12-28T15:16:22.000Z Come celebrate with us as we close the year in style with an unforgettable soiree. Expect signature DÒDÒ cocktails, delicious bites, music and good vibes as we toast to an incredible year and an even brighter new year. _This post is for subscribers only._ ### Marmalade 2024 Wrapped & 2025 Unwrapped ✌️ URL: https://www.marmaladecollective.com/2024-wrapped-2025-unwrapped/ Last updated: 2024-12-23T10:00:58.000Z As we close the chapter on 2024, I wanted to take a moment to connect with you, reflect on what we’ve achieved together as well as share an exciting glimpse into what’s ahead for 2025. _This post is for subscribers only._ ### 🥃 DÒDÒ Diaries #10 URL: https://www.marmaladecollective.com/dodo-diaries-10/ Last updated: 2024-12-17T18:01:07.000Z Don’t be that person scrambling on Christmas Eve. To guarantee delivery in time for the big day, make sure you order by midnight tomorrow (18th December). _This post is for subscribers only._ ### Asake Leads Streams, Davido Drops ‘Funds’, Wizkid Wows, Dakar & Design Shine URL: https://www.marmaladecollective.com/asake-leads-streams-davido-drops-funds-wizkid-wows-dakar-design-shine/ Last updated: 2024-12-09T10:00:15.000Z **Welcome to Vol 119 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) Now, on to the real peel... ## 🔥 Trending Stories - [**Asake is 2024’s Most Streamed Artist**](https://www.okayafrica.com/spotify-wrapped-sub-saharan-africa/?ref=marmaladecollective.com) in Sub-Saharan Africa on Spotify *via OkayAfrica* - How the [**Detty December homecoming**](https://www.cosmopolitan.com/uk/beauty-hair/hair/a63065797/detty-december-hair/?ref=marmaladecollective.com) Became a Hair Pilgrimage for UK Nigerians *via Cosmopolitan* - [**Olorunfemi Adewuyi's**](https://www.wallpaper.com/design-interiors/emerging-designer-olorunfemi-adewuyi?ref=marmaladecollective.com) Community-Oriented Design Honours Local Culture and Tradition *via Wallpaper* - [**Davido Sets Up Upcoming Album**](https://www.okayafrica.com/davido-new-single-funds/?ref=marmaladecollective.com) with New Single, “Funds” *via OkayAfrica* - [**Dakar, Senegal**](https://www.cntraveler.com/story/dakar-senegal-solo-travel?ref=marmaladecollective.com), Is the Best Destination You Don't Have on Your List Yet *via Condé Nast Traveler* - [**DJ Tunez, Wande Coal, and Libianca**](https://rollingstoneafrica.com/music/music-news/dj-tunez-wande-coal-libianca-promiscuous-girl/?ref=marmaladecollective.com) Team Up for Flirty New Single, ‘Promiscuous Girl’ *via Rollingstone Africa* - [**Wizkid’s “Troubled Mind” Performance**](https://www.bellanaija.com/2024/12/wizkid-troubled-mind-performance-bfa2024/?ref=marmaladecollective.com) at the British Fashion Awards Was Everything *via BellaNaija* --- ## ⏳ Trivia Time Which Asake album, released in 2022, solidified his place as a breakout star with hits like "Terminator" and "Joha"? A) Mr. Money With The Vibe B) Ololade Asake C) YBNL Vibes *Scroll to the very bottom for the answer.* --- ###### EXPERIENCES BY MARMALADE ## The Ultimate Restaurant Guide for Detty December in Lagos 2024 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/12/The-Ultimate-Restaurant-Guide-for-Detty-December-in-Lagos.png)](https://www.experiencesbymarmalade.com/ultimate-restaurant-guide-for-detty-december-in-lagos-2024/?ref=marmaladecollective.com) Welcome to the ultimate restaurant guide for Detty December in Lagos. Lagos isn’t just about vibrant nightlife and buzzing streets—it’s also a culinary wonderland ready to tantalise your taste buds From the trendy rooftops of Victoria Island to the cozy nooks of Lekki and Ikoyi, this guide takes you on a delicious journey through these must-visit spots. Whether you’re craving bold Nigerian flavours, fresh seafood, or exotic fusion dishes, there’s a perfect restaurant waiting to make your December truly unforgettable. [Read & Share Guide](https://www.experiencesbymarmalade.com/ultimate-restaurant-guide-for-detty-december-in-lagos-2024/?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [Nigeria’s biggest tech companies choose Ikoyi](https://techcabal.com/2024/11/16/ikoyi-top-choice-for-big-tech-offices/?ref=marmaladecollective.com) 🎧 **Listening to:** [Iseoluwa by Fireboy DML](https://open.spotify.com/track/36GYWNzc0MwGSSmXZLP6bX?si=4ca73ac13cc94b0e&ref=marmaladecollective.com) 📺 **Watching:** [Ghanaian singer King Promise champions African music on the global stage](https://edition.cnn.com/2024/11/02/world/video/king-promise-ghana-music-avcm-spc?ref=marmaladecollective.com) 🎟️ **Booking:** [The All Nigerian Pub Quiz Presents: The Christmas Games and Trivia Night](https://www.eventbrite.com/e/the-all-nigerian-pub-quiz-presents-the-christmas-games-and-trivia-night-tickets-1078111744249?fbclid=PAZXh0bgNhZW0CMTEAAaZCS-nfLC3sJTAgv1wkKiqzCS-vF%5FcrhrBnmrkjwz2rfNWxYpTVvlPngA4%5Faem%5FDCX4KmggRqFceXNizqfjig&ref=marmaladecollective.com) 👀 **Eyeing:** [Free The Culture: HF x FTY](https://www.instagram.com/p/DDIFQ%5FnygTI/?hl=en&ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Mr. Money With The Vibe** ### Tosin Oshinowo Leads African Architecture, AI Bridges Gaps, Cape Town Fashion Thrives URL: https://www.marmaladecollective.com/tosin-oshinowo-leads-african-architecture-ai-bridges-gaps-cape-town-fashion-thrives/ Last updated: 2024-12-02T10:00:23.000Z **Welcome to Vol 118 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) Now, on to the real peel... ## 🔥 Trending Stories - Tosin Oshinowo: [**Redefining African Architecture**](https://www.archdaily.com/1024037/tosin-oshinowo-redefining-african-architecture-through-context-and-collaboration?ref=marmaladecollective.com) Through Context and Collaboration *via Arch Daily* - Bridging the Gap: [**AI’s Potential in Africa’s**](https://www.theatlantic.com/sponsored/google/ai-in-africa/3923/?ref=marmaladecollective.com) Data Desert *via The Atlantic* - [**Cape Town Fashion Week**](https://www.iol.co.za/the-star/news/cape-town-fashion-week-showcases-africas-finest-designers-and-cultural-heritage-1261fbb3-2de2-4994-a265-e30173a6ce56?ref=marmaladecollective.com) Showcases Africa’s Finest Designers and Cultural Heritage *via iOL* - How a [**Ghanaian Brand Became a Pioneer**](https://flipboard.com/topic/westafrica/how-a-ghanaian-brand-became-a-pioneer-in-streetwear/a-l9O5BEtjQoKVZfJsgyfIMA%3Aa%3A3615596048-5e65d5bade%2Fflipboard.com?ref=marmaladecollective.com) in Streetwear *via DW English* - [**Yemi Alade Performs Special Rendition**](https://edition.cnn.com/2024/11/29/world/video/yemi-alade-grammy-tomorrow-african-voices-spc?ref=marmaladecollective.com) of Her Grammy Nominated Song "Tomorrow" *via CNN* - [**Taiba Akhuetie**](https://theface.com/beauty/taiba-akhuetie-interview-clothes-hair?ref=marmaladecollective.com) is The Visionary Crafting Clothes Out of Hair *via The Face* - AI Could Understand Several [**African Languages**](https://www.okayafrica.com/ai-african-languages/?ref=marmaladecollective.com) Very Soon *via OkayAfrica* --- ## ⏳ Trivia Time Which breakout single by Pa Salieu, released in 2020, catapulted him to fame and showcased his unique fusion of rap and Afro-influenced sounds? A) My Family B) Frontline C) Energy *Scroll to the very bottom for the answer.* --- ###### EXPERIENCES BY MARMALADE ## The Ultimate Restaurant Guide for Detty December in Lagos 2024 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/12/The-Ultimate-Restaurant-Guide-for-Detty-December-in-Lagos.png)](https://www.experiencesbymarmalade.com/ultimate-restaurant-guide-for-detty-december-in-lagos-2024/?ref=marmaladecollective.com) Welcome to the ultimate restaurant guide for Detty December in Lagos. Lagos isn’t just about vibrant nightlife and buzzing streets—it’s also a culinary wonderland ready to tantalise your taste buds From the trendy rooftops of Victoria Island to the cozy nooks of Lekki and Ikoyi, this guide takes you on a delicious journey through these must-visit spots. Whether you’re craving bold Nigerian flavours, fresh seafood, or exotic fusion dishes, there’s a perfect restaurant waiting to make your December truly unforgettable. [Read & Share Guide](https://www.experiencesbymarmalade.com/ultimate-restaurant-guide-for-detty-december-in-lagos-2024/?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [Nataal exclusive](https://nataal.com/yoshita-1967?ref=marmaladecollective.com): Anil Padia launches Yoshita 1967 with a sensorial journey through his Indo-Kenyan heritage 🎧 **Listening to:** [New Song “King Steps” by Disclosure and Pa Salieu](https://www.youtube.com/watch?v=6WKiWV4skJg&ref=marmaladecollective.com). A UK garage–influenced collaboration between the electronic duo and British Gambian rapper 📺 **Watching:** [Then Comes the Body](https://psyche.co/films/nigerias-first-ballet-school-brings-tutus-and-joy-to-the-streets-of-lagos?ref=marmaladecollective.com) \- a short documentary about Nigeria’s first ballet school bringing tutus and joy to the streets of Lagos. 🎟️ **Booking:** ["The African Decor Edit" London Book Launch with Nasozi and Kemide Lawson](https://www.eventbrite.com/e/the-african-decor-edit-london-book-launch-with-nasozi-and-kemide-lawson-tickets-1071551582629?ref=marmaladecollective.com). 👀 **Eyeing:** [Emmy Kasbit FW24](https://emmykasbit.com/product-tag/fw24/?ref=marmaladecollective.com). Renowned for their innovative designs and cultural resonance, Emmy Kasbit once again takes center stage, with their distinct aesthetic. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Frontline** ### Wizkid Drops Album, Tyla at Coachella, African Films Eye Oscars 2025 URL: https://www.marmaladecollective.com/wizkid-drops-album-tyla-at-coachella-african-films-eye-oscars-2025/ Last updated: 2024-11-25T10:00:45.000Z **Welcome to Vol 117 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎁 We know how much ****you love DÒDÒ**, but isn’t it ****time to share the love**? Whether it’s for that friend who loves plantains, the rum connoisseur in the family, or a secret Santa you really want to impress, we’ve got ****the perfect gift** to make their holidays extra special. [****Limited stock available**](https://www.drinkdodo.com/?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - Five Takeaways From [**Wizkid’s New Album**](https://www.okayafrica.com/wizkid-morayo-takeaways/?ref=marmaladecollective.com), ‘Morayo’ *via OkayAfrica* - Brit Awards Unveil [**Striking New Trophy Design**](https://www.standard.co.uk/showbiz/gabriel-moses-brit-awards-trophy-design-b1195446.html?ref=marmaladecollective.com) for 2025 Crafted by British-Nigerian Artist *via The Standard* - [**Tyla to Perform at Coachella**](https://www.okayafrica.com/tyla-at-coachella-2025-amapiano-takes-the-world-stage/?ref=marmaladecollective.com) 2025: Amapiano Takes the World Stage *via OkayAfrica* - This [**Nigerian Artist**](https://www.khaleejtimes.com/lifestyle/this-artist-moved-to-dubai-from-uk-to-promote-african-art?ref=marmaladecollective.com) Moved to Dubai from UK to Promote African Art *via Khaleej Times* - The [**Colourful Surf Town In Morocco**](https://www.islands.com/1717026/taghazout-morocco-colorful-surf-town-endless-beaches-mountain-valley-oasis/?ref=marmaladecollective.com) With Endless Beaches And Majestic Mountain Views *via Islands* - These [**African Films**](https://www.okayafrica.com/african-films-oscars-2025/?ref=marmaladecollective.com) Are Vying for Nominations at the 2025 Oscars *via OkayAfrica* - The [**Best Places to Go in Africa**](https://www.cntraveller.com/article/best-places-to-go-in-africa-2025?ref=marmaladecollective.com) in 2025 *via Conde Nast Traveller* --- ## ⏳ Trivia Time Which Wizkid album, released in 2020, features the Grammy-winning track “Essence” and celebrates the fusion of Afrobeats and global sounds? A) Sounds From the Other Side B) Made in Lagos C) Ayo *Scroll to the very bottom for the answer.* --- ###### ICYMI ## ⚡ On The Pulse [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/11/best-african-music-performance-2025-grammys-nominees.jpg)](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/3298914094381056/3298914094383105?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) **Image Credit: GRAMMY* ## GRAMMYS 2025: African Music Categories The 2025 GRAMMY nominations just dropped, and let me tell you, African and diaspora artists are showing up and showing out! But here’s the real question—is the GRAMMYs’ recognition game strong enough, or are we still putting global talent in outdated boxes? Let’s dive in and see who’s repping us and whether the categories really do justice to the culture. [Let's Get Into It](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/3298914094381056/3298914094383105?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [Tech Safari's 'This Week in African Tech' Newsletter](https://techsafari.beehiiv.com/p/this-week-in-african-tech-c5b1ee8b53533233?ref=marmaladecollective.com) 🎧 **Listening to:** [Wizkid's Album 'Morayo' on Spotify](https://www.youtube.com/watch?v=yQqgmnm7FYQ&list=OLAK5uy%5FlYTKRb8ASQRQCfb0rwOt5waR8RKNJNIfE&ref=marmaladecollective.com) 📺 **Watching:** [Skepta's Lagos Trip by STEELO](https://www.youtube.com/watch?v=dMjutBdRLLA&ref=marmaladecollective.com) 🎟️ **Booking:** [Show Dem Camp x The Cavemen x Nsikak David](https://dice.fm/event/nv28p9-show-dem-camp-x-the-cavemen-x-nsikak-david-26th-nov-here-at-outernet-london-tickets?ref=marmaladecollective.com) 👀 **Eyeing:** [Seventh's Autumn/Winter Collection](https://seventhstores.com/collections/shop-all?ref=marmaladecollective.com) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Made in Lagos** ### Zambian Grandma Turns Heads, Tems at Grammys, Tyla’s New Video URL: https://www.marmaladecollective.com/zambian-grandma-turns-heads-tems-at-grammys-tyla-new-video/ Last updated: 2024-11-18T10:00:17.000Z **Welcome to Vol 116 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) Now, on to the real peel... ## 🔥 Trending Stories - [**Zambian Grandma**](https://www.bbc.co.uk/news/articles/cx2ylzj54yxo?ref=marmaladecollective.com) with Chunky Sunglasses Becomes Unlikely Fashion Icon *via BBC News* - [**Tems and Shaboozey Lead**](https://www.okayafrica.com/grammy-nominations-best-african-music-performance-2025/?ref=marmaladecollective.com) the African Nominees at the 2025 Grammy Awards *via OkayAfrica* - 5 Of The Best Loc Styles For [**Afro-Textured Hair**](https://www.vogue.com/article/loc-styles-for-afro-textured-hair?ref=marmaladecollective.com) *via Vogue* - Take In the Beauty and Rich Culture of these [**African Queens' National Costumes at Miss Universe 2024**](https://www.okayafrica.com/miss-universe-african-national-costumes/?ref=marmaladecollective.com) *via OkayAfrica* - [**Tyla Stuns**](https://www.lofficielusa.com/music/tyla-fringed-bra-push-2-start-music-video-watch?ref=marmaladecollective.com) in a Fringed Bra in Her New 'Push 2 Start' Video *via L'Officiel* - [**Africa is Surfing’s New Frontier**](https://www.surfer.com/culture/surfer-guide-to-dakar-senegal?ref=marmaladecollective.com) and Here's Why Everyone is Talking About Dakar, Senegal *via Surfer* - [**African Cinema**](https://www.rfi.fr/en/africa/20241117-african-cinema-takes-global-stage-with-diverse-storytelling?ref=marmaladecollective.com) Takes to Global Stage with Diverse Storytelling *via rfi* - Germany Exhibition Aims to [**Broaden Understanding of Africa Through Art**](https://www.africanews.com/2024/11/09/germany-exhibition-aims-to-broaden-understanding-of-africa-through-art/?ref=marmaladecollective.com) *via Africanews* --- ## ⏳ Trivia Time What is the real name of the Nigerian artist known as Shaboozey? A) Collins Obinna Chibueze B) David Adedeji Adeleke C) Ayodeji Ibrahim Balogun *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/11/Snapinsta.app_464089741_524874820477110_79502527979923419_n_1080.jpg)](https://www.marmaladecollective.com/lagos-the-nexus-of-art-fashion-and-entertainment/) **Image Courtesy of Art X Lagos* ## Lagos: The Nexus of Art, Fashion and Entertainment Lagos continues to live up to its reputation as the beating heart of African creativity, offering a whirlwind of vibrant festivals, fashion showcases, and art events from October to November 2024\. From the return of Lagos Fashion Week to ART X Lagos and Design Week Lagos, the city has positioned itself as a hub for Pan-African creativity, drawing talents from across the continent and the diaspora. Here's a breakdown of the major events that have captivated Lagos and their significance, especially for Africans and the Diaspora. [Let's Get Into It](https://www.marmaladecollective.com/lagos-the-nexus-of-art-fashion-and-entertainment/) --- ## What We're... 📰 **Reading:** [**Nataal's editorial spotlight on Blu Lab**](https://nataal.com/blu-lab?ref=marmaladecollective.com)**,** a new concept store in Abidjan puttting the focus on African streetwear. Blu Lab is a true game-changer in the ebullient city of Abidjan. The recently opened concept store in the residential Bonoumin neighbourhood offers a new experience to shoppers while highlighting the importance of streetwear in modern Côte d'Ivoire - as anywhere else in the world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/11/BLU-LAB-GROUP-PORTRAIT-8.png) **Image Credit:* [**Stéphane Gaboué*](https://www.instagram.com/stephanegaboue/?ref=marmaladecollective.com) 🎧 **Listening to:** [**Innocent by Mayorkun ft. Fireboy DML**](https://www.youtube.com/watch?v=WFINQOkv6KU&ref=marmaladecollective.com). Versatile Nigerian artist, Mayorkun is back on the music scene with his highly anticipated piece, “Innocent.” To enrich this sonic masterpiece, he has teamed up with renowned YBNL Nation signee, Fireboy DML. This melodious composition marks Mayorkun’s second release of the year, following hot on the heels of his intriguing track, “Under The Canopy.” 📺 **Watching:** [**Dinner at My Place on Netflix**](https://www.netflix.com/gb/title/81591161?ref=marmaladecollective.com). A 2022 Nigerian romantic comedy drama written and directed by Kevin Apaa. The film is based on a Nigerian-American man Nonso (Timini Egbuson) who is planning to propose to his girlfriend (Sophie Alakija) over dinner. He has already planned to gift the gold ring to his girlfriend which was worth $22000, and it originally belonged to his beloved mother as his deceased mother left that ring for him in her memory. 🎟️ **Booking:** [**Thandiswa Mazwai at The Jazz Cafe**](https://thejazzcafe.com/event/thandiswa-mazwai/?ref=marmaladecollective.com). Thandiswa has been one of the most influential post-Apartheid singers in South Africa. Her 4th album, Sankofa was released in May 2024, it combines archival Xhosa music, jazz and west African music. Known for her electrifying performances, Thandiswa will bring the Pan African Spirit to London. 👀 **Eyeing:** [**Ashluxe's Black Friday Heist (Up to 70% Off)**](https://row.ash-luxe.com/collections/cyber-monday-sale?ref=marmaladecollective.com). Innovative, Influential and Youthful, Ashluxe is redefining the avant-garde approach to luxury streetwear. The brand has reinforced its position as a household name in Africa with limited but unsurpassed quality and unique designs. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/11/Snapinsta.app_462214309_18464110972043724_2833610275141181910_n_1080.jpg) **Image Courtesy of Ashluxe* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Collins Obinna Chibueze** ### Lagos: The Nexus of Art, Fashion, and Entertainment (October to November 2024) URL: https://www.marmaladecollective.com/lagos-the-nexus-of-art-fashion-and-entertainment/ Last updated: 2024-11-17T22:12:47.000Z ## Introduction Lagos continues to live up to its reputation as the beating heart of African creativity, offering a whirlwind of vibrant festivals, fashion showcases, and art events from October to November 2024\. From the return of Lagos Fashion Week to ART X Lagos and Design Week Lagos, the city has positioned itself as a hub for Pan-African creativity, drawing talents from across the continent and the diaspora. Here's a breakdown of the major events that have captivated Lagos and their significance, especially for Africans and the Diaspora. ## Lagos Fashion Week 2024: A Celebration of Pan-African Collaboration > [ View this post on Instagram ](https://www.instagram.com/p/DCHqVE%5FoSGp/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Lagos Fashion Week (@lagosfashionweekofficial)](https://www.instagram.com/p/DCHqVE%5FoSGp/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Lagos Fashion Week 2024 took centre stage from October 23-27, bringing together over 60 designers from across Africa to present their Spring/Summer 2025 collections. Under the theme **“COMMUNE,”** this year’s event celebrated the collective efforts that go into making African fashion a global force. Brands like Boyedoe (Ghana), Lilabare (Kenya), and Loza Maléombho (Côte D’Ivoire) joined Nigerian favourites such as Emmy Kasbit, Ugo Monye, and Pettre Taylor to showcase the continent’s innovation in fashion. More than just a display of style, **Lagos Fashion Week** is a platform for African designers to gain international visibility, helping bridge the gap between local craftsmanship and global markets. For Africans in the diaspora, this event serves as a reminder of the continent's creative ingenuity and a celebration of the shared African identity. Many of the collections drew on local traditions, fabrics, and cultural motifs, allowing the diaspora to reconnect with their heritage in new, modern ways. ## ART X Lagos 2024: Promised Lands and New Futures > [ View this post on Instagram ](https://www.instagram.com/p/DCCX95IIVZO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ART X Lagos (@artxlagos)](https://www.instagram.com/p/DCCX95IIVZO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) **ART X Lagos**, West Africa’s premier international art fair, wrapped up on November 3, 2024, after a four-day celebration of African contemporary art. This year's theme, **"Promised Lands,"** invited audiences to explore imagined or real places that offer hope, freedom, and creativity. Featuring works from over 31 African artists and galleries, ART X Lagos not only showcased the vibrancy of the continent’s art scene but also highlighted the global relevance of African artists. Key highlights included filmmaker Andrew Dosunmu’s first solo exhibition in Africa, a reflection on the dynamism of African cities, and a participatory experience at **Speakers' Corner: The Crossroads**, curated by poet Wana Wana, where guests shared personal narratives. The fair also incorporated music, fashion, and film, most notably during **ART X Live!**, where Nigerian Fuji legend Adewale Ayuba and genre-bending artist Cruel Santino performed to packed crowds. For Africans from the diaspora, ART X Lagos provided an opportunity to connect with the stories and themes that resonate with their experiences—identity, migration, hope, and resistance. With each edition, the fair continues to solidify its role as a bridge between African and global audiences, demonstrating the power of art as a medium for cultural connection and social change. ## Design Week Lagos: Shaping the Future of African Design > [ View this post on Instagram ](https://www.instagram.com/p/DB%5FS9v8MSfI/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Samiroks Visuals (@samiroks\_visuals)](https://www.instagram.com/p/DB%5FS9v8MSfI/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) **Design Week Lagos 2024**, which ran concurrently with Lagos Fashion Week, is a growing force on the international design stage. Focused on **“The Role of Design in Economic Evolution,”** this year's event explored how design can fuel economic growth in Africa. With inflation and economic instability pressing concerns, many exhibitors turned to sustainable practices, showcasing innovative materials and ancestral design inspirations. Designers like Ronke Ladipo, with her **Siga Chair**, and Temitope El-shabazz, with his **ite chair**, drew on African heritage to create pieces that are both functional and deeply cultural. The event also fostered conversations around how the continent’s design industry can be a catalyst for economic change, highlighting how local design can drive global interest and investment. For members of the African diaspora, Design Week Lagos serves as a reminder of Africa's rich potential. The fair pushes the boundaries of what African design can be, ensuring that Africa is not just a source of inspiration but a leader in the global design conversation. ## Afropolis Lagos 2024: A Celebration of African Creativity and Heritage > [ View this post on Instagram ](https://www.instagram.com/p/DCG3Z7johdR/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by J.Randle Centre for Yorùbá Culture and History (@jrandlecentre)](https://www.instagram.com/p/DCG3Z7johdR/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) From October 26 to November 3, 2024, **Afropolis Lagos** transformed the city into a buzzing center of African creativity. Themed **“Within New Myth,”** the nine-day international festival drew artists, innovators, and tourists from across the continent and the diaspora, celebrating Lagos as a cultural melting pot. With over 200 participants from 11 countries, the festival featured visual art exhibitions, music concerts, dance performances, and pop-up art spaces. Notable moments included a vibrant carnival procession through Lagos Island and panel discussions at the **Afropolis Global African Vibez Exchange**, which explored Lagos’ role in the global African creative economy. For diasporans, **Afropolis** is a powerful representation of the cultural and creative energy that continues to emerge from Africa, offering a space to celebrate identity, innovation, and resilience. ## Lagos Book and Art Festival 2024: Telling Stories of Hope > [ View this post on Instagram ](https://www.instagram.com/p/C%5FyAL4hoiQo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Lagos Book and Art Festival (@labaf1)](https://www.instagram.com/p/C%5FyAL4hoiQo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) **Lagos Book and Art Festival** returns to Freedom Park on November 11, 2024, under the theme **“Breakout: Hope is a Stubborn Thing.”** With six panels and a focus on 12 books, the festival promises compelling dialogues on themes of social justice, identity, and resilience. A highlight of the event is a discussion on **“Parallels and Paradoxes: Exploration in Music and Society,”** led by poet Aduke Gomez and lawyer Toki Mabogunje, which will delve into the complex interplay of culture and society in Africa and beyond. For Africans in the diaspora, this festival is a space to engage with literary voices from home and share in the stories of hope that have shaped the continent. ## Lagos Theatre Festival 2024: Showcasing Africa’s Dramatic Talent > [ View this post on Instagram ](https://www.instagram.com/reel/C4sQ2fitFnq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Lagos Theatre Festival (@lagostheatrefestival)](https://www.instagram.com/reel/C4sQ2fitFnq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The **Lagos Theatre Festival (LITF)**, debuting in November 2024, was established by renowned producer **Bolanle Austen-Peters** in collaboration with Lagos State. The festival, backed by corporate giants such as **First Bank of Nigeria Limited** and **Amstel Malta**, set out to create a thriving community for African thespians. Under this year’s theme of **"Excellence and Sustainability in Theatre,"** the LITF highlighted Africa’s vast storytelling traditions through musicals, skits, and theatre repertory. The performances explored themes of migration, identity, and African myths, resonating with African audiences worldwide. For the diaspora, the festival was a way to stay in touch with their cultural roots, promoting pride and fostering connections through the dramatic arts. ## Conclusion The past few months in Lagos have been a showcase of the city's vibrancy as a global hub for African creativity. From fashion to art, design, and literature, these events not only celebrate local talent but also serve as crucial points of connection for Africans in the diaspora. Each festival brings the continent closer to the rest of the world, offering spaces for reflection, celebration, and dialogue that resonate far beyond Nigeria's borders. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Tyler The Creator Sample African Songs, Accra’s Art Boom, NFL Scouts in Africa URL: https://www.marmaladecollective.com/tyler-the-creator-sample-african-songs-accra-art-boom-nfl-scouts-in-africa/ Last updated: 2024-11-04T10:00:42.000Z **Welcome to Vol 115 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) Now, on to the real peel... ## 🔥 Trending Stories - Tyler, the Creator, The Weeknd, Rihanna & More [**Artists Who’ve Sampled & Interpolated Old African Songs**](https://www.billboard.com/lists/african-music-samples-rap-rb-songs/?ref=marmaladecollective.com) via Billboard - [**The Intersection Of Hair And Culture**](https://www.essence.com/beauty/hair-culture-meji-meji-fashion-beauty/?ref=marmaladecollective.com) Inspired Meji Meji’s Latest Top *via ESSENCE* - [**Ethiopian Culture**](https://www.wallpaper.com/art/exhibitions-shows/yatreda-collective-abyssinian-queen-toledo-museum-ohio-interview?ref=marmaladecollective.com) is Retold Through Blockchain Technology *via Wallpaper* - How Accra Became One of [**Africa’s Most Vibrant Art Destinations**](https://observer.com/2024/11/accra-ghana-art-scene-galleries-museums-artists/?ref=marmaladecollective.com) *via Observer* - [**Google Adds 15 More African Languages**](https://kenyanwallstreet.com/google-adds-15-more-african-languages-on-voice-search/?ref=marmaladecollective.com) on Voice Search *via The Kenyan Wall Street* - [**NFL Launches Program**](https://www.nbcnews.com/nightly-news/video/good-news-nfl-launches-program-to-expand-recruiting-efforts-in-africa-223337541906?utm%5Fsource=flipboard&utm%5Fcontent=NBCNews%2Fmagazine%2FNightly+News) to Expand Recruiting Efforts in Africa *via NBC News* - Top 10 Exhibiting Galleries and Emerging [**African Artists to Watch**](https://www.prazzleinc.com/blog/top-10-exhibiting-galleries-and-emerging-african-artists-to-watch-at-art-x-lagos-2024?ref=marmaladecollective.com) at Art X Lagos 2024 *via Prazzle* --- ## ⏳ Trivia Time Which Ethiopian holiday, celebrated in September, marks the Ethiopian New Year and is symbolised by yellow daisies known as "Adey Abeba"? A) Meskel B) Genna C) Enkutatash *Scroll to the very bottom for the answer.* --- ###### SPONSORED AD ## Missed the DÒDÒ Launch? Don’t Miss Out Again! 💛 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/11/DODO.gif)](https://www.drinkdodo.com/?ref=marmaladecollective.com) You may have missed the party, but you don’t have to miss the magic. We have *less than 30 bottles* of DODO left, and they’re calling your name! Don’t let FOMO get the best of you—grab your bottle of the viral plantain-infused rum and join the DODO club. [Grab Your DÒDÒ](https://www.drinkdodo.com/?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Andrew Dosunmu on Nataal**](https://nataal.com/andrew-dosunmu-2024?ref=marmaladecollective.com)**.** The Nigerian artist discusses his ART X Lagos exhibition, Restless Cities: From Lagos to the World. A Lagosian by heritage, birth, and upbringing, and with creative roots spreading far across the world, Andrew Dosunmu is one whose story requires little introduction. 🎧 **Listening to:** [**Davido's first single of the year, Awuke**](https://www.youtube.com/watch?v=ZzzvXGhq1JU&ref=marmaladecollective.com). Like many of his greatest songs, “Awuke” is a celebration of Davido’s infatuation with his love interest, replete with the kind of effusive, instantly memorable lines that are his trademark. *“Your body na chairman/I loyal gan”* and *“This kind of love na sweet jollof/and I dey knock for your door”* are the kinds of couplets primed for communal screaming at parties and Davido’s live shows. 📺 **Watching:** [**Pop the Balloon or Find Love UK**](https://www.youtube.com/watch?v=9C6kqCr98YY&ref=marmaladecollective.com) hosted by Marmalade member, Yemi A. 🎟️ **Booking:** [**Chiamaka Okike x Hotel Zamara: Seeri Pop Up**](https://www.eventbrite.co.uk/e/chiamaka-okike-x-hotel-zamara-seeri-pop-up-tickets-1049884411537?ref=marmaladecollective.com). Hosted in collaboration with Hotel Zamara, the event will blend literature with hands-on creative workshops, fun social activities, and vibrant socialising opportunities. Whether you're a creative, a reader, or someone passionate about building authentic connections, *Seeri* is a space to unwind, meet like-minded people, and dive deep into culture. 👀 **Eyeing:** [**PUMA x Skepta**](https://uk.puma.com/uk/en/collections/select/skepta?ref=marmaladecollective.com). The first collaboration between the iconic rapper and the fastest brand in the world. The **merchandise** in Skepta’s inaugural collection with PUMA expertly weaves together history and innovation, tapping into PUMA’s archive and infusing it with Skepta’s distinctive perspective to create **Skepta sneakers** and **clothes** that proudly channel the artist's distinctive style. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/11/24aw-sp-select-skepta-059.jpg) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Enkutatash** ### Yinka Ilori’s McLaren Collab, Stonebwoy’s New Album, ART X Lagos Returns URL: https://www.marmaladecollective.com/yinka-ilori-mclaren-collab-stonebwoy-new-album-art-x-lagos-returns/ Last updated: 2024-10-28T10:00:42.000Z **Welcome to Vol 114 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) ✈️ Is your dream trip still stuck in the group chat? Are your friends constantly backing out, leaving your travel plans in limbo? Whether you’re celebrating a special occasion or simply in need of a relaxing escape, AME Travel has the perfect getaway for you! [****Join The November Trip to Zanzibar**](https://www.ame-travel.com/grouptrips/zanzibar?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - [**British-Nigerian artist Yinka Ilori**](https://uk.motor1.com/news/738400/mclaren-artura-hand-painted-supercar/?ref=marmaladecollective.com) Unexpected Collab with the British Automaker McLaren *via Motor1* - Sir Richard Branson’s [**Moroccan Retreat Reopens**](https://www.iol.co.za/travel/africa/sir-richard-bransons-moroccan-retreat-reopens-after-year-long-restoration-following-earthquake-f5806d1f-3e09-4322-be9d-4e5da6ffb1fd?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FIOL+Travel) After Year-long Restoration *via IOL* - [**This Iconic Ghanaian Artist**](https://www.okayafrica.com/stonebwoy-up-and-running-interview/?ref=marmaladecollective.com) Continues to Break Thematic and Sonic Ground in His Sixth Studio Album *via OkayAfrica* - Meet [**7 Founders of Animation Companies**](https://nairametrics.com/2024/10/20/meet-7-founders-of-animation-companies-in-nigerias-growing-creative-industry/?ref=marmaladecollective.com) in Nigeria’s Growing Creative Industry *via Nairametrics* - [**Ethiopia’s Yalemzerf Yehualaw**](https://www.eurosport.com/athletics/yalemzerf-yehualaw-sets-new-course-record-and-lifetime-best-to-take-amsterdam-marathon-victory%5Fvid2256984/video.shtml?ref=marmaladecollective.com) Storms to Victory at the TCS Amsterdam Marathon in Record Time *via Eurosport* - The Next [**Big Creative Boom**](https://www.fastcompany.com/91211177/the-next-big-creative-boom-is-already-happening-in-africa?ref=marmaladecollective.com) is Already Happening in Africa *via Fast Company* - Promised Lands: [**ART X Lagos Gears Up**](https://rollingstoneafrica.com/music/music-news/art-x-lagos-promised-lands/?ref=marmaladecollective.com) For Ninth Edition *via Rollingstone* --- ## ⏳ Trivia Time Yinka Ilori is best known for his work in which design field, blending vibrant colours and Nigerian-inspired patterns into his projects? A) Architecture B) Textile Design C) Furniture Design *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/RP-BritishVogue-SLAWN-WILLOWWILLIAMS-1-1.webp)](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/2044367754962944/2044367754962945?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) **Image Credits: Willow Williams* ## Olaolu Akeredolu-Ale aka SLAWN If you’ve been paying attention to the art scene lately, there’s one name you can’t ignore — SLAWN! This Nigerian-British artist just made serious waves, bagging a cool million pounds in ONE DAY at his gallery opening at Saatchi Yates. Yep, you heard that right, a million! How does someone even do that? Well, let’s break down how Slawn went from painting on random canvases to shaking up the art world in style. [Let's get into it!](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/2044367754962944/2044367754962945?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Nataal on Yua Hair**](https://nataal.com/yua-hair?ref=marmaladecollective.com), the community platform redefining afro-textured hair creation in Abidjan. “For me, hair is a means of self-expression; a tool to tell stories and explore perspectives,” says Abidjan and London-based Marie-Céline Agossa. “Hair is a form of non-verbal communication and a vessel that enables cultural exchange, preservation, transformation and transmission of heritage.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/HEADER.png) **Photography* [**Nuits Balnéaires*](https://www.instagram.com/nuits%5Fbalneaires/?ref=marmaladecollective.com) 🎧 **Listening to:** [**Peace & Love by Juls on Spotify**](https://open.spotify.com/album/1Vro9qhKIVfWoJSSfCYd01?si=pCDXRREkS%5FqHMZ0RJVGkwQ&ref=marmaladecollective.com). The 18-track offering, released through LOF Collective, features over 20 guest artists and arrives seven years after his debut album Leap of Faith. “This is an album that I’m very, very proud of mainly because of the originality and how the process of making this has been such an experience filled with pain and love,” Juls, who told Music In Africa that he is “trying to make music that lives forever” last year, said ahead of the release. 📺 **Watching:** [**CANEX 2024 Documentary on Africa's Evolved Film & TV Industry**](https://www.youtube.com/watch?v=DJXHoOBXOuc&ref=marmaladecollective.com). The Creative and Cultural Industries are seen as drivers of economic growth and cultural engagement while also generating income through the trade and commercialisation of intellectual property rights. 🎟️ **Booking:** [**Roots Reimagined**](https://lu.ma/hcrutrp1?ref=marmaladecollective.com) – a unique 5-course feast with African and Western flavours on November 2nd at London City Island. Don’t miss out on this evening of bold flavours and heritage-inspired creations. 👀 **Eyeing:** [**THE LONDON BAG by Kai Collective**](https://kaicollective.com/products/london-togo-leather-maxi-handbag?ref=marmaladecollective.com). Crafted from fine-grained Togo leather with an oversized slouchy design and featuring a gilded 18K gold electroplated zinc alloy metal KAI logo mark. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/2_be3bdf89-d577-444a-b09a-7652e89b74ae_1200x1801.webp) **Images Courtesy of Kai Collective* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Furniture Design** ### 🥃 DÒDÒ Diaries #9 URL: https://www.marmaladecollective.com/dodo-diaries-9/ Last updated: 2024-10-23T09:00:46.000Z Get ready for an unforgettable evening at the DÒDÒ Launch Party! Join us at 6pm for welcome drinks and plantain-inspired canapés as we kick off the launch of DÒDÒ, the viral plantain-infused rum. _This post is for paying subscribers only._ ### Wizkid's Love Anthem, Kenyan Gin Shines, South African Art at Frieze London URL: https://www.marmaladecollective.com/wizkid-love-anthem-kenyan-gin-shines-south-african-art-at-frieze-london/ Last updated: 2024-10-21T09:00:19.000Z **Welcome to Vol 113 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎉 You're invited to the ****DÒDÒ official launch party**. [****RSVP here**](https://lu.ma/awimgsqg?ref=marmaladecollective.com). Immerse yourself in an evening of culture, curated cocktails and interactive tastings. Now, on to the real peel... ## 🔥 Trending Stories - [**Wizkid’s “Piece of My Heart”**](https://www.okayafrica.com/wizkid-brent-faiyaz-piece-of-my-heart/?ref=marmaladecollective.com) is a Peak Anthem for Lovers v*ia OkayAfrica* - [**The Kenyan Gin**](https://robbreport.com/food-drink/spirits/robb-recommends-procera-gin-1235951222/?ref=marmaladecollective.com) That’s Better Than Your Beefeater *via Robb Report* - [**These South African Artists**](https://www.dailymaverick.co.za/article/2024-10-17-sa-artists-zanele-muholi-zizipho-poswa-bring-power-presence-to-frieze-sculpture-in-london/?ref=marmaladecollective.com) Bring Powerful Artworks to Frieze Sculpture in London *via Daily Maverick* - How Fresco Gallery is [**Making Art Accessible In Nigeria**](https://culturecustodian.com/how-fresco-gallery-is-making-art-accessible-in-nigeria/?ref=marmaladecollective.com) *via Culture Custodian* - How [**Juventus Star Timothy Weah**](https://rollingstoneafrica.com/culture/culture-features/timothy-weah-juventus-liberia-interview/?ref=marmaladecollective.com) Found His Way Back Home *via Rollingstone Africa* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/TW-LEAD-1536x931.jpg) **Timothy Weah. Image Source: Rollingstone* - [**4 Essential West African Dishes**](https://www.nationalgeographic.com/travel/article/essential-west-african-dishes-recipes?ref=marmaladecollective.com) and How To Make Them *via National Geographic* - [**9 Great Hotels In Mauritius**](https://www.forbes.com/sites/rooksanahossenally/2024/10/19/the-9-best-hotels-in-mauritius-from-north-to-south-2024/?ref=marmaladecollective.com) From North To South 2024 *via Forbes* --- ###### SPONSORED AD ## ✈️ Experience a Luxury Getaway to Zanzibar this November! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/IMG_9323-1.jpeg)](https://www.ame-travel.com/grouptrips/zanzibar?ref=marmaladecollective.com) **Image Courtesy of AME Travel* Is your dream trip still stuck in the group chat? Are your friends constantly backing out, leaving your travel plans in limbo? Whether you’re celebrating a special occasion or simply in need of a relaxing escape, AME Travel has the perfect getaway for you! This November 13th-20th, join our luxury group trip to Zanzibar and experience a week of paradise. From the vibrant streets of Stone Town to the pristine beaches of Kendwa, you’ll enjoy the best of this stunning island all with like-minded travellers who are just as excited as you! [Join The Trip](https://www.ame-travel.com/grouptrips/zanzibar?ref=marmaladecollective.com) ### Highlights of the Trip: - Enjoy a 2-night stay in the heart of Stone Town and 4 nights at a serene beach resort in Kendwa. - Explore Stone Town’s vibrant streets, rich in culture and history. - Visit Prison Island and its giant tortoises. - Dive into the marine beauty of Menai Bay. - Walk through Jozani Forest, home to rare wildlife. - Experience the aromas and flavors at a spice farm. - Relax on Kendwa’s pristine beaches. - Savor the island’s culinary delights infused with local spices. ✨ Don’t wait for your friends—book your spot and treat yourself to the adventure you deserve! [Join The Trip](https://www.ame-travel.com/grouptrips/zanzibar?ref=marmaladecollective.com) --- ## ⏳ Trivia Time Which famous musician, born in Zanzibar, became the lead singer of the iconic band? A) Bob Marley B) Fela Kuti C) Freddie Mercury *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/rema-album-review.webp) **Image Source: Rollingstone* ## Rema: The African Prodigy Shaking Up Afrobeats How far has this prodigy risen? And what does his latest album, HEIS, tell us about his journey to the top? He’s the young king from Benin City, the hitmaker who has redefined what Afrobeats can be, and now he’s making one of the boldest claims in the game—Rema has declared himself one of the Big 4\. But does he have the credentials to back it up? [Let's get into it!](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/2044366010329088/2044366010329089?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Lewis Hamilton's campaign to bring F1 to Africa**](https://www.independent.co.uk/f1/f1-lewis-hamilton-south-africa-kyalami-rwanda-b2629721.html?ref=marmaladecollective.com)**.** Formula One wants to return. Lewis Hamilton insists F1 cannot continue to ignore it. But after 31 years away, the sport still can’t thrash out a route back into the only viable continent (sorry Antarctica) it fails to race in: Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/b511496bd29dec7b1593c945e9a3eb6cY29udGVudHNlYXJjaGFwaSwxNzI3Njg4MDEy-2.76768811.jpeg) **Lewis Hamilton. Image Courtesy of PA Wire* 🎧 **Listening to:** [**Teswess on Spotify**](https://open.spotify.com/artist/5f3qHCq4P6DLiWOrdI6Xeq?si=vEmGTblHQm67rdU5GGpjQQ&ref=marmaladecollective.com). A Nigerian musician from the energetic metropolis of Lagos, is a true master of African music with a focus on the alluring Afrobeat style. Teswess has established himself as a pioneer in this upbeat and soul-stirring genre with an unmatched sense of rhythm. Teswess draws inspiration from the vibrant musical history of Nigeria to create music with throbbing beats, contagious melodies, and emotionally resonant lyrics. 📺 **Watching:** [**Mini documentary by DW English about luxury leather bags from Lesotho**](https://www.dw.com/en/luxury-leather-bags-from-lesotho/video-70515817?ref=marmaladecollective.com). Lesotho's leather processing fell into oblivion from the 1980s onwards. Now a dynamic duo is working to revive it and bring Lesotho back onto the world stage with a range of luxurious leather bags. 🎟️ **Booking:** [**art & mind IV by New Comma and Kwame Koda**](https://www.instagram.com/p/DAyWg8cNq78/?img%5Findex=1&ref=marmaladecollective.com). The event will explore the connection between the vibrant hues of the sunset and the intricate spectrum of our emotions. From calm moments of introspection to periods of turbulence, the showcased artworks in this exhibition mirror the journey many of us experience in our lives. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Snapinsta.app_462230541_1066035401810030_8703513874221634213_n_1080.jpg)](https://www.instagram.com/p/DAyWg8cNq78/?img%5Findex=1&ref=marmaladecollective.com) **Image Courtesy of New Comma and Kwame Koda* 👀 **Eyeing:** [**Luxe lifestyle goods by Okapi**](https://industrieafrica.com/collections/okapi?ref=marmaladecollective.com). Founded by Hanneli Rupert, Okapi is a handbag and accessories label in Cape Town that showcases South Africa’s expert artisanal and natural materials. The brand is recognized for pioneering the use of African game skins including Bleskbok leather, which is ethically sourced as a sustainable byproduct of the country’s pre-existing farming industry. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Freddie Mercury** ### Shallipopi x boohooMAN Fashion Collab, Kidjo & Davido’s Hit, Tyla’s New Album URL: https://www.marmaladecollective.com/shallipopi-x-boohooman-fashion-collab-kidjo-davido-hit-tyla-new-album/ Last updated: 2024-10-14T09:00:23.000Z **Welcome to Vol 112 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🥃 [****DÒDÒ is Back!**](https://bit.ly/403m1no?ref=marmaladecollective.com) Due to high demand, we’ve just restocked a small and super limited batch of DÒDÒ. If you missed out on the first release, now is your chance to secure a bottle or three 😋 [****Get Yours**](https://bit.ly/403m1no?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - [**Shallipopi X boohooMAN**](https://www.bellanaijastyle.com/shallipopi-x-boohooman/?ref=marmaladecollective.com) Present a Collaborative Fashion Capsule *via BN Style* - After 40 Years in the Entertainment Industry, [**Richard Mofe-Damijo isn’t Slowing Down**](https://www.okayafrica.com/richard-mofe-damijo/?ref=marmaladecollective.com) for Anybody *via OkayAfrica* - [**Angélique Kidjo and Davido’s ‘Joy’**](https://www.thesouthafrican.com/lifestyle/celeb-news/international-celebs/angelique-kidjo-and-davidos-joy-takes-the-world-by-storm/?ref=marmaladecollective.com) Takes the World by Storm *via The South African* - How [**Hakeem Olajuwon Reformed Himself**](https://www.chron.com/sports/rockets/article/hakeem-olajuwon-mirin-fader-dream-19830689.php?ref=marmaladecollective.com), Then Reshaped the NBA *via Chron* - How London Became a Launch Pad for [**Africa’s Booming Art Market**](https://news.artnet.com/market/african-art-market-grows-2548844?ref=marmaladecollective.com) *via artnet* - Daniel Obasi Discusses [**Lagos’ Amah Members’ Club**](https://www.wallpaper.com/design-interiors/daniel-obasi-amah-members-club-interview?ref=marmaladecollective.com), Where Vocation and Wonder Can Meet *via Wallpaper* - [**British-Nigerian Artist, Olaolu Slawn**](https://www.esquire.com/uk/style/fashion/a62464658/olaolu-slawn-interview-2024/?ref=marmaladecollective.com) Has the Last Laugh *via Esquire* - [**Tyla Drops Deluxe Edition Album**](https://hypebeast.com/2024/10/tyla-plus-deluxe-edition-album-release?ref=marmaladecollective.com) Titled 'TYLA +' *via Hypebeast* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/tyla-deluxe.jpg) **Image Courtesy of TYLA* --- ## ⏳ Trivia Time Which **Nollywood film became the highest-grossing Nigerian movie of all time** upon its release in 2016, showcasing a thrilling story about sibling rivalry and power? A) The Wedding Party B) King of Boys C) Lionheart *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Snapinsta.app_460667857_18455864872061014_3635819312342165591_n_1080-1.jpg)](https://www.marmaladecollective.com/the-all-nigerian-pub-quiz/) **Image Courtesy of The All Nigerian Pub Quiz* ## The All Nigerian Pub Quiz: Celebrating Nigerian Culture Through Trivia For Nigerians in the UK, staying connected to home can be both a challenge and a joy. Whether through food, music, or conversation, the need to celebrate and remember their roots is ever-present. That’s where The All Nigerian Pub Quiz comes in—a unique gathering that blends trivia, culture, and community, offering a fun yet enriching way for Nigerians and their friends to bond over shared knowledge. [Let's get into it!](https://www.marmaladecollective.com/the-all-nigerian-pub-quiz/) --- ## What We're... 📰 **Reading:** [**National Geographic's autumn piece, GoWest**](https://www.instagram.com/p/DBEYPuvNgnJ/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink), featuring Award-winning traditional Sierra Leonean/Afro-fusion Chef, Maria Bradford. From Nigeria to Senegal and everywhere in between, the piece highlights the rich and diverse culinary culture of West Africa. Maria says "It’s an honour to see the flavours and stories of our region being celebrated on such a global platform." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Maria-Bradford-author-pic-2023-1.jpg) **Image Courtesy of Maria Bradford* 🎧 **Listening to:** [**Fireboy DML's 'Hell and back' on COLORS**](https://www.youtube.com/watch?v=laUkWW4k7MU&ref=marmaladecollective.com). Nigerian singer-songwriter Fireboy DML delivers an earnest performance of ‘hell and back’, a single taken from his newly released fourth studio album ‘adedamola’. 📺 **Watching:** [**Rema’s homecoming to Benin City on CNN**](https://edition.cnn.com/world/africa/rema-benin-city-concert-nigeria-spc/index.html?ref=marmaladecollective.com). When a Benin City boy like Nigerian Afrobeats sensation Rema rises to global stardom, selling out international shows and recording the first song led by an African-artist to surpass a billion streams on Spotify, what does he do next? He returns home for a victory lap. 🎟️ **Booking:** [**Marmalade's October Member Meet-ups**](https://www.marmaladecollective.com/member-meet-ups-october-2024/). These meet-up events are perfect for socialising with other members, meeting new people and exploring new Afrocentric experiences. 👀 **Eyeing:** [**BoohooMAN x Shallipopi collab**](https://www.boohooman.com/us/mens/collabs/boohooman-shallipopi?ref=marmaladecollective.com). Nigerian Afrobeats legend, Shallipopi brings his rule-breaking, boundary-pushing energy to this collection, featuring rugged workwear fused with 90s hip-hop vibes, creating looks that hit different this season. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/bmm91073_stone_xl.jpeg) **Image Courtesy of boohooMAN* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) The Wedding Party** ### Ruger’s London Headline, Sierra Leone Tourism Boom, Jadé Fadojutimi’s TIME100 Honour URL: https://www.marmaladecollective.com/ruger-london-headline-sierra-leone-tourism-boom-jade-fadojutimi-time100-honour/ Last updated: 2024-10-07T09:23:11.000Z **Welcome to Vol 111 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎈 CASTING CALL: Have you seen ****“Pop The Balloon”**? This is your chance to take part in a pilot for the UK version (hosted by Marmalade member, Yemi) and find your match. Interested and want to learn more? [****Apply now**](https://bit.ly/4gMKbs8?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - Bold and fearless: [**This Nigerian Superstar**](https://www.bbc.co.uk/news/articles/cn5zy626ldgo?ref=marmaladecollective.com) is the Latest to Headline in London *via BBC* - [**This West African Nation**](https://nypost.com/2024/10/03/lifestyle/sierra-leone-woos-tourists-and-investors-like-idris-elba/?ref=marmaladecollective.com) is Welcoming Tourists and Hollywood Investors *via New York Post* - Lagos Is [**Africa's Most Vibrant City**](https://www.travelandleisure.com/lagos-nigeria-art-culture-8710596?ref=marmaladecollective.com) Right Now — Here's How to Visit *via Travel + Leisure* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/TAL-exterior-buildings-sunset-LAGOS1024-2993bcb8415a44a4a149f2f1fcb5c432.webp) **Twilight in the city’s Victoria Island neighbourhood.* - [**Seun Kuti is Keeping Class Consciousness**](https://www.okayafrica.com/seun-kuti-new-album-heavier-yet-interview/?ref=marmaladecollective.com) at the Centre of His New Album ‘Heavier Yet’ *via OkayAfrica* - [**10 Songs**](https://rollingstoneafrica.com/music/music-features/10-songs-that-instill-nigerian-pride/?ref=marmaladecollective.com) That Instill Nigerian Pride *via Rollingstone Africa* - This London-Based [**Nigerian Contemporary Visual Artist**](https://www.artsy.net/article/artsy-editorial-three-contemporary-visual-artists-named-2024-time100-list?ref=marmaladecollective.com) is Named in 2024 TIME100 Next List *via Artsy* - The Enduring [**Vehicle Art of West Africa’s**](https://www.okayafrica.com/vehicle-art-of-west-africas/?ref=marmaladecollective.com) Bustling Streets *via OkayAfrica* - [**17 African Designers**](https://www.instyle.com/african-fashion-8720351?ref=marmaladecollective.com) to Know in 2024 *via InStyle* --- ## ⏳ Trivia Time Which **Nigerian visual artist** gained international recognition for his hyper-realistic pencil and charcoal drawings, depicting everyday life and emotions? A) Laolu Senbanjo B) Njideka Akunyili Crosby C) Arinze Stanley *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Dola-Posh--Mother_s-Day-_Year-3_--2023--Hahnemu-hle-bamboo-fibre-papers--74-x-64-cm--Edition-of-2.-Courtesy-of-Artist-and-Cynthia-Corbett-Gallery-Large.jpeg)](https://www.marmaladecollective.com/1-54-contemporary-african-art-fairs-12th-edition-at-somerset-house-london/) **Image Courtesy of Dola Posh* ## 1-54 Contemporary African Art Fair's 12th Edition 1-54 Contemporary African Art Fair is delighted to return to Somerset House for the 12th consecutive year across four days, from 10 – 13 October 2024 (Press Preview 10 October). As the leading international art fair dedicated to contemporary art from Africa and the African diaspora, 1-54 London 2024 will host over 60 international exhibitors, representing 23 countries. [Let's get into it!](https://www.marmaladecollective.com/1-54-contemporary-african-art-fairs-12th-edition-at-somerset-house-london/) --- ## What We're... 📰 **Reading:** [**Nomshado's LinkedIn post**](https://www.linkedin.com/feed/update/urn:li:activity:7247228573982314497/?ref=marmaladecollective.com)about feeling like a "closeted" African. "Being called "Black" is really not something I can identify with. As someone who was born and spent my formative years on the continent of Africa, my ethnic and cultural identity is something that's deeply engraved in who I am and yet, when I left my house every morning to go to work, this is something I made sure to leave at home." 🎧 **Listening to:** [**CULTUR FM Live Afrobeats Mix by Ani Daya**](https://www.youtube.com/watch?v=MCcIJZgf93A&ref=marmaladecollective.com). Lojay's official DJ is in the building, expect tracks from Asake's new album along with a nice blend of newer Afrobeat sounds. 📺 **Watching:** [**MMS Official Video by Asake ft Wizkid.**](https://www.youtube.com/watch?v=iiOHqmmjdGk&ref=marmaladecollective.com) "The visuals came in hand in hand with the lyricism, talent and the chemistry between Mr Money With the Vibe and Big Wiz is unmatched" - @keemsart ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Asake-X-Wizkid-News-Central-TV-819x1024.jpg) **Asake Bringing Out Wizkid at The O2\. Source: News Central* 🎟️ **Booking:** [**Marmalade's October Member Meet-ups**](https://www.marmaladecollective.com/member-meet-ups-october-2024/). These meet-up events are perfect for socialising with other members, meeting new people and exploring new Afrocentric experiences. 👀 **Eyeing:** [**Ayo Game by Yinka Ilori**](https://shop.yinkailori.com/collections/ayo-game-1?ref=marmaladecollective.com). Reimagined as a collectable object while paying respect to its origins, Yinka interprets the AYO GAME for a new audience. Featuring a colourful and bright carved wooden box containing twelve holes and forty-eight Ayo seeds, it comes with a sliding storage box and detailed instructions. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Yinka_Homeware_324.webp) **Image Courtesy of Yinka Ilori Objects* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Arinze Stanley** ### Celebrating Nigerian Culture Through Trivia: A Look Inside The All Nigerian Pub Quiz URL: https://www.marmaladecollective.com/the-all-nigerian-pub-quiz/ Last updated: 2024-10-08T14:26:53.000Z # **Introduction** For Nigerians in the UK, staying connected to home can be both a challenge and a joy. Whether through food, music, or conversation, the need to celebrate and remember their roots is ever-present. That’s where *The All Nigerian Pub Quiz* comes in—a unique gathering that blends trivia, culture, and community, offering a fun yet enriching way for Nigerians and their friends to bond over shared knowledge. In this interview, its founder, Idowu Kukoyi, shares her story—the inspirations behind the quiz, its growth, and the vision that continues to drive it. What began as a modest idea has grown into a space where culture is celebrated through trivia, fostering a sense of togetherness and pride among the Nigerian diaspora. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Snapinsta.app_460667857_18455864872061014_3635819312342165591_n_1080.jpg) ## **How did the idea for the Nigerian Pub Quiz start? What inspired you to create it?** It started back in October 2022\. Before that, in July, I sent a message to a friend who works as an event organiser, coordinator, and producer. I said, ‘I really want to start something related to Nigeria, and I'm sending this to you for accountability.’ I was in my ‘just say and do’ bag at the time. My friend helped me get it off the ground. At first, I wanted to create a trivia game because I’m passionate about Nigeria. Before this, I had a platform called *The Naija Enthusiast*, where I shared easy-to-understand news and pop culture about Nigeria. I wanted to connect with my culture and learn beyond what my parents told me. Growing up, my parents always shared stories and spoke Yoruba to us, but even though I can’t speak it back, I’ve always had this love for Nigeria. I initially wanted to produce a trivia game, but there was a lot of legal work involved. Then, I thought, ‘Why not host a trivia night, like a British pub quiz but centred around Nigeria?’ I started looking for a venue, and with my friend’s help, we found Peckham Levels. We planned for 60 to 70 people, but there was so much demand that we doubled our capacity. The first event had 120 to 150 attendees. I've always liked trivia. My dad is a huge collector of information; our house was always filled with random facts. So it made sense to centre this trivia night on all things Nigeria. ## **Why choose trivia as a way to highlight Nigerian culture?** Trivia is such a powerful learning tool. It’s a great way to retain information, especially when it’s presented in a fun and competitive environment. People come to the quiz for a good time, but I want them to leave knowing something they didn’t before—whether it's about Nigeria’s history, its politics, or pop culture. We have six rounds of trivia, with intervals for dancing, and by the end, attendees are buzzing with new knowledge. It also creates space for conversations. After an event, someone might say, ‘I didn’t know this about Nigeria before independence’ or ‘I learned something new about Buhari’s government.’ Trivia makes it easier to digest and discuss what can sometimes be complex subjects. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/Snapinsta.app_460389446_18455864917061014_6808446313481847177_n_1080.jpg) ## **How has the quiz evolved since its launch in October 2022?** It’s grown significantly. More people are hearing about us, and we’ve had amazing support from brands, both financially and in terms of product giveaways. When we started, I had no idea how much appetite there was for this kind of event. But after a few successful quiz nights, I’ve seen the potential for growth. We’ve kept the quiz as a quarterly event, and we try to align it with important dates for Nigeria, such as our Nigerian Independence Day celebration. There’s always a surge in demand around these key moments when Nigerians abroad want to come together and celebrate. We’re also looking at expansion—cities like Leeds, Hull, Manchester, and Birmingham, where there are strong Nigerian communities. I’ve been doing research trips to find the right venues. Nigerians are all over the UK now, so we’re thinking bigger. ## Who usually comes to the quiz? Our crowd is a great mix! We see people from their early twenties all the way up to their late fifties. Most are British Nigerians, but it’s not just for them. We've had people from all over—South Africans, Ghanaians, white Brits—joining in with their Nigerian friends. The quiz is designed so that anyone, no matter their background, can enjoy and participate. We even did a *Ghana vs. Nigeria* quiz, which brought in a fun, friendly rivalry. It’s an open, welcoming vibe, and everyone fits right in! Even though it’s called the *All Nigerian Pub Quiz*, we’re expanding to include other African countries. We’re already planning a collaboration with Ghanaian culture for future events. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/10/88036ed4-a3a6-4061-8547-109f12e8f50a.jpg) ## **How do you maintain a sense of community outside of the quiz events?** At each quiz night, I make it a point to walk around and introduce myself to attendees, making sure everyone feels welcome. Many people come alone, so we pair them with teams to foster new connections. Outside of the events, we keep the community engaged through our newsletter, sharing updates and upcoming events. Last year, we even hosted a Nigerian-themed movie night, and we hope to create more events like that—experiences that are still culturally relevant but not strictly trivia-based. ## **What topics resonate the most with your audience?** Pop culture is always a hit. Topics like Nigerian celebrities breaking Guinness World Records, or major events like the Africa Cup of Nations (AFCON) get a lot of attention. Politics is also a big draw, especially during election years. The 2023 Nigerian election, for instance, was a major talking point. And of course, history. People want to know about Nigeria's past as well as its present, which is why archiving is so important to us. ## **What role do partnerships with Nigerian brands play in the quiz’s success?** Partnerships have been crucial to our growth. At first, brands would offer small prizes like plantain chips or crates of Chapman for the winners. But now, we’ve moved into more meaningful monetary partnerships, which have allowed us to expand the quiz and enhance the overall experience for attendees. ## **What’s next for The All Nigerian Pub Quiz?** We’re definitely expanding. In the coming weeks, we’ll be launching an all-Ghanaian pub quiz, and next year we hope to take the quiz to other UK cities like Manchester and Dublin. We’re even exploring international possibilities, including a tour in the US. Ultimately, we want to create more quiz nights representing different cultures, like Nigeria vs. Jamaica. We’re also working on brand activations and potentially taking the quiz back home to Nigeria. We’re looking into incorporating card games too, to make the events even more interactive and fun. # **Conclusion** The *All Nigerian Pub Quiz* has evolved from a simple trivia night into a vibrant cultural experience for Nigerians in the diaspora. It offers more than just entertainment; it provides a sense of belonging, a space to learn and celebrate Nigerian identity. With plans for expansion and collaboration, it’s clear that this quiz night is becoming a cultural mainstay, highlighting the importance of connection through shared knowledge and experiences. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 1-54 Contemporary African Art Fair's 12th Edition at Somerset House, London URL: https://www.marmaladecollective.com/1-54-contemporary-african-art-fairs-12th-edition-at-somerset-house-london/ Last updated: 2024-09-30T12:12:58.000Z 1-54 Contemporary African Art Fair is delighted to return to Somerset House for the 12th consecutive year across four days, from 10 – 13 October 2024 (Press Preview 10 October). As the leading international art fair dedicated to contemporary art from Africa and the African diaspora, 1-54 London 2024 will host over 60 international exhibitors, representing 23 countries. ## tl;dr - Twelfth consecutive edition of 1-54 in London sees highest number of new galleries participating since the fair’s inception. - This year, over 60 international galleries are showcasing a diverse selection of leading contemporary artists from Africa and its diaspora. - A special spotlight highlights Ghanaian, Moroccan and Brazilian artists and galleries. - The fair's partnership with Christie's continues to enhance the international exposure of contemporary African art. - 1-54's collaboration with Haute Parfumerie brand INFINIMENT COTY PARIS will keep highlighting the intersection of art and high-end fragrance with the introduction of new artworks created with the infinitely stackable fragrance bottle. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Abdur-Rahman-Muhammad--Infinite-Reveries--2024--Oil-on-Canvas--100-x-150cm.-Courtesy-of-the-Artist-and-Artemartis.JPEG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Alia-Ali--Lust--2022--Pigment-print-on-Hahnemuehle-cotton-rag-on-aluminum-dibond-with-UV-laminate-mounted-in-a-box-Frame-hand-upholstered-in-Dutch-Wax-Print--102-x-84-x-7-5-cm--From-the-series--IKATIKAT-.-Courtesy-of-Loft-Art-Gallery.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Dola-Posh--Mother_s-Day-_Year-3_--2023--Hahnemu-hle-bamboo-fibre-papers--74-x-64-cm--Edition-of-2.-Courtesy-of-Artist-and-Cynthia-Corbett-Gallery.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Fathi-Hassan--Crocodile-Mosaic--2024--Mixed-Media-on-paper--195-x-145-cm.-Copyright-the-Artist.-Courtesy-Richard-Saltoun-Gallery--London--Rome-and-New-York.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Mariana-Rocha--Casa-Flutuante--barriga--nascente-estelar--2024--Acrylic--pastel-and-oil-stick-on-canvas--175-x-125-cm.-Courtesy-of-Galerie-REVEL.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Oumar-Ka--Untitled--Two-Women-with-Thatched-Roof-House---1959-68--Gelatin-Silver-Print--43.2-x-43.2-cm.-7---3-Artist-s-proof.-Courtesy-of-Axis-Gallery---the-Oumar-Ka-Estate.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Prince-Gyasi--Keyed-Perspective--2024--80-x-120-cm.-Edition-of-5-2-A.P---2-formats.-Courtesy-of-the-Artist-and-MAA-T-Gallery--.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Rugiyatou-Jallow--Floating-in-Time--2023--Acrylic--oil-and-thread-on-canvas--152.4-x-121.9.-Courtesy-of-the-Artist-and-albertz-benda.jpg) **Credit: Respective Artists. Courtesy of 1-54 and Suttonn Communications* ### Dates and times - **Photocall:** Thursday 10 October, 8.30 am – 9 am - **VIP and Press Preview:** Thursday 10 October, 11 am - 7 pm⁠ - **Public and VIP Opening:** Friday 11 October, 11 am - 7 pm⁠ / Saturday 12 October, 11 am - 7 pm⁠ / Sunday 13 October, 11 am - 6 pm⁠ ### Social media - Website: 1-54.com - Twitter: @154artfair - Instagram: @154artfair - Facebook: 154ContemporaryAfricanArtFair - #154artfair Of the 60+ international exhibitors, over a third are from the African continent, with 23 newcomer galleries making their 1-54 London edition debuts. Newcomers to the fair include; #### List of Newcomer Galleries - ADA contemporary art gallery (Accra, Ghana) - Amasaka Gallery (Masaka, Uganda) - Art Pantheon Gallery (Lagos, Nigeria) - Artemartis (Accra, Ghana) - Christophe Person (Paris, France) - Cynthia Corbett Gallery (London, United Kingdom) - Galeria Karla Osorio (Brasilia, Brazil) - Galerie REVEL (Bordeaux, France) - Galerie Voss (Dusseldorf, Germany) - House of Beau (Rabat, Morocco) - LatchKey Gallery (New York, United States of America) - Les filles du calvaire (Paris, France) - Le LAB (Cairo, Egypt) - LIS10 Gallery (Arezzo, Italy / Paris, France) - OOA Gallery (Barcelona, Spain) - Osart Gallery (Milan, Italy) - Pearl Lam Galleries (Hong Kong, China) - PM/AM Gallery (London, United Kingdom) - Post Gallery (Addis Ababa, Ethiopia) - SOTO Gallery (Lagos, Nigeria) - Superposition Gallery (Miami, United States of America) - The Melrose Gallery (Johannesburg, South Africa) - VERVE (São Paulo, Brazil) More than a third of them stem from the Global South. Both new and returning exhibitors will showcase the works of over 160 artists spanning an array of mediums; from painting, photography and sculpture, to mixed media, performance and installation. The fair will feature renowned artists such as **Esther Mahlangu, Tuli Mekondjo** and **Mous Lamrabat,** alongsideyoung and emerging talents including **Freya Bramble-Carter, Layo Bright** and **Kofi Perry**. This year, Brazil will see a strong representative presence, with galleries such as **Galeria Karla Osario, VERVE** and **Portas Vilaseca Galeria** participating and showcasing the works of **Alexis Peskine, Ana Beatriz Almeida, Matheus Marques Abu, Henrique Oliveira, Nadia Taquary, Diambe da Silva, Caio Marcolini** and **Zéh Palito.** > “It is great to be back in Somerset House for our 12th edition,” **says** **Founding Director Touria El Glaoui.** “This year’s fair will unite artists from more countries than ever before, with a significant portion new to the London edition. We are excited to be emphasising artists from Morocco, Ghana and Brazil this year. The diversity and richness of the artworks on display reflect the dynamic and evolving nature of contemporary African art, and we are thrilled to be able to provide a platform that celebrates the talents of both established and emerging artists.” Now in its fifth consecutive year, 1-54’s continued partnership with **Christie’s** signals the fair’s strong and dynamic relationship with the global auction house. The collaboration also demonstrates Christie’s commitment to showcasing contemporary African art to its global client base and enhancing exposure for the fair internationally. 1-54 is also pleased to continue its creative partnership with **INFINIMENT COTY PARIS**, a high-end fragrance collection which was launched globally earlier this year by Coty Inc., one of the world’s largest beauty companies. The brand will collaborate with five artists for the fair. Follow INFINIMENT COTY PARIS on [Instagram](https://www.instagram.com/infinimentcoty/?ref=marmaladecollective.com). #### ****List of Participating Galleries** - 193 Gallery (Paris, France / Venice, Italy) - 50 Golborne (London, United Kingdom) - ADA contemporary art gallery (Accra, Ghana) - Addis Fine Art (London, United Kingdom / Addis Ababa, Ethiopia) - Affinity Gallery (Lagos, Nigeria) - AFIKARIS (Paris, France) - albertz benda (New York, United States of America) - Amasaka Gallery (Masaka, Uganda) - Art Pantheon Gallery (Lagos, Nigeria) - Artemartis (Accra, Ghana) - artHARARE (Harare, Zimbabwe) - Axis Gallery (New Jersey, United States) - Christophe Person (Paris, France) - Circle Art Gallery (Nairobi, Kenya) - Cynthia Corbett Gallery (London, United Kingdom) - DADA Gallery (Lagos, Nigeria / London, United Kingdom) - Eclectica Contemporary (Cape Town, South Africa) - Ed Cross Fine Art (London, United Kingdom) - Galeria Karla Osorio (Brasilia, Brazil) - Galerie Carole Kvasnevski (Paris, France / New York, United States of America) - Galerie Eric Dupont (Paris, France) - Galerie REVEL (Bordeaux, France) - Galerie Voss (Dusseldorf, Germany) - Galleria Anna Marra (Rome, Italy) - Gallery 1957 (Accra, Ghana / London, United Kingdom) - Gallery Nosco (Brussels, Belgium) - Gillian Jason Gallery (London, United Kingdom) - Guns & Rain (Johannesburg, South Africa) - House of Beau (Rabat, Morocco) - Kalashnikovv Gallery (Cape Town, South Africa) - L'Atelier 21 (Casablanca, Morocco) - LatchKey Gallery (New York, United States of America) - Le LAB (Cairo, Egypt) - Les filles du calvaire (Paris, France) - LIS10 Gallery (Arezzo, Italy / Paris, France) - Loeve&Co (Paris, France) - Loft Art Gallery (Casablanca, Morocco) - Luce Gallery (Turin, Italy) - MAĀT Gallery (Paris, France) - Movart (Lisbon, Portugal / Luanda, Angola) - Nil Gallery (Paris, France) - October Gallery (London, United Kingdom) - OOA Gallery (Barcelona, Spain) - Osart Gallery (Milan, Italy) - Pearl Lam Galleries (Hong Kong, China) - Perve Galeria (Lisbon, Portugal) - PM/AM Gallery (London, United Kingdom) - Portas Vilaseca Galeria (Rio de Janeiro, Brazil) - Post Gallery (Addis Ababa, Ethiopia) - Richard Saltoun Gallery (London, United Kingdom / Rome, Italy) - SEPTIEME Gallery (Paris, France / Cotonou, Benin) - SOTO Gallery (Lagos, Nigeria) - Superposition Gallery (Miami, United States of America) - TAFETA (London, United Kingdom) - The African Art Hub (TAAH) (London, United Kingdom) - The Gallery of Everything (London, United Kingdom) - The Melrose Gallery (Johannesburg, South Africa) - THIS IS NOT A WHITE CUBE (Lisbon, Portugal / Luanda, Angola) - THK Gallery (Cape Town, South Africa) - Unit (London, United Kingdom) - VERVE (São Paulo, Brazil) ## About 1-54 Contemporary African Art Fair With annual editions in London, Marrakech and New York, as well as pop-up fairs in Paris, 1-54 is the leading international art fair dedicated to contemporary art from Africa and its diaspora. Drawing reference to the 54 countries that constitute the African continent, 1-54 is a sustainable and dynamic platform that is engaged in contemporary dialogue and exchange. Initiated by Touria El Glaoui in 2013, October 2024 will mark the fair’s 12th anniversary celebrations in London with its flagship fair at Somerset House in London. ## About Christie’s Founded in 1766, Christie’s is a world-leading art and luxury business with a physical presence in 46 countries throughout the Americas, Europe, Middle East, and Asia Pacific, and flagship international sales hubs in New York, London, Hong Kong, Paris and Geneva. Renowned and trusted for our expert live and online-only auctions, as well as bespoke Private Sales, Christie’s unparalleled network of specialists offers our clients a full portfolio of global services, including art appraisal, art financing, international real estate and education. Christie’s auctions span more than 80 art and luxury categories, at price points ranging from $500 to over $100 million. Christie’s has sold 7 of the 10 most important single-owner collections in history, achieved the world record price for an artwork at auction, launched the first fully on-chain auction platform dedicated to exceptional NFT art and manages an investment fund to support innovative startups in the art market. Christie’s is also committed to advancing responsible culture throughout its business and communities worldwide. To learn more, browse, bid, discover, and join us for the best of art and luxury at christies.com or by downloading Christie’s apps. ## About Somerset House ***Step Inside, Think Outside*** As the home of cultural innovators, [Somerset House](https://www.somersethouse.org.uk/?ref=marmaladecollective.com) is a site of origination, with a cultural programme offering alternative perspectives covering the biggest issues of our time. We are a place of joy and discovery, where everyone is invited to Step Inside and Think Outside. From our historic site in the heart of London, we work globally across art, creativity, business, and non-profit; nurturing new talent, methods and technologies. Our resident community of creative enterprises, arts organisations, artists and makers, makes us a centre of ideas, with most of our programme talent being home-grown. We sit at the meeting point of artistic and social innovation, bringing worlds and minds together to create surprising and often magical results. Our spirit of constant curiosity and counter perspectives is integral to our history and key to our future. ## About INFINIMENT COTY PARIS In 1904, [Coty](https://eu.infinimentcoty.com/en-gb?ref=marmaladecollective.com) transformed the art of perfumery through its revolutionary approach to raw materials, pioneering a groundbreaking blend of natural and synthetic ingredients. 120 years later, Sue Nabi and Nicolas Vu live that heritage, introducing a new chapter under the name of INFINIMENT COTY PARIS, bridging the past and the future. A forward-looking collection of 14 fragrances seamlessly blending art, science, and emotion. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****4,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Member Meet-ups: October URL: https://www.marmaladecollective.com/member-meet-ups-october-2024/ Last updated: 2024-09-30T12:00:15.000Z Here's what's coming up for the Marmalade community. These meet-up events are perfect for socialising with other members, meeting new people and exploring new Afrocentric experiences. --- _This post is for subscribers only._ ### Cuppy Takes NYC, Idris Elba’s New Role, Africa’s $40M Creator Initiative URL: https://www.marmaladecollective.com/cuppy-takes-nyc-idris-elba-new-role-africa-40m-creator-initiative/ Last updated: 2024-09-30T09:00:13.000Z **Welcome to Vol 110 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎟️ We’re giving away 2x Free Tickets to the VIP Preview of 1-54 Contemporary Art Fair in London! ⁠[****Enter to WIN**](https://bit.ly/MarmaladeTickets?ref=marmaladecollective.com). Check out last year's winners [here](https://www.instagram.com/p/CyQYw3JIwCq/?img%5Findex=1&ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - Fashionable Philanthropist, and DJ [**daughter of Nigerian Billionaire, Cuppy**](https://pagesix.com/2024/09/27/entertainment/cuppy-fashionable-philanthropist-dj-daughter-of-billionaire-in-nyc/?ref=marmaladecollective.com) takes NYC *via PageSix* - [**Fashion Brand Maxhosa Africa**](https://www.africanews.com/2024/09/28/fashion-brand-maxhosa-africa-presents-collection-in-paris/?ref=marmaladecollective.com) Presents Collection in Paris *via Africanews* - [**Lupita Nyong’o and Oxlade**](https://www.rollingstone.com/music/music-features/made-in-afroca-lupita-nyongo-oxlade-1235110959/?ref=marmaladecollective.com) Are Putting Africa First *via Rollingstone* ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_459940197_18462741880062977_9050837167788069002_n_1080.jpg) **Lupita Nyong’o. Image Source: Instagram* - [**This Moroccan Neighbourhood**](https://www.timeout.com/news/this-moroccan-neighbourhood-was-just-named-the-coolest-in-africa-092524?ref=marmaladecollective.com) was Just Named the Coolest in Africa *via TimeOut* - Next Narrative Africa, HEVA Fund Launch [**$40 Million Content Creator Initiative**](https://variety.com/2024/film/global/next-narrative-africa-heva-40-million-fund-1236156472/?ref=marmaladecollective.com) *via Variety* - [**Idris Elba to Star**](https://www.thesouthafrican.com/lifestyle/celeb-news/international-celebs/idris-elba-to-star-in-a24s-adaptation-of-things-fall-apart/?ref=marmaladecollective.com) in A24’s Adaptation of ‘Things Fall Apart’ *via The South African* - Statement Pieces: CANEX Presents Africa Sends [**a Message About Contemporary Fashion**](https://www.vogue.com/article/statement-pieces-canex-presents-africa-sends-a-message-about-contemporary-fashion?ref=marmaladecollective.com) *via Vogue* --- ## ⏳ Trivia Time Which South African fashion designer is known for founding the label MaXhosa Africa, which blends traditional Xhosa beadwork and patterns into contemporary knitwear designs? A) David Tlale B) Thebe Magugu C) Laduma Ngxokolo *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/superjazzclub-band-1-2-1.jpg)](https://www.marmaladecollective.com/superjazzclub-multitalented-collective/) **Image Courtesy of SuperJazzClub* ## Ghana-based Collective, SuperJazzClub SuperJazzClub, the Accra-based collective, is pushing boundaries once again with their genre-defying EP, *Monochrome Radio*. Known for fusing R&B, hiplife, electronic rhythms, and more, this collective’s musical explorations go beyond the mainstream, offering an alternative sound that blends global influences with African roots. Their new EP exemplifies their commitment to innovation while continuing their legacy of fearlessly merging art forms. [Let's get into it!](https://www.marmaladecollective.com/superjazzclub-multitalented-collective/) --- ## What We're... 📰 **Reading:** [**The Nigerian EDM & House Scene**](https://culturecustodian.com/the-nigerian-edm-house-scene-how-motion-is-redefining-the-rave-culture-in-abuja/?ref=marmaladecollective.com)**.** "Since gaining notoriety in Chicago and the 70s Black American underground scene, EDM and its subgenres have proven to be a cultural movement. Nigerians are no stranger to dance and electronic music. It has in fact, been an explorative part of our soundscape, as several Nigerian artists have experimented and fused EDM and its other subsets like House, Trap, and Dubstep with our homegrown Afrobeats." 🎧 **Listening to:** [**CAN YOU IMAGINE by Tobe Nwigwe ft. Odumodublvck**](https://www.youtube.com/watch?v=VAw76UnpGSY&ref=marmaladecollective.com). "The song's message is beautifully complemented by a captivating music video that brings the imagination to life. Tobe Nwigwe's lyrics are characteristically introspective and personal while Odumodublvck brought an addition not expected by many, where he gave a calm flow to bring the track to life." 📺 **Watching:** [**“Oxlade From Africa” docu-series**](https://www.youtube.com/watch?v=d4uCiWnPB-U&ref=marmaladecollective.com). In this series, he travels across the world to meet some of the most prominent African and Afro-descendant creatives. With this series and his album, Oxlade wants to contribute to this global influence. “I’m simply trying to show a positive side of Africa, and cure the world with music”, he says, before concluding: “This is my career plan." ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/PRESS-PHOTO_WHITE_4-scaled.jpg) **Oxlade. Source:* [**Wonderland*](https://www.wonderlandmagazine.com/2024/09/20/track-by-track-oxlade-oxlade-from-africa/?ref=marmaladecollective.com) 🎟️ **Booking:** [**The All-Nigerian Pub Quiz**](https://www.eventbrite.com/e/the-nigerian-independence-day-trivia-showdown-tickets-1002452200517?aff=oddtdtcreator&ref=marmaladecollective.com). Join us for an unforgettable evening of fun, laughter, and friendly competition. Gather your team of up to 6 people and compete for cash prizes and other exciting giveaways. Test your knowledge of Nigerian history, culture, and pop culture in a fun and engaging atmosphere. 🎟️ Get 10% off using the code ****YAC10**. Offer ends on 30th Sep 👀 **Eyeing:** [**An Original Chanakira**](https://clarendonfineart.com/products/an-original-chanakira?%5Fpos=1&%5Fsid=6551671be&%5Fss=r&ref=marmaladecollective.com). This original painting titled "An Original Chanakira" by Charmaine Chanakira, measuring 24" x 32" inches, is a vivid and expressive narrative artwork that responds to Charmaine’s experiences as a black woman born in Zimbabwe and now living in London. Through a dynamic interplay of acrylic paint, oil pastels, and pen, she explores personal stories as well as broader themes of social justice, politics, and contemporary culture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Image_26a40ec5-ce3e-4fee-b730-f1c00fa44a15.jpeg) **Image Courtesy of Charmaine Chanakira* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Laduma Ngxokolo** ### How Ghana's Multitalented Collective, SuperJazzClub, Is Shaping Global Culture URL: https://www.marmaladecollective.com/superjazzclub-multitalented-collective/ Last updated: 2024-09-30T12:25:11.000Z ## Introduction SuperJazzClub, the Accra-based collective, is pushing boundaries once again with their genre-defying EP, *Monochrome Radio*. Known for fusing R&B, hiplife, electronic rhythms, and more, this collective’s musical explorations go beyond the mainstream, offering an alternative sound that blends global influences with African roots. Their new EP exemplifies their commitment to innovation while continuing their legacy of fearlessly merging art forms. Formed in 2018, SuperJazzClub is a seven-member group made up of **Seyyoh**, **Ansah**, **BiQo**, **Tano Jackson**, **Øbed**, **Joey Turks**, and **Anthony.** These musicians, producers, filmmakers, and visionaries have embraced non-conformity from the start. They first caught attention with the release of tracks like “A Couple Black Kids” and “Bordeaux,” showcasing an experimental approach that merges synth-heavy soundscapes with Ghanaian hip-hop and afrobeats. Their mission is simple yet profound: to create a space for free expression while challenging one-dimensional narratives about West African music. They find inspiration from across the world—jazz, hip hop, highlife, electronic, R&B, and afrobeats; you name it. Beyond music, the collective is deeply involved in other art forms. From being filmmakers and photographers, who help shape the group’s visual narrative and identity, infusing cinematic storytelling into their music videos, to taking us into fashion and culture, leading collaborations like their Reebok x Margiela sneaker project and building their distinct style. Together, they form a creative force that is impossible to box into a single discipline. ## A Safe Space for Creative Expression ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/SJC_MONOCHROME_PRESS7769.jpg) What truly sets SuperJazzClub apart is their approach to storytelling. The collective has cultivated an artistic space where vulnerability and freeform expression thrive. On their debut EP, *For All the Good Times*, they explored deep emotional themes, opening with a lush female voice on "July 4th" confessing feelings of uncertainty and existential doubt. This kind of raw emotion is a staple of SuperJazzClub’s music, giving listeners a sense of community and understanding. The group’s shared love for art has allowed them to create works that crosses boundaries. Their DIY spirit has also resonated with fans across the globe, and features in influential publications like i-D, *CLASH* and *The Native Mag*. SuperJazzClub isn’t just about creating groundbreaking music; they’re a group of fully realised talents across various creative disciplines. United by a shared mission to challenge the one-dimensional narrative often attached to West African music, they aim to carve out more space for alternative and fringe artistic expression, not just in Ghana but globally. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/02.SJC-911-Shot-by-Babajide-Osho.jpg) SuperJazzClub follows in the footsteps of collectives like La Meme Gang and Asakaa, who have gone against the grain in Ghana’s music industry. However, what makes SuperJazzClub unique is their deliberate embrace of multidisciplinary art, incorporating skateboarding, fashion, and film into their brand. > “We are trying to show children, or any creative, that they can make the art they love and still make a living out of it,” Øbed asserts via Nataal media. Their music isn't just about pushing sonic limits; it's about building a community of mavericks. ## What’s Next? With *Monochrome Radio* now available for the world to enjoy, SuperJazzClub is taking their sound to the stage. Fresh off the heels of their stellar performances at the Cross The Tracks Festival and Recess’ Dreamland Margate Weekender, the collective performed at the prestigious Montreux Jazz Festival in Switzerland (back in July of this year). Sharing the stage with musical heavyweights like Andre 3000, Janelle Monáe, and Lenny Kravitz, this is a monumental moment for SuperJazzClub—a leap from the underground to the major leagues. As SuperJazzClub continues to carve out their own lane, they are poised to expand their influence even further with *Monochrome Radio*. Their music reflects their collective’s purpose—bold, experimental, and representative of a new wave in African creativity. Their sound knows no borders, and with each release, they challenge the status quo, pushing listeners to embrace eclectic, genre-blurring music. For fans of forward-thinking music, *Monochrome Radio* is an essential listen. It showcases the collective’s ability to blend styles and tell stories that resonate on a deep emotional level, offering an alternative soundtrack to modern life. SuperJazzClub is set to bring their sound to Europe, kicking off their tour in Berlin before hitting stages in Amsterdam, Brussels, Paris, and London. For those looking to experience the energy and creativity of this Ghanaian collective live, this is an opportunity not to be missed. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/SuperJazzClub-EU-Tour-Dates.jpg) ### Upcoming Shows: - October 4th: Kantine Am Berghain, Berlin - October 6th: Paradiso, Amsterdam - October 7th: Botanique, Brussels - October 9th: La Maroquinerie, Paris - October 10th: Colours Hoxton, London [Listen to Monochrome Radio](https://orcd.co/monochromeradio?ref=marmaladecollective.com) Stay connected with SuperJazzClub: [Instagram](https://www.instagram.com/superjazzclub/?ref=marmaladecollective.com) / [YouTube](https://www.youtube.com/@SuperJazzClub/videos?ref=marmaladecollective.com) / [Facebook](https://web.facebook.com/SuperJazzClubInc/?%5Frdc=1&%5Frdr&ref=marmaladecollective.com) / [Twitter](https://x.com/superjazzclub?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/SJC_MONOCHROME_PRESS8257.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/SJC_MONOCHROME_PRESS7983.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/SJC_MONOCHROME_PRESS7789.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/SJC_MONOCHROME_PRESS8158.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/01.SJC-911-Shot-by-Babajide-Osho.JPG) Photo Credit: Babajide Osho ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****4,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 🥃 DÒDÒ Diaries #8 URL: https://www.marmaladecollective.com/dodo-diaries-8/ Last updated: 2024-09-26T19:00:11.000Z We’ve been working with **Abura** to craft four delicious **signature cocktail recipes** featuring DÒDÒ Plantain-Infused Rum and we can’t wait to share them with you! But we need your help to take them to the next level. We’d love for you to: 1. **Rate the recipes** – Let us know which ones you love most. 2. **Help us name them** – Get creative and suggest fun, bold names for each cocktail! Here’s how you can participate: [View the recipes](https://drive.google.com/file/d/106H9sVidbOl9nQhUubVbC1JdCsJa0Kfi/view?usp=sharing&ref=marmaladecollective.com) [Take the survey](https://forms.gle/XJnsHbmfXpY1tcnq8?ref=marmaladecollective.com) We can’t wait to see what you think and which names you come up with! Naming bragging rights up for grabs. 🥰 Feeling adventurous? We’d love to see you ****experiment with your own DÒDÒ creations** too! Share your unique recipes on social media and tag ****#DrinkDODO** for a chance to be featured. Cheers, DÒDÒ Team ### 🥃 DÒDÒ Diaries #7 URL: https://www.marmaladecollective.com/dodo-diaries-7/ Last updated: 2024-09-25T11:00:21.000Z We’re thrilled to let you know that all DÒDÒ orders have now been shipped and your bottle(s) should have arrived! We hope you’re just as excited to dive into the deliciousness of DÒDÒ Plantain-Infused Rum as we are to share it with you. _This post is for subscribers only._ ### Wizkid’s Afrobeats Legacy, Tyla’s Fashion Insights, Nubya Garcia’s Afro-Caribbean Tribute URL: https://www.marmaladecollective.com/wizkid-afrobeats-legacy-tyla-fashion-insights-nubya-garcia-afro-caribbean-tribute/ Last updated: 2024-09-23T10:02:17.000Z **Welcome to Vol 109 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 😍 Thank you so much for joining us at The Conduit on Friday! Your energy and presence made it such a special night and we’re so grateful for your support. [****Check out the photos**](https://drive.google.com/drive/folders/1KfPZsPTxnkZwo7eU4hYFF58A1TA4HAaF?ref=marmaladecollective.com). Finally, the wait is over! [****DÒDÒ Plantain-Infused Rum**](https://www.drinkdodo.com/?ref=marmaladecollective.com) shipped today! We couldn’t be more excited for you to finally get your hands on this unique and delicious rum. Now, on to the real peel... ## 🔥 Trending Stories - 10 Years Ago, [**Wizkid’s “Ojuelegba” Set the Tone**](https://www.okayafrica.com/wizkids-ojuelegba-afrobeats-global-appeal/?ref=marmaladecollective.com) for Afrobeats' Global Appeal *via OkayAfrica* - [**Tyla On The Story Behind**](https://www.wmagazine.com/culture/tyla-nike-fashion-week-breathe-me-interview?ref=marmaladecollective.com) Her "Breathe Me" Video & Her Fashion Week Essentials *via W Magazine* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/bfa_46246_6550351-1.jpeg)](https://www.wmagazine.com/culture/tyla-nike-fashion-week-breathe-me-interview?ref=marmaladecollective.com) **BFA.com* - From Lagos to London, [**Slawn Couldn't Care Less**](https://www.artsy.net/article/artsy-editorial-slawn-care-hate-art?ref=marmaladecollective.com) If You Hate His Art *via Artsy* - The Best [**North African COLORS**](https://www.okayafrica.com/north-africa-colors-studios-performances/?ref=marmaladecollective.com) Performances *via OkayAfrica* - [**Ethiopia Through Time**](https://artafricamagazine.org/ethiopia-through-time-a-journey-from-antiquity-to-digital-art/?ref=marmaladecollective.com): A Journey from Antiquity to Digital Art *via Art Africa* - How Kwame Nkrumah Sought to Unite the Continent Through a [**Bold and Distinctively African Style**](https://www.worldofinteriors.com/story/tropical-modernism-review?ref=marmaladecollective.com) *via The World of Interiors* - [**Nubya Garcia Pays Tribute**](https://pitchfork.com/reviews/albums/nubya-garcia-odyssey/?ref=marmaladecollective.com) to the Afro-Caribbean Diasporic Sounds That Inspired Her *via Pitchfork* --- ## ⏳ Trivia Time Which **famous Ghanaian architect** is credited with bringing Tropical Modernism to Ghana, notably through his design of the Independence Arch and State House in Accra? A) Kwame Nkrumah B) David Adjaye C) Theodore S. Clerk *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Screenshot-2024-09-23-at-10.27.50.jpeg)](https://www.marmaladecollective.com/african-football-stars-leading-the-charge-in-the-biggest-leagues-of-2024/) **Bukayo Saka for Arsenal FC.* [**Source: X*](https://x.com/AfcPr1nce/status/1813892448722252037?ref=marmaladecollective.com) ## African Football Stars Leading the Charge in the Biggest Leagues of 2024 Football has always been more than just a game for many Africans and for these African-born stars—it’s a way to connect with their roots while leaving a mark on the global stage. Whether they’re dazzling fans in the Premier League or showcasing their talents in La Liga, these players carry the pride of their nations with them. In 2024, we’re seeing African footballers not only lighting up Europe’s biggest leagues but also staying true to the places they call home. From giving back to their communities to representing their heritage on and off the pitch, these stars are proving that the heart of football beats in Africa. Let’s take a closer look at their journeys, their triumphs, and how they balance being football icons and ambassadors of their cultures. [Let's get into it!](https://www.marmaladecollective.com/african-football-stars-leading-the-charge-in-the-biggest-leagues-of-2024/) --- ## What We're... 📰 **Reading:** [**Tropical Modernism: Architecture and Independence by Christopher Turner**](https://amzn.eu/d/9BIaMEe?ref=marmaladecollective.com). Its leading proponents, British architects Jane Drew and Maxwell Fry, adapted a utopian Bauhaus-derived Modernist aesthetic to hot and humid conditions. After Independence, Tropical Modernism was championed by leaders including Jawaharlal Nehru and Kwame Nkrumah as a symbol of freedom, progressiveness and internationalism in monumental projects such as Chandigarh in Punjab planned by Le Corbusier and Black Star Square in Accra designed by Victor Adegbite. 🎧 **Listening to:** [**Pa Salieu - Allergy (Live Session)**](https://www.youtube.com/watch?v=Q5rtY5j9yuM&ref=marmaladecollective.com). Hailing from Gambia but growing up in Coventry, Pa is one of the most unique voices in UK Rap today. His debut project ‘Send Them To Coventry’ dropped to critical acclaim and he has since gone onto work with the likes of Ghetts, SL, and FKA Twigs. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/image.png)](https://www.youtube.com/watch?v=Q5rtY5j9yuM&ref=marmaladecollective.com) **Pa Salieu. Source: junodownload* 📺 **Watching:** [**There’s more to African music than Afrobeats – just listen to these artists on CNN**](https://edition.cnn.com/2024/09/09/world/video/africas-alternative-music-scene-african-voices-spc?ref=marmaladecollective.com). Traditional, modern, global, dynamic: Africa’s alternative music scene thrives. From Dusty & Stone’s country tunes to death metal from Botswanan band Overthrust and Morena Leraba's remixes of traditional Sesotho music, take your ears on the road less traveled as CNN hears from artists showcasing the continent’s diverse tastes. 🎟️ **Booking:** [**The All-Nigerian Pub Quiz**](https://www.eventbrite.com/e/the-nigerian-independence-day-trivia-showdown-tickets-1002452200517?aff=oddtdtcreator&ref=marmaladecollective.com). A witty educational tool that aims to showcase Nigerian history and culture in a fun and engaging way. Through our quizzes, we provide a unique platform for the diaspora to learn about Nigeria and connect with their heritage. 👀 **Eyeing:** [**Labrum London's SS25 Collection**](https://labrumlondon.com/pages/ss25?ref=marmaladecollective.com). SS25 continues the “Designed by an Immigrant” narrative, celebrating the triumphs born from struggle and the beauty shaped by pain. In the world of LABRUM, every immigrant is a hero. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Theodore S. Clerk** ### African Football Stars Leading the Charge in the Biggest Leagues of 2024 URL: https://www.marmaladecollective.com/african-football-stars-leading-the-charge-in-the-biggest-leagues-of-2024/ Last updated: 2024-09-17T10:45:37.000Z # **Introduction** Football has always been more than just a game for many Africans and for these African-born stars—it’s a way to connect with their roots while leaving a mark on the global stage. Whether they’re dazzling fans in the Premier League or showcasing their talents in La Liga, these players carry the pride of their nations with them. In 2024, we’re seeing African footballers not only lighting up Europe’s biggest leagues but also staying true to the places they call home. From giving back to their communities to representing their heritage on and off the pitch, these stars are proving that the heart of football beats in Africa. Let’s take a closer look at their journeys, their triumphs, and how they balance being football icons and ambassadors of their cultures. ### 1\. **Mohamed Salah (Egypt) - Liverpool, Premier League** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_455759027_1040256437819101_4982849607058503034_n_1080.jpg) Mohamed Salah’s name has become synonymous with football excellence. Growing up in Nagrig, Egypt, Salah's dream was always to play in Europe. Today, he's one of the Premier League’s most iconic players, continuing to dazzle for Liverpool with his speed, skill, and incredible goal-scoring ability. But even as his global fame rises, Salah remains rooted in his Egyptian heritage. His consistent charity work and commitment to helping the less fortunate in Egypt show that no matter how high he climbs, his feet remain firmly planted in his homeland. ### 2\. **Bukayo Saka (England/Nigeria) - Arsenal, Premier League** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_456827539_1073923807498483_3699783272370879729_n_1080.jpg) Bukayo Saka has become one of the Premier League's brightest young stars, showcasing his talent week in and week out for Arsenal. Born to Nigerian parents in London, Saka's African roots are an integral part of his identity, despite playing for England at the international level. His ability to play multiple attacking positions has made him a key player for both club and country. Saka often speaks about his connection to Nigeria, and his humility and work ethic resonate with fans both in the UK and across Africa. He's a beacon for young footballers of African descent who look to make their mark in the global football scene. ### 3\. **Victor Osimhen (Nigeria) - Galatasaray, Süper Lig (On Loan from Napoli)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_459948224_1917696762048443_8086221682195593474_n_1080.jpg) Victor Osimhen's rise from the streets of Lagos to becoming one of Europe’s top strikers has been nothing short of phenomenal. After an impressive spell at Napoli, where he led the team to success, Osimhen now plays on loan for Galatasaray in the Süper Lig. Known for his lethal finishing and powerful style of play, Osimhen’s journey exemplifies hard work and perseverance. Despite playing in Europe, Osimhen continues to honour his Nigerian heritage. He frequently returns to Lagos, working with local football initiatives and serving as a role model for young Nigerians dreaming of following in his footsteps. ### 4\. **Wilfried Zaha (Ivory Coast) - Lyon, Ligue 1 (On Loan from Galatasaray)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_458378062_18449067052053265_3112899015282882103_n_1080.jpg) After a long and successful career in the Premier League with Crystal Palace, Wilfried Zaha now finds himself on loan at Lyon from Galatasaray in the Süper Lig. Known for his flair and creativity on the wing, Zaha’s roots in Abidjan, Ivory Coast, have remained central to his career. He chose to represent Ivory Coast at the international level, embracing his African identity despite growing up in England. Zaha continues to use his platform to raise awareness about causes close to his heart in Ivory Coast and remains deeply connected to his African roots, showing that football is about more than just what happens on the pitch. ### 5\. **Romelu Lukaku (Belgium/DR Congo) - AS Roma, Serie A** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_457504576_503447009077144_563743898434625345_n_1080.jpg) Romelu Lukaku's journey is one of resilience and determination. Born to Congolese parents in Belgium, Lukaku has played for some of Europe’s biggest clubs, including Chelsea, Inter Milan, and Manchester United. In 2024, he finds himself as a striker for Serie A club Napoli, where he continues to use his physical presence and sharp finishing to make an impact. Lukaku is proud of his Congolese heritage and often speaks about the influence his roots have had on his career. ### 6\. **Paul Pogba (France/Guinea) - Juventus, Serie A** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_457804287_1173201160433167_1231196564576396965_n_1080.jpg) Paul Pogba, born in France to Guinean parents, has been one of the most recognisable figures in world football for over a decade. His flamboyant style on and off the pitch, coupled with his leadership at Juventus and the French national team, makes him a global icon. Yet, Pogba’s connection to Guinea is a core part of who he is. From supporting Guinean youth football projects to embracing his African heritage in his personal life, Pogba’s pride in his roots is ever-present. His journey from the streets of Lagny-sur-Marne to becoming a World Cup winner is not just a story of individual success but also a reflection of the influence African players continue to have on global football. ### 7\. **Achraf Hakimi (Morocco) - Paris Saint-Germain, Ligue 1** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_454407992_18454000279000561_8633382118592952241_n_1080.jpg) Achraf Hakimi, a versatile right-back born in Spain to Moroccan parents, has become a key player for Paris Saint-Germain and the Moroccan national team. His decision to represent Morocco internationally was driven by a deep sense of pride in his heritage, and he played a pivotal role in Morocco’s historic World Cup run in 2022. Hakimi continues to be a symbol of Moroccan excellence, frequently engaging with his roots through community outreach and football development initiatives in Morocco. His success at PSG and beyond is a testament to the growing influence of African players on the world stage. ### 8\. **Sadio Mané (Senegal) - Al-Nassr, Saudi Pro League** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_458804379_1447150962549382_5440295524866163095_n_1080.jpg) Although now plying his trade in the Saudi Pro League, Sadio Mané's influence remains global. After successful spells with Liverpool and Bayern Munich, the Senegalese forward continues to dazzle fans worldwide with his electrifying play. Mané's commitment to improving lives back in Senegal, where he’s built schools, and hospitals, and provided other resources, is a shining example of his deep connection to his homeland. Mané's story, from a small village in Senegal to global football superstardom, is one that resonates across Africa, and he remains one of the continent’s proudest exports. ### 9\. **Franck Kessié (Ivory Coast) - Al-Ahli, Saudi Pro League** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_454411475_1014819610230175_8853895800018991583_n_1080.jpg) Franck Kessié’s powerful performances in midfield have made him a sought-after player across Europe and beyond. After stints with AC Milan and Barcelona, Kessié now finds himself in the Saudi Pro League with Al-Ahli. A proud Ivorian, Kessié has always embraced his African roots, making significant contributions to his community back home. ### 10\. **Samuel Chukwueze (Nigeria) - AC Milan, Serie A** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_450828741_2272597289756035_2193114655429866077_n_1080.jpg) Samuel Chukwueze’s journey from Nigeria to Europe has been filled with breathtaking moments. His time at Villarreal earned him a reputation as a fast and skillful winger, and his 2024 move to AC Milan has solidified his status as one of Africa’s most exciting talents. Chukwueze remains a proud representative of Nigeria, often dedicating his performances to his homeland. # Conclusion The rise of African-born players in football’s top leagues isn’t just about talent; it’s about a deep connection to their roots, resilience, and a sense of responsibility to the next generation. As they inspire fans globally with their performances, they also inspire young Africans to dream big, proving that success on the world stage doesn’t mean leaving home behind. With every goal, assist, celebration or loss, the future of football is brighter because of these stars. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Anthony Joshua’s Nigerian Roots, Tyla Challenges Awards, Priya Ahluwalia at Fashion Week URL: https://www.marmaladecollective.com/anthony-joshua-nigerian-roots-tyla-challenges-awards-priya-ahluwalia-at-fashion-week/ Last updated: 2024-09-16T09:00:10.000Z **Welcome to Vol 108 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 👋 Am I seeing you [****this Friday**](https://lu.ma/wtogop2x?ref=marmaladecollective.com)? We're hosting a panel + party with two culinary tastemakers, Lerato Umah-Shaylor and Kiano Moju. This is ****your exclusive opportunity** to get direct access to these influential chefs and your chance to be part of a community of like-minded food and culture enthusiasts in an intimate setting. ****Get 30% off with code: 4QKK5H -** [****very limited tickets**](https://lu.ma/wtogop2x?coupon=4QKK5H&ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - Exploring [**Anthony Joshua's Heritage and Nigerian Roots**](https://www.sportingnews.com/us/boxing/news/anthony-joshuas-heritage-explaining-aj%E2%80%99s-nigerian-roots/a256039749300862e1dd1044?ref=marmaladecollective.com) Ahead of Daniel Dubois Showdown *via The Sporting News* - [**Nigerian-Indian Designer**](https://www.elle.com/uk/fashion/a62195745/priya-ahluwalia-interview-ss25-collection/?ref=marmaladecollective.com), Priya Ahluwalia, Brings It Home For London Fashion Week *via ELLE Magazine* - [**10 African Startups**](https://disruptafrica.com/2024/09/13/10-african-startups-to-pitch-at-nba-africas-triple-double-accelerator-demo-day/?ref=marmaladecollective.com) to Pitch at NBA Africa’s Triple-Double Accelerator Demo Day *via Disrupt Africa* - [**Nigerian Highlife Sensation Flavour**](https://rollingstoneafrica.com/music/music-features/heart-and-soul-with-rama-flavour-highlife-interview/?ref=marmaladecollective.com) Stars in Debut Episode of New Series, ‘Heart & Soul With Rama’ *via Rollingstone Africa* - [**Tyla Calls Out**](https://www.citizen.co.za/entertainment/tyla-calls-out-international-awards-after-winning-afrobeats-gong-at-mtv-vmas-video/?ref=marmaladecollective.com) International Awards for Grouping African Artists As One *via The Citizen* - These [**7 Must-See Films**](https://www.okayafrica.com/7-must-see-afrofuturism-films/?ref=marmaladecollective.com) Are Reimagining Afrofuturist Narratives *via OkayAfrica* - [**This Cape Town Hotel**](https://www.timeout.com/cape-town/news/this-luxe-cape-town-hotel-is-3-in-the-world-091024?ref=marmaladecollective.com) Ranked #3 in The Telegraph‘s World’s Best 50 Hotels in 2024 *via TimeOut* --- ## ⏳ Trivia Time **Question:** Which Nigerian artist made history by being the first Afrobeats singer to sell out London’s O2 Arena in 2018? A) Wizkid B) Burna Boy C) Davido *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/GQ0424_Asake_D_10-copy-1.jpeg)](https://www.marmaladecollective.com/asake-top-10-music-videos/) **Photography by Micaiah Carter* ## Asake's Top 10 Music Videos Asake has been making waves in Afrobeats, not only through his music but also with visually striking and creative music videos. Known for his unique blend of cultural elements, vibrant visuals and storytelling, Asake's music videos are integral to his artistic expression. Here’s a guide to his top 10 must-watch music videos... [Let's get into it!](https://www.marmaladecollective.com/asake-top-10-music-videos/) --- ## What We're... 📰 **Reading:** [**How to Build a Corporate Career: Lessons from a First-Generation Migrant by Vivian Eni**](https://books2read.com/u/mYnQ2d?store=amazon&format=EBOOK&ref=marmaladecollective.com). Drawing from her personal journey and nearly two decades of experience, this book offers practical strategies tailored for professionals navigating career transitions, particularly those facing unique challenges in a new country or thoselooking to break into new industries or overcome career obstacles. 🎧 **Listening to:** [**Alté, a podcast episode by i-D**](https://open.spotify.com/episode/3pMn9AvptTTGti2yxipByi?si=89rW7ZytQQiRfGf5m800-Q&ref=marmaladecollective.com). The podcast explores how a small Lagos scene took Nigerian culture global. Alté is so much more than a sound, it’s a fully-fledged lifestyle – a way of being that’s expressed as much through style and art as through music, and that has come to define what Nigerian youth culture looks, sounds and feels like today. 📺 **Watching:** [**Lewis Hamilton on Africa**](https://www.youtube.com/watch?v=EFssSA4NWt8&ref=marmaladecollective.com). Lewis returned to Africa and has spent his time in different countries and exploring and understanding the different cultures and the impact he can still have on the places he visits. 🎟️ **Booking:** [**Homemade: An Evening with Lerato & Kiano**](https://lu.ma/wtogop2x?ref=marmaladecollective.com). This Friday, get ready for a deliciously unique evening centred on conversations, culture, cuisine and community! This is your chance to experience the world of African cuisine with these two culinary tastemakers and cookbook authors. ***Get 30% off with code: 4QKK5H*** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Homemade_20-SEP_1x1_Small-2.jpg)](https://lu.ma/wtogop2x?ref=marmaladecollective.com) 👀 **Eyeing:** [**Slawn's 1000 canvases**](https://saatchiyates.com/shop?ref=marmaladecollective.com). Saatchi Yates presents the first major London exhibition by trailblazing contemporary Nigerian artist Olaolu Akeredolu-Ale, better known as Slawn. Slawn is renowned for his distinct artistic style that combines street art with abstract expressionism. Alongside a plethora of original works the exhibition includes 1000 A4 canvases each priced at £1000\. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Wizkid** ### A Guide to Asake's Top 10 Music Videos URL: https://www.marmaladecollective.com/asake-top-10-music-videos/ Last updated: 2024-09-15T21:36:08.000Z Asake has been making waves in Afrobeats, not only through his music but also with visually striking and creative music videos. Known for his unique blend of cultural elements, vibrant visuals and storytelling, Asake's music videos are integral to his artistic expression. Here’s a guide to his top 10 must-watch music videos: --- ### 1\. **Peace Be Unto You (PBUY)** One of Asake's most energetic music videos, “PBUY” reflects his infectious optimism and dynamic style. Shot on the streets of Lagos, the video is packed with action, from Asake riding a motorbike to scenes high above the city. The visuals are as lively as the song, perfectly matching the upbeat tempo and spiritual tone​. ### 2\. **Basquiat** Named after the famous artist, the video for “Basquiat” dives into a more artistic realm. It features Asake surrounded by painters and creating art himself, showcasing his connection to creativity. The video plays with colours and artistic imagery, from splashes of paint to surreal scenes on a yacht​. ### 3\. **Lonely At The Top** "Lonely At The Top" explores the solitude that often accompanies success. The video’s narrative starts with Asake pondering his loneliness despite his achievements. Even in a lavish mansion filled with people, he feels isolated, illustrating the deeper message of the song. It’s a stark contrast to his other, more energetic visuals​. ### 4\. **Terminator** “Terminator” takes things up a notch with vivid colours, high fashion, and dynamic performances. Model Bria Myles makes an appearance, adding a touch of glamour. The video also features a fight scene and religious imagery, making it one of Asake's more complex and visually captivating works​. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****4,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 5\. **Sungba** A fan-favourite, “Sungba” sees Asake performing alongside Burna Boy in an energetic, dance-heavy video. Both stars exude charisma, with synchronised moves and infectious energy. The chemistry between the two is palpable, making this one of the standout videos in Asake’s catalog. ### 6\. **Bandana** "Bandana" showcases Asake and Fireboy DML in a vibrant display of Afrobeats culture. The video is a celebration of individuality and pride, with the two artists moving through a mix of urban and artistic settings. Their on-screen chemistry and the high-energy visuals make this a video that keeps viewers engaged​. ### 7\. **Joha** The “Joha” video is an explosion of colour and movement. The choreography is front and centre, with dancers creating a visual spectacle that perfectly complements the song’s pulsating beat. This video is a favourite for anyone who loves to dance along with the music​. ### 8\. **Active** The video for Asake’s song "Active" is just as experimental as his *Lungu Boy* album. It shows him exploring different activities like riding horses, dancing with a marching band, flying in a private jet, and skateboarding—one of his personal hobbies. Directed by Joshua Valle, Edgar Esteves, and Nikita Vilchinski, this video, featuring Travis Scott, is one of Asake's most unique and adventurous visuals. ### 9\. **Amapiano** Asake teams up with Olamide for the video of “Amapiano,” which pays tribute to the South African genre with the same name. The fiery visuals, paired with the energy of both artists, make this a standout performance. With scenes that highlight intense choreography and vibrant backdrops, it’s a high-octane visual experience​. ### 10\. **Organise** The music video for Asake's "Organise" highlights his energy and social awareness. It starts with him leading a classroom, then shifts to a scene where Europeans buy a rare African artifact, prompting Asake to intervene. The video reflects real-world issues, like the return of stolen African artifacts, positioning Asake as both a musical talent and a socially conscious artist. --- Asake’s music videos showcase his artistic versatility, combining Afrobeat rhythms with high-energy visuals and deeper, thoughtful storytelling. Whether you’re a fan of dance-driven anthems or introspective narratives, Asake’s video catalog is an essential watch for anyone following the Afrobeats scene. ### 🥃 DÒDÒ Diaries #6 URL: https://www.marmaladecollective.com/dodo-diaries-6/ Last updated: 2024-09-13T14:31:06.000Z Thank you so much for pre-ordering DÒDÒ Plantain-Infused Rum and for being one of the first to join the DÒDÒ journey! We’re excited to share some fantastic updates with you. _This post is for subscribers only._ ### Lupita’s African Podcast, Ayra Starr’s Superstar Dream, Ezra Collective’s New Music URL: https://www.marmaladecollective.com/lupita-african-podcast-ayra-starr-superstar-dream-ezra-collective-new-music/ Last updated: 2024-09-09T09:27:04.000Z **Welcome to Vol 107 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 😍 You're invited to our lively panel discussion, meet-and-greet and mixer event, with [****Lerato Umah-Shaylor**](https://lu.ma/wtogop2x?ref=marmaladecollective.com) and [****Kiano Moju**](https://lu.ma/wtogop2x?ref=marmaladecollective.com), where African cuisine take centre stage. Whether you're a foodie, a culture lover, or just curious, this event is all about celebrating the vibrant tastes and stories behind Africa's rich culinary heritage. [***Book limited early bird tix**](https://lu.ma/wtogop2x?ref=marmaladecollective.com)****.** Now, on to the real peel... ## 🔥 Trending Stories - Lupita Nyongo Announces [**New African Diaspora Podcast**](https://thebritishblacklist.co.uk/out-of-africa-lupita-nyongo-announces-new-african-diaspora-podcast/?ref=marmaladecollective.com)That Will Tell Stories of Africans *via The British Blacklist* - [**This Overlooked Central African Country**](https://www.vogue.com/article/congo-travel-safari-destination?ref=marmaladecollective.com) Is the Continent’s Most Thrilling Safari Destination *via Vogue* - [**Ayra Starr**](https://www.dazeddigital.com/music/article/64524/1/ayra-starr-autumn-2024-issue-african-superstar?ref=marmaladecollective.com): ‘I wanted to be an African superstar’ *via Dazed* - This Young [**Nigerian Architect Practice**](https://www.wallpaper.com/architecture/architects-directory/2024-sisa-nigeria?ref=marmaladecollective.com) Draws on 'Simplicity, Clarity, and Unity' *via Wallpaper* - Off-White's Nothing-But-Net Collection Was [**Inspired by a Trip to Ghana**](https://hypebeast.com/2024/9/off-white-ss25-spring-summer-2025-collection-new-york-fashion-week-runway?ref=marmaladecollective.com) *via HYPEBEAST* - [**Ezra Collective**](https://www.clashmusic.com/news/ezra-collective-return-with-streets-is-calling/?ref=marmaladecollective.com) Return With ‘Streets Is Calling’ Featuring M.anifest and Moonchild Sanelly *via CLASH* - [**Zimbabwean-born Ananya**](https://rollingstoneafrica.com/music/music-news/ananya-emotions/?ref=marmaladecollective.com) Drops Fiery New Song, “Emotions”, Can Heal Your Heartbreak *via Rollingstone Africa* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Ananya-2024-001-1536x1097.jpg)](https://rollingstoneafrica.com/music/music-news/ananya-emotions/?ref=marmaladecollective.com) **Ananya. Source: Rollingstone Africa* --- ## ⏳ Trivia Time **Question:** For which film did Lupita Nyong'o win the Academy Award for Best Supporting Actress, making her the first Kenyan actress to win an Oscar? A) Black Panther B) 12 Years a Slave C) Us *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/tumblr_odgcm5r54p1un3k0vo2_1280.jpg)](https://www.marmaladecollective.com/african-paralympians-who-are-redefining-sports/) ## African Paralympians Who Are Redefining Sports When it comes to sports, victory is often celebrated with fanfare and fame, yet, a group of athletes quietly, and powerfully redefine what it means to compete. We love medals and records, but the 2024 Paralympics is more. It’s a powerful testament to the human spirit’s capacity to overcome. Across Africa, Paralympians are shattering expectations, rewriting the rules, and showing us that true strength lies in resilience. [Let's get into it!](https://www.marmaladecollective.com/african-paralympians-who-are-redefining-sports/) --- ## What We're... 📰 **Reading:** [**This CNBC interview**](https://www.cnbc.com/2024/09/09/heres-29-year-old-millionaire-timothy-armoo-spends-and-invests-money-.html?ref=marmaladecollective.com) about how this 29-year-old British-Ghanaian millionaire doesn’t own a home including how he spends and invests his money instead. 🎧 **Listening to:** [**Ghana's #1 Song 'Lomo Lomo'**](https://open.spotify.com/track/12jJRu9yInIX7oTxoXtM0S?si=64bb47b64db54ccb&ref=marmaladecollective.com). Teaming up with the acclaimed Black Sherif, KiDi creates a musical experience that is both captivating and memorable. The production is finely tuned, with seamless integration of beats and vocals that highlight the strengths of both artists. 📺 **Watching:** [**Ayra Starr perform “Last heartbreak song”**](https://www.youtube.com/watch?v=4U7GO8s79DY&ref=marmaladecollective.com) as MTV’s push artist of the month ahead of the VMAs. 🎟️ **Booking:** [**Homemade: An Evening with Lerato & Kiano**](https://lu.ma/wtogop2x?ref=marmaladecollective.com). Get ready for a deliciously unique evening centred on conversations, culture, cuisine, and community! This is your chance to experience the world of African cuisine with these two culinary tastemakers and cookbook authors. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Homemade_20-SEP_1x1_Small-2.jpg)](https://lu.ma/wtogop2x?ref=marmaladecollective.com) 👀 **Eyeing:** [**AfroFuture x Industrie Africa capsule collection**](https://industrieafrica.com/collections/afrofuture?ref=marmaladecollective.com). Check out the curated assortment of emerging creatives on the continent, part of an exclusive partnership with AfroFuture, amplifying the next generation of African fashion designers. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) 12 Years a Slave** ### HOMEMADE: An Evening with Lerato Umah-Shaylor & Kiano Moju, Sept 20th URL: https://www.marmaladecollective.com/homemade-lerato-umah-shaylor-kiano-moju-sept-20/ Last updated: 2024-09-04T10:25:41.000Z This is your chance to experience the world of African cuisine with two culinary tastemakers and cookbook authors, Lerato Umah-Shaylor and Kiano Moju. Join us for a lively panel discussion, a meet-and-greet and mixer where African cuisine take centre stage. _This post is for subscribers only._ ### Breaking Barriers: African Paralympians Who Are Redefining Sports URL: https://www.marmaladecollective.com/african-paralympians-who-are-redefining-sports/ Last updated: 2024-09-03T13:49:09.000Z # **Introduction** When it comes to sports, victory is often celebrated with fanfare and fame, yet, a group of athletes quietly, and powerfully redefine what it means to compete. We love medals and records, but the 2024 Paralympics is more. It’s a powerful testament to the human spirit’s capacity to overcome. Across Africa, Paralympians are shattering expectations, rewriting the rules, and showing us that true strength lies in resilience. These athletes have faced challenges that would make most of us think twice—physical, societal, and emotional obstacles that could have easily kept them off the field. But instead of giving up, they've chosen to rise above, transforming their struggles into strengths and their dreams into reality. As we dive into their stories, get ready to be moved. These athletes are competitors, heroes, role models, and trailblazers. They’re not just breaking barriers; they’re building bridges—for themselves, their nations, and the generations to come. Let’s meet some of these remarkable African Paralympians who are proving that with enough heart, anything is possible. ### Kat Swanepoel – South Africa ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Kat-Swanepoel.jpg) Kat Swanepoel from South Africa is a force to be reckoned with in the pool. Competing in the S3 classification for swimming, her journey is one of relentless self-improvement. After an accident left her with quadriplegia, Swanepoel fought not just to regain her independence, but to become a world-class athlete. She has represented South Africa at multiple international competitions, including the 2020 Tokyo Paralympics, where she reached the finals in her events. Her passion for swimming is matched only by her drive to inspire others with disabilities to chase their dreams, no matter how big they are. Her motto? "The only limits we have are the ones we set for ourselves." ### Raoua Tlili – Tunisia ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Raoua-Tlili.jpg) Raoua Tlili is synonymous with excellence in Paralympic athletics. A world record holder and multiple gold medalist, Tlili has been dominating the shot put and discus throw in the F41 classification for years. At the 2020 Tokyo Paralympics, she won gold in both events, setting a new world record in the shot put. Her success comes not just from her physical strength but her mental resilience. Hailing from Tunisia, Tlili has become a beacon of hope for young athletes across Africa, showing them that with determination, any dream is within reach, no matter the challenges. ### Asmahane Boudjadar – Algeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Asmahane-Boudjadar.jpeg) Asmahane Boudjadar’s achievements in para-athletics are nothing short of inspiring. Specializing in shot put and javelin throw, Boudjadar has consistently performed at the highest levels. She won a gold medal in the F33 shot put at the 2016 Rio Paralympics and continued her success at the 2020 Tokyo Paralympics, where she added another medal to her collection. Her journey from a small town in Algeria to the global arena is one of overcoming adversity, societal expectations, and limited resources. Yet, Boudjadar remains laser-focused on her goal: to push boundaries and set new records, proving that African women can excel in any field they choose. ### Lauritta Onye – Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/LAURITTA-ONYE--1-.jpg) Lauritta Onye’s story is as extraordinary as her athletic feats. Standing at just 4 feet 1 inch, Onye defies expectations as a shot putter. Born with achondroplasia, she’s turned what some might consider a limitation into a source of strength. Onye shot to fame at the 2016 Rio Paralympics, where she won a gold medal and set a world record in the F40 shot put. She’s also known for her infectious energy and post-competition dance moves that light up the stadium every time. From Lagos to the global stage, her journey is proof that "disability does not mean inability." ### Samwel Mushai Kimani – Kenya ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Samwel-Mushai-Kimani-2.png) Samwel Mushai Kimani is a name that resonates across Kenya, and it’s easy to see why. As a visually impaired runner, Kimani has shown the world that true speed isn’t just about sight. At the 2016 Rio Paralympics, he won gold medals in both the 1500m and 5000m T11 events, setting a world record in the 1500m. With the help of his running partner, Kimani has continued to collect medals and break records. His story is a powerful reminder of the strength that comes from teamwork, trust, and believing that anything is possible when the right people are by your side. ### Faith Obazuaye – Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Faith-Obazuaye.jpeg) Faith Obazuaye’s road to the Paralympics hasn’t been an easy one. The Nigerian table tennis star has faced both societal and physical challenges head-on. Diagnosed with poliomyelitis as a child, Obazuaye refused to let her condition define her. Her perseverance led to a silver medal at the 2018 Commonwealth Games in Australia, making her the first Nigerian woman to win a table tennis medal at the Games. Now, at the 2024 Paralympics, she’s aiming for gold, once again proving that perseverance can conquer any obstacle. ### Husnah Kukundakwe – Uganda ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/190717160630527_Husnah-Kukundakwe-_Uganda_Wong_Foo_Lam.jpeg) At just 16, Husnah Kukundakwe is one of the youngest Paralympians representing Africa at the 2024 Games. Born with a congenital limb impairment, she initially took up swimming as therapy but quickly discovered a natural talent. Kukundakwe competed at the 2020 Tokyo Paralympics as Uganda’s sole para-swimmer, where she impressed the world with her determination and skill, setting a personal best time. Now competing in the S9 classification, her rapid rise in the sport has been meteoric. Kukundakwe’s story is one of hope and inspiration, especially for young people with disabilities in Uganda and beyond. She’s living proof that age is just a number when it comes to achieving greatness. ### Najwa Awane – Morocco ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_424581483_18461514859051589_1614712889119579054_n_1080.jpg) Najwa Awane is a rising star in wheelchair tennis. Representing Morocco, Awane has not only excelled in her sport but also become a role model for many young women across the Arab world. She has competed in numerous international tournaments, including the 2020 Tokyo Paralympics, where she made significant strides despite the challenges of training with limited resources. Her journey is marked by a relentless pursuit of excellence, and she continues to break through societal barriers, making her one of the most inspiring athletes to watch at the 2024 Paralympics. ### Sherif Osman – Egypt ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Sherif-Osman-2.jpeg) Sherif Osman of Egypt is a powerhouse in the world of powerlifting. With multiple gold medals to his name, including three consecutive golds in the men’s 59kg category at the 2008, 2012, and 2016 Paralympics, Osman has cemented his legacy as one of the greatest Paralympians of all time. At the 2020 Tokyo Paralympics, he added another silver medal to his collection, showing his consistency and dominance in the sport. His journey from a small town in Egypt, where he discovered his passion for powerlifting, to the top of the world stage is a story of sheer determination and resilience. His success has inspired a new generation of powerlifters in Egypt and across Africa. ### Kayode and Christiana Alabi – Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Ifechukwude-Christiana-Ikpeoyi-match.jpg) Kayode and Christiana Alabi, a husband-and-wife duo from Nigeria, are making history by competing together in the Paralympics. Kayode, a track and field athlete specializing in the T46 category, has competed in multiple international competitions, including the 2020 Tokyo Paralympics. Christiana, a powerlifter, has also made her mark on the global stage, competing in the 2020 Tokyo Paralympics. Together, they have faced numerous challenges, from societal stigma to financial difficulties. Yet, their love for each other and for their sports has kept them going. Their story is a beautiful example of how love, support, and shared goals can overcome any obstacle. Together, they’re not just breaking barriers; they’re building a legacy. ### Brahim Guendouz – Algeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Brahim-Guendouz.jpg) Brahim Guendouz is a Paralympian with a mission. Competing in goalball, a team sport for athletes with visual impairments, Guendouz has been a key player for Algeria’s national team. He has participated in multiple international competitions, including the 2016 Rio Paralympics, where his team reached the quarterfinals. His journey is driven by a deep love for the game and a commitment to excellence. Guendouz’s passion for goalball has brought him personal success and helped raise awareness about the sport in Algeria and across Africa. His story is one of breaking barriers and paving the way for future generations of athletes. ### Noemi Alphonse – Mauritius ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Snapinsta.app_448243273_833183555421928_1762964228377183232_n_1080.jpg) Noemi Alphonse is blazing trails in wheelchair racing, representing Mauritius. Competing in the T54 category, she has participated in numerous international competitions, including the 2020 Tokyo Paralympics, where she reached the finals in her events. Her journey to the Paralympics is a story of overcoming adversity and pushing the limits of what’s possible. Despite the challenges of training in a country with limited resources for para-athletes, Alphonse has excelled, breaking records and setting new standards. Her story is a testament to the power of determination and the importance of never giving up on your dreams. # Conclusion These athletes are trailblazers who are redefining what it means to be an athlete. They are breaking barriers not just in sports, but in society, showing the world that disability is not a limitation but a strength. Their journeys, filled with challenges and triumphs, inspire us all to push beyond our limits and to believe in the power of the human spirit. As the 2024 Paralympics continues, these African Paralympians will undoubtedly leave their mark on the world. ### Korty Goes Global, Asake’s MSG Debut, Lagos’ Rave Scene URL: https://www.marmaladecollective.com/korty-goes-global-asake-msg-debut-lagos-rave-scene/ Last updated: 2024-09-02T09:00:22.000Z **Welcome to Vol 106 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 📣 Huge thank you to everyone who braved the not-so-great weather to join us for our picnic this weekend—we had such a blast together! S/o to our members: Winnie, Tobi, Seye, Nina and others 🫶 And now for some exciting news...We SOLD OUT the first release of our [Plantain-Infused Rum, DÒDÒ](https://www.drinkdodo.com/?ref=marmaladecollective.com) 🎉 To everyone who grabbed a bottle (or two), we’re so grateful for your support. Stay tuned for more updates and adventures by following [DÒDÒ Diaries](https://www.marmaladecollective.com/tag/dodo/). Now, on to the real peel... ## 🔥 Trending Stories - [**Korty Spotlighted**](https://www.instagram.com/p/C%5FOKMECTICj/?img%5Findex=1&ref=marmaladecollective.com) as One of the Young Nigerian Creators Going Global by Rollingstone Africa *via Instagram* - Prime Video Releases First-Look Images for [**‘Christmas in Lagos’ Movie Featuring Ayra Starr**](https://variety.com/2024/film/global/prime-video-christmas-in-lagos-ayra-starr-jade-osiberu-1236119304/?ref=marmaladecollective.com) *via Variety* - Inside [**Lagos’ Burgeoning Rave Scene**](https://theface.com/music/lagos-raves-warehouse-parties-house-music-scene-djs??ref=marmaladecollective.com) and Warehouse Parties *via The Face* - Top 11 [**African Beauty Bloggers**](https://www.okayafrica.com/top-african-beauty-bloggers-youtube/?ref=marmaladecollective.com) You Need to Follow on YouTube *via OkayAfrica* - [**Gabzy**](https://www.gq.co.za/culture/entertainment/gabzy-keeps-his-promise-of-delivering-timeless-music-9ba88a89-bbad-4527-a5e9-912a1c19e309?ref=marmaladecollective.com) Keeps His Promise of Delivering Timeless Music *via GQ* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Gabzy-Image-Supplied.webp)](https://www.gq.co.za/culture/entertainment/gabzy-keeps-his-promise-of-delivering-timeless-music-9ba88a89-bbad-4527-a5e9-912a1c19e309?ref=marmaladecollective.com) **Gabzy, Image: Supplied* - [**This 36-year-old Kenyan's**](https://www.cnbc.com/2024/08/31/how-former-investment-banker-built-ethical-coffee-company-kahawa.html?ref=marmaladecollective.com) Coffee Company Brought in Over $3m in 2023 *via CNBC* - [**Asake’s Madison Square Garden Debut**](https://www.rollingstone.com/music/music-live-reviews/asake-madison-square-garden-debut-live-review-1235093216/?ref=marmaladecollective.com) Connects the Corners of the Earth *via Rollingstone* --- ## ⏳ Trivia Time Which African country is often referred to as the **birthplace of coffee**, where the beans are believed to have been discovered by a goat herder named Kaldi? A) Ethiopia B) Kenya C) Rwanda *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/the-shrine-1617-GQ-FESH10-02--1--2-1.webp)](https://www.marmaladecollective.com/fela-kuti/) **Image Courtesy of GQ* ## Fela Kuti: The Trailblazing Pioneer of Afrobeat When you think about music that moves not just your feet but also your soul, Fela Kuti is a name that should come to mind. Known as the father of Afrobeat, Fela wasn't just a musician; he was a force of nature, a revolutionary, and a voice for the voiceless. Let's dive into the fascinating life of Fela Kuti and how he changed the musical landscape forever. [Let's get into it!](https://www.marmaladecollective.com/fela-kuti/) --- ## What We're... 📰 **Reading:** [**Shallipopi's Rise To Global Fame**](https://www.dazeddigital.com/music/article/64357/1/shallipopi-the-afrobeats-artist-bringing-benin-city-to-the-world??ref=marmaladecollective.com)**.** He first burst onto the scene in early 2023 with his single “Elon Musk” which demonstrated his captivating beat selection, emphatic delivery and countless caption worthy bars. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Shallipopi.jpg)](https://www.dazeddigital.com/music/article/64357/1/shallipopi-the-afrobeats-artist-bringing-benin-city-to-the-world??ref=marmaladecollective.com) **Shallipopi. Image Source: DAPPER* 🎧 **Listening to:** [**Peace & Love by Yemi Alade feat. Ziggy Marley**](https://open.spotify.com/track/2Y2DiA8VA05lw1SDNCcVhL?si=2857f6a1f9174b57&ref=marmaladecollective.com). One of the singles on Yemi Alade's latest album 'Rebel Queen'. 📺 **Watching:** [**Olamide's Uptown Disco Music Video**](https://www.youtube.com/watch?v=sg6HiPSREc8&ref=marmaladecollective.com). Featuring Asake and Fireboy, the track shines with its seamless YBNL family feel. Directed by [@jydeajala](https://www.instagram.com/jydeajala/?ref=marmaladecollective.com), the video is a cinematic trip—Olamide on a plane wing, Fireboy in a car chase, and Asake on a monster truck—bringing the grind and glow-up to life.⁠ 🎟️ **Booking:** [**Little Baobab at The Africa Centre**](https://www.sevenrooms.com/explore/littlebaobab/reservations/create/search/?ref=marmaladecollective.com)**.** Little Baobab is taking over the restaurant space at The Africa Centre. They will have a set menu for dinner, a casual lunch menu, authentic Senegalese flavours and welcoming vibes with the Senegalese spirit of teranga. 👀 **Eyeing:** [**Rolling Stone Africa’s exclusive inaugural magazine**](https://rollingstoneafrica.com/purchase-rsa-magazine/?ref=marmaladecollective.com)**.** Featuring the iconic Fela Anikulapo-Kuti, this limited-edition print celebrates the legend who forever changed the face of Afrobeat and African culture. With only 1,000 copies available worldwide—don’t miss your chance to own this collector’s item. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Ethiopia** ### Fela Kuti: The Trailblazing Pioneer of Afrobeat URL: https://www.marmaladecollective.com/fela-kuti/ Last updated: 2024-09-01T21:05:26.000Z When you think about music that moves not just your feet but also your soul, Fela Kuti is a name that should come to mind. Known as the father of Afrobeat, Fela wasn't just a musician; he was a force of nature, a revolutionary, and a voice for the voiceless. Let's dive into the fascinating life of Fela Kuti and how he changed the musical landscape forever. ### The Birth of a Legend Born Olufela Olusegun Oludotun Ransome-Kuti on October 15, 1938, in Abeokuta, Nigeria, Fela was destined for greatness from the start. His mother, Funmilayo Ransome-Kuti, was a prominent feminist and activist, while his father, Reverend Israel Oludotun Ransome-Kuti, was a school principal and the first president of the Nigerian Union of Teachers. Talk about strong roots! Fela initially studied music in London, where he was introduced to jazz and the big band sounds of the 1950s. But it was during his time in the United States in the 1960s that his worldview—and his music—began to evolve. ### The Afrobeat Revolution So, what exactly is Afrobeat? Imagine a blend of traditional African rhythms, jazz, highlife, funk, and a sprinkle of political activism, all mixed into one vibrant genre. That’s Afrobeat, and Fela Kuti was its pioneer. Fela didn't just play music; he lived it. His songs often lasted 10 to 15 minutes (sometimes even longer), featuring complex rhythms and elaborate horn sections that made you want to move. But it wasn’t just about the beats—Fela’s lyrics were often scathing critiques of corruption, oppression, and colonialism. He used his music as a weapon, and his stage as a battleground. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/0002458776_10.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Fela-et-son-saxophone----Bernard-Matussie-re.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/Fela-Kuti-tribute.webp) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/the-shrine-1617-GQ-FESH10-02.webp) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/the-shrine-1617-GQ-FESH12-01.webp) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/09/the-shrine-1617-GQ-FESH12-03.webp) **Image Source: GQ and others* ### A Life of Rebellion Fela was never one to shy away from controversy. In fact, he seemed to embrace it. His music was banned on Nigerian radio stations, and he was arrested over 200 times for speaking out against the government. But that didn’t stop him. In 1977, Fela released the album "Zombie", a direct attack on the Nigerian military. The government didn’t take kindly to the critique, and soldiers raided Fela's commune, known as the Kalakuta Republic, severely beating him and burning down the compound. Tragically, Fela’s mother was thrown from a window during the raid and later died from her injuries. Despite the personal and physical toll, Fela didn’t back down. Instead, he doubled down on his activism, running for president of Nigeria twice—though his candidacy was predictably quashed by the ruling powers. ### The Music That Lives On Fela Kuti passed away on August 2, 1997, from complications related to AIDS, but his legacy is anything but dead. His music has influenced countless artists across the globe, from Paul McCartney to Beyoncé and his spirit lives on in the annual Felabration festival held in his honour in Lagos, Nigeria. Moreover, Fela’s children, particularly his son Femi Kuti and daughter Yeni Kuti, have carried the torch, keeping Afrobeat alive and relevant in today’s music scene. ### Why Fela Matters Today In an age where music is often seen as mere entertainment, Fela Kuti reminds us that it can also be a powerful tool for social change. His life was a testament to the idea that art should not just reflect society but challenge it. Whether you’re into music, social justice, or just good stories, Fela Kuti’s life is one worth knowing. So, next time you’re looking for something new to add to your playlist, give Fela Kuti a listen. Not only will you find yourself tapping your feet to the infectious rhythms, but you might also find yourself inspired by the message woven into every beat. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****4,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Burna Boy Joins Coldplay, Netflix’s Nigerian Thriller, and African Designers Spotlighted URL: https://www.marmaladecollective.com/burna-boy-joins-coldplay-netflix-nigerian-thriller-and-african-designers-spotlighted/ Last updated: 2024-08-27T09:00:20.000Z **Welcome to Vol 105 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🔥 ****DÒDÒ is on fire!** We launched pre-order last week and went VIRAL again! ****100+ bottles sold in the first 24 hours**, and another 80 gone over the weekend. We’re beyond grateful for the love! 🙌 With less than 70 bottles left, this is your last chance to grab yours before ***pre-order closes on Saturday 31st August**. Don’t miss out—[****get yours before they’re gone!**](https://www.drinkdodo.com/?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - [**Burna Boy Joins Coldplay**](https://www.okayafrica.com/burna-boy-coldplay-we-pray/?ref=marmaladecollective.com) on Their New Single “We Pray” *via OkayAfrica* - Maya Jama Shows Off [**Her Somali Roots**](https://www.independent.co.uk/tv/culture/notting-hill-carnival-maya-jama-london-b2601796.html?ref=marmaladecollective.com) at Notting Hill Carnival *via Independent* - New International [**Flights to Africa**](https://www.cntraveler.com/story/new-us-airline-routes-fall-2024?ref=marmaladecollective.com) Launching From the US *via Conde Nast Traveller* - Netflix's [**Tòkunbò**](https://www.okayafrica.com/netflix-nigeria-tokunbo-thriller/?ref=marmaladecollective.com) is an Artfully Executed Nigerian Thriller *via OkayAfrica* - An Insider's Guide to [**Discovering Dakar**](https://www.cntraveller.com/article/insiders-guide-to-discovering-dakar-senegal-as-a-solo-black-woman?ref=marmaladecollective.com) *via Conde Nast Traveller* - African Classical Music: Nine Great Works by [**African Composers You Need To Know**](https://www.classical-music.com/features/works/african-classical-music?ref=marmaladecollective.com) via *BBC Music Magazine* - Qasimi Rising Teams Up With Lagos Fashion Week to [**Spotlight Emerging African Designers**](https://www.bellanaija.com/2024/08/qasimi-rising-x-lagos-fashion-week/?ref=marmaladecollective.com) *via BellaNaija* --- ## ⏳ Trivia Time Which internationally acclaimed **Senegalese filmmaker**, often referred to as the "father of African cinema," was based in Dakar and is known for his groundbreaking film "Black Girl" (1966)? A) Djibril Diop Mambéty B) Ousmane Sembène C) Moussa Sène Absa *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/Chishuru-interiors--5--1.jpg)](https://www.marmaladecollective.com/outstanding-african-fine-dining-restaurants-in-london/) **Image Courtesy of Chishuru* ## 6 Outstanding African Fine Dining Restaurants in London From Michelin-starred creations to intimate spots bursting with flavour, these six restaurants are rewriting the rules of what it means to eat out. Ready to embark on a culinary journey that blends tradition with modern flair? [Let's get into it!](https://www.marmaladecollective.com/outstanding-african-fine-dining-restaurants-in-london/) --- ## What We're... 📰 **Reading:** [**AfriCali Cookbook by Kiano Moju**](https://www.simonandschuster.com/books/AfriCali/Kiano-Moju/9781668002131?ref=marmaladecollective.com)**.** AfriCali is not a traditional cookbook, but rather one inspired by the delicious meals Kiano has experienced in life. The recipes are unfussy but dedicated to flavour. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/Snapinsta.app_454669347_18431847220071504_4020769410479056884_n_1080.jpg)](https://www.simonandschuster.com/books/AfriCali/Kiano-Moju/9781668002131?ref=marmaladecollective.com) **Image Courtesy of Kiano Moju / Instagram* 🎧 **Listening to:** [**Moving by Omah Lay**](https://open.spotify.com/album/5ddIWQKK8ViScna6B0ARAl?si=nJxHFgGmSKeR%5FECQb74FGQ&ref=marmaladecollective.com). “Moving” sees Omah Lay embrace the spinning highs of living in the moment, which has been a prevalent theme in his music since he released the deluxe version of *Boy Alone* last year. Produced by Pontus Persson and LIOHN. 📺 **Watching:** [**Ayra Starr's Documentary 'Dare to Dream'**](https://www.youtube.com/watch?v=hFmSqTOdJEc&ref=marmaladecollective.com). Explore the remarkable journey of global superstar Ayra Starr in the captivating documentary "Dare to Dream," produced by Homecoming. This film offers an exclusive look into Ayra Starr’s evolution as she embarks on her transformative "unfurling butterfly era. 🎟️ **Booking:** [**JAM Picnic in the Park**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com). (New Date: Saturday 31st August). Get ready for the ultimate summer picnic in London, where culture, community and celebration come together in a park near you! 👀 **Eyeing:** [**Patta x Seun Kuti Collab**](https://www.instagram.com/p/C-23qLUOOzb/?img%5Findex=2&ref=marmaladecollective.com). This partnership with Nigerian musician Seun Kuti represents a powerful fusion of fashion, music, and activism, paying homage to Seun Kuti’s trailblazing Afrobeat legacy and his ongoing fight for social justice. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Ousmane Sembène** ### 🥃 DÒDÒ Diaries #5 URL: https://www.marmaladecollective.com/dodo-diaries-5/ Last updated: 2024-08-24T09:06:31.000Z The moment we've all been waiting for is finally here—DÒDÒ is officially live and available for pre-order to everyone 🎉 Thanks to our incredible supporters, half of our first batch sold out during our 24-hour priority access. _This post is for subscribers only._ ### 🥃 DÒDÒ Diaries #4 URL: https://www.marmaladecollective.com/dodo-diaries-4/ Last updated: 2024-08-21T09:00:20.000Z The moment you've been waiting for is here! _This post is for subscribers only._ ### 6 Outstanding African Fine Dining Restaurants in London URL: https://www.marmaladecollective.com/outstanding-african-fine-dining-restaurants-in-london/ Last updated: 2024-08-19T12:30:58.000Z # **Introduction** When it comes to dining out in London, there's no shortage of options. But if you’re looking for something that really stands out, something that offers more than just a meal, African fine dining is where you should turn your attention. These restaurants aren’t just about food—they’re about storytelling, culture, and a celebration of flavours that take you straight to the heart of Africa. Imagine tasting a dish that takes you on a journey from the bustling markets of Lagos to the coastal flavours of Cape Town, all without leaving London. Each dish tells a story, blending traditional ingredients with modern techniques, served in settings that range from cosy and intimate to utterly luxurious. If you’re ready to explore some of the best African-inspired menus the city has to offer, here are six restaurants that should be at the top of your list. ### 1\. **Ikoyi: Redefining African Cuisine** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/ikoyi-london-1.jpg) Image credit: Irina Boersma César Machado via Wallpaper Magazine Tucked away in the heart of St. James's Market, Ikoyi is a Michelin-starred gem that has redefined African cuisine in the UK. Founded by childhood friends Jeremy Chan and Iré Hassan-Odukale, Ikoyi is renowned for its innovative approach to West African flavours. The menu features dishes like smoked jollof rice and plantain with smoked Scotch bonnet, presenting familiar ingredients in novel and unexpected ways. The restaurant’s minimalist design and emphasis on seasonal, locally sourced ingredients ensure that every visit is a unique culinary adventure. ### 2\. **Chishuru: The Soul of West African Cooking** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/SaveInsta.App_393731229_324143443595448_3740326659942383572_n.jpg) Image credit: @chishuru Located in Brixton, Chishuru is the brainchild of Nigerian chef Adejoké Bakare, who has been making waves in London’s food scene since winning the Brixton Kitchen competition. Chishuru offers a vibrant menu that celebrates the bold and complex flavours of West African cuisine. The dishes are a testament to Chef Bakare’s deep connection to her heritage, with standouts like the goat ayamase and yam porridge. The intimate setting, coupled with Bakare’s warm hospitality, makes dining at Chishuru feel like being welcomed into a friend’s home. ### 3\. **Stork: A Fusion of African and European Influences** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/SaveInsta.App_454295059_18321450163151463_1791439316341740371_n.jpg) Image: @storkmayfair Stork, located in Mayfair, blends African and European culinary traditions to create a truly unique dining experience. The restaurant's menu is a fusion of flavours from across the African continent, with a touch of European elegance. Signature dishes include the lobster bisque with Nigerian pepper soup spices and the venison loin with cassava mash. The opulent interior design, featuring rich textures and vibrant colours, adds to the luxurious dining experience, making Stork a popular destination for those looking to indulge in African-inspired fine dining. ### 4\. **Kudu: South African Flavors with a Modern Twist** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/SaveInsta.App_405769725_3516963138516145_3239781819703301480_n.jpg) Image credit @kudurestaurant Kudu, located in Peckham, is a family-run restaurant that brings the flavours of South Africa to London. The menu, created by husband-and-wife duo Patrick Williams and Amy Corbin, features dishes inspired by the vibrant culinary traditions of South Africa, with a contemporary twist. Signature offerings include the Kudu bread with melted seafood butter and the onglet steak with chakalaka sauce. The restaurant’s rustic-chic décor, complete with an open kitchen and communal tables, creates a warm and welcoming atmosphere that invites diners to linger and savor every bite. ### 5\. **Papa L’s Kitchen: East African Fusion Cuisine** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/papa-l-s-kitchen.jpg) Image credit: @squaremeal Papa L’s Kitchen is the brainchild of chef Lawrence Gomez, a Gambian-born chef who has made it his mission to introduce Londoners to the flavours of East Africa. Located in Camden, the restaurant offers a menu that fuses East African ingredients with European culinary techniques. Highlights include the grilled octopus with cassava chips and the lamb shoulder with a rich coconut curry sauce. The restaurant’s vibrant, colourful décor, inspired by East African art and culture, adds to the overall dining experience, making it a must-visit for anyone looking to explore African cuisine in a new light. ### 6\. **Akoko: A Journey Through West Africa** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/SaveInsta.App_274074925_488218279351194_8350977665221114215_n.jpg) Image credit @akokorestaurant Akoko, situated in Fitzrovia, offers a refined exploration of West African flavors. Founded by Aji Akokomi and led by head chef William JM Chilila, Akoko takes diners on a journey through the culinary traditions of Nigeria, Senegal, and Ghana. The tasting menu features dishes like corn and smoked bone marrow and Guinea fowl with suya spices, presented with artistic flair. The restaurant’s sleek, modern design, combined with its focus on high-quality, seasonal ingredients, has made Akoko a favorite among food critics and discerning diners alike. # Conclusion These restaurants are pushing boundaries, bringing the essence of African cuisine to life in ways that are both creative and deeply satisfying. Whether you're indulging in the smoky depths of jollof rice, savouring the spicy notes of suya, or experiencing a completely new take on familiar ingredients, each meal is an invitation to explore something extraordinary. So next time you're looking for a dining experience that’s anything but ordinary, these six spots are ready to take you on a journey you won’t soon forget. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Tyla Takes Japan, 6LACK Afrobeats Collab and Senegal’s Space Success URL: https://www.marmaladecollective.com/tyla-takes-japan-6lack-afrobeats-collab-and-senegal-space-success/ Last updated: 2024-08-19T09:00:24.000Z **Welcome to Vol 104 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🌻 Don't miss out! This Saturday, join us for a fun [****picnic in the park**](https://lu.ma/p3wzsz72?coupon=41OAAE&ref=marmaladecollective.com). We've seen and heard your excitement and released a limited number of complimentary tickets. [****Secure yours now**](https://lu.ma/p3wzsz72?coupon=41OAAE&ref=marmaladecollective.com) before they disappear! **Use exclusive code: 41OAAE* Now, on to the real peel... ## 🔥 Trending Stories - [Tyla Takes Japan](https://www.instagram.com/p/C-uN%5FanRaMn/?ref=marmaladecollective.com) 🇯🇵🐅 *via Instagram* - Five Iconic [**Fashion Collaborations**](https://www.okayafrica.com/fashion-collaboration-nigeria-south-africa/?ref=marmaladecollective.com) Between Nigeria and South Africa *via OkayAfrica* - American Rapper 6LACK, Thisizlondon and [**Ayra Starr Collab on New Track**](https://www.stylerave.com/ayra-starr-6lack-pinacolada/?ref=marmaladecollective.com) Blending Afrobeats and R&B *via StyleRave* - [**Senegal's first satellite**](https://phys.org/news/2024-08-senegal-satellite-successfully.html?ref=marmaladecollective.com) successfully launched *via Phys* - [**This Six-legged Lounge Chair**](https://www.wallpaper.com/design-interiors/serwaa-lounge-chair-by-giles-tettey-nartey?ref=marmaladecollective.com) is a Contemporary Take on the Traditional West African Lobi Chair *via Wallpaper* - The Manor’s Special Edition [**Celebrates the Voices of African Women**](https://www.instagram.com/p/C-r0IeBu9rG/?ref=marmaladecollective.com) in Art *via Instagram* --- ###### SPECIAL FEATURE ## 👀 DÒDÒ is Revealed! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/DODO---Reveal-2.jpg)](https://www.marmaladecollective.com/dodo-diaries-3/) The wait is over! We're excited to give you an exclusive sneak peek at DÒDÒ, our plantain-infused rum—a first and exclusive look at DÒDÒ branding, bottle, website, tasting notes and serving suggestions. [Show Me](https://www.marmaladecollective.com/dodo-diaries-3/) --- ## ⏳ Trivia Time Which **South African actress** gained international fame for her role as "Furiosa" in the 2015 film **Mad Max: Fury Road**? A) Charlize Theron B) Pearl Thusi C) Nomzamo Mbatha *Scroll to the very bottom for the answer.* --- ## What We're... 📰 **Reading:** [**COLORS Interview with Orlando of Manju Journal**](https://colorsxstudios.com/editorials/voices-orlando-interview?ref=marmaladecollective.com). Since 2015, Accra, Ghana-based Manju Journal has grown from an Instagram account curating images of African creativity to an internationally-celebrated art and culture platform and creative studio that founder Richmond Orlando Mensah works on full-time. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/image-1.png)](https://colorsxstudios.com/editorials/voices-orlando-interview?ref=marmaladecollective.com) **‘Memory In A Digital Age’. Courtesy MANJU Journal & SHOWstudio Photography by Yannis Davy Guibinga* 🎧 **Listening to:** [**Phenomena by BNXN fka Buju**](https://open.spotify.com/album/7d1uJdESkLI3mrGgBXkkr7?si=5LRaQ%5FT0S%5FSljtyduJPYkg&ref=marmaladecollective.com). For those seeking a track that brightens the day and enriches their playlist, this song is a perfect addition. This song stands out as a testament to high-quality production by Gemini Major, a Malawian-South African producer. 📺 **Watching:** Asake's [**Lungu Boy Experience**](https://www.youtube.com/watch?v=UwKTFpQzcsI&ref=marmaladecollective.com) in LA 🇺🇸. Asake took the stage as a DJ, treating fans to a thrilling “**Lungu** **Boy** **Experience**” with live mashups from his latest album, “Lungu Boy.” The performance, held in an intimate setting, saw Asake mixing his new tracks while fans vibed to the beats in real time. 🎟️ **Booking:** [**JAM Picnic in the Park**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com). This Saturday, 24th August, get ready for the ultimate summer picnic in London, where culture, community and celebration come together in a park near you! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/JAM_Picnic_Aug_2024_1x1-1.jpg)](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) 👀 **Eyeing:** [**PICHULIK Jewelry**](https://www.instagram.com/pichulikafrica/?ref=marmaladecollective.com) \- made with style, sophistication, and a touch of South African charm. Curated to elevate your look effortlessly, each unique pairing is meticulously crafted by expert artisans from the brand's signature braided rope and polished brass. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Charlize Theron** ### 🥃 DÒDÒ Diaries #3 URL: https://www.marmaladecollective.com/dodo-diaries-3/ Last updated: 2024-08-15T13:19:53.000Z You've been an amazing supporter and we're excited to give you an exclusive sneak peek at DÒDÒ, our plantain-infused rum—a first and exclusive look at DÒDÒ branding, bottle, website, tasting notes and serving suggestions. 🙏 For your eyes only. Please keep confidential and DO NOT SHARE on social media _This post is for subscribers only._ ### JAM: Picnic In The Park, Aug 24th - Supported by The Town Crier URL: https://www.marmaladecollective.com/jam-picnic-in-the-park-aug-24/ Last updated: 2024-08-14T12:00:48.000Z ​Think of it as a house party but in the park – with your favourite tunes, refreshing drinks, mouth-watering snacks and interactive games whilst hanging out with likeminded people. _This post is for subscribers only._ ### Asake’s Album Drops, Rema’s Barcelona Partnership, Senegal’s Olympic Prep and Plantains! URL: https://www.marmaladecollective.com/asake-album-drops-rema-barcelona-partnership-senegals-olympic-prep-and-fashion-scene/ Last updated: 2024-08-12T09:00:26.000Z **Welcome to Vol 103 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 📣 ****This is NOT a drill**. From a playful prank to a delicious reality, DÒDÒ is coming and here to shake up your taste buds! [***Join the waitlist**](https://www.drinkdodo.com/?ref=marmaladecollective.com) to be first to taste DÒDÒ. Now, on to the real peel... ## 🔥 Trending Stories - Five Takeaways from Nigerian Superstar [**Asake’s New Album**](https://www.okayafrica.com/asake-lungu-boy-review/?ref=marmaladecollective.com), ‘Lungu Boy’ *via OkayAfrica* - Ethiopia's [**Tamirat Tola Wins Olympic Gold**](https://runningmagazine.ca/sections/runs-races/ethiopias-tamirat-tola-wins-olympic-gold-after-exclusion-from-marathon-team/?ref=marmaladecollective.com) after Exclusion from Marathon Team *via Running Magazine* - Is Senegal Ready to Host [**Africa's First Youth Olympic Games**](https://www.okayafrica.com/senegal-dakar-youth-olympics-2026/?ref=marmaladecollective.com) in 2026? *via OkayAfrica* - This Reluctant [**Nigerian Restaurateur**](https://www.forbesafrica.com/life/2024/07/26/the-reluctant-restaurateur-serving-west-african-cuisine-abroad/?ref=marmaladecollective.com) Serving West African Cuisine Abroad *via Forbes Africa* - [**Alioune Badara Fall**](https://nataal.com/ndakarou?ref=marmaladecollective.com) embraces the Senegalese capital in this Exclusive Fashion Tale *via Nataal* - [**Rema's Pre-Game Photography**](https://www.instagram.com/p/C-czlZAJylk/?ref=marmaladecollective.com) in partnership with Barcelona FC and Spotify *via Instagram / @spotify* - [**Netflix’s Africa Content Head Dorothy Ghettuba**](https://variety.com/2024/tv/global/netflix-africa-dorothy-ghettuba-mo-abudu-dfm-1236079223/?ref=marmaladecollective.com) Maps Out Streamer’s Local-First Strategy for Continent *via Variety* --- ###### SPECIAL FEATURE ## 🎉 Introducing DÒDÒ: A Plantain-Infused Rum by Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/DODO---Join-Waitlist-1.jpg)](https://www.drinkdodo.com/?ref=marmaladecollective.com) What **started as a** [**playful April Fool's prank**](https://www.marmaladecollective.com/dodo-diaries-1/) has turned into something real and delicious—**DÒDÒ is no longer just a joke,** it's happening for real! Since that fateful day in April, we've been working tirelessly behind the scenes and now **we can finally share some exciting updates with you**. [Read Update](https://www.marmaladecollective.com/dodo-diaries-2/) [Join Waitlist](https://www.drinkdodo.com/?ref=marmaladecollective.com) --- ## ⏳ Trivia Time In West Africa, particularly in Nigeria and Ghana, what is the name of the popular dish made by frying ripe plantains, often served as a side dish or snack? A) Akara B) Kelewele C) Dodo *Scroll to the very bottom for the answer.* --- ###### ICYMI ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/garlicky-plantains-1.jpeg)](https://www.marmaladecollective.com/plantains-the-versatile-cousin-of-the-banana-you-need-in-your-kitchen/) ## Plantains: The Versatile Cousin of the Banana You Need in Your Kitchen If you think bananas are the only fruit worth peeling, it’s time to get acquainted with their African cousin, the plantain. This sturdy, versatile fruit has been a staple across Africa for centuries and it’s gaining fans worldwide thanks to its endless culinary possibilities and deep cultural roots. [Let's get into it!](https://www.marmaladecollective.com/plantains-the-versatile-cousin-of-the-banana-you-need-in-your-kitchen/) --- ## What We're... 📰 **Reading:** [**An African History of Africa by Zeinab Badawi**](https://www.amazon.co.uk/gp/product/0753560127?ref=marmaladecollective.com). In this fascinating book, Badawi guides us through Africa’s spectacular history – from the very origins of our species, through ancient civilisations and medieval empires with remarkable queens and kings, to the miseries of conquest and the elation of independence. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/GMazPIHXAAAjVu-.jpeg) **Image Courtesy of Habeeb Akande / X* 🎧 **Listening to:** [**Asake's New Album 'Lungu Boy'**](https://open.spotify.com/album/3kS42vslfpYnxWkGN4JvlW?si=%5F2ZIXxBzSaKn6B7dq7jJKQ&ref=marmaladecollective.com) on Spotify. This album showcases Asake’s evolving artistry and deep connection to his roots. The album’s release was preceded by the singles “Wave,” featuring British rapper **Central** **Cee**, and “Active,” featuring American rapper **Travis** **Scott**. 📺 **Watching:** [**Zeinab Badawi's event recap at The Conduit**](https://www.youtube.com/live/F2KbHDkoRRM?si=mUeEkQDa%5FBQk0eTg&ref=marmaladecollective.com). Delve into the rich tapestry of Africa's history with Zeinab Badawi, President of SOAS University. Discover the narratives often overlooked in modern curricula, brought to life by Zeinab’s extensive knowledge and passion. 🎟️ **Booking:** [**Suspended States Exhibition**](https://www.serpentinegalleries.org/whats-on/yinka-shonibare-cbe-suspended-states/?ref=marmaladecollective.com) by Yinka Shonibare CBE. This is an exhibition in which Western iconography is reimagined and interrogated, at a moment in history when Nationalism, protectionism and hostility towards foreigners is on the rise. *It's free to book!* 👀 **Eyeing:** [**Zorelle Gin**](https://www.hispiritswineclub.com/product-launch?ref=marmaladecollective.com) by Hi Spirits Wine Club. Zorelle is Ireland's pioneering Pan-African inspired spirit, where the zest of zobo + sorrel in the Emerald Isle. Hi Spirits Wine Club is more than a wine and spirits community—it's a dynamic platform that intertwines exceptional wine experiences with a celebration of diversity and heritage ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/Snapinsta.app_454155892_395610399800457_1323404912713422164_n_1080.jpg) **Image Courtesy of Hi Spirits Wine Club / Instagram* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Dodo** Plantains are the ultimate culinary shapeshifters, packing the starch of a banana with way more attitude. In tropical regions like West Africa and the Caribbean, they’re a kitchen staple, showing up in dishes whether they’re green and firm or ripe and sweet. Green plantains bring the crunch when fried or boiled, while ripe ones turn into mouthwatering **dodo** in Nigeria or **maduros** in Latin America. Beyond their flavour, plantains are nutrition powerhouses, rich in carbs, vitamins, and minerals. Whether as a sidekick or the main event, they effortlessly glide between savoury and sweet, making them a beloved ingredient across cultures. > "Who wouldn’t fall for a food that’s as adaptable as it is delicious?" 📣 Shameless plug: Join us on this exciting journey as we bring DÒDÒ to life. [****Sign up now**](https://www.drinkdodo.com/?ref=marmaladecollective.com) for exclusive updates, early access to pre-orders and a special invite to our launch party. [****Be among the first to taste**](https://www.drinkdodo.com/?ref=marmaladecollective.com) the unique blend of rich plantain flavours with a smooth, sophisticated rum. ### Plantains: The Versatile Cousin of the Banana You Need in Your Kitchen URL: https://www.marmaladecollective.com/plantains-the-versatile-cousin-of-the-banana-you-need-in-your-kitchen/ Last updated: 2024-08-11T12:36:44.000Z **If you think bananas are the only fruit worth peeling, it’s time to get acquainted with their African cousin, the plantain.** This sturdy, versatile fruit has been a staple across Africa for centuries and it’s gaining fans worldwide thanks to its endless culinary possibilities and deep cultural roots. ### So, What’s a Plantain Anyway? Imagine a banana, but one that’s been hitting the gym and prefers savoury over sweet. That’s a plantain. While bananas are the go-to for a quick snack or smoothie, plantains are the backbone of many African dishes. They’re firm, starchy, and—unlike bananas—usually cooked before eating. In Africa, plantains aren’t just food; they’re culture. They’re that dish your grandmother makes that smells like home, the snack you grab from a street vendor after a long day, or the side dish at every family gathering. They’ve got carbs, fibre and vitamins to keep you going, but they’re also packed with memories and tradition. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/image.png) **Photo by Alex Lau, Food Styling by Yekaterina Boytsova* ### The Stages of Plantain: Green, Yellow, or Black? Like life, plantains change over time and each stage has its own role in the kitchen. - **Green Plantains**: When plantains are green, they’re tough and starchy, perfect for savoury dishes. In Nigeria and Ghana, they’re sliced and fried into chips or made into [dodo](https://www.marmaladecollective.com/tag/dodo/)—a fried plantain dish that’s crispy on the outside and tender on the inside. Green plantains are also the key ingredient in matoke, a beloved dish in Uganda where they’re steamed and mashed into a savoury, comforting side. - **Yellow Plantains**: As plantains ripen, they turn yellow and their starch begins to sweeten. These are great for frying up as a snack or side dish. Think of Kelewele from Ghana, where plantains are spiced with ginger, garlic, and chili before hitting the frying pan. It’s the kind of dish that’s fiery, sweet and totally addictive. - **Black Plantains**: When plantains turn black, they’re at their sweetest and softest. This is when they shine in dishes like Akara or Beignets in West Africa—deep-fried treats that are sweet, fluffy and perfect for breakfast or dessert. ### Cooking Plantains: From the Streets to Your Kitchen Plantains are the MVP of African street food, but they’re just as easy to cook at home. Here’s how you can bring a taste of Africa to your kitchen: - **Frying**: This is the go-to method for plantains, whether green or ripe. Just heat some oil, fry them up and you’ve got yourself a snack or side that’s crispy, golden and seriously satisfying. Fried plantains are a staple in countries like Nigeria, Cameroon and Ivory Coast, where they’re served alongside spicy stews or grilled meats. - **Boiling**: Boiled plantains are popular in East Africa, especially in dishes like matoke. They’re hearty and filling, perfect for soaking up rich sauces or stews. - **Baking**: Ripe plantains can be baked for a healthier take on this starchy treat. It’s a common method in Caribbean countries like Jamaica, where baked plantains are served with fish or jerk chicken—a culinary connection to the African diaspora. - **Grilling**: Grilled plantains are a smoky, sweet delicacy. In countries like Uganda, they’re often served as part of a roadside meal, paired with grilled meat or vegetables. ### The African Roots of Plantains Plantains have deep roots in African culture and they’ve travelled across the world through trade and migration. In West and Central Africa, plantains are as essential as rice or maize, forming the backbone of many traditional dishes. They’ve also spread to the Caribbean and Latin America, where they’ve been embraced and transformed into iconic dishes like tostones and mofongo. But no matter where they’re cooked, plantains carry with them a taste of Africa—a reminder of the continent’s rich culinary heritage and its influence on global food culture. ### Why Plantains Are a Big Deal Plantains aren’t just food; they’re a connection to home, culture and history. For many Africans and members of the African diaspora, cooking with plantains is a way to keep traditions alive, even when far from home. They’re also incredibly versatile, making them a favorite in kitchens around the world. Whether you’re frying them up as a snack, grilling them for a barbecue, or boiling them for a hearty meal, plantains are a culinary powerhouse. And with their growing popularity in global cuisine, there’s never been a better time to bring some African flavor into your life. **In conclusion:** Plantains are more than just a fruit—they’re a cultural icon, a culinary superstar and a delicious way to bring a taste of Africa into your kitchen. So next time you’re shopping for groceries, grab some plantains and get ready to cook up something amazing. ### 🥃 DÒDÒ Diaries #2 URL: https://www.marmaladecollective.com/dodo-diaries-2/ Last updated: 2024-08-07T09:00:50.000Z We've got some juicy news! What **started as a** [**playful April Fool's prank**](https://www.marmaladecollective.com/dodo-diaries-1/) has turned into something real and delicious—**DÒDÒ is no longer just a joke,** it's happening for real! Since that fateful day in April, we've been working tirelessly behind the scenes and now **we can finally share some exciting updates with you**. _This post is for subscribers only._ ### Nigerian Basketball History, Ayra Starr’s Amazon Breakthrough, King Otumfuo’s Royal London Welcome URL: https://www.marmaladecollective.com/nigerian-basketball-history-ayra-starr-amazon-breakthrough-king-otumfuo-royal-london-welcome/ Last updated: 2024-08-05T09:08:37.000Z **Welcome to Vol 102 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If this email was forwarded to you, *subscribe* and join thousands of culturally-curious people* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🔑 Get ready for an amazing open day at [****The Conduit Club**](https://hubspot.theconduit.com/open-day-london?ref=marmaladecollective.com#sign-up)! We've partnered up to offer Marmalade members a free taste of their membership. Start with the day with a complimentary breakfast, meet the team, explore the club's vibrant spaces. You'll have full access to everything - from the rooftop restaurant to cozy workspaces. Grab a free drink, network and cap it off with a special evening featuring ****Zeinab Badawi**, author and SOAS University President. It's the perfect chance to dive into The Conduit's world. [****Book Now**](https://hubspot.theconduit.com/open-day-london?ref=marmaladecollective.com#sign-up) \- **add coupon code '* **CONDU1T1NV1T3** *' to trigger complimentary access.* Now, on to the real peel... ## 🔥 Trending Stories - [**Nigerian Women First African Team**](https://www.voanews.com/a/nigerian-women-first-african-team-to-make-basketball-olympic-quarterfinals-/7729964.html?ref=marmaladecollective.com) to Make Basketball Olympic Quarterfinals *via VOA* - Your Guide to the [**10 Best Places For Remote Work**](https://www.okayafrica.com/nairobi-remote-work-best-places/?ref=marmaladecollective.com) in Nairobi *via OkayAfrica* - [**Ayra Starr Stars in ‘Dare to Dream’ Documentary**](https://www.billboard.com/music/music-news/ayra-starr-dare-to-dream-documentary-amazon-music-breakthrough-artist-exclusive-1235744153/?ref=marmaladecollective.com) & Becomes Amazon Music’s First Afrobeats Breakthrough Artist *via Billboard* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/Ayra-Starr-x-Amazon-Music-Doc-billboard-1548.jpeg)](https://www.billboard.com/music/music-news/ayra-starr-dare-to-dream-documentary-amazon-music-breakthrough-artist-exclusive-1235744153/?ref=marmaladecollective.com) **Ayra Starr, 'Dare To Dream'. Courtesy of Amazon* - Your [**Exclusive Preview of the Yemi Alade**](https://www.okayafrica.com/yemi-alade-iyanu-theme-song/?ref=marmaladecollective.com)\-Recorded Theme Song for Animated Superhero Series, ‘Iyanu’ *via OkayAfrica* - What it Was Like to [**Tour with Fela Kuti**](https://www.semafor.com/article/08/04/2024/fela-kuti-afrobeat-nigeria-to-world-tour?ref=marmaladecollective.com) *via Semafor* - [**Kenyan in Tokyo**](https://www.the-star.co.ke/news/big-read/2024-07-31-kenyan-in-tokyo-navigating-worlds-most-populous-city/?ref=marmaladecollective.com): Navigating World’s Most Populous City *via The Star* - [**Ghanaian King Otumfuo Osei Tutu II**](https://www.mirror.co.uk/news/royals/king-charles-close-royal-friend-33388850?ref=marmaladecollective.com) Welcomed at Star-studded London Event by King Charles *via Mirror* --- ###### SPECIAL FEATURE ## 🔑 Marmalade Collective X The Conduit Club - Open Day + Event Access Join The Conduit Club for a fascinating evening with one of the best-known broadcast journalists working in the field today. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/image001.jpg)](https://hubspot.theconduit.com/open-day-london?ref=marmaladecollective.com#sign-up) **Zeinab Badawi: An African History Of Africa** Thu 8th Aug, 6:30 pm – 7:45 pm Location: The Conduit Club Africa’s spectacular history is often left out of today’s curriculum or recounted incorrectly. Trouble is thrilled to announce an evening with SOAS University President, Zeinab Badawi, who will guide us through an epic, sweeping history of the oldest inhabited continent on the planet. The Conduit Club will also cover Badawi’s illustrious career as a journalist and founder of the production company, Kush Communications, which creates thought-provoking programmes and films including the groundbreaking 20-part series ‘The History of Africa with Zeinab Badawi’. Her other work includes interviewing some of the world’s most notable personalities and politicians on BBC Hardtalk, and hosting Global Questions on BBC World TV and the BBC News Channel. 💡 Add Coupon code 'CONDU1T1NV1T3' to trigger complimentary access. [RSVP NOW](https://hubspot.theconduit.com/open-day-london?ref=marmaladecollective.com#sign-up) --- ## ⏳ Trivia Time Which Kenyan TV drama series, first aired in 2007, became one of the most popular shows in East Africa, portraying the lives of four women living in Nairobi? A) Makutano Junction B) Shuga C) Mother-in-Law *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/Whats-On---August-2024.jpg)](https://www.marmaladecollective.com/whats-on-august-2024/) ## The Coolest Afrocentric Events in London Feeling the summer heat? Well, we've got something even hotter than this British heatwave. Sick of thumb-cramping scrolls through a sea of "meh" events? Put down that phone and give those fingers a break! We've done the heavy lifting (or should we say, heavy scrolling?) for you. We've handpicked the coolest Afrocentric events in town. So, while everyone else is fighting over the last sunny spot in the park, you'll be living your best London life. [Let's get into it!](https://www.marmaladecollective.com/whats-on-august-2024/) --- ## What We're... 📰 **Reading:** [**Africa’s best PR campaign**](https://techsafari.beehiiv.com/p/africas-best-pr-campaign?ref=marmaladecollective.com). "They wanted to flip this image and make Rwanda the top destination for tourism and business. This is how “Visit Rwanda” was born - a big campaign for this tiny East African country." 🎧 **Listening to:** [**Wahala**](https://open.spotify.com/album/7s33yfAOWEmFFhMoD98MRK?si=dYjSd096Q8KbS8cIVVYnmQ&ref=marmaladecollective.com) by Kenyan Grammy award-winning singer-songwriter Bien featuring Nigerian artists Adekunle Gold and ShineTTW. Wahala is from Bien’s recently released deluxe album “Alusha Why Are You Topless?” [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/maxresdefault-2024-08-01T153939.964.jpg)](https://open.spotify.com/album/7s33yfAOWEmFFhMoD98MRK?si=dYjSd096Q8KbS8cIVVYnmQ&ref=marmaladecollective.com) **Source: BellaNaija* 📺 **Watching:** [**A Night With The Compozers At Royal Albert Hall**](https://www.youtube.com/watch?v=Zv4v6DOD2YY&ref=marmaladecollective.com). Over the past decade, The Compozers have not only become synonymous with excellence but have also collaborated with some of the brightest stars in the African music scene. 🎟️ **Booking:** [**JAM 'Picnic In The Park'**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) \- Marmalade members go free. ​Think of it as a house party but in the park – with your favourite tunes, refreshing drinks, mouth-watering snacks and interactive games. What to bring:🍹 Your own booze (BYOB) 🧺 cozy blankets, 🥨 extra snacks and 👫 your squad. 👀 **Eyeing:** [**kkerelé mila sandal**](https://www.instagram.com/p/C-P9dvusPFD/?hl=en&img%5Findex=1&ref=marmaladecollective.com). Made with 100% genuine leather in both upper and lining with leather wrapped lightweight platform soles. Founded in 2018, kkerelé is a Lagos based design studio interested in the ways mindful craft informs mindful living. We bring this sensibility to our range of footwears. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/08/Snapinsta.app_454059289_18454239025017329_767076750618910328_n_1080.jpg) **Credit: kkerelé* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Shuga** **Shuga** is a Kenyan TV drama series that premiered in 2009, produced by the MTV Staying Alive Foundation. The show became popular across East Africa for its engaging portrayal of urban youth life, addressing social issues such as relationships, sexual health, and HIV/AIDS awareness. Set primarily in Nairobi, Shuga uses compelling narratives and relatable characters to educate and entertain. The series has expanded to include stories from Nigeria and South Africa, making it a significant cultural phenomenon and an educational tool across the continent. ### What's on in August URL: https://www.marmaladecollective.com/whats-on-august-2024/ Last updated: 2024-07-31T09:00:49.000Z Feeling the summer heat? Well, we've got something even hotter than this British heatwave 🌞 Sick of thumb-cramping scrolls through a sea of "meh" events? Put down that phone and give those fingers a break! We've done the heavy lifting (or should we say, heavy scrolling?) for you. We've handpicked the coolest Afrocentric events in town. So, while everyone else is fighting over the last sunny spot in the park, you'll be living your best London life. 👍🏾 Events labelled as '🔥' are highly recommended _This post is for subscribers only._ ### Aya Nakamura Dazzles in Paris Olympics, Magugu House Ranked World's Greatest + More URL: https://www.marmaladecollective.com/aya-nakamura-dazzles-in-paris-olympics-magugu-house-ranked-worlds-greatest/ Last updated: 2024-07-29T09:00:58.000Z **Welcome to Vol 101 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🚨 ICYMI: Enter **The Spread Mega Giveaway* to ****WIN £100 CASH** 💷 + One Year Free Premium Membership (valued at £100). ****To Enter:** (1) [****Tap here to RSVP**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) to our upcoming JAM 'Picnic in the Park' event (2) Invite your friends by sharing the link - the more, the merrier! The person who brings the most friends to the picnic takes home the glory (and the goodies). Prize presentation at the event - be there to claim your win! Now, on to the real peel... ## 🔥 Trending Stories - [**Aya Nakamura Goes Gold**](https://wwd.com/pop-culture/celebrity-news/aya-nakamura-dior-paris-olympics-2024-opening-ceremony-1236505606/?ref=marmaladecollective.com) in Feathered Dior Minidress for Paris Olympics Opening Ceremony Performance *via WWD* - Who Are The [**African Athletes to Watch**](https://www.rfi.fr/en/sports/20240727-who-are-the-african-athletes-to-watch-out-for-at-paris-olympics?ref=marmaladecollective.com) Out for at Paris Olympics? *via RFI* - Powerful Portraits [**Explore Zimbabwean Identities**](https://mymodernmet.com/tamary-kudita-african-victorian/?ref=marmaladecollective.com) Through High Fashion *via My Modern Met* - This [**Kenyan Athlete**](https://theconversation.com/faith-kipyegon-is-set-to-make-olympics-history-what-kenya-needs-to-do-to-keep-producing-athletes-like-her-234950?ref=marmaladecollective.com) is Set to Make Olympics History *via The Conversation* - This [**Nigerian Entrepreneur**](https://www.forbesafrica.com/brand-voice/2024/07/17/from-nigeria-to-the-world-how-this-entrepreneur-is-building-africas-premier-luxury-hospitality-and-home-decor-brand/?ref=marmaladecollective.com) Is Building Africa’s Premier Luxury Hospitality And Home Decor Brand *via Forbes Africa* - [**This Nigerian 'Rebel Queen' Artist**](https://www.okayafrica.com/yemi-alade-rebel-queen-interview/?ref=marmaladecollective.com) Talks about Identity, the Inspiration and Her Brand New Album *via OkayAfrica* - [**This South African Fashion Designer's House**](https://time.com/6992423/magugu-house/?ref=marmaladecollective.com) is Ranked as One of the World's Greatest Places 2024 *via TIME* [![Magugu House](https://api.time.com/wp-content/uploads/2024/07/worlds-greatest-places-magugu-house-2024.jpg?quality=85&w=2400)](https://time.com/6992423/magugu-house/?ref=marmaladecollective.com) **Magugu House. Courtesy: Thebe Magugu* --- ## ⏳ Trivia Time Which **African singer performed at the closing ceremony of the 2012 London Olympics**, becoming the first African solo artist to perform at an Olympic closing ceremony? A) Youssou N'Dour B) Angélique Kidjo C) Burna Boy *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/labrum-london-sierra-leone-olympic-paris.jpeg)](https://www.marmaladecollective.com/the-olympics-and-africa/) **Olympic Team Kit For Sierra Leone. Credit: Labrum London* ## The Olympics and Africa: A Historic Journey and a Look Ahead to the 2024 Games The Olympic Games have always been a beacon of global unity and sportsmanship, bringing together nations from around the world. Africa, with its rich history and vibrant cultures, has had a unique and inspiring journey in the Olympics. As we approach the 2024 Olympics, let's explore the historical significance of the Games for African countries, the athletes who have made their mark, and what we can expect from the upcoming event. [Continue Reading](https://www.marmaladecollective.com/the-olympics-and-africa/) --- ## What We're... 📰 **Reading:** [**12 Books by African Writers**](https://www.okayafrica.com/12-african-books-summer/?ref=marmaladecollective.com). For an exciting summer read, OkayAfrica has compiled a list of novels and short story collections by African authors released within the last decade and forthcoming, that are sure to stimulate, surprise and entertain you. 🎧 **Listening to:** [**Amapiano Mix by Major League DJz on CULTUR FM**](https://www.youtube.com/watch?v=2LAYmTCto5g&ab%5Fchannel=CULTURFM&ref=marmaladecollective.com). This one is smooth hour long mix by one of the pioneers of the Amapiano sound. 📺 **Watching:** [**Ayra Starr's Performance on The Tonight Show**](https://youtu.be/tN%5F3Yp-hD0k?ref=marmaladecollective.com)**.** The Afro-Pop queen is on fire! She rocked the stage with a killer medley from her new album 'The Year I Turned 21'. Belting out 'Last Heartbreak Song' and 'Woman Commando', she gave us a taste of those awesome collabs with Giveon and Anitta x Coco Jones. 🎟️ **Booking:** [**JAM 'Picnic In The Park'**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) \- Marmalade members go free. ​Think of it as a house party but in the park – with your favourite tunes, refreshing drinks, mouth-watering snacks and interactive games. What to bring:🍹 Your own booze (BYOB) 🧺 cozy blankets, 🥨 extra snacks and 👫 your squad. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/JAMPicnicGIF-ezgif.com-optimize.gif)](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) 👀 **Eyeing:** [**Uche Premium Coconut Flavoured Rum**](https://ucherum.com/?ref=marmaladecollective.com). A uniquely flavoured rum that flawlessly melds the richness of golden rum with a velvety and delightful coconut infusion. "I sampled Uche's rum at Lux Afrique Polo Day and instantly fell in love". --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Angélique Kidjo** [Angélique Kidjo](https://www.kidjo.com/?ref=marmaladecollective.com), the renowned Beninese-French singer and songwriter, performed at the closing ceremony of the 2012 London Olympics. This performance was significant as it marked the first time an African solo artist had performed at an Olympic closing ceremony. Some additional context: 1. Kidjo performed a powerful rendition of "Afirika," one of her signature songs celebrating the African continent. 2. Her performance was part of a segment showcasing the handover to Rio de Janeiro, the host city of the 2016 Olympics. 3. Kidjo's inclusion in the ceremony highlighted the global reach of African music and its importance in international cultural events. 4. She shared the stage with other international stars like The Spice Girls, George Michael and The Who. 5. This performance further cemented Kidjo's status as one of Africa's most recognised musical ambassadors on the global stage. Angélique Kidjo's participation in the Olympic closing ceremony was a proud moment for African pop culture, showcasing the continent's musical talent to a worldwide audience. ### The Olympics and Africa: A Historic Journey and a Look Ahead to the 2024 Games URL: https://www.marmaladecollective.com/the-olympics-and-africa/ Last updated: 2024-07-27T12:07:06.000Z The Olympic Games have always been a beacon of global unity and sportsmanship, bringing together nations from around the world. Africa, with its rich history and vibrant cultures, has had a unique and inspiring journey in the Olympics. As we approach the 2024 Olympics, let's explore the historical significance of the Games for African countries, the athletes who have made their mark, and what we can expect from the upcoming event. ### A Brief History of the Olympics The modern Olympic Games, inspired by the ancient Greek tradition, began in 1896 in Athens, Greece. Since then, the Olympics have evolved into a global phenomenon, held every four years, featuring both summer and winter games. ### Africa's Olympic Debut Egypt was the first African country to participate in the modern Olympics, making its debut in 1912\. Over the years, more African nations joined the Olympic movement, showcasing their talents and contributing to the diversity of the Games. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/abebe-bikila.jpg) Abebe Bikila via Google Arts and Culture ### African Countries and Their Olympic Triumphs - **Ethiopia**: Known for its dominance in long-distance running, Ethiopia has produced legendary athletes like Abebe Bikila, who won the marathon gold in 1960 and 1964, and Haile Gebrselassie, a two-time Olympic gold medalist in the 10,000 meters. - **Kenya**: Another powerhouse in distance running, Kenya has consistently performed well in middle and long-distance events. Athletes like Kipchoge Keino and David Rudisha have cemented Kenya's reputation on the global stage. - **South Africa**: With a complex history, South Africa has made significant strides in the Olympics, particularly since the end of apartheid. Swimmer Penny Heyns and sprinter Wayde van Niekerk are among the country's notable Olympians. - **Morocco**: Known for its success in athletics, Morocco has seen champions like Hicham El Guerrouj, who won gold in both the 1500 meters and 5000 meters in 2004. ### Iconic African Olympians - **Abebe Bikila (Ethiopia)**: The first African to win an Olympic gold medal, famously running barefoot in the 1960 Rome marathon. - **Kipchoge Keino (Kenya)**: A pioneer in Kenyan athletics, winning gold in the 1500 meters in 1968 and the 3000 meters steeplechase in 1972. - **Catherine Ndereba (Kenya)**: A dominant force in women's marathon running, winning two Olympic silver medals. ### The 2024 Olympics: Paris, France The 2024 Summer Olympics will be held in Paris, marking the third time the French capital has hosted the Games (previously in 1900 and 1924). The event promises to be a spectacular celebration of sports, culture, and international unity. #### Key Highlights: - **Opening Ceremony**: This took place on July 26, 2024, the opening ceremony was a grand affair, featuring artistic performances including South African singer, Tyla, parades of nations, and the lighting of the Olympic flame. - **Venues**: Iconic locations across Paris, including Stade de France, will host various events, adding a touch of historical charm to the modern Games. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/450472267_18344639866190374_3598033563406032572_n.jpg) Faith Kipyegon via @faithkipyegon ### African Participation in the 2024 Olympics Numerous African nations are gearing up to participate in the 2024 Olympics, with high hopes and strong contingents. #### Notable Countries and Athletes: - **Kenya**: Expect stellar performances in athletics, with stars like Eliud Kipchoge (marathon) aiming for gold. Key teams and athletes include: - **Track and Field**: Faith Kipyegon (middle-distance), Timothy Cheruiyot (middle-distance), and Hellen Obiri (long-distance). - **Rugby Sevens**: The Kenya Sevens team, is known for their speed and agility on the field. - **Ethiopia**: Long-distance runners like Letesenbet Gidey will be ones to watch. Key teams and athletes include: - **Track and Field**: Selemon Barega (long-distance), Gudaf Tsegay (middle-distance), and Yomif Kejelcha (long-distance). - **Swimming**: Robel Kiros Habte, looking to make a splash in the pool. - **South Africa**: Athletes like Akani Simbine (sprinter) and Tatjana Schoenmaker (swimmer) will seek to add to the medal tally. Key teams and athletes include: - **Track and Field**: Caster Semenya (middle-distance), Wayde van Niekerk (sprinter), and Ruswahl Samaai (long jumper). - **Rugby Sevens**: The Blitzboks, consistently strong contenders in the sport. - **Uganda**: Known for its prowess in athletics, especially in long-distance running. Key teams and athletes include: - **Track and Field**: Joshua Cheptegei (long-distance), Jacob Kiplimo (long-distance), and Halimah Nakaayi (middle-distance). - **Boxing**: Shadir Musa Bwogi, a prominent figure in the welterweight division. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/438253187_17982812975663102_8207716736473058499_n.jpg) via Benjamin Azamati - **Ghana**: With strengths in boxing and athletics, Ghana is set to make its mark. Key teams and athletes include: - **Track and Field**: Joseph Paul Amoah (sprinter) and Benjamin Azamati (sprinter). - **Boxing**: Samuel Takyi, looking to build on his success from previous international competitions. - **Burundi**: A smaller nation with a strong spirit, focusing on athletics. Key teams and athletes include: - **Track and Field**: Francine Niyonsaba (middle-distance), and Thierry Ndikumwenayo (middle-distance). - **Swimming**: Billy-Scott Irakoze, a young swimmer aiming to make waves. - **Nigeria**: Known for its strength in track and field, as well as basketball, Nigeria will have a strong presence. Key teams and athletes include: - **Men's Basketball Team**: D'Tigers, led by NBA star Precious Achiuwa. - **Women's Basketball Team**: D'Tigress, with standout player Ezinne Kalu. - **Track and Field**: Divine Oduduru (sprinter), Tobi Amusan (hurdler), and Ese Brume (long jumper). - **Morocco**: Middle-distance runners, inspired by past successes, will aim for the podium. Key teams and athletes include: - **Men's Soccer Team**: The Atlas Lions, who have shown promise in recent international competitions. - **Track and Field**: Soufiane El Bakkali (steeplechase) and Rababe Arafi (middle-distance running). - **Boxing**: Mohamed Rabii, a strong contender in the welterweight division. ### Where to Watch the 2024 Olympics For fans eager to catch the action, there are several options: - **Television**: Major broadcasters like NBC (USA), BBC (UK), and SuperSport (Africa) will provide extensive coverage. - **Streaming**: Online platforms and apps from these broadcasters will offer live streams and highlights. - **Social Media**: Follow the official Olympics accounts and your favourite athletes for real-time updates and behind-the-scenes content. You can also watch live events via CNN's YouTube channel. ### Conclusion The 2024 Olympics in Paris promises to be extraordinary, with African nations set to shine on the global stage. As we look forward to the Games, let's celebrate the spirit of unity, excellence, and sportsmanship that defines the Olympic movement. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Arsenal's African-inspired Kit, South Sudan's Olympic Basketball Debut and Kenyan Uncover Skincare Expansion to US URL: https://www.marmaladecollective.com/arsenal-african-inspired-kit-south-sudan-olympic-basketball-debut-and-kenyan-uncover-skincare-expansion-to-us/ Last updated: 2024-07-22T09:00:07.000Z **Welcome to Vol 100 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎉 We're celebrating our 100th edition of this newsletter with ****The Spread Mega Giveaway**. Ready to score big? ****The Prize:** £100 CASH 💷 + One Year Free Premium Membership (valued at £100). ****How to Enter:** (1) [****Tap here to RSVP**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) to our upcoming JAM 'Picnic in the Park' event (2) Invite your friends by sharing the link - the more, the merrier! The person who brings the most friends to the picnic takes home the glory (and the goodies). Prize presentation at the event - be there to claim your win! Now, on to the real peel... ## 🔥 Trending Stories - Labrum London Pays [**Homage to Africa in New Arsenal Away Kit**](https://www.okayafrica.com/arsenal-away-jersey-labrum/?ref=marmaladecollective.com) *via OkayAfrica* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/labrum-london-x-arsernal-x-adidas.gif)](https://www.instagram.com/labrumlondon/?ref=marmaladecollective.com) **Credit: @LabrumLondon / Instagram* - The [**South Sudan Men's Basketball Team**](https://www.sportingnews.com/us/nba/news/south-sudan-basketball-team-roster-2024-olympics/6cad743688c85a17c4b4fdff?ref=marmaladecollective.com) is Ready to Make its Olympic Debut *via The Sporting News* - Three of [**African Music’s Hottest Rising Stars**](https://uproxx.com/music/spinall-tyla-omah-lay-one-call/?ref=marmaladecollective.com) Team Up on “One Call” *via UPROXX* - How [**An Igbo Man Came to Rule**](https://www.okayafrica.com/shaboozey-a-bar-song-nigerian/?ref=marmaladecollective.com) American Country Music *via OkayAfrica* - Guess The [**City Unveiled as Africa's Top Cities**](https://www.iol.co.za/sunday-tribune/travel/unveiling-africas-top-cities-for-quality-living-in-2024-2f86d7ee-6adb-49ae-8776-8b7d4db6b785?ref=marmaladecollective.com) for Quality Living in 2024? *via IOL* - [**Kenyan Skincare Startup Raises 1.4M USD**](https://kenyanwallstreet.com/kenyan-startup-uncover-raises-us-1-4mn-for-expansion/?ref=marmaladecollective.com) For Expansion into Global Markets such as USA *via Kenyan Wall Street* - Check Out These [**Parisian Fine Dining Restaurants Influenced by African Cuisine**](https://www.bonappetit.com/story/where-to-eat-paris-restaurants-diverse-foodways?ref=marmaladecollective.com) and Heritage *via bon appétit* --- ## ⏳ Trivia Time What **Sierra Leonean musician**, known as the "King of Bubu Music," gained international recognition for modernising the traditional Bubu style? A) Emmerson Bockarie B) Janka Nabay C) Sorie Kondi *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Ojude-Oba-Festival-2.jpg)](https://www.marmaladecollective.com/ojude-oba-festival/) **Credit: @theniyifagbemi / Instagram* ## Ojude Oba Festival: Everything You Need to Know Let's talk about the viral stunning photos by photographer [Niyi Fagebmi](https://www.instagram.com/theniyifagbemi/?ref=marmaladecollective.com). These photos are just the tip of the iceberg. But what lies beneath the surface of this eye-catching spectacle? Join us as we peel back the layers of the [Ojude Oba Festival](https://www.marmaladecollective.com/ojude-oba-festival/), a celebration that's more than just a feast for the eyes. We'll uncover the beating heart of this event, exploring its mysterious origins, unforgettable highlights and the unique customs that have kept it alive for generations. [Discover the Secrets of Ojude Oba](https://www.marmaladecollective.com/ojude-oba-festival/) --- ## What We're... 📰 **Reading:** [**OkayAfrica's Article on the Rise of Nollywood Blockbusters**](https://www.okayafrica.com/nollywood-blockbuster-movie-tickets?ref=marmaladecollective.com). It also explores concerns about the future of cinema culture in Nigeria and the opportunities available for independent filmmakers, and a possible shift in how Nollywood content is consumed. 🎧 **Listening to:** [**Rema's Energy-filled 'OZEBA'**](https://www.youtube.com/watch?v=CAyD5xr1yGY&ref=marmaladecollective.com). *"The frenetic ‘Ozeba’ feels nostalgic for 2010s Afrobeats – and his flow feels similar to the rolling drums we hear in other tracks on ‘Heis’. While being unapologetically daring, Rema reminds the world that you can’t play with greatness."* \- NME 📺 **Watching:** [**Rema's Interview on Apple Music**](https://www.youtube.com/watch?v=6HHEN3VFGQ0&ref=marmaladecollective.com). Rema provided an in-depth explanation for his decision to switch up his musical style on his recently-released sophomore album, HEIS. He expressed concerns that Afrobeats is being diluted and losing its unique essence. 🎟️ **Booking:** [**JAM 'Picnic In The Park'**](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) \- Marmalade members go free. Get ready for the ultimate summer picnic in London, where culture, community and celebration come together in a park near you! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/91a64dfd-1e4b-4eda-9ee5-0d2af478e5f6.jpeg)](https://lu.ma/p3wzsz72?ref=marmaladecollective.com) 👀 **Eyeing:** [**Dye Lab's Summer Edit**](https://www.instagram.com/dye%5Flab/?ref=marmaladecollective.com). Check out their beautiful and colourful summer edit at their London pop up now open at 55 Curtain Street, Shoreditch, EC2A 3PT, opened from July 19th - August 10th. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: B) Janka Nabay [**Janka Nabay**](https://en.wikipedia.org/wiki/Ahmed%5FJanka%5FNabay?ref=marmaladecollective.com), often referred to as the "King of Bubu Music," was a Sierra Leonean musician who gained international recognition for his efforts in modernising and popularising Bubu music. Bubu is a traditional music of Sierra Leone, originally played on bamboo horns. Nabay electrified this ancient style, incorporating modern instruments and electronic elements while maintaining its cultural essence. His unique blend of traditional and contemporary sounds brought Bubu music to a global audience. Nabay's work not only preserved an important aspect of Sierra Leonean cultural heritage but also helped put the country's music on the international map. He released several albums and performed at various international festivals, spreading awareness of Bubu music and Sierra Leonean culture worldwide. ### Rema's $3M India Performance, Tolami Benson's Euro Fame, Biniam Girmay's Tour Triumph URL: https://www.marmaladecollective.com/rema-india-performance-tolami-bensons-euro-fame-biniam-girmays-tour-triumph/ Last updated: 2024-07-15T09:00:05.000Z **Welcome to Vol 99 of The Spread!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Selfie-Stop-Station-Banner.jpg)](https://www.instagram.com/selfiestopstation/?ref=marmaladecollective.com) The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 💛 This Saturday, the spotlight's on [****Kwanda's Inaugural Party**](https://lu.ma/ek44q6de?ref=marmaladecollective.com) – and trust me, you don’t want to miss it! Not only will there be vibes, but I’ll also be on a panel with some truly incredible founders. We’re discussing the diaspora’s roots and the future of our connections through arts, media and entrepreneurship. It's going to be a night of brilliant minds and unforgettable moments. 🎟️ [****Get your tix**](https://lu.ma/ek44q6de?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories - [**Rema Paid $3m to Perform “Calm Down”**](https://punchng.com/video-rema-performs-calm-down-at-india-billionaires-sons-wedding/?ref=marmaladecollective.com) at India Billionaire’s Son Wedding *via Punch* - [**8 Best Games**](https://www.thegamer.com/best-games-inspired-african-culture/?ref=marmaladecollective.com) Inspired By African Culture *via TheGamer* - [**This 24-year-old Eritrean**](https://www.cyclingweekly.com/racing/now-its-better-if-i-dont-look-at-my-phone-biniam-girmay-becomes-a-tour-de-france-superstar?ref=marmaladecollective.com) Cyclist Becomes a Tour de France Superstar *via Cycling Weekly* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/biniam-girmay-viert-de-zege-1.jpeg)](https://www.cyclingweekly.com/racing/now-its-better-if-i-dont-look-at-my-phone-biniam-girmay-becomes-a-tour-de-france-superstar?ref=marmaladecollective.com) **Credit: Tim De Waele / Getty Images* - Nigerian Global Superstar, [**Rema Shocks Afrobeats to New Life**](https://www.rollingstone.com/music/music-album-reviews/rema-heis-review-1235058224/?ref=marmaladecollective.com) With ‘Heis’*via RollingStone* - [**Yanmo Omorogbe Discusses the Role of Trust**](https://restofworld.org/2024/3-minutes-with-yanmo-omorogbe/?ref=marmaladecollective.com) in Building Fintech for Africa *via Rest of World* - [**British-born Guitarist Revels in Ghanian Sounds**](https://www.voanews.com/a/british-born-guitarist-revels-in-ghanian-sounds-/7692302.html?ref=marmaladecollective.com) After Visiting Ghana as a Child *via VOA* - Who is [**Bukayo Saka's Girlfriend**](https://www.glamourmagazine.co.uk/article/tolami-benson-bukayo-saka-girlfriend?ref=marmaladecollective.com)? The ‘It Girl’ We're all Obsessing Over at The 2024 Euros *via Glamour* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Tolami-Benson.jpeg)](https://www.glamourmagazine.co.uk/article/tolami-benson-bukayo-saka-girlfriend?ref=marmaladecollective.com) **Tolami Benson. Credit: Ian MacNicol / Getty Images* --- ###### SPONSORED AD ## 📸 Capture Memorable Moments with Selfie Stop Station [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Selfie-Stop-Station-x-Marmalade.gif)](https://bit.ly/4by9drb?ref=marmaladecollective.com) Been to a Marmalade event? Then you’ve likely experienced the fun of our photo booths by [**Selfie Stop Station**](https://www.instagram.com/selfiestopstation/?ref=marmaladecollective.com)! Imagine that same joy and excitement at your own celebration—whether it’s a birthday party, wedding reception, or baby shower! 🎉 We’ve teamed up with ****Selfie Stop Station** to bring you a [****special deal**](https://bit.ly/4by9drb?ref=marmaladecollective.com) to make your next event truly unforgettable. Their photo booths aren’t just a way to take pictures; they’re a way to create memories, laugh with friends and capture the magic of your special day. [Book Now and Get 10% Off](https://bit.ly/4by9drb?ref=marmaladecollective.com) --- ## ⏳ Trivia Time **Which Rema song** was included in former U.S. President Barack Obama's 2019 summer playlist, gaining significant global recognition? A) Corny B) Bad Commando C) Iron Man *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Tems-covers-The-Sunday-Times-Style-December-19th-2021-by-Ronan-McKenzie-4-1.jpg)](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/3298891632844800/3298891632844801?chapterid=12446702835713&invite%5Fid=dp5JxXnJ&locale=en%5FGB&share%5Fid=gAc2ryzIRGG6wx3YpBQ6ug×tamp=51&sid=168462a4684f4a2098eaba4b63e336e8&ref=marmaladecollective.com) **Tems. Credit: Ronan McKenzie* ## Tems: Her Rise From Lagos to Global Stardom Tems is everywhereee right now! From recently dropping her debut album "Born in the Wild", to serenading fans on her world tour; spilling the tea on how to handle men and why the hell are socials going off about her getting a BBL!?? We’ll catch you up on all the latest goss! [Let’s get into it!](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/3298891632844800/3298891632844801?chapterid=12446702835713&invite%5Fid=dp5JxXnJ&locale=en%5FGB&share%5Fid=gAc2ryzIRGG6wx3YpBQ6ug×tamp=51&sid=168462a4684f4a2098eaba4b63e336e8&ref=marmaladecollective.com) So where does this SUPERstar come from? Born Temilade Openiyi on June 11, 1995, in Lagos, Nigeria, a Gemini queen, Tems quick rise to fame has been insane! Her family moved to the UK when she was a baby, but they were back in Nigeria by the time she was five after her parents split up! Growing up, she bounced around Lagos, living in places like Ilupeju, Lekki, and Ajah. She even went to university in Monash University in South Africa, which explains her close relationship with Tyla! She learnt how to play the piano from her favourite music teacher & practised singing with her brother, who played the guitar. [Watch Video](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/3298891632844800/3298891632844801?chapterid=12446702835713&invite%5Fid=dp5JxXnJ&locale=en%5FGB&share%5Fid=gAc2ryzIRGG6wx3YpBQ6ug×tamp=51&sid=168462a4684f4a2098eaba4b63e336e8&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**OkayAfrica's article on Rap Shar3**](https://www.okayafrica.com/street-rap-cypher-arabic-egypt/?ref=marmaladecollective.com), the compelling rap cipher format from Egypt that showcases and connects underrated talents from across the Arabic-speaking world. In the beginning of the year, videos of Sudanese, Egyptian and Palestinian rap ciphers began taking over the feeds of Instagram users in the Arab world. 🎧 **Listening to:** [**Sunlight To My Soul**](https://www.youtube.com/watch?v=2B6KIOzWWW4&ref=marmaladecollective.com), the new single by Angélique Kidjo. The Grammy-winning singer and songwriter dazzles in new single “Sunlight To My Soul” featuring Soweto Gospel Choir, written by Diane Warren and produced by [**Shizzi**](https://www.instagram.com/iamshizzi/?hl=en&ref=marmaladecollective.com). [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/angelique-kidjo-black-dress.jpg)](https://www.youtube.com/watch?v=2B6KIOzWWW4&ref=marmaladecollective.com) **Angélique Kidjo. Credit: Gilles Marie Zimmerman / CNN* 📺 **Watching:** [**DW English film about a Ghanaian supergroup**](https://flipboard.com/topic/africa/ghanaian-supergroup-revives-burger-highlife-classics/a-wwtgvZEsS%5FC8bLKUQZf7Gw%3Aa%3A752470588-0406e0095c%2Fflipboard.com?ref=marmaladecollective.com) reviving Burger Highlife classics. Almost half a century ago, Ghanaian migrants forged a form of music that's grown into a thriving cultural scene both in Ghana and in Germany. Mixing jazz, funk, reggae, soul and Afrobeat, Burger Highlife fuses Western and African sounds. 🎟️ **Booking:** [**Kwanda Party**](https://lu.ma/ek44q6de?ref=marmaladecollective.com) ***in partnership with Marmalade***. Join us for an unforgettable evening of culture, connection, food, music, discussion and celebration as we introduce Kwanda's inaugural event. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/portrait-panel-tola-2-variation.jpg)](https://lu.ma/ek44q6de?ref=marmaladecollective.com) 👀 **Eyeing:** [**7 African beauty brands**](https://www.thezoereport.com/beauty/best-african-beauty-brands?ref=marmaladecollective.com) that will be the next big thing. They’re uplifting beauty ingredients and traditions from across the African diaspora. A new beauty market is slowing emerging across the African diaspora, laying the foundation for a new category known as A-beauty. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: [****C) Iron Man**](https://www.okayafrica.com/rema-nigerian-artist-iron-man-obamas-2019-summer-playlist/?ref=marmaladecollective.com) ### A Guide to Ojude Oba Festival: Everything You Need to Know URL: https://www.marmaladecollective.com/ojude-oba-festival/ Last updated: 2024-07-14T15:34:56.000Z ## **Introduction** The Ojude Oba Festival is not just a celebration; it's a grand spectacle that embodies the spirit and unity of the Yoruba people in Nigeria. Held annually in Ijebu Ode, this festival is a time for the community to come together, honour their king and celebrate their rich cultural heritage with pomp and pageantry. ## **The Origins of Ojude Oba Festival** The Ojude Oba Festival has a storied history dating back over a century. Its roots can be traced to the early days of Islam in the Ijebu region, where it began as a way for Muslim converts to pay homage to the Awujale (the king of Ijebu land). Over time, it has evolved into a major cultural event that includes people of all religions and backgrounds. ## **Significance of the Festival** The Ojude Oba Festival is more than just a party; it's a celebration of unity, cultural pride and tradition. It serves as a platform for the Ijebu people to showcase their heritage, foster community bonds and pay respects to their leaders. ## **Preparations for the Festival** Months before the festival, preparations kick into high gear. Committees are formed to handle various aspects of the event, from security and logistics to entertainment and hospitality. The entire community gets involved, ensuring that every detail is meticulously planned. ### **Community Involvement** The festival is a community affair, with different age groups and social clubs playing vital roles. From young children to elders, everyone has a part to play in the preparations and the celebrations. ### **Role of Social Clubs** Social clubs, known as regberegbes, are at the heart of the festival. These clubs, each with its unique identity and attire, participate in various activities and competitions, adding colour and excitement to the event. ## **Highlights of Ojude Oba Festival** The Ojude Oba Festival is packed with numerous activities and events that keep attendees entertained from start to finish. Here are some of the key highlights: ### **The Royal Parade** One of the most anticipated events is the royal parade, where the Awujale and his chiefs make a grand entrance. Dressed in elaborate traditional attire, they ride on horseback through the streets, greeted by cheers from the crowd. ### **Horse Riding Competitions** Equestrian displays are a major attraction, showcasing the skill and bravery of the riders. Different regberegbes compete in horse riding competitions, with the winners earning bragging rights for the year. ### **Cultural Performances** The festival features a variety of cultural performances, including traditional music, dance, and drama. These performances offer a glimpse into the rich cultural heritage of the Yoruba people. ### **Fashion Show** Fashion is a significant part of the Ojude Oba Festival. Attendees don their best traditional outfits and a fashion show highlights the beauty and elegance of Yoruba attire. > [ View this post on Instagram ](https://www.instagram.com/p/C8Xhe%5FeI65c/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Niyi Fagbemi (@theniyifagbemi)](https://www.instagram.com/p/C8Xhe%5FeI65c/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ## **Food and Feasting** No festival is complete without delicious food, and Ojude Oba is no exception. Local delicacies like jollof rice, pounded yam, and egusi soup are in abundance, and food vendors line the streets, offering a variety of treats. ### **Traditional Dishes** Visitors have the opportunity to sample traditional Yoruba dishes, prepared with recipes passed down through generations. These meals are not only delicious but also a vital part of the cultural experience. ### **Street Food Vendors** Street food vendors add to the festive atmosphere, providing quick and tasty snacks for those on the go. From suya (spicy grilled meat) to puff-puff (sweet fried dough), there's something for everyone. ## **The Role of Religion in Ojude Oba** Although the festival's origins are tied to Islam, today it is an inclusive event that welcomes people of all faiths. Religious leaders from different denominations often participate, highlighting the festival's message of unity and coexistence. ## **Tourism and Economic Impact** The Ojude Oba Festival attracts tourists from all over the world, boosting the local economy. Hotels, restaurants and shops see a surge in business and the festival provides numerous job opportunities for locals. ### **Boost to Local Businesses** Local businesses benefit immensely from the influx of visitors. From artisans selling handcrafted goods to hoteliers and restaurateurs, the economic impact of the festival is significant. ### **Tourist Attractions in Ijebu Ode** Aside from the festival, tourists can explore other attractions in Ijebu Ode, such as the historic Olumo Rock and the scenic beaches along the Nigerian coastline. ## **Challenges and Future Prospects** Like any major event, the Ojude Oba Festival faces its share of challenges, from crowd control to maintaining tradition in a modern world. However, the festival's organisers are constantly innovating to ensure its continued success and relevance. ### **Maintaining Tradition** Balancing tradition with modernity is a key challenge. Organisers strive to preserve the festival's cultural essence while incorporating contemporary elements to keep it appealing to younger generations. ### **Future Growth** Looking ahead, there are plans to expand the festival's reach and enhance its offerings. This includes improving infrastructure, increasing marketing efforts and exploring partnerships with international cultural organisations. ## **Experiencing Ojude Oba Festival** Attending the Ojude Oba Festival is a bucket-list experience for anyone interested in Nigerian culture. The vibrant atmosphere, friendly people and rich traditions make it an unforgettable event. ### **Planning Your Visit** For those planning to attend, it's essential to book accommodations early, as hotels fill up quickly. Also, be prepared for a lively, crowded and joyful experience. ### **What to Expect** Expect to be immersed in a sea of colours, sounds and flavours. The Ojude Oba Festival is a sensory overload in the best possible way, offering a unique and enriching cultural experience. ## **Conclusion** The Ojude Oba Festival is a testament to the vibrant culture and enduring traditions of the Yoruba people. It's a celebration that not only honours the past but also looks to the future, fostering unity and community spirit. Whether you're a local or a visitor, the festival offers a unique glimpse into the heart and soul of Nigeria. ## Get stories like this delivered to your inbox Bringing Africa's culture and stories to life Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ## **Frequently Asked Questions** #### What is the Ojude Oba Festival? The Ojude Oba Festival is an annual cultural and religious celebration held in Ijebu Ode, Nigeria, where the community comes together to honour their king and celebrate their heritage. #### When is the Ojude Oba Festival held? The festival is usually held on the third day after Eid al-Kabir (also known as Eid al-Adha), a major Islamic holiday. #### How long has the Ojude Oba Festival been celebrated? The festival has been celebrated for over a century, with its origins tracing back to the early days of Islam in the Ijebu region. #### Who participates in the Ojude Oba Festival? The festival is inclusive and welcomes people of all ages, religions, and backgrounds. Social clubs, known as regberegbes, play a significant role in the festivities. #### What are some key activities during the Ojude Oba Festival? Key activities include the royal parade, horse riding competitions, cultural performances and a fashion show. There is also plenty of delicious food to enjoy. #### Is the Ojude Oba Festival open to tourists? Yes, the festival attracts tourists from around the world. It is a fantastic opportunity to experience Yoruba culture and hospitality firsthand. ### Balmain's Lion King, Nigeria's Olympic Kits, and African Talents at Oscars URL: https://www.marmaladecollective.com/balmain-lion-king-nigeria-olympic-kits-african-talents-at-oscars/ Last updated: 2024-07-08T09:00:15.000Z **Welcome to Vol 98 of The Spread!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Selfie-Stop-Station-Banner.jpg)](https://www.instagram.com/selfiestopstation/?ref=marmaladecollective.com) The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎉 Tired of scrolling endlessly for the [***best Afrocentric events in London**](https://www.marmaladecollective.com/whats-on-july-2024/)? We've got you covered! Dive into our curated newsletter for July, packed with events such as; 🔥 Ghana Party In The Park 2024 🔥 ASA + Beverley Knight Live In Concert 🔥 Lux Afrique Polo Day 2024 [****Check out**](https://www.marmaladecollective.com/whats-on-july-2024/) this week's unmissable events! Now, on to the real peel... ## 🔥 Trending Stories - [**Balmain and Disney Celebrate**](https://dossiermag.net/home/balmain-x-lion-king-1?ref=marmaladecollective.com) The 30th Anniversary Of “The Lion King” With A Limited-Edition Collection *via Dossier* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Disney-x-Balmain-TLK.-Credit--Joel-Anderson-3.jpg)](https://dossiermag.net/home/balmain-x-lion-king-1?ref=marmaladecollective.com) **Credit: Balmain x Disney / Dossier* - This LA-based Company Designs [**Stunning Team Nigeria's Kits for Paris Olympics**](https://www.nytimes.com/2024/07/01/style/nigeria-actively-black-olympics.html?ref=marmaladecollective.com) *via The New York Times* - How To Make a [**21st-century Museum in West Africa**](https://www.apollo-magazine.com/museum-west-african-art-mowaa-benin-city-nigeria/?ref=marmaladecollective.com) *via Apollo Magazine* - This London-Based Food Brand [**Selling Readymade Jollof Rice Pouches**](https://www.instagram.com/p/C84z4xMItyK/?ref=marmaladecollective.com) is Now Available in Sainsbury's *via Instagram* - [**How Afrobeats Made it**](https://www.bbc.co.uk/news/articles/ce556rj406vo?ref=marmaladecollective.com) to The Very Top of Glastonbury *via BBC* - Get to Know the [**Africans Invited to Join the Oscars**](https://www.okayafrica.com/african-invitees-oscars-2024/?ref=marmaladecollective.com) This Year *via OkayAfrica* - [**Chelsea FC Appoints This 44-year-old Nigerian**](https://www.nytimes.com/athletic/5618110/2024/07/05/chelsea-appoint-seyi-olofinjana/?ref=marmaladecollective.com) In Talent Management Role Covering Africa *via The New York Times* --- ###### SPONSORED AD ## 📸 Capture Memorable Moments with Selfie Stop Station [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Selfie-Stop-Station-x-Marmalade.gif)](https://bit.ly/4by9drb?ref=marmaladecollective.com) Been to a Marmalade event? Then you’ve likely experienced the fun of our photo booths by [**Selfie Stop Station**](https://www.instagram.com/selfiestopstation/?ref=marmaladecollective.com)! Imagine that same joy and excitement at your own celebration—whether it’s a birthday party, wedding reception, or baby shower! 🎉 We’ve teamed up with ****Selfie Stop Station** to bring you a [****special deal**](https://bit.ly/4by9drb?ref=marmaladecollective.com) to make your next event truly unforgettable. Their photo booths aren’t just a way to take pictures; they’re a way to create memories, laugh with friends and capture the magic of your special day. [Book Now and Get 10% Off](https://bit.ly/4by9drb?ref=marmaladecollective.com) --- ## ⏳ Trivia Time **Question:** Who was the **ruler of the Mali Empire during its peak in the 14th century**, known for his legendary wealth and the famous pilgrimage to Mecca? A) Sundiata Keita B) Mansa Musa C) Askia the Great *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Nara-Smith-Tradwife-1.jpg)](https://snapchat.com/t/xZ82mPx2?ref=marmaladecollective.com) **Nara Smith. Source: Dazed* ## Nara Smith: From South Africa to Social Media 'Tradwife' Sensation [**Nara Smith**](https://snapchat.com/t/xZ82mPx2?ref=marmaladecollective.com) has been blowing up over socials making everybody jealous about her luxurious tradwife life. But what is a tradwife? Why is everybody going crazy about “Nara braids”? & why are people accusing her of stealing her content from another South African content creator, Onezwa Mbola!? Nara Smith is only 22-year-old and totally taking over socials with her luxurious family life, some seriously impressive cooking skills & a sense of style clearly from her runway modelling days. [Let’s get into it!](https://snapchat.com/t/xZ82mPx2?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**The Empire of Mali Explained**](https://flipboard.com/@thecollector/the-empire-of-mali-explained-9pnr99lildkgrfne?ref=marmaladecollective.com). One of the greatest empires in Africa, the Mali Empire was a powerhouse of trade and wealth that shaped West Africa for centuries. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/mansa-musa-mali-empire-ruler.webp)](https://flipboard.com/@thecollector/the-empire-of-mali-explained-9pnr99lildkgrfne?ref=marmaladecollective.com) **Mansa Musa: The Golden Ruler of the Mali Empire. Source: TheCollector* 📺 **Watching:** [**Red Bull Symphonic Orchestra in South Africa**](https://www.tiktok.com/@redbullza/video/7381931513593531681?ref=marmaladecollective.com). A groundbreaking blend of modern Amapiano beats and classical orchestration. This unique collaboration showcased how Amapiano, with its addictive rhythms and iconic log drum melodies, can transcend its origins to reach new, symphonic heights. 🎧 **Listening to:** [**CULTUR FM's Live Afrobeats Mix by DJ Miracle ft Stefflon Don**](https://www.youtube.com/watch?v=OmEapeWMajQ&ref=marmaladecollective.com). DJ Miracle came through with heat in celebration of Stefflon Don's album release called Island 54\. Expect Afrobeats with a blend of Steff's new and existing catalogue. 🎟️ **Booking:** [**Kwanda Party**](https://lu.ma/ek44q6de?ref=marmaladecollective.com) ***in partnership with Marmalade***. Join us for an unforgettable evening of culture, connection, food, music, discussion and celebration as we introduce Kwanda's inaugural event. 👀 **Eyeing:** [**Agbalumo Tee by Nack Apparel**](https://nackapparel.com/products/agbalumo-tee-in-white?ref=marmaladecollective.com). Drawing inspiration from this irresistible fruit's vibrant taste and remarkable health benefits, this unique collection invites you to explore the wonders of West African cuisine while celebrating its rich culinary heritage. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/07/Agbalumo-Tee-by-Nack-Apparel-.jpg)](https://nackapparel.com/products/agbalumo-tee-in-white?ref=marmaladecollective.com) **Credit: Nack Apparel / Instagram* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Mansa Musa** ### Davido’s Wedding, Naomi Girma’s Ethiopian Pride and Burna Boy’s New Uplifting Anthem URL: https://www.marmaladecollective.com/davido-wedding-naomi-girma-ethiopian-pride-and-burna-boy-new-uplifting-anthem/ Last updated: 2024-07-01T09:00:07.000Z **Welcome to Vol 97 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 📲 Remember to join us on [****WhatsApp**](https://whatsapp.com/channel/0029VaDoTjV9Gv7MEXAkvb2q?ref=marmaladecollective.com). We’d love to hear from readers on what you’d like to see on WhatsApp that’d be better or different from our newsletters. Reply to this email to share your thoughts :) Now, on to the real peel... ## 🔥 Trending Stories - The Most Talked About Wedding of 2024\. A Timeline of [**Davido and Chioma’s Love Story**](https://www.okayafrica.com/davido-chioma-chivido-wedding-timeline/?ref=marmaladecollective.com) *via OkayAfrica* - Naomi Girma on [**Ethiopian Pride and Passion**](https://www.nbcsports.com/olympics/news/if-one-can-why-not-more-uswnts-naomi-girma-on-ethiopian-pride-and-passion-for-representation?ref=marmaladecollective.com) for Representation *via NBC Sports* - **Burna Boy** Releases Inspirational [**New Song “Higher”**](https://thesource.com/2024/06/28/burna-boy-releases-inspirational-new-song-higher-to-support-hometown/?ref=marmaladecollective.com) to Support His Hometown *via The Source* - The [**Best West African Songs of 2024**](https://www.okayafrica.com/best-west-african-songs-2024-so-far/?ref=marmaladecollective.com) So Far including Tems, Wendy Shay, Roseline Layo and Others *via OkayAfrica* - [**Afro Nation Portugal 2024 Highlights**](https://www.okayafrica.com/afro-nation-portugal-2024-highlights/?ref=marmaladecollective.com): Asake Brings Out Central Cee for First-Ever Performance of “Wave” *via OkayAfrica* - [**Kenyan Viral Social Media Sensation, Elsa Majimbo**](https://www.okayafrica.com/elsa-majimbo-comedy-fashion/?ref=marmaladecollective.com) is Over Being a Comedian - and Wants You to Be, Too *via OkayAfrica* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/Elsa-Majimbo.jpg)](https://www.okayafrica.com/elsa-majimbo-comedy-fashion/?ref=marmaladecollective.com) **Credit: @majimb.o / Instagram* --- ## ⏳ Trivia Time **Which Davido song became a massive hit in 2017**, winning the Best African Act at the MTV Europe Music Awards and the Best Worldwide Act at the MTV EMA? A) FIA B) Fall C) If *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/Whats-On---July-2024-1.jpg)](https://www.marmaladecollective.com/whats-on-july-2024/) ## The Best Afrocentric July Events in London Tired of scrolling endlessly for the [best Afrocentric events in London](https://www.marmaladecollective.com/whats-on-july-2024/)? We've got you covered! Dive into our curated newsletter for July, packed with the coolest live music events, exclusive art shows and mouthwatering food experiences. No more hunting—just pure, handpicked awesomeness waiting for you. [Let’s get into it!](https://www.marmaladecollective.com/whats-on-july-2024/) --- ## What We're... 📰 **Reading:** [**VICE's article on The True Story Behind Ghana’s Viral Coffin Dancers**](https://www.vice.com/en/article/n7eyqw/coffin-dance-dancing-pallbearers-meme?ref=marmaladecollective.com). In 2020, VICE met with Benjamin Aidoo, who started the Nana Otafrija Pallbearing and Waiting Service in 2003, to learn the history of the coffin dance and why it caught on so hard when it did. 📺 **Watching:** [**Popular Nigerian Skit maker Layi Wasabi**](https://www.youtube.com/watch?v=%5FFaqQFqr4PM&ref=marmaladecollective.com) talking to 90s Baby Show about his journey from content creation to stand-up comedy, hilarious school memories and the wild world of Nigerian boarding schools. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/Layi-Wasabi-Headshot.jpg)](https://www.youtube.com/watch?v=%5FFaqQFqr4PM&ref=marmaladecollective.com) **Credit: @layiwasabi / Instagram* 🎧 **Listening to:** [**Amaare's latest single, sweeeet on Spotify**](https://open.spotify.com/album/4KCcVKgRtQtU2QpfZ0fv3L?si=tYRCM-RIQ-K5UVDyMUTLFw&ref=marmaladecollective.com). She drops this single along with other new songs as part of “Fountain Baby” Extended Play with features from 6lack & Naomi Sharon. 🎟️ **Booking:** [**Tickets to Kwanda Party**](https://lu.ma/ek44q6de?ref=marmaladecollective.com) ***supported by Marmalade and New Comma***. Join us for an unforgettable evening of culture, connection, food, music, discussion and celebration as we introduce Kwanda's inaugural event. 👀 **Eyeing:** [**Jacquard Mende and Temne Mask Set and the Frayed Striped Safari Shirt**](https://www.instagram.com/p/C8xKP%5FcMl2E/?img%5Findex=1&ref=marmaladecollective.com) by Labrum London - the British African heritage brand telling the untold story of West Africa to help bridge the gap between western and West African cultures. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) If** ### What's on in July URL: https://www.marmaladecollective.com/whats-on-july-2024/ Last updated: 2024-06-26T09:00:15.000Z Tired of scrolling endlessly for the best Afrocentric events in London? We've got you covered! **Dive into our curated newsletter for July, packed with the coolest live music events, exclusive art shows and mouthwatering food experiences**. No more hunting—just pure, handpicked awesomeness waiting for you. 🗣️ Events marked as '🔥' are highly recommended _This post is for subscribers only._ ### Charlette N’Guessan’s AI Impact in Africa, Amapiano’s 2nd Wave and Nigeria’s Relay Triumph URL: https://www.marmaladecollective.com/charlette-nguessan-ai-impact-in-africa-amapiano-2nd-wave-and-nigeria-relay-triumph/ Last updated: 2024-06-24T09:00:23.000Z **Welcome to Vol 96 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 😍 Huge thanks to everyone who came to our 'Common Ground' art exhibition and panel with New Comma this weekend! ***We're able to host amazing events and experiences like this because of our incredible paid members**. Not a paying member yet? [****Sign up today**](https://www.marmaladecollective.com/#/portal/signup/61f3017a323572002f114463/monthly) and get more from your Marmalade membership. Now, on to the real peel... ## 🔥 Trending Stories - [**This African country**](https://eu.usatoday.com/story/travel/destinations/2024/06/23/friendliest-countries-rank/74130927007/?ref=marmaladecollective.com) is No. 1 for Friendliest Destination: See Who Made The Top 10 *via USA Today* - [**Women in AI: Charlette N’Guessan**](https://techcrunch.com/2024/06/22/women-in-ai-charlette-nguessan-is-tackling-data-scarcity-on-the-african-continent/?ref=marmaladecollective.com) is Tackling Data Scarcity on the African Continent *via TechCrunch* - [**Amapiano’s Second Wave**](https://mixmag.net/feature/amapiano-second-wave-black-south-africa-culture-innovation-townships?ref=marmaladecollective.com): How Innovations Emerge from Black South African Culture *via Mixmag* - Tolami Benson: Who is [**Bukayo Saka's girlfriend**](https://paininthearsenal.com/posts/tolami-benson-who-is-bukayo-saka-girlfriend-euro-2024?ref=marmaladecollective.com) Spotted at Euro 2024? *via Pain in the Arsernal* - Seven Things to Know About [**DJ Cuppy**](https://www.okayafrica.com/dj-cuppy-7-things-to-know/?ref=marmaladecollective.com) *via OkayAfrica* - [**Team Nigeria Win Relay silver**](https://www.ripplesnigeria.com/team-nigeria-win-relay-silver-other-medals-at-african-championships/?ref=marmaladecollective.com), other medals at African Championships *via Ripples Nigeria* - Filmmaker and Photographer, [**Niyi Fagbemi Captures Vivid Colours of Culture**](https://www.instagram.com/p/C8bajMfohns/?ref=marmaladecollective.com) at Ojude Oba Festival *via Instagram* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/Ojude-Oba-Festival.jpg)](https://www.instagram.com/p/C8bajMfohns/?ref=marmaladecollective.com) **Image Courtesy of Niyi Fagbemi / Instagram* --- ## ⏳ Trivia Time **Question:** The Ojude Oba festival is celebrated annually in which Nigerian city, known for its rich Yoruba heritage and honouring the king, the Awujale? A) Lagos B) Abeokuta C) Ijebu-Ode *Scroll to the very bottom for the answer.* --- 📲 Remember to join us on [****WhatsApp**](https://whatsapp.com/channel/0029VaDoTjV9Gv7MEXAkvb2q?ref=marmaladecollective.com). We’d love to hear from readers on what you’d like to see on WhatsApp that’d be better or different from our newsletters. --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/dami-hope-indiyah-pollock-1.jpg)](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/1147144009072640/1147144009072640?chapterid=12446702835713&invite%5Fid=dp5JxXnJ&locale=en%5FGB&share%5Fid=gAc2ryzIRGG6wx3YpBQ6ug×tamp=51&sid=29c592669c8a414685325121ed19a17e&ref=marmaladecollective.com) **Image Courtesy: Dami Hope / Instagram* ## Best Love Island African Stars Today, we're diving into the love-packed, drama-filled world of Love Island to spotlight our stars of African heritage who've turned heads, won hearts, and showed the world what it means to vibe with the Motherland's beat. [Let’s get into it!](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/1147144009072640/1147144009072640?chapterid=12446702835713&invite%5Fid=dp5JxXnJ&locale=en%5FGB&share%5Fid=gAc2ryzIRGG6wx3YpBQ6ug×tamp=51&sid=29c592669c8a414685325121ed19a17e&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Aiyana Cristal's eye-opening and narrative-changing solo journey to Cape Town, South Africa**](https://theatlantavoice.com/solo-trip-cape-town-south-africa/?ref=marmaladecollective.com). The mere mention of her solo trip elicited skepticism from others followed by questions like; “Really? I could never do that by myself” and "Aren’t you scared for your safety?" 📺 **Watching:** [**Ainsley's National Trust Cook Off on ITV X**](https://www.itv.com/watch/ainsleys-national-trust-cook-off/10a4816/10a4816a0001?ref=marmaladecollective.com). Ainsley is joined by chef and author Lerato Umah-Shaylor at Blickling Hall in Norfolk for a light-hearted cooking contest. The winning dish was Lerato's Golden Ugandan Rolex. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/lerato-umah-shaylor.jpg)](https://www.itv.com/watch/ainsleys-national-trust-cook-off/10a4816/10a4816a0001?ref=marmaladecollective.com) **Image Courtesy: Lerato Umah Shaylor / Instagram* 🎧 **Listening to:** [**Wave by Asake & Central Cee**](https://www.youtube.com/watch?v=QHb0PwCQPxg&ref=marmaladecollective.com). Hypebeast says "The summertime single, which crosses genre lines between afrobeats and UK drill, arrives with an accompanying music video directed by Edgar Esteves and Asake." 🎟️ **Booking:** [**Obi's House in London**](https://dice.fm/event/q325a-obis-house-london-30th-jun-e1-london-tickets?lng=en&ref=marmaladecollective.com) Tickets. An unforgettable night of music, laughter, and connection as DJ Obi & friends spin the hottest beats all night long. Plus, keep an eye out for special guest appearances that are sure to add an extra spark to the party! 👀 **Eyeing:** [**This 100% Silk Scarf by Africana**](https://shopafricana.co/product/africana-lords/?ref=marmaladecollective.com). The new Africana colour emblem is a beautiful play on our core of being grounded, growth-driven and offered on a platform that challenges your notion of luxury. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/Africana-Scarf5-scaled-1.jpg)](https://shopafricana.co/product/africana-lords/?ref=marmaladecollective.com) **Image Courtesy: Africana* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****C) Ijebu-Ode** ### James Barnor Honoured; Oxlade's "Arabambi" Debuts; Awarri Eyes OpenAI’s Spot URL: https://www.marmaladecollective.com/james-barnor-honoured-oxlade-arabambi-debuts-awarri-eyes-openai-spot/ Last updated: 2024-06-17T09:00:33.000Z **Welcome to Vol 95 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people. And if this email was forwarded to you, *subscribe* to get it in your inbox too.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🙏🏾 ****Before we dive in, I have a quick favour to ask...** Each week, I dedicate several hours to creating this newsletter entirely for free. If you find value in The Spread, it would mean the world to me if you could share it with just one person you think would enjoy it too. ***Simply forward this email to them** and encourage them to click the button above to subscribe. Thank you 😉 Now, on to the real peel... ## 🔥 Trending Stories - [**Ghana Honours James Barnor's**](https://www.okayafrica.com/james-barnor-95-festival-ghana/?ref=marmaladecollective.com) Sprawling Impact and Influence on Ghanaian Creativity *via OkayAfrica* - [**Oxlade is Back**](https://www.bellanaija.com/2024/06/oxlade-new-single-arabambi/?ref=marmaladecollective.com) With a New Single and Video “Arabambi” *via BellaNaija* - Everything to Know About 'Perfect Match' Season 2 [**Scene-Stealer Tolú Ekundare**](https://www.marieclaire.com/culture/tv-shows/tolu-ekundare-perfect-match/?ref=marmaladecollective.com) *via Marie Claire* - [**Yinka Ilori Transformed the Facade of Chicago’s**](https://www.fastcompany.com/91139347/this-massive-art-installation-in-chicago-is-a-building-size-exploration-of-joy?ref=marmaladecollective.com) The Mart Building into a Vibrant Video Installation *via Fast Company* - [**Champion Tapped the Ivorian Creative Collective**](https://www.highsnobiety.com/p/champion-nip/?ref=marmaladecollective.com) to Harness its Amapiano Influence *via Highsnobiety* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/1718297184-c10.jpg)](https://www.highsnobiety.com/p/champion-nip/?ref=marmaladecollective.com) **Image Source: Highsnobiety* - [**This Little-known AI Nigerian Startup**](https://restofworld.org/2024/nigeria-awarri-ai-startup-llm/?ref=marmaladecollective.com) Has The Potential to be The Next OpenAI *via Rest of World* - Get Into the Intimate Visuals for [**BOJ and Adekunle Gold’s “Love Garden”**](https://www.okayafrica.com/boj-adekunle-gold-love-garden/?ref=marmaladecollective.com) *via OkayAfrica* - Former Prime Video Exec [**Ukonwa Ojo Takes Stake in Taeps Animation Studios**](https://variety.com/2024/film/global/ukonwa-ojo-taeps-animation-studios-1236033470/?ref=marmaladecollective.com), Dedicated to Bringing Powerful African Stories to Life *via Variety* --- ## ⏳ Trivia Time Question: Which **Ghanaian artist is known for the hit song “Adonai”,** which became a global sensation and features the artist Castro? A) Sarkodie B) Stonebwoy C) Shatta Wale *Scroll to the very bottom for the answer.* --- 📲 Remember to join us on [****WhatsApp**](https://whatsapp.com/channel/0029VaDoTjV9Gv7MEXAkvb2q?ref=marmaladecollective.com). We’d love to hear from readers on what you’d like to see on WhatsApp that’d be better or different from our newsletters. --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/MTIIQXPUJ5MEZEA3C6T4VBLRLY-1.jpeg)](https://snapchat.com/t/UHMoY8F6?ref=marmaladecollective.com) **Usher Superbowl Performance. REUTERS/Brian Snyder* ## 10 African Dance Moves You Must Know! African dance moves are taking over the world! From [Usher’s superbowl performance](https://snapchat.com/t/UHMoY8F6?ref=marmaladecollective.com) to BTS’s Idol music video, to popular dance trends. African dance moves are firmly part of mainstream dancing culture. Here are 10 popular African dance moves you have to make sure you know! [Let’s get into it!](https://snapchat.com/t/UHMoY8F6?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**A conversation with Chef Eric Adjepong**](https://www.saveur.com/culture/at-home-with-chef-eric-adjepong/?ref=marmaladecollective.com). Saveur interviews the food TV star and chef about how West African cuisine became the foundation of his culinary path. 📺 **Watching:** ["**Ghana: Africa’s Golden Opportunity"**](https://www.cnbcafrica.com/2024/ghana-africas-golden-opportunity/?ref=marmaladecollective.com) on CNBC Africa. A mini documentary that explores opportunities in Ghana's untapped potential as a hub for new investments and tourism. 🎧 **Listening to:** [**“There’s More to That” Podcast Episode**](https://play.prx.org/listen?ge=prx%5F3987%5Fc215b61d-817b-4d43-a929-d610e497e58d&uf=https%3A%2F%2Fpublicfeeds.net%2Ff%2F3987%2Ffeed-rss.xml&ref=marmaladecollective.com) on African Cuisine. The episode is titled *"America’s Best New Restaurant Celebrates the Flavors of West Africa"*. 🎟️ **Booking:** [**COMMON GROUND**](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) (use code CGLDN24 for 10% off tickets). This Saturday, come and celebrate African culture with amazing art, music, and insightful conversations. This exhibition is curated by Marmalade Collective in partnership with New Comma. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/common-ground.gif)](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) 👀 **Eyeing:** [**Jude Lartey's limited edition photography pieces**](https://bettershared.co/collections/jude-lartey?ref=marmaladecollective.com) on BetterShared. Jude Lartey is a self taught image-maker from Ghana. His cinematic scenes are illustrations of the new identities of his generation; dreams, fashions and evolutions. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****A) Sarkodie** ### Tems Joins Glastonbury Lineup; Aboudia Tops Art Sales; Temi Otedola Joins L’Oréal URL: https://www.marmaladecollective.com/tems-joins-glastonbury-lineup-aboudia-tops-art-sales-africas-pop-ascendancy/ Last updated: 2024-06-10T09:00:44.000Z **Welcome to Vol 94 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🗣️ ****Quick PSA:** Are you coming to [****Common Ground**](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com)? An exhibition, we're hosting in partnership with New Comma, featuring 23 talented artists from across Africa and diaspora. Come through and support them on 22nd June! Common Ground is an event [celebrating African art, music](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com), and insightful conversations. Early bird tickets are gone and limited general release tickets are now on sale. [***Grab your ticket**](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) before they sell out ⚡ Now, on to the real peel... ## 🔥 Trending Stories - [**Tems and Femi Kuti join Burna Boy**](https://www.theguardian.com/music/article/2024/jun/04/glastonbury-festival-2024-full-lineup-stage-times?ref=marmaladecollective.com) on Glastonbury 2024 Lineup *via The Guardian* - **Davido** Is Staying True to [**His Nigerian Roots**](https://www.dazeddigital.com/music/article/62730/1/davido-the-viral-artist-staying-true-to-his-nigerian-roots-interview-2024?ref=marmaladecollective.com) *via Dazed* - [**6 Restaurants in Marrakesh To Visit**](https://www.lofficielusa.com/travel-living/best-restaurants-in-marrakesh?ref=marmaladecollective.com) For The Ultimate Moroccan Cuisine *via L'Officiel* - [**This Ivorian Artist**](https://www.bbc.co.uk/news/articles/c5115079p53o?ref=marmaladecollective.com) Tops World’s Best-selling Artists like Damien Hirst and Banksy *via BBC* - [**Fake Beauty Queen**](https://www.npr.org/2024/06/09/nx-s1-4993998/the-miss-ai-beauty-pageant-ushers-in-a-new-type-of-influencer?ref=marmaladecollective.com), Created by a Team from Morocco, Charm Judges at the Miss AI Pageant *via NPR* - Nigerian Designer and Artist [**Olaolu Slawn Partners with Luxury French Brand**](https://www.iol.co.za/sunday-tribune/lifestyle/nigerian-designer-and-artist-olaolu-slawn-partners-with-luxury-french-brand-e018632f-f054-4737-a8e6-e86ae67d04d3?ref=marmaladecollective.com) *via IOL* - [**Tyla Confirms the African Continent**](https://www.dazeddigital.com/music/article/62724/1/tyla-water-south-africa-interview-dazed-summer-2024-cover?ref=marmaladecollective.com) as The New Centre of The Pop Universe *via Dazed* - [**L’Oréal Paris Announced Temi Otedola**](https://www.instagram.com/p/C76%5FGHwCidf/?img%5Findex=1&ref=marmaladecollective.com) as its New Sub-Saharan African Digital Brand Ambassador *via Native Mag* --- ## ⏳ Trivia Time What is the name of the **iconic 12th-century mosque in Marrakesh**, known for its impressive minaret that is a landmark of the city? A) Hassan II Mosque B) Koutoubia Mosque C) Ben Youssef Mosque *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/TRAD.jpg)](https://www.marmaladecollective.com/trad-the-journey-of-nigerias-emerging-music-sensation/) **Image Courtesy of TRAD* ## TRAD: Nigeria's Emerging Music Sensation Victory Nyebuchi Ken-Adele, better known by his stage name TRAD, is a 23-year-old artist from Port Harcourt in Rivers State, Nigeria. Coming from a large family within the Ikwerre community, TRAD’s journey into music began at a young age. “My very first memory of music was learning the drums from my brother. I was 11 and had to take over from him as the church drummer when he was leaving. From that, I leaned into more instruments, and by the time I was 16 in 2016, I started producing. I recorded my first song and released it in 2017\. That’s really how it began.” As we enjoy the lead single of his first body of work “Do You Wrong”, we caught up with TRAD in an exclusive interview to discuss his journey, influences, and aspirations. [Continue Reading](https://www.marmaladecollective.com/trad-the-journey-of-nigerias-emerging-music-sensation/) --- ## What We're... 📰 **Reading:** [**Semafor's newsletter**](https://www.semafor.com/newsletter/06/09/2024/kenyas-traditional-bullfighting-aims-for-tourists?ref=marmaladecollective.com) that features a story about [Liberty & Justice](https://libertyandjustice.com/?ref=marmaladecollective.com), an African-owned swimwear brand co-founded by a former Miss Africa Georgie Badiel Liberty and her husband, eyes further US growth. 📺 **Watching:** [**How to Ruin Love: The Proposal**](https://www.youtube.com/watch?v=pfjMXzvCkkE&ab%5Fchannel=AfricaOnNetflix&ref=marmaladecollective.com) on Netflix. "A delightful blend of humour and heartfelt moments, showcasing the complexities of relationships with sincerity and charm. Sivenathi Mabuya and Bohang Moeko’s undeniable chemistry brings authenticity to their roles, making the characters’ journey relatable and engaging." 🎧 **Listening to:** [**Born In the Wild**](https://open.spotify.com/album/1FGGv0vvSTerGQ91Mkvf9p?si=1yA5b-mmRlGXp0gNzaiwIA&ref=marmaladecollective.com) on Spotify. A debut studio album by Nigerian singer-songwriter Tems. The album announcement fell on the heels of Coachella 2024, where Tems performed the then-unreleased pre-release single “[Love Me JeJe](https://www.youtube.com/watch?v=Y%5FNTooezadU&ref=marmaladecollective.com)". 🎟️ **Booking:** [**COMMON GROUND**](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) tickets. This is a Pan-African exhibition that celebrates African culture with amazing art, music, and insightful conversations. This exhibition is curated by Marmalade Collective in partnership with New Comma. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/unnamed.jpg)](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) 👀 **Eyeing:** [**Recap video**](https://www.instagram.com/reel/C79Ok0NonfP/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink) from DLT Malta (Day 2). It captures an unforgettable night of amapiano featuring Uncle Waffles and Focalistic. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: ****B) Koutoubia Mosque** ### TRAD: The Journey of Nigeria's Emerging Music Sensation URL: https://www.marmaladecollective.com/trad-the-journey-of-nigerias-emerging-music-sensation/ Last updated: 2024-06-09T20:39:48.000Z # Introduction Victory Nyebuchi Ken-Adele, better known by his stage name [TRAD](https://www.instagram.com/tradwrld/?ref=marmaladecollective.com), is a 23-year-old artist from Port Harcourt in Rivers State, Nigeria. Coming from a large family within the Ikwerre community, TRAD’s journey into music began at a young age. “My very first memory of music was learning the drums from my brother. I was 11 and had to take over from him as the church drummer when he was leaving. From that, I leaned into more instruments, and by the time I was 16 in 2016, I started producing. I recorded my first song and released it in 2017\. That’s really how it began.” As we enjoy the lead single of his first body of work “Do You Wrong”, we caught up with TRAD in an exclusive interview to discuss his journey, influences, and aspirations. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/441582368_1601534317368135_2887811838594187447_n.jpg) **Who are some of your biggest musical influences, and how have they shaped your sound?** The very first influence I can recall having as a kid starting out in music was Justin Bieber. As a young boy who made it to the top at that age, he was a huge source of motivation for me. When my music began to take form, I looked more at the likes of Nonso Amadi, from his Afro-RnB perspective because that sub-genre was what I identified with at the start. And a worthy mention of Burna Boy because with him, he moves with the mindset of doing any type of music one is capable of, and I flow with that ideology. **What is your songwriting process like? Do you have any rituals or routines that help you get into the creative zone?** I usually write to the melodies I’ve created already on a beat, using whatever mood the beat puts me in to tell what I’m gonna write about. It’s kind of like you’re letting the music tell you what it wants. Sometimes I like to play the piano when making a song; that helps with my creativity. **How do you approach creating a new song? Do you start with lyrics, melody, or a particular theme?** Well, one day I could start with a melody and then put lyrics to it; the next day I may have a theme in mind before anything else. But more often than not, I like to allow the melodies to lead the way. **Can you share a personal story behind one of your favorite songs you've written?** “Memories” is an unreleased song, but I was stuck reminiscing on a past romantic love that I had. I recorded it in 2022 while I was home on a semester holiday and going through a break from my first and only relationship so far. You can understand how that was. The song will definitely be out someday. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/444759464_1029260835225698_6163243465497798387_n.jpg) **How do you draw from your own life experiences to create music that resonates with your audience?** I just pick out the things in my life that have put me through different emotions and write about them, knowing that there are people out there who have gone through the same. Even though we live different lives, we still have shared experiences as humans. **What have been some of the biggest challenges you've faced in your musical journey so far?** Breaking through the scene and keeping up every day is a daily challenge. It’s a lot of planning, and back when I started, I was doing it alone. But over time, people have come close like a team, and that has made me understand the need for cooperation. **How have you grown as an artist since you first started making music?** My vocal performance has improved, and so has my production, which means better sonics compared to even one year ago. My willingness to express myself has opened up more, and so has my understanding of the music industry. There have been a lot of changes, and it only keeps getting better. **Can you tell us about any upcoming projects or collaborations you're excited about?** I have an EP yet to be announced that I'm really excited about because it is my first body of work. It’s still a work in progress until it’s out, so I’m just making sure I put my all into it. **What are your long-term goals as an artist? Where do you see yourself in the next five years?** In five years, I hope to have built a great music catalog with songs across several human experiences. With every mood you get into, you will find a TRAD song for it, in different genres. And I want to have toured the world with that music. **When you're not making music, what are some of your favorite activities or hobbies?** I like to watch movies, even though I haven't done that a lot in recent months. Mostly, I just like to have a good time with my friends, not necessarily outside but just fun. **If you could collaborate with any artist, living or dead, who would it be and why?** Bob Marley, Michael Jackson, and Burna Boy. I like what Bob Marley’s music stood for, I’m a fan of Michael Jackson’s voice, and Burna Boy is just really good. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/441582600_1412883536007163_2668326179447310409_n.jpg) **What message do you hope your music conveys to your listeners?** Love. Love for the experience of life, love for art and oneself. Love for your neighbor, love for God. **How do you want to be remembered as an artist?** I want to be remembered for who I was, not just the music I made. I want my ideas and actions to have helped people, and my songs to have changed someone’s life. Mostly though, I just want people to be happy they knew me. # Conclusion As an independent artist, he has produced and engineered a number of songs, including "Out My Mind" in 2021 and "Running Back" in 2023\. He is currently gearing up for the release of his first body of work, aiming to create an intimate atmosphere with his audience, introducing them to the world of the “super kid.” “Do You Wrong” which was released on 1st May 2024, serves as the lead single off the coming project, that was released this year, 2024\. The song is an expression of gratitude and greatness in one’s personal journey. TRAD conveys appreciation towards the “ancient one” (God) and the people surrounding his life, revealing a desire for solitude and connection with one’s self in commitment to a greater calling. As TRAD continues to carve out his path in the music industry, his passion and dedication shine through in every beat and lyric. With his upcoming EP and a future filled with promise, TRAD is undoubtedly an artist to watch. ### COMMON GROUND, June 22nd - in partnership with NewComma URL: https://www.marmaladecollective.com/common-ground-ldn-june-22/ Last updated: 2024-06-05T09:00:30.000Z Join us in a few weeks in London for Common Ground - an event highlighting African culture with amazing art, music, and insightful conversations brought to you by Marmalade Collective and NewComma. _This post is for subscribers only._ ### Unveiling the Flavours of Africa: A Guide to London African Food Week 2024 URL: https://www.marmaladecollective.com/unveiling-the-flavours-of-africa-a-guide-to-london-african-food-week-2024/ Last updated: 2024-06-03T12:02:59.000Z London African Food Week #LAFW2024 has just concluded, leaving the vibrant streets of London infused with the unforgettable aromas and flavours of African and Caribbean cuisines. This event celebrated the rich culinary traditions and spotlighted local Black-owned culinary businesses. Attendees were treated to a weeklong extravaganza of culinary insights and cultural showcases, experiencing the rich tapestry of flavours and traditions that define these diverse cultures. ## **Delightful Dishes and Cultural Enrichment** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/PXL_20240127_141954645.MP_-scaled.jpg) From captivating cultural showcases to enlightening business insights, London African Food Week 2024 has just wrapped up, leaving attendees with unforgettable experiences. Here's a glimpse of the highlights: - **Business Insights** \- Participants gained valuable knowledge about the food industry, from supply chains to marketing strategies. Successful entrepreneurs and industry veterans shared their expertise, leaving a lasting impact on the culinary community. - **Cultural Celebrations -** Attendees immersed themselves in a world of flavors and cultural festivities. Food tastings and cultural showcases took everyone on a journey of taste and tradition. - **Culture Labs** \- Traditional music, dynamic dance performances, rhythmic drumming, and craft-making sessions provided an enriching exploration of African and Caribbean cultures. - **Food Photography Exhibition** \- The gallery showcased the artistry of African and Caribbean dishes through captivating food photography, offering a visual feast. - **Marketplace Exploration** \- Unique ingredients, products, and crafts were discovered at local food markets and artisanal stalls, highlighting the essence of African and Caribbean culture. - **Networking Opportunities** \- The event facilitated connections among food enthusiasts, content creators, entrepreneurs, and professionals, fostering a community united by a shared passion for food and business. ## **It's All About Good Vibes** London African Food Week was the ultimate destination for food enthusiasts and entrepreneurs to revel in their love for African and Caribbean cuisine. Leading up to #LAFW2024, attendees indulged in a series of pop-up dining events across London, offering an intriguing preview of the diverse flavors that awaited them. ### Event Highlights: - **Coffee & Chocolate Festival:** At The Africa Centre, visitors explored a world of exquisite chocolates and coffees, indulging in a variety of flavors and experiences that delighted their senses. - **Food for Thought Panel Discussion:** Participants joined a discussion on the link between food and mental health, exploring ways to promote well-being through cuisine. - **African Cooking Origin Stories:** Intergenerational discussions featured chefs and food bloggers sharing their culinary journeys and family recipes, offering a glimpse into the rich history of African cooking. - **Connected Communities Panel Discussion:** Attendees delved into how food brings communities together and fosters cultural exchange. - **Different Cuisines:** Participants enjoyed a variety of African dishes, from a Gambian buffet to a bottomless plantain party, experiencing the diverse and delicious offerings of the continent. ## **Meet the Founder: Tokunbo Koiki** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/Tokumbo.jpg) Founded in 2019, London African Food Week is led by acclaimed chef Tokunbo Koiki, known for her global promotion of Nigerian cuisine through Tokunbo's Kitchen. With a mission to celebrate and promote African culinary culture, Tokunbo Koiki is a prominent advocate for West African cuisine. Tokunbo's journey began with a desire to introduce authentic Nigerian cuisine to the world. Inspired by her travels and culinary experiences, she launched London African Food Week to foster a global appreciation for African cuisine while uniting communities and reshaping the narrative surrounding African food. > Tokunbo shares her vision, saying, "London African Food Week is an opportunity to celebrate the diverse flavours and nutritional richness of African cuisine. The aim is to foster a global appreciation for its vibrancy while uniting communities and redefining the narrative surrounding African food." London African Food Week kicked off on Saturday, May 25th, coinciding with Africa Day. You can check out the highlights [on their Instagram page](https://www.instagram.com/londonafricanfoodweek/?ref=marmaladecollective.com). London African Food Week aimed to showcase the richness of African food culture and its significant nutritional value. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Britain's Got Talent Finalists, Burna Boy's Nollywood Debut, Rising African Fashion Icons URL: https://www.marmaladecollective.com/britains-got-talent-finalists-burna-boys-nollywood-debut-rising-african-fashion-icons/ Last updated: 2024-06-03T09:00:19.000Z **Welcome to Vol 93 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🇺🇸 Exactly a week ago, I found myself basking in the glorious 35-degree sunshine of Houston, Texas, all dressed up for a family wedding. It was a dazzling display of Nigerian wedding traditions, seamlessly integrated into a contemporary celebration of love. It was like watching a vibrant mosaic of cultures coming alive, making it an eye-opener for guests of different cultures. As I soaked in the joy and the colour, it struck me how vital it is to keep our cultural heritage alive and kicking for the generations to come. Just thought-provoking stuff amidst all the beautiful celebration! - A Note from Tola Alade, Founder ***PS:** *Scroll to the bottom for a sneak preview of the wedding.* Now, on to the real peel... ## 🔥 Trending Stories - Ghana's Afronita, Abigail Reach [**Britain's Got Talent finale**](https://www.africanews.com/2024/05/31/ghanas-afronita-abigail-reach-britains-got-talent-finale/?ref=marmaladecollective.com) *via Africanews* - [**Burna Boy set to make Nollywood**](https://www.africanews.com/2024/05/23/burna-boy-to-make-nollywood-debut/?ref=marmaladecollective.com) Debut as Executive Producer *via Africanews* - [**Ayra Starr Gets Personal**](https://variety.com/2024/music/news/ayra-starr-year-i-turned-21-meeting-rihanna-afrobeats-1236021096/?ref=marmaladecollective.com) About ‘The Year I Turned 21,’ and Growing Up in Public *via Variety* - Why The [**World Needs an African Bike**](https://flipboard.com/topic/africa/why-the-world-needs-an-african-bike-brand/a-UXkwr969SXqBGgA057sn1A%3Aa%3A2867092696-b392cf9987%2Fflipboard.com?ref=marmaladecollective.com) Brand *via DW English* - [**Ghanaian Toddler Crowned**](https://www.blackenterprise.com/ghanaian-toddler-guinness-youngest-male-artist/?ref=marmaladecollective.com) Guinness World Records’ Youngest-Ever Male Artist *via Black Enterprise* - The Rise and Rise of [**Banke Kuku**](https://www.okayafrica.com/banke-kuku-global-brand/?ref=marmaladecollective.com) *via OkayAfrica* - Two [**Nigerian Designers Redefining Global Fashion**](https://www.instagram.com/p/C7o0oY3R5ZQ/?ref=marmaladecollective.com) and Taking African Style to the World Stage *via CNN* --- ## ⏳ Trivia Time What is the name of the **traditional Nigerian head tie worn by women**, known for its elaborate and stylish appearance? A) Dashiki B) Gele C) Buba *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/image-54.png)](https://www.marmaladecollective.com/5-afrocentric-alcohol-brands-you-should-know-and-try/) **Image Courtesy of Mirchi* ## 5 Afrocentric Alcohol Brands You Should Know and Try Are you tired of the same old boring drinks? Do you want to really switch up your cocktail game and give your taste buds the true African experience? Then look no further! We have handpicked 5 of the best Afrocentric alcohol brands that you need to know about. Whether you are looking for something new and different or just want to explore the flavours of Africa, these alcohol brands offer something for every kind of drinker. They each have their own unique style and flavour, guaranteed to elevate your drinking experience. So don't miss out on the opportunity to try something truly unique and enriching - explore the African alcohol brands and give your taste buds a truly unforgettable experience! [Continue Reading](https://www.marmaladecollective.com/5-afrocentric-alcohol-brands-you-should-know-and-try/) --- ## What We're... 📰 **Reading:** [**Asa's GQ Feature**](https://www.gq.co.za/culture/entertainment/introducing-our-music-and-creativity-issue-cover-star-asa-3d7cd692-6cc2-4e4b-ad2d-bdc4d20de3e6?ref=marmaladecollective.com). With a compelling presence on stage and a Wide-ranging repertoire, Aṣa’s artistry embodies a diverse range of experiences, stemming from her multicultural heritage: Nigerian and French. 📺 **Watching:** [**Namaste Wahala on Netflix**](https://www.youtube.com/watch?v=wJzCtDD-FDQ&ref=marmaladecollective.com). A Nigerian cross-cultural romantic comedy film hailed as the first major collaboration between Bollywood and Nollywood. 🎧 **Listening to:** [**Afrobeats Songs Reimagined with AI**](https://www.instagram.com/aifor.afrobeats/?ref=marmaladecollective.com). You won't believe what AI did to these Afrobeats songs. Which of the new versions did you like? 🎟️ **Booking:** [**COMMON GROUND**](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) 'A Pan-African Experience' - a celebration of African culture with amazing art, music, and insightful conversations. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/unnamed.jpg)](https://lu.ma/9aqpo7sz?ref=marmaladecollective.com) 👀 **Eyeing:** [**Kente Gentlemen**](https://www.shopfreetown.com/collections/kente-gentlemen?ref=marmaladecollective.com) on FRTWN. A clothing brand, with each piece tailored in unique style and contemporary design. The first name in Kente Gentlemen praises the Kente cloth, a landmark textile and cultural icon of Africa, originating from the Ashanti Kingdom, land of our forefathers. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ Trivia Answer: B) Gele [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/06/IMG_8058-Large.jpeg)](https://www.instagram.com/p/C7fWvRRPNNl/?ref=marmaladecollective.com) ### Stevie Wonder Becomes Ghanaian, Tyla and Tems BET Nominations, Unique Nigerian Museum URL: https://www.marmaladecollective.com/stevie-wonder-becomes-ghanaian-bet-nominations-unique-nigerian-museum/ Last updated: 2024-05-20T09:00:14.000Z **Welcome to Vol 92 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎉 ****We've hit 4,000 members!** We're absolutely thrilled and want to give a massive shout-out to you for being part of our ever-expanding community of culturally-curious individuals who share a passion for African culture. Your enthusiasm and support mean the world to us! To keep the momentum going, why not spread the love? ****Forward this email to a friend or family member** and invite them to join the Marmalade community. Now, on to the real peel... ## 🔥 Trending Stories - American singer [**Stevie Wonder granted Ghanaian citizenship**](https://www.africanews.com/2024/05/14/american-singer-stevie-wonder-granted-ghanaian-citizenship/?ref=marmaladecollective.com) *via Africanews* - Who Are The [**African Music Stars Nominated**](https://www.okayafrica.com/bet-awards-2024-nominations/?ref=marmaladecollective.com) for 2024 BET Awards *via OkayAfrica* - [**Nigeria Welcomes a Museum**](https://www.theguardian.com/global-development/2024/apr/30/john-randle-centre-yoruba-culture-lagos-nigeria?ref=marmaladecollective.com) Like No Other *via The Guardian* - The [**10 Best Red Carpet Looks**](https://www.okayafrica.com/amvca-2024-best-dressed-list/?ref=marmaladecollective.com) at AMVCA 2024 *via OkayAfrica* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/toke-makinwa.gif)](https://www.okayafrica.com/amvca-2024-best-dressed-list/?ref=marmaladecollective.com) **Toke Makinwa. Source: Instagram* - [**Amapiano among genres reaching**](https://www.iol.co.za/saturday-star/news/amapiano-among-genres-reaching-unprecedented-heights-for-african-music-feb62a4d-0f5f-4b87-9d11-d14d0d582b6f?ref=marmaladecollective.com) unprecedented heights for African music *via IOL* - [**JayO Connects With Nigerian Stars**](https://www.complex.com/music/a/james-keith/jayo-bella-shmurda-crayon-reset?ref=marmaladecollective.com) Bella Shmurda & Crayon For “Reset” *via Complex* - [**Kwanda Reveals Funding Breakdown**](https://www.instagram.com/p/C7EUpwkhUli/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink) from African Countries *via Instagram* --- ## ⏳ Trivia Time What traditional **Ghanaian dish is made with fermented corn and cassava dough**, steamed in banana leaves, and commonly served with spicy pepper sauce, fish, or meat? A) Jollof Rice B) Banku C) Kenkey *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/20201014_WIZKID_02-0160_f5.jpeg)](https://snapchat.com/t/k2uUmUN2?ref=marmaladecollective.com) **Wizkid. Photo: Rob Rosling* ## Wizkid: The Story Behind A Starboy From Lagos street hustler to Grammy-winning superstar rocking stages with Beyonce – [Wizkid's story](https://snapchat.com/t/k2uUmUN2?ref=marmaladecollective.com) is Afrobeats royalty forged in the fires of ambition. Ditch the private jets and sold-out stadiums for a sec, because this journey starts with a pair of cheap headphones and a dream as loud as the Lagos traffic. ed as a platform to spotlight the remarkable female talents driving the Afropop scene forward. [Watch Video](https://snapchat.com/t/k2uUmUN2?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Stealing Qatar’s Heart With Agege Bread**](https://guardian.ng/life/wumi-monehin-stealing-qatars-heart-with-agege-bread/amp/?ref=marmaladecollective.com). The Guardian Nigeria speaks with Omowumi Monehin, the founder of Wumi’s Bakery and Bistro, nestled in the heart of Doha, Qatar. 📺 **Watching:** [**Breath of Life**](https://www.amazon.co.uk/Breath-Life-Wale-Ojo/dp/B0CKLBW61P?ref=marmaladecollective.com) on Prime Video. It is the story of an exceptionally gifted and affluent man, who becomes an old and lonely curmudgeon after a heartbreaking tragedy strikes his life. *Recommended by* [*Ayoola*](https://www.instagram.com/ayoola/?ref=marmaladecollective.com) *(Member since Sep 2022)* 🎧 **Listening to:** [**ROOTS**](https://open.spotify.com/album/2OU0uJWqRBeAokBzjvAiRF?si=iLb5WBdeS46BwqMh62fnsA&ref=marmaladecollective.com), an album by The Cavemen. "The sound of the album carries on the tradition of their musical ancestors, exploring the beauty that can be found in this pillar of Nigerian and African culture. This is an exploration of highlife in its full sense, with each track containing something new for listeners to take away." *\- Motolani Alake* 🎟️ **Booking:** [**Tommy WÁ Intimate London Show**](https://www.ticketweb.uk/event/tommy-wa-map-studio-cafe-tickets/13410404?ref=marmaladecollective.com) at MAP Studio Cafe. Tommy WÁ is establishing his blend of contemporary African Indie music whilst redefining preconceived notions of what African music sounds like. 👀 **Eyeing:** [**Flavours of Africa Cookbook by EATO**](https://eato-network.myshopify.com/products/pre-order-eato-presents-flavours-lf-africa-cookbook?ref=marmaladecollective.com). A collection of authentic African recipes, featuring some exclusive dishes you won't find anywhere else. Pre-order your copy today and save 33%. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/EATO-Cookbook-Cover-Design-FINAL-1.2-1.jpeg)](https://eato-network.myshopify.com/products/pre-order-eato-presents-flavours-lf-africa-cookbook?ref=marmaladecollective.com) Image Courtesy of EATO --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ C) Kenkey ### Member Meet-ups: May URL: https://www.marmaladecollective.com/member-meet-ups-may/ Last updated: 2024-05-14T16:51:17.000Z Here's what's coming up for the Marmalade community. These meet-up events are perfect for socialising with other members and meeting new people. ## This week _This post is for subscribers only._ ### Olaolu Slawn Designs FA Cup, 20 Best London West African Restaurants, Ayra Starr's New Hit URL: https://www.marmaladecollective.com/olaolu-slawn-designs-fa-cup-20-best-london-west-african-restaurants-ayra-starrs-new-hit/ Last updated: 2024-05-13T09:00:21.000Z **Welcome to Vol 91 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🙏🏾 ****Did you miss us last week?** That was the absence of our beloved Spread newsletter in your inbox. Yes, for the first time in 90 weeks—since the birth of this newsletter—we skipped an issue. No excuses, just a heartfelt apology. ****Here's the tea:** we were elbows deep in the soft launch of Ivory House ([photos](https://drive.google.com/drive/folders/195tgbMA9lWL4xKdjnCIQMlbRnjqpYh-1?usp=sharing&ref=marmaladecollective.com)), London's newest private members’ club, tucked away in Barons Court. We’ve designed Ivory House as a social playground for the dynamic, culturally-savvy socialite of today—someone who seeks not just exclusivity, but genuine connections, bespoke experiences, and, yes, a touch of discretion. ****Join the Ivory House** [****WhatsApp channel**](https://chat.whatsapp.com/EzgnFQqOwSq2CilDtkUY24?ref=marmaladecollective.com) for early access to events, membership and more. Summer about Ivory House is about to the lit...starting [****this Saturday**](https://lu.ma/ipmwqhp9?ref=marmaladecollective.com). Now, on to the real peel... ## 🔥 Trending Stories - English FA assigns the design of 2024 [FA Cup trophy to a Nigerian-born artist](https://notjustok.com/sports/english-fa-assigns-the-design-of-2024-fa-cup-trophy-to-a-nigerian/?ref=marmaladecollective.com) *via NotJustOk* - 20 of [**London’s best Nigerian**](https://www.timeout.com/london/restaurants/londons-best-nigerian-and-west-african-restaurants?fbclid=PAZXh0bgNhZW0CMTEAAabRmKlYdjKdQrERNZCs44HV6dW5Uj5FWQYmqkChB%5FL4ZLMZ5jyQMgIgmgM%5Faem%5FAYZ0KF2hNX%5FMlsnQBcbFyrSC98xNmkh%5F8OkLbfh73nbne53Q6vkdY9WmIKMWC%5FndnteYy7Z8fW8k%5FkfeXg2boYZt&ref=marmaladecollective.com) and West African restaurants *via TimeOut* - They Stayed at [**Richard Branson’s Lush South African Estate**](https://www.travelandleisure.com/mont-rochelle-south-africa-review-8644744?ref=marmaladecollective.com) — Here’s Their Review *via Travel + Leisure* - [**Ayra Starr Expels Negativity**](https://www.okayafrica.com/ayra-starr-bad-vibes-seyi-vibez/?ref=marmaladecollective.com) In New Single “Bad Vibes” *via OkayAfrica* - A Sustainable Stylist’s [**Multicultural Nigerian-Italian Wedding**](https://www.elle.com/elleextra/events/a60553774/cassandra-dittmer-chinedum-nweze-wedding/?ref=marmaladecollective.com) *via Elle Magazine* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/cassandra-chinedum-0271-662dcbb6a5841.jpg)](https://www.elle.com/elleextra/events/a60553774/cassandra-dittmer-chinedum-nweze-wedding/?ref=marmaladecollective.com) **Photo Credit: GIUSEPPE MARANO* - This [**Ghanaian YouTuber**](https://edition.cnn.com/videos/business/2024/05/10/ghanaian-youtuber-larry-madowo-pkg-05042aseg1-cnni-business.cnn?ref=marmaladecollective.com) is changing the African narrative *via CNN* - This [**Nigerian-American is One of Six Rising Land Artists**](https://news.artnet.com/art-world/new-generation-land-artists-indoor-earth-works-2480805?ref=marmaladecollective.com) Bringing the Earth Inside *via Artnet* --- ## ⏳ Trivia Time Question: In Nigerian weddings, particularly among the Yoruba people, **what is the significant traditional event** where the groom's family presents gifts to the bride's family, known as the "introduction ceremony"? A) Igba Nkwu B) Nikah C) Eru Iyawo *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3742-1.jpg)](https://www.marmaladecollective.com/femme-africa-and-platoons-music-camp/) **Image Courtesy of Femme African and Platoon* ## Femme Africa and Platoon's Music Camp In a mix of pure talent and empowerment, Platoon and Femme Africa joined forces to pioneer a groundbreaking three-day music camp in West Africa. Commencing on April 10th, this camp not only marked Platoon's inaugural music camp in the region but also served as a platform to spotlight the remarkable female talents driving the Afropop scene forward. [Keep Reading](https://www.marmaladecollective.com/femme-africa-and-platoons-music-camp/) --- ## What We're... 📰 **Reading:** [**TechSafari's newsletter**](https://techsafari.beehiiv.com/p/made-africa-sold-world?ref=marmaladecollective.com) on 'Made in Africa' and how the world wants what Africa is making—everything from Moroccan rugs to Shea Butter from Ghana. 📺 **Watching:** Tiwa Savage's [**Water & Garri on Prime Video**](https://www.primevideo.com/detail/Water-and-Garri/0R0WQ7VK6AVONX2VCC0CEH9FI5?ref=marmaladecollective.com). The drama tells story of Aisha, an ambitious fashion designer, as she returns to her native home after 10 years away in the U.S., following a family bereavement. 🎧 **Listening to:** CULTUR FM's [**Live Afrobeats Mix by Kwamz Original**](https://www.youtube.com/watch?v=AOFmzS%5Fk6Ko&ab%5Fchannel=CULTURFM&ref=marmaladecollective.com). CULTUR FM is the trending cultural sensation taking over the internet. 🎟️ **Booking:** [**Tommy WÁ Intimate London Show**](https://www.ticketweb.uk/event/tommy-wa-map-studio-cafe-tickets/13410404?ref=marmaladecollective.com) at MAP Studio Cafe. Tommy WÁ is establishing his blend of contemporary African Indie music whilst redefining preconceived notions of what African music sounds like. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/61397a30-344e-4ceb-985e-3c8f68f1f42c.jpg)](https://www.ticketweb.uk/event/tommy-wa-map-studio-cafe-tickets/13410404?ref=marmaladecollective.com) **Image Courtesy of Tommy WA* 👀 **Eyeing:** [**Artworks by Ogen Osiegbu**](https://www.londonlighthousestudio.com/artist--ogen-osiegbu/?ref=marmaladecollective.com). A self-taught artist from Delta State, Nigeria, but lives in the city of Lagos. His art is inspired by the Orogodo River, which is a source of livelihood to the people of Owa Kingdom, (Ogen’s ancestry home), in Delta State. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ C) Eru Iyawo ### Saturday Soiree at Ivory House, May 18th 2024 URL: https://www.marmaladecollective.com/saturday-soiree-ivory-house-may-18th-2024/ Last updated: 2024-05-12T15:10:49.000Z ​Join us for Saturday Soiree at Ivory House, where elegance meets excitement in an unforgettable social experience. Nestled in a £3.2 million period cottage, this exclusive gathering is the perfect blend of sophistication and fun. [Book Now](https://lu.ma/ipmwqhp9?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/DSCF2427.jpg)](https://lu.ma/ipmwqhp9?ref=marmaladecollective.com) Whether you're looking to network, unwind, or simply enjoy a night out with your circle, Saturday Soiree is your destination for a weekend escape like no other. [See You There](https://lu.ma/ipmwqhp9?ref=marmaladecollective.com) ### Here's how it works: - ​9pm – Arrival, Introduction and Welcome Drinks - ​9.30pm – Hosted Mixing and Mingling with low music. Our hosts will be on hand to make introductions between guests. - ​11pm – Dancing and late night party with entertainment. - ​Dress Code: Smart & Fashionable and Age Range is 25-45 🤐 All other event details except date and time are kept secret. ​The club address and secret access code will be revealed few days before the event. What happens in the house, stays in the house. Strictly NO cameras, video or other recording devices. ### Empowering Women in Afropop: A Closer Look at Femme Africa and Platoon's Music Camp URL: https://www.marmaladecollective.com/femme-africa-and-platoons-music-camp/ Last updated: 2024-05-10T14:05:45.000Z # **Introduction** In a mix of pure talent and empowerment, Platoon and Femme Africa joined forces to pioneer a groundbreaking three-day music camp in West Africa. Commencing on April 10th, this camp not only marked Platoon's inaugural music camp in the region but also served as a platform to spotlight the remarkable female talents driving the Afropop scene forward. ## **Femme Africa: Leading the Charge** Femme Africa, in collaboration with Platoon's local partners, spearheaded this endeavor, building upon their ongoing initiative, SHE RUNS THE BOARDS. This initiative, conceived by Linda Ayoola and Grace Hsiu, aims to challenge the lack of racial and gender diversity within the global music industry. With events spanning from London to Lagos, SHE RUNS THE BOARDS has become a beacon of empowerment, offering women in music the tools, time, and opportunity to thrive. > Through She Runs the Boards, we're not just creating music; we're shaping the future of the industry and inspiring the next generation of female artists, songwriters, and producers. It is important to me that we continue to build platforms for women to connect, collaborate and create and SRTB represents just that ! - Toluwaleke Subair, Programs Manager Femme Africa ## **Celebrating Women's Impact in Afropop** The theme of 2024's International Women's Day, "Accelerate Progress," echoed through the halls of this transformative music camp. From behind the mic to the boardroom, women have been pivotal in shaping Afropop's rise from a regional powerhouse to a global phenomenon. Artists like Asa, Tems, Ayra Starr, Bloody Civilian, and more exemplify the bold and vivacious spirit driving African music to the forefront of the global stage. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3997.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3742.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3755.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3912.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3963.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_4024.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3919.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3884.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3794.jpg) ## **She Runs The Boards: Fostering Inclusivity** At the heart of SHE RUNS THE BOARDS lies a commitment to fostering a supportive and inclusive environment where diverse voices can flourish. Ayoola emphasises the transformative power of music to break barriers and build bridges across continents. This ethos resonated throughout the Lagos-based music camp, where a female-led cohort of musicians, songwriters, producers, and more convened to develop their craft and amplify their voices. ## **A Paradigm Shift in the Music Industry** The significance of third-party spaces like the Platoon and Femme Africa music camp cannot be overstated. In an industry often dominated by male voices, these initiatives provide essential platforms for women to thrive, collaborate, and inspire. As the Afropop scene continues to evolve, partnerships like this will play a vital role in nurturing the next generation of female talent and pushing the boundaries of creativity and inclusivity. > Launching a writing camp to spotlight women creatives in Nigeria, in partnership with Femme Africa, has been nothing short of incredible. Together, we're breaking boundaries and championing cross-collaboration. This collaboration has enriched every participant, uniting diverse voices to inspire innovation and shape a brighter, more inclusive future. - Linda Ayoola, Head of Music, Africa & Services at Platoon ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_4102.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3488.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_4232.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3473.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3493.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_3387.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_4404.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/05/IMG_4108-2.jpg) # Conclusion In the convergence of Platoon, Femme Africa, and the voices of female artists, we witness not just a music camp but a movement—a movement towards greater representation, empowerment, and innovation in the world of Afropop. As we celebrate the achievements of women in music, let us also recognise the ongoing work of organisations like Platoon and Femme Africa in shaping a more equitable and supporting musical landscape for generations to come. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's on in May URL: https://www.marmaladecollective.com/whats-on-may-2024/ Last updated: 2024-05-01T09:00:31.000Z As we say hello to warmer days here in London, we're thrilled to bring you the **best Afrocentric events and experiences happening throughout May**! We've got everything from festivals to film screenings, not to mention incredible exhibitions and talks. There's truly something for everyone! We highly recommend events marked as 🔥 _This post is for subscribers only._ ### Sean Paul Hits Afrobeats Chart, Netflix's South African Comedy, Discovering Africa's Paradises URL: https://www.marmaladecollective.com/sean-paul-hits-afrobeats-chart-netflixs-south-african-comedy-discovering-africas-paradises/ Last updated: 2024-04-29T09:00:36.000Z **Welcome to Vol 90 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) Now, on to the real peel... ## 🔥 Trending Stories - Dancehall Superstar [**Sean Paul's collaboration with Nigerian artist**](https://www.dancehallmag.com/2024/04/25/news/sean-paul-makes-first-entry-on-the-billboard-afrobeats-songs-chart.html?ref=marmaladecollective.com) *via DancehallMag* - [**This South African comedy flick**](https://thebritishblacklist.co.uk/out-of-africa-south-african-comedy-film-real-estate-sisters-debuts-on-netflix-this-weekend/?ref=marmaladecollective.com) is set to premiere globally on Netflix *via The British Blacklist* - The Last [**30 Years of South African Music**](https://www.okayafrica.com/south-africa-music-evolution/?ref=marmaladecollective.com) *via OkayAfrica* - The [**beautiful African paradise islands**](https://edition.cnn.com/travel/beautiful-african-paradise-islands-fewer-tourists?ref=marmaladecollective.com) that most tourists don’t know about *via CNN Travel* - [**A. A. Spectrum Captures the Vibrancy of Jamestown**](https://hypebeast.com/2024/4/a-a-spectrum-spring-summer-2024-synaesth-theasia-campaign-info?ref=marmaladecollective.com) in “Synaesth-Theasia” Campaign *via Hypebeast* - Space Un celebrates contemporary [**African art, community and connection in Japan**](https://www.wallpaper.com/architecture/space-un-tokyo-japan?ref=marmaladecollective.com) *via Wallpaper* - [**Aindrea Emelife Reimagines Nigeria**](https://www.instagram.com/reel/C5%5FSJwkNus0/?igsh=dnM5YWZtYXAzZWVr&ref=marmaladecollective.com) at this year’s Venice Biennale *via Instagram* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/large-1706524764-ea4bfc917d95aac4e27a2aecbdac19ea.jpg)](https://www.instagram.com/reel/C5%5FSJwkNus0/?igsh=dnM5YWZtYXAzZWVr&ref=marmaladecollective.com) **Aindrea Emelife.* [**Image Source*](http://www.crumbagency.com/stories/333-crumb-now-representing-aindrea-emelife/?ref=marmaladecollective.com) --- ## ⏳ Trivia Time **Question:** What is the name of the **famous flat-topped mountain located in Cape Town**, South Africa, which is a major tourist attraction and a symbol of the city? A) Drakensberg B) Kilimanjaro C) Table Mountain *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/d9f26780310f1f9e190bd22aad6f67a49336bce7-1251x1400.jpg)](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/12438107377664/12438107379713?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) **Damson Idris. Photography: Simon Lipman* ## Damson Idris "Hollywood's Sexist Man Alive" Can you guess who the sexiest man of the moment is? It’s none other than Damson Idris. In the wild and crazy world of Hollywood, there's this dude who's got everyone swooning with his talent, charm, and straight-up steeze. Let me introduce you to Damson Alade-Bo Idris, born on September 2, 1991, in Peckham, South East London. He’s got Nigerian blood running through his veins, so you know he's got that extra flavour. This guy's come a long way from his humble beginnings to snag the title of Hollywood's Sexiest Man Alive. [Watch Video](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/12438107377664/12438107379713?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Semafor's newsletter**](https://www.semafor.com/newsletter/04/28/2024/african-art-is-rising-on-the-global-stage?ref=marmaladecollective.com) on African art rising on the global stage. It delves into the art fair scene, Dakar’s Art Biennale, A decade of African art sales and more. 📺 **Watching:** [**Aerial Africa**](https://www.channel5.com/show/aerial-africa?ref=marmaladecollective.com) on Channel 5\. A 60-min documentary that celebrates stunning vistas and extraordinary stories from South Africa to Zambia. 🎧 **Listening to:** ['**Love Me JeJe' by Tems**](https://www.youtube.com/watch?v=2swLTgwi50A&ref=marmaladecollective.com)**.** “Jeje” loosely means “gentle” or “softly” in Nigeria, and on the song, Tems shares the joy of being loved over a sunny guitar groove. 🎟️ **Booking:** [**Kizz Daniel Live at OVO Arena Wembley**](https://cokobar.com/events/3033/kizz-daniel-live-with-full-band?ref=marmaladecollective.com). On May 6th, join Kizz Daniel for a night filled with chart-topping hits like Buga, Twe Twe, Showa and lots more. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/Kizz-Daniel-Maverick-002-scaled-1.jpg)](https://cokobar.com/events/3033/kizz-daniel-live-with-full-band?ref=marmaladecollective.com) **Image Source: Wonderland* 👀 **Eyeing:** [**9 High-end African Fashion Brands**](https://www.instagram.com/p/C6I92tMxvKx/?ref=marmaladecollective.com). From captivating storytelling to unparalleled craftsmanship, these brands are redefining luxury fashion with their rich narratives and African artistry. ⁠ --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ C) Table Mountain ### Tunde Onakoya's Chess Marathon, Davido on Rihanna, Tokyo Champions African Art URL: https://www.marmaladecollective.com/tunde-onakoya-chess-marathon-davido-on-rihanna-tokyo-champions-african-art/ Last updated: 2024-04-22T09:00:14.000Z **Welcome to Vol 89 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 📣 Don't miss this chance to have your work exhibited at an upcoming event in London in celebration of Africa Day 2024 in collaboration with Marmalade Collective and NewComma. [****Apply asap before it closes**](https://newcomma.com/jobs/listings/1fe48bdb-79a8-4911-8043-d3e8596ae279/job-description?ref=marmaladecollective.com) on 1st May. Now, on to the real peel... ## 🔥 Trending Stories - [**Nigerian chess champion Tunde Onakoya**](https://edition.cnn.com/2024/04/20/africa/nigerian-chess-champion-breaks-world-record-for-longest-chess-marathon-intl/index.html?ref=marmaladecollective.com) plays for 60 hours in Times Square *via CNN* - What's Driving [**West Africans' Recent Guinness World Record**](https://www.okayafrica.com/guinness-world-records-west-africans/?ref=marmaladecollective.com) Attempts? *via OkayAfrica* [![](https://yt3.googleusercontent.com/h9ms3V8Qm2CcCIFPUncZwEbRZ8QOiUITMt_lJnjrLWbe_xfAd3aI27A0atpPX6HtyKkxYKpqXw=s900-c-k-c0x00ffffff-no-rj)](https://www.okayafrica.com/guinness-world-records-west-africans/?ref=marmaladecollective.com) - This [**Ghanaian artist covers the Barbican Centre**](https://www.bbc.co.uk/news/world-africa-68846770?ref=marmaladecollective.com) in a sea of pink traditional cloth *via BBC* - How [**Nigeria's 1970s make-do-and-mend attitude**](https://www.bbc.com/culture/article/20240419-how-a-1970s-make-do-and-mend-attitude-resonates-now?ref=marmaladecollective.com) resonates in today's slow fashion culture *via BBC Culture* - How K-Drama Has Transcended Mere [**Fandom for Nigerian Women**](https://www.okayafrica.com/kdrama-influence-nigerian-women/?ref=marmaladecollective.com) *via OkayAfrica* - [**A New Tokyo Art Space**](https://news.artnet.com/market/a-low-key-collector-hermes-family-opens-art-space-in-tokyo-2454230?ref=marmaladecollective.com) Will Champion Contemporary African Art *via Artnet* - [**Davido Talks Wanting to Work With Rihanna**](https://variety.com/2024/music/news/davido-afrobeats-madison-square-garden-rihanna-1235972809/?ref=marmaladecollective.com) and Headlining Madison Square Garden *via Variety* --- ## ⏳ Trivia Time Tunde Onakoya is best known for founding which initiative that uses chess to empower disadvantaged children in Nigeria? A) Chess in Slums Africa B) Chess for Change C) Pawns to Kings Initiative *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://cdn.punchng.com/wp-content/uploads/2021/05/25145234/DJ-CUppy.jpg)](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/2999809284612096/2999809284612097?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) ## The Otedola Billionaire Sisters Curious about who in Nigeria is cruising around in a pink Ferrari? Well, look no further than the Otedola sisters - Tolani, Florence (aka DJ Cuppy), and Temi. These three are rocking Nigeria with their unique talents and vibes. Straight out of Lagos, these daughters of billionaire Femi Otedola are proving they're more than just their family name. [Watch Video](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/2999809284612096/2999809284612097?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Whats-On---April-2024-1.jpg) #### Wondering what to do this week? 🇬🇧 We’ve got you covered with the coolest afrocentric happenings around London. Get out there, meet some new faces, and soak up all the experiences. [Check It Out](https://www.marmaladecollective.com/whats-on-april-2024/) --- ## What We're... 📰 **Reading:** [**This Week in African Tech**](https://techsafari.beehiiv.com/p/week-african-tech-a860?ref=marmaladecollective.com) Newsletter by Tech Safari. 📺 **Watching:** [**Michael Palin in Nigeria**](https://www.channel5.com/show/michael-palin-in-nigeria/season-1/episode-1?ref=marmaladecollective.com) on Channel 5. 🎧 **Listening to:** [**Ngozi Diamond's mix**](https://www.youtube.com/watch?v=DZ20jzgsi84&ref=marmaladecollective.com) on aprtment life featuring special guest, Ayra Starr. 🎟️ **Booking:** [**Dine with Mentality.**](https://www.eventbrite.co.uk/e/dine-with-mentality-a-dining-experience-for-men-tickets-872556258257?ref=marmaladecollective.com) A unique dinner designed for building lifelong friendships and support networks among like-minded men. 👀 **Eyeing:** [**Zashadu**](https://www.instagram.com/p/C5YsdWxsP0M/?ref=marmaladecollective.com) on Industrie Africa. Handmade by skilled artisans in Lagos, Nigeria, using upcycled leather and vegetable dyes, each item is a testament to effortless style. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ A) Chess in Slums Africa ### Asake's Global Impact, Tyla on Late Show, Africa's Biennale Boom URL: https://www.marmaladecollective.com/asakes-global-impact-tyla-on-late-show-africas-biennale-boom/ Last updated: 2024-04-15T09:42:52.000Z **Welcome to Vol 88 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 📣 If you're passionate about sharing your creativity with a global audience and want to be part of an exciting artistic journey, we invite you to [****apply for our Call for Artists**](https://newcomma.com/jobs/listings/1fe48bdb-79a8-4911-8043-d3e8596ae279/job-description?ref=marmaladecollective.com). Now, on to the real peel... ## 🔥 Trending Stories - How [**Asake Became the Center of the World’s Most Influential**](https://www.gq.com/story/asake-profile?ref=marmaladecollective.com) Music Scene *via GQ Magazine* - [**Tyla Performs “ART”**](https://consequence.net/2024/04/tyla-performs-art-colbert/?ref=marmaladecollective.com) on The Late Show *via Consequence* - This Year Marks [**Africa’s Largest-Ever Participation**](https://news.artnet.com/art-world/venice-biennale-african-countries-2469151?ref=marmaladecollective.com) at the Venice Biennale *via Artnet* - Ghana is set to host the [**first-ever West Africa Music and Arts Festival**](https://thebritishblacklist.co.uk/out-of-africa-ghana-to-host-maiden-west-africa-music-and-arts-festival-in-june/?ref=marmaladecollective.com) this Summer *via The British Blacklist* - [**Nigerian Fashion**](https://www.nytimes.com/2024/04/11/style/nigeria-fashion-industry.html?ref=marmaladecollective.com) Moves Beyond the Catwalk *via The New York Times* - [**Tiwa Savage on new film**](https://abcnews.go.com/Entertainment/video/tiwa-savage-new-film-story-love-female-empowerment-109183534?ref=marmaladecollective.com): ‘It's a story about love, about female empowerment’ *via ABC News* - [**This Nigerian-Swiss defender**](https://hypebeast.com/2024/4/manchester-city-centre-back-manuel-akanji-is-hungrier-than-ever?ref=marmaladecollective.com) discusses life in Manchester, playing for Pep Guardiola, his passion for footwea *via Hypebeast* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/hypebeast-manuel-akanji-1.jpeg)](https://hypebeast.com/2024/4/manchester-city-centre-back-manuel-akanji-is-hungrier-than-ever?ref=marmaladecollective.com) **Manuel Akanji. Photo Credit: Swm* --- ## ⏳ Trivia Time Which **Asake song became a massive hit in 2022** and featured a distinct blend of Afrobeats and Amapiano, known for its energetic dance beats? A) Sungba B) Palazzo C) Peace Be Unto You *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/Obi-s-house.gif)](https://www.marmaladecollective.com/obis-house-a-dynamic-cultural-movement-where-music-fashion-and-dance-collide/) **Image Courtesy of OBI's House* ## OBI's House: A Dynamic Cultural Movement where Music, Fashion, and Dance Collide OBI's House is a cultural movement combining music, fashion, and dance, partnering with Platoon. OBI’s House attracts music lovers and artists to Hard Rock Cafe, Lagos for an every Monday night party, showcasing emerging African talents thereby influencing mainstream culture. Watch artists like Ladipoe, Niniola, and Khaid and witness the profound impact of African sounds and talent in mainstream culture. [Keep Reading 👉](https://www.marmaladecollective.com/obis-house-a-dynamic-cultural-movement-where-music-fashion-and-dance-collide/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Whats-On---April-2024-1.jpg) #### Wondering what to do this week? 🇬🇧 We’ve got you covered with the coolest afrocentric happenings around London. Get out there, meet some new faces, and soak up all the experiences. [Check It Out](https://www.marmaladecollective.com/whats-on-april-2024/) --- ## What We're... 📰 **Reading:** [**How to serve the global African entrepreneur**](https://www.semafor.com/article/04/15/2024/african-ecommerce-needs-fintech-players?ref=marmaladecollective.com). An article written and published by Yinka Adegoke via Semafor. 📺 **Watching:** [**Pelumi Nubi's interview**](https://www.youtube.com/watch?v=tm11FInpuWE&t=14s&ref=marmaladecollective.com) with Channels Television. She talks about what inspired her solo trip and the dramatic journey from London to Lagos. 🎧 **Listening to:** [**‘POLO’**](https://www.youtube.com/watch?v=2UlPew7iFNE&ref=marmaladecollective.com) by rising Nigerian artist and self-producer Kemuel. 🎟️ **Booking:** [**Live Art Experience with Ogen Oseigbu**](https://www.instagram.com/p/C5xiYciIdei/?ref=marmaladecollective.com). This is a chance to engage in conversations and connect with the artist first-hand, and an opportunity to collect affordable original pieces of Ogen’s art. 👀 **Eyeing:** [**Native 1018**](https://www.instagram.com/p/C5Gnb8gNrrA/?ref=marmaladecollective.com), the rising streetwear label latest drop in collaboration with multi-talented artist Monk.E\_One. This collaboration merges fashion and artistry, featuring garments crafted from sustainable upcycled fabrics. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/Snapinsta.app_434822629_440211545238756_6035216804554174148_n_1080.jpg)](https://www.instagram.com/native1018%5F/?ref=marmaladecollective.com) **Image Courtesy of Native 1018* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ A) Sungba ### Member Meet-ups: April Events URL: https://www.marmaladecollective.com/member-meet-ups-april-2024/ Last updated: 2024-04-10T09:00:47.000Z Here's what's coming up for the Marmalade community... ## This week _This post is for subscribers only._ ### Beyoncé's Banjo Roots, Nigerian Rock Fame, Netflix's South African Thriller, Nigeria's Super Highway URL: https://www.marmaladecollective.com/beyonces-banjo-roots-nigerian-rock-fame-netflixs-south-african-thriller-nigerias-super-highway/ Last updated: 2024-04-08T09:00:27.000Z **Welcome to Vol 87 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up this week! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🤯 Last week was unexpectedly wild!!! If you’ve been keeping up with our Instagram, you know exactly what we’re talking about. For those scratching their heads, [****here’s the scoop**](https://www.marmaladecollective.com/dodo-diaries-1/) Now, on to the real peel... ## 🔥 Trending Stories - The banjo is a star of Beyoncé's new album. [**Turns out it has African roots**](https://www.tpr.org/arts-culture/2024-04-05/the-banjo-is-a-star-of-beyonces-new-album-turns-out-it-has-african-roots?ref=marmaladecollective.com) *via NPR* - [**This Nigerian Rock Band**](https://www.nme.com/features/music-interviews/mdou-moctar-funeral-for-justice-3612298?ref=marmaladecollective.com) is One Of The World’s Most Exciting and Important Rock Bands *via NME* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/Mdou-Moctar-Ebru-Yildiz-header-1392x884.jpg)](https://www.nme.com/features/music-interviews/mdou-moctar-funeral-for-justice-3612298?ref=marmaladecollective.com) **Credit: Ebru Yildiz* - [**Nigerian Photographer Steven Onoja**](https://www.okayafrica.com/nigerian-photographer-steven-onoja-the-sound-of-pain/?ref=marmaladecollective.com) Captures the 'Sound of Pain' *via OkayAfrica* - This South African Thriller is [**Netflix’s Most-Watched Movie**](https://www.techradar.com/streaming/netflix/heart-of-the-hunter-is-netflixs-most-watched-movie-here-are-3-more-thrillers-to-watch-next?utm%5Fsource=flipboard&utm%5Fcontent=TechRadar%2Fmagazine%2FTechRadar%3A+The+Full+Screen) *via TechRadar* - TitoM and Yuppe Release Visually Stunning [**“Tshwala Bam” Music Video**](https://www.okayafrica.com/tshwala-bam-music-video/?ref=marmaladecollective.com) *via OkayAfrica* - [**Nigeria Wants To Build A Super Highway**](https://edition.cnn.com/2024/04/05/business/landmark-beach-nigeria-demolition-superhighway?ref=marmaladecollective.com) to Rival the Pacific Coast Highway *via CNN* --- ## ⏳ Trivia Time For her visual album "Black Is King," **which African artist did Beyoncé collaborate with** for the song "Already"? A) Wizkid B) Burna Boy C) Shatta Wale *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/Warsan-Shire.jpeg) **Warsan Shire. Photo Credit: Amaal Said* ## Modern African Poets Poetry, with its ability to weave emotions, experiences, and cultural nuances into words, serves as a powerful medium for storytelling and expression. Across Africa, a multitude of poets have emerged, each bringing their unique perspectives and voices to the world stage. In recent years, several African poets have gained international recognition for their compelling work, resonating with audiences far beyond their borders. Let's explore some of these notable figures who have captivated hearts and minds with their evocative verses. [Keep Reading 👉](https://www.marmaladecollective.com/modern-african-poets/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Whats-On---April-2024-1.jpg) #### Wondering what to do this week? 🇬🇧 We’ve got you covered with the coolest afrocentric happenings around London. Get out there, meet some new faces, and soak up all the experiences. [Check It Out](https://www.marmaladecollective.com/whats-on-april-2024/) --- ## What We're... 📰 **Reading:** A newsletter by Tech Safari that explores how the [**Nigeria's film scene is blowing up**](https://techsafari.beehiiv.com/p/nigerias-film-scene-blowing?ref=marmaladecollective.com). 📺 **Watching:** [**CNN's Anna Stewart sit down with the founder of Industrie Africa, Nisha Kanabar**](https://edition.cnn.com/videos/tv/2024/03/29/marketplace-africa-industrie-africa-ecommerce-spc.cnn?ref=marmaladecollective.com), to talk about how the combination of e-commerce and a growing global interest in African fashion is paying off for homegrown designers. 🎧 **Listening to:** Simi again but this time, it's her new single [**'Men are crazy' featuring Tiwa Savage**](https://www.youtube.com/watch?v=VNX0gZtrBjM&ref=marmaladecollective.com). 🎟️ **Booking:** [**Contemporary African Art Exhibition**](https://lu.ma/le481rjg?ref=marmaladecollective.com). This Thursday, ​London Lighthouse Gallery & Studio invites you to the Private View of their April exhibition. 👀 **Eyeing:** [**YÓMEE**](https://www.yomeedesigns.com/?ref=marmaladecollective.com), a lifestyle brand telling untold stories of courage and heritage through timeless and unique menswear rooted in simplicity and style. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/04/YOMEE---4.jpg)](https://www.yomeedesigns.com/?ref=marmaladecollective.com) **Image Courtesy of YÓMEE* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ C) Shatta Wale ### 🥃 DÒDÒ Diaries #1 URL: https://www.marmaladecollective.com/dodo-diaries-1/ Last updated: 2024-07-11T09:31:20.000Z Firstly, a huge THANK YOU to each of you for joining us on what has been an unexpectedly wild ride. If you’ve been keeping up with our [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com), you know exactly what we’re talking about. For those scratching their heads, here’s the scoop: Our announcement about launching the world's first plantain-infused brandy, DÒDÒ, was our cheeky nod to April Fool’s Day. Gotcha! 😜 ## What's happened? _This post is for subscribers only._ ### Tyla Praises Tems, Peju Alatise's New London Gallery, Backlash Over Korean's African Accent URL: https://www.marmaladecollective.com/tyla-praises-tems-peju-alatise-new-london-gallery-backlash-over-koreans-african-accent/ Last updated: 2024-04-01T09:00:58.000Z **Welcome to Vol 86 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 👋🏾 I love hearing from members, and I’m always looking for feedback. How are we doing with Marmalade? Is there anything you’d like to see more of or less of? Which aspects of the newsletter do you enjoy the most? 💌 ****Hit reply and say hello - I’d love to hear from you!** — Cheers, Tola Now, on to the real peel... ## 🔥 Trending Stories [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/uoma-beauty-final-edits-05-1.jpg)](https://edition.cnn.com/2024/03/27/style/trevor-stuurman-south-africa-photography-fashion-spc-intl/index.html?ref=marmaladecollective.com) **Image Credit: Trevor Stuurman* - [Tyla Praises Tems](https://www.rap-up.com/2024/03/28/tyla-commends-tems-for-paving-the-way-for-african-artists/?ref=marmaladecollective.com) For Her Role In "Opening So Many Doors" For African Artists *via Wrap-Up* - Check Out This [New Gallery Space In London Founded By Peju Alatise](https://www.essence.com/news/art-gallery-london-black-woman-founder/?ref=marmaladecollective.com) *via Essence* - Korean Music Artist Flooded With Hate For [Allegedly Faking An African Accent](https://www.koreaboo.com/news/run-away-kohway-fake-african-accent-hate/?ref=marmaladecollective.com) *via Koreaboo* - [Six London exhibitions](https://www.timeout.com/london/news/six-london-exhibitions-we-cant-wait-to-see-in-april-2024-032824?ref=marmaladecollective.com) we can’t wait to see in April 2024 *via TimeOut* - [This Nigerian Photographer](https://www.thephoblographer.com/2024/03/27/adedolapo-boluwatife-is-one-of-the-best-fine-art-photographers-of-2024/?ref=marmaladecollective.com) is One of the Best Fine Art Photographers of 2024 *via The Phoblographer* - [The South African Photographer Showcasing Africa's Artistry](https://edition.cnn.com/2024/03/27/style/trevor-stuurman-south-africa-photography-fashion-spc-intl/index.html?ref=marmaladecollective.com) and Creativity to the World *via CNN Style* --- ## ⏳ Trivia Time **Which song by Tems** gained global recognition after being featured on Drake's 2021 album "Certified Lover Boy"? A) Try Me B) Damages C) Fountains *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/loza-malc3a9ombho-1.webp) **Featured: Loza Maléombho* ## Trailblazing African Women Fashion Designers Africa's fashion scene is exploding with talent, and at the forefront are these incredible women who are redefining what it means to be stylish. From breathing new life into traditional techniques to creating ultra-modern silhouettes, they're taking the world by storm, one dazzling design at a time. Let's meet these fashion queens. [Keep Reading 👉](https://www.marmaladecollective.com/trailblazing-african-women-fashion-designers/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Whats-On---April-2024-1.jpg) #### Wondering what to do this April? 🇬🇧 We’ve got you covered with the coolest afrocentric happenings around London. Get out there, meet some new faces, and soak up all the experiences. [Check It Out](https://www.marmaladecollective.com/whats-on-april-2024/) --- ## What We're... 📰 **Reading:** [**Peju Alatise's Interview with Nataal Magazine**](https://nataal.com/peju-alatise?ref=marmaladecollective.com)**.** She talks about the opening of her new London space 'Rele Gallery' and her solo show ‘We Came With The Last Rain’. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/HEAD-1.png)](https://nataal.com/peju-alatise?ref=marmaladecollective.com) **Peju Alatise. Image Credit: Matthew Arthur Williams* 📺 **Watching:** David Michael Wyatt's [**Velvety Cover of Essence**](https://www.youtube.com/watch?v=Sp%5F3EnMjkoU&ref=marmaladecollective.com) by Wizkid & Tems. 🎧 **Listening to:** [**Simisola Deluxe Album**](https://open.spotify.com/album/2IqJjIMxLxr4RBQBFQPUTR?si=gplWoXZuTkq6kA%5FPX1EAtA&nd=1&dlsi=6de4ed1ecb7f4830&ref=marmaladecollective.com) on Spotify. Nigerian singer Simi is an April baby and we're jamming to her eponymous second studio album. Released on September 8, 2017, the album received positive reviews from music critics, who praised the creativity and versatility of Simi's exploration of different sounds. 🎟️ **Booking:** [**AFROJAM SESSIONS**](https://lu.ma/1g7envzx?ref=marmaladecollective.com). This Thursday, join us for the 4th edition of AFROJAM SESSIONS, a unique live music experience. Featuring artists such as Dami Bones, KVNGS, A30 and others. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Afrojam-sessions-artists.gif)](https://lu.ma/1g7envzx?ref=marmaladecollective.com) 👀 **Eyeing:** [**Mary Cholhok's Signature Netball**](https://www.lovellnetball.co.uk/netball-ball/gilbert/mary-cholhok-signature-netball-multi/1909075?ref=marmaladecollective.com). Inspired by African patterns and colours and designed by Mary Cholhok, it's the perfect memento for your favourite player! --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD ## 🔑 Get More From Marmalade A Paid Marmalade Membership gives you **unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes **exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) 🗣️ C) Fountains ### What's on in April URL: https://www.marmaladecollective.com/whats-on-april-2024/ Last updated: 2024-04-15T14:44:23.000Z Spring is here and that only means one thing...Summer is near! ☀️ We've handpicked the **best Afrocentric events and experiences happening in London this April**! We've got everything from live music events to cookery classes, not to mention incredible exhibitions. There's truly something for everyone! We highly recommend events marked as 🔥 _This post is for subscribers only._ ### Modern African Poets Who Are Inspiring Us Through Poetry URL: https://www.marmaladecollective.com/modern-african-poets/ Last updated: 2024-03-26T15:57:58.000Z # **Introduction** Poetry, with its ability to weave emotions, experiences, and cultural nuances into words, serves as a powerful medium for storytelling and expression. Across Africa, a multitude of poets have emerged, each bringing their unique perspectives and voices to the world stage. In recent years, several African poets have gained international recognition for their compelling work, resonating with audiences far beyond their borders. Let's explore some of these notable figures who have captivated hearts and minds with their evocative verses. ### **Warsan Shire (Somalia/UK)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Warsan-Shire.png) via The Guardian Born in Kenya to Somali parents and raised in London, Warsan Shire has become one of the most celebrated contemporary poets. Her work often delves into themes of migration, identity, and womanhood, reflecting her own experiences as a refugee. Shire gained widespread acclaim for her poetry collection "Teaching My Mother How to Give Birth" and her collaboration with Beyoncé on the visual album "Lemonade," which featured her poetry prominently. Her raw and poignant verses have earned her numerous accolades, including the Brunel University African Poetry Prize. ### **Koleka Putuma (South Africa)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Koleka-Putuma.jpg) via CCCB Hailing from South Africa, Koleka Putuma has emerged as a powerful voice in contemporary African poetry. Her debut collection, "Collective Amnesia," garnered widespread acclaim for its unflinching exploration of race, gender, and sexuality in post-apartheid South Africa. Putuma's poetry is bold and unapologetic, challenging societal norms and advocating for social justice. She has received numerous awards for her work, including the Glenna Luschei Prize for African Poetry. ### **Safia Elhillo (Sudan/USA)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Safia-Elhillo.jpg) via Poetry International Safia Elhillo, a Sudanese-American poet, is celebrated for her poignant exploration of identity, displacement, and the immigrant experience. Her debut poetry collection, "The January Children," is a lyrical masterpiece that weaves together personal narratives and Sudanese history, offering a profound meditation on belonging and heritage. Elhillo's collaborative spirit shines through her work; she co-authored the poetry collection "Ink Knows No Borders: Poems of the Immigrant and Refugee Experience" and has collaborated with artists across various disciplines to create multimedia projects that amplify marginalized voices. Among her accolades is the Sillerman First Book Prize for African Poets, recognizing her outstanding contribution to contemporary poetry. ### **Lebo Mashile (South Africa)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Lebo-Mashile.jpg) via MLASA Lebo Mashile, a South African poet, actress, and presenter, is renowned for her electrifying performances and fearless exploration of socio-political issues. Her poetry collection "In a Ribbon of Rhythm" showcases her mastery of language and rhythm, offering incisive commentary on topics ranging from gender inequality to cultural heritage. She has collaborated with musicians, dancers, and visual artists to create interdisciplinary works that challenge conventions and ignite dialogue. Her contributions to literature and performance have earned her accolades such as the Noma Award for Publishing in Africa and the Mbokodo Award for Literature, affirming her status as a trailblazing figure in African poetry. ### Ladan Osman **(Somalia/USA)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Ladan-Osman.jpg) Ladan Osman's poetry delves into themes of diaspora, memory, and the intersections of identity. Born in Somalia and raised in the United States, Osman's work reflects the complexities of belonging and displacement. Her debut collection "The Kitchen-Dweller's Testimony" received critical acclaim for its lyrical sophistication and inventive exploration of language. Osman's poetry has been featured in numerous literary journals and anthologies, further cementing her reputation as a rising star in the world of contemporary poetry. She is the recipient of the Sillerman First Book Prize for African Poets and has been nominated for prestigious awards such as the Pushcart Prize and the Hurston/Wright Legacy Award. ### **Tjawangwa Dema (Botswana)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Tjawangwa-Dema.jpg) via African Poetry Book Fund Tjawangwa Dema is a Botswana-born poet whose work captures the beauty of her homeland while grappling with themes of history, politics, and social justice. Her poetry is characterised by its vivid imagery, musicality, and incisive commentary on contemporary issues. Dema's debut collection "The Careless Seamstress" garnered widespread praise for its poetic craftsmanship and fearless exploration of identity and power dynamics. Her poems have appeared in the New Orleans Review, the Cordite Review, and the Rio Grande Review She is the recipient of the Glenna Luschei Prize for African Poetry and has been shortlisted for awards such as the Sillerman First Book Prize for African Poets. # Conclusion This list merely scratches the surface of Africa's contemporary poetic talent. But it’s clear that poets are using their craft to challenge, inspire, and illuminate the complexities of the African experience. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Trailblazing African Women Fashion Designers URL: https://www.marmaladecollective.com/trailblazing-african-women-fashion-designers/ Last updated: 2024-03-26T15:35:24.000Z # **Introduction** Africa's fashion scene is exploding with talent, and at the forefront are these incredible women who are redefining what it means to be stylish. From breathing new life into traditional techniques to creating ultra-modern silhouettes, they're taking the world by storm, one dazzling design at a time. Let's meet these fashion queens ### **Lisa Folawiyo (Nigeria)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Lisa-Folawiyo.jpg) via BellaNaija Hailing from Lagos, Nigeria, Lisa Folawiyo has carved out a niche for herself as one of Africa's most influential fashion designers. With a background in law, Folawiyo's journey into fashion began as a hobby, but her passion and creativity quickly propelled her to the forefront of the industry. Folawiyo is renowned for her eponymous label, Lisa Folawiyo Studio, which fuses traditional African textiles with contemporary silhouettes to create stunning, one-of-a-kind pieces. Her signature embellished Ankara designs have garnered international acclaim, earning her a dedicated following among celebrities and fashion aficionados worldwide. ### **Loza Maleombho (Côte d'Ivoire)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Loza-Maleombho.jpg) via 100pour100culture Born in Brazil and raised in Côte d'Ivoire, Loza Maleombho is a designer whose multicultural background is reflected in her bold, avant-garde designs. Drawing inspiration from her West African heritage and global travels, Maleombho's creations are a fusion of traditional craftsmanship and contemporary aesthetics. With her eponymous label, Loza Maleombho, she has garnered attention for her architectural silhouettes, intricate detailing, and fearless use of colour and texture. Her designs have been showcased on international runways and worn by celebrities such as Beyoncé and Lupita Nyong'o, cementing her status as a rising star in the fashion world. ### **Lanre De Silva Ajayi (Nigeria)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Lanre-De-Silva-Ajayi.jpg) via TheWill Downtown Lanre De Silva Ajayi is a name synonymous with elegance, sophistication, and timeless style. Based in Lagos, Nigeria, Ajayi has become known for her couture creations that blend traditional Nigerian fabrics with contemporary design elements. With her eponymous label, De Silva Ajayi has dressed royalty, celebrities, and discerning clientele alike, earning a reputation for her impeccable craftsmanship and attention to detail. Her designs, which often feature intricate beading, embroidery, and hand-painted motifs, celebrate the rich cultural heritage of Nigeria while exuding modern glamour. ### **Aisha Ayensu Obuobi (Ghana)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Aisha-Ayensu-Obuobi.jpg) via FestivalAFRICANA From the vibrant streets of Accra, Ghana, Aisha Ayensu Obuobi has emerged as a force to be reckoned with in the world of fashion. As the creative director of Christie Brown, a Ghanaian luxury fashion brand, Obuobi has gained recognition for her bold, contemporary designs that celebrate African culture and heritage. With a background in graphic design and a keen eye for detail, Obuobi infuses her collections with striking prints, vibrant colours, and innovative silhouettes, creating pieces that are both visually stunning and culturally resonant. Her designs have been showcased on international runways and worn by celebrities and dignitaries, earning her a reputation as one of Africa's leading fashion talents. ### **Katungulu Mwendwa (Kenya)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Katungulu-Mwendwa.png) via Katush Hailing from Nairobi, Kenya, Katungulu Mwendwa is a designer whose minimalist aesthetic and commitment to sustainability have earned her acclaim both at home and abroad. With her eponymous label, Mwendwa creates modern, understated pieces that celebrate the beauty of African textiles and craftsmanship. Drawing inspiration from her Kenyan heritage and global influences, Mwendwa's designs are characterised by clean lines, natural fabrics, and thoughtful details. She is known for her innovative approach to pattern-making and garment construction, creating garments that are as comfortable as they are chic. # Conclusion These five extraordinary women are not just fashion designers; they are trailblazers, visionaries, and cultural ambassadors who are reshaping the global fashion landscape with their creativity, innovation, and passion. In addition to their fashion endeavors, they are also vocal advocates for environmental conservation and ethical fashion practices. They prioritise sustainability in her design process, using eco-friendly materials and production methods. Through their work, they challenge stereotypes and empower women to embrace their cultural heritage while forging their own path in life. They also collaborate with local artisans and craftsmen, empowering communities and preserving traditional techniques while creating modern, luxurious pieces that celebrate African heritage. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Idris Elba on African Art, Nike's Nigeria Kits, Skating in Lagos URL: https://www.marmaladecollective.com/idris-elba-on-african-art-nikes-nigeria-kits-skating-in-lagos/ Last updated: 2024-03-25T10:06:04.000Z **Welcome to Vol 85 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 😇 Before we get started: we’d love your feedback. Fill out this [****<2-minute survey**](https://forms.gle/mDzM1ts8d88r7SF1A?ref=marmaladecollective.com) to help us bring you unforgettable travel experiences. Now, on to the real peel... ## 🔥 Trending Stories [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/65f824f6b48e86e54f9b344e_002_su24-fb-ntc-emea-phase1-jh-stills-nigeria-away-mainstill-211-vert-hf01-1-copy-1.jpg)](https://www.versus.uk.com/articles/nikes-new-nigeria-jersey-are-a-masterclass-in-kit-design?ref=marmaladecollective.com) **Image Source: VERSUS* - [Idris Elba Reveals](https://www.sothebys.com/en/videos/idris-elba-reveals-his-take-on-african-art-in-the-gallery?cmp=mso7000201836&ref=marmaladecollective.com) His Take on African Art *via Sotheby's* - [Nike’s New Nigeria Jerseys](https://www.versus.uk.com/articles/nikes-new-nigeria-jersey-are-a-masterclass-in-kit-design?ref=marmaladecollective.com) are a Masterclass in Kit Design *via VERSUS* - [This Pro Skater](https://hypebeast.com/2024/3/fahd-bello-is-the-wafflesncream-pro-skater-helping-create-a-better-future-for-the-youth-of-today?ref=marmaladecollective.com) is Helping To Create a Better Future for Skaters in Lagos *via Hypebeast* - Why Are [African Artists Distancing Themselves](https://www.okayafrica.com/afrobeats-artists-wizkid-genre/?ref=marmaladecollective.com) from Afrobeats? *via OkayAfrica* - [These Tanzanian artists](https://globalvoices.org/2024/03/23/how-tanzanian-artists-are-leading-the-musical-renaissance-in-africa/?ref=marmaladecollective.com) are leading the musical renaissance in Africa *via GlobalVoices* - [This short film by Afro Nation](https://djmag.com/news/new-afrobeats-and-amapiano-documentary-movement-released-afro-nation-watch?ref=marmaladecollective.com) explores the mainstream rise of Afrobeats *via DJ Mag* --- ## ⏳ Trivia Time **Question:** For which movie did Idris Elba receive his first Golden Globe nomination for Best Actor? A) **"Beasts of No Nation"** where he played the role of a warlord in West Africa. B) **"Mandela: Long Walk to Freedom"** where he portrayed Nelson Mandela. C) **"Luther"** for his role as Detective Chief Inspector John Luther in the British crime drama series. *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/AAAABV7HinrZWrLRZ3wBT6OuUwkJsi2RWKk8uGXw5zH_OUDw2uYBhgGY5x0svGLm3JUpwBAFe-lypTnbztZl9qR1FxC2SMw6TefsRmWr.jpg)](https://www.marmaladecollective.com/5-must-watch-comedy-specials-by-african-comedians/) **Trevor Noah. Image Credit: Netflix* ## 5 Must-Watch Comedy Specials by African Comedians Comedy knows no boundaries, and Africa proves to be a burgeoning hub of comedic talent, making waves on both local and international stages. Forget the tired stereotypes, these hilarious stand-up specials offer fresh takes, side-splitting observations, and a window into unique cultural experiences. So, ditch the dad jokes or embrace them if that’s what you love, and get ready to discover your new favorite comedians [Keep Reading 👉](https://www.marmaladecollective.com/5-must-watch-comedy-specials-by-african-comedians/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/The-Pulse---S1-E16---Tile-3-1-1.jpg) #### Kai Eats Nigerian Food: Love or Nah? 🇳🇬🤔 Let’s dive into the wild African adventure of Kai Cenat, America's very own content legend, as he hits up Lagos, Nigeria. His journey? It’s like nothing you’ve seen before, filled with laughter, culture, and pure vibe. So, let's get into it! [Watch Kai's Story on The Pulse](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/3172428269707264/3172428269709313?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**Larry Amponsah**](https://nataal.com/larry-amponsah?ref=marmaladecollective.com) \- a beautifully written editorial piece by Nataal. 📺 **Watching:** [**Sounds of Nollywood**](https://www.youtube.com/playlist?app=desktop&list=PLyNINYXS4WwIWigOEjj02jKsCEg75iY4o&si=ruKnzkME6qzjgtHx&ref=marmaladecollective.com) – a mesmerising 5-part documentary series uncovering the artistry behind film sound and music in Africa's iconic cinema industry. 🎧 **Listening to:** [**Tyla's self-titled album**](https://open.spotify.com/album/3KGVOGmIbinlrR97aFufGE?si=fKmcRVttTbCwfQvYFZy3xQ&ref=marmaladecollective.com) on Spotify. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/3449642436004e839940384be13c3015.jpeg)](https://open.spotify.com/album/3KGVOGmIbinlrR97aFufGE?si=gsp9wk%5FySsiGjntA7HV2eg&ref=marmaladecollective.com) 🎟️ **Booking:** [**April Member Meet-ups**](https://www.marmaladecollective.com/member-meet-ups-march-april-2024/). Marmalade Member Meet-ups are all about enjoying great times, with great people, at great events. Can’t wait to see you there! 👀 **Eyeing:** Kai Collective's latest drop [**"LA FLAME – Own The Moment"**](https://www.instagram.com/p/C46C4SyIgAd/?ref=marmaladecollective.com). On sale from Thursday 28th of March, 6pm (GMT) / 2pm (EST) / 11am (PST) --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ B) "Mandela: Long Walk to Freedom" where he portrayed Nelson Mandela. ### Africa's Most Enchanting Music Festivals URL: https://www.marmaladecollective.com/africas-most-enchanting-music-festivals/ Last updated: 2024-03-22T18:54:44.000Z # **Introduction** Africa is a continent steeped in cultural diversity and rich traditions, and it has become a global hub for music enthusiasts seeking unique and immersive festival experiences. From the rhythmic beats of West Africa to the soulful melodies of the East, each region boasts its own distinctive flavour. Let's explore some of the most iconic African music festivals that have captivated audiences and become cultural phenomena. ### Our Homecoming ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/ourhomecoming_340995785_579022190867072_6802317893532464550_n-720x850.jpg) via GUAP Magazine Are you an Afrobeats or alte lover? Get ready to lose yourself in Lagos, Nigeria! HOMECOMING isn't your typical music festival. This four-day powerhouse ignites a celebration of African creativity across music, fashion, art, and even sports. Imagine popping into a streetwear haven with exclusive designer collabs, then catching a live performance where global superstars like Tiwa Savage, Rema, NSG, Black Sheriff or Asake. The energy is electric! Founder Grace Ladoja envisioned this festival as a movement, empowering young creatives with the resources and knowledge to take their talents global. So, if you're looking for an unforgettable experience that celebrates African heritage and innovation, HOMECOMING is a must-visit. ### Rocking the Daisies ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/1--1-.jpg) via rockingthedaisies.com In Western Cape, South Africa, Rocking the Daisies is a music festival that's more than just big beats. This eco-friendly extravaganza transforms Darling into a vibrant hub of music, art, and sustainability. Imagine sprawling out on the grass under a starry sky, mesmerised by live sets from international stars like Stormzy or J.I.D alongside local legends like Focalistic and lordkez. But Rocking the Daisies goes beyond the stage; captivating art installations add a whole new dimension to the experience, and the festival's commitment to the environment means you can party with a clean conscience. It's the perfect place to soak up sunshine, top tunes, and good vibes. ### **Essaouira Gnaoua World Music Festival** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Gnawa-Fest-Day-Two-30-7114.jpg) via Afropop Worldwide In the picturesque Essaouira, Morocco, June heralds the Essaouira Gnaoua World Music Festival, celebrating the Gnaoua music and cultural heritage of the region. Founded in 1998, this festival is a captivating fusion of Gnaoua, jazz, and contemporary world music. The festival features enchanting performances in historic venues, street parades, and collaborative jam sessions that bridge diverse musical genres. Past editions have seen performances by artists like Pharoah Sanders, Oumou Sangaré, and Marcus Miller, creating a harmonious blend of global musical influences. ### Blankets & Wine ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_412762002_1794619497629276_28706245468594938_n_1080.jpg) via blanketsandwine Blankets & Wine, born in 2008 as a humble platform in Kenya for emerging local music, has blossomed into a vibrant pan-African festival. From its Nairobi roots, it has expanded its reach across the continent, showcasing an eclectic mix of talent. Renowned artists such as Oliver Mtukudzi from Zimbabwe, the dynamic duo Mafikizolo representing South Africa, and Tanzania's own Mzungu Kichaa have graced its stages, alongside celebrated Kenyan acts including Sauti Sol, Eric Wainaina, and Nyota Ndogo. What began as a monthly event series has transformed into a regional sensation, with offshoot festivals in Kampala, Rwanda, and Malawi. So, whether you're lounging on a blanket, sipping wine, or dancing to the beat, Blankets & Wine offers an immersive celebration of African creativity and talent like no other. ### Afrofuture ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_424550753_122123178134124391_4470329306551158170_n_1080.jpg) via afrofuture Buckle up for a trip to Ghana's capital, Accra, where AfroFuture pulsates with the hottest music and visionary ideas each December. Formerly known as Afrochella, this two-day festival called AfroFuture, held at the El Wak Stadium, throws a massive year-end bash alongside other Ghanaian giants like BHIM. Launched in 2019, the festival has quickly become a December tradition, with legendary Afrobeats stars like Burna Boy and Wizkid and international stars like Juls, and Meekmill gracing the stage. It's also a platform for Africa's rising talents to shine. # Conclusion Africa's music festivals celebrate the continent's diversity, artistic expression, and social consciousness. Whether dancing under the starry South African sky, immersing oneself in the Afrobeat rhythms of Nigeria, or experiencing the mystical sounds of Gnaoua in Morocco, each festival offers a unique glimpse into the soul of Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/1343403.jpeg) ### 5 Must-Watch Comedy Specials by African Comedians URL: https://www.marmaladecollective.com/5-must-watch-comedy-specials-by-african-comedians/ Last updated: 2024-03-20T15:47:12.000Z # **Introduction** Comedy knows no boundaries, and Africa proves to be a burgeoning hub of comedic talent, making waves on both local and international stages. Forget the tired stereotypes, these hilarious stand-up specials offer fresh takes, side-splitting observations, and a window into unique cultural experiences. So, ditch the dad jokes or embrace them if that’s what you love, and get ready to discover your new favorite comedians: ### **Trevor Noah - "Son of Patricia"** Starting our list is none other than the South African sensation, Trevor Noah. Born in Johannesburg during the tail end of apartheid, Noah's journey to comedic stardom is as compelling as his stand-up. "Son of Patricia" is a testament to his wit, charm, and keen observational humour. Noah effortlessly weaves personal anecdotes with sharp social commentary, offering a unique glimpse into his experiences growing up in South Africa. Reviews have hailed "Son of Patricia" as a triumph, praising Noah's ability to tackle sensitive topics with both intelligence and hilarity. From politics to culture, no subject is off-limits for this comedy maestro. Where to watch: "Son of Patricia" is available for streaming on Netflix. ### **Basketmouth - "Uncensored"** Hailing from Nigeria, Bright Okpocha, better known as Basketmouth, has solidified his status as one of Africa's comedy giants. With his special "Uncensored," Basketmouth fearlessly takes on the absurdities of everyday life in Nigeria, serving up a blend of satire and slapstick that resonates with audiences worldwide. From the chaotic hustle of Lagos to the quirks of Nigerian family dynamics, "Uncensored" offers a rollicking ride through the comedic mind of Basketmouth. With impeccable timing and a knack for storytelling, he effortlessly navigates through a myriad of topics, leaving audiences in stitches. Where to watch: "Uncensored" can be streamed on Amazon Prime Video. ### **Loyiso Gola - "Unlearning"** And from Cape Town, South Africa, we have Loyiso Gola who is a comedic force to be reckoned with. In his special "Unlearning," Gola invites audiences to join him on a journey of self-discovery and societal critique. With razor-sharp wit and a healthy dose of sarcasm, he challenges conventional wisdom and confronts uncomfortable truths with ease. "Unlearning" is a masterclass in comedy, as Gola fearlessly tackles topics ranging from politics to race relations, all while maintaining an infectious energy that keeps viewers engaged from start to finish. Where to watch: "Unlearning" is available for streaming on Showmax. ### **Anne Kansiime - "I Am Kansiime"** From the lush landscapes of Uganda emerges Anne Kansiime, a comedic powerhouse known for her quick wit and infectious laughter. In "I Am Kansiime," she takes audiences on a journey through the ups and downs of everyday life in East Africa, offering a hilarious glimpse into the world through her eyes. With her signature brand of physical comedy and relatable storytelling, Kansiime effortlessly charms audiences, proving that laughter truly is the best medicine. Whether she's riffing on relationships or poking fun at societal norms, Kansiime's comedic prowess shines through in every moment. Where to watch: "I Am Kansiime" is available for streaming on YouTube. ### **Daliso Chaponda: Jokes & Beans** From the heart of Malawi to the stages of the United Kingdom, Daliso Chaponda brings laughter and insight in his stand-up special "Jokes & Beans." With a background in law, Chaponda found his true calling in comedy, becoming a sought-after comedian on both local and international stages. In this special, Chaponda shares hilarious anecdotes from his upbringing in Malawi and his experiences adjusting to life in the UK. What sets his comedy apart is his willingness to tackle deeper subjects, including his personal battles with mental health issues like anxiety and depression, all while maintaining a humorous and uplifting tone. "Jokes & Beans" offers a unique perspective on the immigrant experience and navigating mental health challenges, making it both entertaining and thought-provoking. Where to watch: Available for streaming on various platforms, including Amazon Prime Video and YouTube. # Conclusion So there you have it! From social commentary to interesting storytelling, these five African comedians offer a hilarious glimpse into their lives and cultures. So grab some snacks, and settle in for a laugh attack! ### Member Meet-ups: March & April URL: https://www.marmaladecollective.com/member-meet-ups-march-april-2024/ Last updated: 2024-03-20T13:13:36.000Z Here's what's coming up for the Marmalade community in March and April! Marmalade Member Meet-ups are all about enjoying great times, with great people, at great events. Can’t wait to see you there! 🎉 _This post is for subscribers only._ ### Odumodublvck and Tiwa's Hit, Chioma's Vogue Party, Rema in Dubai, Netflix's SA Thriller URL: https://www.marmaladecollective.com/odumodublvck-and-tiwas-hit-chiomas-vogue-party-rema-in-dubai-netflixs-sa-thriller/ Last updated: 2024-03-18T10:00:01.000Z **Welcome to Vol 84 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome to our new subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🗣️ We're excited to explore the possibility of organising travel experiences to various African destinations. Your feedback is invaluable in helping us tailor these experiences to your preferences and interests. Please take a few minutes to [****complete this survey**](https://forms.gle/mDzM1ts8d88r7SF1A?ref=marmaladecollective.com). Now, on to the real peel... ## 🔥 Trending Stories ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/GettyImages-2076708619.jpeg) *Chioma Nnadi and FKA Twigs. Photo: Dave Benett/Getty Images* - [Odumodublvck & Tiwa Savage Connect](https://www.okayafrica.com/odumodu-blvck-tiwa-savage-100-million/?ref=marmaladecollective.com) For New Single "100 Million" *via OkayAfrica* - Vogue and Pandora Threw A Glittering Celebration of [Chioma Nnadi's April Issue](https://www.vogue.com/slideshow/vogue-pandora-party-arrivals-2024?utm%5Fsource=flipboard&utm%5Fcontent=noritatahir%2Fmagazine%2FFashionable) *via Vogue* - [Rema takes centre stage](https://www.factmagazines.com/events/rema-to-headline-dubais-afroworld-2024?utm%5Fsource=flipboard&utm%5Fcontent=other) at Dubai’s Afroworld 2024 *via FACT Magazine* - The [Best Honeymoon Destinations in Africa](https://www.vogue.com/article/best-honeymoon-destinations-in-africa?utm%5Fsource=flipboard&utm%5Fcontent=Vogue%2Fmagazine%2FAll+Stories) *via Vogue* - [This Artist](https://www.okayafrica.com/ethiopian-music-jemberu-demeke-esatu-se/?ref=marmaladecollective.com) Is Injecting Ethiopian Influences into Hip-Hop *via OkayAfrica* - This [photographer defies African stereotypes](https://edition.cnn.com/videos/business/2024/03/13/ethiopian-photographer-pkg-larry-madowo-03092pseg1-cnni-business.cnn?utm%5Fsource=flipboard&utm%5Fcontent=CNNBusiness%2Fmagazine%2FAll+Stories) through art *via CNN* - Netflix Unveils Trailer for [This South African Crime Thriller](https://about.netflix.com/en/news/first-look-at-netflixs-newest-film-the-gripping-heart-of-the-hunter?ref=marmaladecollective.com) *via Netflix* --- ## ⏳ Trivia Time **Question:** Which film, directed by a Nigerian filmmaker, was selected as Nigeria's submission for the Best International Feature Film at the 93rd Academy Awards in 2021? A) "Lionheart" directed by Genevieve Nnaji B) "The Milkmaid" directed by Desmond Ovbiagele C) "King of Boys" directed by Kemi Adetiba *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/05-cape-verde-conde-nast-traveller-18sep18-getty.jpeg) **Cape Verde. Photo: Getty Images* ## Exploring the Hidden Gems With 5 Remarkable Islands in Africa From the fragrant Comoros to the ancient allure of Lamu, discover why Africa's islands are more than just postcard-perfect beaches – they're captivating microcosms of culture, nature, and history waiting to be explored. Are you ready for an island-hopping adventure that goes beyond the ordinary? [Keep Reading 👉](https://www.marmaladecollective.com/remarkable-islands-in-africa/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/The-Pulse---S1-E15---Tile-1-1.jpg) #### Raye’s story: From setbacks to spotlight I bet you didn’t know where this artist is from? Raye, the British-Ghanaian singer songwriter has been painting the music world with shades of awesome, and her story? It's one for the books, so lean in close. [Watch Raye's Story on The Pulse](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/208143679911936/208143679913985?invite%5Fid=cF%5Fq2c50&sid=ddb0aad4ca8341cc978269099598a775&ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [**The love & legacy of mothers**](https://leratofoods.substack.com/p/the-love-and-legacy-of-mothers)**.** A newsletter published by Lerato Umah-Shaylor 📺 **Watching:** [**Banel & Adama.**](https://hpph.co.uk/films/banel-adama?ref=marmaladecollective.com) Award-winning filmmaker Ramata-Toulaye Sy’s breathtaking debut feature follows the fated lovers in their quest to carve a life for themselves beyond the expectations of others. 🎧 **Listening to:** [**Mirror Talk**](https://www.youtube.com/watch?v=Ot6y6-zdUu8&ab%5Fchannel=Bagetti&ref=marmaladecollective.com). Multi- Talented Nigerian Female Singer and Songwriter, Bagetti released this mind-blowing song. 🎟️ **Booking:** [**Polly Alakija’s Open Studio**](https://lu.ma/cycjx3ml?ref=marmaladecollective.com). ​​Join Polly Alakija in conversation with music historian Ed Keazor and enjoy the music with his band members Maurizio Ravalico and Jake Elkan. 👀 **Eyeing:** [**Doreen Mashika**](https://industrieafrica.com/collections/doreen-mashika?ref=marmaladecollective.com) on Industrie Africa. Zanzibar-based Doreen Mashika creates breezy, island-appropriate silhouettes inspired by the colors and textiles of her Tanzanian heritage. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ Answer: B) "The Milkmaid" directed by Desmond Ovbiagele ### Exploring the Hidden Gems With 5 Remarkable Islands in Africa URL: https://www.marmaladecollective.com/remarkable-islands-in-africa/ Last updated: 2024-03-15T10:35:51.000Z # **Introduction** Africa, often celebrated for its diverse landscapes, is not only home to vast mainland territories but also harbours some breathtaking islands. These islands, scattered across different regions of the continent, offer unique experiences, from pristine beaches to vibrant ecosystems and historical landmarks. In this article, we will take a closer look at five remarkable islands in Africa, each with its own distinctive charm. ### Comoros ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Comoros-islands.jpg) via See Africa Today Located in the Mozambique Channel between Mozambique and Madagascar, the Comoros archipelago is made up of four main islands. Often referred to as the "Perfume Islands" due to its fragrant exports like ylang-ylang, Comoros is a blend of volcanic landscapes, lush rainforests, and pristine beaches. Mohéli, one of the islands, is a marine park and sea turtle nesting site. The capital, Moroni, showcases a mix of Arab, Persian, and French influences, reflected in its architecture and culture. ### Reunion Island ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Landscape-with-Circus-by-Cilaos-Reunion-Island.jpg) via Travel.Earth Situated in the Indian Ocean east of Madagascar, Reunion Island is a French overseas department known for its dramatic landscapes. The island features towering volcanic peaks, including Piton de la Fournaise, one of the world's most active volcanoes. Visitors can explore the rugged Cirques, and natural amphitheatres formed by ancient volcanic activity, and enjoy activities such as hiking, canyoning, and paragliding. Reunion Island is also a UNESCO World Heritage Site due to its unique blend of cultures, including European, African, and Asian influences. ### Lamu Archipelago, Kenya ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/lamu-hero.jpg) via World Nomads Off the coast of Kenya lies the Lamu Archipelago, a group of islands with Lamu being the largest and most well-known. Designated as a UNESCO World Heritage Site, Lamu Town is a well-preserved Swahili settlement with narrow streets, coral stone houses, and traditional Swahili architecture. The archipelago is known for its rich cultural heritage, including the Lamu Festival that celebrates Swahili culture and traditions. Visitors can explore the historic Lamu Fort, relax on pristine beaches, and experience the unique atmosphere of this ancient trading port. ### Sao Tome and Principe ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/shutterstock-669439993.webp) via World Atlas Situated in the Gulf of Guinea, Sao Tome and Principe is a two-island nation off the west coast of Central Africa. Known for its lush rainforests, cocoa plantations, and colonial-era architecture, the islands offer a tranquil escape. Principe, the smaller of the two islands, is a UNESCO Biosphere Reserve with pristine beaches, dense jungles, and diverse wildlife. The colonial town of Santo Antonio showcases well-preserved architecture, reflecting the islands' historical significance. ### Cape Verde ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/1-0-Santa-Maria-beach.jpg) via Miss Tourist Off the northwest coast of Africa lies the Cape Verde archipelago, consisting of ten volcanic islands. Known for its vibrant culture, lively music, and beautiful beaches, Cape Verde is a melting pot of African, Portuguese, and Brazilian influences. The island of Sal, with its sandy beaches and azure waters, is a popular destination for water sports enthusiasts. Fogo, home to the active Pico do Fogo volcano, offers breathtaking landscapes and hiking opportunities, making Cape Verde a unique blend of natural beauty and cultural richness. # Conclusion Each island mentioned, from the cultural richness of Lamu to the geological wonders of Reunion, contributes to Africa's enchanting landscapes and histories. Whether seeking adventure, relaxation, or cultural immersion, these islands offer a myriad of experiences for the intrepid traveller. ### Tems Charms at Billboard Event, Amapiano's Leading Ladies, Tyla Cancels Tour URL: https://www.marmaladecollective.com/tems-charms-at-billboard-event-amapianos-leading-ladies-tyla-cancels-tour/ Last updated: 2024-03-11T10:00:27.000Z **Welcome to Vol 83 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 📣 ****Over the past 18 months, our community has flourished, reaching over 3,800 members.** We've celebrated together at our events including parties, supper clubs, exhibitions, building a strong sense of community, and have embarked on educational journeys, exploring the rich diversity of Africa's cultures through our content; newsletters, guides and campaigns. ****While we celebrate our successes, we also recognise areas for improvement and are excited to announce major updates** to our core offerings: Events, Experiences, and Membership. 👉 [****Read on**](https://marmaladeventures.notion.site/Major-Updates-at-Marmalade-2520652d4e7f4a0a9455df63b2dc82b0?pvs=4&ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/casablanca-fall-winter-2024-campaign-info-2.jpeg)](https://hypebeast.com/2024/3/casablanca-fall-winter-2024-campaign-info?ref=marmaladecollective.com) **Image Courtesy of Casablanca* - [Tems Delivers Angelic Performance](https://www.billboard.com/music/awards/tems-not-an-angel-billboard-women-in-music-1235626092/?ref=marmaladecollective.com) of ‘Not an Angel’ at Billboard Women in Music 2024 *via Billboard* - Casablanca's SS24 Campaign Is [a Romantic Vision of Nigerian Futures](https://hypebeast.com/2024/3/casablanca-fall-winter-2024-campaign-info?ref=marmaladecollective.com) *via Hypebeast* - [11 Women Pushing Amapiano](https://www.grammy.com/news/women-amapiano-artists-to-know-tyla-uncle-waffles-videos?ref=marmaladecollective.com) To Global Heights: Uncle Waffles, Nkosazana Daughter, & More *via Grammy* - [Inside The Salons of Togo](https://www.vogue.com/article/global-women-togo-braids?ref=marmaladecollective.com) *via Vogue* - South Africa's Grammy winner [Tyla cancels world tour](https://www.africanews.com/2024/03/08/south-africas-grammy-winner-tyla-cancels-world-tour-over-worsened-injury/?ref=marmaladecollective.com) over 'worsened' injury *via Africanews* - ['Fastest woman in Africa'](https://www.bbc.co.uk/news/uk-england-london-68518301?ref=marmaladecollective.com) retires after 50 years in NHS *via BBC* - Rolling Cocoa Music Festival founder and artists talk [the best of Ghana's music and culture](https://flipboard.com/video/wttg/847b70722d?ref=marmaladecollective.com) *via FOX5* --- ## ⏳ Trivia Time **Question:** Which African female artist was featured on Beyoncé's "The Lion King: The Gift" album? A) Tiwa Savage B) Yemi Alade C) Sho Madjozi *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/1140761609.jpg)](https://www.marmaladecollective.com/og-african-basketballers-who-redefined-basketball-history/) **Hakeem Olajuwon and Patrick Ewing in the NBA Finals. Source: PaperCity Magazine* ## OG African Basketballers Who Redefined Basketball History Basketball has grown into a global phenomenon, and African players have increasingly become a significant force in the NBA and international basketball. These OG African basketballers have not only left an indelible mark on the court but have also become influential figures in the world of sports. Let's take a closer look at some of these iconic players, their journeys, and the impact they've made in the world of basketball. [Keep Reading 👉](https://www.marmaladecollective.com/og-african-basketballers-who-redefined-basketball-history/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/The-Pulse-Profile-Image---1080x1080.jpg) #### 🌟 Introducing...'The Pulse' on Snapchat Excited to share we're working on ****"The Pulse"** on Snapchat Discover, a show bringing African narratives to life! 🌍 Your support by subscribing can help amplify these authentic stories. Even if it's not your usual pick, subscribing makes a difference. Let's make our voices heard! Please share with 3 friends. Spread the word, be part of the change! 💫 [Check it out](https://t.snapchat.com/ElrqnZ9y?ref=marmaladecollective.com) --- ## What We're... 📺 **Watching:** [Blood & Water](https://www.netflix.com/gb/title/81044547?ref=marmaladecollective.com). The much-anticipated Season 4 of Netflix's hit South African crime drama "Blood & Water" is streaming. This season promises to delve deeper into the gripping narrative that fans have come to love, featuring the electrifying return of Puleng and Fiks. 🎧 **Listening to:** Homemade Playlist ['Palm Wine Music'](https://open.spotify.com/playlist/3DeCSP3uD0YY0mpF82lIZq?si=44d5ebf2e7fb4ff1&ref=marmaladecollective.com). A soothing playlist that will take you on a journey of nostalgia, alte vibes and some highlife bangers. 🎟️ **Booking:** [AFROJAM SESSIONS](https://lu.ma/1g7envzx?ref=marmaladecollective.com). ​Join us for the 4th edition of AFROJAM SESSIONS, a unique live music experience - hosted by Davis Entertainment in partnership with Marmalade Collective. 👀 **Eyeing:** [AFRICANA](https://shopafricana.co/?ref=marmaladecollective.com). A fashion movement, that crafts masterful designs that reference an African root, while highlighting a modern look. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/1-slider-scaled.jpg)](https://shopafricana.co/?ref=marmaladecollective.com) **Image Courtesy of AFRICANA* --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ Answer: B) Yemi Alade ### OG African Basketballers Who Redefined Basketball History URL: https://www.marmaladecollective.com/og-african-basketballers-who-redefined-basketball-history/ Last updated: 2024-03-08T00:25:08.000Z # **Introduction** Basketball has grown into a global phenomenon, and African players have increasingly become a significant force in the NBA and international basketball. These OG African basketballers have not only left an indelible mark on the court but have also become influential figures in the world of sports. Let's take a closer look at some of these iconic players, their journeys, and the impact they've made in the world of basketball. ### **Hakeem Olajuwon (Nigeria)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/via-NBA--1-.jpg) via NBA.com Born in Lagos, Nigeria, Hakeem Olajuwon is a basketball legend whose impact on the NBA transcends borders. The towering centre played the majority of his career with the Houston Rockets, leading them to back-to-back NBA championships in 1994 and 1995\. Olajuwon's exceptional skills on both ends of the court earned him the nickname "The Dream." With a remarkable 12 NBA All-Star appearances, two NBA Defensive Player of the Year awards, and two NBA Finals MVPs, Olajuwon's legacy is etched in the annals of basketball history. His footwork, agility, and shot-blocking ability set a standard for centres, influencing generations to come. Even after retirement, Hakeem Olajuwon remains an influential figure, mentoring young talents and contributing to the global growth of basketball. ### **Manute Bol (Sudan)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Sportindepth.jpg) via Sportindepth Hailing from Sudan, Manute Bol was a basketball giant, both in stature and impact. Standing at an extraordinary 7 feet 7 inches, Bol made an indelible mark as one of the most prolific shot blockers in NBA history. Bol played for various teams during his career, including the Washington Bullets, Golden State Warriors, and Philadelphia 76ers. Despite limited offensive contributions, his defensive prowess was unparalleled, leading the league in blocks multiple times. Off the court, Bol's humanitarian efforts were noteworthy, particularly in his dedication to addressing issues in his war-torn homeland, Sudan. His legacy extends beyond the basketball court, showcasing the power of athletes to effect positive change in the world. ### **Dikembe Mutombo (Democratic Republic of Congo)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/NBC-Sports.jpeg) via NBC Sports Dikembe Mutombo, a towering presence from the Democratic Republic of Congo, left an indomitable mark on the NBA with his shot-blocking ability and defensive prowess. Playing for several teams, including the Denver Nuggets, Atlanta Hawks, and Houston Rockets, Mutombo became one of the league's most iconic centres. Renowned for his signature finger wag after blocking shots, Mutombo was an eight-time NBA All-Star and a four-time NBA Defensive Player of the Year. Beyond his on-court achievements, Mutombo's philanthropic work, particularly in healthcare and education, has been transformative. The impact of Mutombo's legacy is felt not only in the sport but also in the lives he has touched through his charitable endeavours. ### **Luol Deng (South Sudan)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Bleacher-Report.jpg) via Bleacher Report Luol Deng, originally from what is now South Sudan, is a versatile forward who made a significant impact during his NBA career. Drafted in 2004 by the Chicago Bulls, Deng quickly became known for his scoring ability, defensive skills, and leadership on and off the court. A two-time NBA All-Star, Deng played for several teams, including the Miami Heat and Cleveland Cavaliers. Beyond his accomplishments, Deng's influence extends to his involvement in philanthropy, particularly in supporting initiatives related to healthcare and education in Africa. Deng's legacy exemplifies the potential for basketball to be a catalyst for positive change in communities around the world. ### **Al-Farouq Aminu (Nigeria)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Mavs-Moneyball.jpg) via Mavs Moneyball Nigerian-born Al-Farouq Aminu is a versatile forward who has showcased his skills for various NBA teams, including the Los Angeles Clippers, Dallas Mavericks, and Orlando Magic. Aminu's defensive abilities, rebounding, and scoring versatility have made him a valuable asset for his teams. Representing Nigeria on the international stage, Aminu has contributed to the growth of basketball in Africa. His journey from Nigeria to becoming a consistent performer in the NBA underscores the talent and potential present on the African continent. ### **Joel Embiid (Cameroon)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Sports-Illustrated.jpg) via Sports Illustrated Joel Embiid, hailing from Yaoundé, Cameroon, is a dominant force in the NBA, known for his exceptional skills as a centre. Selected by the Philadelphia 76ers in the 2014 NBA Draft, Embiid's impact was immediate, earning him multiple NBA All-Star selections. With a combination of size, skill, and agility, Embiid has become one of the premier centres in the league. His leadership on the court and charismatic personality have endeared him to fans worldwide. As an ambassador for the sport in Africa, Embiid continues to inspire the next generation of basketball players on the continent. ### **Serge Ibaka (Republic of the Congo)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Raptors-HQ.jpg) via Raptors HQ Born in Brazzaville, Republic of the Congo, Serge Ibaka is a versatile power forward/centre known for his defensive skills and rebounding prowess. Ibaka entered the NBA scene with the Oklahoma City Thunder, where he played a crucial role in their success, reaching the NBA Finals in 2012\. Ibaka's shot-blocking ability and tenacious defence earned him the nickname "Iblocka." He later contributed to the Toronto Raptors' 2019 NBA championship run, showcasing his adaptability and leadership on the court. Ibaka's journey from the Congo to NBA stardom serves as an inspiration, demonstrating the global reach of African talent in the world of basketball. # Conclusion These OG African basketballers have not only excelled in their individual careers but have collectively contributed to the global recognition and growth of basketball in Africa. Their stories serve as testaments to the rich talent pool present on the continent and the positive influence sports can have on communities worldwide. ### Top African Women DJs Shaping Soundscapes URL: https://www.marmaladecollective.com/top-african-women-djs-shaping-soundscapes/ Last updated: 2024-04-16T00:33:40.000Z # **Introduction** We just have to take a moment to appreciate a remarkable league of women who have stepped into the limelight as DJs. Beyond their ability to command the turntables, these individuals are pioneers, shattering stereotypes and reshaping the narrative of what it means to be a woman in the music industry. In this exploration, we delve into the captivating stories of some of the most popular and hottest DJs from Africa. From groundbreaking performances on global stages to influencing the very fabric of musical genres, these African women DJs are empowering, creative and sheer genius. ### **Uncle Waffles** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_430296801_18219265288263344_3277147795742116971_n_1080.jpg) via unclewaffles on instagram Uncle Waffles, born Lungelihle Zwane in Eswatini, is a powerhouse DJ and record producer based in South Africa, recognised for her unparalleled contributions to the amapiano genre. Billboard has aptly dubbed her the "princess of amapiano." Her popularity skyrocketed with the viral video showcasing her dance moves behind the decks, amassing over 4 million views and earning her a follow from none other than Drake. Breaking barriers, Uncle Waffles made history as the first-ever amapiano act to perform at the prestigious Coachella Valley Music and Arts Festival. She's made some popular songs including Yahyuppiyah (Mixed) ft. Tony Duardo. She was also the only DJ who performed at the 2022 Global Citizen Festival in Accra. ### **Dope Caesar** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_430476905_787089619930911_8904115664468192334_n_1080.jpg) via dopecaeser on instagram Hailing from Lagos, Nigeria, Sarah Oboh, also known as Dope Caesar, has been making waves in the music scene for over six years. A graduate of the Vibes DJ Academy, she quickly emerged as a standout pupil, mastering the art of transitions and captivating party-goers with her high-energy performances. From the cult party collective Obi's House, her viral mix of Brick & Lace's 'Love is Wicked' and Victony's 'Soweto’ to her recent release 'Pop Sermon' featuring Fave and Ajebo Hustlers, Dope Caesar is proving to be a star on the rise. ### **DJ Ghboi** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/The-iMullar.jpeg) via The iMullar Based in Beijing and Accra, DJ Ghboi, with her immersive and inclusive palette of sounds from diverse cultures, has become a standout figure in the music industry. Merging grime with EDM, coupé-décalé with heavy hip hop and trap beats, Ghboi's vibrant energy and unique style have set her apart. As a staunch supporter of women’s rights and a resident host of Sankofa on Stegi radio, she not only spins records but also sparks conversations on issues females face in the creative and music industries. ### **DJ Alba Nalo** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/spotify.jpeg) via Spotify DJ Alba Nalo, a prominent DJ and producer based in Windhoek, Namibia, boasts an impressive seven years of experience in the music industry. As one of Namibia's first commercially successful female DJs, she has carved out a niche for herself with her distinct style and mastery of the turntables. Beyond her impressive DJ career, Alba Nalo has recently been selected as a mentor DJ for an all-female DJ workshop in collaboration with the British Council. This initiative underscores her commitment to empowering and uplifting aspiring female DJs in the region. ### **DJ Zinhle** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_430726768_834379495367302_154375724191193628_n_1080.jpg) via djzinhle on instagram South African DJ, producer, media personality, and businesswoman, DJ Zinhle, has dominated the industry for over a decade. With hits like "Umilo" and "Indlovu," she has garnered numerous awards locally and internationally. Voted the number 1 DJ in Africa by DJaneTop, DJ Zinhle's influence extends beyond the music scene, as evidenced by her massive social media following and a net worth of $3 million. ### **DJ Pierra Makena** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/via-Nairobi-Wire.jpg) via Nairobi Wire Kenyan DJ, actress, and TV personality, Pierra Makena, has made significant contributions to the entertainment industry. Winning the Best Supporting Actress award for her role in "When Love Comes Around," Makena's career has spanned international events in Burundi, Ghana, Nigeria, and the United States. ### **DJ Poizon Ivy** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/via-Dallas-Morning-News.jpeg) via Dallas Morning News Born Ivy Awino in Nairobi, Kenya, and raised in Dallas, Texas, DJ Poizon Ivy's journey to becoming a trailblazer in the music industry is nothing short of inspiring. Mastering the piano and cello before discovering her love for turntables, she broke barriers by becoming the first female mixer on WKKV-FM's V100.7 Mix Squad. DJ Poizon Ivy's impact extends beyond the airwaves; in 2016, she became the in-arena DJ for the Dallas Wings during the W.N.B.A.’s 20th-anniversary season. Additionally, she made history as the Dallas Mavericks’ first female team DJ in franchise history. Her contribution to major brands, corporations, and non-profits further cements her status as a pioneer in the industry. ### **DJ Kess** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/via-eTV-Ghana.jpeg) via eTV Ghana DJ Kess, a prominent figure in Ghana's music scene, has not only showcased her talent behind the decks for over thirteen years but has also set a precedent for other female DJs in the country. Known for her distinctive and masculine-inclined fashion sense, DJ Kess has become a celebrity DJ on Y FM, a popular Ghanaian radio station. In 2011, she reached new heights by being the DJ for a party on the intercontinental reality show, Big Brother Africa Amplified. Ironically, her journey into the art of spinning records began when her secondary school acquired a set of turntables, and she was the only student willing to give it a try. ### **Handi and Wanni** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_414220745_284818527897709_6728137103209727023_n_1080.jpg) via wannixhandi on instagram Handi and Wanni, the dynamic twin DJs and performers from Nigeria, began their journey as TV presenters and anchors at Linda Ikeji TV. Their foray into the music scene took a serious turn in 2021, marking the beginning of their ascent in the industry. Known for their energetic performances, the duo has played at Spotify’s African Heat party, Obi’s house and various other events. Transitioning from TV to the turntables, Handi and Wanni are making waves and leaving a lasting impression on the music scene in Nigeria. ### **DJ Nana** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/Snapinsta.app_428601344_18425309572030343_7346441718078052983_n_1080.jpg) via djnanaofficial on Instagram DJ Nana, born Nanayat Abedoh in Kogi State, Nigeria, has emerged as an exceptional young female disc jockey with a compelling journey in the music industry. Her breakthrough came when she won the inaugural Airtel/Barcaddi Cool FM DJ Competition. Under the mentorship of the legendary DJ Jimmy Jatt at Jimmy Jatt Inc., she honed her skills and rapidly gained recognition. Her nomination for the AGDA Awards in South Africa under the category of Best Female DJ is a testament to her prowess behind the turntables. DJ Nana's story reflects not only her talent but also her resilience and commitment to breaking barriers in a male-dominated industry. # Conclusion These remarkable African women DJs have not only conquered the turntables but have also become influential figures in the global music scene. Breaking barriers, setting records, and earning accolades, they are inspiring a new generation of female DJs and reshaping the narrative of women in the music industry. ### PHOTOS: JAM Games Night Edition, Feb 24th URL: https://www.marmaladecollective.com/photos-jam-games-night-edition-feb-24th/ Last updated: 2024-03-05T14:05:10.000Z What an unforgettable games night experience 🎉 We had fun with Africa-inspired board and card games, curated set by our DJ playing the hottest tunes around from Afrobeats to Amapiano, delicious cocktails and tasty canapes. _This post is for subscribers only._ ### Tyla Partners with Gap, UMG Acquires Mavin, Ski Collective Embraces Afro-Caribbean Vibes URL: https://www.marmaladecollective.com/tyla-partners-with-gap-universal-music-acquires-mavin-ski-collective-embraces-afro-caribbean-vibes/ Last updated: 2024-03-04T10:00:55.000Z **Welcome to Vol 82 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎉 Welcome to March. This new week (and month), we celebrate not just one, but two significant dates that honour women: International Women's Day and Mother's Day. Let us celebrate with joy, reflection, and action — honouring the women who shape our past, present, and future. [****This Sunday, we’re hosting a special supper club**](https://lu.ma/1ebf8ry8?ref=marmaladecollective.com) in celebration of our sisters, besties, aunties and mums. Now, on to the real peel... ## 🔥 Trending Stories ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/p0hg57nr.jpeg) **Credit: Soft Life Ski* - Universal Music Group Buys Majority Stake in [Nigerian Label Mavin Global](https://www.billboard.com/business/record-labels/mavin-global-sale-umg-buys-majority-stake-rema-afrobeats-label-1235614824/?ref=marmaladecollective.com) *via Billboard* - How [two African creatives](https://edition.cnn.com/2024/02/26/style/tokyo-james-yusuff-aina-milan-fashion-week/index.html?ref=marmaladecollective.com) teamed up to effect change *via CNN* - [Tyla's First Fashion Campaign](https://www.complex.com/style/a/mike-destefano/tyla-gap-campaign-spring-2024?ref=marmaladecollective.com) Is With Gap *via Complex* - The 22 Best [North African Songs](https://www.okayafrica.com/north-africa-songs-music-best/?ref=marmaladecollective.com) Right Now *via OkayAfrica* - How [luxury African fashion](https://www.bbc.co.uk/news/world-africa-68283975?ref=marmaladecollective.com) has wowed Europe’s catwalks *via BBC News* - Soft Life Ski, a British collective which aims to [bring Afro-Caribbean culture and vibes to the slopes](https://www.bbc.com/travel/article/20240301-can-skiing-solve-its-diversity-problem?ref=marmaladecollective.com) *via BBC Travel* - [Watch the Trailer](https://www.bellanaija.com/2024/02/ebuka-turns-up-africa-premiere/?ref=marmaladecollective.com) of Prime Video’s “Ebuka Turns Up Africa” *via BellaNaija* --- ## ⏳ Trivia Time Question: Who was the first female president in Africa? A) Ellen Johnson Sirleaf (Liberia) B) Sahle-Work Zewde (Ethiopia) C) Joyce Banda (Malawi) *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/iwaju-disney.jpeg) **Credit: Disney* ## Must-Watch African Animated Series and Films African animation is experiencing a renaissance, and the world is taking notice. The continent's vibrant storytelling traditions, coupled with cutting-edge animation techniques, have birthed a new era of captivating content. In this exploration, we'll dive into some exceptional African animations that have not only captured hearts but are also reshaping the global animation landscape. [Keep Reading 👉](https://www.marmaladecollective.com/must-watch-african-animated-series-and-films/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_351722593_942380256881901_1531530359266890617_n_1080.jpg) #### Bottomless Brunch for £40pp at Bar Beach Grill Enjoy their flavoursome set menu for your afternoon's consisting of four set choice menus, covering seafood, vegetarian and of course meat lovers dishes. They have bottomless cocktails, prosecco and beers so make sure you book well in advance as they get busy very early. [Check it out](https://www.experiencesbymarmalade.com/bar-beach-grill-lewisham-bottomless-brunch-for-40pp/?ref=marmaladecollective.com) --- ## What We're... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/03/homemade_IWD_supperclub-1.gif) **Credit: Angle 90* 📰 **Reading:** [The Lagos Wife by Vanessa Walters](https://www.waterstones.com/book/the-lagos-wife/vanessa-walters/9781529153262?ref=marmaladecollective.com). Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of Lagos and a glamorous group of friends. She left London and a troubled family past behind to become part of a community of expat wives.[ ](https://industrieafrica.com/blogs/imprint/culture-conversation-luxury-why-we-need-an-african-fashion-renaissance-sustainability-renee-neblett?ref=marmaladecollective.com) 📺 **Watching:** [Iwájú on Disney+](https://ondisneyplus.disney.com/show/iwaju?ref=marmaladecollective.com). An original animated series set in a futuristic Lagos, Nigeria. The exciting coming-of-age story follows Tola, a young girl from the wealthy island, and her best friend, Kole, a self-taught tech expert, as they discover the secrets and dangers hidden in their different worlds. 🎧 **Listening to:** [Dope Caesar's live DJ set](https://www.youtube.com/watch?v=ITSBZgFzO7o&ref=marmaladecollective.com) at Obi's House, Hard Rock Cafe Lagos. 🎟️ **Booking:** [Homemade Supper Club](https://lu.ma/1ebf8ry8?ref=marmaladecollective.com). ​Bring someone along! But also feel free to come alone. Just come with an open mind and a good vibe. Come enjoy chops, cocktails and conversations. 👀 **Eyeing:** [PITH's upcoming drop](https://www.instagram.com/p/C3xJwweroQE/?ref=marmaladecollective.com). Check out the “No Love Like Lagos Love” Pith babushka and the Pith ring, set to drop this Easter. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ Answer: A) Ellen Johnson Sirleaf (Liberia) ### Homemade Supper Club, Mar 10th, International Women's Day Edition URL: https://www.marmaladecollective.com/homemade-supper-club-mar-10th-international-womens-day-edition/ Last updated: 2024-03-03T13:13:22.000Z **On Sunday 10th March at 7pm**, join us at the Homemade Supper Club: International Women's Day Edition, **an exclusive event for you**, your sister, bestie, aunty and mum ❤️. Come and enjoy delicious chops, cocktails and conversations. _This post is for subscribers only._ ### What's on in March URL: https://www.marmaladecollective.com/whats-on-march-2024/ Last updated: 2024-02-28T13:00:05.000Z Can you believe it's already MARCH! 😮 We've handpicked the **best Afrocentric events and experiences happening in London this March**! We've got everything from live music events to cookery classes, not to mention incredible supper club events. There's truly something for everyone! We highly recommend events marked as 🔥 _This post is for subscribers only._ ### Exploring the Rich Heritage of Africa with UNESCO World Heritage Sites URL: https://www.marmaladecollective.com/exploring-the-rich-heritage-of-africa-with-unesco-world-heritage-sites/ Last updated: 2024-02-26T21:22:14.000Z # **Introduction** Africa, a continent brimming with cultural diversity, historical significance, and natural wonders, is home to a myriad of UNESCO World Heritage Sites. These sites, carefully chosen for their outstanding universal value, contribute to the collective heritage of humanity. In this article, we will delve into some of the most captivating UNESCO World Heritage Sites in Africa, exploring their unique features, historical importance, and the reasons behind their esteemed recognition. ## **Great Pyramid of Giza, Egypt** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Great-Pyramid-of-Giza--Egypt.jpg) via HistoryExtra Nestled on the expansive Giza Plateau, the Great Pyramid stands as an enduring marvel of ancient Egyptian engineering. The Great Pyramid of Giza, with its architectural brilliance and historical significance, earned its UNESCO World Heritage Site status in 1979\. Constructed around 2560 BCE, this colossal structure is a monumental tomb for Pharaoh Khufu. Its sheer scale and precision boggle the modern mind, as massive limestone blocks were meticulously carved and stacked to create a monument that reaches towards the sky. The hieroglyphs adorning the chambers inside tell tales of a bygone era, adding an intricate layer to its mystical allure. ## **Serengeti National Park, Tanzania** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Serengeti-National-Park--Tanzania.jpg) via Serengeti National Park The Serengeti National Park in Tanzania is a sprawling ecosystem spanning over 14,750 square kilometres, hosting one of nature's most spectacular events - the Great Migration. Here, millions of wildebeest and zebras traverse the plains in search of greener pastures, creating a mesmerising tableau of life and survival. The endless savannahs, punctuated by iconic acacia trees, provide a breathtaking backdrop to the diverse wildlife, including the celebrated Big Five. Designated as a UNESCO World Heritage Site in 1981, the Serengeti is a living testament to the delicate balance of nature and the preservation of Africa's unparalleled biodiversity. ## **Victoria Falls, Zambia/Zimbabwe** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Victoria-Falls--Zambia.jpg) via AirPano Known as the "Smoke that Thunders," Victoria Falls is a natural spectacle straddling the border between Zambia and Zimbabwe. It is the largest curtain of falling water on the planet, plunging into the Zambezi River with thunderous force. The mist rising high into the air creates an ethereal atmosphere, and rainbows dance in the sunlight, adding to the enchantment. Designated as a UNESCO World Heritage Site in 1989, Victoria Falls showcases exceptional geological and geomorphological features, embodying the raw power and beauty of nature. It is a symbol of Africa's natural wonders and the importance of preserving these breathtaking landscapes for future generations. ## **Timbuktu, Mali** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Timbuktu--Mali.webp) via World Atlas Nestled on the edge of the vast Sahara Desert, Timbuktu is a testament to Africa's historical legacy. Once a thriving centre of learning and trade during the Mali Empire, this ancient city is adorned with distinctive mud-brick architecture that whispers tales of a bygone era. The Djinguereber Mosque, Sankore Madrasah, and the repositories of ancient manuscripts within its libraries provide a captivating glimpse into Timbuktu's scholarly past. Recognised as a UNESCO World Heritage Site in 1988, Timbuktu symbolises the convergence of African cultures, a beacon of knowledge and civilisation in the heart of the desert. ## **Robben Island, South Africa** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Robben-island.jpg) via Tripadvisor Off the coast of Cape Town lies Robben Island, a place steeped in history and resilience. Serving as a political prison during the dark days of apartheid, Robben Island was home to notable inmates, including the revered Nelson Mandela. The stark prison buildings and the lime quarries, where prisoners toiled, stand as haunting reminders of the struggle for freedom. The ferry ride to the island offers a poignant view of Cape Town's skyline, setting the stage for an emotional journey through the pages of South Africa's history. Recognized as a UNESCO World Heritage Site in 1999, Robben Island symbolises the triumph of the human spirit over adversity and the quest for equality. # Conclusion Africa's UNESCO World Heritage Sites offer a glimpse into the continent's history, culture, and natural wonders. Each site holds a unique story, contributing to the shared heritage of humanity and standing as a testament to the importance of preserving these treasures for future generations. ### Must-Watch African Animated Series and Films URL: https://www.marmaladecollective.com/must-watch-african-animated-series-and-films/ Last updated: 2024-02-26T21:22:33.000Z # **Introduction** African animation is experiencing a renaissance, and the world is taking notice. The continent's vibrant storytelling traditions, coupled with cutting-edge animation techniques, have birthed a new era of captivating content. In this exploration, we'll dive into some exceptional African animations that have not only captured hearts but are also reshaping the global animation landscape. ## **Garbage Boy and Trash Can** "Garbage Boy and Trash Can," created by Nigerian animator Ridwan Moshood, burst onto the scene on July 17, 2023, and quickly became a trailblazer. This Cartoon Network superhero animated comedy series, the first of its kind produced in Africa, introduces us to Garbage Boy, a self-proclaimed superhero, and his loyal sidekick, Trash Can. While Garbage Boy may not possess traditional superpowers, his unwavering belief in them may just be the real source of his strength. With a diverse cast of voice actors from Uganda, Malawi, Nigeria, and the USA, this series is a testament to the collaborative spirit driving African animation. Production companies Pure Garbage, Babooon Animation, The African Animation Network, and Magic Carpet have combined efforts to bring this unique and humorous series to life. ## **Kizazi Moto: Generation Fire** "Kizazi Moto," an African futurist animated anthology short film series produced by Triggerfish, premiered on Disney+ on July 5, 2023\. This groundbreaking series presents ten futuristic visions from Africa, exploring advanced technology, aliens, spirits, and monsters. The collaborative effort of creators from Zimbabwe, South Africa, Uganda, Nigeria, Kenya, and Egypt, under the executive production of Peter Ramsey and the supervision of producers Tendayi Nyeke and Anthony Silverston, showcases a unique African perspective on the future and science fiction. With its visually stunning animation and compelling storytelling, "Kizazi Moto" has received widespread acclaim, marking a significant contribution to the global animation landscape. ## **Super Team 4** "Super Team 4" catapults viewers into the neo-futuristic city of Lusaka, Zambia, where four teenage girls become undercover superheroes on a mission to save the world. Created by Malenga Mulendema for Superprod Studio and released globally on Netflix, this animated series premiered on July 20, 2023, with a second season following on December 21, 2023\. Described as the first original African animated series on Netflix, "Super Team 4" beautifully combines elements of superhero action with the challenges of everyday teenage life, all while sticking to a budget. The series stands as a testament to the growing recognition of African narratives in the global animation sphere. ## **Mikolo** Nollywood's Anthill Studio presents "Mikolo," a heartwarming family adventure-fantasy film directed and written by Niyi Akinmolayan. Released on August 18, 2023, in Nigeria, the film unfolds in the picturesque landscapes of Ondo State. "Mikolo" follows two curious children on a magical journey to their grandmother's house, leading them to the enchanting Irumole forest. This film not only explores the innocence of childhood exploration but also serves as a vehicle for addressing familial relationships and the importance of courage. Available on Prime Video, "Mikolo" showcases the richness of Nigerian storytelling in the animation medium. ## **Iwaju** "Iwaju," a collaborative effort between Walt Disney Animation Studios and Pan-African Comic Book Entertainment Company Kugali, hit Disney+ on February 28, 2024\. Set in futuristic Lagos, Nigeria, the series follows the coming-of-age story of Tola and her tech-savvy friend Kole as they unravel the secrets and dangers of their worlds. Directed by Olufikayo Ziki Adeola, with a screenplay by Adeola and Halima Hudson, "Iwaju" boasts unique visual elements and technological advancements inspired by the spirit of Lagos. With an authentic African-influenced musical score by Ré Olunuga, the series promises a one-of-a-kind journey into the heart of African futurism. # Conclusion The rise of African animations is not just a celebration of cultural diversity but a testament to the continent's creative prowess. From Nigeria to Zambia, these animations are not just entertaining stories; they are powerful statements, showcasing the depth, variety, and innovation present in African storytelling. As these animations continue to make waves globally, they pave the way for even more diverse narratives to find a place in the world of animation. Get ready to embark on a journey into the heart of Africa through these animated masterpieces, where tradition meets innovation, and storytelling takes centre stage. ### African Photographers in Vogue, 'Kizazi Moto' Triumphs, Burna Boy's Aspirations, Adut Akech on Afrobeats URL: https://www.marmaladecollective.com/african-photographers-in-vogue-kizazi-moto-triumphs-burna-boys-aspirations-adut-akech-on-afrobeats/ Last updated: 2024-02-26T13:43:52.000Z **Welcome to Vol 81 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🗣️ [****Saturday's JAM Games Night**](https://www.instagram.com/p/C3xn2xNoETX/?img%5Findex=1&ref=marmaladecollective.com) was a total blast. We all just hung out, met some cool new people and soaked in the good times. As the founders of Chuku’s would say, we "chopped, chatted and chilled". Not a member yet? [****Sign up now**](https://www.marmaladecollective.com/the-spread-offer) and get 20% off annual Premium membership. Now, on to the real peel... ## 🔥 Trending Stories [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_422651980_18332954512108012_7429145054104395350_n_1080.jpg)](https://www.instagram.com/p/C3nAw7GCSmf/?igsh=bGsyNTV2bGx4YXRh&ref=marmaladecollective.com) **Image Courtesy of Native Magazine* - Meet the new guard of [African photographers shaping luxury](https://www.voguebusiness.com/story/fashion/new-guard-of-african-photographers-luxury-prince-gyasi-campbell-addy-balmain-dazed?ref=marmaladecollective.com) *via Vogue* - [Pan-African Animated Show ‘Kizazi Moto](https://www.okayafrica.com/kizazi-moto-best-limited-series/?ref=marmaladecollective.com): Generation Fire’ wins Best Limited Series at 2024 Annie Awards *via OkayAfrica* - [African Acts Nominated](https://www.instagram.com/p/C3nAw7GCSmf/?igsh=bGsyNTV2bGx4YXRh&ref=marmaladecollective.com) for BRITS 2024 *via Native Magazine* - [Adut Akech on Afrobeats](https://www.instyle.com/night-moves-adut-akech-getting-ready-routine-8598529?ref=marmaladecollective.com), Cocktailing Fragrances, and Glamming With Her Sisters *via InStyle* - [Burna Boy is an ‘African Giant’](https://www.ft.com/content/69f12872-8f32-41c7-8df6-6bad8d6c14c3?ref=marmaladecollective.com). He wants to be even bigger *via FT* - [New Cocktail Festival](https://www.liquor.com/ajabu-africa-cocktail-festival-8580460?ref=marmaladecollective.com) Wants to ‘Connect, Collaborate, and Celebrate the Flavors and Tastes of Africa’ *via Liquor.com* - [Reverse Migration](https://www.okayafrica.com/reverse-migration-north-africa/?ref=marmaladecollective.com): Why North African Creatives are Returning Home *via OkayAfrica* --- ## ⏳ Trivia Time Who is considered the father of African haute couture and is known for his use of traditional African fabrics in high fashion designs? A) Duro Olowu B) Alphadi C) Pathé'O *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_424443668_411858671278214_3328025320956284293_n_1080-1-1.jpg)](https://www.marmaladecollective.com/new-age-african-models-dominating-the-international-runway-scene/) ## African Models Dominating the International Runway Scene In recent years, the global fashion industry has undergone a significant transformation, becoming more diverse and inclusive. One of the driving forces behind this positive change has been the emergence of African models who are making waves on international runways, editorials and campaigns. These trailblazers are not only breaking barriers but also reshaping perceptions of beauty and style. In this article, we will introduce you to some of the most influential African models who are leaving an indelible mark on the fashion world. [Keep Reading 👉](https://www.marmaladecollective.com/new-age-african-models-dominating-the-international-runway-scene/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_351722593_942380256881901_1531530359266890617_n_1080.jpg) #### Bottomless Brunch for £40pp at Bar Beach Grill Enjoy their flavoursome set menu for your afternoon's consisting of four set choice menus, covering seafood, vegetarian and of course meat lovers dishes. They have bottomless cocktails, prosecco and beers so make sure you book well in advance as they get busy very early. [Check it out](https://www.experiencesbymarmalade.com/bar-beach-grill-lewisham-bottomless-brunch-for-40pp/?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [Lyrics Alley by Leila Aboulela](https://www.goodreads.com/en/book/show/8965997?ref=marmaladecollective.com). The evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they've built for decades.[ ](https://industrieafrica.com/blogs/imprint/culture-conversation-luxury-why-we-need-an-african-fashion-renaissance-sustainability-renee-neblett?ref=marmaladecollective.com) 📺 **Watching:** [Asake's Fashion on The Pulse](https://www.snapchat.com/p/5c849322-4ea6-48be-99b3-bc8c89b731fc/2264226074308608?invite%5Fid=ObV9iZP-&sid=af63370e66a54eb5a9977dd2e405201f&ref=marmaladecollective.com). The music sensation turning every performance into a fashion statement. 🎧 **Listening to:** Omah Lay's deluxe album ['Boy Alone' on Spotify](https://open.spotify.com/album/5NI7LqHIf9hDtH640m7VI6?si=lKeEWmFhQ-KjGj9XLUDMVQ&nd=1&dlsi=4a5c3898bd8d4d6b&ref=marmaladecollective.com). The twenty-track album features six new songs- “Reason”, “It’s Yours”, “Come Closer”, “Imagine”with **Aitch**, “Joanna” and “Soso Remix” featuring **Ozuna**. 🎟️ **Booking:** A special edition of [Homemade Supper Club](https://lu.ma/1ebf8ry8?ref=marmaladecollective.com) in celebration of International Women's Day. A culinary experience inspired by African cuisine and curated for you. 👀 **Eyeing:** [Pangolin Print Orange Cuban Collar](https://storieswecherish.com/shop-menswear/african-print-shirts/pangolin-print-orange-cuban-collar/?v=79cba1185463&ref=marmaladecollective.com) by Stories We Cherish. The unique feature of this shirt is its captivating print, which highlights the pangolin and incorporates an amalgamation of African maps. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ Answer: B) Alphadi ### New Age African Models Dominating the International Runway Scene URL: https://www.marmaladecollective.com/new-age-african-models-dominating-the-international-runway-scene/ Last updated: 2024-02-26T21:22:55.000Z # **Introduction** In recent years, the global fashion industry has undergone a significant transformation, becoming more diverse and inclusive. One of the driving forces behind this positive change has been the emergence of African models who are making waves on international runways, editorials and campaigns. These trailblazers are not only breaking barriers but also reshaping perceptions of beauty and style. In this article, we will introduce you to some of the most influential African models who are leaving an indelible mark on the fashion world. ## Adut Akech ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_381358581_1184668855791187_5847655450890030418_n_1080.jpg) Adut Akech for [@versace](https://www.instagram.com/versace/?ref=marmaladecollective.com) SS24 by [@donatella\_versace](https://www.instagram.com/donatella%5Fversace/?ref=marmaladecollective.com) Sudanese-Australian model Adut Akech has taken the fashion world by storm with her striking beauty and undeniable talent. Discovered at a young age, Akech has become a sought-after face for top designers and brands. She made history by becoming the second black model to close the Chanel haute couture show, a testament to her influence in the industry. Akech has graced the covers of prestigious magazines such as Vogue and Elle, showcasing her versatility and impact on the global fashion scene. Recently, she was part of the British Vogue cover that featured 40 iconic women, alongside names like Serena Williams, Iman and Simone Ashley. ## Halima Aden ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Halima-Aden.jpg) Halima Aden for Alberta Ferretti Halima Aden, born in a Kenyan refugee camp, has shattered stereotypes and made history as the first hijab-wearing model to grace international runways. Aden has walked for major fashion houses like Max Mara and Alberta Ferretti, bringing visibility to modest fashion and challenging conventional beauty standards. She has been featured on the covers of Allure and British Vogue, showcasing her unique and trailblazing presence in the industry. ## Adwoa Aboah ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_386131836_1563562567383323_888607343000516259_n_1080.jpg) Adwoa Aboah for Kurtgeiger Ghanaian-British model Adwoa Aboah has become a prominent figure in the fashion world, known for her distinctive look and commitment to activism. Aboah has walked for renowned designers like Dior and Chanel, making a significant impact on the runway. She is the founder of Gurls Talk, a platform that focuses on female empowerment and mental health awareness. Aboah's influential voice extends beyond the catwalk, emphasising the importance of social responsibility in the fashion industry. She has graced the covers of magazines such as Vogue and Elle, further solidifying her status as a multifaceted and impactful model. She was also a part of the British Vogue cover that featured 40 iconic women. ## Mayowa Nicholas ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Mayowa-Nicholas.jpg) Mayowa Nicholas Nigerian model Mayowa Nicholas has been making headlines since she won the Elite Model Look Nigeria competition. Her journey led her to become the first Nigerian model to walk for Dolce & Gabbana, marking a historic moment for African representation in the fashion world. Nicholas's success has paved the way for other aspiring models from the continent. She has graced the covers of Vogue and Harper's Bazaar, further establishing her as a prominent figure in the fashion industry. ## Anok Yai ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_386248536_274035035607381_2226073121467546254_n_1080.jpg) Anok Yai for Acne Studios Sudanese-born model Anok Yai made history as the first black model to open a Prada show since Naomi Campbell in 1997\. Her groundbreaking achievement at Prada is a testament to her unique presence on the runway. Yai has also graced the covers of magazines like Vogue Italia and i-D, showcasing her influence in the industry. Recently, she was part of the British Vogue cover that featured 40 iconic women, sharing the spotlight with Miley Cyrus, Victoria Beckham, and Naomi Campbell. Yai has walked for renowned fashion houses such as Versace, Max Mara, Fendi, Burberry, Louis Vuitton, Miu Miu, Chanel, and many more, solidifying her status as a prominent figure in the industry. ## Aweng Chuol ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_377801630_315824134457857_1402731789985268698_n_1080.jpg) Aweng Chuol for [@skepta](https://www.instagram.com/skepta/?ref=marmaladecollective.com)[@mainslondon](https://www.instagram.com/mainslondon/?ref=marmaladecollective.com) South Sudanese model Aweng Chuol has captivated the fashion industry with her androgynous style and striking features. Breaking traditional gender norms, Chuol has walked for major fashion houses like Alexander McQueen and Calvin Klein, challenging the industry to embrace diversity in all its forms. She recently spoke at the Black Beauty Roster Hair and Makeup Equity celebration dinner to discuss the importance of representation both on the runway and on screen. Chuol has been featured on the covers of magazines like Dazed and Confused, further emphasising her impact on the fashion world. ## Adesuwa Aighewi ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_379458891_18392240575009957_140355820199475500_n_1080.jpg) Adesuwa Aighewi for Lacoste Nigerian-Chinese model Adesuwa Aighewi has been making waves in the fashion industry with her unique look and versatile talent. Aighewi has walked for prestigious fashion houses such as Chanel, Dior, and Alexander Wang. Her global presence is evident in her appearances on the covers of magazines like Vogue, Glamour, and Harper's Bazaar. Aighewi's advocacy for diversity and her ability to effortlessly blend cultures on the runway make her a standout figure in the evolving landscape of the fashion world. # Conclusion As the fashion industry evolves, African models are increasingly playing a pivotal role in redefining standards of beauty and style. These talented individuals not only bring a fresh perspective to the runways but also serve as inspirational figures for the next generation of models. Their stories are just a few examples of the incredible impact African models are making on the global stage. Their journeys reflect the industry's growing commitment to diversity, opening doors for more representation and celebrating the beauty of the African continent. ### Top Song Collaborations between African and International Artists URL: https://www.marmaladecollective.com/some-top-song-collaborations-between-african-and-international-artists/ Last updated: 2024-02-26T21:23:50.000Z # **Introduction** The world of music is so vast and in it, collaborations have become the driving force behind the creation of groundbreaking tracks that transcend borders and cultures. African and international artists have joined forces to create a music that celebrates diversity and unity. Let's delve into some of the top song collaborations that have not only captured the hearts of fans worldwide but have also left an indelible mark on the global music scene. ## **"Location" - Burna Boy and Dave** The collaboration between the Nigerian Afro-fusion maestro Burna Boy and the British rap virtuoso Dave culminated in the magnetic track, "Location." Burna Boy, a global Afrobeat sensation known for his distinctive style and socially conscious lyrics, partnered with Dave, a British rapper celebrated for his intricate wordplay and powerful storytelling. "Location," released in 2019, is a rhythmic masterpiece that effortlessly melds Burna Boy's infectious melodies with Dave's sharp verses. This collaboration has not only amassed over 200 million views on YouTube but has also topped charts in the UK and several European countries. To further solidify its impact, "Location" clinched the Best British Single award at the BRIT Awards 2020, showcasing the global appeal of the Afrobeat genre and the undeniable chemistry between Burna Boy and Dave. ## **"Blow My Mind"** \- **Davido and Chris Brown** In 2019, Nigerian superstar Davido orchestrated a meeting of musical titans by collaborating with American R&B sensation Chris Brown on the chart-topping hit, "Blow My Mind." Davido, renowned for his infectious Afro-pop style and energetic performances, joined forces with Chris Brown, whose smooth vocals and danceable beats are global hallmarks. The song's irresistible chorus and vibrant production became an instant favorite, capturing the attention of audiences worldwide. "Blow My Mind" is a harmonious blend of Davido's Afro-pop vibes and Chris Brown's signature R&B flavor. The collaboration achieved remarkable success, securing over 90 million views on YouTube and dominating charts in Africa, Europe, and the United States. The infectious energy of the track and the chemistry between the artists elevated it to Platinum status in multiple countries, solidifying its place as a global anthem that transcends cultural boundaries. ## "Marry You" - Diamond Platnumz and Ne-Yo Diamond Platnumz's collaboration with Ne-Yo in "Marry You" adds another layer to the rich tapestry of African and international musical partnerships. Diamond Platnumz, a Tanzanian Bongo Flava artist and one of Africa's most influential musicians, teamed up with Ne-Yo, the American R&B singer, songwriter, and dancer. Released in 2016, "Marry You" is a delightful collaboration that combines Diamond Platnumz's East African flair with Ne-Yo's smooth R&B vibes. The track stands as a testament to the seamless integration of different musical genres, creating a feel-good anthem with romantic undertones. The music video for "Marry You" has garnered over 60 million views on YouTube, and the track has been a hit across Africa and beyond. The collaboration showcases the global appeal of African artists and their ability to cross cultural boundaries, fostering a sense of unity through the universal language of music. ## "Brown Skin Girl" - Beyonce and Wizkid One of the standout collaborations is "Brown Skin Girl" by Beyoncé featuring Wizkid and Blue Ivy Carter. Beyoncé, an icon in the global music industry, collaborated with Wizkid, the Nigerian Afrobeat maestro, and Blue Ivy Carter, her daughter. Released as part of Beyoncé's "The Lion King: The Gift" album in 2019, the song celebrates the beauty of brown-skinned women and has an uplifting and soulful vibe. The collaboration showcases the seamless integration of African and Western sounds, creating a masterpiece that resonates with diverse audiences. "Brown Skin Girl" received critical acclaim and achieved commercial success, reaching the top of the charts in various countries. The song won the BET Her Award and the NAACP Image Award for Outstanding Duo, Group or Collaboration, further solidifying its impact on both the African and international music scenes. ## "Somebody's Son" - Tiwa Savage ft. Brandy In the enchanting realm of collaboration, the union of Nigerian Afropop queen Tiwa Savage and American R&B legend Brandy gave birth to the soul-stirring track "Somebody's Son." Tiwa Savage, a vocal powerhouse celebrated for her emotive delivery and Afrobeat influences, seamlessly intertwined her style with Brandy's iconic R&B sound. The track, released in 2022, is a love ballad that transcends continents, creating a timeless atmosphere of musical bliss. "Somebody's Son" explores themes of longing and anticipation, with Tiwa Savage's rich vocals harmonising flawlessly with Brandy's soulful tones. The song's emotive lyrics and captivating melody have resonated with audiences globally, garnering over 30 million views on YouTube. The collaboration has not only captured the hearts of fans but also received critical acclaim for the seamless blending of Afrobeat and R&B, making it a standout in the collaboration landscape. ## **"Allow" - Nasty C and French Montana** South African rapper Nasty C, known for his lyricism and dynamic flows, joined forces with Moroccan-American rapper French Montana for the track "Allow" in 2016\. Nasty C, a rising star in the African hip-hop scene, brings a unique energy to the collaboration with his sharp and introspective verses. French Montana, a seasoned artist with a global footprint, complements the track with his signature blend of hip-hop and trap influences. "Allow" is a compelling fusion of African and American hip-hop, seamlessly blending Nasty C's lyrical prowess with French Montana's infectious energy. The song explores themes of success, overcoming obstacles, and embracing one's journey. The collaboration gained significant traction, accumulating millions of views on YouTube and topping charts across Africa. The infectious beats and powerful lyrics resonated with fans globally, making "Allow" a testament to the cross-cultural appeal of African hip-hop. ## **"Peru" (Remix) - Ed Sheeran ft. Fireboy DML** In 2021, the unexpected collaboration between British singer-songwriter Ed Sheeran and Nigerian Afrobeats sensation Fireboy DML for the remix of "Peru" took the music world by storm. Ed Sheeran, celebrated for his emotive vocals and versatile songwriting, joined forces with Fireboy DML, an emerging star known for his soulful voice and Afrobeat influences. The remix introduces Ed Sheeran to the vibrant world of Afrobeats, creating a seamless blend of pop and Afrobeat elements. "Peru" (Remix) offers a fresh perspective to the original track, infusing it with Ed Sheeran's melodic hooks and Fireboy DML's Afrobeat vibes. The song explores themes of love and desire, with a captivating rhythm that invites listeners to the dance floor. The remix quickly gained popularity, amassing millions of views on YouTube within weeks of its release. It topped charts in Nigeria and other African countries, showcasing the global impact of the collaboration. # Conclusion In conclusion, these collaborations stand as testament to the power of music in bridging gaps and fostering a sense of unity across the globe. As African and international artists continue to join forces, we can expect even more groundbreaking collaborations that redefine the landscape of global music, bringing diverse cultures and sounds together in harmony. ### Burna Boy's Campaign, Disney in Nigeria, African Literary Mission, Lupita's Historic Win URL: https://www.marmaladecollective.com/burna-boys-campaign-disney-in-nigeria-african-literary-mission-lupitas-historic-win/ Last updated: 2024-02-19T10:00:59.000Z **Welcome to Vol 80 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join thousands of culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎲 ****SOLD OUT!** For those that registered or bought tickets, see you on Saturday at our [Games Night](https://lu.ma/tmynhs2t?ref=marmaladecollective.com) houseparty. Now, on to the real peel... ## 🔥 Trending Stories [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/brent-faiyaz-1586x891.jpeg)](https://www.bbc.co.uk/news/world-africa-68314153?ref=marmaladecollective.com) **Photo: Screenshot from Brent Faiyaz’s “WYA” video* - [G-Star Raw Taps Burna Boy](https://www.essence.com/fashion/g-star-raw-burna-boy/?ref=marmaladecollective.com) To Star In Its Latest Campaign *via Essence* - [Disney's enticing limited series](https://mashable.com/video/iwaju-trailer-disney?ref=marmaladecollective.com) is set in a futuristic Nigeria *via Mashable* - [This Ghanaian Library](https://www.okayafrica.com/sylvia-arthur-loatad-interview/?ref=marmaladecollective.com) is on a Mission to Champion and Celebrate Africa’s Role in Global Literature *via OkayAfrica* - [Dwayne Wade's son](https://www.foxnews.com/sports/zaire-wade-playing-pro-basketball-africa-teaming-up-with-hall-fame-dad-dwyane-wade-business?ref=marmaladecollective.com) on playing pro basketball in Africa *via FOX News* - Marrakech showcases [artists from across the continent](https://www.theguardian.com/global-development/gallery/2024/feb/10/art-of-africa-marrakech-showcases-artists-from-across-the-continent?ref=marmaladecollective.com) *via The Guardian* - [Lupita Nyong'o makes history](https://www.bbc.co.uk/news/world-africa-68314153?ref=marmaladecollective.com) in German film festival *via BBC News* - [10 African Films](https://www.okayafrica.com/berlin-film-festival-2024/?ref=marmaladecollective.com) Playing at This Year's Berlin Film Festival *via OkayAfrica* --- ## ⏳ Trivia Time Which African film was the **first to win the Grand Prix** at the Cannes Film Festival? A) Tsotsi B) Atlantics C) Timbuktu *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Studio-189-at-Nyfw-via-vogue-1.webp) **Studio 189 NYFW 2023 Ready-to-wear via Vogue* ## Pioneering African Designers at NYFW Join us as we celebrate trailblazing African designers that have led African fashion on a global stage. From cultural fusion to sustainability, these designers have graced the New York Fashion Week runways and have shaped the narrative of African elegance on a global stage. [Keep Reading 👉](https://www.marmaladecollective.com/african-threads-in-the-big-apple-pioneering-african-designers-at-nyfw/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Snapinsta.app_351722593_942380256881901_1531530359266890617_n_1080.jpg) #### Bottomless Brunch for £40pp at Bar Beach Grill Enjoy their flavoursome set menu for your afternoon's consisting of four set choice menus, covering seafood, vegetarian and of course meat lovers dishes. They have bottomless cocktails, prosecco and beers so make sure you book well in advance as they get busy very early. [Check it out](https://www.experiencesbymarmalade.com/bar-beach-grill-lewisham-bottomless-brunch-for-40pp/?ref=marmaladecollective.com) --- ## What We're... [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/6c-atlantics---c-les-films-du-bal_custom-9bdc0cb27c905245b6ab6af3432c2c317cbc9254.jpg)](https://www.netflix.com/gb/title/81082007?ref=marmaladecollective.com) **Mame Bineta Sane as Ada in Atlantics* 📰 **Reading:** [The Nigerwife](https://www.penguin.co.uk/books/458403/the-nigerwife-by-walters-vanessa/9781804946459?ref=marmaladecollective.com) by Vanessa Walters. 'A brilliantly original novel about family, motherhood, identity and diaspora, with a crime thriller twist'.[ ](https://industrieafrica.com/blogs/imprint/culture-conversation-luxury-why-we-need-an-african-fashion-renaissance-sustainability-renee-neblett?ref=marmaladecollective.com) 📺 **Watching:** [Atlantics on Netflix](https://www.netflix.com/gb/title/81082007?ref=marmaladecollective.com). A gorgeous, poetic supernatural romance drama infused with an astute social commentary. A superb feature debut by Mati Diop. 🎧 **Listening to:** [One Love by Wizkid](https://open.spotify.com/track/03gFXOX3TuRERFlYmHDqIX?si=8db38e4a1d2a439f&nd=1&dlsi=3cf8421a9e0246df&ref=marmaladecollective.com). A beautiful rendition of Jamaica’s legendary musician, Bob Marley’s “One Love,” which floats on the song's soulful vocals and heartfelt lyrics. 🎟️ **Booking:** A special edition of [Homemade Supper Club](https://lu.ma/1ebf8ry8?ref=marmaladecollective.com) in celebration of International Women's Day. A culinary experience inspired by African cuisine and curated for you. 👀 **Eyeing:** [Nairobi Apparel District](https://www.instagram.com/nairobiappareldistrict/?ref=marmaladecollective.com). Each piece within this collection is a testament to the vibrant roots firmly planted in the rich cultural soil of Nairobi.⁠ --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ Answer: B) Atlantics ### African Threads in the Big Apple: Pioneering African Designers at NYFW URL: https://www.marmaladecollective.com/african-threads-in-the-big-apple-pioneering-african-designers-at-nyfw/ Last updated: 2024-02-26T21:24:30.000Z # **Introduction** New York Fashion Week (NYFW) has long been a global platform for designers to showcase their talent, creativity, and cultural diversity. Over the years, several African designers have made their mark on this prestigious stage, paving the way for newer brands to follow. In this journey through the history of African brands at NYFW, we explore the stories of trailblazing designers who have left an indelible mark on the fashion landscape. ### **Maki Oh** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Maki-Oh-at-NYFW-via-Vogue.webp) Maki Oh Spring 2020 Ready-to-Wear Collection at NYFW via Vogue Maki Oh, the brainchild of Nigerian designer Amaka Osakwe, made its debut at NYFW in 2012, captivating audiences with a collection that seamlessly blended traditional West African textiles and motifs with contemporary silhouettes. Osakwe's emphasis on sustainability and slow production processes has not only resulted in a unique aesthetic but has also earned her a 2014 LVMH Prize nomination. The real breakthrough for Maki Oh in the US came in 2013 when then-First Lady Michelle Obama donned one of Osakwe's pieces during a trip to Johannesburg. This endorsement catapulted Maki Oh into the spotlight, with celebrity clients like Lupita Nyong’o, Solange Knowles, and Leelee Sobieski becoming fans. Through her dedication to celebrating her West African identity, Amaka Osakwe has undoubtedly paved the way for other African designers on the NYFW stage. ### **David Tlale** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/David-Tlale-at-NYFW-via-The-Upcoming.jpg) David Tlale catwalk show for NYFW S/S 2015 via The Upcoming Hailing from Vosloorus, South Africa, David Tlale is a designer whose roots play a pivotal role in shaping his brand. Tlale's journey began in 2003 when he won the Elle New Talent award at SA Fashion Week and simultaneously launched his eponymous brand. Drawing inspiration from the rich cultural tapestry of South Africa, Tlale's designs stand out with their earthy originality. Tlale made his NYFW debut in 2014, and since then, he has showcased his unique vision over five times. His ability to marry the wealth of South African resources with his creative ingenuity has set a benchmark for African designers aspiring to make a mark on the global stage. ### **Deola Sagoe** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Deola-Sagoe-at-NFW.jpg) Deola Sagoe/CLAN SS14 Collection from NYFW via Bella Naija Deola Sagoe, a Nigerian-born fashion designer, has been a trailblazer since the late '80s. Her commitment to reviving traditional African techniques and infusing them into contemporary designs has earned her accolades and recognition globally. In 2014, she became the first Nigerian to have her stand-alone show at NYFW, further solidifying her position as a leader in African fashion. From winning the MNET Anglo Gold African Design Award in 2000 to featuring in and producing costumes for the film "October 1" in 2015, Deola Sagoe has consistently pushed boundaries. Her journey from the MNET Face of Africa in 1998 to the NYFW stage showcases the evolution and global recognition of African fashion. ### **XULY.Bët** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/XULY.B-t-at-NYFW-via-Vogue.webp) Xuly.Bët NYFW Spring 2017 Ready-to-Wear Collection via Vogue Founded in 1991 by Lamine Kouyaté, XULY.Bët is a Parisian fashion house with a unique approach to sustainability. Kouyaté, originally from Mali, reshapes discarded garments into high fashion pieces, incorporating aspects of his African roots and urban life into his designs. In 2016, XULY.Bët made history at NYFW by debuting the first-ever show featuring all Black models. Kouyaté's ability to transform simple nylon garments into statement pieces reflects his dedication to fashion that tells a story. XULY.Bët's presence at NYFW continues to inspire new generations of designers to embrace sustainability and celebrate their cultural heritage on a global stage. ### **Tiffany Amber** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Tiffany-Amber-ARISE-New-York-Fashion-Week-Bella-Naija.jpg) Tiffany Amber NYFW Spring/Summer 2010 via BellaNaija Folake Coker, the creative force behind Tiffany Amber, entered the fashion world in 1996, launching her brand in Nigeria in 1998\. Her designs, with a distinctly African attitude, quickly gained global recognition. In 2008, Tiffany Amber made history as the first African-based brand to showcase twice at NYFW, a testament to Coker's visionary approach to fashion. Over the years, Tiffany Amber has expanded with additional lines, including TAN by Tiffany Amber and Folake Folarin, each representing the designer's iconic style. Coker's commitment to empowering artisans across the continent and her dedication to a vision of sophisticated, indulgent, and modern style have solidified Tiffany Amber as a global luxury lifestyle brand. ### **Studio 189** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Studio-189-at-Nyfw-via-vogue.webp) Studio 189 NYFW 2023 Ready-to-wear via Vogue Studio 189, co-founded by Rosario Dawson and Abrima Erwiah, is a Ghanaian-based brand that seamlessly integrates fashion, sustainability, and social enterprise. The brand, which won the CFDA Lexus Fashion Initiative for Sustainability, debuted its ready-to-wear collection at NYFW in 2018, showcasing African and African-inspired content. Studio 189's focus on empowerment, job creation, and education aligns with its commitment to sustainable practices. Collaborations with organizations like the United Nations ITC Ethical Fashion Initiative and support for artisanal communities highlight the brand's dedication to making a positive impact. Through their unique approach, Studio 189 encourages a shift toward fashion with purpose on the global stage. # Conclusion As we celebrate African fashion showcased at NYFW, it's essential to recognise these pioneers who have paved the way for newer brands like Oshobor, Sukeina, Kilentar, Korlekie, Onalaja, Fumi the label, and Head of State to showcase at the NYFW. The journey continues, and with each showcase, African designers leave an indelible mark on the global fashion landscape, proving that style knows no boundaries. ### These Are The African Romance Movies You Should Watch URL: https://www.marmaladecollective.com/these-are-the-african-romance-movies-you-should-watch/ Last updated: 2024-02-26T21:25:37.000Z # **Introduction** Romance movies are everything, they pulsate with some of the strongest emotions known to man; love, laughter, jealousy and heartbreak. Within the African cinema lies a treasure trove of romantic gems. What’s also great is that the films in this list paint a vivid picture of romance against the backdrop of diverse landscapes and narratives. Get ready to be swept off your feet as we explore African love stories, each offering a unique and enchanting perspective on the universal language of the heart. ### **The Wedding Party (2016)** *Kemi Adetiba*'s *The Wedding Party* isn't just a film; it's a celebration of love served with a generous helping of laughter. This Nigerian romantic comedy drama became an instant sensation, breaking box office records within weeks of its release. The movie introduces us to an insecure virgin bride, Dunni, and a reformed playboy groom, Dozie, whose wedding turns into a hilarious escapade. With overbearing mothers, a philandering husband, and a best man with a flash drive full of secrets, chaos ensues. Amidst the pandemonium, true love prevails, making it a perfect blend of humour and romance. ### **Isoken (2017)** Directed by Jadesola Osiberu, *Isoken* dives deep into the intricacies of societal expectations and familial pressure. Set against the vibrant backdrop of Nigeria, the film unfolds the story of Isoken, a successful woman at the crossroads of love and cultural norms. Isoken, beautifully portrayed by Dakore Akande, navigates the orchestrated matchmaking set by her overbearing mother. As she falls in love with Kevin, an unexpected turn of events challenges racial stereotypes and familial bonds, turning the film into a captivating romantic dramedy. ### **Atlantics (2019)** *Mati Diop*'s *Atlantics* is a visual masterpiece that transcends the boundaries of romance. Set against the Atlantic coast, the film weaves a supernatural tale of love, migration, and societal change. Ada's love for Souleiman takes an unexpected turn when he leaves the country in search of a better future. As a mysterious fever spreads and a fire ruins Ada's planned wedding, the film reveals a love story that defies conventional boundaries and expectations. ### **Seriously Single (2020)** Directed by Katleho Ramaphakela and Rethabile Ramaphakela, *Seriously Single* is a South African film that invites us into the uproarious world of Dineo, a serial monogamist learning to navigate life post-breakup. Fulu Mugovhani's portrayal of Dineo adds a delightful charm to the film, turning it into a comedic rollercoaster of self-discovery, friendship, and the hilarious realities of being single in a world that often equates success with a ring on the finger. The plot takes an unexpected twist when Dineo discovers that her seemingly perfect relationship is not what it seems. ### **Aloe Vera (2020)** In the colourful landscape of Ghanaian cinema, *Aloe Vera*, directed by Peter Sedufia, stands out as a testament to the power of love in healing societal divides. With breathtaking visuals, the film tells the story of a couple from warring sides who defy the odds to become the catalysts for unity. The plot unfolds with stunning colors and lightheartedness, as the couple's love becomes the force that unites a divided community. ### **Single Not Searching (2022)** *Michael Akwesi Djaba*'s *Single Not Searching* takes us on a transcontinental romantic journey with four friends from Atlanta to Ghana. As the group explores the complexities of friendship and love, the film offers a fresh take on the dynamics of modern relationships. With a mix of laughter, tears, and drama, the movie delves into the characters' personal struggles and confrontations with deep-seated feelings, creating a compelling narrative of self-discovery and the power of love. ### **Catching Feelings (2017)** Kagiso Lediga's *Catching Feelings* blends romance with dark comedy, taking us into the lives of a sophisticated academic and his wife when a hedonistic older writer moves into their Johannesburg home with them. Set in the vibrant backdrop of Johannesburg, the film navigates the complexities of love, relationships, and unexpected twists that shake the foundations of their seemingly perfect lives. The plot unravels with unexpected turns as the characters confront their own insecurities and desires. ### **All the Colours of the World Are Between Black and White (2023)** *Babatunde Apalowo*'s film, showcased at the Berlin International Film Festival, introduces us to Bambino and Bawa, two souls navigating the delicate dance of forbidden love. As their relationship unfolds in the vibrant streets of Lagos, the film captures the beauty of human connection and the resilience of love in the face of societal norms. The plot follows Bambino, a delivery driver, who meets Bawa during a photo competition, sparking an intimate connection that challenges societal norms regarding same-sex relationships. ### **Married to Work (2023)** Philippe Bresson's *Married to Work* takes us on a delightful journey through three vibrant cities as an ambitious businesswoman and her entitled boss navigate the thin line between love and professional life. The film, with a stellar cast spanning Tanzania, Kenya, and Nigeria, promises romance and a humorous exploration of the complexities that arise when business and love collide. The plot unfolds with a hilarious and heartwarming series of events as the two protagonists pretend to be married to save their real estate agency, leading to unexpected consequences and a deeper understanding of their true feelings. # Conclusion These films promise not just entertainment but an exploration of love in its myriad forms. Each narrative, of African culture, invites viewers to laugh, cry, and reflect on the timeless nature of love in all its glory. So, buckle up for a cinematic ride that will leave you enchanted, inspired, and perhaps a little more in love with the magic of African romance. ### Michelin Star for Nigerian Chef, Nicki's Burna Remix, and Skepta's Tribal Mark URL: https://www.marmaladecollective.com/michelin-star-for-nigerian-chef-nickis-burna-remix-and-skeptas-tribal-mark/ Last updated: 2024-02-12T10:00:51.000Z **Welcome to Vol 79 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join *3,655* culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎲 With less than 2 weeks to go, we're buzzing about our upcoming [****JAM Games Night**](https://lu.ma/tmynhs2t?ref=marmaladecollective.com) house party on Saturday 24th Feb. If you've haven't, [****book your tickets**](https://lu.ma/tmynhs2t?ref=marmaladecollective.com)...and remember, it's Free for Paid Members. Now, on to the real peel... ## 🔥 Trending Stories ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/nicki-minaj-barbie-la-premiere-2023-billboard-1548.jpeg) **Image Credit: Christopher Polk* - [Nigerian chef makes history](https://edition.cnn.com/travel/chishuru-adejoke-bakare-nigerian-chef-michelin-star-london-spc-intl/index.html?ref=marmaladecollective.com) with Michelin star for her London restaurant *via CNN* - [Nicki Minaj Teases Remix to Burna Boy’s](https://www.billboard.com/music/rb-hip-hop/nicki-minaj-teases-burna-boy-tested-approved-trusted-remix-1235602907/?ref=marmaladecollective.com) ‘Tested, Approved & Trusted’: Listen *via Billboard* - Ibrahim Osman: [Brighton to sign £16m Ghanaian winger](https://www.bbc.co.uk/sport/football/68260729?ref=marmaladecollective.com) in summer *via BBC Sport* - [Skepta on Tribal Marks](https://www.vice.com/en/article/k7z5k9/nigerians-last-generation-tribal-marks-movie?ref=marmaladecollective.com) Dying Out in Nigeria *via VICE* - [Daily Paper collabs with Nigerian visual artist](https://hypebae.com/2024/2/daily-paper-our-rhythm-ss24-collection-campaign?ref=marmaladecollective.com) Alexis Tsegba *via Hypebae* - The Rise of Afrobeat: From [Fela Kuti to Burna Boy](https://bleumag.com/entertainment/afrobeats-global-influence-from-fela-kuti-to-modern-superstars/?ref=marmaladecollective.com) *via Bleu Mag* --- ## ⏳ Trivia Time Which **African artist is known for the hit song "Jerusalema"** that sparked a global dance challenge in 2020? A) Davido 🇳🇬 B) Master KG 🇿🇦 C) Diamond Platnumz 🇹🇿 *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![These Are The Popular Languages Spoken In Africa](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/size/w1600/2024/02/jackie-parker-GLMO8aPPH1o-unsplash-1.jpg) **Photo by Jackie Parker* ## Popular Languages Spoken In Africa Ever wondered how a simple 'hello' can open doors to an entire world of stories and cultural wonders? Step into a guide of the most popular African languages, where each syllable carries the weight of centuries, echoing the cultural richness of the continent. From the rhythmic beats of Swahili to the soulful tones of Yoruba, let's delve into the origins, history, and enchanting phrases of some of the most popular African languages. [Keep Reading 👉](https://www.marmaladecollective.com/these-are-the-popular-languages-spoken-in-africa/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Stork_ValentinesDay9837.jpg) #### Stork Restaurant, Mayfair - 4-Course Meal for £110pp (Valentines Special) Elevate your Valentine’s Day celebration with Mahaba, meaning love, through our exclusive four-course £110pp menu. Choose from an array of tantalising starters, mains to share or enjoy alone & sumptuous desserts! [Check it out](https://www.experiencesbymarmalade.com/stork-restaurant-mayfair-4-course-meal-for-110pp-valentines-special/?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/image2-768x1024-1.jpeg) **Image Courtesy of Caroline Chinakwe* ## What We're... 📰 **Reading:** [An opinion piece by NPR](https://www.npr.org/sections/goatsandsoda/2024/02/04/1228089744/new-grammy-category-for-african-music-ignores-almost-all-of-africa?ref=marmaladecollective.com) on how the new Grammy category for African music ignores almost all of Africa. [ ](https://industrieafrica.com/blogs/imprint/culture-conversation-luxury-why-we-need-an-african-fashion-renaissance-sustainability-renee-neblett?ref=marmaladecollective.com) 📺 **Watching:** Skepta’s directorial debut, [Tribal Mark at Everyman Cinema](https://www.everymancinema.com/film-listing/326224-skepta-presents-tribal-mark/?ref=marmaladecollective.com). It explores the poignant journey of young Mark, immigrating from Nigeria to London. 🎧 **Listening to:** A podcast episode by The KSS POD on [Tyla 'beating' Burna Boy and Davido](https://open.spotify.com/episode/3zTRTP1dlvVc40MijT6Fam?si=445be7d06a1d419b&nd=1&dlsi=a03705c8c1394a4e&ref=marmaladecollective.com) at the Grammy's. 🎟️ **Booking:** [A trip to Kew Gardens](https://www.kew.org/kew-gardens/whats-on/kew-orchid-festival?ref=marmaladecollective.com) to experience its annual orchid festival. This year celebrates the natural beauty of Madagascar's incredible biodiversity. 👀 **Eyeing:** [Beautiful art pieces](https://bettershared.co/collections/all?page=1&sort%5Fby=best-selling&ref=marmaladecollective.com) on BetterShared featuring amazing African artists such as Kristen Woollery, Lambi Chibambo and Caroline Chinakwe. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ Answer: B) Master KG 🇿🇦 ### African Carnivals You Need To Attend At Least Once In Your Lifetime URL: https://www.marmaladecollective.com/african-carnivals-you-need-to-attend-at-least-once-in-your-lifetime/ Last updated: 2024-02-26T21:26:39.000Z Embark on an exhilarating journey through Africa's vibrant carnivals, each a unique expression of culture and celebration. From the pulsating streets of Nigeria's Calabar Carnival to the unity-infused Seychelles International Carnival de Victoria – these events are not just celebrations; they are kaleidoscopic reflections of Africa's diversity. Join us as we traverse the continents within a continent, exploring what makes these African carnivals an absolute must on your bucket list. # **Introduction** Africa, a continent rich in diverse cultures, traditions, and vibrant celebrations, hosts some of the most captivating carnivals that leave a lasting impression on those lucky enough to attend. These events showcase the unique blend of colors, music, dance, and traditions that make Africa a cultural mosaic. In this article, we explore a few African carnivals that deserve a spot on your bucket list. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/ben-iwara-1h9Zq6SS4O0-unsplash.jpg) Photo by [Ben Iwara](https://unsplash.com/@1hundredimages?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) on [Unsplash](https://unsplash.com/photos/a-group-of-people-walking-down-a-street-1h9Zq6SS4O0?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) ### **Calabar Carnival - Nigeria** The Calabar Carnival, often referred to as "Africa's Biggest Street Party," originated in 2004\. The carnival takes place in Calabar, the capital city of Cross River State in Nigeria. Festivities kick off in early December and culminate on December 31st with a grand finale. It is a month-long extravaganza featuring parades, cultural displays, and musical performances. The highlight is the colourful street procession where thousands of costumed revellers showcase Nigeria's diverse cultures. The event also incorporates the international carnival, promoting unity and cultural exchange. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/Cape-Town-Carnival-Copyright-John-Edwin-Mason.jpg) Photo By John-Edwin-Mason ### **Cape Town Carnival - South Africa** Established in 2010, the Cape Town Carnival quickly gained popularity as a celebration of South Africa's rich heritage. The carnival unfolds in the streets of Cape Town, South Africa, typically in March. This carnival is renowned for its spectacular floats, vibrant costumes, and rhythmic music. Attendees witness a fusion of traditional and contemporary performances, emphasising themes like unity, diversity, and social awareness. The carnival's electrifying atmosphere makes it a must-attend event for anyone seeking an unforgettable experience. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/nichika-yoshida-e2ecxDTVRG8-unsplash.jpg) Photo by [Nichika Yoshida](https://unsplash.com/@nichiyoshi?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) on [Unsplash](https://unsplash.com/photos/a-group-of-people-standing-on-top-of-a-stage-e2ecxDTVRG8?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) ### **Sauti za Busara - Zanzibar** The Sauti za Busara, meaning "Sounds of Wisdom" in Swahili, started in 2004\. Held in Stone Town, Zanzibar, the festival typically takes place in February. More than just a carnival, Sauti za Busara is a music and cultural festival that attracts artists from across the African continent. Attendees enjoy a diverse range of live performances, including traditional music, modern African beats, and international acts. The festival aims to promote East African music while fostering cultural exchange and appreciation. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/12935060_1701781653414509_92936751_n.jpg) Photo via [elena\_usnich](https://www.instagram.com/elena%5Fusnich/?ref=marmaladecollective.com) on Instagram ### **Carnival International de Victoria - Seychelles** Launched in 2011, the Carnival International de Victoria in Seychelles is a relatively new addition to Africa's carnival scene. This carnival takes place in the capital city of Victoria on the Seychelles archipelago, typically in April. The Seychelles Carnival is a melting pot of cultures, featuring vibrant parades with participants from various countries. With a focus on promoting global unity and understanding, the carnival showcases traditional music, dance, and art from both Seychelles and participating nations. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/danny-howe-bn-D2bCvpik-unsplash.jpg) Photo by [Danny Howe](https://unsplash.com/@dannyhowe?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) on [Unsplash](https://unsplash.com/photos/people-gathering-on-concert-field-bn-D2bCvpik?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) ### **Festival Sur le Niger - Mali** The Festival Sur le Niger has been an integral part of Mali's cultural calendar since its inception in 2005\. Held in Ségou, a city on the banks of the Niger River, the festival typically takes place in February. This carnival goes beyond the typical revelry, incorporating art, music, and intellectual forums. Attendees enjoy traditional performances, exhibitions, and discussions on topics related to African culture, making it a unique and intellectually stimulating experience. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/421921931_18277736089162409_1719867877643818334_n--2-.jpg) Image via [mi\_marrakech](https://www.instagram.com/mi%5Fmarrakech/?ref=marmaladecollective.com) on Instagram ### **Marrakech Popular Arts Festival - Morocco** Dating back to 1960, the Marrakech Popular Arts Festival is one of the oldest and most revered celebrations in Morocco. The festival unfolds in the enchanting city of Marrakech, usually in July. This carnival is a celebration of Moroccan folklore, featuring street performances, processions, and traditional arts. From snake charmers and acrobats to musicians and dancers, the festival captures the essence of Morocco's cultural heritage. # Conclusion African carnivals offer an array of colours, sounds, and traditions, providing a unique and enriching experience for attendees. Whether you find yourself dancing through the streets of Calabar, marvelling at the floats in Cape Town, or immersing yourself in the art in Morocco, these carnivals are sure to leave an indelible mark on your heart and soul. Make it a point to attend at least one of these extraordinary celebrations and witness the beauty of Africa's diverse and dynamic cultures firsthand. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### These Are The Popular Languages Spoken In Africa URL: https://www.marmaladecollective.com/these-are-the-popular-languages-spoken-in-africa/ Last updated: 2024-02-07T23:15:10.000Z Ever wondered how a simple 'hello' can open doors to an entire world of stories and cultural wonders? Step into a guide of the most popular African languages, where each syllable carries the weight of centuries, echoing the cultural richness of the continent. From the rhythmic beats of Swahili to the soulful tones of Yoruba, let's delve into the origins, history, and enchanting phrases of some of the most popular African languages. # **Introduction** Languages are the heartbeat of human connection, pulsing with stories, histories, and diverse cultures. Beyond mere tools of communication, they embody the essence of our shared existence, each one a unique human expression. Languages allow us to express ourselves and foster connections. In this exploration, we turn our gaze to the large continent of Africa, a treasure trove of languages that mirror the resilience, identity, and rich heritage of its people. By celebrating African languages, we not only pay homage to linguistic diversity but also embark on a captivating journey through the vibrant narratives and unique expressions that define Africa's cultural and historical legacy. From the rhythmic beats of Swahili to the soulful tones of Yoruba, let's delve into the origins, history, and enchanting phrases of some of the most popular African languages. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/mohau-mannathoko-upvUrxqrmro-unsplash.jpg) Photo by [Mohau Mannathoko](https://unsplash.com/@mohaumannathoko?ref=marmaladecollective.com) on Unsplash ## Swahili Originating from the coastal regions of East Africa, Swahili has a history intertwined with trade, migration, and cultural exchange. A Bantu language enriched with influences from Arabic, Persian, and Portuguese, Swahili serves as a unifying force in countries such as Kenya, Tanzania, Uganda, Rwanda, Burundi, and the Democratic Republic of the Congo. The phrase "Habari gani?" is a common greeting, asking, "How are you?" While "Asante sana" expresses deep gratitude, and "Karibu" warmly welcomes others. ## Yoruba Rooted in Nigeria, Yoruba is not merely a language but a cultural emblem with a history dating back to the ancient Oyo Empire. Spoken by over 40 million people, Yoruba resonates in Nigeria, Benin, and Togo. Greetings like "Bawo ni?" inquire about well-being, "E se" conveys gratitude, and "Ẹ kú àárọ́" wishes a good morning. ## Zulu Zulu, a Bantu language, echoes through the hills and plains of Southern Africa. As one of South Africa's official languages, Zulu has become a linguistic beacon for millions. "Sawubona" is a warm greeting meaning "Hello," "Ngiyabonga" expresses gratitude, and "Hamba kahle" wishes a safe journey. ## Amharic The official language of Ethiopia, Amharic, boasts a script dating back to the ancient Ge'ez script. Acting as a unifying force, Amharic is spoken by diverse ethnicities in Ethiopia. "Salam" is a common greeting, "Ameseginalehu" expresses gratitude, and "Endemin hulachuh?" inquires about one's well-being. ## English Although not native to Africa, English has become a lingua franca across the continent. Introduced through historical connections, English is spoken in countries such as Nigeria, Ghana, Kenya, South Africa, and more. Basic greetings like "Hello," "Thank you," and "How are you?" seamlessly integrate into daily conversations. In Nigeria, Pidgin English, a dynamic and expressive blend of English, indigenous languages, and local dialects, has become a cultural phenomenon, bridging communication gaps and creating a unique identity. ## French French, a language with historical ties, is widely spoken in North and West Africa, influencing culture, education, and administration. In countries like Senegal, Ivory Coast, and Algeria, "Bonjour" is the familiar "Hello," "Merci" expresses gratitude, and "Comment ça va?" inquires about well-being. ## Portuguese A language with historical roots, Portuguese is spoken in Mozambique, Angola, Cape Verde, and Guinea-Bissau, reflecting historical trade routes and exploration. Greetings like "Olá," expressing "Hello," "Obrigado/a" conveying gratitude, and "Como está?" inquiring about well-being, enrich daily conversations. ## Spanish Spanish, a reflection of historical connections, is spoken in Equatorial Guinea alongside native languages. "Hola" is the friendly "Hello," "Gracias" expresses gratitude, and "¿Cómo estás?" inquires about well-being, embodying a connection to both the past and present. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/mauro-mora-31-pOduwZGE-unsplash.jpg) Photo by [mauro mora](https://unsplash.com/@mauromora?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) on [Unsplash](https://unsplash.com/photos/timelapse-photo-of-people-passing-the-street-31-pOduwZGE?utm%5Fcontent=creditCopyText&utm%5Fmedium=referral&utm%5Fsource=unsplash) # Conclusion Languages, whether indigenous or historically introduced, have woven themselves into the fabric of daily life. Pidgin English in Nigeria is a testament to the adaptive and inclusive nature of language, showcasing its ability to evolve and resonate within diverse communities. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Lupita's African Journey, Grammy's African Embrace, Nollywood's Story, Afrobeats Hit, Cape Town Fashion URL: https://www.marmaladecollective.com/lupitas-african-journey-grammys-african-embrace-nollywoods-story-afrobeats-hit-cape-town-fashion/ Last updated: 2024-02-05T10:00:40.000Z **Welcome to Vol 78 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join *3,655* culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🍿 Heads up, lovebirds and movie-buffs! We're teaming up with The Kickback to bring you a [****private screening of Bob Marley's 'One Love' movie**](https://bit.ly/3OtUepg?ref=marmaladecollective.com). Perfect for the month of love, wouldn't you say? [****Grab your tickets**](https://bit.ly/3OtUepg?ref=marmaladecollective.com) and let's get together and feel alright! Now, on to the real peel... ## 🔥 Trending Stories ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/asake-RS-MJ-4-Large.jpeg) **Image Source: RollingStone* - How the [Grammys Came to Celebrate African](https://www.rollingstone.com/music/music-features/grammys-afrobeats-best-african-performance-1234853693/?ref=marmaladecollective.com) Music *via RollingStone* - [Lupita mesmerised by African beauty](https://www.iol.co.za/sunday-tribune/travel/lupita-nyongo-mesmerised-by-african-beauty-as-she-explores-the-continent-4f6daf86-60b3-4248-9589-96b77df21b3b?ref=marmaladecollective.com) as she explores the continent *via IOL* - [Inside Nollywood](https://www.wallpaper.com/art/inside-nollywood-tracing-nigerias-film-history?ref=marmaladecollective.com): tracing Nigeria’s film history *via Wallpaper* - [5 Songs Nominated](https://www.okayafrica.com/grammys-best-african-music-nominees/?ref=marmaladecollective.com) For the First-Ever African Grammy Award *via OkayAfrica* - [Usher Taps Pheelz](https://www.okayafrica.com/usher-pheelz-ruins/?ref=marmaladecollective.com) for Emotional Afrobeats & Amapiano-Infused Earworm “Ruin” *via OkayAfrica* - Meet the [fashion designers showcasing at Cape Town](https://www.iol.co.za/sunday-tribune/lifestyle/meet-the-fashion-designers-showcasing-at-the-11th-investec-cape-town-art-fair-3c0564b2-393a-4724-b086-b42b2df41a09?ref=marmaladecollective.com) Art Fair *via IOL* --- ## ⏳ Trivia Time **Question:** What is the title of the **first Netflix original series from South Africa**? A) Queen Sono B) Blood & Water C) Shadow *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Sokari-Douglas-Camp---October-Gallery.jpg) **Sokari Douglas Camp art via October Gallery* ## A Fusion of Traditional African Storytelling and Contemporary Art We celebrated National Storytelling Week by turning our attention to the rich storytelling of African traditions that span centuries and serve as a vibrant source of cultural expression. In this guide, we delve into the fascinating intersection of traditional African storytelling and contemporary visual arts, exploring how artists are seamlessly blending heritage with modernity to create compelling narratives rooted in the continent's diverse cultures. [Keep Reading 👉](https://www.marmaladecollective.com/a-fusion-of-traditional-african-storytelling-and-contemporary-art/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/02/enish.jpeg) **Image Courtesy of Enish* ## 🎉 Exclusive Deals at the hottest African Restaurants With Experiences by Marmalade, you get access to the best Afrocentric experiences. Marmalade members can eat, drink and get at... - [**Enish, London:**](https://www.experiencesbymarmalade.com/enish-london-15-off-food/?ref=marmaladecollective.com) 15% Off Food from Mon-Thu - [**Stork, Mayfair:**](https://www.experiencesbymarmalade.com/stork-restaurant-mayfair-3-course-set-menu-for-35/?ref=marmaladecollective.com) 3 Course Set Menu for £35 (Thu-Sun) - [**Mercury Rooftop, Lagos:**](https://www.experiencesbymarmalade.com/mercury-rooftop-lagos-10-off-food-and-drinks/?ref=marmaladecollective.com) 10% Off Food and Drinks [Start 12 Months Free Trial](https://www.experiencesbymarmalade.com/friends-of-marmalade?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [Favorite African Folktales by Nelson Mandela](https://amzn.eu/d/esTBgwf?ref=marmaladecollective.com). Nelson Mandela was a fan of folktales, and this landmark work is a cause for celebration as it gathers together many of Africa's most cherished folktales.[ ](https://industrieafrica.com/blogs/imprint/culture-conversation-luxury-why-we-need-an-african-fashion-renaissance-sustainability-renee-neblett?ref=marmaladecollective.com) 📺 **Watching:** [NFL's Super Bowl ad teaser](https://www.youtube.com/watch?v=c7V17-JZam0&ab%5Fchannel=NFL&ref=marmaladecollective.com), set in Ghana's capital. 🎧 **Listening to:** [YKB on Spotify](https://open.spotify.com/artist/2f8rjDwhSy9IDL6sB6BEEE?si=P9reTPKDSN2TfXQLjwbUuQ&ref=marmaladecollective.com). If you’re a fan of music discovery, the chances are likely that you’ve probably come across YKB’s music on the Internet. 🎟️ **Booking:** [JAM Games Night](https://bit.ly/3OtUepg?ref=marmaladecollective.com) event. A members-only socials designed to bring people together in fun and curated spaces with games, music, food, drinks and more. 👀 **Eyeing:** [UWA by Patricia Bright](https://www.instagram.com/uwaworld/?ref=marmaladecollective.com). For all self-care lovers, not afraid to be bold and tired of beige. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ A) Queen Sono ### A Fusion of Traditional African Storytelling and Contemporary Art URL: https://www.marmaladecollective.com/a-fusion-of-traditional-african-storytelling-and-contemporary-art/ Last updated: 2024-01-31T05:45:27.000Z As we celebrate National Storytelling Week, we recognise that artists serve as eloquent storytellers, seamlessly blending tradition and modernity to create narratives that transcend time and resonate globally. So we’re celebrating the fusion of traditional African storytelling and contemporary art. # **Introduction** As National Storytelling Week unfolds, we turn our attention to the rich storytelling of African traditions that span centuries and serve as a vibrant source of cultural expression. In this celebration, we delve into the fascinating intersection of traditional African storytelling and contemporary visual arts, exploring how artists are seamlessly blending heritage with modernity to create compelling narratives rooted in the continent's diverse cultures. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Sokari-Douglas-Camp---October-Gallery.jpg) Sokari Douglas Camp art via October Gallery ### The Timeless Art of African Storytelling African storytelling has always been a dynamic and integral part of the continent's heritage. Passed down through generations, these narratives serve as conduits for preserving cultural identity, history, and moral lessons. Whether conveyed through oral traditions, proverbs, or folklore, the stories of Africa have woven an intricate fabric that connects communities and transcends time. In the realm of contemporary art, African artists are breathing new life into traditional storytelling by infusing it with modern visual language. This intersection allows for a powerful synthesis of the old and the new, where the timeless tales of Africa find expression on canvas, in sculptures, and through various multimedia formats. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Romuald-Hazoum--via-whitewall-magazine.jpg) Romuald Hazoumè art via Whitewall Magazine ### Notable Artists and Their Stories 1. **El Anatsui:** Renowned for his large-scale metal sculptures, El Anatsui draws inspiration from the rich storytelling traditions of his native Ghana. His works, often made from recycled materials, reflect the interconnectedness of people, nature, and history, telling stories of resilience and transformation. Notably, El Anatsui was recognised on the 2023 TIME 100 List, solidifying his impact on the global art scene. Most of his active career has been centred in Nigeria, where he has played a pivotal role in shaping the contemporary African art landscape. 2. **Wangechi Mutu:** Wangechi Mutu, a Kenyan-born artist, explores themes of identity and womanhood in her intricate collage and multimedia installations. Her works often draw from African mythology and folklore, providing a contemporary lens through which to view age-old narratives. 3. **Romuald Hazoumè:** Benin-born artist Romuald Hazoumè is a master of transforming discarded plastic containers, particularly gasoline canisters, into thought-provoking African masks. His work tells stories of cultural identity, migration, and the impact of globalisation on African societies. Hazoumè's unique choice of materials not only adds a layer of environmental consciousness to his art but also serves as a commentary on the modern challenges faced by African communities. 4. **Sokari Douglas Camp:** Known for her dynamic and expressive sculptures, Nigerian-born Sokari Douglas Camp often draws inspiration from traditional African rituals and ceremonies. Her work tells stories of resilience, strength, and the enduring spirit of the African people. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/EL-ANATSUI---New-York-Times.jpg) El Anatsui art via The New York Times # Conclusion The contemporary African art scene is a vibrant playground where tradition and modernity dance harmoniously. Artists are not merely preserving ancient stories but engaging in a dynamic dialogue with them, using their work as a means of bridging the gap between the past and the present. This intersection of tradition and modernity not only honours the rich cultural heritage of Africa but also invites a global audience to partake in the universal language of visual storytelling. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### From Makeba to Burna: A Decades-Long Odyssey of African Excellence at the GRAMMYs URL: https://www.marmaladecollective.com/from-makeba-to-burna-a-decades-long-odyssey-of-african-excellence-at-the-grammys/ Last updated: 2024-01-31T05:41:42.000Z From Miriam Makeba's revolutionary win in 1966 to Burna Boy's historic victory in 2021, African artists have etched their rhythmic narratives into the GRAMMY Awards. This article unravels the journey of resilience, activism, and musical passion that defines the legacy of African musicians on the global stage. As we anticipate the 66th GRAMMY Awards and the introduction of the Best African Music Performance category, join us in celebrating the enduring impact of African artists who have not only claimed golden gramophones but have also enriched the world with their unique musical expressions. # **Introduction** As the 66th GRAMMY Awards approach on February 5, 2024, a groundbreaking moment is set to unfold on Music's Biggest Night. For the first time in GRAMMY history, African musicians will compete in a category exclusively dedicated to their craft—the inaugural Best African Music Performance. This historic category marks the latest chapter in a rich narrative that began decades ago, as African artists have continuously made waves and left an indelible mark on the prestigious awards ceremony. ### **Miriam Makeba (South Africa) - Best Folk Recording (with Harry Belafonte) - 1966** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Miriam-Makeba---Last-Fm.webp) via Last fm Miriam Makeba stands as the trailblazer, the first African artist to secure a GRAMMY win. Born in apartheid-era South Africa, Makeba's victory in 1966 for the album "An Evening with Belafonte/Makeba" marked a revolutionary moment. Her music not only resonated globally but also served as a powerful tool against the oppressive apartheid regime. Makeba's fearless commitment to activism and her extraordinary vocal talent laid the foundation for future generations of African artists. ### **Babatunde Olatunji (Nigeria) - Best World Music Album - 1991** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Babatunde-Olatunji-Pan-African-Music.webp) via Pan African Music A pioneer in the world of traditional African music, Babatunde Olatunji claimed a Grammy in 1991 for his contribution to Mickey Hart’s "Planet Drum." Olatunji, hailing from Nigeria, journeyed to the United States, leaving an indelible mark on the global music scene with his rhythmic prowess. His recognition in the Best World Music Album category showcased the diverse tapestry of African musical traditions on the international stage. ### **Ali Farka Touré (Mali) - Best World Music Album - 1994, 2005; Best Traditional World Music Album - 2010** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/ali_farka_toure-Afrisson.jpg) via Afrisson Hailing from Mali, Ali Farka Touré, often dubbed the godfather of desert blues, crafted a musical legacy that transcended borders. Touré's ability to fuse African influences with the blues earned him multiple GRAMMYs, notably for the collaborative album "Talking Timbuktu" with Ry Cooder. His impact extended beyond music as he later served as the mayor of Niafunké, contributing to the development of his hometown. ### **Cesária Évora (Cape Verde) - Best Contemporary World Music Album - 2004** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Cesaria-Evora--The-santa-barbara-independent.webp) via the Santa Barbara Independent Known as the "Barefoot Diva," Cesária Évora from Cape Verde left an indelible mark with her melancholic, fado and blues-derived music. Her triumph at the 2004 GRAMMYs for "Voz d’Amor" underscored the ability of artists from smaller nations to captivate global audiences, showcasing the richness of Cape Verdean culture. ### **Youssou N’Dour (Senegal) - Best Contemporary World Music Album - 2005** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Youssou-N-Dour---Genius.jpg) via Genius Senegal's legendary vocalist, Youssou N’Dour, etched his name in GRAMMY history in 2005 as the first Senegalese artist to win the award. A griot by birth, N’Dour's contribution to the global music scene, including collaborations with international icons, showcased the diversity and depth of African musical traditions. ### **Soweto Gospel Choir (South Africa) - Best Traditional World Music Album (x3) - 2007** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/soweto-gospel-choir--strathmore.jpg) via Strathmore The Soweto Gospel Choir, formed in 2002, represents the vibrancy and soul of South African music. Their recognition at the 49th GRAMMY Awards for "Blessed" in the Best Traditional World Music Album category solidified their status as cultural ambassadors, blending gospel, Negro spirituals, and reggae with African rhythms. ### **Sikiru Adepoju (Nigeria) - Best Contemporary World Music Album - 2008** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Sikiru-Adepoju-playing-for-change.png) via Playing for Change Sikiru Adepoju, another Nigerian percussionist and recording artist, made history at the 53rd GRAMMY Awards by winning the Best Contemporary World Music Album for his role in the 'Global Drum Project.' His achievement reinforced the influence of African rhythms in contemporary global music, solidifying Nigeria's presence on the GRAMMY stage. ### **Angélique Kidjo (Benin/France) - Best Contemporary World Music Album - 2008; Best World Music Album (x3)** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Angelique-Kidjo--Dailypost.jpg) via Dailypost Originating from Benin and residing in France, Angélique Kidjo stands as the most decorated African artist in GRAMMY history. With five trophies, including wins for "Djin Djin" and "Mother Nature," Kidjo's influence extends beyond her musical prowess. She is a cultural icon, bridging gaps between continents and generations. ### **Burna Boy (Nigeria) - Best Global Music Album - 2021** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Burna-boy---punch-newspapers.jpg) via Punch newspapers Burna Boy, the "African Giant," achieved a historic feat in 2021 by becoming the first Nigerian male artist to win a GRAMMY for an original work. His album "Twice as Tall" earned him the Best Global Music Album award, reflecting the global impact of Afrobeats and the growing influence of African artists on the world stage. ### **Black Coffee (South Africa) - Best Dance/Electronic Album - 2022** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Black-Coffee---Spotify.jpeg) via Spotify Black Coffee's triumph in 2022 for "Subconsciously" marked a paradigm shift, showcasing that African musicians can excel in diverse genres, including electronic dance music. Despite facing challenges, Black Coffee's success demonstrated the evolving landscape of African contributions to the global music scene. # Conclusion As the 2024 GRAMMY Awards approach, the nominations of artists like Davido, Burna Boy, Asake, Olamide, Ayra Starr signal a new era for African representation. The Best African Music Performance category promises to be a celebration of the continent's musical diversity, cementing the legacy of African artists at the forefront of global music. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Burna Boy at Grammys, African Art and Fashion, Top Solo Travel Destinations for Women URL: https://www.marmaladecollective.com/burna-boy-at-grammys-african-art-and-fashion-top-solo-travel-destinations-for-women/ Last updated: 2024-01-29T10:00:39.000Z **Welcome to Vol 77 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join *3,563* culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎲 What African board or card games can you suggest we play at the [****JAM Games Night**](https://lu.ma/tmynhs2t?ref=marmaladecollective.com) event? ***Reply to this email** Now, on to the real peel... ## 🔥 Trending Stories ![T.U.E on X: "This Wednesday, Apple Music users can relive Burna Boy attaining greatness at his sold-out London staduim show on #AppleMusicLive. https://t.co/R1gJkooe65" / X](https://pbs.twimg.com/media/F1QQTfkXgAIkyzc.jpg:large) **Source:* [**Twitter*](https://twitter.com/TheUpperEnt/status/1680986498940772355?ref=marmaladecollective.com) - Burna Boy to perform at [2024 Grammys](https://www.africanews.com/2024/01/23/burna-boy-to-perform-at-2024-grammys/?ref=marmaladecollective.com) *via Africanews* - These [three African photographers](https://edition.cnn.com/style/african-photographers-celebrate-the-birthplace-of-coffee-spc-intl/?ref=marmaladecollective.com) are celebrating the birthplace of coffee *via CNN* - [9 African Streetwear Brands](https://hypebeast.com/2024/1/african-streetwear-brands-diaspora?ref=marmaladecollective.com) Redefining Global Culture Across the Diaspora *via Hypebeast* - [Nigerian Visual Artists](https://www.essence.com/fashion/nigerian-visual-artists-renike-olusanya-chigozie-obi/?ref=marmaladecollective.com) Renike Olusanya and Chigozie Obi's Fashion Is An Extension Of Their Inner Selves *via Essence* - Lagos's [Rele Gallery to expand into Europe](https://www.theartnewspaper.com/2024/01/25/lagoss-rele-gallery-to-expand-into-europe-with-new-london-space?ref=marmaladecollective.com) with new London space *via World Architecture* - Top [16 Best Destinations for Women](https://overthoughtthis.com/best-destinations-for-women-traveling-solo/?ref=marmaladecollective.com) Who Are Traveling Solo *via Overthought This* --- ## ⏳ Trivia Time Which African artist won the **Best International Act award at the 2019 BET Awards**? A) Wizkid 🇳🇬 B) Burna Boy 🇳🇬 C) Diamond Platnumz 🇹🇿 *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Snapinsta.app_365834645_679015383615810_6695679458451692058_n_1080-1.jpg) **Image courtesy of Jodie Alicia Williams* ## 10 African Coffee Brands You Should Know and Try! Recommended by Jodie Alicia Williams This guide offers a unique exploration of African coffee, featuring ten exceptional brands approved by Olympian, British Sprinter 🇬🇧 and seasoned coffee connoisseur [Jodie Alicia Williams](https://www.instagram.com/jodiealicia/?ref=marmaladecollective.com). Coffee is a beverage that is enjoyed by many people all over the world. It has a long history which originates from Ethiopia where to date traditional coffee ceremonies are still a big part of the culture with women being a key part of the roasting and serving process. Coffee is seen as a community activity in East Africa too, with a wide variety of flavours that are influenced or come to be by the places in which it is grown. While you may be familiar with coffee from Southeast Asia or Latin America, African coffee frequently remains an undiscovered treasure. This guide explores the diverse and exquisite coffee offerings from the African continent, a region that has played a significant role in the global coffee industry for centuries. [Keep Reading 👉](https://www.marmaladecollective.com/10-african-coffee-brands-you-should-know-and-try-recommended-by-jodie-alicia-williams/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/mercury-lagos.gif)](https://www.experiencesbymarmalade.com/tag/lagos/?ref=marmaladecollective.com) ## Are you in or travelling to Lagos 🇳🇬? With Experiences by Marmalade, you get access to the best Afrocentric experiences from London to Lagos, and beyond! Marmalade members can eat, drink and get 10% off at the hottest restaurants and bars. [Show me the deals](https://www.experiencesbymarmalade.com/tag/lagos/?ref=marmaladecollective.com) --- ## What We're... 📰 **Reading:** [Op-ed: Why we need an African fashion renaissance ](https://industrieafrica.com/blogs/imprint/culture-conversation-luxury-why-we-need-an-african-fashion-renaissance-sustainability-renee-neblett?ref=marmaladecollective.com) 📺 **Watching:** [Ugo: A Homecoming Story](https://www.amazon.com/Ugo-Homecoming-Story-Giannis-Antetokounmpo/dp/B0CMLGXJVB?ref=marmaladecollective.com). Global basketball star Giannis Antetokounmpo returns to his roots in Nigeria. 🎧 **Listening to:** [Homemade 'Afro Jazz'](https://open.spotify.com/playlist/5YdGEYJPECHIgPbKeisbDz?si=5d4e7df7d59a4ed9&nd=1&dlsi=8955e9158d5b4c82&ref=marmaladecollective.com). Dive into the heart of Afro Jazz with this playlist, featuring soul-stirring saxophone melodies blending African rhythms and jazz harmonies. 🎟️ **Booking:** [JAM On The Boat: All White Party](https://lu.ma/qx1pxsjs?ref=marmaladecollective.com). Imagine yourself decked out in your finest all-white attire, cruising along the iconic River Thames. 👀 **Eyeing:** [Kilentar on Jendaya](https://www.shopjendaya.com/collections/kilentar?ref=marmaladecollective.com). Explore and discover timeless pieces made for the modern woman. Unique and sustainable, undeniably inspired by Nigerian heritage and culture. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ The answer is ****B) Burna Boy** 🇳🇬 Nigerian afro-fusion artiste, Damini Ogulu, popularly known as Burna Boy, has won the 2019 BET best international act award. Burna’s Boy’s mother delivered a special message while accepting the honour for “Best International Act” at the BET Awards. ### From Tems' Sound to FESTAC '77's Historic Pan-African Festival URL: https://www.marmaladecollective.com/from-tems-sound-to-festac-77s-historic-pan-african-festival/ Last updated: 2024-01-22T10:00:23.000Z **Welcome to Vol 76 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join *3,546* culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🗓️ Get ready to JAM with us at the **Ultimate House Party Experience*! This isn't just any party – it's a games night special where you can hang out with other members and meet new people. [****Limited Spots Remaining**](https://lu.ma/tmynhs2t?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories [![Image](https://pbs.twimg.com/media/GD5SySsWgAA9oyn?format=jpg&name=large)](https://www.thecut.com/article/who-is-tems-cut-cover-interview-music.html?ref=marmaladecollective.com) **Photo: Andrew Vowles* - No One [Sounds Like Tems](https://www.thecut.com/article/who-is-tems-cut-cover-interview-music.html?ref=marmaladecollective.com) *via The Cut* - Nigerian artist Ken Nwadiogbu on migration, [African art and working with Burna Boy](https://www.euronews.com/culture/2024/01/12/nigerian-artist-ken-nwadiogbu-on-migration-african-art-and-working-with-burna-boy?ref=marmaladecollective.com) *via Euronews* - [This Book](https://www.anothermag.com/art-photography/15350/afrosport-book-peet-pienaar-interview?ref=marmaladecollective.com) Is an Ambitious Survey of Sport on the African Continent *via AnOther Magazine* - [Unseen images](https://www.wallpaper.com/art/jk-bruce-vanderpuije-photography-efie-gallery-ghana?ref=marmaladecollective.com) by JK Bruce-Vanderpuije are a glimpse of life in 20th-century Ghana *via Wallpaper* - V&A Exhibition To Explore Architectural Style Of [Tropical Modernism In West Africa](https://worldarchitecture.org/architecture-news/fzvph/v-a-exhibition-to-explore-architectural-style-of-tropical-modernism-in-west-africa-and-india.html?utm%5Fsource=flipboard&utm%5Fcontent=jemnat%2Fmagazine%2FArchitexture) And India *via World Architecture* - Executives From LVRN, YouTube, Beats by Dre & More Discuss [the Future of African Music](https://www.billboard.com/music/music-news/future-of-african-music-culture-road-to-africon-executive-roundtable-takeaways-1235582089/?ref=marmaladecollective.com) & Culture *via Billboard* - Revisiting FESTAC '77, [The Largest Pan-African Festival](https://www.huckmag.com/article/revisiting-festac-77-the-largest-pan-african-festival-in-world-history?ref=marmaladecollective.com) in World History *via Huck* --- ## ⏳ Trivia Time Which African country is **hosting the 2024 AFCON**? A) Egypt B) Morocco C) Ivory Coast *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/mauritius-travel-counsellors.png) **Image Courtesy of Travel Counsellors* ## Where to go in 2024: The Best Places to Visit in Africa From the historical wonders of Egypt to the untamed wilderness of Tanzania, this year promises an unparalleled African adventure. Get ready to make memories that will last a lifetime! Travel trends keep evolving, and Africa is a continent with diverse landscapes, cultures, and experiences. In 2024, adventure-seekers and culture enthusiasts are turning their gaze towards captivating destinations in Africa. From the vibrant markets of Egypt to the pristine beaches of Seychelles, here's a guide to the best places to visit in Africa. [Keep Reading 👉](https://www.marmaladecollective.com/where-to-go-in-2024-the-best-places-to-visit-in-africa/) --- ###### AD ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-x-Enish.gif) ## Marmalade members can now get 15% off at Enish To celebrate our partnership with [**Enish Restaurants**](https://www.experiencesbymarmalade.com/enish-london-15-off-food/?ref=marmaladecollective.com), we’re giving you 50% off Premium membership if you sign up this week! Join today to enjoy all these great perks: - Free tickets for you to all JAM events including Games Night on 25th Feb 🎟️ - Complimentary VIP Club subscription on Experiences by Marmalade (worth £48/yr) 🍽️ - Digital Marmalade membership card (iOS and Android wallet) 📲 - Priority access to limited edition merch 👕 [Become a Premium Member today](https://www.marmaladecollective.com/enish-announcement-special) *PS - 50% offer ends at midnight on Sunday 28th January, don't miss out!* --- ## What We're... 📰 **Reading:** [Lerato's Africana Cookbook](https://amzn.eu/d/7DWFvzR?ref=marmaladecollective.com). Discover iconic dishes from Nigeria to Madagascar, Morocco to South Africa. Including 40+ recipes for African vegan meals #Veganuary 📺 **Watching:** [AFCON Highlights on YouTube](https://www.youtube.com/playlist?list=PL79m9Jm7%5FjmC6GmQl3tJK7iwFq9n37VkJ&ref=marmaladecollective.com). Packed with exclusive content, highlights, and behind-the-scenes access to Africa's premier football events. 🎧 **Listening to:** [AFCON Mix on BBC Radio 1Xtra](https://www.bbc.co.uk/programmes/m001vmvx?ref=marmaladecollective.com). Larizzle goes in with a special mix representing all 24 countries competing at the Africa Cup of Nations. 🎟️ **Booking:** [Spring Walk hosted by Bestday](https://lu.ma/qxtdnov3?ref=marmaladecollective.com). Join our Free Spring Walk! Hosted in partnership with Bestday. Embrace community spirit as we stroll through Richmond Park's blossoming beauty in April. 👀 **Eyeing:** [Patrick Mavros' Pieces for Valentine's Day](https://industrieafrica.com/collections/patrick-mavros?ref=marmaladecollective.com). The luxury jewelry label's Zimbabwean-based headquarters embodies a commitment to nature and family, with artisans expertly marrying traditional craftsmanship and contemporary elegance. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this email to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ The answer is ****C) Ivory Coast.** [Learn more](https://edition.cnn.com/sport/africa-cup-of-nations-ivory-coast-spc-intl/index.html?ref=marmaladecollective.com) ### Where to go in 2024: The best places to visit in Africa URL: https://www.marmaladecollective.com/where-to-go-in-2024-the-best-places-to-visit-in-africa/ Last updated: 2024-01-15T13:15:54.000Z From the historical wonders of Egypt to the untamed wilderness of Tanzania, this year promises an unparalleled African adventure. Get ready to make memories that will last a lifetime! # **Introduction** Travel trends keep evolving, and Africa is a continent with diverse landscapes, cultures, and experiences. In 2024, adventure-seekers and culture enthusiasts are turning their gaze towards captivating destinations in Africa. From the vibrant markets of Egypt to the pristine beaches of Seychelles, here's a guide to the best places to visit in Africa. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Angola---Britannica.webp) Image via Britannica ## Angola Nestled on the southwestern coast of Africa, Angola is a hidden gem you want to explore. In its capital, Luanda, the convergence of Portuguese colonial architecture and modern flair creates a unique atmosphere. As you wander through vibrant markets, savouring local delicacies, the city pulsates with life and energy. For those with an adventurous spirit, venture south to Lubango, where the breathtaking Tundavala cliffs promise to leave you awestruck. To immerse yourself in the untouched beauty of raw nature, make your way to Quiçama National Park. Here, an ultimate safari experience awaits, offering glimpses of elephants, giraffes, and zebras in their natural habitat. Angola is emerging from the shadows, making this the opportune time to witness its unparalleled beauty and immerse yourself in its rich cultural tapestry. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Egypt---lonely-planet.jpeg) Image via Lonely Planet ## Egypt In 2024, you have the chance to explore the ancient marvels of Giza and Cairo. But here's the exciting twist – why not trade the scorching desert heat for the refreshing cool breeze of the Red Sea resorts? Whether you're into snorkelling, diving, or just unwinding on pristine beaches, Egypt's Red Sea coastline has it all. And for an extra dose of history, don't miss a cruise along the Nile River, providing a unique perspective on Egypt's fascinating past. Why now, you ask? Well, Egypt is in the midst of a captivating transformation, moving beyond its historical charm to offer a delightful blend of ancient wonders and modern seaside bliss. It's the perfect time to experience the evolving magic of this incredible destination. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Tanzania---Kilipeak-Adventure.jpg) Image via Kilipeak Adventure ## Tanzania Tanzania, East Africa's gem, is stealing the spotlight. The Serengeti National Park is not just a safari; it's a front-row seat to the Great Migration, where wildebeests and zebras steal the show. After immersing yourself in this awe-inspiring safari adventure, seamlessly hop over to Zanzibar. This enchanting island offers dreamy beaches and Stone Town's narrow alleys, steeped in centuries of history. This is your chance to witness the Great Migration firsthand and experience the untouched beauty of Zanzibar before the rest of the world catches on. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/mauritius-travel-counsellors.png) Image via Travel counsellors ## Mauritius Mauritius, an island paradise in the Indian Ocean, is calling your name, offering an exquisite blend of natural wonders and cultural delights. Black River Gorges National Park beckons with enticing hiking trails through lush greenery, treating you to panoramic views that are a feast for the eyes and the soul. While Port Louis markets captivate your senses with local spices and handmade crafts, the true enchantment awaits on the beaches. Anse Lazio and Anse Source d'Argent, with their surreal beauty, are nothing short of Instagram-worthy. Why now in 2024? Mauritius is transcending its reputation as solely a honeymoon destination to a place where anyone can enjoy. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/South-Africa---Ajo-wellness-retreats.jpg) Image via Ajo Wellness retreat ## South Africa South Africa, known as the rainbow nation, truly has it all. From the iconic Table Mountain in Cape Town and the historical resonance of Robben Island to the dramatic landscapes of the Cape of Good Hope, the country captivates at every turn. Venture into the heart of Kruger National Park, a safari paradise where spotting the Big Five becomes a thrilling reality. And have you heard about the Garden Route? It's not just a road trip; it's a scenic journey like no other. South Africa is buzzing with energy, offering the perfect moment to explore. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Kenya---Natucate.webp) Image via Natucate ## Kenya Karibu Kenya! As you step into this vibrant nation, you'll find an invitation to witness the awe-inspiring annual wildebeest migration. But the adventure doesn't stop there. Dive into the heart of the Maasai culture, where traditions come to life against the backdrop of the African wilderness. Engage with the local communities, learn about their rich heritage, and, if you're feeling the rhythm, join in the dance that echoes the pulse of Kenya's beating heart. And why should 2024 be your year to experience Kenya's magic? Because, my fellow explorer, Kenya's cultural tapestry is more vibrant than ever, and its wildlife wonders are reaching their peak. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Seychelles---mansion-global.jpg) Image via Mansion Global ## Seychelles Finally, Seychelles – the epitome of island bliss. Praslin and La Digue islands, with their stunning beaches set the stage for your tropical paradise. As you explore the Vallée de Mai Nature Reserve, a UNESCO World Heritage site, you'll be enchanted by the lush beauty that surrounds you. So, why choose 2024 for your Seychelles escape? Picture this – a serene haven, perfect for those seeking a tranquil getaway. # Conclusion So, there you have it – the ultimate guide to Africa's hottest destinations in 2024\. From ancient wonders to pristine beaches, wildlife spectacles to cultural immersion, this continent has it all. Pack your bags, charge your camera, and get ready for the adventure of a lifetime. Africa is calling, and the time to answer is now! ### Your Guide To The Yearly AFCON Games URL: https://www.marmaladecollective.com/your-guide-to-the-yearly-afcon-games/ Last updated: 2024-01-15T15:58:24.000Z From its historic beginnings in Sudan to the upcoming 2023 edition in Ivory Coast, join us in celebrating the triumphs, iconic moments, and cultural significance that define the Africa Cup of Nations. ## **Introduction** The Africa Cup of Nations (AFCON), the oldest continental football competition in Africa, stands as a testament to the rich history and cultural significance of the beautiful game on the continent. As we anticipate the kickoff of the 2023 TotalEnergies CAF Africa Cup of Nations in Ivory Coast on January 13, 2024, let's delve into the tournament's evolution, its history, and the profound impact it has on African unity. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/419352838_384573077456904_4050888496146284950_n.webp) via [afcon.2024](https://www.instagram.com/afcon.2024/?ref=marmaladecollective.com) ## **History and Evolution** AFCON was inaugurated in 1957 in Sudan, marking the commencement of a footballing legacy that has spanned decades. Since its inception, the tournament has undergone various changes, including format adjustments, team expansions, and a growing stature in the global football community. Over the years, AFCON has witnessed remarkable moments and the rise of footballing powerhouses. From the inaugural tournament in Sudan to the upcoming 2023 edition in Ivory Coast, the competition has become a symbol of sporting excellence and a showcase of the continent's footballing prowess. AFCON has been hosted by various African nations, each contributing to the tournament's unique flavor. Notable host countries include Egypt, Nigeria, South Africa, and Angola. The tournament has not only showcased the footballing prowess of these nations but has also served as a platform for cultural exchange and celebration. ## **Anticipation for 2023 TotalEnergies CAF Africa Cup of Nations** As the footballing world eagerly awaits the kick-off on January 13, 2024, in Ivory Coast, fans are gearing up for a tournament that promises to be bigger and more competitive than ever. With six state-of-the-art stadiums including the Alassane Ouattara Stadium and Felix Houphouet Boigny Stadium and 24 teams vying for glory, the 2023 edition is set to deliver a spectacle that fans won't forget. Football enthusiasts can catch all the action on popular sports networks like BeIN Sports and Sky Sports, ensuring a global audience witnesses the drama unfold on the African football stage. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Snapinsta.app_418074855_699292878973915_7343377045121902022_n_1080.jpg) via [ghkwaku](https://www.instagram.com/ghkwaku/?ref=marmaladecollective.com) ## **Fun Facts about AFCON** 1. **AFCON Inception in Sudan:** The Africa Cup of Nations (AFCON) kicked off its illustrious journey in 1957 in Sudan, making it the oldest continental football competition on the African continent. The inaugural tournament saw three nations—Egypt, Sudan, and Ethiopia—competing for the title, marking the birth of a footballing legacy that continues to capture the imagination of fans today. 2. **Cameroon's Five-Time Triumph:** Cameroon stands tall as one of the most successful nations in AFCON history, clinching the title five times (1984, 1988, 2000, 2002, 2017). The Indomitable Lions' consistent excellence and their ability to conquer the tournament across different decades showcase the nation's enduring footballing prowess. 3. **Morocco's Historic 1976 Victory:** In 1976, Morocco etched its name in AFCON history by claiming the title on home soil. The tournament marked the first time Morocco hosted AFCON, and the national team rose to the occasion, securing their first and only championship to date. The victory remains a source of pride for Moroccan football enthusiasts. 4. **Expansion to 24 Teams:** The 2023 TotalEnergies CAF Africa Cup of Nations marks the third edition featuring 24 participating teams. The expansion from the traditional 16-team format underscores the tournament's commitment to inclusivity, providing more nations with the opportunity to compete on the grand stage of African football. 5. **Zambia's Emotional Victory in 2012:** In 2012, Zambia delivered a fairytale ending to the tournament in Gabon and Equatorial Guinea. The Chipolopolo overcame the odds to secure their first AFCON title, defeating the Ivory Coast in a dramatic penalty shootout. The emotional victory was dedicated to the memory of the Zambian national team players who tragically lost their lives in a plane crash in 1993. 6. **Ghana's 1963 Triumph:** Ghana holds the distinction of being the first nation to clinch the AFCON title as hosts of the tournament, triumphing in the 1963 edition. The Black Stars, under the guidance of coach Charles Gyamfi, set the stage for future successes, laying the foundation for Ghana's footballing legacy on the continental stage. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/418639491_1465899780677148_455956462305933935_n.jpg) via [right2dream](https://www.instagram.com/right2dream/?ref=marmaladecollective.com) As AFCON continues to evolve and capture the hearts of football enthusiasts worldwide, these fun facts highlight the tournament's rich history, unforgettable moments, and the diverse stories that make it a cherished part of the global football calendar. # Conclusion AFCON continues to be a cornerstone in the world of football, captivating audiences with its history, diversity, and intense competition. The 2023 TotalEnergies CAF Africa Cup of Nations promises to add another chapter to this storied legacy, and football fans around the globe are eagerly anticipating the kickoff in Ivory Coast. So, which country will you be cheering for? ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### World Chef's Ethiopian Return, Nigerian Cinema Triumph, Artful Insights in African Culture URL: https://www.marmaladecollective.com/world-chefs-ethiopian-return-nigerian-cinema-triumph-artful-insights-in-african-culture/ Last updated: 2024-01-14T10:00:38.000Z **Welcome to Vol 75 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join *3,546* culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🗓️ You can't afford to miss these upcoming members-only events. You can expect Games Night, Supper Club, Boat Party and more!!! Check out our [2024 Event Calendar](https://lu.ma/marmalade-events-2024?ref=marmaladecollective.com) Now, on to the real peel... ## 🔥 Trending Stories ![A Tribe Called Judah (2023) - IMDb](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/MV5BOTk2YjViOTgtZTQ5ZC00ZDhiLThlMjMtOTNhYzhmYzI3NDg3XkEyXkFqcGdeQXVyNzc5NDg5Mjc@._V1_FMjpg_UX1000_.jpg) - A [world famous chef](https://www.semafor.com/article/01/07/2024/ethiopia-marcus-samuelsson-opens-addis-restaurant?ref=marmaladecollective.com) returns home to Ethiopia *via Semafor* - Nigeria’s storied expression of joy: [the tale of Fuji music](https://faroutmagazine.co.uk/nigeria-tale-of-fuji-music/?ref=marmaladecollective.com) *via Far Out* - A Tribe Called Judah becomes [highest-earning Nigerian film](https://www.bbc.co.uk/news/world-africa-67889661?ref=marmaladecollective.com) *via BBC* - The joys and pains of [collecting African art](https://edition.cnn.com/videos/world/2024/01/06/africa-avant-garde-art-buyers-collectors-spc.cnn?ref=marmaladecollective.com) *via CNN* - From Botswana to Costa Rica: [Most Interesting New Hotels of 2024](https://robbreport.com/travel/hotels/most-interesting-hotel-openings-this-year-1235434402/?ref=marmaladecollective.com) *via Robb Report* - How to get into... [Senegalese movies](https://i-d.vice.com/en/article/y3wknk/best-senegalese-movies?utm%5Fsource=flipboard&utm%5Fcontent=i%5Fd%2Fmagazine%2Fi-D) *via i-D* - Wangari Mathenge's paintings [reframe Kenya's domestic workers](https://i-d.vice.com/en/article/dy3e9y/wangari-mathenge-artist-interview?ref=marmaladecollective.com) *via i-D* --- ## ⏳ Trivia Time Who became the **first African woman to win the German Peace Prize in Literature** in 2021? A) Chimamanda Ngozi Adichie B) Tsitsi Dangarembga C) Ama Ata Aidoo *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![How Lagos' Inclusive Rave Scene Is Popularizing EDM In Nigeria - Okayplayer](https://www.okayafrica.com/media-library/image.jpg?id=31205001&width=760&quality=85) ## EDM's Growth in Nigeria's Music Scene In Nigeria, electronic dance music, or EDM, has become more and more popular during the past ten years. EDM, which combines traditional African sounds with contemporary synthetic beats, has carved out a flourishing niche for itself because of the growing interest from young culture and easier access to production equipment. This guide examines the development of EDM from three angles: the club environment, Afrobeat crossover, and the cultural identity of young Nigerians. The epicenter of the Nigerian EDM scene is now Lagos, home to clubs like Coconut Grove, Ember Lounge, and Nok by Alara that create trends in the industry. These venues set themselves apart with sophisticated stage setups that feature EDM DJs and dancers spinning house, techno, and electro tunes. [Keep Reading 👉](https://www.marmaladecollective.com/a-marmalade-guide-edms-growth-in-nigerias-music-scene/) --- ###### AD ## Get 50% off VIP Club To celebrate the launch of [Experiences by Marmalade](https://www.experiencesbymarmalade.com/?ref=marmaladecollective.com), we’re giving you 50% off VIP Club membership if you sign up this week! Join today to enjoy all these great perks: - Instantly unlock all VIP deals 🔒 - 2x more deals than free subscribers 💌 - 24hrs+ priority access to all deals 🍽️ - VIP exclusives you won't find elsewhere 🔥 [Join VIP Club today](https://www.experiencesbymarmalade.com/january-sale?ref=marmaladecollective.com) *PS - 50% sale ends at midnight on Sunday 21st January, don't miss out!* --- ## What We're... 📰 **Reading:** [The beautiful manifesto of Daniel Kaluuya](https://www.gq-magazine.co.uk/article/daniel-kaluuya-interview-2024?ref=marmaladecollective.com). With his directorial debut *The Kitchen*, the Oscar-winning actor is turning his gaze back home – and showing the world another side of the UK 📺 **Watching:** [(Un)credited](https://www.redbull.com/ng-en/films/un-credited?ref=marmaladecollective.com). Dive deep into the past, present and future of influential dance moves and celebrate their creators. Get to know the origins of Afro Dance in Nigeria and how it has shaped a global mainstream culture. 🎧 **Listening to:** [I Said What I Said Podcast: Everybody Is Not Okay](https://open.spotify.com/episode/2R2HPwdjFAPANn0UE9HO25?si=ec15fd9155a04b21&nd=1&dlsi=3a7d66cdfbed4b90&ref=marmaladecollective.com). They also talk about the struggles of moving back to Nigeria, taking charge of your life, being gentle with yourself 🎟️ **Booking:** [JAM 'Games Night Edition'](https://lu.ma/tmynhs2t?ref=marmaladecollective.com). Get ready to JAM with us at the *Ultimate House Party Experience*! This isn't just any party – it's a games night special where you can meet dope new friends and make lasting memories. 👀 **Eyeing:** A pair of [limited edition LABRUM x adidas Samba OG](https://www.instagram.com/p/C14IH%5FBM8z%5F/?ref=marmaladecollective.com) or adiFOM Stan Smith Mules. ⁠ --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this email to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ The answer is ****B) Tsitsi Dangarembga.** [Discover more](https://www.africanews.com/2021/10/25/zimbabwean-author-tsitsi-dangarembga-wins-german-peace-prize//?ref=marmaladecollective.com) ### JAM: Games Night Edition, Feb 24th URL: https://www.marmaladecollective.com/jam-games-night-edition-feb-24th/ Last updated: 2024-02-11T13:14:14.000Z Get ready to JAM with us at the Ultimate House Party Experience! This isn't just any party – it's a games night special where you can meet dope new friends and make lasting memories. _This post is for subscribers only._ ### Discovering tranquillity using African-inspired relaxation techniques URL: https://www.marmaladecollective.com/discovering-tranquillity-using-african-inspired-relaxation-techniques/ Last updated: 2024-01-10T10:10:54.000Z With the demands of modern life, the pursuit of tranquillity and inner peace has become a universal quest. Across continents and cultures, various societies have cultivated unique methods of relaxation and rejuvenation. Africa, a continent rich in diverse cultures and traditions, holds a treasure trove of relaxation techniques deeply rooted in its heritage. From the rhythmic beats of traditional drums to the serene landscapes that inspire meditation, African-inspired relaxation techniques offer a holistic approach to unwinding and restoring balance. These methods not only focus on physical relaxation but also emphasise mental clarity and spiritual connection. ### Mindful Drumming The beating of drums holds significant cultural importance across many African societies. Drumming sessions are more than mere musical performances; they serve as a means of communication, celebration, and even healing. The rhythmic patterns and vibrations of the drums have a profound impact on the mind and body, inducing a state of relaxation and mindfulness. Engaging in drumming circles or simply listening to the resonating beats can help alleviate stress and promote a sense of unity and connection. ### Meditation and Nature Connection African landscapes are renowned for their breathtaking beauty, from the majestic savannas to lush rainforests. Many African relaxation techniques involve connecting with nature. Practices like eco-meditation, where individuals immerse themselves in natural surroundings, tapping into the calming energy of the environment, are prevalent. Whether it's sitting by a serene waterfall, meditating under the shade of an ancient tree, or practising yoga amidst nature's tranquillity, these experiences foster a deep sense of peace and grounding. ### Herbal Therapy and Aromatherapy Herbal remedies and aromatherapy have been integral parts of traditional African healing practices for centuries. Various herbs and plants are used for their therapeutic properties, promoting relaxation and healing. Essential oils extracted from indigenous plants like lavender, lemongrass, and eucalyptus are used in massages, baths, or diffusers to create calming atmospheres that soothe the senses and ease tension. ### Storytelling and Oral Traditions African cultures have a rich tradition of storytelling, where tales are passed down through generations. The art of storytelling serves as more than entertainment; it has therapeutic value. Listening to or engaging in storytelling sessions can transport individuals to a different realm, allowing them to momentarily detach from daily stresses and find solace in the power of narratives. ### Dance and Movement Therapy Dance is an integral part of African culture, often used in rituals, celebrations, and ceremonies. Beyond its cultural significance, dance serves as a form of expression and a therapeutic outlet. Engaging in traditional dance forms or movement therapy promotes physical relaxation and enhances emotional well-being by allowing individuals to release pent-up emotions and connect with their bodies. ## Conclusion Exploring these African-inspired relaxation techniques offers a pathway to reconnect with oneself and find inner peace amidst life's chaos. Integrating these practices into daily routines can bring about a profound sense of balance, harmony, and rejuvenation, allowing individuals to navigate the challenges of modern life with a calmer mind and a more centred spirit. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### 🍊This Week's Spread: Vol 74 URL: https://www.marmaladecollective.com/top-african-destinations-to-visit-in-2024/ Last updated: 2024-01-08T10:00:21.000Z **Welcome to Vol 74 of The Spread!** The Spread is a weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. *Welcome new to our subscribers who signed up since the last issue! If you haven't already, hit subscribe and join *3,535* culturally-curious people.* [👉 Subscribe 👈](https://www.marmaladecollective.com/subscribe/) 🎉 Happy New Year and thank you for being with us through a dynamic 2023 at Marmalade. ****We're excited to share our** [****'Year in Review'**](https://pitch.com/v/Marmalade-Year-in-Review-2023-u5c3pp?ref=marmaladecollective.com) **and a fresh update to our newsletter.** Take a look and ****reply to this email** with your thoughts. Here's to a fantastic 2024! Now, on to the real peel... ## 🔥 Trending Stories ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/TV_Cult_Teni_Feb2023_teni2vogue-1-1.jpeg) **Teni. Image Credit:* [**Lindsay Perryman*](https://www.instagram.com/lindsayperryman/?ref=marmaladecollective.com) - [Meet Oyinkansola Dada](https://www.vogue.co.uk/article/oyinkansola-dada-gallery-interview?ref=marmaladecollective.com), The London Gallerist Spotlighting Art From Across The African Diaspora *via British Vogue* - Teni Knows People Want Her Art. [But Do They Want Her Truth?](https://www.teenvogue.com/story/teni-knows-people-want-her-art-but-do-they-want-her-truth-interview?ref=marmaladecollective.com) *via Teen Vogue* - Coca-Cola in Africa: a long history full of [unexpected twists and turns](https://theconversation.com/coca-cola-in-africa-a-long-history-full-of-unexpected-twists-and-turns-215923?ref=marmaladecollective.com) *via The Conversation* - Portraying [Africa's Beauty and Challenges](https://www.npr.org/2024/01/01/1196978907/portraying-africas-beauty-and-challenges-through-music-and-art?ref=marmaladecollective.com) Through Music and Art *via NPR* - [Where to go in 2024](https://edition.cnn.com/travel/best-destinations-to-visit-2024?ref=marmaladecollective.com): The African best places to visit *via CNN Travel* - [5 design lessons](https://www.homesandgardens.com/interior-design/moroccan-design-lessons?ref=marmaladecollective.com) I learned from spending the holidays in Morocco *via Homes & Gardens* - South Africa's [Tyla says 'people are not ready'](https://www.bbc.co.uk/news/entertainment-arts-67747565?ref=marmaladecollective.com) for debut album *via BBC* --- ## ⏳ Trivia Time Which popular musician from Nigeria holds the **record for the most Billboard Hot 100 entries** by an African artist? A) Femi Kuti B) Wizkid C) Burna Boy *Scroll to the very bottom for the answer.* --- ## 🧭 A Marmalade Guide To... ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/7ca5f700-ea91-4e10-b00b-5b366e7881b4.jpg) **© The Cold Purewater! Cold Mineral!* ## Cold Purewater! Cold Mineral! We present to you an insightful journey into the heartbeat of African creativity as we sit down with the creators of the captivating podcast, "Cold Purewater! Cold Mineral!" In this exclusive interview, co-founders Kolapo and Oladapo and Samuel Ugwu share the origins, inspirations, and aspirations that shape their unique perspective on the African creator economy, particularly within the bustling context of Lagos traffic. Our conversation kicks off with the intriguing story behind the podcast's name, "Cold Purewater! Cold Mineral!" - a familiar cry in the lively streets of Lagos. Kolapo and Samuel explain how this catchy phrase encapsulates the essence of their podcast, exploring conversations about the African creator economy amidst the interesting backdrop of Lagosian traffic. Read on to gain more interesting insights! [Keep Reading 👉](https://www.marmaladecollective.com/a-marmalade-guide-cold-purewater-cold-mineral-podcast/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Experiences-by-Marmalade---Value-Prop.gif)](https://www.experiencesbymarmalade.com/?ref=marmaladecollective.com) Get access to the best Afrocentric experiences from London to Lagos, and beyond! ****Save up to 50% at the hottest new restaurants and hotels**. Subscribe to never miss a deal. --- ## What We're... 📰 **Reading:** [A Spell of Good Things](https://amzn.eu/d/bsx7Obn?ref=marmaladecollective.com). Ayòbámi Adébáyò, the Women's Prize-shortlisted author of *Stay With Me*, unveils a dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession and political corruption. 📺 **Watching:** [Innovating Africa Documentary](https://www.youtube.com/watch?v=FjnBBeuQXzQ&ref=marmaladecollective.com) 'The Rise of Tech in Nigeria' tells the growth story of the tech scene in Nigeria over the last 15 years. Through raw interviews, it paints a vivid picture of the struggles & triumphs of the industry’s early days. 🎧 **Listening to:** [Homemade 'African Lofi Edition'](https://open.spotify.com/playlist/7aIT97o47kJp717m4DYz3x?si=8d3a330844ee42f7&ref=marmaladecollective.com) playlist on Spotify. Find calm by listening to the fusion of hip-hop and African instrumentals on this "African Lofi" Spotify playlist as you ease into the new year. 👣 **Doing:** [New Year Forest Walk](https://lu.ma/lafz3aqt?ref=marmaladecollective.com). Designed for people who want to kick off the new year in nature and connect with like-minded entrepreneurs, founders, professionals and creatives. 👀 **Eyeing:** [Hawa Tie-Dye Bag](https://industrieafrica.com/products/hawa-tie-dye-bag?ref=marmaladecollective.com) by AAKS. handcrafted rainbow tie-dye raffia bag with an adjustable strap and signature tassel. Its vibrant pattern and streamlined, spacious shape make this sustainable bag a versatile, effortless everyday style. --- ## 👏 That's a wrap! Did we miss anything? Or just want to say hey? We'd love to hear from you! You can... - 🚀 [Advertise](https://bit.ly/47jmYYE?ref=marmaladecollective.com) in this newsletter - 📸 Follow us on [Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com) - 💬 Connect on [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) - 💌 Reply to this email - 👨🏾‍💻 [Speak to us](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) about a creative project > Did someone forward this email to you? 👉 [**Sign up here**](https://www.marmaladecollective.com/subscribe/) --- ###### AD [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2024/01/Marmalade-Membership.gif)](https://www.marmaladecollective.com/#/portal/signup) A Paid Marmalade Membership gives you ****unlimited access to our IRL events** and a community of mission-driven members. Other benefits includes ****exclusive content and unique experiences**. [Sign up today](https://www.marmaladecollective.com/#/portal/signup) and get more from Marmalade 🗣️ The answer is ****B) Wizkid.** [Wizkid](https://www.instagram.com/wizkidayo?ref=marmaladecollective.com), whose real name is Ayodeji Ibrahim Balogun, is a Nigerian singer and songwriter. As of 2024, he has charted over 80 songs on the Billboard Hot 100, the most by any African artist in history. He has collaborated with major Western artists like Drake, Chris Brown, and Beyoncé, helping bring African music to a global audience. Wizkid is considered a pioneer of the Afrobeats genre and one of the most influential African musicians today. ### 3 Nigerian Films That Are Buzzing Right Now URL: https://www.marmaladecollective.com/3-nigerian-films-that-are-buzzing-right-now/ Last updated: 2024-01-08T09:51:17.000Z From heartfelt tales to record-breaking dramas and enchanting fantasies, these films redefine storytelling. ## Introduction Hey, film lovers! The Nigerian film scene is bringing the heat, and we've got three absolute must-watch gems that are turning heads and breaking records. Whether you're a fan of heart-wrenching drama, action-packed thrillers, or visually stunning fantasies, there's something here for everyone. Let's jump into the cinematic magic of these must-see Nigerian films! ## Breathe of Life (2023) - Directed by BB Sasore Kick-off Date: November 15, 2023 [Watch it on: Amazon Prime Video](https://www.amazon.co.uk/Breath-Life-Wale-Ojo/dp/B0CKLBW61P?ref=marmaladecollective.com) "Breathe of Life" is not just a film; it's an emotional rollercoaster that takes you on a journey of loss, faith, and love. Picture this: Timi, a gifted clergyman turned lonely curmudgeon after a tragic loss, finds a new lease on life through Elijah, a humble man with big dreams. Directed by BB Sasore and produced by Eku Edewor, this cinematic gem was the closing film at the 2023 Africa International Film Festival. It's emotional, well-cast, and a visual feast. Wale Ojo, Chimezie Imo, and the talented supporting cast deliver performances that'll linger in your heart. Oh, and you can catch this masterpiece on Amazon Prime – don't miss it! ## A Tribe Called Judah (2023) - Produced by Funke Akindele Release Date: December 15, 2023 Watch it in: Cinemas across Nigeria and the UK This one is a record-breaker, and for all the right reasons! "A Tribe Called Judah," produced by the multi-talented Funke Akindele, tells the gripping tale of Jedidah Judah, a single mother with five sons from five different fathers and tribes. The family plans a mall heist, but guess what? They find armed robbers at the scene! With an impressive IMDb rating of 9.5, it's shattered records as the biggest weekend opening in Nollywood and the highest-grossing Nollywood film ever as it hits the N1 billion mark domestically. This one's a cinematic phenomenon you need to witness on the big screen! ## Mamiwata (2023) - Directed by C.J. "Fiery" Obasi Premiere: Sundance Film Festival 2023 Watch it in: Cinemas Now, let's talk about "Mamiwata," a black-and-white fantasy thriller that's making waves globally. Directed by C.J. "Fiery" Obasi, this film is a co-production between Nigeria, France, and the United Kingdom. It's not just a movie; it's a vivid narrative and a dynamic study in colour. Set in the seaside village of Iyi, it weaves a fable and thriller around two sisters fighting to save their people and restore the glory of a mermaid goddess. The critics are raving about its political undertones, stunning visuals, and the perfect balance between light and dark. Trust us; you don't want to miss this distinct and economical masterpiece. And good news for our UK readers – catch it in cinemas near you! ## Conclusion So, there you have it – three films that are not just movies; they're experiences waiting to be savoured. Grab your popcorn, hit the cinemas, and let the magic of Nigerian cinema unfold before your eyes. These films are not just buzzing; they're roaring into the hearts of audiences worldwide! ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture Join ****3,500+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### What's on in January URL: https://www.marmaladecollective.com/january-2024/ Last updated: 2024-01-08T22:30:36.000Z Happy New Year! 🎉 We've handpicked the **best Afrocentric events and experiences happening in London this January**! Whether you're still riding the high from the holiday festivities or planning to take it easy, we've got you covered. We've got everything from live music events to cookery classes, not to mention incredible art exhibitions. There's truly something for everyone! 🎨🍳🎶 _This post is for subscribers only._ ### A Marmalade Guide: Cold Purewater! Cold Mineral! Podcast URL: https://www.marmaladecollective.com/a-marmalade-guide-cold-purewater-cold-mineral-podcast/ Last updated: 2024-01-02T22:39:13.000Z We present to you an insightful journey into the heartbeat of African creativity as we sit down with the creators of the captivating podcast, "Cold Purewater! Cold Mineral!" In this exclusive interview, co-founders Kolapo and Oladapo and Samuel Ugwu share the origins, inspirations, and aspirations that shape their unique perspective on the African creator economy, particularly within the bustling context of Lagos traffic. Our conversation kicks off with the intriguing story behind the podcast's name, "Cold Purewater! Cold Mineral!" - a familiar cry in the lively streets of Lagos. Kolapo and Samuel explain how this catchy phrase encapsulates the essence of their podcast, exploring conversations about the African creator economy amidst the interesting backdrop of Lagosian traffic. Read on to gain more interesting insights! ## The Co-Founders ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/KOLAPO-1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/SAMUEL-1.JPG) Kolapo Oladapo and Samuel Ugwu. Co-Founders of COCOA ### How did the idea for the podcast "Cold Purewater, Cold Mineral" come about? "Cold Purewater! Cold Mineral!” is a call made by traffic hawkers in Lagos. It aligns with the theme of the podcast which is “conversations about the African creator economy in traffic”. It’s something every one who is a Lagosian or who has been to Lagos will immediately recognise. > [ View this post on Instagram ](https://www.instagram.com/reel/CqpnsFMgdP4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by COCOA (@cxcxa.house)](https://www.instagram.com/reel/CqpnsFMgdP4/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### What inspired you to focus specifically on the African music industry within the context of Lagos traffic? With the growth of Afrobeats as a business, the creator industry and more specifically the music industry in Africa offers a unique opportunity for an alternative entry into the job market for a lot of young African creatives. Africans transcend a lot of learning through conversations, a lot of those conversations in modern-day Lagos happen in traffic either as calls, chats, tweets, comments or a simple conversation with an Uber driver. ### Can you share some insights into the challenges and opportunities the African music industry still encounters today? The challenges and opportunities are plentiful. Closing the knowledge gap is one we are particularly interested in at COCOA; preparing the future workforce of the world for the jobs of the future, one conversation at a time. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/7ca5f700-ea91-4e10-b00b-5b366e7881b4.jpg) **The Podcast vibes on set* ### In what ways do you believe the podcast contributes to the understanding and promotion of African music, and how do you ensure that your content resonates with both local and international audiences? We think African, in creating for our audience, we encourage the members of our community to use their native tongue in communicating their ideas. We are taking the road less travelled in providing accessible education for Africans wherever they are in their mother tongue and also in English. We hope we can make a significant change in the coming years in providing knowledge across new subject matters beyond music such as Artificial Intelligence. ### How do you weave the Lagos vibrant vibes into each episode of the podcast? We infuse little adlibs on the podcast that remind people of not Lagos but Africa. Lagos as a melting pot serves as a core base for the scenery of the podcast. > [ View this post on Instagram ](https://www.instagram.com/reel/C0KDA%5FzIeie/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by COCOA (@cxcxa.house)](https://www.instagram.com/reel/C0KDA%5FzIeie/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Kulupsy-1.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Titi-Adesanya-1.PNG) Kulupsy (Native Records) and Titilope Adesanya (EMPIRE) ### As the creator of "Cold Purewater! Cold Mineral!," what impact do you hope personally to make on the perception of African music globally? Like the big picture or dream. Ultimately, we hope people who are interested in the job roles behind the music find useful knowledge within our content and conversations that equip them for their future roles whatever that might be. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/meta-cocoa.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/meta-cpcm-1.png) ### How do you see the podcast evolving in the future to continue promoting the richness of the African music industry? (future collaboration plans you have for the podcast) In the future, we plan to create our tools to help creatives get stuff done faster. We will be working with members of our community to make this future possible and to sustain it. Questions were answered by the co-founders of "Cold Purewater! Cold Mineral!"([Samuel Ugwu](https://www.instagram.com/psalmwrite?igshid=OGQ5ZDc2ODk2ZA==&ref=marmaladecollective.com) and [Kolapo Oladapo](https://www.instagram.com/ko1apo/?ref=marmaladecollective.com)) ### A Marmalade Guide: EDM's Growth in Nigeria's Music Scene URL: https://www.marmaladecollective.com/a-marmalade-guide-edms-growth-in-nigerias-music-scene/ Last updated: 2023-12-20T11:25:21.000Z In Nigeria, electronic dance music, or EDM, has become more and more popular during the past ten years. EDM, which combines traditional African sounds with contemporary synthetic beats, has carved out a flourishing niche for itself because of the growing interest from young culture and easier access to production equipment. This guide examines the development of EDM from three angles: the club environment, Afrobeat crossover, and the cultural identity of young Nigerians. ## Lagos Club Circuit: The Heartbeat of EDM ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/More-pictures-from-Monday---@buchwithlenses.jpg) **Monday at ObisHouse photo by @buchwithlenses* The epicenter of the Nigerian EDM scene is now Lagos, home to clubs like Coconut Grove, Ember Lounge, and Nok by Alara that create trends in the industry. These venues set themselves apart with sophisticated stage setups that feature EDM DJs and dancers spinning house, techno, and electro tunes. On the dance floor, cutting-edge lighting, lasers, and images produce a lively atmosphere. Prominent EDM DJs like DJ Spinall, DJ Neptune, and DJ Obi have risen to fame on their own by skillfully fusing global EDM songs with regional dance forms like gwara gwara, shaku shaku, and azonto. These club evenings represent a new and forward-thinking side of Lagos. ## Fusion with Afrobeat ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/More-pictures-from-Monday---@buchwithlenses--2-.jpg) **Photo by @buchwithlenses* Leading Afrobeat musicians like Davido, Wizkid, and Tiwa Savage have been adding more electronic elements to their music as EDM continues to grow. This produces catchy songs that are ready for radio play as well as dance floors. Producers like Sarz, Shizzi, and Del B have set the standard by incorporating startling drops, throbbing beats, and lush synth textures into the distinctive vocal hooks and percussion rhythms of Afrobeat. Pop culture is starting to include digital and analog fusions, as evidenced by songs like *"The Matter"* by Wizkid. Rapid growth in interest has led to American musicians like Chris Brown delving into Afro-EDM hybrid sounds. ## Youthful Expression ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/407783302_6858500030885566_5714659333770603532_n.jpg) **Photo by @buchwithlenses* EDM represents a contemporary mode of expression and lifestyle for lots of Nigerian youths. It’s a modern art that blends regional culture with global perspectives. Videos of EDM and Afro-EDM showcase youths proudly expressing themselves via dance, dress, and a sense of community, all while challenging societal norms. Similar to this, musicians utilize lyrics to convey their ambition for brighter futures combined with struggles against adversity. As technology becomes more widely available, EDM both inspires and represents this new trajectory in Nigerian young culture. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/More-pictures-from-Monday---@buchwithlenses--3--1.jpg) **Photo by @buchwithlenses* ## Conclusion EDM has ingrained itself in Nigerian music, from chart-topping tunes to posh clubs in Lagos. EDM is expected to keep growing throughout Nigeria and African music in general, with its pulse mirroring the beat of vibrant youth culture. Nigerian musicians appear ready to create electronic music sounds in the future that will convey regional identities to audiences throughout the world. ### Gifting the African Way: 7 Unique Holiday Treasures URL: https://www.marmaladecollective.com/gifting-the-african-way-7-unique-holiday-treasures/ Last updated: 2023-12-19T08:27:54.000Z Nothing’s better than spreading joy with presents. Let’s get into unique gifting experiences inspired by the rich and diverse cultures of Africa. This curated guide presents a selection of thoughtful and culturally significant gifts that transcend mere objects, offering a glimpse into the heritage, craftsmanship, and traditions deeply rooted in African societies. Each gift presents a meaningful connection to whoever you’re giving. ### Handcrafted Zulu Beadwork ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/zulu-beadwork---kwamnyamanestories--IG-.jpg) **© kwamnyamanestories (IG)* Delight your loved ones with intricate Zulu beadwork, meticulously handcrafted with vibrant colours and symbolic patterns. These unique beadwork pieces, ranging from jewellery to decor items, reflect the rich cultural heritage of the Zulu people of South Africa, making each piece a cherished gift. ### Ethiopian Coffee Ceremony Set ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/ethiopian-coffee-set---the-ethipoian-store--etsy-.webp) **© the Ethipoian store (Etsy)* Experience the ritual of Ethiopian coffee ceremonies with an authentic coffee set. This ceremonial set, featuring a Jebena (coffee pot), cups, and a traditional serving tray, offers a sensory journey into Ethiopian culture, celebrating the art of coffee making and communal gatherings. ### Nigerian Adire Textile Accessories ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/adire-accessories---thetotebagshop--IG-.jpg) **© thetotebagshop (IG)* Elevate your gifting game with stylish accessories crafted from Nigerian Adire textiles. These beautifully patterned fabrics, hand-dyed using resist-dyeing techniques, are transformed into trendy items like scarves, bags, or clothing, blending tradition with modern fashion sensibilities. ### Ghanaian Kente Cloth Items ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/234541916_824598461544097_1502544777030565078_n-2.jpg) **© Le Rustic Boutique* Celebrate the vibrancy of Ghanaian culture by gifting items made from Kente cloth. Whether it's a stunning scarf, a stylish bag, or decorative pieces, Kente cloth's colourful patterns and symbolic motifs make for unique and eye-catching presents. ### Kenyan Handwoven Baskets ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/handwoven-basket---afropacific--IG-.webp) **© afropacific (IG)* Gift a piece of Kenyan craftsmanship with handwoven baskets made by skilled artisans. These intricately designed baskets, often incorporating natural fibres and dyed with vibrant colours, serve as functional yet artistic pieces perfect for home decor or storage. ### Tanzanian Tinga Tinga Art ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Tinga-tinga-art---erjafin--IG-.jpg) **© erjafin (IG)* Surprise art enthusiasts with Tinga Tinga paintings from Tanzania. Known for their colourful and whimsical style, these paintings depict African landscapes, wildlife, and cultural scenes, capturing the essence of Tanzanian artistry. ### Moroccan Handcrafted Pottery ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/moroccan-pottery---wealthofmorocco--IG-.jpg) **© wealthofmorocco (IG)* Explore the beauty of Moroccan craftsmanship by gifting handcrafted pottery pieces. From intricately designed tagines to decorative ceramics, these pieces showcase Morocco's rich artisanal traditions, adding an exotic touch to any home. ### Conclusion The spirit of the holiday season centers on sharing joy and appreciation with others. When looking for meaningful gifts that capture this essence, consider unique ideas that celebrate Africa's rich cultural diversity. Gifts with an African flair allows us to honour traditions, values, and craftsmanship passed down through generations. They tell stories of boundless creativity. This holiday season, let your gifts reflect the spirit of community, beauty, and cultural appreciation encompassed in the holiday season. ### 5 Amazing Festive African Feasts for the Holidays URL: https://www.marmaladecollective.com/festive-african-feasts-for-the-holidays/ Last updated: 2023-12-19T07:45:51.000Z This festive season, take a culinary journey through the heart of Africa with our handpicked selection of traditional African recipes. Enjoy the warmth and vibrant flavours of the continent, including aromatic North African spices and rich stews, or try your hand at perfecting the spicy, delicious flavours of West Africa. Cook these celebratory dishes from across the region and share them with loved ones, discovering the essence of African cultural traditions and infusing your own holiday festivities with new life. Let these African recipes fill your kitchen with joyful aromas and your table with a satisfying feast. ## **Moroccan** Lamb Tagine ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/moroccan-lamb-tangine-via-bestrecipesau--IG-.jpg) **© bestrecipesau (IG)* Indulge in the rich and aromatic flavours of Morocco with a classic Lamb Tagine. This slow-cooked dish features succulent lamb, sweet dried fruits, and a blend of spices like cumin, coriander, and cinnamon. Serve it over couscous for a hearty and festive meal. ### Ingredients: - Lamb shoulders, diced - Apricots and dates, dried - Onions, tomatoes, and garlic - Ground cumin, coriander, and cinnamon - Chicken broth - Couscous for serving Find the full recipe here - [https://www.recipetineats.com/lamb-tagine/](https://www.recipetineats.com/lamb-tagine/?ref=marmaladecollective.com) ## Jollof Rice from Nigeria ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Jollof-rice-from-Nigeria---thekitchenmuse--IG-.jpg) **© thekitchenmuse (IG)* Celebrate the West African way with the iconic Jollof Rice. This one-pot dish boasts a symphony of flavours, combining tomatoes, peppers, and spices. It's a festive staple often served with grilled chicken or fish. ### Ingredients: - Basmati rice - Tomatoes, bell peppers, and onions - Tomato paste - Vegetable oil - Chicken or vegetable broth - Thyme, bay leaves, and other spices Find the full recipe here - [https://evseats.com/how-to-make-jollof-rice-in-5-easy-steps/](https://evseats.com/how-to-make-jollof-rice-in-5-easy-steps/?ref=marmaladecollective.com) ## South African Bobotie ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/bobotie---theflexiblefridge-and-instantpotuk--IG-.jpg) © Instantpotuk IG Experience the unique blend of sweet and savoury in South Africa's Bobotie. This baked dish features spiced minced meat topped with a custard-like layer. Serve it with yellow rice and chutney for a delightful holiday feast. ### Ingredients: - Butter - White bread - Raisins and almonds - Curry powder and turmeric - Eggs and milk for the topping See the full recipe here - [https://www.bbcgoodfood.com/recipes/bobotie/](https://www.bbcgoodfood.com/recipes/bobotie/?ref=marmaladecollective.com) ## Ghanaian Kelewele ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/kelewele---nokbyalara--IG-.jpg) **© Nokbyalara (IG)* Add a spicy kick to your holiday spread with Kelewele, a popular Ghanaian street food. These fried plantains, seasoned with a blend of spices, make for a flavorful and addictive snack or side dish. ### Ingredients: - Ripe plantains - Ginger, garlic, and Scotch bonnet pepper - Ground cinnamon and cloves - Vegetable oil for frying See the full recipe here - [https://travelfoodatlas.com/authentic-ghanaian-kelewele-recipe-spicy-fried-plantains/](https://travelfoodatlas.com/authentic-ghanaian-kelewele-recipe-spicy-fried-plantains/?ref=marmaladecollective.com) ## Ethiopian Doro Wat ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/dorowat---travelandmunchies--IG-.jpg) **© Travelandmunchies (IG)* Transport your taste buds to Ethiopia with the rich and spicy Doro Wat, a chicken stew that's a staple during festive occasions. Infused with berbere spice, it's traditionally served with injera. ### Ingredients: - Chicken pieces - Berbere spice blend - Onions, garlic, and ginger - Tomato paste - Injera (Ethiopian flatbread) Find the full recipe here - [https://www.daringgourmet.com/doro-wat-spicy-ethiopian-chicken-stew/](https://www.daringgourmet.com/doro-wat-spicy-ethiopian-chicken-stew/?ref=marmaladecollective.com) Celebrate the holiday season with these delectable African recipes that not only tantalise the taste buds but also weave the stories of diverse cultures and traditions. Share the joy of cooking and savouring these dishes, creating festive moments filled with the warmth and flavours of Africa. ### Naomi Campbell Stops Time ⌛ URL: https://www.marmaladecollective.com/naomi-campbell-prince-gyasis-pirelli-calendar-2024/ Last updated: 2023-12-18T10:00:50.000Z #### Highlights: - Prince Gyasi’s Pirelli Calendar Blends London and Ghana in a Captivating Vivid Beauty *via* [Hypebeast](https://hypebeast.com/2023/12/prince-gyasi-2024-pirelli-calander-feature-interview?ref=marmaladecollective.com) - Kendrick Lamar and Kagame Electrify The BK Arena in Kigali for Move Afrika Concert *via* [OkayAfrica](https://www.okayafrica.com/kendrick-lamar-move-afrika-rwanda/?ref=marmaladecollective.com) - Ghana's Edward Enninful Honoured at 2023 British Fashion Awards Ceremony *via* [BellaNaija](https://www.bellanaija.com/2023/12/edward-enninful-wins-at-tfa-2023/?ref=marmaladecollective.com) - Tamale's Artistic Renaissance: A Northern Ghana Crossroads for Culture Beyond Accra's Bustle *via* [OkayAfrica](https://www.okayafrica.com/accra-artists-tamale-ibrahim-mahama/?ref=marmaladecollective.com) - Davido and Adekunle Gold Headline Nigeria's BlockParty Festivals *via* [CrackMagazine](https://crackmagazine.net/2023/12/davido-and-adekunle-gold-announced-for-nigerias-blockparty-festivals/?ref=marmaladecollective.com) - Hypebeast Africa and Samsung Explore City's Culinary Gems in 'Local Delicacy’ *via* [Hypebeast](https://hypebeast.com/2023/12/hypebeast-africa-samsung-culture-scouts-local-delicacy-campaign?ref=marmaladecollective.com) - Ashluxe x Fela Kuti - FW24 - Kalakuta Republic - Dreams do Come True *via* [Felakuti](https://felakuti.com/us/products/410097-kalakuta-show/201368718-vinyl?ref=marmaladecollective.com) ### Latest Member Deals [Kudu Restaurant, Peckham - 3 course set menu for £29 on FridaysGet access to the best Afrocentric food and travel experiences from London to Lagos and beyond! Subscribe to never miss a deal![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://www.experiencesbymarmalade.com/content/images/size/w1200/2023/12/kudu-clairemenarycom-5921-min-1224x816.jpg.webp)](https://www.experiencesbymarmalade.com/kudu-restaurant-friday-set-lunch-menu-29pp/?ref=marmaladecollective.com) [🔒 VIP CLUB: 10% Off on Drinks at 3699 Lounge, LagosGet access to the best Afrocentric food and travel experiences from London to Lagos and beyond! Subscribe to never miss a deal![](https://www.experiencesbymarmalade.com/content/images/size/w256h256/2023/11/Marmalade-Avatar.png)Experiences by MarmaladeTola Alade![](https://images.unsplash.com/photo-1609951651556-5334e2706168?crop=entropy&cs=tinysrgb&fit=max&fm=jpg&ixid=M3wxMTc3M3wwfDF8c2VhcmNofDJ8fGNvY2t0YWlsfGVufDB8fHx8MTcwMjgxMzYwOHww&ixlib=rb-4.0.3&q=80&w=2000content/images/size/w1200)](https://www.experiencesbymarmalade.com/10-off-drinks-3699-lounge-lagos/?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Prince Gyasi’s Pirelli Calendar Blends London and Ghana in a Captivating Vivid Beauty [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/409852099_905846674253374_5497911606612074620_n.jpg)](https://hypebeast.com/2023/12/prince-gyasi-2024-pirelli-calander-feature-interview?ref=marmaladecollective.com) **Image Credits: Prince Gyasi* The [Pirelli Calendar](https://www.instagram.com/pirelli/?img%5Findex=1&ref=marmaladecollective.com) is a historic fashion icon. It reaches its 60th year with [Ghanaian artist Prince Gyasi](https://www.instagram.com/princejyesi/?ref=marmaladecollective.com) debuting as the first African creator. Gyasi's all-black cast, including Angela Bassett and Naomi Campbell, brings vibrancy to the 2024 diary. Gyasi went for timelessness, capturing powerful moments that transcend obstacles and reflect his creative journey. The calendar celebrates the Ashanti Empire and envisions its cast as superheroes leading civilization into new worlds, marking a momentous achievement for Gyasi's artistic growth. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/12/prince-gyasi-2024-pirelli-calander-feature-interview?ref=marmaladecollective.com) ## Kendrick Lamar and Kagame Electrify The BK Arena in Kigali for Move Afrika Concert [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/407276571_711760760676099_3136268980083517762_n.jpg)](https://www.okayafrica.com/kendrick-lamar-move-afrika-rwanda/?ref=marmaladecollective.com) **Kendrick Lamar: © visitrwanda\_now* The Move Afrika concert in Kigali, Rwanda, featuring [Kendrick Lamar](https://www.instagram.com/kendricklamar/?ref=marmaladecollective.com) and President Kagame, was a historic event that united over 8,000 attendees. The concert featured performances from artists like Zuchu and Bruce Melody, and President Kagame's speech emphasised the power of music. The event marked the start of a five-year tour featuring over 70 local artists, with the concert set to be part of a global broadcast special in 2024. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/kendrick-lamar-move-afrika-rwanda/?ref=marmaladecollective.com) ## Ghana's Edward Enninful Honoured at 2023 British Fashion Awards Ceremony [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/405014880_18399826150035767_1792624243060517933_n.jpg)](https://www.bellanaija.com/2023/12/edward-enninful-wins-at-tfa-2023/?ref=marmaladecollective.com) Photography [@Marco.Bahler](https://www.instagram.com/Marco.Bahler/?ref=marmaladecollective.com) Ghanaian-British editor [Edward Enninful OBE](https://www.instagram.com/edward%5Fenninful/?ref=marmaladecollective.com) received the Trailblazer Award at The Fashion Awards 2023, presented by Jodie Comer and Stormzy. Enninful transitioned to a global creative and cultural adviser for Vogue. The event, held at London's Royal Albert Hall on December 4, 2023, celebrated fashion innovators and creatives, supporting the British Fashion Council Foundation's mission to foster growth, success, and inclusivity in the industry. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/12/edward-enninful-wins-at-tfa-2023/?ref=marmaladecollective.com) ## Tamale's Artistic Renaissance: A Northern Ghana Crossroads for Culture Beyond Accra's Bustle [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Gallery-1957-is-proud-to-introduce-the-fifth-member-of-our-jury-for-the-third-edition-of-the-Yaa-Asantewaa-Women-s-Art-Prize.-Ibrahim-Mahama-is-a-renowned-Ghanaian-artist-who-has-exhibited-internationally-at-galleri.jpg)](https://www.okayafrica.com/accra-artists-tamale-ibrahim-mahama/?ref=marmaladecollective.com) **Artist Ibrahim Mahama: Credit artist IG* Ghanaian artist [Ibrahim Mahama](https://www.instagram.com/ibrahimmahama3/?hl=en&ref=marmaladecollective.com) ranks sixth in Art Review's Power 100 list. Through the [blaxTARLINES ](https://www.instagram.com/blaxtarlines/?hl=en&ref=marmaladecollective.com)KUMASI movement, he challenges Ghana's art narratives. Mahama's Savannah Center for Contemporary Art (SCCA) and Nii Obodai's Nuku Studio in Tamale foster community, creativity, and economic sustainability, connecting local and international artists, photographers, and filmmakers to shape a vibrant arts scene. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/accra-artists-tamale-ibrahim-mahama/?ref=marmaladecollective.com) ## Davido and Adekunle Gold Headline Nigeria's BlockParty Festivals [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/402111585_18406856359016640_7567212160641985115_n.jpg)](https://crackmagazine.net/2023/12/davido-and-adekunle-gold-announced-for-nigerias-blockparty-festivals/?ref=marmaladecollective.com) **© Pumamotorsports* Afrobeats sensation [Davido ](https://www.instagram.com/davido/?ref=marmaladecollective.com)will headline the Timeless BlockParty on December 26 in Lagos, featuring [ODUMODUBLVCK](https://www.instagram.com/odumodublvck/?ref=marmaladecollective.com), [Fave](https://www.instagram.com/faveszn/?ref=marmaladecollective.com), and [Dopecaesar](https://www.instagram.com/dopecaesar/?ref=marmaladecollective.com). The Island event will showcase festival's sound system crew and DJs like Titanium and Maze x Mxtreme. Adekunle Gold headlines the Mainland event, #Mission24K, on January 1 for the festival's fifth anniversary. BlockParty founder Tobi Mohammed expressed excitement for the festive season events, thanking supporters and hinting at ambitious plans for the festival in 2024. [👉 Check it out on CrackMagazine](https://crackmagazine.net/2023/12/davido-and-adekunle-gold-announced-for-nigerias-blockparty-festivals/?ref=marmaladecollective.com) ## Hypebeast Africa and Samsung Explore City's Culinary Gems in 'Local Delicacy’ [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/https___hypebeast.com_image_2023_12_hypebeast-africa-samsung-culture-scouts-local-delicacy-campaign-13.jpg)](https://hypebeast.com/2023/12/hypebeast-africa-samsung-culture-scouts-local-delicacy-campaign?ref=marmaladecollective.com) **Image courtesy of Nondumiso Shange* Hypebeast Africa Culture Scouts, using Samsung S23 Ultra, explore South Africa's culinary culture using Samsung tech. They visit markets, street food, and fusion spots to capture their "Local Delicacy." The scouts highlight the diverse flavors and seafood at Kalky's, the traditional shisanyama experience at Kwa Mai-Mai Market, and the fusion of Latin American and South African cuisine at MAMASAMBA. The exploration reflects the deep connection South Africans have with their food. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/12/hypebeast-africa-samsung-culture-scouts-local-delicacy-campaign?ref=marmaladecollective.com) ## Ashluxe x Fela Kuti - FW24 - Kalakuta Republic - Dreams do Come True [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Fela_The-Guardian-Nigeria-copy.webp)](https://felakuti.com/us/products/410097-kalakuta-show/201368718-vinyl?ref=marmaladecollective.com) *Image credit: ©theguardian* The Kalakuta Museum in Ikeja, Lagos, housed in Fela's three-story residence, captures the essence of Kalakuta Republic, Fela's self-declared independent state. The museum, filled with his personal items, commemorates Fela's life until his 1997 passing. Now in collaboration with the streetwear brand ashluxe, the Kalakuta show will happen on the 14th of December 2023, at Landmark event center, Lagos, Nigeria. The release date for the vinyl disc is January 26th, 2024. [👉 Check it out on FelaKuti](https://felakuti.com/us/products/410097-kalakuta-show/201368718-vinyl?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Whats-On---December.jpg)](https://www.marmaladecollective.com/whats-on-in-december-london/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! [What's On This Week](https://www.marmaladecollective.com/whats-on-in-december-london/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### No Signal Yearbook: Tyla and Uncle Waffles, Mr Eazi’s Insider’s Guide to Cotonou, Black Coffee X Grutman URL: https://www.marmaladecollective.com/nosignal-yearbook-tyla-and-uncle-waffles-mr-eazis-insiders-guide-to-cotonou-black-coffee-x-grutman/ Last updated: 2023-12-11T10:00:32.000Z #### Highlights: - No Signal Yearbook 4 Launch, Global Artists Shine, MVP Voting! *via* [NSYEARBOOK](http://nsyearbook.com/?ref=marmaladecollective.com) - Black Coffee X Grutman - DGN Studios Unveils Global DJ Journey’ *via* [Hollywoodreporter](https://www.hollywoodreporter.com/business/business-news/david-grutman-groot-hospitality-dgn-studios-launch-1235709628/?ref=marmaladecollective.com) - Fluid African Authenticity: Nana Frimpong's Surrealist Photography *via* [OkayAfrica](https://www.okayafrica.com/spotlight-nana-frimpong-ghana-photographer/?ref=marmaladecollective.com) - Nigerian Sensation Nengi Omuku Debuts Powerful Solo Exhibition in the UK *via* [CreativeBoom](https://www.creativeboom.com/features/nengi-omuku-introduces-her-first-institution-show/?ref=marmaladecollective.com) - Creative African Chefs Redefining African Cuisine *via* [CNN](https://edition.cnn.com/videos/tv/2023/11/15/african-voices-changemaking-chefs-yu-georgiana-viou.cnn?ref=marmaladecollective.com) - Mr. Eazi’s Insider’s Guide to Cotonou, Benin Tourist Destination! *via* [FT](https://www.ft.com/content/5edebffb-4992-432e-81c2-f2a2265591e2?ref=marmaladecollective.com) - Uncle Waffles Hits 12 Million Spotify Streams Adds Producer to Her Resume *via* [CNN](https://edition.cnn.com/world/africa/uncle-waffles-amapiano-dj-africa-spc?utm%5Fsource) 💙 [****Get access**](https://www.experiencesbymarmalade.com/?ref=marmaladecollective.com) to the best Afrocentric experiences from London to Lagos. ****Save up to 50%** at the hottest new African restaurants and food brands. --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## No Signal Yearbook 4 Launch, Global Artists Shine, MVP Voting! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Snapinsta.app_408513227_742894191018477_1679353425951146409_n_1080.jpg)](http://nsyearbook.com/?ref=marmaladecollective.com) **Image Credits: No Signal* Celebrate the 4th No Signal Yearbook with an explosive launch party co-hosted with Daily Paper! Featuring a global lineup of phenomenal artists, this year's edition is bigger and better than ever. Explore the impressive list and vote for your MVP of the year at [NSYEARBOOK.COM](http://nsyearbook.com/?ref=marmaladecollective.com). Witness the world's creative prowess in one place! [👉 Check it out on NSYEARBOOK](http://nsyearbook.com/?ref=marmaladecollective.com) ## Black Coffee X Grutman - DGN Studios Unveils Global DJ Journey [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/386729439_18391151263054589_6783762470225418910_n-1.jpg)](https://www.hollywoodreporter.com/business/business-news/david-grutman-groot-hospitality-dgn-studios-launch-1235709628/?ref=marmaladecollective.com) **Photographer: Rafael Deprost* Miami tycoon [David Grutman](https://www.instagram.com/davidgrutman/?ref=marmaladecollective.com) and [South African DJ Black Coffee](https://www.instagram.com/realblackcoffee/?ref=marmaladecollective.com) join forces for a captivating documentary, the inaugural venture of DGN Studios. Offering unprecedented access, the film chronicles Black Coffee's evolution from a Miami nightclub to international stardom, showcasing the DJ's remarkable ascent and Grutman's commitment to unveiling untold stories. [👉 Check it out on Hollywoodreporter](https://www.hollywoodreporter.com/business/business-news/david-grutman-groot-hospitality-dgn-studios-launch-1235709628/?ref=marmaladecollective.com) ## Fluid African Authenticity: Nana Frimpong's Surrealist Photography [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Art-title---The-Present-Vs-The-Past-........-photography---blackart--surrealism--surrealworld--africanart--africanartist--blackartexpo--blackartists--afroart--afropunk--music--poetsofinstagram--artlovers--instagram-.jpg)](https://www.okayafrica.com/spotlight-nana-frimpong-ghana-photographer/?ref=marmaladecollective.com) **Art title: “The Present Vs The Past*” *Image Courtesy of Nana Frimpong* [Nana Frimpong](https://www.instagram.com/frizzlemadeit/?ref=marmaladecollective.com), a 27-year-old lensman, discovered his artistic passion through smartphone photography after financial setbacks during his architecture studies. His surrealist work, often set against water, explores human emotions and celebrates African authenticity. His unique perspective, focusing on originality, authenticity, and overcoming fears, resonates globally, making him a globally recognized lensman. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/spotlight-nana-frimpong-ghana-photographer/?ref=marmaladecollective.com) ## Nigerian Sensation Nengi Omuku Debuts Powerful Solo Exhibition in the UK [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/291121866_1050802402477323_1935774764035609546_n.jpg)](https://www.creativeboom.com/features/nengi-omuku-introduces-her-first-institution-show/?ref=marmaladecollective.com) **Photo courtesy of Nengi Omuku's IG* Nigerian artist [Nengi Omuku](https://www.instagram.com/nengiomuku/?ref=marmaladecollective.com), known for her hand-spun fabric paintings, is showcasing her first major UK solo exhibition, "The Dance of People and the Natural World." Inspired by her mother and florist career, she explores connections between people and nature, using cinematic paintings like "Eden" and landscape painting as therapeutic outlets. [👉 Check it out on CreativeBoom](https://www.creativeboom.com/features/nengi-omuku-introduces-her-first-institution-show/?ref=marmaladecollective.com) ## Creative African Chefs Redefining African Cuisine [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Portrait-of-the-chief-@georgiana_viou-for-@lemondefr-at-@rouge_nimes-@margaret_hotelchouleur-Words-by-@leo.pajon.jpg)](https://edition.cnn.com/videos/tv/2023/11/15/african-voices-changemaking-chefs-yu-georgiana-viou.cnn?ref=marmaladecollective.com) **Portrait of Georgiana Viou for @lemondefr at @rouge\_nimes @margaret\_hotelchouleur* In this CNN African Voices feature, culinary pioneers [Georgiana Viou](https://www.instagram.com/georgiana%5Fviou/?ref=marmaladecollective.com) and Ayushi Gooroochurn are revolutionising African cuisine. Viou, a Michelin-starred chef, showcases Benin's flavours in France, earning acclaim as an ambassador of fine African cooking. Meanwhile, Gooroochurn, Mauritius' youngest executive chef, crafts a distinctive culinary identity through inventive taste combinations. [👉 Check it out on CNN](https://edition.cnn.com/videos/tv/2023/11/15/african-voices-changemaking-chefs-yu-georgiana-viou.cnn?ref=marmaladecollective.com) ## Mr. Eazi’s Insider’s Guide to Cotonou, Benin Tourist Destination! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/I-recorded-most-of-my-new-album--TheEvilGenius-----officially-started-@choplifesoundsystem-in-Cotonou---a-calm-yet-Vibrant-City--Can-t-wait-to-be-back-in-December.jpg)](https://www.ft.com/content/5edebffb-4992-432e-81c2-f2a2265591e2?ref=marmaladecollective.com) **Image courtesy of Mr. Eazi's IG* [Mr Eazi](https://www.instagram.com/mreazi/?ref=marmaladecollective.com), recording artist, musician, and businessman shares his vibrant insight and experience in Cotonou, Benin. The city’s evolving charm, music-filled nights at Code Bar, recording adventures at Maison Rouge, and savoring giant prawns at Le Hublot. He describes the city's spiritual energy, distinguishing it from Lagos, and highlights the introspective aura experienced in surrounding areas like Ouidah. [👉 Check it out on FT](https://www.ft.com/content/5edebffb-4992-432e-81c2-f2a2265591e2?ref=marmaladecollective.com) ## Uncle Waffles Hits 12 Million Spotify Streams Adds Producer to Her Resume [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/--tamn.-Thank-you-so-much-@gqsouthafrica-.-Thank-you-so-much--Women-of-the-year--real-real-tears.-To-an-overflow-of-grace-in-2024.-To-even-bigger.-Amen.jpg)](https://edition.cnn.com/world/africa/uncle-waffles-amapiano-dj-africa-spc?utm%5Fsource) *Image: ggq South Africa* In two transformative years, Uncle Waffles, the 23-year-old Amapiano DJ, emerged as an international sensation. From viral fame after Drake's endorsement to headlining Coachella, she champions dance as a universal language, breaking language barriers. As the first Amapiano DJ at Coachella's main stage, she paves the way for female DJs, emphasizing limitless potential in male-dominated spaces. [👉 Check it out on CNN](https://edition.cnn.com/world/africa/uncle-waffles-amapiano-dj-africa-spc?utm%5Fsource) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Whats-On---December.jpg)](https://www.marmaladecollective.com/whats-on-in-december-london/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! [What's On This Week](https://www.marmaladecollective.com/whats-on-in-december-london/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### A Marmalade Guide: 7 Unique Holiday Traditions Celebrated in Different African Countries URL: https://www.marmaladecollective.com/unique-holiday-traditions-celebrated-in-different-african-countries/ Last updated: 2023-12-10T16:22:22.000Z As we usher in the joyous holiday season, join us on an exploration of unique Christmas traditions across the landscapes of Africa. From Ethiopia's Genna Festival, blending ancient customs with merriment, to South Africa's sun-soaked Christmas celebrations, each tradition showcases a deep history, culture, and vibrant festivities. ## Ethiopia's Genna Festival ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Ethiopia-s-Genna-Festival.jpg) **Ethiopia's Genna Festival ©responsible vacation* Ethiopia's Genna Festival celebrated on January 7th, intertwines religious fervour with age-old customs. This festival commemorates the birth of Jesus Christ, enveloping the country in a blend of spiritual devotion and joyous festivities. Marked by special masses held in churches nationwide, Genna transcends mere religious observations to include a unique game called Genna, akin to hockey, played on makeshift fields. Families unite in jubilant camaraderie, indulging in sumptuous traditional delicacies like Doro Wat (spicy chicken stew) and Injera (sourdough flatbread), fostering community bonds and jubilant celebrations. ## South Africa's Christmas in the Sun ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/South-Africa-s-Christmas-in-the-Sun.jpg) **South Africa's Christmas in the Sun © menshealthza* Contrasting the wintry imagery often associated with Christmas, South Africa's celebrations unfold beneath the warm embrace of the sun. Families converge for "Braais," exuberant barbecues adorned with grilled meats, seafood, and customary side dishes. Many flock to the coast, relishing beach outings, picnics, and concerts amidst a relaxed and sunny ambience, emblematic of the region's festive spirit. ## Malawi's Chisamba Dance ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/figure1.jpg) **Malawi's Chisamba's Dance © Felix G. Bello, Mathews Lambulira* In Malawi, the spirit of Christmas manifests through the vibrant and energetic Chisamba dance, a cherished tradition among the Chewa people. Bedecked in resplendent attire, dancers move rhythmically to the beat of drums, symbolising communal joy and unity. This dance, steeped in cultural significance, graces Christmas gatherings, serving as both entertainment and a conduit for uplifting spirits within the community. ## Nigeria's Calabar Carnival ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Nigeria-s-Calabar-Carnival.jpg) **A woman from Calabar Carnival © Jesse Ojobor* December in Nigeria witnesses the resplendent Calabar Carnival, an extravaganza that draws in global tourists. With its kaleidoscope of colourful parades, vibrant costumes, music, and dance, the carnival serves as a testament to Nigeria's diverse ethnic heritage. Rooted in culture and history, this grand celebration epitomises the grandeur with which Christmas is celebrated. ## Tanzania's Kwanzaa Celebrations ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Tanzania-s-Kwanzaa-Celebrations.jpg) **Tanzania's Kwanza Celebrations © thekansascityglobe* In Tanzania, December witnesses the exuberant celebration of Kwanzaa, emphasising African heritage and unity. Families convene for feasts, storytelling, and the ceremonial lighting of Kinara candles representing the seven principles of Kwanzaa. This celebration serves as a beacon, promoting values such as unity, self-determination, and collective responsibility within the community. ## Zimbabwe's Christmas Feast ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Zimbabwe-s-Christmas-Feast.jpg) **Zimbabwe's Christmas Feasts © pamugotii restaurant* Zimbabweans embrace Christmas with a grand feast shared among loved ones. The celebratory spread often features rice, chicken, vegetables, and indigenous delights like Sadza (maize meal) and Muriwo na Nyama (vegetables with meat). Families exchange heartfelt gifts and stories, underscoring the essence of unity, love, and the sheer joy of togetherness. ## Kenya's Christmas Markets ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Kenya-s-Christmas-Markets.jpg) **Kenya Christmas Markets © hoxtonstmarket* Cities like Nairobi and Mombasa in Kenya burst to life with bustling markets adorned with festive goods, decorations, and local crafts during the Christmas season. The vibrant streets teem with vendors offering an eclectic array of items, fostering a lively ambience perfect for holiday shopping and cultural exchanges. ## Conclusion These unique Christmas traditions across Africa stand as proof to Africa's cultural richness and the profound significance attached to the festive season. They not only celebrate the birth of Christ but also embody the values of unity, community, and joy that resonate deeply within each tradition, creating a vibrant tapestry of celebrations unique to Africa. ### Yemi Alade, Adekunle Gold Feature in "The Book of Clarence" Soundtrack and More! URL: https://www.marmaladecollective.com/yemi-alade-adekunle-gold-feature-in-the-book-of-clarence-soundtrack/ Last updated: 2023-12-04T10:00:43.000Z #### Highlights: - Adekunle Gold, Yemi Alade Feature in 'The Book of Clarence' Soundtrack *via* [BellaNaija](https://www.bellanaija.com/2023/11/adekunle-gold-yemi-alade-book-of-clarence/?ref=marmaladecollective.com) - Baloji Drops Soundtrack for his Oscar-Nominated Film ‘Augure (Omen)’ *via* [OkayAfrica](https://www.okayafrica.com/baloji-releases-first-augure-omen-ep/?ref=marmaladecollective.com) - West Africa's Debut Hyper-Realistic Event at SOL ONIRU, December 1-9: "Nothing Is Unreal.” *via* [BellaNaija](https://www.bellanaija.com/2023/11/mai-lasan-nothing-is-real/?ref=marmaladecollective.com) - Skeyi & Strobo Fabrik: Zimbabwe's Premier Street Culture Extravaganza Triumphs *via* [GreedySouth](https://www.greedysouth.co.zw/2023/11/the-skeyi-strobo-fabrik-party-8th.html?ref=marmaladecollective.com) - Libianca, Victony and Others: Afrobeat Talents to Watch in 2024 *via* [Blavity](https://blavity.com/afrobeats-artists?ref=marmaladecollective.com) - Fally Ipupa Makes History with Sold-Out Paris Concert Spectacle *via* [NWE](https://www.instagram.com/p/C0FmvMRok%5FA/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink) - Thobeka Mbane: Most Sought-after South African Fashion Stylist Making Industry Impact *via* [IOL](https://www.iol.co.za/sunday-tribune/lifestyle/meet-thobeka-mbane-south-africas-most-sought-after-fashion-stylist-30a2f8d1-531c-4dee-8938-022c60d6ba15?ref=marmaladecollective.com) 🗳️ [****VOTE for Lerato**](https://bit.ly/47W1GAY?ref=marmaladecollective.com) who has been shortlisted as Creator of the Year at the prestigious Fortnum & Mason food & drink awards. [Learn more](https://leratofoods.com/?ref=marmaladecollective.com) about Lerato and her journey as an author, chef & broadcaster --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Adekunle Gold, Yemi Alade Feature in 'The Book of Clarence' Soundtrack [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/404275844_700321575498142_3089691335123329757_n.webp)](https://www.bellanaija.com/2023/11/adekunle-gold-yemi-alade-book-of-clarence/?ref=marmaladecollective.com) **© Yemi Alade* Nigerian musicians [Adekunle Gold](https://www.instagram.com/adekunlegold/?ref=marmaladecollective.com) and [Yemi Alade](https://www.instagram.com/yemialade/?ref=marmaladecollective.com) will contribute to the soundtrack of the upcoming Hollywood film "The Book of Clarence," set in 29 A.D. Jerusalem. The film explores themes of redemption, faith, and identity, with a star-studded cast including Jay-Z as a producer. The first track, "Hallelujah Heaven," features Lil Wayne, Buju Banton, and Shabba Ranks. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/adekunle-gold-yemi-alade-book-of-clarence/?ref=marmaladecollective.com) ## Baloji Drops Soundtrack for his Oscar Nominated Film ‘Augure (Omen)’ [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/379249348_700540178584317_7801592419992702957_n.jpg)](https://www.bellanaija.com/2023/11/asake-ft-h-e-r-lonely-at-the-top/?ref=marmaladecollective.com) **Photographer* [**@stigdeblock*](https://www.instagram.com/stigdeblock/?ref=marmaladecollective.com) Congo's [Baloji ](https://www.instagram.com/baloji/?ref=marmaladecollective.com)has released an EP, inspired by his Oscar-nominated debut film, Augure (Omen), featuring global artists and exploring the narratives of four witchcraft-assisted characters. The film, which blends African, French, and American influences, was praised at Cannes and is Belgium and Congo's entry for the 2024 Oscars. Baloji's debut on COLORS showcases the soundtrack's psychological depth and vibrant visuals. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/baloji-releases-first-augure-omen-ep/?ref=marmaladecollective.com) ## West Africa's Debut Hyper-Realistic Event at SOL ONIRU, December 1-9: "Nothing Is Unreal.” [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Embark-on-a-unique-immersive-experience-with--Nothing-is-Unreal----West-Africa-s-first-hyper-realistic-event-happening-from-December-1-to-9-at-SOL-ONIRU.__A-collaborative-team--including-Creative-Director-@mai_lasan.jpg)](https://www.bellanaija.com/2023/11/mai-lasan-nothing-is-real/?ref=marmaladecollective.com) **Image Courtesy of @nothing\_is\_unreal* Colorean Bay is launching "[Nothing is Unreal](https://www.instagram.com/nothing%5Fis%5Funreal/?ref=marmaladecollective.com)," West Africa's first hyper-realistic immersive experience at SOL Oniru from December 1 to 9\. The event, a collaboration of skilled creatives, invites participants on a personal journey through Lagos, blending technology, art, and culture. The event, supported by Sol Oniru and Pulse NG, aims to nurture wonder and curiosity, breaking preconceptions in a new era of entertainment. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/mai-lasan-nothing-is-real/?ref=marmaladecollective.com) ## Skeyi & Strobo Fabrik: Zimbabwe's Premier Street Culture Extravaganza Triumphs [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/404063877_1292739524770547_3123622738488248971_n.jpg)](https://www.greedysouth.co.zw/2023/11/the-skeyi-strobo-fabrik-party-8th.html?ref=marmaladecollective.com) **Photo:*[**@lennoxthephotographer*](https://www.instagram.com/lennoxthephotographer/?ref=marmaladecollective.com)**,* [**@baobab\_media*](https://www.instagram.com/baobab%5Fmedia/?ref=marmaladecollective.com)**,* [**@tina\_visuals*](https://www.instagram.com/tina%5Fvisuals/?ref=marmaladecollective.com) The [Skeyi and Strobo Fabrik Convention](https://www.instagram.com/skeyiandstrobo%5Ffabrikparty/?ref=marmaladecollective.com) is Zimbabwe's premier street culture event, combining runway shows, live performances, pop-up stalls, and visual art. Designed by [Ulenni Okandlovu](https://www.instagram.com/ulenniokandlovu/?ref=marmaladecollective.com), it's a hub for local creatives and entrepreneurs to showcase their skills, fostering connection within the creative scene. The Fabrik Party attracts a stylish crowd, showcasing the burgeoning talent in Zimbabwe's creative landscape. [👉 Check it out on GreedySouth](https://www.greedysouth.co.zw/2023/11/the-skeyi-strobo-fabrik-party-8th.html?ref=marmaladecollective.com) ## Libianca, Victony and Others: Afrobeat Talents to Watch in 2024 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Ichie-agu--is-coming..jpg)](https://blavity.com/afrobeats-artists?ref=marmaladecollective.com) **Image Courtesy of Victony IG* Afrobeats, a diverse genre, signifies the African Diaspora's rich rhythms and cultures, becoming a global music phenomenon. Originating in the '90s with Nigerian boy bands like Trybesmen, Afrobeats evolved, blending traditional African rhythms with hip-hop, dancehall, reggaeton, and soca. Digital platforms amplify its reach, with stars like Wizkid, D’banj, and Davido dominating. Emerging artists like [Qing Madi](https://www.instagram.com/qingmadi/?ref=marmaladecollective.com), known for "See Finish," and [Odumodublvck](https://www.instagram.com/odumodublvck/?ref=marmaladecollective.com), fusing hip-hop and Afrobeats in "Blood on the Dance Floor," are bound to make waves in 2024. [👉 Check it out on Blavity](https://blavity.com/afrobeats-artists?ref=marmaladecollective.com) ## Fally Ipupa Makes History with Sold-Out Paris Concert Spectacle [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Esthetiquee-nnnn.jpg)](https://www.instagram.com/p/C0FmvMRok%5FA/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink) **Image: Fally Ipupa IG* Renowned Congolese artist [Fally Ipupa](https://www.instagram.com/fallyipupa01/?ref=marmaladecollective.com) achieved a historic milestone, captivating 40,000 fans in a sold-out performance at Paris's U Arena. The electrifying concert underscored Ipupa's global appeal and solidified his status as a musical sensation, marking a memorable chapter in his illustrious career. [👉 Check it out on NWE](https://www.instagram.com/p/C0FmvMRok%5FA/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink) ## Thobeka Mbane: Most Sought-after South African Fashion Stylist Making Industry Impact [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/87891537_196104698365058_5135918868085960844_n.jpg)](https://www.iol.co.za/sunday-tribune/lifestyle/meet-thobeka-mbane-south-africas-most-sought-after-fashion-stylist-30a2f8d1-531c-4dee-8938-022c60d6ba15?ref=marmaladecollective.com) *Image: Thobeka Mbane IG* [Thobeka Mbane](https://www.instagram.com/thobekambane/?ref=marmaladecollective.com) is a South African fashion stylist, who elevates stars' appearances and sees fashion as freedom and self-expression. She highlights the interconnected beauty of hair and clothing, emphasizing their symbiotic relationship. Despite the industry's talent, Mbane notes resource struggles hindering designers' prominence. Top fashion tips include body awareness, wardrobe basics, comfort, and individuality. [👉 Check it out on IOL](https://www.iol.co.za/sunday-tribune/lifestyle/meet-thobeka-mbane-south-africas-most-sought-after-fashion-stylist-30a2f8d1-531c-4dee-8938-022c60d6ba15?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/12/Whats-On---December.jpg)](https://www.marmaladecollective.com/whats-on-in-december-london/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! [What's On This Week](https://www.marmaladecollective.com/whats-on-in-december-london/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### What's on in "Detty" December URL: https://www.marmaladecollective.com/whats-on-in-december-london/ Last updated: 2023-11-28T13:00:50.000Z Not travelling to Lagos or Accra for December festivities? No worries! We're here to spice up your "Detty" December in London with some top-notch Afrocentric vibes. Think concerts, live jams, cozy supper clubs, groovy dance lessons, cool exhibitions, and a whole lot more. _This post is for subscribers only._ ### A Marmalade Guide: Charmaine Chanakira - Zimbabwean Afro- expressionist Artist URL: https://www.marmaladecollective.com/charmaine-chanakira-zimbabwean-afro-expressionist-artist/ Last updated: 2024-01-03T10:33:52.000Z We present to you the colourful world of Afro-expressionist Zimbabwean artist Charmaine Chanakira, whose creations bring to life the many rich cultural facets of Africa. In this brief chat with Charmaine Chanakira, we discussed the strokes and colours of Chanakira's masterpieces, exploring the story and cultural nuances that define her unique artistic voice. ## Roots and Influences Charmaine Chanakira's Afro-expressionism is deeply rooted in Zimbabwe's rich heritage and diverse experiences. Her work tells stories of connection to the land and its people through traditional music and vibrant African textiles. Chanakira's art invites audiences to witness the interplay between tradition and modernity, creating a visual dialogue that resonates with audiences worldwide. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/yasuke.jpg) **"Yasuke"* By incorporating the rhythmic beats of traditional music and the vibrant colours of African textiles, her work reflects the rich cultural and historical influences of Zimbabwe. Read our brief chat below to see why colours play a huge role in her works. ***What draws you to the vivid and vibrant colours in your Afro-expressionist art? What do these colours represent or symbolize for you?*** > In my waking life, I am very introverted. I am not the loudest person in a room and I tend to be okay blending in the background. You will probably always see me wearing black hiding away in a corner somewhere. But when I paint, I paint to be seen, I paint to be loud and I paint to be powerful. The colours I use are meant to represent me, they speak for me and say all the things my voice cannot carry. ***How do you select the colours you use in a given piece? What special meaning or connections to African culture and identity do they have in your work?*** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/charmaine-chanakira.jpg) **The Artist and her Art* > I pick colours at random and hope they work together lol! And if they don’t, I will keep layering until I find a combination that works for me. I like to use white at the end to tie up all the madness and chaos, thus framing the work succinctly. I feel like the white holds everything together. > For me, colour is everything! It reflects my mood and my age when I am creating. I always say that I create with my inner child, so when I use colours like bright pink and yellows, that’s my inner child showing herself. These colours bring me back to my childhood and bring me comfort. I find my happy place in the colours I use. When I use deeper colours like greens, black, oranges and reds, they represent my African heritage, they ground me and bring me back home. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/the-critic.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/charmaine1.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/the-alchemist-.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Senzeni.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/charmaine-chanakira-23.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Flo-of-energy-.png) ***Some critics have noted the contrast between sombre subject matter dealing with struggle or oppression, yet your works utilize bright, lively colours. Can you discuss your thought process behind that dichotomy?*** > This is a difficult one to answer. I have been through so much and have experienced lots of things both traumatic and pleasurable. I see the world and the spaces around me as much greater and much bigger than I am. So, when I think of struggle, oppression or politics, I choose to see them through the lenses of a child. > There is so much information to take on, so much to process, so many questions left unanswered. Painting this all in black or dark colours will make this so much harder for my inner child to digest. I paint to heal her, so I paint through her lenses and her idea of the world. I paint optimistically, I paint for change and want to talk about hurtful things without them taking any power away from me. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/charmaine-9.jpg) **Charmaine Chanakira* ***The colours black, red, and green are often associated with African pride. Do you consciously try to incorporate that into your works?*** > I do not consciously use those colours in that way but I guess subconsciously that is what they represent to me. They remind me of home, and they ground me. Growing up, I had an identity complex which led me to shy away from my culture. It wasn’t ‘cool’ being African when I was in high school so it made it hard for me to openly celebrate my culture. After some time in therapy, I have managed to get back to my roots and I am now able to celebrate myself, my culture and my history out loud. I think the use of those colours in my artwork is a sort of apology to my ancestors for abandoning them in childhood. ## Conclusion As we conclude our exploration of Charmaine Chanakira's artistry, I hope like us you see why she does what she does. And join us to celebrate her as a visionary in the Afro-expressionism field. Through her work, she not only embodies Zimbabwean culture but also adds to the worldwide discourse on the ability of art to bridge divides and promote understanding. Chanakira's ability to infuse contemporary issues with timeless traditions makes her a beacon in the world of African art, and we are happy to witness the beauty and depth she brings to the canvas. 🔌 You can connect with Charmaine Chanakira on Instagram [here!](https://www.instagram.com/chanakirasan/?hl=en&ref=marmaladecollective.com) ## Subscribe for more stories on artists like Charmaine Join us as we champion the narratives of artists like Charmaine Chanakira, and add our voice to Africa's diverse stories and cultures! Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ### Ayra Starr as Maybelline Ambassador , Asake ft H.E.R, Thandi Ntuli's "Rainbow Revisited" URL: https://www.marmaladecollective.com/ayra-starr-as-maybelline-ambassador-asake-ft-h-e-r-thandi-ntulis-rainbow-revisited/ Last updated: 2023-11-27T10:00:51.000Z #### Highlights: - Ayra Starr, Maybelline's Sub-Saharan Ambassador, Africa's Spokesperson for the Makeup Brand *via* [Instagram](https://www.instagram.com/p/Cz4dQEdtYhC/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igshid=MzRlODBiNWFlZA==) - Asake’s Lonely at the Top Remix ft H.E.R out Now *via* [BellaNaija](https://www.bellanaija.com/2023/11/asake-ft-h-e-r-lonely-at-the-top/?ref=marmaladecollective.com) - Arinze Ekwuide's Online Solo Show Explores Diverse Facets of African Culture *via* [Artnet](https://news.artnet.com/art-world/arinze-ekwuide-2394353?ref=marmaladecollective.com) - Burna Boy Announces Massive London concert in Summer 2024 *via* [Dig](https://www.thisisdig.com/burna-boy-announces-huge-london-show-for-summer-2024/?ref=marmaladecollective.com) - Thandi Ntuli’s “Rainbow Revisited” Album *via* [Pitchfork](https://pitchfork.com/reviews/albums/thandi-ntuli-carlos-nino-rainbow-revisited/?ref=marmaladecollective.com) - South-African Designer Gert-Johan Coetzee Pioneers 3D-Printed Dress, Showcasing Cutting-edge Fashion Innovation *via* [IOL](https://www.iol.co.za/the-star/news/renowned-designer-gert-johan-coetzee-takes-innovation-to-new-level-with-3d-dress-a3560ec0-cd9f-4a74-88d3-b6fefe9793c9?ref=marmaladecollective.com) - Qing Madi Performs "Vision" and "Ole" Live for Vevo DSCVR '24 *via* [BellaNaija](https://www.bellanaija.com/2023/11/qing-madi-on-vevo-dscvr/?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Ayra Starr, Maybelline's Sub-Saharan Ambassador, Africa's Spokesperson for the Makeup brand [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/I-m-excited-to-share-the--@Maybelline-SuperStay-Showdown-Collection-with-you--Every-Sabi-girl-needs-a-16H-wear-lippie----Now-Available-in-Sub-Saharan-Africa-To-my-Nigerian---Sabi-girls--it-s-coming-soon-to-Beauty-Hu.jpg)](https://www.instagram.com/p/Cz4dQEdtYhC/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igshid=MzRlODBiNWFlZA==) **© Maybelline New York* [Maybelline's](https://www.instagram.com/maybelline/?ref=marmaladecollective.com) Sub-saharan ambassador [Ayra Starr](https://www.instagram.com/ayrastarr/?ref=marmaladecollective.com) through her platform excitedly shares the news of their SuperStay Showdown Collection launch in Sub-Saharan Africa, boasting 16-hour wear lip colours targeted towards African women, including Ayra Starr's "Sabi girls". She noted the Nigerian market will see the line soon at Beauty Hut locations across Nigeria. [👉 Check it out on Instagram](https://www.instagram.com/p/Cz4dQEdtYhC/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igshid=MzRlODBiNWFlZA==) ## Asake’s Lonely at the Top Remix ft H.E.R out Now [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/0DF50BB1-1B82-41C7-8ED2-A468643B24D9.png)](https://www.bellanaija.com/2023/11/asake-ft-h-e-r-lonely-at-the-top/?ref=marmaladecollective.com) **Image Courtesy of the YouTube Video.* Nigerian artist [Asake ](https://www.instagram.com/asakemusic/?ref=marmaladecollective.com)collaborates with American R&B singer [H.E.R](https://www.instagram.com/hermusicofficial/?ref=marmaladecollective.com). in an acoustic remix of "Lonely At The Top," with an [official video release](https://youtu.be/l1YM5msKYo8?ref=marmaladecollective.com). The original track, produced by Blaisebeatz, debuted on Asake's "Work of Art" album in June 2023, showcasing the artist's musical prowess and international collaborations. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/asake-ft-h-e-r-lonely-at-the-top/?ref=marmaladecollective.com) ## Arinze Ekwuide's Online Solo Show Explores Diverse Facets of African Culture [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/HERITAGE-EMBRACEOil-on-canvas2023In-Heritage-Embrace--you-ll-witness-a-compelling-portrayal-of-a-modern-woman-s-profound-journey-of-self-discovery-and-reconnection-with-her-African-roots.-The-focal-point-of-this-str.jpg)](https://news.artnet.com/art-world/arinze-ekwuide-2394353?ref=marmaladecollective.com) **Image Courtesy of @edeziuno* Nigerian artist [Arinze Ekwuide's](https://www.instagram.com/edeziuno/?ref=marmaladecollective.com) solo show, "African Echoes: Exploring Identities Through Heritage," is at TAAG Gallery until January 31, 2024\. The exhibition features over a dozen paintings, focusing on African cultures, traditions, and histories, and themes of identity, resilience, and continuity. Ekwuide's vibrant palette and symbolic motifs celebrate Africa's diverse identity, and his bold, colourful paintings explore cultural symbols like African masks. [👉 Check it out on Artnet](https://news.artnet.com/art-world/arinze-ekwuide-2394353?ref=marmaladecollective.com) ## Burna Boy Announces Massive London concert in Summer 2024 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Love-your-family--Respect-your-team--work-hard--live-your-passion----ITOLDTHEMTOUR---@nickieleerose-@official_kaikai.jpg)](https://www.thisisdig.com/burna-boy-announces-huge-london-show-for-summer-2024/?ref=marmaladecollective.com) **Image @official\_kaikai @nickieleerose* [Burna Boy](https://www.instagram.com/burnaboygram/?ref=marmaladecollective.com), the first African artist to headline a UK stadium, is set to perform at the London Stadium on June 29, 2024, as part of his 'I Told Them... Tour.' Tickets will be available for purchase on Friday, with priority sales for registered fans on Wednesday. Burna Boy is also planning a North American tour in 2024. [👉 Check it out on Dig](https://www.thisisdig.com/burna-boy-announces-huge-london-show-for-summer-2024/?ref=marmaladecollective.com) ## Thandi Ntuli’s “Rainbow Revisited” Album [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/announcing-IARC0073------------------------with------------------------------------------------------LP--CD--Digi-album-out-11-17-23Today-we-are-pleased-to-share-music-and-details-of-a-new-album-from-Johannesburg--S.jpg)](https://pitchfork.com/reviews/albums/thandi-ntuli-carlos-nino-rainbow-revisited/?ref=marmaladecollective.com) **Image Courtesy of Thandi's page* [Thandi Ntuli](https://www.instagram.com/thandi%5Fntuli/?ref=marmaladecollective.com), a South African jazz artist, is known for her expansive compositions and collaborations. Her latest album, "Rainbow Revisited," features a minimalist solo piano-and-voice approach, combining traditional jazz elements with experimental tracks. This departure from institutional constraints honours South African musical heritage and family traditions, making Ntuli a transformative force in the global jazz scene. [👉 Check it out on Pitchfork](https://pitchfork.com/reviews/albums/thandi-ntuli-carlos-nino-rainbow-revisited/?ref=marmaladecollective.com) ## South-African Designer Gert-Johan Coetzee Pioneers 3D-Printed Dress, Showcasing Cutting-edge Fashion Innovation [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/404026091_1005039333931087_2014560123264215540_n.webp)](https://www.iol.co.za/the-star/news/renowned-designer-gert-johan-coetzee-takes-innovation-to-new-level-with-3d-dress-a3560ec0-cd9f-4a74-88d3-b6fefe9793c9?ref=marmaladecollective.com) **Image: Gert-Johan Coetzee* [Gert-Johan Coetzee](https://www.instagram.com/gertjohancoetzee/?ref=marmaladecollective.com) has created one of the world's first 3D dresses, a symbol of female strength and resilience. Worn by Miss Universe Bonney Gabriel, the gown, crafted over 530 hours, features intricate details and 3,000 Swarovski crystals, symbolising the dedication of women who inspire change. Coetzee describes it as a tribute to the indomitable spirit of women worldwide. [👉 Check it out on IOL](https://www.iol.co.za/the-star/news/renowned-designer-gert-johan-coetzee-takes-innovation-to-new-level-with-3d-dress-a3560ec0-cd9f-4a74-88d3-b6fefe9793c9?ref=marmaladecollective.com) ## Qing Madi Performs "Vision" and "Ole" Live for Vevo DSCVR '24 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/394675552_872726584039800_8840182825090203888_n.jpg)](https://www.bellanaija.com/2023/11/qing-madi-on-vevo-dscvr/?ref=marmaladecollective.com) *Image: qingmadi* Nigerian music sensation [Qing Madi](https://www.instagram.com/qingmadi/?ref=marmaladecollective.com) has released two live performances from the "Vevo DSCVR Artists to Watch in 2024" sessions. The singer performed two of her biggest hits, "Vision" and "Ole," both from her debut EP, "Qing Madi." "Vision" was created by PD, while "Ole" was produced by Wademix and Ozedikus. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/qing-madi-on-vevo-dscvr/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## What's On ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Homemade-Supper-Club-Launch-1.gif) #### This Sunday: Homemade Supper Club Marmalade and London Manya are bringing you Homemade Supper Club - A casual fine dining experience inspired by African cuisine and curated for you. Come along to enjoy exceptional food, engage in meaningful conversations, and discover new flavours in a warm and intimate setting. [Book Now](https://lu.ma/homemadesupperclub?ref=marmaladecollective.com) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Rema O2 Sell Out, LABRUM X Tupac, Blaqbonez Featured for Apple Music Rap Life and More! URL: https://www.marmaladecollective.com/rema-o2-sell-out-labrum-x-tupac-blaqbonez-featured-for-apple-music-rap-life-and-more/ Last updated: 2023-11-20T10:00:46.000Z #### Highlights: - Rema Sells Out O2 Arena in "Ravage Uprising" Concert *via* [BellaNaija](https://www.bellanaija.com/2023/11/rema-02-arena-concert/?ref=marmaladecollective.com) - 2024 GRAMMY Best African Music Performance Nominees Highlights Africa’s Cultural Prowess *via* [Grammy](https://www.grammy.com/news/2024-grammys-nominees-best-african-music-performance?ref=marmaladecollective.com) - LABRUM teams up with Tupac Shakur Estate for FW23 Collection, Featuring Brixton Pop-Up *via* [Hypebeast](https://hypebeast.com/2023/11/labrum-tupac-shakur-london-brixton-village-collection?ref=marmaladecollective.com) - Blaqbonez Named Apple Music's Featured Artist for November's Rap Life Africa *via* [BellaNaija](https://www.bellanaija.com/2023/11/blaqbonez-apple-music-rap-life-africa/?ref=marmaladecollective.com) - Manju Journal's Latest Book Highlights Ghana's Thriving Art Scene *via* [Anothermag](https://www.anothermag.com/art-photography/15238/manju-journal-voices-ghanas-artists-in-their-own-words-book-interview?ref=marmaladecollective.com) - Seun Kuti features in C'mon Tigre's Mesmerizing 'Habitat' Music Video Premiere *via* [OkayAfrica](https://www.okayafrica.com/seun-kuti-cmon-tigre-the-botanist/?ref=marmaladecollective.com) - Afro-fusion Chef Ebenezer Sogunro Aims to Popularise African Cuisine Globally *via* [CNTraveller](https://www.cntraveller.com/article/afro-fusion-chef-who-wants-to-bring-african-cuisine-to-the-masses?ref=marmaladecollective.com) ⚡ ****Sponsored:** [Inherit the Earth](https://dice.fm/event/3a6nv-dele-sosimi-medlar-prince-fatty-hmbaxonedrum-25th-nov-downstairs-at-the-department-store-london-tickets?lng=en&ref=marmaladecollective.com) are creating an expressive and open environment to celebrate under-represented musicians and artists. ***This Saturday, global Afrobeat ambassador Dele Sosimi** headlines alongside British DJ/Producer Medlar in a specially curated lineup that reflects the cultural diversity and traditional music scene of Brixton. --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Rema Sells Out O2 Arena in "Ravage Uprising" Concert [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/400779632_227845553516963_5831823588461683170_n.jpg)](https://www.bellanaija.com/2023/11/rema-02-arena-concert/?ref=marmaladecollective.com) **© Photographer John Henry* Nigerian Afrobeats sensation [Rema ](https://www.instagram.com/heisrema/?ref=marmaladecollective.com)dazzles a sold-out crowd at London's 02 Arena during his "Ravage Uprising" concert. The performance features dramatic entrances, a tribute to Burna Boy, and a dynamic setlist, including collaborations with Mavin Records signees. The YouTube livestream attracts over 38,000 viewers, marking another milestone for Afrobeats. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/rema-02-arena-concert/?ref=marmaladecollective.com) ## 2024 GRAMMY Best African Music Performance Nominees Highlights Africa’s Cultural Prowess [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/386359254_869591357836443_8616495571658282326_n.jpg)](https://www.grammy.com/news/2024-grammys-nominees-best-african-music-performance?ref=marmaladecollective.com) **Asake. Image Courtesy of Artist Asake's IG Page* The 2024 GRAMMYs introduce Best African Music Performance, a historic breakthrough celebrating the continent's musical diversity. Nigerian Afrobeats stars dominate nominations, reflecting a shift towards amapiano, a South African house subgenre. The category signifies a significant step forward, acknowledging Africa's cultural and commercial impact on the global music scene. [👉 Check it out on Grammy](https://www.grammy.com/news/2024-grammys-nominees-best-african-music-performance?ref=marmaladecollective.com) ## LABRUM teams up with Tupac Shakur Estate for FW23 Collection, Featuring Brixton Pop-Up [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/399989480_18395576584040787_1773126327578054117_n.jpg)](https://hypebeast.com/2023/11/labrum-tupac-shakur-london-brixton-village-collection?ref=marmaladecollective.com) **Photography by Julianknxx* London-based [LABRUM ](https://www.instagram.com/labrumlondon/?ref=marmaladecollective.com)has partnered with Tupac Shakur Estate to release a FW23 capsule collection, paying tribute to Tupac's legacy. The collection features rose motifs symbolizing strength and resilience, and will be available for firsthand experience at LABRUM's pop-up at Brixton Village from November 10 to November 12\. The range includes reimagined tees, workwear, hoodies, and more. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/11/labrum-tupac-shakur-london-brixton-village-collection?ref=marmaladecollective.com) ## Blaqbonez Named Apple Music's Featured Artist for November's Rap Life Africa [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/377254283_18386568280018875_6092601099618898207_n.jpg)](https://www.bellanaija.com/2023/11/blaqbonez-apple-music-rap-life-africa/?ref=marmaladecollective.com) **Image by Walterbanks* Nigerian rapper [Blaqbonez ](https://www.instagram.com/blaqbonez/?ref=marmaladecollective.com)is featured on Apple Music's Rap Life Radio, discussing his latest single "ROAD RUNNER" from the album "Emeka Must Shine." The episode, hosted by Ebro Darden and Nandi Madida, also highlights tracks by Shane Eagle, Jahlil Beats, Reminisce, and others. Blaqbonez reflects on Nigeria's thriving hip-hop scene and expresses excitement about being the cover artist. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/blaqbonez-apple-music-rap-life-africa/?ref=marmaladecollective.com) ⚡ ****Sponsored:** [Inherit the Earth](https://dice.fm/event/3a6nv-dele-sosimi-medlar-prince-fatty-hmbaxonedrum-25th-nov-downstairs-at-the-department-store-london-tickets?lng=en&ref=marmaladecollective.com) are creating an expressive and open environment to celebrate under-represented musicians and artists. ***This Saturday, global Afrobeat ambassador Dele Sosimi** headlines alongside British DJ/Producer Medlar in a specially curated lineup that reflects the cultural diversity and traditional music scene of Brixton. ## Manju Journal's Latest Book Highlights Ghana's Thriving Art Scene [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/357782171_808068270714660_9185242967209949335_n.jpg)](https://www.anothermag.com/art-photography/15238/manju-journal-voices-ghanas-artists-in-their-own-words-book-interview?ref=marmaladecollective.com) **photography Jude Lartey* Ghanaian curator and artist Richmond Orlando Mensah, founder of [Manju Journal](https://www.instagram.com/manjujournal/?ref=marmaladecollective.com), discusses the publication of their debut art book, "VOICES: Ghana’s Artists in Their Own Words." The book, spotlighting 80 Ghanaian creatives globally, aims to showcase the depth and diversity of the country's contemporary art scene, fostering community and pushing African creativity into the mainstream. [👉 Check it out on Anothermag](https://www.anothermag.com/art-photography/15238/manju-journal-voices-ghanas-artists-in-their-own-words-book-interview?ref=marmaladecollective.com) ## Seun Kuti features in C'mon Tigre's Mesmerizing 'Habitat' Music Video Premiere [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/401105276_18400392928057030_1165691887923191200_n.jpg)](https://www.okayafrica.com/seun-kuti-cmon-tigre-the-botanist/?ref=marmaladecollective.com) **Image Courtesy of Seun Kuti's IG* Avant-garde collective [C'mon Tigre](https://www.instagram.com/cmontigre/?ref=marmaladecollective.com) releases "The Botanist," the second single from the upcoming album "Habitat." Featuring a collaboration with [Seun Kuti](https://www.instagram.com/bigbirdkuti/?ref=marmaladecollective.com), the music video, directed by Jules Guerin, offers a lush, imaginative journey through a vibrant jungle. Inspired by African and Brazilian rhythms, the track brings about creativity and well-being, showcasing the power of artistic unity. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/seun-kuti-cmon-tigre-the-botanist/?ref=marmaladecollective.com) ## Afro-fusion Chef Ebenezer Sogunro Aims to Popularise African Cuisine Globally [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/342081183_935569717485842_5871539083764870732_n.jpg)](https://www.cntraveller.com/article/afro-fusion-chef-who-wants-to-bring-african-cuisine-to-the-masses?ref=marmaladecollective.com) *© @aladdin\_mensfashion @mracestyles* Chef [Ebenezer Sogunro's](https://www.instagram.com/mrcally%5F/?ref=marmaladecollective.com) Cally Munchy, a Pan-African concept eatery, takes residence at the Africa Centre in Southwark, offering innovative twists on Sub-Saharan cuisine. Michelin-trained Sogunro aims to elevate African food, combating stereotypes and limited visibility. His Afro-Asian bao buns and specially formulated "Shi-tuan sauce" contribute to changing perceptions and promoting African flavours. [👉 Check it out on CNTraveller](https://www.cntraveller.com/article/afro-fusion-chef-who-wants-to-bring-african-cuisine-to-the-masses?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## What's On ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Homemade-Supper-Club-Launch-1.gif) #### Homemade Supper Club Marmalade and London Manya are bringing you Homemade Supper Club - A casual fine dining experience inspired by African cuisine and curated for you. Come along to enjoy exceptional food, engage in meaningful conversations, and discover new flavours in a warm and intimate setting. [Book Now](https://lu.ma/homemadesupperclub?ref=marmaladecollective.com) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Uncle Waffles Debuts Headline, Lukhanyo Mdingi Wins Amiri Prize, British-Nigerian Artist Olaolu Slawn X eBay URL: https://www.marmaladecollective.com/uncle-waffles-debuts-headline-lukhanyo-mdingi/ Last updated: 2023-11-13T10:40:21.000Z #### Highlights: - Uncle Waffles' Debut Headlines, Proving DJs Can Lead Beyond Tracks *via* [Rolling Stone](https://www.rollingstone.com/music/music-features/uncle-waffles-concert-photos-1234868353/?ref=marmaladecollective.com) - Lukhanyo Mdingi Becomes the Winner of 2023 Amiri Prize *via [Fashion United](https://fashionunited.uk/news/fashion/lukhanyo-mdingi-wins-the-2023-amiri-prize/2023110172335?ref=marmaladecollective.com)* - Kendrick Lamar and Global Citizen Launch 'Move Afrika' Touring Circuit with Rwanda Debut *via [BillBoard](https://www.billboard.com/pro/global-citizen-pglang-move-africa/?ref=marmaladecollective.com)* - eBay Auctions Sneaker Artwork by Olaolu Slawn, Featuring Abstract Designs of Nike Shoes *via [Hypebeast](https://hypebeast.com/2023/11/ebay-olaolu-slawn-sneaker-artwork-collaboration-release-info?ref=marmaladecollective.com)* - Teni drops "Malaika" and Reveals Second Album, "Tears of the Sun," Release *via* [OkayAfrica](https://www.okayafrica.com/teni-releases-new-single-malaika/?ref=marmaladecollective.com) - ART X Lagos Adds Film, Honours Ousemane Sembène in its Eighth Edition Celebration *via [BellaNaija](https://www.bellanaija.com/2023/11/art-x-lagos-8th-edition/?ref=marmaladecollective.com)* - Spotify Launches Artist Capsule Collections, Starting with Peso Pluma, Daft Punk, Tems and More *via* [Hypebeast](https://hypebeast.com/2023/11/spotify-artist-merch-capsule-collections-peso-pluma-daft-punk-rosalia-release-info?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Uncle Waffles' Debut Headlines, Proving DJs Can Lead Beyond Tracks [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/365704868_18192328744263344_6709605551019271044_n.jpg)](https://www.rollingstone.com/music/music-features/uncle-waffles-concert-photos-1234868353/?ref=marmaladecollective.com) **Photograph by @unclesmith* [Uncle Waffles](https://www.instagram.com/unclewaffles%5F/?ref=marmaladecollective.com), a dynamic Amapiano DJ, has gained global recognition for her hit single "Tanzania" and has been featured in Beyoncé's tour. Despite challenges as a female DJ, Waffles embraces her unique style, challenging stereotypes and breaking records on TikTok. Her journey from learning to DJ in 2020 to headlining major festivals showcases her multifaceted performance and defies expectations. [👉 Check it out on Rolling Stone](https://www.rollingstone.com/music/music-features/uncle-waffles-concert-photos-1234868353/?ref=marmaladecollective.com) ## Lukhanyo Mdingi Becomes the Winner of 2023 Amiri Prize [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/387835795_18390395683015662_7447663750212853183_n.jpg)](https://fashionunited.uk/news/fashion/lukhanyo-mdingi-wins-the-2023-amiri-prize/2023110172335?ref=marmaladecollective.com) **Image Courtesy of Lukhanyo Mdingi Page* Cape Town-based designer [Lukhanyo Mding](https://www.instagram.com/lukhanyomdingi/?ref=marmaladecollective.com)i has won the 2023 [Amiri Prize](https://www.instagram.com/theamiriprize/?img%5Findex=1&ref=marmaladecollective.com), an international fashion award and incubator. Mdingi, who founded his fashion line in 2015, collaborated with local artisans to create intricate knitwear and dynamic silhouettes. He will receive a $100,000 grant and a year-long mentorship with Amiri fashion founder Mike Amiri. The prize supports emerging talents and promotes inclusivity in the fashion industry. [👉 Check it out on Fashion United](https://fashionunited.uk/news/fashion/lukhanyo-mdingi-wins-the-2023-amiri-prize/2023110172335?ref=marmaladecollective.com) ## Kendrick Lamar and Global Citizen Launch 'Move Afrika' Touring Circuit with Rwanda Debut [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/313028803_528126632470721_1746976256367085861_n.jpg)](https://www.billboard.com/pro/global-citizen-pglang-move-africa/?ref=marmaladecollective.com) **Photo courtesy of @pgLang* [Global Citizen](https://www.instagram.com/glblctzn/?ref=marmaladecollective.com) and [pgLang ](https://www.instagram.com/pglang/?ref=marmaladecollective.com)have launched "Move Afrika: A Global Citizen Experience," a touring circuit aimed at addressing global inequalities and fostering entrepreneurship in Africa. The inaugural event will be hosted in Rwanda, with plans to expand to five countries by 2025\. Move Afrika also involves local artists, vendors, and skill development opportunities, promoting culture and creativity globally. [👉 Check it out on BillBoard](https://www.billboard.com/pro/global-citizen-pglang-move-africa/?ref=marmaladecollective.com) ## eBay Auctions Sneaker Artwork by Olaolu Slawn, Featuring Abstract Designs of Nike Shoes [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/STUDIO-VISIT-WITH-@wizkidayo-WE-DID-A-PAINTING-TOGETHER---.jpg)](https://hypebeast.com/2023/11/ebay-olaolu-slawn-sneaker-artwork-collaboration-release-info?ref=marmaladecollective.com) **Wizkidayo and Olaolu at his studio. Image Courtesy of Olaolu Slawn's IG Page* British-Nigerian artist [Olaolu Slawn](https://www.instagram.com/olaoluslawn/?ref=marmaladecollective.com) is partnering with eBay to auction two sneaker masterpieces, Corteiz x Nike Air Max 95 "Gutta Green" and Air Jordan 4 "Black Cat," inspired by London's local communities. The 100x100cm canvases will be auctioned, with proceeds donated to Path to Possibilities, a Nigerian organisation enhancing education through resource centres. Bidding started on November 2. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/11/ebay-olaolu-slawn-sneaker-artwork-collaboration-release-info?ref=marmaladecollective.com) ## Teni drops "Malaika" and Reveals Second Album, "Tears of the Sun," Release [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/A-YOUNG-BLACK-GIRL-WITH-BIG-DREAMS.jpg)](https://www.okayafrica.com/teni-releases-new-single-malaika/?ref=marmaladecollective.com) **Image Courtesy of @Tenientertainer* Nigerian Afropop artist [Teni](https://www.instagram.com/tenientertainer/?ref=marmaladecollective.com) is set to release her sophomore album, Tears of the Sun, on November 17th. The album features 16 tracks, including the sonic masterpiece "Malaika," featuring Teni's melodic vocal range and a captivating soundscape of synth melodies and bassline. Produced by award-winning Blaisebeatz, the album is set to captivate audiences with its enchanting Afrobeats groove and mega hit "No Days Off," which has amassed nearly four million streams. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/teni-releases-new-single-malaika/?ref=marmaladecollective.com) ## ART X Lagos Adds Film, Honours Ousemane Sembène in its Eighth Edition Celebration [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/A-visit-to-Lagos-is-not-complete-without-a-trip-to-my-great-friend-@victorsozaboy-studio.-Similar-to-several-of-his-site-specific-installations--the-gallery-installation-of-the-kings-palace-on-site-is-not-only-visua.jpg)](https://www.bellanaija.com/2023/11/art-x-lagos-8th-edition/?ref=marmaladecollective.com) **Image Courtesy of Wole\_bak* ART X Lagos returns with its eighth edition, 'The Dialogue', featuring art exhibitions, a film program, and ART X Talks featuring speakers like Bruce Onobrakpeya and Ibrahim Mahama. ART X Live! combines music and art with musicians Tay Iwar and Azekel. The event was held from November 2-5, 2023, in Lagos, with the hope to build connections and celebrate African artistry through developmental platforms like Art Across Borders and The Access ART X Prize. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/11/art-x-lagos-8th-edition/?ref=marmaladecollective.com) ## Spotify Launches Artist Capsule Collections, Starting with Peso Pluma, Daft Punk, Tems and More [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/395468122_1472275446954312_6722245293212560128_n.jpg)](https://hypebeast.com/2023/11/spotify-artist-merch-capsule-collections-peso-pluma-daft-punk-rosalia-release-info?ref=marmaladecollective.com) *Image Courtesy of Temsbaby* [Spotify ](https://www.instagram.com/spotify/?ref=marmaladecollective.com)is launching capsule collections featuring artist merchandise, featuring items like hoodies, T-shirts, and bandanas featuring Mexican artist Peso Pluma's signature imagery. The platform plans to expand its artist-driven apparel offerings with upcoming collections featuring artists like Daft Punk, Tyler, the Creator, Tems, and Rosalía, allowing fans to connect with their favourite artists through exclusive merchandise. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/11/spotify-artist-merch-capsule-collections-peso-pluma-daft-punk-rosalia-release-info?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Homemade Supper Club, Dec 3rd - in partnership with London Manya URL: https://www.marmaladecollective.com/homemade-supper-club-dec-3rd/ Last updated: 2024-02-01T10:00:32.000Z A casual fine dining experience inspired by African cuisine and curated for you. Come along to enjoy exceptional food, engage in meaningful conversations, and discover new flavours in a warm and intimate setting. _This post is for subscribers only._ ### Tyla's Global Stardom, Orange Culture's Comeback, Vegan West African Flavours and More! URL: https://www.marmaladecollective.com/tylas-global-stardom-orange-cultures-comeback-vegan-west-african-flavours-and-more/ Last updated: 2023-11-06T10:00:53.000Z #### Highlights: - Cosmo X Tyla: Her Viral Hit 'Water,' Global Stardom, and Blackpink Dreams *via* [Cosmopolitan](https://www.cosmopolitan.com/entertainment/celebs/a45667879/tyla-interview-2023/?ref=marmaladecollective.com) - Rema on Being a Rising Global Afrobeats Star, Making Nigerian Music History *via [Vice](https://i-d.vice.com/en/article/y3wxnv/rema-interview-singer-rapper-afrobeats?ref=marmaladecollective.com)* - Orange Culture's Dazzling Comeback: Lagos Fashion Week's Showstopper *via [Vogue](https://www.vogue.com/fashion-shows/lagos-spring-2024/orange-culture?ref=marmaladecollective.com)* - Explore West African Flavours with a Vegan Twist *via [AtlasObscura](https://www.atlasobscura.com/articles/vegan-west-african-food?ref=marmaladecollective.com)* - Talented South African Opera Singers Dazzle at World Opera Competition *via* [Africanews](https://www.africanews.com/2023/11/01/south-african-opera-singers-shine-at-world-opera-competition/?ref=marmaladecollective.com) - Zimbabwean Painter Charmaine Chanakira's Colourful Journey to Self-Expression Through Art *via [OkayAfrica](https://www.okayafrica.com/spotlight-charmaine-chanakira-zimbabwe-artist/?ref=marmaladecollective.com)* - Sculptor Shepherd Ndudzo's Transnational Art Journey: Bridging Borders and Traditions *via* [The Conversation](https://theconversation.com/shepherd-ndudzos-celebrated-sculptures-tell-an-untold-history-of-southern-african-art-215555?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Cosmo X Tyla: Her Viral Hit 'Water,' Global Stardom, and Blackpink Dreams [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Make-me-sweattttttt.jpg)](https://www.cosmopolitan.com/entertainment/celebs/a45667879/tyla-interview-2023/?ref=marmaladecollective.com) **Image Courtesy of Tyla* [Tyla](https://www.instagram.com/tyla/?ref=marmaladecollective.com), a 21-year-old South African singer, gained global fame with her hit song "Water," which went viral on TikTok and reached 24 million views on the official video. She became the first South African solo artist to enter the U.S. Billboard Hot 100 in 55 years. In an interview, Tyla shares her journey to fame, musical influences, and the impact of her success on South African and African music. [👉 Check it out on Cosmopolitan](https://www.cosmopolitan.com/entertainment/celebs/a45667879/tyla-interview-2023/?ref=marmaladecollective.com) ## Rema on Being a Rising Global Afrobeats Star, Making Nigerian Music History [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/The-fourth-cover-star-of-The-New-Wave-Issue---@i_d---Fresh-off-the-release-of-his-latest-EP--Ravage---the-global-star-discusses-his-impact-as-Afrobeats--brightest-ambassador-and-offers-insights-into-his-creative-pro.jpg)](https://i-d.vice.com/en/article/y3wxnv/rema-interview-singer-rapper-afrobeats?ref=marmaladecollective.com) **Photographer: Renell Medrano* [Rema](https://www.instagram.com/heisrema?img%5Findex=1&ref=marmaladecollective.com), an Afrobeats star, is making a significant impact on the global music scene. He's a leading figure in Afropop, with a unique sound that blends various influences, and he's focused on representing his hometown and Africa on the world stage. Despite initial challenges, he has become a trailblazer in the music industry and is determined to leave a lasting legacy through his music. Rema's success is helping to further popularize Afropop and African music worldwide. [👉 Check it out on Vice](https://i-d.vice.com/en/article/y3wxnv/rema-interview-singer-rapper-afrobeats?ref=marmaladecollective.com) ## Orange Culture's Dazzling Comeback: Lagos Fashion Week's Showstopper [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/Ss24---It-comes-in-waves-Look-1----Lauretta-wears-our-Bayo-hand-beaded-top-while-Modupe-pairs-it-with-Amaka-70s-pants.Slide-1---Photographer-Ekua-King---@ekuakingStylist---Ola-Ebiti-@olaoluebitiHair---Claire-Moo--1-.jpg)](https://www.vogue.com/fashion-shows/lagos-spring-2024/orange-culture?ref=marmaladecollective.com) **Photographer Ekua King* [Orange Culture](https://www.instagram.com/orangecultureng/?ref=marmaladecollective.com), a prominent Nigerian fashion brand, made a highly anticipated return to Lagos Fashion Week after a two-year break. Designer Adebayo Oke-Lawal's show celebrated people and featured a diverse cast of models, a blend of music, fashion, and culture. The collection included both new and repurposed pieces, appealing to modern Nigerian and international customers. Oke-Lawal hinted at an exciting new direction for Orange Culture in the upcoming season. [👉 Check it out on Vogue](https://www.vogue.com/fashion-shows/lagos-spring-2024/orange-culture?ref=marmaladecollective.com) ## Explore West African Flavours with a Vegan Twist [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/West-African-Peanut-Stew-eat.jpg)](https://www.atlasobscura.com/articles/vegan-west-african-food?ref=marmaladecollective.com) **Image Courtesy of Budget Byte$* As West African cuisines gain global recognition, a small but growing number of West African vegans reimagine the culinary heritage. Vegan chefs and creators are drawing on plant-based recipes from the past, highlighting native ingredients, and promoting sustainability. This shift represents a commitment to honouring tradition. Several West African vegans share their experiences and recipes to showcase the diversity and creativity of vegan African cuisine. [👉 Check it out on AtlasObscura](https://www.atlasobscura.com/articles/vegan-west-african-food?ref=marmaladecollective.com) ## Talented South African Opera Singers Dazzle at World Opera Competition [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/b2a478fd6eef45d1be1b4c7bd20dcfed.jpg)](https://www.africanews.com/2023/11/01/south-african-opera-singers-shine-at-world-opera-competition/?ref=marmaladecollective.com) **Photo: Marco Longari/AFP* South African opera singers compete in the Operalia contest, with four out of five selected making it to the semi-finals. Singers like Nombulelo Yende, Sipokazi Moltino, Sakhiwe Mkosana, and Luvo Maranti share their passion for opera and challenge stereotypes about career choices. Operalia, created by Spanish tenor Placido Domingo, provides exposure for aspiring opera singers without extensive travel. [👉 Check it out on Africanews](https://www.africanews.com/2023/11/01/south-african-opera-singers-shine-at-world-opera-competition/?ref=marmaladecollective.com) ## Zimbabwean Painter Charmaine Chanakira's Colourful Journey to Self-Expression Through Art [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/--Simba--art--artist--artwork--arttherapy--artoftheday--artistic--artsy--artofvisuals--visualart--exhibition--artgallery--zimbabweanartist--artistsofinstagram--fyp--artlovers--orginalart--interiordesign--contempora.webp)](https://www.okayafrica.com/spotlight-charmaine-chanakira-zimbabwe-artist/?ref=marmaladecollective.com) **Image Courtesy of Charmaine Chanakira* London-based Zimbabwean artist [Charmaine Chanakira](https://www.instagram.com/chanakirasan/?ref=marmaladecollective.com) found self-expression and acceptance through her art. Chanakira describes herself as an "Afro-expressionist," uses vibrant colours and eccentric figures to convey her emotions and thoughts. Her art touches on politics, childhood memories, mental health, and the Afrocentric experience. Inspired by her Zimbabwean heritage, Chanakira's work reflects her emotional reactions to world events and tells the African story and tradition. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/spotlight-charmaine-chanakira-zimbabwe-artist/?ref=marmaladecollective.com) ## Sculptor Shepherd Ndudzo's Transnational Art Journey: Bridging Borders and Traditions [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/11/377251755_606487271698784_446430448166125292_n-1.webp)](https://theconversation.com/shepherd-ndudzos-celebrated-sculptures-tell-an-untold-history-of-southern-african-art-215555?ref=marmaladecollective.com) *Image Courtesy of Shepherd Ndudzo* Zimbabwe-born sculptor Shepherd Ndudzo creates figurative sculptures with elongated black figures emerging from white rock, often depicting dancing or praying positions. Drawing inspiration from his transnational story and shared traditions of southern African nations, his work spans Zimbabwe, South Africa, and Botswana, revealing the history of sculptural traditions and art world dynamics. Ndudzo's work transcends borders and reinvents art traditions across nations. [👉 Check it out on The Conversation](https://theconversation.com/shepherd-ndudzos-celebrated-sculptures-tell-an-untold-history-of-southern-african-art-215555?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Tola A ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Davido Headlines AfroFuture, Adidas Flagship Store in Lagos, Mr Eazi's New Album URL: https://www.marmaladecollective.com/davido-headlines-afrofuture-adidas-flagship-store-in-lagos-mr-eazis-new-album/ Last updated: 2023-10-30T11:06:00.000Z #### Highlights: - Davido, J Hus, Black Sherif to Headline AfroFuture Festival 2023 in Accra, Ghana *via* [OkayAfrica](https://www.okayafrica.com/headliners-announed-for-afro-festival/?ref=marmaladecollective.com) - Trailblazing African Female DJs Set to Rock Johnnie Walker Flavour Lounge This November *via [Hypebeast](https://hypebeast.com/2023/10/johnnie-walker-kmat-tinx-tenoceans-rocking-the-daisies-festival-interview?ref=marmaladecollective.com)* - Adidas Flagship Store in Lagos Designed by Oshinowo Studio with Perforated Sheets *via [World Architecture](https://worldarchitecture.org/article-links/fzenh/lagos-context-informs-oshinowo-studio-designed-adidas-flagship-store-clad-in-perforated-sheets.html?utm%5Fsource=flipboard&utm%5Fcontent=other)* - Simba's Steakhouse Beef Chips: Celebrating South Africa's Vibrant Braai Culture in Every Bite *via [IOL](https://www.iol.co.za/saturday-star/news/simbas-new-steakhouse-beef-flavoured-chips-an-ode-to-south-africas-vibrant-braai-culture-ed94c242-19c1-4006-8d3f-cd4047846879?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FSaturday+Star)* - Spotify's 'What Now? with Trevor Noah' Podcast Premieres Nov 9 *via* [Spotify](https://newsroom.spotify.com/2023-10-18/trevor-noah-spotify-original-podcast-november/?ref=marmaladecollective.com) - Mr Eazi Drops 'The Evil Genius' Album Tracklist with "Exit" ft. Soweto Gospel Choir *via [OkayAfrica](https://www.okayafrica.com/mr-eazi-the-evil-genius/?ref=marmaladecollective.com)* - Midas the Jagaban Strikes Gold in Experimental Afrobeats Music Revolution *via* [TheFace](https://theface.com/music/midas-the-jagaban-interview-melanin-pop-afrobeats-amapiano-new-ep?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Davido, J Hus, Black Sherif to Headline AfroFuture Festival 2023 in Accra, Ghana [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/375868707_18290089540130332_8727219469198926033_n.jpg)](https://www.okayafrica.com/headliners-announed-for-afro-festival/?ref=marmaladecollective.com) **Black Sherif by @apmworldmag* Culture Management Group (CMG) has announced the [AfroFuture ](https://www.instagram.com/afrofuture/?ref=marmaladecollective.com)Festival 2023 in Accra, Ghana, featuring headliners [Davido](https://www.instagram.com/Davido/?ref=marmaladecollective.com), [J Hus](https://www.instagram.com/theuglygram/?ref=marmaladecollective.com), and [Black Sherif](https://www.instagram.com/blacksherif%5F/?ref=marmaladecollective.com). The festival, set to take place on December 28th and 29th, will showcase local and international talent, with a theme of "Black Unification & Pan Africanism." The event will transform the venue into a cultural hub for art, music, fashion, and cuisine. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/headliners-announed-for-afro-festival/?ref=marmaladecollective.com) ## Trailblazing African Female DJs Set to Rock Johnnie Walker Flavour Lounge This November [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/392930263_17898725786886444_8174832551406185470_n.jpg)](https://hypebeast.com/2023/10/johnnie-walker-kmat-tinx-tenoceans-rocking-the-daisies-festival-interview?ref=marmaladecollective.com) **Image Courtesy of Odumodublvck IG* This year, [Johnnie Walker ](https://www.instagram.com/johnniewalkersa/?ref=marmaladecollective.com)partners with Rocking the Daisies to spotlight pioneering women in entertainment. The campaign builds and encourages diversity in music by providing a platform for emerging female DJs on Africa's largest festival stage. The featured DJs discuss their unique journeys in promoting diversity within the industry. Their stories reflect the spirit of Johnnie Walker's "Keep Walking" campaign. The festival promises to celebrate music and the remarkable women shaping the sounds behind the decks. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/10/johnnie-walker-kmat-tinx-tenoceans-rocking-the-daisies-festival-interview?ref=marmaladecollective.com) ## Adidas Flagship Store in Lagos Designed by Oshinowo Studio with Perforated Sheets [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/64ac0c5dc400b90b2c5cb6b7_1.jpg)](https://worldarchitecture.org/article-links/fzenh/lagos-context-informs-oshinowo-studio-designed-adidas-flagship-store-clad-in-perforated-sheets.html?utm%5Fsource=flipboard&utm%5Fcontent=other) **Photo: Adidas* [Adidas ](https://www.instagram.com/adidas/?ref=marmaladecollective.com)has designed its first West African flagship store in Lagos, a 380-square-meter store in the sought-after Victoria Island area. The design competition-winning project combines Nigerian art, culture, and aesthetics with the global brand's style. The two-story store uses solid and perforated corrugated aluminum sheets, steel frames, and glass extensions. It also incorporates sustainable features like a solar power system and sewage treatment plant, showcasing Nigerian art and local materials. [👉 Check it out on World Architecture](https://worldarchitecture.org/article-links/fzenh/lagos-context-informs-oshinowo-studio-designed-adidas-flagship-store-clad-in-perforated-sheets.html?utm%5Fsource=flipboard&utm%5Fcontent=other) ## Simba's Steakhouse Beef Chips: Celebrating South Africa's Vibrant Braai Culture in Every Bite [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Happy-International-Chefs-Day-to-all-the-Chefs-All-Over-the-World----Keep-it-Cooking---dowhatyoulove--lovewhatyoudo--cheflife--blessed.jpg)](https://www.iol.co.za/saturday-star/news/simbas-new-steakhouse-beef-flavoured-chips-an-ode-to-south-africas-vibrant-braai-culture-ed94c242-19c1-4006-8d3f-cd4047846879?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FSaturday+Star) **Image Courtesy of @snepe* [Simba](https://www.instagram.com/p/CylUdQmM0Xs/?ref=marmaladecollective.com) and [Chef Benny](https://www.instagram.com/chef%5Fbennym/?ref=marmaladecollective.com) have created Steakhouse Beef chips, a tribute to South Africa's braai culture. These chips, infused with smoky beef and sweet barbecue notes, evoke the essence of a braai feast. They bridge the gap between anticipation and feast, making every braai moment special. The unique flavor resonates with the South African palate, fostering conversations, laughter, and unforgettable memories, celebrating the country's rich braai tradition. [👉 Check it out on IOL](https://www.iol.co.za/saturday-star/news/simbas-new-steakhouse-beef-flavoured-chips-an-ode-to-south-africas-vibrant-braai-culture-ed94c242-19c1-4006-8d3f-cd4047846879?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FSaturday+Star) ## Spotify's 'What Now? with Trevor Noah' Podcast Premieres Nov 9 [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/India---What-an-experience-it-was-coming-and-performing-in-your-country-for-the-first-time.-Thank-you-for-sharing-your-rich-history--your-delicious-cuisine-and-your-fantastic-arguments-with-me.-Thank-you-to-everyone.jpg)](https://newsroom.spotify.com/2023-10-18/trevor-noah-spotify-original-podcast-november/?ref=marmaladecollective.com) **Trevor Noah Image Credit: pbsthephotographer* [Spotify's ](https://www.instagram.com/trevornoah/?ref=marmaladecollective.com)highly anticipated original podcast, "What Now? with [Trevor Noah](https://www.instagram.com/trevornoah/?ref=marmaladecollective.com)," will debut on November 9\. Hosted by the Emmy-winning comedian and talk show host, Trevor Noah, the show promises candid and insightful conversations with various guests, from entertainers to thought leaders. Major sponsors include Amazon, Audi, Microsoft, Prize Picks, Smirnoff, and Starbucks. Trevor Noah aims to tackle profound issues while maintaining his signature playful and probing style. [👉 Check it out on Spotify](https://newsroom.spotify.com/2023-10-18/trevor-noah-spotify-original-podcast-november/?ref=marmaladecollective.com) ## Mr Eazi Drops 'The Evil Genius' Album Tracklist with "Exit" ft. Soweto Gospel Choir [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/394481715_217406787895806_5391214434454950376_n.jpg)](https://www.okayafrica.com/mr-eazi-the-evil-genius/?ref=marmaladecollective.com) **Image Courtesy of Mr. Eazi* Afropop sensation [Mr. Eazi](https://www.instagram.com/mreazi/?ref=marmaladecollective.com) unveils his debut album, "The Evil Genius," with the release date set for October 27th. The album features hit singles like "Legalize," "Chop Time, No Friend," "Advice," and "Fefe Ne Fefe." His latest single, "Exit," featuring the Soweto Gospel Choir, is the album's final track and carries a personal, triumphant theme. The album also includes collaborations with artists like Angelique Kidjo and Tekno, and production by various talented producers. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/mr-eazi-the-evil-genius/?ref=marmaladecollective.com) ## Midas the Jagaban Strikes Gold in Experimental Afrobeats Music Revolution [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Midas-Touch----mvmm.jpg)](https://theface.com/music/midas-the-jagaban-interview-melanin-pop-afrobeats-amapiano-new-ep?ref=marmaladecollective.com) *Image Courtesy of Midas the Jagaban* British-Nigerian musician [Midas the Jagaban](https://www.instagram.com/midasthejagaban/?ref=marmaladecollective.com), known for her debut EP "Midas Touch," is back with "Midas Touch EP Vol 2: Return of the Mask," featuring experimental Afrobeats and an alias inspired by King Midas. Influenced by Kanye, The Weeknd, and Olamide, Midas hopes to make listeners escape and not overthink. She enjoys spending time with cats, and slugs, and dreams of a romantic getaway in Japan and Bali. [👉 Check it out on TheFace](https://theface.com/music/midas-the-jagaban-interview-melanin-pop-afrobeats-amapiano-new-ep?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Tola A ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Idris Elba Curates Fela Kuti Box Set, Odumodublvck Talks UK, Billie Zangewa X Louis Vuitton URL: https://www.marmaladecollective.com/idris-elba-curates-fela-kuti-box-set-odumodublvck-talks-uk-billie-zangewa-x-louis-vuitton/ Last updated: 2023-10-23T09:00:16.000Z #### Highlights: - Idris Elba Curates Limited Fela Kuti Vinyl Set with Classics, Art and Documentary *via* [OkayAfrica](https://www.okayafrica.com/idris-elba-curates-sixth-fela-kuti-box-set/?ref=marmaladecollective.com) - Odumodublvck, a Lagos-born Musician, Talks About his Music, Skepta, the UK and More *via [Hypebeast](https://hypebeast.com/2023/10/meet-odumodublvck-the-lagos-born-musician-carving-a-new-path-for-the-next-gen?utm%5Fsource=flipboard&utm%5Fcontent=hypebeast%2Fmagazine%2FHYPEBEAST%3A+MUSIC)* - Billie Zangewa's Personal Creation for Louis Vuitton Draws Inspiration from a Cherished Swimming Scene *via [Architectural Digest](https://www.architecturaldigest.com/story/billie-zangewa-translates-a-cherished-swimming-scene-into-louis-vuittons-latest-it-bag?utm%5Fsource=flipboard&utm%5Fcontent=agomax%2Fmagazine%2FSouth+Africa)* - CJ Obasi's 'Mami Wata' Nominated for Nigeria's 2024 Oscar Submission: A Cultural Showcase *via [OkayAfrica](https://www.okayafrica.com/cj-obasi-mami-wata-choses-nigeria-oscar/?ref=marmaladecollective.com)* - South African Restaurants Wins “Africa’s Best Culinary Destination” at Dubai's World Culinary Awards *via* [IOL](https://www.iol.co.za/sunday-tribune/lifestyle/halala-south-african-restaurants-win-big-at-world-culinary-awards-in-dubai-dcdedacb-71ae-469b-bb85-4e13234d9a8f?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FCape+Argus) - Rema to Headline South Africa's Largest Afrobeats Festival *via [Notjustok](https://notjustok.com/news/rema-to-headline-afrobeats-biggest-festival-in-south-africa/?ref=marmaladecollective.com)* - Nigerian Artist WurlD Announces 'Don't Get Used to This' EP *via* [OkayAfrica](https://www.okayafrica.com/wurld-announces-dont-get-used-to-this/?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,400+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Idris Elba Curates Limited Fela Kuti Vinyl Set with Classics, Art and Documentary [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/370280793_18386727841033888_5010794502105968484_n.jpg)](https://www.okayafrica.com/idris-elba-curates-sixth-fela-kuti-box-set/?ref=marmaladecollective.com) **Photographer: Yann Megnane* [Idris Elba](https://www.instagram.com/idriselba/?ref=marmaladecollective.com) curates Fela Kuti Box Set #6, celebrating Afrobeat legend with iconic records, exclusive artwork and a documentary exploring Fela's cultural impact. Limited to 5,000 copies, this vinyl collection replicates original album art, includes a booklet, and features a short documentary, "Fela Kuti: The Legacy," with interviews from key figures. This release continues the tradition of notable curators like Chris Martin, Erykah Badu, and Questlove, showcasing Fela's enduring influence on fashion, culture and activism. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/idris-elba-curates-sixth-fela-kuti-box-set/?ref=marmaladecollective.com) ## Odumodublvck, Lagos-born Musician, Talks About his Music, Skepta, the UK and More [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/387196624_18292228141133986_7379001118738815831_n.jpg)](https://hypebeast.com/2023/10/meet-odumodublvck-the-lagos-born-musician-carving-a-new-path-for-the-next-gen?utm%5Fsource=flipboard&utm%5Fcontent=hypebeast%2Fmagazine%2FHYPEBEAST%3A+MUSIC) **Image Courtesy of Odumodublvck IG* Lagos-born musician [Odumodublvck](https://www.instagram.com/odumodublvck/?ref=marmaladecollective.com), inspired by UK culture and Skepta, has released a UK-based single "Declan Rice," blending hip-hop and R&B. He hopes to create a unique path and maintain consistency in his music career. Odumodublvck plans to perform in the UK and release a new record with a UK artist, reflecting the cultural blend of the UK and Nigeria. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/10/meet-odumodublvck-the-lagos-born-musician-carving-a-new-path-for-the-next-gen?utm%5Fsource=flipboard&utm%5Fcontent=hypebeast%2Fmagazine%2FHYPEBEAST%3A+MUSIC) ## Billie Zangewa's Personal Creation for Louis Vuitton Draws Inspiration from a Cherished Swimming Scene [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/ARTYCAPUCINES_BILLIE-ZENGEWA_Ulrich-Knoblauch-16.jpg)](https://www.architecturaldigest.com/story/billie-zangewa-translates-a-cherished-swimming-scene-into-louis-vuittons-latest-it-bag?utm%5Fsource=flipboard&utm%5Fcontent=agomax%2Fmagazine%2FSouth+Africa) **Photo: Ulrich Knoblauch* South African artist Billie Zangewa's "The Swimming Lesson" is now a Louis Vuitton Artycapucines handbag, featuring her son's pool experiences and a limited edition bag with metallic embroidery and penguin charms. The collaboration reflects Zangewa's artistic journey and her deep connection to her son's influence on her creativity, showcasing her intricate silk collages and unfinished elements. [👉 Check it out on Architectural Digest](https://www.architecturaldigest.com/story/billie-zangewa-translates-a-cherished-swimming-scene-into-louis-vuittons-latest-it-bag?utm%5Fsource=flipboard&utm%5Fcontent=agomax%2Fmagazine%2FSouth+Africa) ## CJ Obasi's 'Mami Wata' Nominated for Nigeria's 2024 Oscar Submission: A Cultural Showcase [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/369907613_18274413544195050_7078597936656753843_n.jpg)](https://www.okayafrica.com/cj-obasi-mami-wata-choses-nigeria-oscar/?ref=marmaladecollective.com) **Image Courtesy of @fierycj* Nigeria's '[Mami Wata](https://www.instagram.com/MamiWatamovie/?ref=marmaladecollective.com)' is set to compete for the 2024 Oscars in the International Feature Film category. The monochromatic film, directed by [CJ Obasi](https://www.instagram.com/fierycj/?ref=marmaladecollective.com), tells the story of a West African goddess's fading influence in a struggling village. Despite recent struggles for Nigerian films in the Oscars' International Feature Film category, the film's unique storytelling and cinematography have garnered significant attention. The 96th Oscars ceremony is scheduled for March 10, 2024. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/cj-obasi-mami-wata-choses-nigeria-oscar/?ref=marmaladecollective.com) ## South African Restaurants Wins “Africa’s Best Culinary Destination” at Dubai's World Culinary Awards [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Beautiful-Restaurants-in-South-Africa-850x410.jpg)](https://www.iol.co.za/sunday-tribune/lifestyle/halala-south-african-restaurants-win-big-at-world-culinary-awards-in-dubai-dcdedacb-71ae-469b-bb85-4e13234d9a8f?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FCape+Argus) **Image Courtesy of Luxxu* South Africa's culinary scene, known for its quality ingredients and wine regions, was recognised at the World Culinary Awards in Dubai. The country was named "Africa's Best Culinary Destination" and Cape Town "Africa's Best Culinary City Destination." South African restaurants, including Pier Restaurant, Siba The Restaurant, Salsify, TANG, and The 11th Floor, were also honoured for their unique culinary experiences and scenic locations. [👉 Check it out on IOL](https://www.iol.co.za/sunday-tribune/lifestyle/halala-south-african-restaurants-win-big-at-world-culinary-awards-in-dubai-dcdedacb-71ae-469b-bb85-4e13234d9a8f?utm%5Fsource=flipboard&utm%5Fcontent=Independent1uu7%2Fmagazine%2FCape+Argus) ## Rema to Headline South Africa's Largest Afrobeats Festival [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/I-hope-every-time-you-see-it-on-my-neck-it-ll-bring-back-memories-you-made-with-the-sounds-in-this-iconic-body-of-work..jpg)](https://notjustok.com/news/rema-to-headline-afrobeats-biggest-festival-in-south-africa/?ref=marmaladecollective.com) **Image Courtesy of heisrema* MTV Award-winning Afrobeats sensation [Rema ](https://www.instagram.com/heisrema/?ref=marmaladecollective.com)is set to headline South Africa's Hey Neighbour Music Festival alongside Kendrick Lamar. The three-day event, taking place in Pretoria from December 8-10, 2023, will feature a diverse lineup of African and global artists. Heineken, Coca-Cola, Kit-Kat, and MTV are partners in this celebration aimed at connecting neighbourhoods through music. Rema has also submitted his work for potential consideration at the 66th Grammy Awards, scheduled for February 4, 2024. [👉 Check it out on Notjustok](https://notjustok.com/news/rema-to-headline-afrobeats-biggest-festival-in-south-africa/?ref=marmaladecollective.com) ## Nigerian Artist WurlD Announces 'Don't Get Used to This' EP [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/355148629_604607255100486_5838746277216142484_n.jpg)](https://www.okayafrica.com/wurld-announces-dont-get-used-to-this/?ref=marmaladecollective.com) *Image Courtesy of Ian Kacungira of Ohsnap! Studios* Nigerian singer-songwriter WurlD is set to release his EP, "Don't Get Used To This," on November 10\. The EP features the single "Sarafina" and the summer anthem "Location," a collaboration with Afrobeats producer Sarz. WurlD's music blends Afrobeats and R&B, emphasising living in the moment. The EP marks his evolution as a singer, songwriter, and producer, rooted in Lagos rhythm. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/wurld-announces-dont-get-used-to-this/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Sharon Bunting ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Whats-On---October.jpg)](https://www.marmaladecollective.com/october-2023/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 09-29 Oct | [René Tavares Debut Solo Exhibition](https://www.africacentre.org.uk/Event/portraits-for-english-to-see?ref=marmaladecollective.com) (FREE) - 24 Oct | [Odeal, Here at Outernet](https://dice.fm/event/dqo2e-odeal-24th-oct-here-at-outernet-london-tickets?ref=marmaladecollective.com) - 24 Oct | [Morito Music: Abdoulaye Samb (Supper Club)](https://www.eventbrite.co.uk/e/morito-music-abdoulaye-samb-tickets-719799408407?ref=marmaladecollective.com) - 26 Oct | [Directors Conversation: Imruh Bakari talks to Kwesi Owusu](https://www.eventbrite.co.uk/e/directors-conversation-imruh-bakari-talks-to-kwesi-owusu-director-of-ama-tickets-709478026877?aff=ebdssbdestsearch&ref=marmaladecollective.com) (FREE) - 27 Oct | [Eparapo feat. Dele Sosimi](https://dice.fm/event/emwww-eparapo-feat-dele-sosimi-27th-oct-the-forge-london-tickets?ref=marmaladecollective.com) - 27 Oct | [Reunion & 206 Events present: AFRICAN HORROR STORY](https://dice.fm/event/5b6rl-reunion-206-events-present-african-horror-story-27th-oct-kachette-london-tickets?ref=marmaladecollective.com) - 27 Oct | [Nigerian Cookery Class with Charity | Veg Friendly](https://www.eventbrite.co.uk/e/nigerian-cookery-class-with-charity-veg-friendly-london-pop-up-tickets-703445082177?ref=marmaladecollective.com) - 27 Oct | [UK release of Ayaanle The Movie + Q&A](https://www.eventbrite.co.uk/e/ayaanle-the-movie-tickets-717093214107?aff=ebdssbdestsearch&ref=marmaladecollective.com) - 27-29 Oct | [Africa Fashion Week London](https://www.eventbrite.co.uk/e/africa-fashion-week-london-2023-the-best-in-african-fashion-tickets-401638249817?aff=ebdssbdestsearch&ref=marmaladecollective.com) - 28 Oct | [Karen Nyame KG - The KG Experience](https://dice.fm/event/l5pwp-karen-nyame-kg-the-kg-experience-28th-oct-peckham-audio-london-tickets?ref=marmaladecollective.com) - 28 Oct | [Behind The Veil Movie Premiere](https://www.eventbrite.co.uk/e/behind-the-veil-movie-premiere-london-saturday-28th-october-2023-tickets-713221543837?aff=ebdssbdestsearch&ref=marmaladecollective.com) [Discover More Events & Experiences](https://www.marmaladecollective.com/october-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Tyla Breaks 55-Year Record, Black Sherif Wins BET Awards, Nollywood 'The Black Book' Tops Netflix URL: https://www.marmaladecollective.com/tyla-breaks-55-year-record-black-sherif-wins-bet-awards-nollywood-the-black-book-tops-netflix/ Last updated: 2023-10-16T09:00:50.000Z #### Highlights: - South Africa's Tyla Breaks 55-Year Record: Billboard Hot 100 Debut with “Water” *via* [BBC](https://www.bbc.com/news/world-africa-67064396?ref=marmaladecollective.com) - Black Sherif Wins Best International Flow Win at 2023 BET Hip-Hop Awards *via [OkayAfrica](https://www.okayafrica.com/black-sheriff-wins-bet-award/?ref=marmaladecollective.com)* - Nollywood’s “The Black Book” Makes Global Hit Tops Netflix’s Chart *via [The Africa Report](https://www.theafricareport.com/323678/how-editi-effiong-richard-mofe-damijo-made-the-black-book-a-global-netflix-hit/?ref=marmaladecollective.com)* - Mr. Eazi: The Afrobeats Star Pioneering African Arts *via [CNN](https://edition.cnn.com/style/mr-eazi-afrobeats-african-art-evil-genius?utm%5Fsource=flipboard&utm%5Fcontent=bufocalvin%2Fmagazine%2FThe+Measured+Circle)* - Luxury Concept Store Alára Redefines African Fashion by Blending Global and Local Talent *via* [WMagazine](https://www.wmagazine.com/fashion/reni-folawiyo-alara-lagos-interview-2023?utm%5Fsource=flipboard&utm%5Fcontent=WMagazine%2Fmagazine%2FFashion) - Nike and Eliud Kipchoge Launch" EK Umoja Collection" Marking Two-Decade Collaboration *via [Hypebeast](https://hypebeast.com/2023/10/nike-x-eliud-kipchoge-ek-umoja-collection-release-info?utm%5Fsource=flipboard&utm%5Fcontent=hypebeast%2Fmagazine%2FHYPEBEAST%3A+FOOTWEAR)* - African-born Artist Julie Mehretu’s Artwork Breaks Record at Art Auction *via* [The Art Newspaper](https://www.theartnewspaper.com/2023/10/09/julie-mehretu-painting-sets-new-auction-record-for-an-african-born-artist?utm%5Fsource=flipboard&utm%5Fcontent=NoticeMagazine%2Fmagazine%2FOther+Art+and+Aesthetics+) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## South Africa's Tyla Breaks 55-Year Record: Billboard Hot 100 Debut with “Water” [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/To-Last-SZN---@takeover.al.jpg)](https://www.bbc.com/news/world-africa-67064396?ref=marmaladecollective.com) **Image Courtesy of @takeover.al* South African music star [Tyla ](https://www.instagram.com/tyla/?ref=marmaladecollective.com)has made history by debuting on the Billboard Hot 100, marking her first solo song to do so since Hugh Masekela's Grazing in the Grass 55 years ago. The song, which blends Afrobeats, pop, R&B, and Amapiano, has gained popularity on TikTok and inspired a viral water dance challenge. The dance routine has recorded over 70 million views and has surpassed 3.6 million views on YouTube. Tyla is set to release her first album in November. [👉 Check it out on BBC](https://www.bbc.com/news/world-africa-67064396?ref=marmaladecollective.com) ## Black Sherif Wins Best International Flow Win at 2023 BET Hip-Hop Awards [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/376256069_18384733702061212_64150746499242633_n.jpg)](https://www.okayafrica.com/black-sheriff-wins-bet-award/?ref=marmaladecollective.com) **Image Courtesy of ellese* The 50-year hip-hop celebration honoured industry talents and global impact. Ghanaian artist Black [Sherif ](https://www.instagram.com/blacksherif%5F/?ref=marmaladecollective.com)won Best International Flow, Kendrick Lamar won four awards, and AKA received the Global Visionary Award. Nigerian superstar Burna Boy had seven nominations but didn't win. Black Sherif expressed gratitude for his international rise and invited the diaspora to visit Africa. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/black-sheriff-wins-bet-award/?ref=marmaladecollective.com) ## Nollywood’s “The Black Book” Makes Global Hit Tops Netflix’s Chart [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/I-call-him-uncle-Pat--I-never-just-could-call-him-any-other-way.-Not-that-he-would-have-minded-me-calling-him-Pat-Nebo--Ok--from-time-to-time-I-would-just-hail-him-and-call-him-Patoooooo.-Cool-guy.-Now-he-is-gone.-F.jpg)](https://www.theafricareport.com/323678/how-editi-effiong-richard-mofe-damijo-made-the-black-book-a-global-netflix-hit/?ref=marmaladecollective.com) **Image Courtesy of Richard Mofe-Damijo* Nigerian film "The Black Book" achieved global success on Netflix after its release as an acquired Original on September 22\. The action-thriller, starring [Richard Mofe-Damijo](https://www.instagram.com/mofedamijo/?img%5Findex=2&ref=marmaladecollective.com), ranked fourth among English-language titles in its first weekend, with over 5.6 million views in the first two days. The film, directed by Editi Effiong, addresses police brutality and the pursuit of social justice, inspired by real-life events in Nigeria. [👉 Check it out on TheAfricaReport](https://www.theafricareport.com/323678/how-editi-effiong-richard-mofe-damijo-made-the-black-book-a-global-netflix-hit/?ref=marmaladecollective.com) ## Mr. Eazi: The Afrobeats Star Pioneering African Arts [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Yesterday-was-the-1st-exhibition-for-my-forthcoming-album--The-Evil-Genius--at-@gallery1957-In-Accra-Ghana.-Over-the-last-2-years--I-made-the-16-track-deeply-persona-album-and-commissioned-13-Visual-artists-from--1-.jpg)](https://edition.cnn.com/style/mr-eazi-afrobeats-african-art-evil-genius?utm%5Fsource=flipboard&utm%5Fcontent=bufocalvin%2Fmagazine%2FThe+Measured+Circle) **Image Courtesy of @mreazi* Nigerian artist Mr. Eazi, initially disinterested in art, now embraces it passionately, curating an exhibition accompanying his album "The Evil Genius." His newfound appreciation for art mirrors his approach to music creation. The album pairs sixteen tracks with artworks by thirteen artists from eight countries. The exhibition launched in Accra and London, and Mr. Eazi hopes to make art more accessible and less exclusive. [👉 Check it out on CNN](https://edition.cnn.com/style/mr-eazi-afrobeats-african-art-evil-genius?utm%5Fsource=flipboard&utm%5Fcontent=bufocalvin%2Fmagazine%2FThe+Measured+Circle) ## Luxury Concept Store Alára Redefines African Fashion by Blending Global and Local Talent [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/278988473_164518072650147_3978549066000341986_n.jpg)](https://www.wmagazine.com/fashion/reni-folawiyo-alara-lagos-interview-2023?utm%5Fsource=flipboard&utm%5Fcontent=WMagazine%2Fmagazine%2FFashion) **Image Courtesy of @alaralagos* [Alára](https://www.instagram.com/alaralagos/?ref=marmaladecollective.com), a Lagos-based luxury concept store, aims to redefine African luxury by combining international and emerging designers. The store offers clothing, furniture, books, design objects, a restaurant, and cultural programming. Its annual design competition, Emerge Alára, has launched the careers of several African designers. The store features a boutique with dressing rooms for customers to try on pieces by designers like Thebe Magugu, Edas, and Tongoro. [👉 Check it out on WMagazine](https://www.wmagazine.com/fashion/reni-folawiyo-alara-lagos-interview-2023?utm%5Fsource=flipboard&utm%5Fcontent=WMagazine%2Fmagazine%2FFashion) ## Nike and Eliud Kipchoge Launch "EK Umoja Collection" Marking Two-Decade Collaboration [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/382579501_1845894655812816_366561169697999310_n.jpg)](https://hypebeast.com/2023/10/nike-x-eliud-kipchoge-ek-umoja-collection-release-info?utm%5Fsource=flipboard&utm%5Fcontent=hypebeast%2Fmagazine%2FHYPEBEAST%3A+FOOTWEAR) **Image Courtesy of Nike* [Nike](https://www.instagram.com/nike/?ref=marmaladecollective.com) and Kenyan marathon star [Eliud Kipchoge](https://www.instagram.com/kipchogeeliud/?ref=marmaladecollective.com) has launched the "EK Umoja Collection" to commemorate 20 years of partnership and Kipchoge's iconic moments. The collection features five pairs of running shoes, apparel, and activewear, inspired by Kipchoge's 2003 5000-meter world championship in Paris. The red colour symbolises Kipchoge's Kenyan heritage. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/10/nike-x-eliud-kipchoge-ek-umoja-collection-release-info?utm%5Fsource=flipboard&utm%5Fcontent=hypebeast%2Fmagazine%2FHYPEBEAST%3A+FOOTWEAR) ## African-Born Artist Julie Mehretu’s Artwork Breaks Record at Art Auction [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/243283251_398356531777136_4529112155359976627_n.jpg)](https://www.theartnewspaper.com/2023/10/09/julie-mehretu-painting-sets-new-auction-record-for-an-african-born-artist?utm%5Fsource=flipboard&utm%5Fcontent=NoticeMagazine%2Fmagazine%2FOther+Art+and+Aesthetics+) **Julie Mehretu. Image Courtesy of Julie Mehretu* African-born artist [Julie Mehretu](https://www.instagram.com/juliemehretu/?ref=marmaladecollective.com) set a new auction record for an untitled 2001 diptych at Sotheby's Hong Kong contemporary evening sale, selling it for $9.32m. The top prices for African artists at auction are generated by women, with South African artist Irma Stern and Nigerian American artist Njideka Akunyili Crosby also in this top tier. The contemporary African art market is growing, with $63m spent on African-born artists in 2022, a $15m year-on-year increase. [👉 Check it out on TheArtNewspaper](https://www.theartnewspaper.com/2023/10/09/julie-mehretu-painting-sets-new-auction-record-for-an-african-born-artist?utm%5Fsource=flipboard&utm%5Fcontent=NoticeMagazine%2Fmagazine%2FOther+Art+and+Aesthetics+) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Tola A. ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Whats-On---October.jpg)](https://www.marmaladecollective.com/october-2023/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 06-20 Oct | [Ekomo Art Exhibition: Celebrating the Rhythms of Africa](https://www.minikaart.com/event?ref=marmaladecollective.com) - 09-29 Oct | [René Tavares Debut Solo Exhibition](https://www.africacentre.org.uk/Event/portraits-for-english-to-see?ref=marmaladecollective.com) (FREE) - 15 Oct | [Fela Kuti's Birthday at The Jazz Ca](https://dice.fm/event/dm3m6-fela-kutis-birthday-15th-oct-the-jazz-cafe-london-tickets?ref=marmaladecollective.com)[fe](https://dice.fm/event/dm3m6-fela-kutis-birthday-15th-oct-the-jazz-cafe-london-tickets?ref=marmaladecollective.com) - 19 Oct | [Meet Author: Kòkú Àkànbí and the Heart of Midnight](https://www.picturehouses.com/education/details/meet-the-author-event-maria-mot-nr-y-ad-b-s?ref=marmaladecollective.com) - 20 Oct | [African Headdress Fashion Show](https://www.eventbrite.co.uk/e/african-headdress-fashion-show-tickets-722690194827?aff=ebdssbdestsearch&ref=marmaladecollective.com) (FREE) - 21 Oct | [The African Fashion and Textiles Experience](https://www.eventbrite.co.uk/e/the-african-fashion-and-textiles-experience-tickets-706771722247?ref=marmaladecollective.com) (FREE) [Discover More Events & Experiences](https://www.marmaladecollective.com/october-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Nigella Spotlights Africana Cookbook, African Artists at FC Barcelona, Tems New Single URL: https://www.marmaladecollective.com/nigella-spotlights-africana-cookbook-african-artists-at-fc-barcelona-tems-new-single/ Last updated: 2023-10-09T09:00:30.000Z #### Highlights: - Nigella Spotlighted “Africana” by Lerato Umah-Shaylor: A Cookbook of Africa's Treasured Recipes *via* [Nigella](https://www.nigella.com/cookbook-corner/africana-by-lerato-umah-shaylor?ref=marmaladecollective.com) - African Artists Pabi Cooper, Ch'cco, Teni, and Odumodublvck in the spotlight at FC Barcelona *via [Yomzansi](https://www.yomzansi.com/2023/10/03/african-artists-in-fc-barcelonas-limelight/?ref=marmaladecollective.com)* - Tems Returns with "Me & U" her First Solo Since 2021's "If Orange Was A Place” *via [OkayAfrica](https://www.okayafrica.com/tems-me-and-u/?ref=marmaladecollective.com)* - Bose Ogulu Honoured with '2023 History Maker Award' at Best of Africa Awards, London *via [BellaNaija](https://www.bellanaija.com/2023/10/bose-ogulu-at-best-of-africa-awards/?ref=marmaladecollective.com)* - Ethiopian-based Etan Comics Unites 24 African Creators in Exciting Anthology 'Long Distance.' *via* [OkayAfrica](https://www.okayafrica.com/etan-comics-long-distance-anthology/?ref=marmaladecollective.com) - Joakim Noah, Hennessy Ambassador, Reveals Vibrant VGC, Lagos Basketball Court Revitalisation Globally *via [BellaNaija](https://www.bellanaija.com/2023/10/joakim-noah-hennessy-basketball-court-vgc/?ref=marmaladecollective.com)* - Kenyan Photographer Thandiwe Muriu’s Paris Exhibition with Vivid Camouflaged Art *via* [Colossal](https://www.thisiscolossal.com/2023/10/thandiwe-muriu-portraits/?utm%5Fsource=flipboard&utm%5Fcontent=CaryGill%2Fmagazine%2FFOR+THE+%E2%9D%A4%EF%B8%8F+OF+LIFE) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Nigella Spotlighted “Africana” by Lerato Umah-Shaylor: A Cookbook of Africa's Treasured Recipes [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/AFRICANA-IS-OUT-NOW----SWIPE---And-her-first-48-hours-in-the-world-was-such-fun--On-publication-day-I-travelled-up-north-to-Manchester-as-a-guest-chef-to-launch-the-innaugural-@the_rhs-festival-of-flavours--I-cooked.jpg)](https://www.nigella.com/cookbook-corner/africana-by-lerato-umah-shaylor?ref=marmaladecollective.com) **Image Credit: LeratoFoods* Renowned TV celebrity and chef [Nigella](https://www.instagram.com/nigellalawson/?ref=marmaladecollective.com), spotlighted the “Africana” cookbook by [Lerato Umah-Shaylor ](https://www.instagram.com/leratofoods/?ref=marmaladecollective.com)on their website and social media channels. The book offers diverse recipes like Juicy Berbere Meatballs and Hibiscus Chocolate Orange Cake, showcasing Africa's culinary heritage. The book's focus on flexibility in cooking is a testament to its rich culinary education, making it a must-read for food enthusiasts seeking a taste of Africa's culinary heritage. [👉 Check it out on Nigella](https://www.nigella.com/cookbook-corner/africana-by-lerato-umah-shaylor?ref=marmaladecollective.com) ## African Artists Pabi Cooper, Ch'cco, Teni, and Odumodublvck in the spotlight at FC Barcelona [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/@fcbarcelona---@spotifyafrica---TIKI-TAKA---TO-GOD-BE-THE-GLORY-----@kaano_grapher.jpg)](https://www.yomzansi.com/2023/10/03/african-artists-in-fc-barcelonas-limelight/?ref=marmaladecollective.com) **Image Credit: Kaano\_grapher* [Spotify](https://www.instagram.com/spotifyafrica/?img%5Findex=1&ref=marmaladecollective.com) and [FC Barcelona](https://www.instagram.com/fcbarcelona/?ref=marmaladecollective.com) have partnered for R5.9 million to create a global music hub at Camp Nou, featuring African artists like [Pabi Cooper](https://www.instagram.com/cooper%5Fpabi/?ref=marmaladecollective.com), [Ch'cco](https://www.instagram.com/chiccoalot/?ref=marmaladecollective.com), [Teni](https://www.instagram.com/tenientertainer/?ref=marmaladecollective.com), and [Odumodublvck](https://www.instagram.com/odumodublvck/?ref=marmaladecollective.com). The partnership includes jersey sponsorships and naming rights to Camp Nou, promoting a unique fusion of music and sports. The "Barça African Connect Playlist" features tracks enjoyed by players with African heritage. [👉 Check it out on Yomzansi](https://www.yomzansi.com/2023/10/03/african-artists-in-fc-barcelonas-limelight/?ref=marmaladecollective.com) ## Tems Returns with "Me & U" her First Solo Since 2021's "If Orange Was A Place” [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/386229730_2036096843423638_2491786464101135837_n.jpg)](https://www.okayafrica.com/tems-me-and-u/?ref=marmaladecollective.com) **Image Credit: @Temsbaby* Nigerian artist [Tems](https://www.instagram.com/temsbaby/?ref=marmaladecollective.com) has released her latest single, "Me & U" following her EP "If Orange Was A Place" The track showcases her songwriting and production skills, with a Malta-shot music video. The track explores self-discovery and spirituality, reflecting Tems' personal journey. With a GRAMMY Award and Academy Award nomination, Tems is a rising star in the industry with a promising future. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/tems-me-and-u/?ref=marmaladecollective.com) ## Bose Ogulu Honoured with '2023 History Maker Award' at Best of Africa Awards, London [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/378775859_260421033622607_3721257862385694859_n.jpg)](https://www.bellanaija.com/2023/10/bose-ogulu-at-best-of-africa-awards/?ref=marmaladecollective.com) **Image Courtesy of @thenamix* Nigerian businesswoman and talent manager [Bose Ogulu](https://www.instagram.com/thenamix/?ref=marmaladecollective.com), also known as Mama Burna, received the "History Maker Award 2023" at the Best of Africa Awards in London. She also delivered a keynote speech on "Legacy" at the event, attended by notable figures from sports, fashion, and music. This award recognises achievements within the African and Pan-African community. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/10/bose-ogulu-at-best-of-africa-awards/?ref=marmaladecollective.com) ## Ethiopian-based Etan Comics Unites 24 African Creators in Exciting Anthology 'Long Distance.' [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/376713111_869696334771211_7952762493484212772_n.jpg)](https://www.okayafrica.com/etan-comics-long-distance-anthology/?ref=marmaladecollective.com) **Image Credit: @art\_of\_tate* [Etan Comics](https://www.instagram.com/etancomics/?ref=marmaladecollective.com) founder Beserat Debebe has launched a Pan-African comic book anthology, "Long Distance," featuring over 24 African creators. The project aims to empower African kids with positive narratives about African history and culture. Debebe funded the project using Kickstarter, recognising its importance for independent comic publishers. The anthology has gained attention due to the growing demand for authentic African comic book stories. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/etan-comics-long-distance-anthology/?ref=marmaladecollective.com) ## Joakim Noah, Hennessy Ambassador, Reveals Vibrant VGC, Lagos Basketball Court Revitalisation Globally [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/-Having-grown-up-on-basketball-courts--I-ve-personally-witnessed-the-incredible-impact-they-can-have-in-building-community--skills--and-shared-experiences.----Joakim-Noah--Celebrated-not-only-for-his-prowess-on-the-.jpg)](https://www.bellanaija.com/2023/10/joakim-noah-hennessy-basketball-court-vgc/?ref=marmaladecollective.com) **Image Credit: Hennessy* [Hennessy](https://www.instagram.com/Hennessy/?img%5Findex=8&ref=marmaladecollective.com) has partnered with NBA legend [Joakim Noah](https://www.instagram.com/stickity13/?ref=marmaladecollective.com) to launch their "In the Paint" initiative, a revitalised basketball court in Lagos, Nigeria, featuring vibrant artwork by [Osa Seven](https://www.instagram.com/osa%5Fseven/?ref=marmaladecollective.com). The partnership hopes to inspire and unite communities worldwide, celebrating urban culture and bringing about creativity, while showcasing local talent and Hennessy's commitment to responsible corporate citizenship. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/10/joakim-noah-hennessy-basketball-court-vgc/?ref=marmaladecollective.com) ## Kenyan Photographer Thandiwe Muriu’s Paris Exhibition with Vivid Camouflaged Art [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/-If-there-is-no-enemy-within--the-enemy-outside-can-do-us-no-harm.--African-ProverbIt-s-a-fact-that-every-woman-must-fight-an-internal-battle-to-love-herself-and-see-herself-as-beautiful-against-the-ever-shifting-s.webp)](https://www.thisiscolossal.com/2023/10/thandiwe-muriu-portraits/?utm%5Fsource=flipboard&utm%5Fcontent=CaryGill%2Fmagazine%2FFOR+THE+%E2%9D%A4%EF%B8%8F+OF+LIFE) **Credit Photographer Thandiwe Muriu* [Thandiwe Muriu](https://www.instagram.com/thandiwe%5Fmuriu/?ref=marmaladecollective.com), a Kenyan photographer, questions the concept of disposability in her exhibition, "You Thought You Could Throw Me Away," at 193 Gallery in Paris. Her striking portraits blend her into kaleidoscopic backdrops using everyday materials like recycled eyewear and accessories from Kenya. Muriu reimagines portraiture and modern womanhood while challenging notions of value. The exhibition runs from October 14 to December 30. [👉 Check it out on Colossal](https://www.thisiscolossal.com/2023/10/thandiwe-muriu-portraits/?utm%5Fsource=flipboard&utm%5Fcontent=CaryGill%2Fmagazine%2FFOR+THE+%E2%9D%A4%EF%B8%8F+OF+LIFE) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Sharon Bunting ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Whats-On---October.jpg)](https://www.marmaladecollective.com/october-2023/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 06-20 Oct | [Ekomo Art Exhibition: Celebrating the Rhythms of Africa](https://www.minikaart.com/event?ref=marmaladecollective.com) - 09-29 Oct | [René Tavares Debut Solo Exhibition](https://www.africacentre.org.uk/Event/portraits-for-english-to-see?ref=marmaladecollective.com) (FREE) - 10 Oct | [African Dance With Nii Boye](https://www.eventbrite.co.uk/e/african-dance-with-nii-boye-tickets-685523678777?ref=marmaladecollective.com) - 10 Oct | [Tay Iwar at Scala](https://dice.fm/event/k9w9q-tay-iwar-10th-oct-scala-london-tickets?ref=marmaladecollective.com) - 12 Oct | [Kwame Yeboah at Jazz re:freshed](https://dice.fm/event/yep82-kwame-yeboah-at-jazz-refreshed-12th-oct-ninety-one-living-room-london-tickets?ref=marmaladecollective.com) - 12-15 Oct | [The Beat Goes On](https://www.eventbrite.com/e/the-beat-goes-on-tickets-723400730057?ref=marmaladecollective.com) (FREE) - 12-15 Oct | [1-54 Contemporary African Art Fair](https://www.somersethouse.org.uk/whats-on/1-54-contemporary-african-art-fair-2023?ref=marmaladecollective.com) - 13 Oct | [Aya Nakamura - Live in Concert](https://shoobs.com/events/86785/aya-nakamura-live-in-concert-london?ref=marmaladecollective.com) - 13 Oct | [House of Afro: Afrobeats x Dancehall x Amapiano](https://dice.fm/event/kdp29-house-of-afro-afrobeats-x-dancehall-x-amapiano-13th-oct-brixton-jamm-london-tickets?ref=marmaladecollective.com) - 14 Oct | [Tom Moutchi and Friends](https://dice.fm/event/nd8r8-tom-moutchi-and-friends-14th-oct-queen-of-the-south-london-tickets?ref=marmaladecollective.com) - 15 Oct | [Fela Kuti's Birthday at The Jazz Cafe](https://dice.fm/event/dm3m6-fela-kutis-birthday-15th-oct-the-jazz-cafe-london-tickets?ref=marmaladecollective.com) [Discover More Events & Experiences](https://www.marmaladecollective.com/october-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### A Marmalade Guide to 1-54 Contemporary African Art Fair's 11th Edition at Somerset House URL: https://www.marmaladecollective.com/1-54-contemporary-african-art-fair-11th-edition-at-somerset-house/ Last updated: 2023-10-05T08:00:56.000Z London, UK - 1-54 Contemporary African Art Fair is thrilled to announce its return to Somerset House for the eleventh consecutive year, marking its largest flagship fair to date. The fair is scheduled to take place from 12th to 15th October 2023, with a Press Preview on 12th October. As the premier international art fair dedicated to contemporary African and diasporic art, 1-54 London 2023 will feature an impressive roster of over 60 international exhibitors, representing 31 different countries. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Trevor-Stuurman--Tongoro-beauty-5--2022--Ilford-Crystal-Gloss-Giclee--84.1-x-56.1-cm.-Courtesy-of-THK-Gallery.jpg) Trevor Stuurman, Tongoro beauty 5, 2022, Ilford Crystal Gloss Giclee, 84.1 x 56.1 cm. Courtesy of THK Gallery This edition boasts the highest number of exhibitors ever and expands its exhibition space within Somerset House. Of the 62 international exhibitors, one-third hail from the African continent, and an impressive 14 galleries are making their debut at the London edition of the fair. Notable newcomers include Affinity Gallery (Lagos, Nigeria), Efie Gallery (Dubai, United Arab Emirates), Asfalto (Rio de Janeiro, Brazil), Krystel Ann Art (Lisbon, Portugal), Hannah Traore Gallery (New York, USA), and The African Art Hub (London, UK), among others. A diverse range of both established and emerging artists will be showcased, spanning various mediums from painting and sculpture to mixed media and installation. The exhibition will feature works from renowned artists such as Joana Choumali, Ibrahim El Salahi, and Soly Cissé, as well as emerging talents like Josué Comoe, Anya Paintsil, and Edozie Anedu. In a remarkable collaboration, Moroccan artist Amine El Gotaibi will present his ambitious project, "Illuminate the Light," in the Edmond J. Safra Fountain Court at Somerset House. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Anne-Adams--Bent-over--2022--Clay--Slip--underglaze--L---17cm--W---20cm--H---33cm.-Courtesy-of-Affinity-Gallery.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/A-si-ko--The-Village-Giant--2022--107-x-160cm--Edition-of-5.-Courtesy-of-the-gallery-Movart.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Bahati-Simoens--Start-the-way-you-wanna-finish--2023--Acrylic-on-canvas--121-x-91.4-cm.-Courtesy-of-the-artist.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Chris-Soal--Paniki--2021--Found-beer-bottle-caps-threaded-onto-electric-fencing-cable-held-in-polyurethane-sealant-on-board--195-x-84-x-10-cm.-Courtesy-of-WHATIFTHEWORLD.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Damilola-Onosowobo--Homegirls-II--2021--Oil-on-canvas--61-cm-x-95-cm.-Courtesy-of-Affinity-Gallery.png) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/DuduBloom-More--Level-of-Familiarity--2021--Screenprint-and-hand-sewn-thread-on-paper--100-x-70-cm--Edition-of-8.-Courtesy-of-Berman-Contemporary.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Eddy-Kamuanga-Ilunga--Rencontre-avec-soi--2022--Acrylic-and-oil-on-canvas--200-x-200-cm.---Eddy-Kamuanga-Ilunga.-Courtesy-of-the-Artist-and-October-Gallery--London.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Gustavo-Nazareno--Exu--2023--Oil-On-Linen--200-x-170cm.-Courtesy-Of-Portas-Vilaseca-Galeria.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/J.K.-Bruce-Vanderpuije--Achimota-School-Boxing-Club--1933--Archival-Print--85.71-x-59.75-cm--120-x-83.65-cm.-Courtesy-of-Efie-Gallery.jpg) Various Artists This installation consists of twelve individual geometric sculptures inspired by pomegranate seeds, symbolizing the diversity and richness of the African continent. By using light as both a physical and metaphorical medium, El Gotaibi aims to challenge Western stereotypes of Africa and promote positive narratives. At twilight, these sculptures transform into luminous installations, embodying the artist's philosophy that "out of darkness, light emerges." Touria El Glaoui, Founding Director, expressed her enthusiasm for this year's event, saying, > We are delighted to welcome more galleries than ever before, with a significant number of galleries based on the continent. Alongside our established artists, you will encounter emerging artists who we are proud to present at the start of their careers. 1-54's partnership with Christie's, now in its fourth year, demonstrates the fair's strong connection with the global auction house. Christie's commitment to showcasing contemporary African art and expanding the fair's international reach is further exemplified by hosting the second iteration of "1-54 Presents," a series of pop-up exhibitions from 9th to 14th October at their London space. Additionally, 1-54 is excited to announce a creative collaboration with Infiniment Coty Paris, a high-end fragrance collection set to launch globally in 2024 by Coty Inc., one of the world's largest beauty companies. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Togo-Yeye--Lemanja--Mamy-Wata---2023-from-the-series-Denim-Dreams--Pigment-inkjet-print-on-Hahnemu-hle-Photo-Rag--Metallic--size-tbc--edition-3.-Courtesy-of-Galerie-Gomis.-.jpg) Togo Yeye, Lemanja (Mamy Wata), 2023 from the series Denim Dreams, Pigment inkjet print on Hahnemühle Photo Rag® Metallic, size tbc, edition 3\. Courtesy of Galerie Gomis. The partnership will feature an Infiniment Coty Paris Art Gallery showcasing dedicated artworks from across Africa, as well as a preview of the 14 fragrances from the upcoming collection through a dedicated installation. Artsy, 1-54's longstanding partner, will host an online edition from 12th to 29th October 2023, allowing visitors to explore, connect with, and collect artworks from all the galleries and artists featured in the fair. For more information and updates, follow Infiniment Coty Paris on [Instagram](https://www.instagram.com/cotyinc/?ref=marmaladecollective.com). #### List of Participating Galleries - (S)ITOR (Paris, France) - 193 Gallery (Paris, France) - 50 Golborne (London, United Kingdom) - AFIKARIS (Paris, France) - Affinity Gallery (Lagos, Nigeria) - Afriart (Kampala, Uganda) - Albertz Benda (New York, United States of America) - Asfalto (Rio de Janeiro, Brazil) - Berman Contemporary (Johannesburg, South Africa) - BKhz (Johannesburg, South Africa) - Christophe Person (Paris, France) - Circle Art Gallery (Nairobi, Kenya) - DADA Gallery (Lagos, Nigeria/London, United Kingdom) - Doyle Wham (London, United Kingdom) - Eclectica Contemporary (Cape Town, South Africa) - Efie Gallery (Dubai, United Arab Emirates) - Eric Dupont (Paris, France) - Foreign Agent (Lausanne, Switzerland) - Galerie Carole Kvasnevski (Paris, France / New York, United States of America) - Galerie Gomis (Brussels, Belgium) - Galerie La La Lande (Paris, France) - 110 Véronique Rieffel (Paris, France) - Galleria Anna Marra (Rome, Italy) - Gallery 1957 (Accra, Ghana/London, United Kingdom) - Gallery Nosco (Brussels, Belgium) - Luce Gallery (Turin, Italy) - Guns & Rain (Johannesburg, South Africa) - Hannah Traore Gallery (New York, United States of America) - Kalashnikov Gallery (Johannesburg, South Africa) - Kanbi Projects (Rickmansworth, United Kingdom) - Kristin Hjellegjerde Gallery (London, United Kingdom / Berlin, Germany / Nevlunghavn, Norway / Miami, United States of America) - Krystel Ann Art (Lisbon, Portugal) - L'Atelier 21 (Casablanca, Morocco) - La Galerie 38 (Casablanca / Marrakech, Morocco) - Loeve&Co (Paris, France) - Loft Art Gallery (Casablanca, Morocco) - Maāt Gallery (Paris, France) - MCC Gallery (Marrakech, Morocco) - Montresso\* Art Foundation (Marrakech, Morocco) - MOVART (Lisbon, Portugal / Luanda, Angola) - Nil Gallery (Paris, France) - October Gallery (London, United Kingdom) - Perve Galeria (Lisbon, Portugal) - Portas Vilaseca Galeria (Rio de Janeiro, Brazil) - Primo Marella Gallery (Milan, Italy / Lugano, Switzerland) - Richard Saltoun Gallery (London, United Kingdom / Rome, Italy) - Sakhile&Me (Frankfurt, Germany) - SEPTIEME Gallery (Paris, France / Cotonou, Benin) - SMO Contemporary Art (Lagos, Nigeria) - So Art Gallery (Casablanca, Morocco) - TAFETA (London, United Kingdom) - The African Art Hub (TAAH) (London, United Kingdom) - The Gallery of Everything (London, United Kingdom) - THIS IS NOT A WHITE CUBE (Lisbon, Portugal / Luanda, Angola) - THK Gallery (Cape Town, South Africa) - UBUNTU Art Gallery (Cairo, Egypt) - Versant Sud (Marseille, France) - Vigo Gallery (London, United Kingdom) - WHATIFTHEWORLD (Cape Town, South Africa) - HOA Galeria (São Paolo, Brazil) - Wunika Mukan Gallery (Lagos, Nigeria) ## About 1-54 Contemporary African Art Fair ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1-54-Contemporary-African-Art-Fair-Christies-index-hero-2448x918.jpg) Image courtesy of 1-54 Art Fair With annual editions in London, Marrakech, and New York, as well as pop-up fairs in Paris, 1-54 is the leading international art fair dedicated to contemporary art from Africa and its diaspora. Drawing reference to the 54 countries that constitute the African continent, 1-54 is a sustainable and dynamic platform engaged in contemporary dialogue and exchange. Initiated by Touria El Glaoui in 2013, October 2023 will mark the fair's 11th anniversary celebrations in London with its flagship fair at Somerset House, London. ## About Christie's ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/21st-century-evening-sale-christies-new-york-saleroom-2880x1560-v2.jpg) Image courtesy of © CHRISTIE'S Founded in 1766, Christie's is a world-leading art and luxury business, known for its expert live and online auctions, private sales, and global services. Christie's has a physical presence in 46 countries, with flagship international sales hubs in New York, London, Hong Kong, Paris, and Geneva. In 2023, Christie's celebrates its 10th anniversary as the first international auction house authorized to hold sales in mainland China (Shanghai). Christie's has sold 8 of the 10 most important single-owner collections in history and continues to pioneer new technologies in the art world. For more information, please visit [www.christies.com](https://www.christies.com/?ref=marmaladecollective.com). ## Somerset House at 1-54 Contemporary African Art Fair, London 2023 ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/20211014183431ZJW_9227-copy.jpg) Image courtesy of 1-54 Art Fair Somerset House, renowned as the home of cultural innovators, stands as a site of origination, offering a cultural program that presents alternative perspectives on the most pressing issues of our time. They’re a place of joy and discovery, where everyone is invited to Step Inside and Think Outside. From their historic location in the heart of London, they extend their reach globally, engaging with art, creativity, business, and non-profit sectors, nurturing emerging talent, pioneering new methods, and embracing cutting-edge technologies. Their vibrant community of creative enterprises, arts organisations, artists, and makers makes them a hub of ideas, and the majority of their programmes are homegrown. Somerset House occupy the intersection of artistic and social innovation, uniting diverse worlds and minds to conjure surprising and often enchanting outcomes. Their unwavering curiosity and ability to challenge conventional perspectives are fundamental to their heritage and crucial to our future. ## Somerset House Highlights at 1-54 Join them at Somerset House during 1-54 for an enlightening experience, including: "The Missing Thread": Explore the untold stories of Black British fashion in this major new exhibition curated by the Black Oriented Legacy Development Agency. Spanning from the 1970s to the present day, "The Missing Thread" charts the evolving landscape of Black British culture and its unique contributions to Britain's rich fashion design history. For more information, visit [www.somersethouse.org.uk](http://www.somersethouse.org.uk/?ref=marmaladecollective.com). For updates and insights, stay connected on social media: Website: [1-54.com](https://www.1-54.com/?ref=marmaladecollective.com) X: @154artfair Instagram: @154artfair Facebook: 154ContemporaryAfricanArtFair Hashtag: #154artfair ### Julianknxx Exhibits at Barbican, Tresor Signs with Sony Music, Justyna Obasi x Adidas and More URL: https://www.marmaladecollective.com/julianknxx-exhibits-at-barbican-tresor-signs-with-sony-music-justyna-obasi-x-adidas-and-more/ Last updated: 2023-10-02T10:11:18.000Z #### Highlights: - Barbican Showcases Julianknxx's Blackness Exploration *via* [i-d-vice](https://i-d.vice.com/en/article/88xvp3/julianknxxs-chorus-in-rememory-of-flight-exhibit-expansive-visions-of-blackness?utm%5Fsource=flipboard&utm%5Fcontent=KingsleyB%2Fmagazine%2FExemplar) - Tresor Signs a Global Co-publishing Agreement with Sony Music Publishing *via [Hypemagazine](https://hypemagazine.co.za/2023/09/27/tresor-signs-global-co-publishing-deal-with-sony-music-publishing/?ref=marmaladecollective.com)* - A Marmalade Guide to ALT WORLD: Celebrating Creativity, Inclusivity and Diversity *via [Marmalade Collective](https://www.marmaladecollective.com/alt-world-celebrating-creativity-inclusivity-and-diversity/)* - Apple Music’s 'Oshe Naija' for Nigeria's Independence Day Celebration *via [OkayAfrica](https://www.okayafrica.com/apple-music-launches-oshe-naija-campaign-celebrate-nigeria-independence-day/?ref=marmaladecollective.com)* - Stonebwoy and Angelique Kidjo Collaborate in "Manodzi" Video, Celebrating Global African Music *via* [OkayAfrica](https://www.okayafrica.com/stonebwoy-and-angelique-kidjo-release-music-video-for-manodzi/?ref=marmaladecollective.com) - Justyna Obasi Directs Captivating Adidas Samba Campaign *via [Adidas](https://news.adidas.com/originals/adidas-originals-launches-new-global-brand-platform---we-gave-the-world-an-original.-you-gave-us-a-t/s/d6c2a3f5-a4ba-4eb0-b02c-035b85a92f72?ref=marmaladecollective.com)* - Senegalese Newcomer Seydou Sarr Grabs Marcello Mastroianni Award at the 80th Venice Film Fest *via* [OkayAfrica](https://www.okayafrica.com/seydou-sarr-wins-marcello-mastroianni-award/?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Barbican Showcases Julianknxx's Blackness Exploration [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/316451300_604728368074381_3827559520960202154_n.jpg)](https://i-d.vice.com/en/article/88xvp3/julianknxxs-chorus-in-rememory-of-flight-exhibit-expansive-visions-of-blackness?utm%5Fsource=flipboard&utm%5Fcontent=KingsleyB%2Fmagazine%2FExemplar) **Photo Credit: French Gold* Sierra Leonean London-based artist [Julianknxx](https://www.instagram.com/julianknxx/?ref=marmaladecollective.com), also known as Julian Knox, presents a public exhibition, "Chorus in Rememory of Flight," at London's Barbican Centre. The exhibition, which combines film, choral music, and spoken poetry, explores shared Black histories in European port cities. Drawing from African culture, it challenges notions of home and identity. The exhibition encourages active participation and celebrates communal singing, symbolizing hope and joy, and the power of music to unite and soothe. [👉 Check it out on i-d-vice](https://i-d.vice.com/en/article/88xvp3/julianknxxs-chorus-in-rememory-of-flight-exhibit-expansive-visions-of-blackness?utm%5Fsource=flipboard&utm%5Fcontent=KingsleyB%2Fmagazine%2FExemplar) ## Tresor Signs a Global Co-publishing Agreement with Sony Music Publishing [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/384346895_18387390631027680_1169414251249549548_n.jpg)](https://hypemagazine.co.za/2023/09/27/tresor-signs-global-co-publishing-deal-with-sony-music-publishing/?ref=marmaladecollective.com) **Tresor: Photo Credit: Travys Owen* African Pop artist [TRESOR](https://www.instagram.com/tresorofficial/?ref=marmaladecollective.com) has signed a global co-publishing deal with Sony Music Publishing, expanding his international presence. His music will be published by Sony Music Publishing and Jacquel Music Publishing, a division of his own Jacquel Entertainment Group. TRESOR joins a prestigious roster of songwriters like Michael Jackson, Jay-Z, and Ed Sheeran. Sony Music Publishing executives welcomed him and praised his creative talent. [👉 Check it out on Hypemagazine](https://hypemagazine.co.za/2023/09/27/tresor-signs-global-co-publishing-deal-with-sony-music-publishing/?ref=marmaladecollective.com) ## A Marmalade Guide to ALT WORLD: Celebrating Creativity, Inclusivity and Diversity [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1FBEBB9D-A0D1-4706-A058-7A69273FE715-1.jpeg)](https://www.marmaladecollective.com/alt-world-celebrating-creativity-inclusivity-and-diversity/) **Image Credit: ALT WORLD* [ALT WORLD](https://www.instagram.com/wearealtworld/?ref=marmaladecollective.com), a fashion and creativity platform, launched an alternative fashion week at Samsung KX, promoting diversity and inclusivity. The event featured six trailblazing stylists, panels featuring Black female designers and Gen Z stylists, and explored the intersection of fashion and technology. It emphasized community building and aimed to revolutionize the fashion and tech landscape, fostering positive influence on the creative industries. [👉 Check it out on Marmalade Collective](https://www.marmaladecollective.com/alt-world-celebrating-creativity-inclusivity-and-diversity/) ## Apple Music’s 'Oshe Naija' for Nigeria's Independence Day Celebration [![](https://www.thisdaystyle.ng/batman/2020/10/don-jazzy.png)](https://www.okayafrica.com/apple-music-launches-oshe-naija-campaign-celebrate-nigeria-independence-day/?ref=marmaladecollective.com) Image Courtesy of Apple Music [Apple Music](https://www.instagram.com/applemusic/?ref=marmaladecollective.com) is marking Nigeria's 63rd independence anniversary with its Oshe Naija campaign, showcasing the country's influential music heritage. Leading Nigerian artists, including Burna Boy, Wizkid, Davido, Rema, and Asake, have achieved remarkable success on Apple Music's global platform, setting records and dominating charts. This celebration of Nigerian music can be experienced on Apple Music's dedicated [Oshe Naija space](http://apple.co/OsheNaija?ref=marmaladecollective.com), underscoring the genre's growing global reach and impact. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/apple-music-launches-oshe-naija-campaign-celebrate-nigeria-independence-day/?ref=marmaladecollective.com) ## Stonebwoy and Angelique Kidjo Collaborate in "Manodzi" Video, Celebrating Global African Music [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/384336397_18389699662062602_9207886429499344505_n.jpg)](https://www.okayafrica.com/stonebwoy-and-angelique-kidjo-release-music-video-for-manodzi/?ref=marmaladecollective.com) **Credit: Fifth Dimension* Afro-Dancehall star Stonebwoy collaborates with Grammy icon Angelique Kidjo on the "Manodzi" music video for his "5th Dimension" album. The Ghanaian musician celebrates self-assurance and determination in the video. Stonebwoy's international tour follows the North American leg, and their partnership celebrates African music's global influence, bridging generations and continents. Their collaboration bridges generations and celebrates African music's global influence. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/stonebwoy-and-angelique-kidjo-release-music-video-for-manodzi/?ref=marmaladecollective.com) ## Justyna Obasi Directs Captivating adidas Samba Campaign [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/36654136_640x640.jpg)](https://news.adidas.com/originals/adidas-originals-launches-new-global-brand-platform---we-gave-the-world-an-original.-you-gave-us-a-t/s/d6c2a3f5-a4ba-4eb0-b02c-035b85a92f72?ref=marmaladecollective.com) Credit: vimeo [Justyna Obasi](https://www.instagram.com/justynaobasi/?ref=marmaladecollective.com), a Polish-Nigerian filmmaker, has crafted a captivating film for adidas Originals, celebrating the iconic Samba sneaker. The film encapsulates the mythical journey of the Samba, tracing its evolution across eras and landscapes. Justyna's intuitive approach to filmmaking has earned her a portfolio of award-winning campaigns for companies like Meta, Google, and Adidas, including her co-directed Facebook film "Skate Nation Ghana.” [👉 Check it out on Adidas](https://news.adidas.com/originals/adidas-originals-launches-new-global-brand-platform---we-gave-the-world-an-original.-you-gave-us-a-t/s/d6c2a3f5-a4ba-4eb0-b02c-035b85a92f72?ref=marmaladecollective.com) ## Senegalese Newcomer Seydou Sarr Grabs Marcello Mastroianni Award at 80th Venice Film Fest [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/379390024_971469203924319_6649520896149196049_n-1.jpg)](https://www.okayafrica.com/seydou-sarr-wins-marcello-mastroianni-award/?ref=marmaladecollective.com) **Seydou Sarr. Credit:* [Seydou Sarr](https://www.instagram.com/sipaulsarr/?ref=marmaladecollective.com) won the Marcello Mastroianni prize for Best Young Actor at the Venice Film Festival for his role in "Io Capitano," a film about two young boys' journey from Dakar to Europe. The film, directed by Matteo Garrone, highlights the harsh realities of migration and underscores the importance of addressing immigration issues in Europe. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/seydou-sarr-wins-marcello-mastroianni-award/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/Whats-On---October.jpg)](https://www.marmaladecollective.com/october-2023/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 01-31 Oct | [Rumble in the Jungle](https://rumbleinthejunglerematch.com/?ref=marmaladecollective.com) - 02 Oct | [A Night with Keitu The Songbird](https://www.eventbrite.com/e/a-night-with-keitu-the-songbird-tickets-693151574017?ref=marmaladecollective.com) - 03 Oct | [A Night With Rebecca Winter](https://dice.fm/event/7k966-a-night-with-rebecca-winter-3rd-oct-the-lower-third-london-tickets?ref=marmaladecollective.com) - 05 Oct | [Juju's Presents: Misterrcha](https://dice.fm/event/rdvyy-jujus-presents-misterrcha-5th-oct-jujus-bar-stage-london-tickets?ref=marmaladecollective.com) - 06 Oct | [The Bowl - Bowling, Karaoke & Party](https://dice.fm/event/w6xrg-the-bowl-bowling-karaoke-party-6th-oct-all-star-lanes-white-city-london-tickets?ref=marmaladecollective.com) - 06 Oct | [Juls Black October: 4 Fridays at Jazz Cafe](https://dice.fm/event/qw6ly-juls-black-october-4-fridays-at-jazz-cafe-6th-oct-the-jazz-cafe-london-tickets?ref=marmaladecollective.com) - 06 Oct | [African & Carribean Supper Club](https://www.eventbrite.co.uk/e/african-carribean-supper-club-tickets-707876937977?ref=marmaladecollective.com) - 06 Oct | [Afrikana at the O2 (Grand Opening)](https://www.instagram.com/p/CxVlcR%5FIgP4/?img%5Findex=1&ref=marmaladecollective.com) - 06 Oct | [APSC BA Presents - Udjá Cosmetics in the UK Market](https://www.eventbrite.co.uk/e/apsc-ba-presents-udja-cosmetics-in-the-uk-market-tickets-723985398817?aff=ebdssbdestsearch&ref=marmaladecollective.com) (FREE) - 06-20 Oct | [Ekomo Art Exhibition: Celebrating the Rhythms of Africa](https://www.minikaart.com/event?ref=marmaladecollective.com) - 07 Oct | [Joshua Baraka at Village Underground](https://dice.fm/event/vd8md-joshua-baraka-7th-oct-village-underground-london-tickets?ref=marmaladecollective.com) - 07 Oct | [AB Dollars House Party VI](https://dice.fm/event/7gvpv-ab-dollars-house-party-vi-7th-oct-the-lower-third-london-tickets?ref=marmaladecollective.com) - 08 Oct | [Faded x Boxout - Ballie Ballerson Takeover](https://dice.fm/event/opmeg-faded-x-boxout-ballie-ballerson-takeover-8th-oct-ballie-ballerson-london-tickets?ref=marmaladecollective.com) - 06 Oct | [AfroEats Village Block Party](https://www.eventbrite.co.uk/e/free-afroeats-village-curlytreats-fest-black-history-month-uk-2023-tickets-632763652117?ref=marmaladecollective.com) (FREE) [Discover More Events & Experiences](https://www.marmaladecollective.com/october-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Beyond Black: ILẸ WA - A Project by WE ARE SOUL - Supported by Marmalade Collective and JCDecaux URL: https://www.marmaladecollective.com/beyond-black-ilewa-we-are-soul-marmalade-collective-and-jcdecaux/ Last updated: 2023-10-04T18:27:35.000Z [WE ARE SOUL](https://www.wearesoul.live/?ref=marmaladecollective.com) partners with [Marmalade Collective](https://www.marmaladecollective.com/) and the [JCDecaux](https://www.jcdecaux.com/?ref=marmaladecollective.com) Community Channel to unveil their hailed project [ILẸ WA](https://www.wearesoul.live/ile-wa?ref=marmaladecollective.com) \- the UK-wide campaign celebrating culture and heritage this. The community-based platform will showcase the captivating collection of [41 global contributing creatives](http://wearesoul.live/ile-wa-creators?ref=marmaladecollective.com) on hundreds of billboards across the country. > ILẸ WA transcends a book, a film or a phrase; it binds us. It is to inspire all of us to continue to uplift our community, our culture and to evoke joy, creativity and free expression. This, for our people and our land. **\~ Itunu Para-Mallam** You are invited to join them in celebrating this fusion of art and culture as this unprecedented UK Black History Month collaboration is set to make unforgettable history this year. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/The-Edinburgh-Towers---Calder-Road.jpg) **The Edinburgh Towers - Calder Road. Image Courtesy of JCDecaux UK* October favours ILẸ WA’s profound and meaningful collection of photography, art and poetry. This partnership is predicted to deliver an impactful campaign. Curated in-house, this unique project celebrates the artistic excellence of the African and Caribbean photographers, artists and poets, while serving as a [philanthropic endeavour](https://www.wearesoul.live/philanthropy?ref=marmaladecollective.com), through a captivating blend of visual art and storytelling. > Flashback to that mesmerising night at The Black Gaze experience, hosted by CreateIRL at the iconic National Gallery, Trafalgar Square. It was there that I was captivated by the ‘ILẸ WA’ short film. A true testament to stories, art, and creativity deeply rooted in culture. That magical night was just the beginning! **\~ Tola Alade. Founder, Marmalade Ventures** In 2017, WE ARE SOUL partnered with Nigerian based NGO, [CWEENS](https://www.cweensnigeria.org/?ref=marmaladecollective.com), and they connected them with three girls who required educational and financial support. There has since been the need to continue this important work through intentional and creative ways. The ILẸ WA project, [short film](https://www.wearesoul.live/ile-wa-film?ref=marmaladecollective.com) and [self-published book](http://wearesoul.live/shop?ref=marmaladecollective.com) was curated to support this initiative. > Join the conversation as our community grows! #HomageToHome > [ View this post on Instagram ](https://www.instagram.com/p/CqdoB2roZMd/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by WE ARE SOUL ® (@wearesoul)](https://www.instagram.com/p/CqdoB2roZMd/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/ILE-WA-Banner-Background-1.jpg) ## WIN ILE WA Coffee Table Book Subscribe to for a chance to win a free [IL](http://wearesoul.live/shop?ref=marmaladecollective.com)[Ẹ ](http://wearesoul.live/shop?ref=marmaladecollective.com)WA coffee table book and a 1 year-long membership with Marmalade Collective Subscribe Email sent! Check your inbox to complete your signup. [T&Cs apply](https://www.marmaladecollective.com/terms/) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/The-Edinburgh-Arch.jpg) **The Edinburgh Arch - Calder Road. Image Courtesy of JCDecaux UK* > Working on the creative direction and graphic design alongside the WE ARE SOUL team for the ILẸ WA x JCDECAUX campaign was an exciting opportunity. **\~ Shenell Gallimore, Graphic Designer and Digital Art Director** ## Watch: ILE WA Short Film --- ## Listen: ILE WA Playlists --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/ILE-WA-Banner-Background.jpg) ## ILE WA Billboard Campaign Amplified throughout October, across JCDecaux's network of large format billboards and digital screens, all over the UK [Discover More](https://www.wearesoul.live/homage-to-home?ref=marmaladecollective.com) > We are delighted to be supporting Marmalade Collective to bring this powerful campaign to a national audience during Black History Month. The JCDecaux Community Channel was launched to open up access to Out-of-Home to communities and charitable initiatives and I look forward to seeing this campaign up on the streets. **\~ Chris Dooley, Head of Social Impact at JCDecaux UK** ## About WE ARE SOUL ![](https://lh3.googleusercontent.com/W0Z_iqFXcm3e6j0ss4zx8REDAQGULowKSZDF47796G_KVyXLICu9Uu6qaAgDXu3_auJVVPshsyVc22hNMQz2nIhWeu53ZjAg7gKbBpW7H-RUS7QLztqCTylnBu5AVciMxTnfrF8tWIgnnKS1azM56g0) **Photo credits: Dean Dumare* WE ARE SOUL is a trailblazing, diversely creative, women-led creative agency and production house at the intersection of alternative music, art and diverse narratives. They offer an alternative music and art platform with a niche focus on genres like Lo-Fi and Neo-Soul. They curate outstanding visual and sonic experiences, widely celebrated campaigns and other specially tailored projects to engage and connect with their global community of artists, musicians and fans of alternative art and music. WE ARE SOUL’s collaborative spectrum spans across many creative spaces, forging influential partnerships with some of the trailblazing luminaries in creative spaces, joining forces with talents like [Tay Iwar](https://www.instagram.com/tayiwar/?hl=en&ref=marmaladecollective.com) and [Jordan Mackampa](https://www.instagram.com/jordanmackampa/?hl=en&ref=marmaladecollective.com), and interacting with some of the industry’s sought after figures such as [Phabo](https://www.instagram.com/whoisphabo/?hl=en&ref=marmaladecollective.com), [Alex Vaughn](https://www.instagram.com/alexvaughn/?hl=en&ref=marmaladecollective.com), [Shae Universe](https://www.instagram.com/shaesuniverse/?hl=en&ref=marmaladecollective.com) and [Elli Ingram](https://www.instagram.com/elliingram/?hl=en&ref=marmaladecollective.com), and many others. From portraiture painters to digital gallery owners, they champion those who harness their art to tell distinctive and extraordinary stories - noteworthy narratives that are deeply loved and appreciated by their community.. > As an alternative music and art community-based platform & creative collective, we tell meaningful stories through activations and visual campaigns. For more information about the ILẸ WA project and WE ARE SOUL, please visit our [philanthropy page](https://www.wearesoul.live/philanthropy?ref=marmaladecollective.com) **MEDIA & PRESS** Please direct all media and press inquiries to [Tiffannie Roberts](http://tiffannie@wearesoul.live/?ref=marmaladecollective.com) **Follow WE ARE SOUL** **[Instagram](https://www.instagram.com/wearesoul/?hl=en-gb&ref=marmaladecollective.com)** | [Twitter](https://twitter.com/%5Fwearesoul?lang=en-GB&ref=marmaladecollective.com) | [TikTok](https://www.tiktok.com/@wearesoull?ref=marmaladecollective.com) | [LinkedIn](https://uk.linkedin.com/company/we-are-soul?ref=marmaladecollective.com) | [Spotify](https://open.spotify.com/user/eg0out8g1w384n4jauk9jaale?ref=marmaladecollective.com) | [Pinterest](https://www.pinterest.co.uk/wearesoul/?invite%5Fcode=79f71fba5b274f61bb7606ff78bbaf63&sender=1035687382965312768&ref=marmaladecollective.com) --- ## About MARMALADE COLLECTIVE ![](https://lh5.googleusercontent.com/6P6QgnJHYgE4MkI34ZqjVWj_wdQMrqFo2II0O1yqM_Cev2SGsmql358n6q-29rs9Y-2XpX1lhXpujjyqR_6CMaAzWoCysUb66VkLIPrb_tSLrBF1IX100g6ScZw1djGicKq6BT05fGw0miJu8BbQyBI) **Beyond Black Pop-up Event - Hosted by Marmalade Collective at Sook Spaces, Shoreditch. Photo credits: Adam Duke Photography* [Marmalade](https://marmalade.ventures/?ref=marmaladecollective.com) is a digital media company on a mission to build a new mainstream audience shaped by Africa's culture, stories and emerging brands. Marmalade operates through two key ventures; Marmalade Collective and Orange. Marmalade Collective is a dynamic media and membership platform bringing Africa's culture and stories to life through premium content, events and unique experiences. Through Marmalade Collective, they want to redefine the mainstream by celebrating and amplifying the rich tapestry of African culture - with a commitment to fostering a global community. [Orange](https://www.orangebymarmalade.com/?ref=marmaladecollective.com) is the creative agency connecting the dots between culture, content, community and commerce for brands who want to tap into the cultural wonders of Africa(ns). Orange has worked with clients such as BAL, Hennessy, Everyman Cinema, Unilever and many more. **MEDIA & PRESS** Please direct all media and press inquiries to [hello@marmalade.ventures](http://hello@marmalade.ventures/?ref=marmaladecollective.com) **Follow MARMALADE COLLECTIVE** **[Instagram](https://www.instagram.com/marmaladecollective/?ref=marmaladecollective.com)** | [Twitter](https://twitter.com/marmaladecc?ref=marmaladecollective.com) | [TikTok](https://www.tiktok.com/@marmaladecollective?ref=marmaladecollective.com) | [LinkedIn](https://www.linkedin.com/company/marmaladeventures/?ref=marmaladecollective.com) | [Spotify](https://open.spotify.com/user/bjtl3v49dr1lwmasj1k7juqii?si=RGk5xfGVRMCXHVUOhFcqKQ&nd=1&ref=marmaladecollective.com) | [YouTube](https://www.youtube.com/channel/UCECxGxBHe1w37Fhwa5gVwdg?ref=marmaladecollective.com) --- ✍️ Written by Bethel Haimanot ### 10 African Coffee Brands You Should Know and Try! Recommended by Jodie Alicia Williams URL: https://www.marmaladecollective.com/10-african-coffee-brands-you-should-know-and-try-recommended-by-jodie-alicia-williams/ Last updated: 2024-01-03T10:33:51.000Z Coffee is a beverage that is enjoyed by many people all over the world. It has a long history which originates from Ethiopia where to date traditional coffee ceremonies are still a big part of the culture with women being a key part of the roasting and serving process. Coffee is seen as a community activity in East Africa too, with a wide variety of flavours that are influenced or come to be by the places in which it is grown. While you may be familiar with coffee from Southeast Asia or Latin America, African coffee frequently remains an undiscovered treasure. This guide explores the diverse and exquisite coffee offerings from the African continent, a region that has played a significant role in the global coffee industry for centuries. It features ten African coffee brands personally recommended by Jodie Alicia Williams, a discerning coffee aficionado known for her discerning palate and passion for exploring unique experiences. Whether you’re a seasoned coffee lover or a curious beginner, this guide will expand your taste buds and expand your coffee repertoire in new ways. > [ View this post on Instagram ](https://www.instagram.com/p/Cvr%5FRFnMHiw/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by J O D I E 🧚🏽‍♀️ (@jodiealicia)](https://www.instagram.com/p/Cvr%5FRFnMHiw/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) --- First on the list we have: ## Kula Project/ Kula Coffee - Atlanta/Rwanda ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/314811741_1152443288983492_7786318163818978261_n--1---1-.jpg) Kula Coffee is a coffee company that connects Atlanta entrepreneurs with Rwandan coffee farmers, focusing on women entrepreneurs. It is a unique blend of high-quality, attention-to-detail coffee sourced from the slopes of Mount Karisimbi in Rwanda. The Kula Project was co-founded by Sarah Buchanan-Sasson on May 12, 2012, although it all started in 2009 when Sarah travelled to East Africa. The company is committed to creating a more equitable and sustainable coffee industry, empowering women entrepreneurs in Rwanda. Kula Coffee's unique features include using business as a force for good, working directly with Rwandan farmers, and selling Rwandan products. The beans are roasted to a medium-dark roast, resulting in a complex flavour profile of fruity, sweet, and chocolatey notes. The coffee is brewed using a pour-over method, ensuring consistent and flavourful coffee. > A bright airy coffee shop located just outside Atlanta in Buckhead, its inside is an office block so it’s a great spot to get some work done. The project itself focuses on empowering women through entrepreneurship, something I connect with deeply along with the founder Sarah who is incredibly passionate about Kula and what they do! \~ Jodie's comment on [Kula Coffee](https://www.kulaproject.org/?ref=marmaladecollective.com) ## Spring Valley Coffee - Nairobi, Kenya ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/10/IMG_20231003_163305_436.jpg) [Spring Valley Coffee](https://www.springvalleycoffee.com/?ref=marmaladecollective.com), a Kenyan coffee roaster and retailer, is one of the oldest in the country. Established in 2009, they source coffee beans from small-scale farmers and roast them on-site in their roastery in Nairobi. They offer a variety of single-origin, blends, and flavoured coffees, known for their fruity, sweet, and smooth flavours. Popular coffees include Zamanee, Elgon, Peaberry+, and Mashariki. They also have ten cafes in Nairobi with a relaxed atmosphere and friendly service. Customers praise their coffee for its freshness, variety, and friendly staff. > A staple in Kenyan speciality coffee, they have multiple locations across Nairobi and roast their beans onsite. \~ Jodie. ## CxffeeBlack / Anti Gentrification Coffee Club- Memphis ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/363784126_18117347686313775_8673266806869804480_n--1-.jpg) [CxffeeBlack](https://cxffeeblack.com/?ref=marmaladecollective.com) is a Memphis-based coffee company whose goal is to promote appreciation for coffee and the culture of black people. Cxffee black is keen to create an all-black supply chain and they're focused on a pan-African approach. They roast their coffee in small batches using high-quality Arabica beans and are Fair Trade certified. The coffee is described as smooth, rich, and flavorful, with hints of chocolate, caramel, and nuts. Reviews of CxffeeBlack coffee are positive, with customers praising the rich, complex flavour and the support for black businesses. Customers can order CxffeeBlack coffee online or find it at select retailers. > Bart and Renata are some of my favourite people in coffee! They are passionate about connecting the diaspora and creating a community around a coffee experience. If you're ever in Memphis make sure to visit their shop and make sure you give yourself some time, you'll wanna hang around! \~ Jodie. ## Itadi - Togo ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/327184398_558259239683910_5548675831230015155_n--1-.jpg) [Itadi Coffee](https://itadicoffee.com/?ref=marmaladecollective.com) was founded by Tabi Bonney, a Washington D.C. and Los Angeles-based artist, director, and producer. Itadi Coffee is a single-origin, fair trade, speciality coffee from the Bonney family farm in Togo, West Africa. The coffee is grown using sustainable practices and hand-selected by farmers. Itadi Coffee is available in whole bean and ground coffee and can be brewed using various methods. Itadi Coffee has a rich, full-bodied flavour with notes of chocolate, caramel, and spice, making it suitable for both espresso and drip coffee. The brand is committed to social responsibility, donating a portion of its proceeds to support farmers and communities in Togo. Reviews of Itadi Coffee praise its rich, complex flavour, dark roast coffee, and smooth flavour. > I love the lifestyle approach to this brand, it feels welcoming and allows people who aren't necessarily coffee drinkers to connect with coffee uniquely. \~ Jodie. ## Kahawa 1893- Kenya ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/329451513_724276509273461_5688166863531585238_n--1---1-.jpg) [Kahawa 1893](https://kahawa1893.com/?ref=marmaladecollective.com), the Kenyan special company founded by third-generation farmer Margaret Nyamumbo. They source their beans from women farmers in Kenya and roast them in small batches for freshness and quality. Their Kenyan Single Origin coffee is made from 100% Arabica beans grown in Kenya's highlands, known for its bright, fruity acidity and full-bodied flavour. The coffee is roasted to a medium roast, bringing out the sweetness without making it too bitter. Kahawa 1893 partners with the Sustainable Trade Initiative to ensure fair pricing for its farmers and offers a digital tipping system for customer support. > Women-owned, women-focused! A big win in my book! \~ Jodie. ## Boon Boona Coffee - Seattle ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/356086130_978609889946099_5993112053367614513_n--1---1---1-.jpg) [Boon Boona Coffee](https://www.boonboonacoffee.com/?ref=marmaladecollective.com) is an African coffee roaster based in Renton, Washington, sourcing beans from small-scale farms in Ethiopia, Kenya, Tanzania, Burundi, and the Democratic Republic of the Congo. It was founded by Eritrean Efrem Fesaha who started Boon Boona as a response to a lack of community feel in US coffee shops. Their coffee is known for its fruity, bright acidity, and complex flavours. Popular coffees include Yirgacheffe, Sidamo, Burundi, and D.R. Congo. Boon Boona offers a variety of coffee drinks, pastries, and snacks. They can be found at their Renton cafe or two Seattle locations. Customers praise the coffee's unique taste, friendly staff, and cosy atmosphere. > If you're ever in Seattle you have to visit their original shop in Renton, just outside the city. It's a real community space, they often host events. \~ Jodie. ## Elevate Through Coffee - Rwanda ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/352825128_225390023647425_4139225243814277985_n--1-.jpg) [The Elevate Through Coffee Initiative (ETCI)](https://www.instagram.com/elevatethroughcoffee/?ref=marmaladecollective.com) is a Rwandan initiative that connects people to coffee culture and provides market access to Rwandan coffee farmers. Founded by Smayah Uwajeneza, the initiative sources coffee from the Kivu region of Rwanda, known for high-quality coffee. ETCI works with farmers to implement sustainable practices, such as shade-grown coffee farming and water conservation. The coffee is known for its fruity and floral flavours, with notes of blueberry, raspberry, and rose. The initiative provides training and education to farmers, connects them with fair-paying buyers, invests in infrastructure, and promotes Rwandan coffee globally. The coffee is highly recommended for its delicious and ethically sourced taste. > An incredible coffee brand, founder Smayah is a lawyer, Q Grader and Aeropress champion from Rwanda and all-around offers speciality inspiring woman! \~ Jodie. ## Bra Fie - Ghana/ London ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/243787222_249278397131924_5182976303381702871_n--1---1-.jpg) [Bra Fie](https://www.brafiecoffee.com/?ref=marmaladecollective.com) coffee brand was founded by Eugene Hammond. The brand sources coffee beans from small-scale farmers in Ghana and roasts them in London. Bra Fie coffee is known for its smooth, chocolatey flavour with hints of citrus. The brand offers a variety of coffee beans, including espresso, filter, and decaf. Customers have described the taste as pronounced, not too sweet, and with citrus notes. Bra Fie is a delicious and ethically sourced coffee that can be ordered directly from the brand's website or found at select retailers in Ghana and London. > Bra Fie means "come home" in Twi. I've recently come onboard with Bra Fie as creative director and I'm so excited about what we are going to create here! Our focus going forward is going to be connecting coffee, culture and community, providing the diaspora more access points to coffee, watch this space! \~ Jodie. ## Addis in Brixton - London ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/290520468_1081590225768078_3393637006526983247_n--2---1-.webp) [Addis in Brixton](https://www.addisinbrixton.com/?ref=marmaladecollective.com), the coffee shop in London's Brixton Market, was founded by Yanet and Greg, who specialize in Ethiopian hand-roasted coffee. The shop sources, roasts, and serves high-grade organic coffee in an authentic setting, reflecting Ethiopian culture and original art. The coffee is highly acclaimed, with complex, rich flavours and smooth, well-balanced texture. In addition to coffee, Addis in Brixton offers Ethiopian vegan food made with fresh, seasonal ingredients inspired by traditional Ethiopian cuisine. > Addis in Brixton may be the only place in London where you can experience a traditional Ethiopian coffee ceremony! bring a group of friends or family and spend some time connecting over coffee! \~ Jodie. ## Coffee and Fripes ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/316907092_522210946560403_2665487617520290048_n--2---1-.jpg) [Coffee and Fripes](https://www.coffeeandfripes.com/store?ref=marmaladecollective.com) was founded in 2021 by Aïssatou who is of Guinean Descent. It is a London-based coffee shop and vintage clothing store that offers specialty coffee sourced from ethical farms and roasted by Square Mile Coffee Roasters. The shop also offers vegan food, pastries, and cakes made with fresh, seasonal ingredients. The vintage clothing is curated by Hitchatou and her team, sourced from around the world and priced affordably. The shop is known for its coffee quality, with reviews praising its balance, flavour, and friendly staff. The shop is located in Roman Road, London. > Coffee and Fripes blends two of my favourite things, Coffee and Vintage Clothing, an all-around dope space. \~ Jodie. ### A Marmalade Guide to ALT WORLD: Celebrating Creativity, Inclusivity and Diversity URL: https://www.marmaladecollective.com/alt-world-celebrating-creativity-inclusivity-and-diversity/ Last updated: 2024-01-08T22:29:05.000Z ## ALT WORLD and Its Founders ALT WORLD is a ground-breaking fashion and creativity platform that brings together diverse diasporic talents. Their mission statement is "Making Exclusive Inclusive." ALT WORLD seeks to bridge gaps, encourage young creators, and challenge existing industry norms. While reinventing the fashion and creative scene, ALT WORLD embraces raw talent, diversity, and community. [ALT WORLD](https://www.instagram.com/wearealtworld/?ref=marmaladecollective.com) is helmed by dynamic duo [Naomi Andrews](https://www.instagram.com/naiissance/?ref=marmaladecollective.com) and [Delenn Vaughan](https://www.instagram.com/dd.vaughan/?ref=marmaladecollective.com), who are redefining fashion and creativity. Naomi, Founder, Creative Director, and Head of Business Management + Strategy, and Delenn, Founder, Creative Director, and Head of Productions + Music Partnerships, lead the charge in making fashion inclusive, diverse, and empowering for all. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/7FCFE1EF-B8F0-4512-856A-2E57C839CDA3--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/040E2F20-9154-4199-9ED1-2455F439656A--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/F096CAE1-7F38-4C3D-A4FA-39D4BCB21A35.jpeg) ## ALT WORLD Launch Event [ALT WORLD ](https://www.instagram.com/wearealtworld/?ref=marmaladecollective.com)launch event, held on Thursday, September 21st, 2023, at 17:00 BST, it was not just a fashion event; it was a celebration of diversity, a platform for underrepresented talent, and a beacon of change within the fashion and creative industry. Under the banner of "Making Exclusive Inclusive", ALT WORLD brought together six trailblazing stylists who are reshaping the fashion landscape. The lineup included Josh Tarimoro, Tio Eni, Tori Obi, Janice Mahenge, Sharufa Yuma, and Jermaine Robinson. These creative minds represent a diverse range of perspectives within the fashion industry. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/71CD9439-22E3-4448-A71D-A04B469689D1--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/57A8B23D-2BBF-42C9-9203-2553B631EFCC.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/18BCD93D-2960-4F5D-9881-AC7E3733184B--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/18BCD93D-2960-4F5D-9881-AC7E3733184B.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/9ECCAD04-A299-4701-AE90-91DA5CC8FE89--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/6F99EA62-4A06-484E-989E-E15618EA0060.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1A2721E4-42F0-4AF2-93D8-38493EEDFF47--2-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/IMG_4093--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/IMG_4092.jpeg) ## Fashion Insights A special and educational experience called "Fashion Insights" was made possible through the partnership of ALT WORLD and Samsung KX. This event consisted of two key components. First, a panel of three accomplished Black female designers with black womanly brands, also, Sio Studios, Kwaku Joseph, and Janinne Ngesang. The panel shared their inspiring journeys through the fashion industry. Their stories provided valuable insights into the highs, lows, and everything in between. The second part of the event delved into the world of Gen Z stylists. A panel discussion explored the innovative approaches and fresh perspectives that this new generation of stylists brings to the fashion scene. This was followed by an interactive workshop that took place at Samsung KX, where attendees had the opportunity to explore the intersection of fashion and technology. The workshop showcased the latest in fashion tech and innovation, highlighting how Samsung products are making waves in the industry. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/3E652809-4797-45AD-B3E7-AE419243CEE2--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/2DD11BB6-FF09-4915-8F42-BCA24CAD4E1A--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/2D565A2C-C1AC-4934-9393-5F47B1F25F73--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1FBEBB9D-A0D1-4706-A058-7A69273FE715--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1F92FF69-3D3C-4215-AB14-3137106AD8C2--2-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1E608AAD-023C-40FD-895B-BAC53FC9BF52--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/5EAE65D2-6625-4EA4-A6DF-96E3C99314F0.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/32D60E43-45D0-4406-91E0-23D1CCA21DEA.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/62DF081F-1972-4025-9F1E-8198EAEBC80E.jpeg) ## The Workshop The workshop component of the event had a specific focus on educating the community on how to create a styling pitch when presented with a brief that has specific criteria. ALT WORLD effectively incorporated the Samsung KX product line into the workshop, emphasising the accessibility and versatility that Samsung devices provide to today's "on-the-go" creatives. This cooperation shone attention on the frequently overlooked relationship between fashion and technology, demonstrating how the two worlds can complement each other in innovative and exciting ways. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/0FB3FF9E-6974-4F0D-9C1C-B3ACEC8BAE48--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/1F479DA0-9C5C-4E62-91C5-D23EA4D018C8--2-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/9E638764-106D-40FF-93E5-A86FE4006205.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/93C3DE12-EBB4-4194-8BA2-48598A864CBF--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/83B9CC62-5636-4AE2-9222-004D1F448CDE.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/44556B2F-5E90-40B9-9CBC-F311F74A42AC--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/4823EA20-EC72-4444-ADB3-B2ACE4A4085E--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/2428BB52-CF7C-470B-B68D-BF4FE6DFB027--1-.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/69591C99-3BCB-45C3-8089-F00E81EA2130--1-.jpeg) ## Community Building/Celebrating Diaspora Creativity At the heart of ALT WORLD's ethos is community building. The event provided a nurturing space for creatives to receive the recognition they deserve. The dedication of ALT WORLD Fashion Week to recognising artistic diversity makes it exceptional. It offers creatives a forum for their voices. By doing this, ALT WORLD is particularly reinventing what it means to be at the forefront of the London and African fashion creative scenes. ## Conclusion The collaboration between ALT WORLD and Samsung KX was a groundbreaking moment in the fashion industry. By bringing together influential stylists and embracing the intersection of fashion and technology, ALT WORLD once again displayed its commitment to inclusivity, diversity, and innovation. This event marked a significant step towards revolutionising the fashion and tech landscape. Future ALT WORLD projects make us eagerly anticipate the continued good influence this movement will have on the fashion and creative industries. ### What's on in October URL: https://www.marmaladecollective.com/october-2023/ Last updated: 2023-09-27T12:00:54.000Z Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Get out there, meet some new faces, and soak up all the experiences. Here’s to living big in October! _This post is for subscribers only._ ### Adekunle Gold x Man United, Lady Donli's New Album, Balmain Debuts in South Africa URL: https://www.marmaladecollective.com/adekunle-gold-x-manchester-united-lady-donlis-new-album-balmain-debuts-in-sa/ Last updated: 2023-09-25T09:00:41.000Z #### Highlights: - Adekunle Gold Dazzles as Manchester United's Model in New Fashion Collection *via* [Notjustok](https://notjustok.com/news/adekunle-gold-model-manchester-uniteds-clothing-collection/?ref=marmaladecollective.com) - Ekow Eshun, Wallpaper\* Contributor, Explores Ghana's Time, Identity, and Cultural Memory *via [Wallpaper](https://www.wallpaper.com/art/exhibitions-shows/in-and-out-of-time-accra-ghana-ekow-eshun?ref=marmaladecollective.com)* - Lady Donli Releases New Album "Pan African Rockstar" *via [OkayAfrica](https://www.okayafrica.com/lady-donli-releases-pan-african-rockstar/?ref=marmaladecollective.com)* - Balmain Debuts in South Africa with its Inaugural Boutique Store Opening *via [10and5](https://10and5.com/balmain-to-open-its-first-south-african-boutique/?ref=marmaladecollective.com)* - Africa Movie Academy Awards 2023 Nominees Announced, Honouring Cinematic Excellence *via* [OkayAfrica](https://www.okayafrica.com/amaa-release-unviels-2023-nominations/?ref=marmaladecollective.com) - Ben Enwonwu: A Pioneering African Modernist Spotlighted at Frieze Masters 2023 *via [Artplugged](https://artplugged.co.uk/pioneering-african-modernist-benedict-chukwukadibia-enwonwu-mbe-at-frieze-masters/?utm%5Fsource=flipboard&utm%5Fcontent=AxumCreative%2Fmagazine%2FArtonomy+Magazine)* - Swazzi, a Rising Nigerian stylist, Dissects his Top Afrobeat Music Video Collaborations *via* [OkayAfrica](https://www.okayafrica.com/afrobeats-music-videos-swazzi/?ref=marmaladecollective.com) 🚨 This Sunday: Faaji Sundays x JAM present: #OwambeParty 🥁🎶 Celebrating 🇳🇬 Nigeria's 63rd Independence. [****Limited £20 Tickets**](https://link.dice.fm/K3735864efa9?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Adekunle Gold Dazzles as Manchester United's Model in New Fashion Collection [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/378317614_18391040065040401_8949082878474750135_n--1--1.jpg)](https://notjustok.com/news/adekunle-gold-model-manchester-uniteds-clothing-collection/?ref=marmaladecollective.com) **Photo from Adidas football* [Adekunle Gold](https://www.instagram.com/adekunlegold/?ref=marmaladecollective.com) surprised fans worldwide when he was unveiled as a model for Manchester United's new clothing collection. The award-winning singer featured prominently in the advertisement showcasing the lifestyle collection inspired by the Red Devils' third kit jersey. The collection, described by Adidas, blends football performance with streetwear culture, focusing on comfort and style. Adekunle Gold, a longtime Manchester United fan, expressed his excitement and gratitude for the opportunity on social media. [👉 Check it out on Notjustok](https://notjustok.com/news/adekunle-gold-model-manchester-uniteds-clothing-collection/?ref=marmaladecollective.com) ## Ekow Eshun, Wallpaper\* Contributor, Explores Ghana's Time, Identity, and Cultural Memory [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/371923362_18307829767103507_3120310717218256324_n.jpg)](https://www.wallpaper.com/art/exhibitions-shows/in-and-out-of-time-accra-ghana-ekow-eshun?ref=marmaladecollective.com) **"In and Out of Time" Curated by Ekwo Eshun* [Gallery 1957](https://www.instagram.com/gallery1957/?ref=marmaladecollective.com) in Accra, Ghana, is showcasing 'In and Out of Time', a show curated by [Ekow Eshun](https://www.instagram.com/ekoweshun/?ref=marmaladecollective.com), which explores the Ghanaian concept of Sankofa, or learning from the past to shape the future. The exhibition features artists like Malala Andrialavidrazana, Shiraz Bayjoo, and Godfried Donkor, highlighting the interconnectedness of past, present, and future, and drawing inspiration from Michelle Wright's circular concept of time. [👉 Check it out on Wallpaper](https://www.wallpaper.com/art/exhibitions-shows/in-and-out-of-time-accra-ghana-ekow-eshun?ref=marmaladecollective.com) ## Lady Donli Releases New Album "Pan African Rockstar" [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Lady-Donli-Debuts-New-Single-22Hello-Lady22.jpg)](https://www.okayafrica.com/lady-donli-releases-pan-african-rockstar/?ref=marmaladecollective.com) **Image Credit: MMC Nation* [Lady Donli](https://www.instagram.com/ladydonli/?ref=marmaladecollective.com), a prominent Alté music artist, has released her album "Pan African Rockstar," featuring collaborations with Obongjayar and Kah-Lo. The album blends R&B, Afrobeats, and jazz, embodying a Pan-African spirit. Donli's music addresses societal issues and inspires positive change, showcasing her resilience and boldness. Her music continues to gain recognition in the global music landscape. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/lady-donli-releases-pan-african-rockstar/?ref=marmaladecollective.com) ## Balmain Debuts in South Africa with its Inaugural Boutique Store Opening [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/2023-0301_BALMAIN-AW23_FRANCESCABELTRAN-01-642-scaled-1.jpg)](https://10and5.com/balmain-to-open-its-first-south-african-boutique/?ref=marmaladecollective.com) **Photo Credit: Nounouche* [Balmain](https://www.instagram.com/balmain/?ref=marmaladecollective.com), a Parisian luxury fashion house, is set to open its first boutique in South Africa, located in Sandton City's Diamond Walk, in late September 2023\. Founded over 75 years ago by Pierre Balmain, the brand revolutionised haute couture with a fresh, feminine approach. Under Creative Director Olivier Rousteing since 2011, Balmain continues to blend tradition and innovation, showcasing audaciousness and sophistication in the fashion world. [👉 Check it out on 10and5](https://10and5.com/balmain-to-open-its-first-south-african-boutique/?ref=marmaladecollective.com) ## Africa Movie Academy Awards 2023 Nominees Announced, Honouring Cinematic Excellence [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/pr.jpg)](https://www.okayafrica.com/amaa-release-unviels-2023-nominations/?ref=marmaladecollective.com) **The Gangs of Lagos cast at Prime video viewing.* [The Africa Movie Academy Awards](https://www.instagram.com/amaawards%5F/?ref=marmaladecollective.com) (AMAA) has revealed its lineup of nominees for 2023\. As a prominent platform recognising African cinema excellence since 2005, AMAA celebrates top-tier talent and contributes to the industry's growth. The diverse categories showcase outstanding African filmmaking. Notable Nigerian films like "Gangs of Lagos" and "Mami Wata" received nominations. This edition, themed "Legacy in Motion," honours the late founder, Peace Anyiam-Osigwe, and will take place in Lagos on October 29. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/amaa-release-unviels-2023-nominations/?ref=marmaladecollective.com) ## Ben Enwonwu: A Pioneering African Modernist Spotlighted at Frieze Masters 2023 [![](https://sothebys-md.brightspotcdn.com/0c/2a/452a1b38409b8a1b68d4cce39e7e/l21801-bsmwj-02-a.jpg)](https://artplugged.co.uk/pioneering-african-modernist-benedict-chukwukadibia-enwonwu-mbe-at-frieze-masters/?utm%5Fsource=flipboard&utm%5Fcontent=AxumCreative%2Fmagazine%2FArtonomy+Magazine) Frieze Masters 2023 in London will showcase Nigerian artist Benedict Chukwukadibia Enwonwu's diverse artworks, including paintings, sculptures, and watercolours. The exhibition highlights Enwonwu's profound engagement with Negritude and Pan-Africanism themes, his global influence, and his contributions to African modernism. His iconic sculptures, like "Anyanwu," symbolize Nigerian and pan-African identity, solidifying his legacy as a pioneering African modernist. [👉 Check it out on Art Plugged](https://artplugged.co.uk/pioneering-african-modernist-benedict-chukwukadibia-enwonwu-mbe-at-frieze-masters/?utm%5Fsource=flipboard&utm%5Fcontent=AxumCreative%2Fmagazine%2FArtonomy+Magazine) ## Swazzi, a Rising Nigerian stylist, Dissects his Top Afrobeat Music Video Collaborations [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/352845683_951369352948455_6364959823909086537_n--1-.jpg)](https://www.okayafrica.com/afrobeats-music-videos-swazzi/?ref=marmaladecollective.com) **Photo Credit: 2nation\_pictures\_* Nigerian stylist [Swazzi](https://www.instagram.com/officialswazzi/?ref=marmaladecollective.com), known as Okolo Miracle Obiechina, has significantly influenced the visual aesthetic of Afrobeats, particularly in music videos. During the pandemic, he transitioned from modelling for Boohooman to styling celebrities in music videos. Swazzi's work has been admired by clients like Tiwa Savage, Asake, Iyanya, and Flavour, showcasing vibrant, theatrical fashion that contributes to the dynamic narratives of Afrobeats. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/afrobeats-music-videos-swazzi/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Rema and Selena Win at 2023 MTV VMAs, Pirelli Calendar Shoot, SA Jewellery Fair URL: https://www.marmaladecollective.com/rema-and-selena-gomez-wins-afrobeats-award-at-2023-mtv-vmas/ Last updated: 2023-09-18T09:00:04.000Z #### Highlights: - Rema and Selena Gomez Wins their First Afrobeats Award at the 2023 MTV VMAs *via* [BellaNaija](https://www.bellanaija.com/2023/09/rema-and-selena-gomez-win-at-the-vmas/?ref=marmaladecollective.com) - Prince Gyasi Pirelli Calendar 2024 features Tiwa Savage, Angela Bassett, Naomi Campbell, and Idris Elba *via [Wallpaper](https://www.wallpaper.com/art/photography/pirelli-calendar-2024-prince-gyasi-behind-the-scenes?ref=marmaladecollective.com)* - Michelin Chef Hélène Darroze Launches a New Chapter in Marrakech *via [Barrons](https://www.barrons.com/articles/michelin-chef-helene-darroze-begins-a-new-chapter-in-marrakech-de664784?ref=marmaladecollective.com)* - The "How Far" Podcast Returns for Season 3 with Superstar Mr. Eazi and Actress Temi Otedola *via [Marmalade Collective](https://www.marmaladecollective.com/the-how-far-podcast-returns-for-season-3-with-superstar-mr-eazi-and-actress-temi-otedola/)* - Asake Discusses Billboard Success, Live Shows, and Afrobeats Growth *via* [Flipboard](https://flipboard.com/video/billboard/46b2256b35?ref=marmaladecollective.com) - Ezra Collective Trumpeter and Mercury Prize Winner Ife Ogunjobi Discusses his Debut EP 'Stay True.’ *via* [Hypebeast](https://hypebeast.com/2023/9/ife-ogunjobi-stay-true-ep-interview?ref=marmaladecollective.com) - Johannesburg's Handmade Contemporary Fair Features Four Jewellery Brands showcasing Eclectic Designs *via* [Wallpaper](https://www.wallpaper.com/watches-jewellery/handmade-contemporary-2023-johannesburg-jewellery-brands-to-watch?ref=marmaladecollective.com) 🚨 2 weeks to go: Faaji Sundays x JAM present: #OwambeParty 🥁🎶 Celebrating 🇳🇬 Nigeria's 63rd Independence in grand style, get ready to groove, jaiye and FAAJI! 🎉 [Learn More](https://bit.ly/44yEUgv?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Rema and Selena Gomez Wins their First Afrobeats Award at the 2023 MTV VMAs [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/378572237_1772660823188364_4967604485127812331_n.jpg)](https://www.bellanaija.com/2023/09/rema-and-selena-gomez-win-at-the-vmas/?ref=marmaladecollective.com) **Photo from @heisrema* Nigerian artist [Rema](https://www.instagram.com/heisrema/?ref=marmaladecollective.com) and American pop star [Selena Gomez](https://www.instagram.com/selenagomez/?ref=marmaladecollective.com) won the 2023 MTV Video Music Award for their hit song "Calm Down," which won the Best Afrobeats category. The song was nominated for "Song of the Year" and "Best Collaboration." Rema thanked fans, Selena Gomez, and Nigerian music legends for their contributions to Afrobeats. The song's remix, released in 2022, became his first Billboard Hot 100 top 10 hit. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/09/rema-and-selena-gomez-win-at-the-vmas/?ref=marmaladecollective.com) ## Prince Gyasi Pirelli Calendar 2024 features Tiwa Savage, Angela Bassett, Naomi Campbell, and Idris Elba [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/f8wNf2ZEaLvA2pP2wQvXri.jpg)](https://www.wallpaper.com/art/photography/pirelli-calendar-2024-prince-gyasi-behind-the-scenes?ref=marmaladecollective.com) **Tiwa Savage on set with photographer Prince Gyasi (Image credit: Pirelli Calendar 2024)* Ghanaian visual artist [Prince Gyasi](https://www.instagram.com/princejyesi/?ref=marmaladecollective.com) explores the theme of 'timelessness' in the [Pirelli Calendar](https://www.instagram.com/pirelli?ref=marmaladecollective.com) 2024, shot in the UK and Ghana. Gyasi challenges Western stereotypes of Africa through vibrant and impactful images. Notable figures like Naomi Campbell, Angela Bassett, Idris Elba, and others grace the calendar. King Otumfuo Osei Tutu II celebrates his 25th year of reign in 2024\. Gyasi's synesthesia-inspired art combines vivid colours and fine art aesthetics. Gyasi, known for his nonprofit work, joins a legacy of renowned Pirelli photographers and art directors. [👉 Check it out on Wallpaper](https://www.wallpaper.com/art/photography/pirelli-calendar-2024-prince-gyasi-behind-the-scenes?ref=marmaladecollective.com) ## Michelin Chef Hélène Darroze Launches a New Chapter in Marrakech [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/274123592_283568670512388_7146981937593599372_n.jpg)](https://www.barrons.com/articles/michelin-chef-helene-darroze-begins-a-new-chapter-in-marrakech-de664784?ref=marmaladecollective.com) **Image Credit: hysope\_tonic* [Chef Hélène Darroze](https://www.instagram.com/marsanparhelenedarroze/?ref=marmaladecollective.com), a six-[Michelin star holder](https://www.instagram.com/helenedarroze/?ref=marmaladecollective.com), is now overseeing the prestigious La Grande Table Marocaine at the Royal Mansour Marrakech, marking her first project outside Europe. Despite her impressive culinary background, Darroze views this opportunity as an opportunity to embrace Moroccan cuisine, flavours, and culture, emphasising sustainability, and learning from local chefs and families. [👉 Check it out on Barrons](https://www.barrons.com/articles/michelin-chef-helene-darroze-begins-a-new-chapter-in-marrakech-de664784?ref=marmaladecollective.com) ## The "How Far" Podcast Returns for Season 3 with Superstar Mr. Eazi and Actress Temi Otedola [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/2.-The-How-Far-Podcast_S3_Mr-Eazi_Temi-Otedola_by-@delizak_kinggg-2.jpeg)](https://www.marmaladecollective.com/the-how-far-podcast-returns-for-season-3-with-superstar-mr-eazi-and-actress-temi-otedola/) **Photo Credit: @delizak\_kinggg* The "How Far?" podcast, hosted by Mr. Eazi and Temi Otedola, launched with its third season with six new episodes. The podcast covers topics like relationships, entertainment, and social issues, aiming to engage a diverse audience. With past success on platforms like Spotify and Apple Podcasts, the hosts are excited to continue their dynamic conversations. Season 3 will feature poet Suli Breaks and start on September 13th. [👉 Check it out on Marmalade Collective](https://www.marmaladecollective.com/the-how-far-podcast-returns-for-season-3-with-superstar-mr-eazi-and-actress-temi-otedola/) ## Asake Discusses Billboard Success, Live Shows, and Afrobeats Growth [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/379453315_280626741437255_2641553829109294404_n.jpg)](https://flipboard.com/video/billboard/46b2256b35?ref=marmaladecollective.com) **Photographer @callumhigh95* [Asake ](https://www.instagram.com/asakemusic/?ref=marmaladecollective.com)reflects on his Billboard chart achievement with "Mr. Money With the Vibe," highlights the uniqueness of his second album "Work of Art," discusses his energetic live performances, and emphasises the global expansion of the Afrobeats genre. He shares his collaborative approach, dream collaboration, and more in this comprehensive interview. [👉 Check it out on Flipboard](https://flipboard.com/video/billboard/46b2256b35?ref=marmaladecollective.com) ## Ezra Collective Trumpeter and Mercury Prize Winner Ife Ogunjobi Discuss his Debut EP 'Stay True’ [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/363435854_18374990851054814_804630304463277268_n.jpg)](https://hypebeast.com/2023/9/ife-ogunjobi-stay-true-ep-interview?ref=marmaladecollective.com) **Photo Credit: @tamedidit* [Ife Ogunjobi](https://www.instagram.com/ife%5Fogunjobi/?ref=marmaladecollective.com), the trumpeter of Ezra Collective and Mercury Prize winner, discusses his debut EP 'Stay True', which blends Nigerian heritage with South London influences, drawing inspiration from jazz legends like Clifford Brown and Miles Davis. He emphasises creating memorable melodies and maintaining honesty to connect with modern jazz audiences, contrasting live performances with recorded music. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/9/ife-ogunjobi-stay-true-ep-interview?ref=marmaladecollective.com) ## Johannesburg's Handmade Contemporary Fair Features Four Jewelry Brands showcasing Eclectic Designs [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/350092155_588212963292150_3298354597020458240_n.jpg)](https://www.wallpaper.com/watches-jewellery/handmade-contemporary-2023-johannesburg-jewellery-brands-to-watch?ref=marmaladecollective.com) **Photo Credit: leighavenue\_sa* The 17th edition of Handmade Contemporary, Africa's leading design fair, showcased African jewellery artists who embraced innovative materials and contemporary craftsmanship. Artists like [Jade Melrose Arch](https://www.instagram.com/jademelrosearch/?ref=marmaladecollective.com) used raw gemstones and pearls, while Rwandan luxury brand [Mille Collines](https://www.instagram.com/millecollines/?ref=marmaladecollective.com) showcased sustainable jewellery. [Leigh Avenue](https://www.instagram.com/leighavenue%5Fsa/?ref=marmaladecollective.com) showcased African heritage enamel bracelets, while [Negritude](https://www.instagram.com/negritude.inc/?ref=marmaladecollective.com) challenged identity and systemic injustices. These artists represent a growing trend in African jewellery design. [👉 Check it out on Wallpaper](https://www.wallpaper.com/watches-jewellery/handmade-contemporary-2023-johannesburg-jewellery-brands-to-watch?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Sharon Bunting ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Whats-On---September.jpg)](https://www.marmaladecollective.com/september-2023/) Discover the best Afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 20 Sep | [Amaarae Live at Roundhouse](https://dice.fm/event/q9gd9-amaarae-20th-sep-roundhouse-london-tickets?ref=marmaladecollective.com) - 23 Sep | [Pat Thomas and Kwashibu Area Band at The Jazz Cafe](https://dice.fm/event/o38k5-pat-thomas-kwashibu-area-band-23rd-sep-the-jazz-cafe-london-tickets?ref=marmaladecollective.com) - 23 Sep | [Bottomless Plantain Brunch](https://www.eventbrite.co.uk/e/bottomless-plantain-brunch-tickets-705497902217?ref=marmaladecollective.com) - 24 Sep | [TH.Kitchen Pop Up Brunch](https://www.eventbrite.com/e/thkitchen-pop-up-brunch-tickets-687244475727?ref=marmaladecollective.com) [Discover More Events & Experiences](https://www.marmaladecollective.com/september-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### The "How Far" Podcast Returns for Season 3 with Superstar Mr. Eazi and Actress Temi Otedola URL: https://www.marmaladecollective.com/the-how-far-podcast-returns-for-season-3-with-superstar-mr-eazi-and-actress-temi-otedola/ Last updated: 2023-09-12T18:58:25.000Z The highly anticipated third season of the popular podcast *How Far? With Mr. Eazi and Temi Otedola* is set to captivate audiences once again as it returns with six exciting new episodes. Hosted by superstar singer and serial entrepreneur Mr. Eazi and actress and media personality Temi Otedola, the podcast aims to delve into a wide range of engaging topics, from relationships and entertainment to social issues and beyond. ## **About "How Far"** "How Far?" is a popular podcast hosted by superstar singer and entrepreneur Mr Eazi and actress and media personality Temi Otedola. With a focus on relationships, entertainment, social issues, and beyond, the podcast offers a platform for engaging conversations and insightful discussions. The podcast is available for streaming on all major platforms, including Apple Podcasts and Spotify. "How Far?" Season 3 will be available for streaming on all major platforms, including Apple Podcasts, Spotify, and more, starting 13th September. Each episode will be released every Wednesday, allowing listeners to tune in and join the hosts' captivating conversations for six consecutive weeks. As an acclaimed singer and successful entrepreneur, Mr. Eazi brings a unique perspective to the podcast. Known for his innovative music and philanthropic efforts, Mr. Eazi has garnered a massive fanbase around the globe. His collaboration with actress and media personality Temi Otedola promises to create an extraordinary listening experience that appeals to diverse audiences. Temi Otedola, known for her talent in the acting world and her vibrant presence in the media, is excited to explore a range of topics in Season 3\. Her strong opinions and unique insights will undoubtedly contribute to the thought-provoking discussions that have become synonymous with "How Far?" Together, Mr. Eazi and Temi Otedola will share their experiences, engage with listeners, and offer entertaining and informative content. Building on the success of Seasons 1 and 2, the podcast achieved remarkable rankings, claiming the number 1 spot in Nigeria and across Africa on popular platforms such as Spotify and Apple Podcasts. The consistent dominance of these seasons showcases the undeniable appeal and influence of "How Far?" among listeners in Nigeria and beyond. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/3.-The-How-Far-Podcast_S3_Mr-Eazi_Temi-Otedola_by-@delizak_kinggg.jpeg) Photo by @delizak\_kinggg > "Fans can expect a dynamic and entertaining season," says Mr. Eazi. "Temi and I have a great bond, and we're excited to continue to bring our conversations to the podcasting world. We want to engage with our listeners and create a space where everyone feels welcome to share their stories." The six new episodes of "How Far?" Season 3 promise to cover a wide range of topics that are relevant to the modern world. From navigating relationships and the intricacies of the entertainment industry to addressing pressing social issues, the hosts will offer their unique perspectives and invite guests to join them in exploring these important subjects. In the highly anticipated Season 3 of the "How Far?" podcast, superstar Mr. Eazi and actress Temi Otedola embark on a captivating journey, touching on a multitude of engaging topics. Over the past year since the last season, both hosts have experienced personal growth and embarked on exciting endeavours. They share their insights on relationships, navigating the entertainment industry, and discussing pressing social issues. Moreover, the hosts open up about their evolving sense of style and provide an exclusive glimpse into their wedding planning. Season 3 of "How Far?" also features their first-ever guest, renowned poet and speaker Suli Breaks. Reflecting on the podcast's appeal, Suli Breaks states, "It allows listeners to 'be a fly on the wall' of Temi and Eazi's conversations," inviting audiences to join in and experience the podcast's authenticity first-hand. > "We believe in the power of conversation," says Temi Otedola. "Through our podcast, we aim to foster dialogue, create awareness, and inspire change. We want our listeners to feel connected and empowered to make a difference." With its wide availability on popular streaming platforms, "How Far?" Season 3 is expected to attract an even larger audience than before. The podcast has already amassed a dedicated following, thanks to its engaging content and the charisma of its hosts. The new season aims to build on this success and continue to captivate listeners worldwide. To stay updated with the latest episodes and news from "How Far," follow Mr. Eazi and Temi Otedola on social media and subscribe to the podcast on your preferred streaming platform. Don't miss out on the thought-provoking conversations and entertaining banter as Mr. Eazi and Temi Otedola take listeners on a journey through relationships, entertainment, social issues, and much more. Follow Mr Eazi [here](https://www.instagram.com/mreazi/?ref=marmaladecollective.com) and Temi Otedola [here](https://www.instagram.com/temiotedola/?ref=marmaladecollective.com) on Instagram for updates. You can also follow the podcast on Instagram [here](https://www.instagram.com/thehowfarpod/?ref=marmaladecollective.com) and subscribe to the podcast for the latest episodes. ### Exclusive Photos: JAM x PinexGinja, Aug 27th URL: https://www.marmaladecollective.com/exclusive-photos-jam-x-pinexginja-aug-27th/ Last updated: 2023-09-12T11:29:10.000Z Supported by [Duppy Share](https://www.theduppyshare.com/?ref=marmaladecollective.com), [Partiful](https://partiful.com/?ref=marmaladecollective.com) and [Colourful Radio](https://www.colourful.com/?ref=marmaladecollective.com) Music by: [Nina Davis](https://www.instagram.com/nina%5Fdavis/?ref=marmaladecollective.com), [Khalil](https://www.instagram.com/khalil.nyc/?ref=marmaladecollective.com) and [RochFromMars](https://www.instagram.com/rochfrommars/?ref=marmaladecollective.com) Photos by: [Onyinye Muobuike ](https://www.instagram.com/yinville/?ref=marmaladecollective.com)Video by: [Del](https://www.instagram.com/del%5F%5F/?ref=marmaladecollective.com) Venue: Bellefields, The Department Store ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-001.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-002.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-003.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-004.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-005.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-006.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-007.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/JAM_PINEXGINJA-008.jpg) _This post is for subscribers only._ ### Burna Boy Tops UK Chart, Naomi Campbell Collabs with Nigerian Designer, VicNate URL: https://www.marmaladecollective.com/burna-boy-tops-uk-chart-naomi-campbell-collabs-with-nigerian-designer-vicnate/ Last updated: 2023-09-11T09:00:24.000Z #### Highlights: - Burna Boy's 'I Told Them...' Makes UK Chart History, Tops Official Albums Chart *via* [Billboard](https://www.billboard.com/music/chart-beat/burna-boy-uk-chart-history-i-told-them-1235404913/?ref=marmaladecollective.com) - Morocco’s Gnawa Music: Asmâa Hamzaoui Takes the Spotlight *via [BBC](https://www.bbc.com/news/world-africa-66637452?xtor=AL-72-%5Bpartner%5D-%5Bbbc.news.twitter%5D-%5Bheadline%5D-%5Bnews%5D-%5Bbizdev%5D-%5Bisapi%5D&ref=marmaladecollective.com)* - Afronation Festival Comes to Lagos, Nigeria, in December 2023 *via [OkayAfrica](https://www.okayafrica.com/afro-nation-announces-lagos-dates/?ref=marmaladecollective.com)* - Converse and Ghanaian TJ Sawyerr Collaborate on 'Let The Black Star Shine' Campaign *via [Pausemag](https://pausemag.co.uk/2023/09/converse-tj-sawyerr-come-together-for-new-let-the-black-star-shine-campaign/?ref=marmaladecollective.com)* - Naomi Campbell Teams Up with Nigerian Designer Victor Adewale for a New Venture *via* [BellaNaija](https://www.bellanaija.com/2023/09/naomi-campbell-as-a-designer/?ref=marmaladecollective.com) - Mr. Eazi is Building an African Entertainment Empire to Rival Disney *via* [Black Enterprise](https://www.blackenterprise.com/afrobeats-mr-eazi-african-empire-rival-disney/?ref=marmaladecollective.com) - Filmmaker Honours Senegalese Heritage in Cannes Film Festival *via* [RFI](https://www.rfi.fr/en/culture/20230903-filmmaker-pays-homage-to-senegalese-roots-in-tragic-tale-of-love-cannes-festival-africa?ref=marmaladecollective.com) 🎞️ This Thursday, Join us for an exclusive screening of ****Fela Kuti 'The Legacy'** at Everyman Screen on the Green. [Learn More](https://www.marmaladecollective.com/fela-kuti-screening-live-music-and-q-a/) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Burna Boy's 'I Told Them...' Makes UK Chart History, Tops Official Albums Chart [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/372923100_852082253246099_1575629200481556176_n.jpg)](https://www.billboard.com/music/chart-beat/burna-boy-uk-chart-history-i-told-them-1235404913/?ref=marmaladecollective.com) **Photo Credit: Shawn Ogulu* Nigerian artist [Burna Boy](https://www.instagram.com/burnaboygram/?ref=marmaladecollective.com) has become the first international Afrobeats artist to top the Official U.K. Albums Chart with his latest release, "I Told Them." His success is attributed to his global superstar status and a coherent cultural strategy. Other chart entries include Claire Richards' career-best No. 2 with "Euphoria," London rapper Digga D's top 10, and notable chart positions secured by Ashnikko, Alice Cooper, and Zach Bryan. [👉 Check it out on Billboard](https://www.billboard.com/music/chart-beat/burna-boy-uk-chart-history-i-told-them-1235404913/?ref=marmaladecollective.com) ## Morocco’s Gnawa Music: Asmâa Hamzaoui Takes the Spotlight [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/75580663_574315446657035_2133669413517487512_n--3-.jpg)](https://www.bbc.com/news/world-africa-66637452?xtor=AL-72-%5Bpartner%5D-%5Bbbc.news.twitter%5D-%5Bheadline%5D-%5Bnews%5D-%5Bbizdev%5D-%5Bisapi%5D&ref=marmaladecollective.com) **Photo Credit: Lahcen El Guedmioui* Gnawa music, an ancient Moroccan spiritual tradition, combines ritual poetry, music, and dance, featuring the Gnawa master and guembri instrument. [Asmâa ](https://www.instagram.com/asmaa%5Fhamzaoui/?ref=marmaladecollective.com)Hamzaoui, a female star, challenged patriarchal norms and gained recognition as an "Intangible Cultural Heritage of Humanity" by UNESCO. Concerns about commercialisation may dilute the spiritual essence, but Gnawa reflects Morocco's diverse heritage and connects with sub-Saharan Africa. [👉 Check it out on BBC](https://www.bbc.com/news/world-africa-66637452?xtor=AL-72-%5Bpartner%5D-%5Bbbc.news.twitter%5D-%5Bheadline%5D-%5Bnews%5D-%5Bbizdev%5D-%5Bisapi%5D&ref=marmaladecollective.com) ## Afronation Festival Comes to Lagos, Nigeria, in December 2023 [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/352866158_1420819522104411_3453319173858577874_n.jpg)](https://www.okayafrica.com/afro-nation-announces-lagos-dates/?ref=marmaladecollective.com) **Image Credit: Afronation Africa* [Afronation Festival](https://www.instagram.com/afronation.africa/?ref=marmaladecollective.com) is set to make its spectacular debut in Lagos, Nigeria, from December 19 to December 20, 2023\. The event, a celebration of Afrobeats, promises a stellar lineup and electrifying performances. This homecoming to the birthplace of Afrobeats is expected to be a highlight of 2023, uniting the diaspora in a grand musical spectacle. Afronation's Co-Founder, SMADE, expressed excitement about bringing the festival to Lagos, calling it a dream come true and the grandest celebration of African music ever. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/afro-nation-announces-lagos-dates/?ref=marmaladecollective.com) ## Converse and Ghanaian TJ Sawyerr Collaborate on 'Let The Black Star Shine' Campaign [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/375398743_6080225748744803_4655216920531744016_n.jpg)](https://pausemag.co.uk/2023/09/converse-tj-sawyerr-come-together-for-new-let-the-black-star-shine-campaign/?ref=marmaladecollective.com) **Photo Credit: TJ Sawyerr* [Converse](https://www.instagram.com/Converse/?ref=marmaladecollective.com) and Ghanaian artist [TJ Sawyerr](https://www.instagram.com/tj.saw1/?ref=marmaladecollective.com) have collaborated on a campaign called 'Let The Black Star Shine', featuring classic Converse Chuck 70 Hi sneakers. The campaign, shot in Accra, Ghana, showcases Afro-centric culture and fashion, showcasing Black beauty in various colourways. The campaign, in partnership with END, challenges stereotypes about African culture and celebrates Ghanaian culture through a London gallery exhibition. [👉 Check it out on PauseMag](https://pausemag.co.uk/2023/09/converse-tj-sawyerr-come-together-for-new-let-the-black-star-shine-campaign/?ref=marmaladecollective.com) ## Naomi Campbell Teams Up with Nigerian Designer Victor Adewale for New Venture [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/373749383_18392360758022278_696400484377976717_n.jpg)](https://www.bellanaija.com/2023/09/naomi-campbell-as-a-designer/?ref=marmaladecollective.com) **One of the submitted images by Nonduminso Shange* Supermodel [Naomi Campbell](https://www.instagram.com/naomi/?ref=marmaladecollective.com) is embarking on a new fashion venture after 37 years on the catwalk. She's collaborating with young Nigerian luxury designer Victor [Adewale of VicNate](https://www.instagram.com/vicnateng/?ref=marmaladecollective.com) and [Jamaican Edvin Thompson](https://www.instagram.com/edvinthompson/?ref=marmaladecollective.com). The move into design coincides with the start of New York Fashion Week. Naomi expressed her excitement on Instagram, thanking her team and supporters for making this dream come true, with a focus on changing the pace of fast fashion through collaboration. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/09/naomi-campbell-as-a-designer/?ref=marmaladecollective.com) ## Mr. Eazi is Building an African Entertainment Empire to Rival Disney [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/372840222_1025011812285141_4157673166998621971_n.jpg)](https://www.blackenterprise.com/afrobeats-mr-eazi-african-empire-rival-disney/?ref=marmaladecollective.com) **Photo Credit: Mr. Eazi's IG* Nigerian Afrobeats artist [Mr. Eazi](https://www.instagram.com/mreazi/?ref=marmaladecollective.com) founded emPawa Africa to empower independent artists in Africa, using it as a tool for empowerment rather than a traditional label. He also invests in African-founded companies through Zagadat Capital, aiming to create a solid foundation for African entertainment, sports, and business. Choplife, his company, aims to be a potential African entertainment powerhouse, emphasizing the need for education and infrastructure. [👉 Check it out on Black Enterprise](https://www.blackenterprise.com/afrobeats-mr-eazi-african-empire-rival-disney/?ref=marmaladecollective.com) ## Filmmaker Honours Senegalese Heritage in Cannes Film Festival [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/HERO_BANEL---ADAMA_PHOTO1-2000-2000-1125-1125-crop-fill.jpg)](https://www.rfi.fr/en/culture/20230903-filmmaker-pays-homage-to-senegalese-roots-in-tragic-tale-of-love-cannes-festival-africa?ref=marmaladecollective.com) **Photo Credit: New Zealand International Film festival*ImP French director Ramata-Toulaye Sy's debut feature film, "Banel & Adama," delves into Fulani culture and family traditions in northern Senegal. The film, directed by Sy, features non-professional actors and focuses on artistic expression, drawing inspiration from literature, painting, and personal experiences. It explores themes of independence, love, and cultural clash, showcasing African masculinity and reflecting the growing recognition of African cinema globally. [👉 Check it out on RFI](https://www.rfi.fr/en/culture/20230903-filmmaker-pays-homage-to-senegalese-roots-in-tragic-tale-of-love-cannes-festival-africa?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Sharon Bunting ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Whats-On---September.jpg)](https://www.marmaladecollective.com/september-2023/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 16 Sep | [Boiler Room London ft. SPINALL, Burgess Park](https://dice.fm/event/q9q6p-boiler-room-london-soulection-16th-sep-burgess-park-london-tickets?ref=marmaladecollective.com) - 16 Sep | [Caiiro X Enoo Napa Extended Set, & friends + Nick Castle](https://dice.fm/event/7m9vv-caiiro-x-enoo-napa-extended-set-friends-nick-castle-16th-sep-earth-london-tickets?ref=marmaladecollective.com) - 17 Sep | [Palmwine Festival at KOKO, London](https://koko.seetickets.com/event/palmwine-festival/koko/2700334?ref=marmaladecollective.com) - 17 Sep | [Sean Dampte Live at The Jazz Cafe](https://dice.fm/event/62ny8-sean-dampte-live-17th-sep-the-jazz-cafe-london-tickets?ref=marmaladecollective.com) - 01-24 Sep | [My Runway Group Pop-up Shop at Somerset House](https://www.somersethouse.org.uk/whats-on/my-runway-group-pop-shop?ref=marmaladecollective.com) (Free) - 01-16 Sep | [Sola Olulode's Immersive Solo Exhibition](https://www.edcrossfineart.com/exhibitions/61-sola-olulode-burning-like-the-star-that-showed-ed-cross-at-19-garrett-street/overview/?ref=marmaladecollective.com) (Free) [Discover More Events & Experiences](https://www.marmaladecollective.com/september-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Fela Kuti: Screening + Live Music and Q+A URL: https://www.marmaladecollective.com/fela-kuti-screening-live-music-and-q-a/ Last updated: 2023-09-10T14:35:11.000Z The Legacy is a short documentary that provides a captivating and informative introduction to the life and work of the iconic musician and activist, Fela Kuti. The documentary also explores Fela's musical influence and legacy, and will be followed by a panel discussion with special guests. _This post is for subscribers only._ ### JAM x Faaji Sundays | Owambe Party, Oct 1st URL: https://www.marmaladecollective.com/jam-x-faaji-owambe-party-oct-1st/ Last updated: 2023-09-12T11:11:29.000Z In celebration of Nigeria's Independence, JAM and Faaji Sundays are coming together to host an authentic cultural experience for those who love Nigerian food, music and spraying dollars 🤑 _This post is for subscribers only._ ### Tems, Kendrick Lamar discuss New Genres; Beyonce flaunts Senegalese Brand; Hypebeast Africa Collab with Samsung SA URL: https://www.marmaladecollective.com/tems-and-kendrick-lamar-on-new-genres-authenticity-etc-beyonce-rocks-senegalese-brand-hypebeast-africa-x-samsung-sa/ Last updated: 2024-01-03T10:33:50.000Z #### Highlights: - Tems and Kendrick Lamar: Redefining Genres, Forging Unique Sounds, and Unwavering Authenticity *via* [Interview Magazine](https://www.interviewmagazine.com/music/i-was-prepared-to-die-tems-and-kendrick-lamar-on-inspiration-and-obsession?ref=marmaladecollective.com) - Beyonce and her 30 Dancers Rocked Senegalese TONGORO Custom Bodysuits *via [FashionPolice](https://fashionpoliceng.com/celebrities/beyonce-tongoro-bodysuit-santa-clara-renaissance-tour/?ref=marmaladecollective.com)* - Nigerian Music Star Teni has Released a New Single, "Lanke," Featuring a Captivating Music Video *via [OkayAfrica](https://www.okayafrica.com/teni-lanke/?ref=marmaladecollective.com)* - Chef Fati Niang Revives Indigenous Crop Niébé in Senegalese Street Food Renaissance *via [Euronews](https://www.euronews.com/culture/2023/08/25/fati-niang-the-chef-on-a-mission-to-decolonise-senegalese-street-food?ref=marmaladecollective.com)* - Hypebeast Africa and Samsung Culture Scouts Collaborate on the Project "Home Away From Home.” *via* [Hypebeast](https://hypebeast.com/2023/8/hypebeast-africa-samsung-culture-scouts-home-away-from-home-campaign?ref=marmaladecollective.com) - Addy Awofisayo is Actively Promoting the Global Growth of African Music on YouTube *via* [Amaka](https://amaka.studio/content/teIsc4SRU9kdixCVCZt9C?ref=marmaladecollective.com) - Mizizi Marks 8 years with an African-themed Hockey Jersey, Symbolizing Unity and Diversity *via* [Forbes](https://www.forbes.com/sites/allysonportee/2023/08/30/mizizi-the-african-diaspora-streetwear-brand-celebrates-8-years-with-a-new-anniversary-hockey-jersey/?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Tems and Kendrick Lamar: Redefining Genres, Forging Unique Sounds, and Unwavering Authenticity [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/371396616_284225900885353_2170012145906635144_n.jpg)](https://www.interviewmagazine.com/music/i-was-prepared-to-die-tems-and-kendrick-lamar-on-inspiration-and-obsession?ref=marmaladecollective.com) **Photo Credit: Campbell Addy* In an interview with [Kendrick Lamar](https://www.instagram.com/kendricklamar/?ref=marmaladecollective.com) for Interview Magazine, Grammy-winning singer [Tems](https://www.instagram.com/p/CwiIq6Uo6ao/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&igshid=MzRlODBiNWFlZA==) discusses her music journey, early inspirations like Celine Dion, venturing into music production, positioning herself as an R&B artist, resisting industry pressure, and staying true to her artistic vision. Tems emphasises the importance of self-belief and trust in her instincts as she navigates her career while seeking to convey intense emotions through her music. She seeks a unique frequency in her work, driven by her passion for storytelling and genuine expression. [👉 Check it out on Interview Magazine](https://www.interviewmagazine.com/music/i-was-prepared-to-die-tems-and-kendrick-lamar-on-inspiration-and-obsession?ref=marmaladecollective.com) ## Beyonce and her 30 Dancers Rocked Senegalese TONGORO Custom Bodysuits [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/372845244_18383562907012653_6609578589233200131_n.jpg)](https://fashionpoliceng.com/celebrities/beyonce-tongoro-bodysuit-santa-clara-renaissance-tour/?ref=marmaladecollective.com) **Photo Credit: Tongoro studio* Beyonce's Renaissance World Tour features a range of custom outfits from global brands like Alexander McQueen, Gucci, Valentino, and Louis Vuitton. The latest addition is a series of bespoke NARI bodysuits, gloves, and thigh-high boots from Senegalese brand [Tongoro](https://www.instagram.com/tongorostudio/?ref=marmaladecollective.com), founded by Sarah Diouf. This collaboration, known as "The African Renaissance," is a significant moment in fashion history and a testament to Beyonce's commitment to showcasing Black designers. [👉 Check it out on Fashion Police](https://fashionpoliceng.com/celebrities/beyonce-tongoro-bodysuit-santa-clara-renaissance-tour/?ref=marmaladecollective.com) ## Nigerian Music Star Teni has Released a New Single, "Lanke," Featuring a Captivating Music Video [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/371045134_1253323712031978_2714213719459916959_n.jpg)](https://www.okayafrica.com/teni-lanke/?ref=marmaladecollective.com) **Image Credit: Tenientertainer* Nigerian music sensation [Teni](https://www.instagram.com/tenientertainer/?ref=marmaladecollective.com) has released a new track, "Lanke," featuring Afropop percussion and her vocals. The track, produced by Blaisebeatz, showcases resilience in life's ups and downs. The music video, directed by Syx, was shot in Ghana. Teni's rise in the music scene and her MON award from the Nigerian government highlight her musical evolution and inspiration from life's experiences. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/teni-lanke/?ref=marmaladecollective.com) ## Chef Fati Niang Revives Indigenous Crop Niébé in Senegalese Street Food Renaissance [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/116140780_604403546878304_3238709801356922992_n.jpg)](https://www.euronews.com/culture/2023/08/25/fati-niang-the-chef-on-a-mission-to-decolonise-senegalese-street-food?ref=marmaladecollective.com) **Photo Credit: Didier9photos* [Chef Fati Niang](https://www.instagram.com/fati.niang/?ref=marmaladecollective.com) aims to revive niébé, also known as black-eyed pea or cowpea, in Senegalese street food. This native West African crop is resilient to drought, nutritionally rich, and a tradition in Senegalese gastronomy. Historically labeled as 'food for the poor' by colonialists, niébé has been marginalized. Niang's project, Black Spoon, seeks to elevate street food using indigenous crops like cowpea. Street food plays a vital role in Senegalese culture, primarily driven by women, yet lacks native ingredients. Niang's mission is to reintroduce these flavors through her innovative culinary venture. [👉 Check it out on Euronews](https://www.euronews.com/culture/2023/08/25/fati-niang-the-chef-on-a-mission-to-decolonise-senegalese-street-food?ref=marmaladecollective.com) ## Hypebeast Africa and Samsung Culture Scouts Collaborate on the Project "Home Away From Home” [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/https___hypebeast.com_image_2023_08_hypebeast-africa-samsung-culture-scouts-home-away-from-home-campaign-11.jpg)](https://hypebeast.com/2023/8/hypebeast-africa-samsung-culture-scouts-home-away-from-home-campaign?ref=marmaladecollective.com) **One of the submitted images by Nonduminso Shange* Hypebeast Africa and Samsung have launched Culture Scouts, a competition for South African creatives to create original content celebrating street culture. Four winners, including photographers, a creative director, and a videographer, will capture local spots using the Samsung Galaxy S23 Ultra. Examples include Nondumiso Shange showcasing Best Friend Street Bar in Johannesburg, Teboho Hlatshwayo showcasing cultural complex 44 Stanley Avenue in Braamfontein, and Mikhailia Vera Martha Petersen showcasing Pizza Shed in Cape Town. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/8/hypebeast-africa-samsung-culture-scouts-home-away-from-home-campaign?ref=marmaladecollective.com) ## Addy Awofisayo is Actively Promoting the Global Growth of African Music on YouTube [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/276143794_840110520720983_3427097244283058836_n.webp)](https://amaka.studio/content/teIsc4SRU9kdixCVCZt9C?ref=marmaladecollective.com) **Photo Credit: Aham Ibeleme* [Addy Awofisayo](https://www.instagram.com/addyawo/?ref=marmaladecollective.com), YouTube's Head of Music Sub-Saharan Africa, emphasises the platform's role in supporting African creators and the creative economy. She highlights initiatives like YouTube Creator Bootcamp and Foundry, which help African artists grow their online presence. Awofisayo also highlights the global consumption of African music and the potential for the creative industry's growth, envisioning YouTube as a leading platform for promoting African music and culture. [👉 Check it out on Amaka](https://amaka.studio/content/teIsc4SRU9kdixCVCZt9C?ref=marmaladecollective.com) ## Mizizi Marks 8 years with an African-themed Hockey Jersey, Symbolizing Unity and Diversity [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/373035590_18367038535068263_6660547880363191280_n.jpg)](https://www.forbes.com/sites/allysonportee/2023/08/30/mizizi-the-african-diaspora-streetwear-brand-celebrates-8-years-with-a-new-anniversary-hockey-jersey/?ref=marmaladecollective.com) **Photo Credit: Mizizi* Mizizi, a sports-streetwear brand, celebrates its 8th year with a special hockey jersey that breaks from the brand's tradition of dedicating pieces to specific African countries. Instead, this jersey focuses on Africa as a whole, featuring designs symbolising the continent's rich landscapes and unity in diversity. The soft orange hue represents African communities' warmth, while turquoise trimmings nod to African skies and waters. Mizizi's founder, Paakow Essandoh, plans to expand the brand's presence in the sports arena [👉 Check it out on Forbes](https://www.forbes.com/sites/allysonportee/2023/08/30/mizizi-the-african-diaspora-streetwear-brand-celebrates-8-years-with-a-new-anniversary-hockey-jersey/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week Recommended by Sharon Bunting ## What's On [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/09/Whats-On---September.jpg)](https://www.marmaladecollective.com/september-2023/) Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Here's a selection of events and experiences happening this week... - 01-24 Sep | [My Runway Group Pop-up Shop at Somerset House](https://www.somersethouse.org.uk/whats-on/my-runway-group-pop-shop?ref=marmaladecollective.com) (Free) - 01-16 Sep | [Sola Olulode's Immersive Solo Exhibition](https://www.edcrossfineart.com/exhibitions/61-sola-olulode-burning-like-the-star-that-showed-ed-cross-at-19-garrett-street/overview/?ref=marmaladecollective.com) (Free) - 05 Sep | [Clash x Metropolis x Tay Iwar at Metropolis Studios](https://dice.fm/event/nnkdl-clash-x-metropolis-x-tay-iwar-5th-sep-metropolis-studios-london-tickets?ref=marmaladecollective.com) (Free) - 06 Sep | [Modern South Africa Wine Tasting](https://www.eventbrite.co.uk/e/modern-south-africa-tickets-677072220237?ref=marmaladecollective.com) - 08 Sep | [Orchestra Baobab: Senegalese Live Band](https://dice.fm/event/7k2x7-orchestra-baobab-8th-sep-union-chapel-london-tickets?ref=marmaladecollective.com) - 09 Sep | [Para Juntar - A Celebration of Lusophone Africa](https://www.africacentre.org.uk/Event/para-juntar-a-celebration-of-palop-culture?ref=marmaladecollective.com) (Free) - 09 Sep | [The Wearable Art Collective London Fashion Week Exhibition/Soiree](https://www.eventbrite.co.uk/e/the-wearable-art-collective-london-fashion-week-exhibitionsoiree-tickets-695588001437?ref=marmaladecollective.com) (Free) - 10 Sep | [Afropiano Festival at Colesdale Farm](https://shoobs.com/events/84244/afropiano-festival?ref=marmaladecollective.com) - 10 Sep | [Algerian Cookery Class with Meriam](https://www.eventbrite.co.uk/e/algerian-cookery-class-with-meriam-v-friendly-london-cookery-school-tickets-687801010337?ref=marmaladecollective.com) [Discover More Events & Experiences](https://www.marmaladecollective.com/september-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### What's on in September URL: https://www.marmaladecollective.com/september-2023/ Last updated: 2023-09-01T16:18:04.000Z Discover the best afrocentric experiences in London 🇬🇧 From concerts, nightlife, culture, pop-ups, supper clubs and plenty more...We’ve got you covered! Get out there, meet some new faces, and soak up all the experiences. Here’s to living big in September! _This post is for subscribers only._ ### A Marmalade Exclusive Guide: Tolibian’s Happy Issue URL: https://www.marmaladecollective.com/tolibian-happy-issue/ Last updated: 2023-08-30T10:50:59.000Z > From One-of-a-Kind Cover Artist to an Original Artist We had the incredible opportunity to sit down with the multi-talented Nigerian artist, Tolibian, for an exclusive chat with him. It was all about diving into his journey to stardom, his music and how it defines him, and what's in store for his upcoming release. Plus, we got the inside scoop on how he plans to form a deeper connection with his fans and the powerful message he wants to share with the world through his music. Tolibian née Abubakar Abdulmotolib Ottan currently resides in the bustling city of Lagos, Nigeria. He hails from Kwara State, Ilorin, Ilorin-West to be precise. He became famous for his distinct covers of songs such as Avicii's "The Nights" and many others. A list of his unique songs includes Malaysia, Shower Your Blessings, End SARS, A December to Remember, Lori Iro and the recent one making waves currently is “[HAPPY](https://platoon.lnk.to/happy?ref=marmaladecollective.com),” a song among his latest release list of five songs. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/DAN_5100.jpg) **Image Courtesy of Tolibian and Management* Growing up was challenging for Tolibian, being the first in his family to fully venture into the entertainment industry and embrace it fully made things a bit difficult for him. > “I mean, I am not an apprentice to anybody, I didn’t know anyone and I was just on my own and I just fought it and decided to chase my dreams. So, growing up for me was challenging,” the talented singer-songwriter tells *Marmalade.* “My dad really wasn’t in support but my mom is, she’s been giving me her all, pushing and has been supportive of me since day one and that has made me who I am today coupled with being stubborn. Being resilient has taught me to endure hard times.” Due to his challenging upbringing and the support of just his mom, Tolibian’s mindset shifted. He says that all the circumstances in his background and upbringing made him realise that he has a reason to be here, doing what he’s doing and he knows he shouldn’t give up on his dreams. He also expressed his gratitude to God for being where he is in his life today. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/DAN_4911.jpg) **Image Courtesy of Tolibian and Management* The profound support and belief of his mother and his belief in himself have shaped his journey in music. These are the stepping stones that laid the foundation for Tolibian’s artistic journey and this led our chat to the covers that made him go viral. We asked about Tolibian's breakthrough moment, the cover of Avicii's "The Nights" that unexpectedly went viral. "I was surprised by the positive reviews," Tolibian tells us, "It was just me doing my thing, freestyling in my prime. It was not something I had planned, but the response was overwhelming.” > When it comes to defining his music style, Tolibian explains that for now, he’s riding the wave of Afrobeat. "I can hop on any genre of music, be it trap, jazz, blues or anything," he says confidently, "but Afro-Fuji fusion is what I'm currently exploring.” ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/DAN_5143-2.jpg) **Image Courtesy of Tolibian and Management* Tolibian emphasises the importance of keeping one’s mind open for the creative process and inspiration. “It is important to keep your mind and imagination open and just let your imagination run wild. You can get inspiration from anything, whether it is your personal life experience or maybe another person’s story,” he shares that the inspiration you get from any place can then be used to create something that inspires and impacts people’s lives. “I am inspired by anything, from my personal life story to a cover of a song or just anything.” We couldn't help but notice that Tolibian’s upcoming song “Happy” has a unique vibe different from his other tracks. > Tolibian agrees, "I love to explore new sounds as a creative,” he says, and “Happy” according to him holds a special aura that sets it apart from the rest of his music. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/DAN_4934-3.jpg) **Image Courtesy of Tolibian and Management* We discuss the impact he wants his music to have on his listeners and supporters, and he shares this with us, "Anytime anybody's listening to my tune, I want them to find it soothing because I want them to feel like they can change the world for the better through their actions and the power of music. My music is my truth. So anytime you listen to Tolibian’s music you should feel inspired and remain true to yourself.” Prior to Tolibian's covers going viral, he didn't have any form of formal musical training. He just played around with music for fun. So, he believes in the power of social media, it's been an incredible help for him and other artists like him. He's so grateful for how it has helped him reach new heights in just a few years. > His words are, “It’s been just a few years and I thank God I have been able to reach such heights with social media aiding me. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/DAN_4924.jpg) **Image Courtesy of Tolibian and Management* So, I believe social media plays a pretty significant role and we want more and I want the algorithm to do better so it can help more talents like me not to struggle much.” Now, with a growing audience, he plans to connect with his fans on a personal level through social media. > “I’ll be sharing snippets of my songs and series on Instagram and other platforms and the behind-the-scene footage of my performances.” Tolibian believes that people love to see the behind-the-scenes process of a project. They want to see the steps you took before you execute your project. “I’ll do a question and answer session probably in the comment section or Instagram stories and my other social platforms to connect better,” he says. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/DAN_5102-1.jpg) **Image Courtesy of Tolibian and Management* He also tells us he plans to use giveaways to show his appreciation to his fans and hopefully, the algorithm favours the process so he can reach every bit and part of his fans and they all get to participate. Outside of the artist, Tolibian’s goal is clear, and he has all the parts put together and is ready. He tells us his one message to the world with a passionate voice, "Don't give up. Keep praying and be resilient. Believe in your craft and be your own fighter on the front line." Tolibian's message shows he’s not just determined to make a mark in the music industry, he wants to inspire others along the way too! ### Israel Adesanya 'Stylebender' Documentary, CKay Hits 1 Billion Streams, Burna Collab with Dave URL: https://www.marmaladecollective.com/israel-adesanya-stylebender-documentary-ckay-hits-1-billion-streams-burna-collab-with-dave/ Last updated: 2023-08-29T09:04:02.000Z We're back with Vol. 57 of The Spread, our weekly edit of the best stories and global news on Africa(ns) influencing mainstream culture. #### Highlights: - 'Stylebender' Documentary Delves into Israel Adesanya's Vulnerability, Fame journey, and Creating Emotional Impact *via* [OkayAfrica](https://www.okayafrica.com/israel-adesanya-stylebender-documentary/?ref=marmaladecollective.com) - Ghana Announces its First Summit on African Cinema in Alignment with Mo’s Partnership with Idris Elba *via [Ebony](https://www.ebony.com/ghana-first-summit-african-cinema-three-ghanian-films-to-watch/?ref=marmaladecollective.com)* - Cellist Abel Selaocoe Fuses African Beat with Classical Music *via [DW](https://www.dw.com/en/cellist-abel-selaocoe-classical-music-with-an-african-beat/video-66570263?ref=marmaladecollective.com)* - Southern African Times Celebrates Culture with Official Merch: Embrace African Fashion! *via [NairobiFashion](https://nairobifashionhub.co.ke/to-honor-african-fashion-and-culture-the-southern-african-times-has-opened-an-official-merchandise-shop/?ref=marmaladecollective.com)* - CKay, Afrobeats artist, Surpasses 1 billion Solo Spotify streams *via* [OkayAfrica](https://www.okayafrica.com/ckay-surpasses-a-billion-spotify-streams/?ref=marmaladecollective.com) - Botswanan Sprinter Letile Tebogo Secures Historic Silver at World Athletics Championships *via* [OkayAfrica](https://www.okayafrica.com/letsile-tebogo-makes-history/?ref=marmaladecollective.com) - Burna Boy Shares 'Cheat On Me' Collab with Dave and Reveals Upcoming Intimate London Show *via* [NME](https://www.nme.com/news/music/burna-boy-and-dave-bet-on-themselves-in-new-song-cheat-on-me-i-told-them-album-3487430?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## 'Stylebender' Documentary Delves into Israel Adesanya's Vulnerability, Fame journey, and Creating Emotional Impact [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/341528466_773900630749208_6733131180618068053_n.jpg)](https://www.okayafrica.com/israel-adesanya-stylebender-documentary/?ref=marmaladecollective.com) **Photo Credit: Photographer Jeff Sainlar* The documentary 'Stylebender' reveals MMA champion [Israel Adesanya's ](https://www.instagram.com/stylebender/?ref=marmaladecollective.com)vulnerabilities, fame, and personality. Director Zoe McIntosh captures Adesanya's journey, including therapy sessions, offering a unique perspective on his growth and challenges. The film's release aims for collective viewing, transcending traditional sports documentaries, and igniting discussion about masculinity and vulnerability. Adesanya's desire for Netflix's involvement highlights its potential impact on young audiences. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/israel-adesanya-stylebender-documentary/?ref=marmaladecollective.com) ## Ghana Announces its First Summit on African Cinema in Alignment with Mo’s Partnership with Idris Elba [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/369688077_18348480094076540_4178279169178663917_n.jpg)](https://www.ebony.com/ghana-first-summit-african-cinema-three-ghanian-films-to-watch/?ref=marmaladecollective.com) **Photo Credit: FilmOne Studios* The National Film Authority of Ghana is partnering with Nigeria's [FilmOne Group](https://www.instagram.com/filmoneng/?ref=marmaladecollective.com) and Silverbird Cinema to present the inaugural Africa Cinema Summit in Accra. The event will span three days and feature contemporary African films, industry-focused sessions, panel discussions, keynote speeches, and networking opportunities. This initiative aligns with recent collaborations such as Idris Elba's partnership with Mo Abudu to spotlight African talent. Notable Ghanaian films include "Ghana Must Go," "Love Brewed In the African Pot," and "Away Bus.” [👉 Check it out on Ebony](https://www.ebony.com/ghana-first-summit-african-cinema-three-ghanian-films-to-watch/?ref=marmaladecollective.com) ## Cellist Abel Selaocoe Fuses African Beat with Classical Music [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/338941072_199360562799693_4626486007269473693_n.jpg)](https://www.dw.com/en/cellist-abel-selaocoe-classical-music-with-an-african-beat/video-66570263?ref=marmaladecollective.com) **Image Credit: Hdrfruehling* The beautiful sounds of the musical world of [Abel Selaocoe](https://www.instagram.com/abelselaocoe/?ref=marmaladecollective.com), a South African cellist who seamlessly melds African rhythms with the compositions of baroque maestros. Witness his astonishing talent as he transforms the cello into a multi-dimensional instrument, incorporating beatboxing and innovative techniques. Experience a unique auditory journey where classical elegance meets vibrant African pulses. [👉 Check it out on DW](https://www.dw.com/en/cellist-abel-selaocoe-classical-music-with-an-african-beat/video-66570263?ref=marmaladecollective.com) ## Southern African Times Celebrates Culture with Official Merch: Embrace African Fashion! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/I_76155image_story.jpeg)](https://nairobifashionhub.co.ke/to-honor-african-fashion-and-culture-the-southern-african-times-has-opened-an-official-merchandise-shop/?ref=marmaladecollective.com) **Photo Credit: The Southern African Merch Store.* The [Southern African Times](https://www.instagram.com/thesouthernafricantimes/?ref=marmaladecollective.com) has launched an [official merch store](https://tengai.thesouthernafricantimes.com/collections/all?ref=marmaladecollective.com) to celebrate African culture and connect with readers beyond journalism. The store aims to bridge the gap between media and viewers, reflecting African identity and innovation. Collaborating with committed designers, the store promotes authenticity and African design, addressing the global prominence of African fashion and honouring the continent's rich heritage. [👉 Check it out on Nairobi Fashion](https://nairobifashionhub.co.ke/to-honor-african-fashion-and-culture-the-southern-african-times-has-opened-an-official-merchandise-shop/?ref=marmaladecollective.com) ## CKay, Afrobeats Artist, Surpasses 1 billion Solo Spotify Streams [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/356938477_832149847836759_2894917326091287441_n--1-.jpg)](https://www.okayafrica.com/ckay-surpasses-a-billion-spotify-streams/?ref=marmaladecollective.com) **Ckay. Image credit: Photographer Dara Banjo* Afrobeats sensation CKay has soared to prominence with 1 billion solo streams on Spotify, cementing his status as a unique Emo-Afrobeat artist. Notable for hits like "love nwantiti," he achieved 20x Platinum in India and 4x Platinum in the US. His electrifying performances, BMI Award, and recognition as a Top Afrobeats Artist globally showcase his year's achievements. With over 3.5 billion streams and upcoming music, CKay's global Afrobeat stardom is set to rise. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/ckay-surpasses-a-billion-spotify-streams/?ref=marmaladecollective.com) ## Botswanan Sprinter Letile Tebogo Secures Historic Silver at World Athletics Championships [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/367461101_17947599458667973_3486025203939846382_n.jpg)](https://www.okayafrica.com/letsile-tebogo-makes-history/?ref=marmaladecollective.com) **'Photo Credit: Tagheuer* In a groundbreaking achievement, [Letsile Tebogo](https://www.instagram.com/tebogo%5Fletsile%5F/?ref=marmaladecollective.com), a 19-year-old sprinter from Botswana, secured a historic silver medal in the men's 100-meter final at the World Athletics Championships. He became the first African athlete to claim a medal in this event. Tebogo's exceptional performance marked a significant milestone in his budding career, with eyes now set on the 200 meters and a promising future in athletics. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/letsile-tebogo-makes-history/?ref=marmaladecollective.com) ## Burna Boy Shares 'Cheat On Me' Collab with Dave and Reveals Upcoming Intimate London Show [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/368572036_222965820366698_6708051710815324726_n.jpg)](https://www.nme.com/news/music/burna-boy-and-dave-bet-on-themselves-in-new-song-cheat-on-me-i-told-them-album-3487430?ref=marmaladecollective.com) **Photo Credit: Apmworldmag* Nigerian artist Burna Boy and UK rapper Dave links on the single 'Cheat On Me' from Burna Boy's upcoming album 'I Told Them'. The duo's history includes the hit 'Location'. Burna Boy's album is set to release on August 25, with a sold-out show in Kingston and an intimate London performance to follow. [👉 Check it out on NME](https://www.nme.com/news/music/burna-boy-and-dave-bet-on-themselves-in-new-song-cheat-on-me-i-told-them-album-3487430?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week 🔌 The Plug: [@debby\_itunu](https://www.instagram.com/debby%5Fitunu/?ref=marmaladecollective.com) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### What's Poppin with Stefflon Don and BNXN, Fuji Opera in London, Gambia Jollof Wins URL: https://www.marmaladecollective.com/whats-poppin-with-stefflon-don-and-bnxn-fuji-opera-in-london-gambia-jollof-wins/ Last updated: 2023-08-21T09:00:32.000Z #### Highlights: - Stefflon Don, MOBO Award-Winning Artist, Collaborates with Nigerian Superstar BNXN on the New Single "What's Poppin" *via* [OkayAfrica](https://www.okayafrica.com/stefflon-don-bnxn-buju-team-up-on-whats-poppin/?ref=marmaladecollective.com) - London Exhibit Explores Nigeria's Fuji Music History in 'Fuji: A Opera' showcase.” *via [Africanews](https://www.africanews.com/2023/08/18/new-london-exhibition-fuji-a-opera-tells-the-story-of-nigerias-fuji-music-genr/?ref=marmaladecollective.com)* - Ndumiso Nyoni Uses his Illustrations to Share Authentic African Experiences with the World *via [Creativeboom](https://www.creativeboom.com/inspiration/ndumiso-nyoni/?ref=marmaladecollective.com)* - Life Size Teddy's Debut Single, 'Hypnotic', Explores the Concept of Pure Transcendence *via [NME](https://www.nme.com/features/music-features/lifesize-teddy-hypnotic-ep-mavin-records-listen-radar-3481296?ref=marmaladecollective.com)* - Helen Epega's Pidgin Opera, 'Song Queen', is Connecting Foreign Audiences with Africa *via* [OkayAfrica](https://www.okayafrica.com/helen-epega-pidgin-opera-song-queen/?ref=marmaladecollective.com) - The Dragon Boys, a Ghanaian Performance Troupe’s Short Film *via[ Tribeca films](https://tribecafilm.com/films/dragon-boys-2023?ref=marmaladecollective.com)* - The Gambia Wins Jollof Cooking Competition at West Africa Food Festival *via* [The Nation](https://nation.africa/africa/news/gambia-wins-jollof-cooking-competition-4339302?ref=marmaladecollective.com) --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Get these stories delivered to your inbox ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Stefflon Don, MOBO Award-Winning Artist, Collaborates with Nigerian Superstar BNXN on the New Single "What's Poppin" [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/361596344_18378115990045773_3219981154218721368_n-1.jpg)](https://www.okayafrica.com/stefflon-don-bnxn-buju-team-up-on-whats-poppin/?ref=marmaladecollective.com) British rapper [Stefflon Don ](https://www.instagram.com/stefflondon/?ref=marmaladecollective.com)and Nigerian superstar [BNXN](https://www.instagram.com/toyourears/?ref=marmaladecollective.com) collaborate on the summer track "What's Poppin," part of their upcoming debut album, Island 54\. The track blends Afro-R&B and features sultry tones, while the visually captivating music video showcases their signature styles. The collaboration gained attention on TikTok and solidified Stefflon Don's global voice, ensuring a lasting impact on the music scene. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/stefflon-don-bnxn-buju-team-up-on-whats-poppin/?ref=marmaladecollective.com) ## London Exhibit Explores Nigeria's Fuji Music History in 'Fuji: A Opera' showcase.” [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/367998087_326598209955049_1576019893752096690_n.jpg)](https://www.africanews.com/2023/08/18/new-london-exhibition-fuji-a-opera-tells-the-story-of-nigerias-fuji-music-genr/?ref=marmaladecollective.com) **Press rounds with Bobo Omotayo, Creator of FUJI: A Opera* The London exhibition "Fuji: A Opera" at the Africa Centre features Nigerian fuji music's history through archival materials and artefacts. Curated by [Bobo Omotayo](https://www.instagram.com/fujiopera/?ref=marmaladecollective.com), the immersive display spans four floors, providing edutainment about African culture and Nigerian history. Fuji's influential evolution over decades is highlighted, showing its impact on contemporary pop and Afrobeats. The exhibition runs from August 18 to 28, 2023. [👉 Check it out on Africanews](https://www.africanews.com/2023/08/18/new-london-exhibition-fuji-a-opera-tells-the-story-of-nigerias-fuji-music-genr/?ref=marmaladecollective.com) ## Ndumiso Nyoni Uses his Illustrations to Share Authentic African Experiences with the World [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/35312842_144257789779092_3987898540453003264_n-2.jpg)](https://www.creativeboom.com/inspiration/ndumiso-nyoni/?ref=marmaladecollective.com) **Ndumiso Nyoni's Illustrations* [Ndumiso Nyoni](https://www.instagram.com/ndumiso%5Fnyoni/?ref=marmaladecollective.com), a Johannesburg-based illustrator and motion designer, aims to showcase Africa's diversity and authenticity through his artwork. Despite societal pressures, Nyoni's passion for art has led to collaborations with major brands. His work reinterprets global icons and cartoon characters, combating stereotypes and showcasing Africa's multifaceted nature. His inspirations include Ndebele artist Esther Mahlangu and his brother Sindiso Nyoni. [👉 Check it out on Creativeboom](https://www.creativeboom.com/inspiration/ndumiso-nyoni/?ref=marmaladecollective.com) ## Life Size Teddy's Debut Single, 'Hypnotic', Explores the Concept of Pure Transcendence [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/367425302_18381114121049709_193810111705438207_n.jpg)](https://www.nme.com/features/music-features/lifesize-teddy-hypnotic-ep-mavin-records-listen-radar-3481296?ref=marmaladecollective.com) **Lifesize Teddy Photo by Maxime Ellies* Nigerian artist [Lifesize Teddy](https://www.instagram.com/lifesize%5Fteddy/?ref=marmaladecollective.com), recently signed to Mavin Records, exudes self-assured confidence in her track "Hypnotic." Having undergone artist development under Mavin Records since 2020, Teddy's debut EP showcases frisky club beats and empowering energy. "Hypnotic" celebrates her femininity through smoky vocals and bass thrusts, conveying desire from a female perspective. The song seamlessly blends sung and rap verses, highlighting Teddy's versatility as she confidently enters the global music scene. [👉 Check it out on NME](https://www.nme.com/features/music-features/lifesize-teddy-hypnotic-ep-mavin-records-listen-radar-3481296?ref=marmaladecollective.com) ## Helen Epega's Pidgin Opera, 'Song Queen', is Connecting Foreign Audiences with Africa [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/359724343_18372778855020000_2485516765900531467_n.jpg)](https://www.okayafrica.com/helen-epega-pidgin-opera-song-queen/?ref=marmaladecollective.com) **Helen Epega. Image Courtesy of artists' IG page* Helen Epega, known as '[The Venus Bushfires,'](https://www.instagram.com/thevenusbushfires/?ref=marmaladecollective.com) created the world's first pidgin opera, "Song Queen." Infused with Nigerian pidgin and other marginalized languages, the opera celebrates her heritage and bridges cultural gaps. It tells the story of a singing tribe and its goal is to foster unity. Despite challenges, Epega hopes to make her opera a global success and inspire others in the industry. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/helen-epega-pidgin-opera-song-queen/?ref=marmaladecollective.com) ## The Dragon Boys, a Ghanaian Performance Troupe’s Short Film [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/280553301_416668459946749_5517662209092193766_n.jpg)](https://tribecafilm.com/films/dragon-boys-2023?ref=marmaladecollective.com) **''Dragons' Photo Credit: Tom Ringsby* "The Dragon Boys" is a 12-minute 30-second short film set in Accra, Ghana, spotlighting a group of young men who have crafted a brotherhood based on acrobatics, dance, and fire breathing. Despite lacking formal training, they practice early and offer online tutorials. The performers, known as The Dragon Boys, symbolise strength and positivity within their community, mentoring and supporting local youth. The film, an experimental music/dance documentary directed by [Tom Ringsby](https://www.instagram.com/tomringsby/?ref=marmaladecollective.com), delves into their unique journey. [👉 Check it out on Tribeca Film](https://tribecafilm.com/films/dragon-boys-2023?ref=marmaladecollective.com) ## The Gambia Wins Jollof Cooking Competition at West Africa Food Festival [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/WhatsApp-Image-2023-08-16-at-4.57.08-PM-2-3.jpeg)](https://nation.africa/africa/news/gambia-wins-jollof-cooking-competition-4339302?ref=marmaladecollective.com) **Team Gambia at the WAFFEST in Nigeria* The Gambia clinched victory at the West Africa Food Festival (WAFFEST) in Lagos, Nigeria, triumphing over strong contenders Nigeria, Ghana, and Liberia in the Jollof competition. Led by acclaimed chef Saikou Bojang, the Gambian culinary team showcased indigenous recipes and preserved West African flavors, securing a coveted trophy. The festival, celebrating regional cuisines and traditions, saw The Gambia excel in both Jollof and Vegan categories. This achievement echoes their 2019 win, marking another proud moment in their culinary journey. [👉 Check it out on The Nation](https://nation.africa/africa/news/gambia-wins-jollof-cooking-competition-4339302?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week --- ## What's On ### Wondering what to do in August? We have curated everything from immersive concerts and live bands to exclusive parties. **Discover new people, new experiences and live life to the fullest!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Whats-On---Aug.gif)](https://www.marmaladecollective.com/whats-on-august-2023/) [Become a Paid Member to Get Access 🔒](https://www.marmaladecollective.com/whats-on-august-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Crystal Palace Appoints Ghanaian Creative Director, Labrum Collabs With Guinness, Johnny Walker and Air-ink URL: https://www.marmaladecollective.com/crystal-palace-appoints-ghanaian-creative-director-labrum-collabs-with-guinness-johnny-walker-and-air-ink/ Last updated: 2023-08-14T09:00:54.000Z #### Highlights: - Crystal Palace Names Ghanaian Kenny Annan-Jonathan Premier League Creative Director *via* [Hypebeast](https://hypebeast.com/2023/8/crystal-palace-first-ever-creative-director-kenny-annan-jonathan?ref=marmaladecollective.com) - Labrum London Collaborates with Guinness for Summer Collection *via [FashionUnited](https://fashionunited.uk/news/fashion/labrum-london-teams-up-with-guinness-on-a-summer-collection/2023080770965?ref=marmaladecollective.com)* - Mr Eazi Announces Global Art Exhibitions in Lagos, Accra, New York, and London for Upcoming Album *via [Hypebeast](https://hypebeast.com/2023/8/mr-eazi-announces-global-art-exhibitions-album-release?ref=marmaladecollective.com)* - London's Next Alt-Jazz Superstar: muva of Earth *via [TheFace](https://theface.com/music/muva-of-earth-is-londons-next-alt-jazz-superstar-interview-align-with-natures-intelligence?ref=marmaladecollective.com)* - The Elaborate Carvings by Sthenjwa Luthuli Depicts Ancient African Traditions *via* [Colossal](https://www.thisiscolossal.com/2023/08/sthenjwa-luthuli-inzalo-ye-langa/?ref=marmaladecollective.com) - South Africa's Sneaker Mania: From Converse to Bathu *via* [OkayAfrica](https://www.okayafrica.com/tekkies-in-south-africa-from-converse-all-star-to-bathu/?ref=marmaladecollective.com) - Johnnie Walker and Air-ink launch Keep Walking Lagos Bottle *via* [BellaNaija](https://www.bellanaija.com/2023/08/johnnie-walker-x-ink-air/?ref=marmaladecollective.com) --- 💰 ****Invest in Marmalade** We pour our hearts into crafting top-notch content and unforgettable events for our community. Now, we're on the hunt for passionate angel investors and VCs to help us soar even higher. Ready to make a difference? ****Reach out to** [****tola@marmalade.ventures**](mailto:tola@marmalade.ventures). Let's grow together! 🚀 ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Delivered in your inbox every Monday at 10am BST ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Crystal Palace Names Ghanaian Kenny Annan-Jonathan Premier League Creative Director [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/1691138897566--1--1.jpg)](https://hypebeast.com/2023/8/crystal-palace-first-ever-creative-director-kenny-annan-jonathan?ref=marmaladecollective.com) **Jay Kammy/Getty Images* London's [Crystal Palace Football Club](https://www.instagram.com/cpfc/?ref=marmaladecollective.com) has appointed [Kenny Annan-Jonathan](https://uk.linkedin.com/in/kenny-annan-jonathan-46941687?ref=marmaladecollective.com) as the Premier League's first creative director to oversee apparel collections and fashion partnerships. With a fashion and design background, Annan-Jonathan, founder of sports marketing agency [The MailRoom](https://www.instagram.com/themailroom/?ref=marmaladecollective.com), will lead innovative projects, beginning with launching Crystal Palace's Fall/Winter 2023 collection, aiming to expand beyond traditional sports merchandise and enhance the team's fan base. This trend follows moves by other clubs, like Red Star, to leverage creative collaborations for global exposure. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/8/crystal-palace-first-ever-creative-director-kenny-annan-jonathan?ref=marmaladecollective.com) ## Labrum London Collaborates with Guinness for Summer Collection [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/366380276_18377916250040787_8593397228313033783_n-2.jpg)](https://fashionunited.uk/news/fashion/labrum-london-teams-up-with-guinness-on-a-summer-collection/2023080770965?ref=marmaladecollective.com) **Photo Credit. Frenchgold at We Folk* [Labrum London](https://www.instagram.com/labrumlondon/?ref=marmaladecollective.com), winner of the Queen Elizabeth II Award for British Design 2023, has launched a limited-edition summer capsule collection in collaboration with the Irish alcohol brand [Guinness.](https://www.instagram.com/guinness/?ref=marmaladecollective.com) The collection pays homage to Sierra Leonean social traditions, featuring a co-created print inspired by Labrum founder Foday Dambuya's Freetown memories. The collection includes apparel and accessories, with public workshops planned to celebrate unity. [👉 Check it out on FashionUnited](https://fashionunited.uk/news/fashion/labrum-london-teams-up-with-guinness-on-a-summer-collection/2023080770965?ref=marmaladecollective.com) ## Mr. Eazi Announces Global Art Exhibitions in Lagos, Accra, New York, and London for Upcoming Album [![Mr.Eazi courtesy of his IG Page](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/333391217_924055572121103_5634617765155180968_n-2.jpg)](https://hypebeast.com/2023/8/mr-eazi-announces-global-art-exhibitions-album-release?ref=marmaladecollective.com) **Mr. Eazi. Photo courtesy of Mr Eazi's Page.* Nigerian artist [Mr. Eazi ](https://www.instagram.com/mreazi/?ref=marmaladecollective.com)plans to showcase bespoke artworks by 13 African artists, each paired with a track from his upcoming album. Group exhibitions in Lagos, Accra, New York, and London will feature the artworks, emphasising Eazi's dedication to creativity. The artist's meteoric rise in the music world includes collaborations with global stars. His London exhibition will coincide with the 1-54 Contemporary African Art Fair at Somerset House in October, while the album is set for release on October 27. [👉 Check it out on Hypebeast](https://hypebeast.com/2023/8/mr-eazi-announces-global-art-exhibitions-album-release?ref=marmaladecollective.com) ## London's Next Alt-Jazz Superstar: muva of Earth [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/326489674_105866982410627_5217378304497239277_n-1.jpg)](https://theface.com/music/muva-of-earth-is-londons-next-alt-jazz-superstar-interview-align-with-natures-intelligence?ref=marmaladecollective.com) **Photo Credit: Photo by Sol Rei* [Davina Adeosun-Bright](https://www.instagram.com/muvaofearth/?ref=marmaladecollective.com), known as muva of Earth, creates empowering and vulnerable music with her debut EP "Align with Nature's Intelligence." The project blends neo-soul, jazz, and Afrofuturism with spiritual and meditative elements, exploring growth and alignment with nature. The standout track "hear me above" is uplifting, while "your intuition is your friend" transitions into lively jazz percussion. Adeosun-Bright aims to evoke relaxation, empowerment, and openness in her listeners. [👉 Check it out on The Face](https://theface.com/music/muva-of-earth-is-londons-next-alt-jazz-superstar-interview-align-with-natures-intelligence?ref=marmaladecollective.com) ## The Elaborate Carvings by Sthenjwa Luthuli Depicts Ancient African Traditions [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/363791237_1053074982738917_7272093501672814705_n-4.jpg)](https://www.thisiscolossal.com/2023/08/sthenjwa-luthuli-inzalo-ye-langa/?ref=marmaladecollective.com) **Chef Ayo Adeyemi. Photo Credit: Akoko Restaurant* [Artist Sthenjwa Luthuli's](https://www.instagram.com/sthenjwa%5Fluthuli/?ref=marmaladecollective.com) exhibition "Inzalo Ye Langa: Birthplace of the Sun" at Unit London draws inspiration from the enigmatic structure "Inzalo Ye Langa" in South Africa. Luthuli's hand-carved wood art explores African culture, history, and folklore, with intricate geometric patterns and headless figures symbolizing ancestral connections and the continuous cycle of life, death, and rebirth. The exhibition, on view in London until August 24, reflects Luthuli's contemplation of the human spirit and the essence of individuals. [👉 Check it out on Colossal](https://www.thisiscolossal.com/2023/08/sthenjwa-luthuli-inzalo-ye-langa/?ref=marmaladecollective.com) ## South Africa's Sneaker Mania: From Converse to Bathu [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/305372419_575834707557974_3164924629922584820_n-1.jpg)](https://www.okayafrica.com/tekkies-in-south-africa-from-converse-all-star-to-bathu/?ref=marmaladecollective.com) **Photo Credit: Bathu\_SA* South Africa's sneaker culture is transforming, with local brands like [Bathu](https://www.instagram.com/bathu%5Fsa/?ref=marmaladecollective.com) and Drip Footwear gaining prominence. Sneakers have become a key part of the fashion landscape, with Bathu and Drip Footwear leading the way. Events like "Sneaker Exchange" and the resale market contribute to the evolving sneaker scene. Brands' authenticity and connection to local stories drive their success, with collaborations with musicians playing a crucial role. [👉 Check it out on OkayAfrica](https://www.okayafrica.com/tekkies-in-south-africa-from-converse-all-star-to-bathu/?ref=marmaladecollective.com) ## Johnnie Walker and Air-ink launch Keep Walking Lagos Bottle [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/365468984_2498721220309422_3879467875931807698_n--1-.jpg)](https://www.bellanaija.com/2023/08/johnnie-walker-x-ink-air/?ref=marmaladecollective.com) **Photo courtesy of Johnnie Walker* Johnnie Walker, one of the best prominent Scotch Whisky brands, has released a limited edition Lagos bottle of Johnnie Walker Black Label, designed by Nigerian artist Victor Ehikhamenor. The bottle uses ink from air pollution captured from Lagos, promoting environmental innovation. The Keep Walking City collection showcases global cities through distinctive designs, showcasing the fusion of art and innovation. The project features artists from various cities, including Delhi, Bangkok, Warsaw, Madrid, Mexico City, Istanbul, Taipei, Costa Rica, and Seoul. [👉 Check it out on BellaNaija](https://www.bellanaija.com/2023/08/johnnie-walker-x-ink-air/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week **Recommended by* ***Sharon Bunting** --- ## What's On ### Wondering what to do in August? We have curated everything from immersive concerts and live bands to exclusive parties. **Discover new people, new experiences and live life to the fullest!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Whats-On---Aug.gif)](https://www.marmaladecollective.com/whats-on-august-2023/) [Become a Paid Member to Get Access 🔒](https://www.marmaladecollective.com/whats-on-august-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Travis Scott and Nabeyin Ghanaian Producer, Wizkid Wins BRIT Billion Award and More! URL: https://www.marmaladecollective.com/travis-scott-and-nabeyin-ghanaian-producer-wizkid-wins-brit-billion-award-and-more/ Last updated: 2023-08-07T09:00:13.000Z #### Highlights: - Travis Scott Collaborates with Ghanaian Producer Nabeyin for 'Utopia' Album Track *via* [OkayAfrica](https://www.okayafrica.com/travis-scott-ghanaian-producer-nabeyin/?ref=marmaladecollective.com) - Sheli Masondo: Designs for Beyonce, and Now Designs for ‘Shaka Ilembe’ *via [TheSouthAfrican](https://www.thesouthafrican.com/lifestyle/celeb-news/sheli-masondo-from-beyonce-boom-shaka-shaka-ilembe-wadrobe-designer-stylist-31-july-2023/?ref=marmaladecollective.com)* - A Trip to Tunisia Offers You Mediterranean Beaches, Vibrant Nightlife, and North African History *via [GQMiddleeast](https://www.gqmiddleeast.com/culture/tunisia-travel-destination-local-guide?ref=marmaladecollective.com)* - Wanni & Handi: The Most Energetic Twin DJs, Perfect for Parties! *via [Bellanaija](https://www.bellanaija.com/2023/08/on-deck-on-fire-with-wanni-x-handi/?ref=marmaladecollective.com)* - London Restaurant Akoko Executive Chef Ayo Adeyemi Shares Nigerian Heritage Staple Recipe *via* [BBC Goodfood](https://www.bbcgoodfood.com/article/my-favourite-dish-ayo-adeyemi?ref=marmaladecollective.com) - Nigerian Superstar Wizkid Wins BRIT Billion Award for One Billion UK Streams *via* [OkayAfrica](https://www.okayafrica.com/wizkid-makes-makes-history-with-brit-billion-award/?ref=marmaladecollective.com) - NOW Gallery's 'Human Stories 2023' Showcases South Africa's Creative Energy *via* [Hypebae](https://hypebae.com/2023/8/human-stories-a-young-south-africa-exhibition-now-gallery-london-details?ref=marmaladecollective.com) --- 💰 ****Invest in Marmalade** We pour our hearts into crafting top-notch content and unforgettable events for our community. Now, we're on the hunt for passionate angel investors and VCs to help us soar even higher. Ready to make a difference? ****Reach out to** [****tola@marmalade.ventures**](mailto:tola@marmalade.ventures). Let's grow together! 🚀 ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Travis Scott Collaborates with Ghanaian Producer Nabeyin for 'Utopia' Album Track [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/163222124_272442271014113_300580641108928751_n-2.jpg)](https://www.okayafrica.com/travis-scott-ghanaian-producer-nabeyin/?ref=marmaladecollective.com) **Travis Scott. Image courtesy of Travis Scott's IG* [Travis Scott's](https://www.instagram.com/travisscott/?ref=marmaladecollective.com) "Utopia" album features a collaboration with Ghanaian producer [Nabeyin](https://www.instagram.com/nabeyin/?ref=marmaladecollective.com), known for his work with Kanye West and Drake. Nabeyin founded SAE Less music camp, promoting collaborations in Ghana's music scene and connecting local talent to opportunities in the US. He also envisions establishing a record label to support holistic artist development. [Check it out on OkayAfrica](https://www.okayafrica.com/travis-scott-ghanaian-producer-nabeyin/?ref=marmaladecollective.com) ## Sheli Masondo: Designs for Beyonce, and Now Designs for ‘Shaka Ilembe’ [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/353756335_1499537667518076_7598119731856168916_n--2-.jpg)](https://www.thesouthafrican.com/lifestyle/celeb-news/sheli-masondo-from-beyonce-boom-shaka-shaka-ilembe-wadrobe-designer-stylist-31-july-2023/?ref=marmaladecollective.com) **Sheli Masondo. Photo Credit. Trevor Stuurman* [Sheli Masondo](https://www.instagram.com/shelimasondo/?ref=marmaladecollective.com) is a renowned fashion designer from Soweto. She initially studied fashion design but shifted her focus to character-based design. She ran a successful fashion studio and gained recognition for styling TV commercials. Her career highlight was styling for Beyonce in the film "Black is King" in 2019\. Masondo was praised for her wardrobe designs in the Mzansi Magic drama series "Shaka Ilembe." She also travelled to rural KwaZulu-Natal to empower herself for the show. [Check it out on The SouthAfrican](https://www.thesouthafrican.com/lifestyle/celeb-news/sheli-masondo-from-beyonce-boom-shaka-shaka-ilembe-wadrobe-designer-stylist-31-july-2023/?ref=marmaladecollective.com) ## A Trip to Tunisia Offers You Mediterranean Beaches, Vibrant Nightlife, and North African History [![chef-hilda-baci-photo-taken-by-tobiloke](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/pexels-baha-ferchichi-17420645.jpg)](https://www.gqmiddleeast.com/culture/tunisia-travel-destination-local-guide?ref=marmaladecollective.com) **Dougga. Photo Credit: Photo by Baha Ferchichi* Tunisia offers diverse cultural experiences, history, and beauty, with a unique blend of Arab, Mediterranean, and French flavours. The country's vibrant nightlife, beautiful beaches, and historical landmarks make it an attractive destination for travellers seeking an authentic and enriching experience. The warm and welcoming locals recommend various spots to explore during a visit, from restaurants to historical sites and beaches. [Check it out on GQMiddleeast](https://www.gqmiddleeast.com/culture/tunisia-travel-destination-local-guide?ref=marmaladecollective.com) ## Wanni & Handi: The Most Energetic Twin DJs, Perfect for Parties! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/349164448_197994253134849_294393020059389999_n.jpg)](https://www.bellanaija.com/2023/08/on-deck-on-fire-with-wanni-x-handi/?ref=marmaladecollective.com) **Wanni x Handi. Photo Credit: Waltercreatesphotograph* The Bellanaija 'On Deck & On Fire' series showcases Nigerian twin DJs [Wanni x Handi](https://www.instagram.com/wannixhandi/?ref=marmaladecollective.com), who share their journey and passion for music. They fell in love with music as kids, leading them to become self-taught DJs. A typical event day for them includes playlist creation, choreography rehearsals, and sound checks. They emphasize authenticity and infuse Nigerian flavours, especially Afrobeat, into their performances while appealing to a broader international audience. [Check it out on Bellanaija](https://www.bellanaija.com/2023/08/on-deck-on-fire-with-wanni-x-handi/?ref=marmaladecollective.com) ## London Restaurant Akoko Executive Chef Ayo Adeyemi Shares Nigerian Heritage Staple Recipe [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/362026558_18186972748281911_2356223178820967850_n.jpg)](https://www.bbcgoodfood.com/article/my-favourite-dish-ayo-adeyemi?ref=marmaladecollective.com) **Chef Ayo Adeyemi. Photo Credit: Akoko Restaurant* [Chef Ayo Adeyemi](https://www.instagram.com/ayoadeyemi%5F/?ref=marmaladecollective.com) of Akoko shares his cooking journey and favourite dish, jollof rice, a Nigerian biryani with spices, onions, and meat or fish. The base is made with tomatoes, chili, onion, red peppers, herbs, and spices. Akoko substitutes olive or vegetable oil for ethical and nutritional reasons. Jollof rice holds sentimental value for Adeyemi, as it was a staple in his family gatherings. [Check it out on BBC Goodfood](https://www.bbcgoodfood.com/article/my-favourite-dish-ayo-adeyemi?ref=marmaladecollective.com) ## Nigerian Superstar Wizkid Wins BRIT Billion Award for One Billion UK Streams [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/364085218_1038989017090084_5624862384029998717_n.jpg)](https://www.okayafrica.com/wizkid-makes-makes-history-with-brit-billion-award/?ref=marmaladecollective.com) **WIzkidayo. Photo Credit: Wizkidayo's page* Nigerian singer Wizkid, also known as Ayodeji Balogun, has become the first African artist to receive the BRIT Billion Award. The British Phonographic Industry honored him for surpassing one billion digital streams in the UK. Wizkid's global music icon status was celebrated after his performance at Tottenham Stadium. His platinum and gold certifications showcase his exceptional talent and global influence. [Check it out on OkayAfrica](https://www.okayafrica.com/wizkid-makes-makes-history-with-brit-billion-award/?ref=marmaladecollective.com) ## NOW Gallery's 'Human Stories 2023' Showcases South Africa's Creative Energy [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/08/275857190_1011432136475174_9095085219876455921_n.jpg)](https://hypebae.com/2023/8/human-stories-a-young-south-africa-exhibition-now-gallery-london-details?ref=marmaladecollective.com) **"Human Stories' © Photographer Fede Kortez* NOW Gallery in London's Greenwich Peninsula will showcase the Human Stories exhibition series in October 2023, featuring six South African photographers. The showcase, titled "A Young South Africa," showcases various aspects of the country's identity, including "Afro Grunge" style in Cape Town, Black women skateboarders in Johannesburg and Soweto, and the vibrant energy of Cape Town's neighbourhoods. [Check it out on Hypebae](https://hypebae.com/2023/8/human-stories-a-young-south-africa-exhibition-now-gallery-london-details?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song of the Week **Recommended by* ***Winifred Liam** --- ## What's On ### Wondering what to do in August? We have curated everything from immersive concerts and live bands to exclusive parties. **Discover new people, new experiences and live life to the fullest!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Whats-On---Aug.gif)](https://www.marmaladecollective.com/whats-on-august-2023/) [Become a Paid Member to Get Access 🔒](https://www.marmaladecollective.com/whats-on-august-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Burna Boy's 'Big 7' Video, Oprah's Morocco Trip, Thebe Magugu x adidas Collab URL: https://www.marmaladecollective.com/burna-boys-big-7-video-oprahs-morocco-trip-thebe-magugu-x-adidas-collab/ Last updated: 2023-07-31T09:00:36.000Z #### Highlights: - Burna Boy Announces New Album Coming in August and Releases Video for 'Big 7' *via [Pitchfork](https://pitchfork.com/news/burna-boy-announces-new-album-shares-video-for-new-song-big-7-watch/?ref=marmaladecollective.com)* - Oprah Winfrey Experienced a "Soul-Filling Time" in Morocco *via* [UAE Moments](https://www.uaemoments.com/oprah-winfrey-visited-morocco-and-had-a-soulfilling-time-597168.html?ref=marmaladecollective.com) - Victony, the Afrobeats Outlaw, on His Remarkable Afrobeats Journey to Happiness *via [Teen Vogue](https://www.teenvogue.com/story/victony-july-2023-cover-interview?ref=marmaladecollective.com)* - Ayra Starr Joins Jordan's Iconic Collective - Afrobeat Superstar Featured in Promotional Video *via [Unorthodox Reviews](https://www.unorthodoxreviews.com/ayra-starr-jordan-campaign/?ref=marmaladecollective.com)* - Yves Saint Laurent's Luxurious Moroccan Vacation Home Open for Stays *via [Elle Decor](https://www.elledecor.com/life-culture/travel/a44496850/villa-mabrouka-yves-saint-laurent/?ref=marmaladecollective.com)* - Harrison Ford Introduced to Nigerian food by Star Wars’ John Boyega *via* [CBR](https://www.cbr.com/star-wars-john-boyega-harrison-ford-nigerian-food/?ref=marmaladecollective.com) - Thebe Magugu Partners with Adidas for Orlando Pirates Football Club Collaboration *via [Business of Fashion](https://www.businessoffashion.com/articles/retail/thebe-magugu-and-adidas-partner-with-south-african-football-club-orlando-pirates/?ref=marmaladecollective.com)* 👇 ****Scroll to the bottom** for **'Song Of The Week'* ****(Clue: N\*sty)**. Check out exciting events and experiences happening throughout August. --- ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. #### Now, on to the real peel... ## Burna Boy Announces New Album Coming in August and Releases Video for 'Big 7' [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/361118710_651510313698821_7839365370640015686_n--2--1.jpg)](https://pitchfork.com/news/burna-boy-announces-new-album-shares-video-for-new-song-big-7-watch/?ref=marmaladecollective.com) **Image Credit: Shot by Nee* Grammy-winning Nigerian artist [Burna Boy](https://www.instagram.com/burnaboygram/?ref=marmaladecollective.com) is set to release his next album, 'I Told Them...', on August 24\. The album features RZA, Busta Rhymes, Junior Mafia, and actor Shameik Moore. Burna Boy recently sold out a stadium show in the U.S. and became the first Nigerian artist to headline Madison Square Garden. He also collaborated with J Hus and 21 Savage on the single 'Sittin on Top of the World'. [Check it out on Pitchfork](https://pitchfork.com/news/burna-boy-announces-new-album-shares-video-for-new-song-big-7-watch/?ref=marmaladecollective.com) ## Oprah Winfrey Experienced a "Soul-Filling Time" in Morocco [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/165554746_776815603220292_7031203899153798272_n-4.jpg)](https://www.uaemoments.com/oprah-winfrey-visited-morocco-and-had-a-soulfilling-time-597168.html?ref=marmaladecollective.com) **Image Credit: Oprahdaily* [Oprah Winfrey](https://www.instagram.com/oprah/?ref=marmaladecollective.com) recently visited Morocco, spending two delightful days exploring the local culture. She shared a video on Instagram, showcasing her visits to the vibrant souqs, enjoying traditional music, and trying local delicacies. The highlight was Souk Semmarine, and Oprah was captivated by the rug-making process at a carpet shop. Celebrities praised her experience in Morocco. [Check it out on UAE Moments](https://www.uaemoments.com/oprah-winfrey-visited-morocco-and-had-a-soulfilling-time-597168.html?ref=marmaladecollective.com) ## Victony, the Afrobeats Outlaw, on His Remarkable Afrobeats Journey to Happiness [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/353537517_271803948839220_4366021339098835635_n.jpg)](https://www.teenvogue.com/story/victony-july-2023-cover-interview?ref=marmaladecollective.com) **Image Credit: Photographer Victor Edeh* [Victony,](https://www.instagram.com/vict0ny/?ref=marmaladecollective.com) the rising Afrobeat artist, shares his alternate universe called Outlawville, where self-expression thrives. He introduces Tredax, his avatar, and discusses his music journey and recovery from a tragic accident that almost ended his life. With newfound optimism, he releases new music, embracing joy and looking forward to the next phase of his career. [Check it out on Teen Vogue](https://www.teenvogue.com/story/victony-july-2023-cover-interview?ref=marmaladecollective.com) ## Ayra Starr Joins Jordan's Iconic Collective - Afrobeat Superstar Featured in Promotional Video [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/363824531_18296177638116326_2478534359348181884_n-3.jpg)](https://www.unorthodoxreviews.com/ayra-starr-jordan-campaign/?ref=marmaladecollective.com) **Image Credit: Maeetrix* Nigerian music sensation Ayra Starr partners with Jordan's Jumpman Women Collection, joining a star-studded lineup of Afrobeat artists like Wizkid and Davido that have collaborated with some of the world's largest sportswear brands. The Jumpman Women Collection, a project celebrating women's achievements, includes skaters, designers, photographers, and more from around the world. Ayra's collaboration marks her presence in the world of sportswear brands. [Check it out on Unorthodox Reviews](https://www.unorthodoxreviews.com/ayra-starr-jordan-campaign/?ref=marmaladecollective.com) ## Yves Saint Laurent's Luxurious Moroccan Vacation Home Open for Stays [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/356420594_592140389456023_4504294153280388776_n.jpg)](https://www.elledecor.com/celebrity-style/celebrity-homes/a22590268/yves-saint-laurent-marrakech-home-villa-oasis/?ref=marmaladecollective.com) **Yves Saint Laurent's Moroccan Vacation Home. Image Credit: Villa Mabrouka.* British designer [Jasper Conran](https://www.instagram.com/jasperconran/?ref=marmaladecollective.com) has transformed [Yves Saint Laurent's ](https://www.instagram.com/ysl/?ref=marmaladecollective.com)Moroccan vacation home, [Villa Mabrouka](https://www.instagram.com/villamabrouka/?ref=marmaladecollective.com), into a 12-suite hotel with a one-colour-per-room theme. The hotel features Moroccan design elements, Roman mosaics, and Andalusian tiles, and offers modern amenities like rooftop terraces, restaurants, and pools surrounded by gardens. Conran aims to create a luxurious and personal experience. [Check it out on Elle Decor](https://www.elledecor.com/life-culture/travel/a44496850/villa-mabrouka-yves-saint-laurent/?ref=marmaladecollective.com) ## Harrison Ford Introduced to Nigerian food by Star Wars’ John Boyega [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/353792198_1341594409760098_2901108661775252234_n--1-.jpg)](https://www.cbr.com/star-wars-john-boyega-harrison-ford-nigerian-food/?ref=marmaladecollective.com) **John Boyega. Image Courtesy of Ebony Magazine* [John Boyega](https://www.instagram.com/johnboyega/?ref=marmaladecollective.com) and Harrison Ford enjoyed Nigerian cuisine in London during Star Wars production. They visited a West African-themed restaurant, 805, where Ford tried various dishes beyond jollof rice. Boyega hopes his latest work, "They Cloned Tyrone," and his positive relationship with director Juel Taylor will lead to exciting future projects. He also proposed playing a Doctor in a multiverse episode of Doctor Who. [Check it out on CBR](https://www.cbr.com/star-wars-john-boyega-harrison-ford-nigerian-food/?ref=marmaladecollective.com) ## Thebe Magugu Partners with Adidas for Orlando Pirates Football Club Collaboration [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/358608379_18373291429030843_262410217234001656_n.jpg)](https://www.businessoffashion.com/articles/retail/thebe-magugu-and-adidas-partner-with-south-african-football-club-orlando-pirates/?ref=marmaladecollective.com) **Image Courtesy of adidasza* Johannesburg-based designer [Thebe Magugu](https://www.instagram.com/thebemagugu/?ref=marmaladecollective.com) collaborates with Adidas to design football uniforms for the South African team Orlando Pirates for the 2023-2024 season. The collection includes a black-and-white home jersey and a pistachio green away jersey, featuring the club's skull and bones motif. The partnership provides designer exposure and opens doors for future collaborations in menswear and women's soccer teams. [Check it out on Business of Fashion](https://www.businessoffashion.com/articles/retail/thebe-magugu-and-adidas-partner-with-south-african-football-club-orlando-pirates/?ref=marmaladecollective.com) 💝 ****Sharing is Caring!** If you enjoy reading this newsletter, ****Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song Of The Week **Recommended and reviewed by* [**Sharon Bunting*](https://www.instagram.com/ftlow/?ref=marmaladecollective.com) --- ## What's On ### Wondering what to do in August? We have curated everything from immersive concerts and live bands to exclusive parties. **Discover new people, new experiences and live life to the fullest!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Whats-On---Aug.gif)](https://www.marmaladecollective.com/whats-on-august-2023/) [Become a Paid Member to Get Access 🔒](https://www.marmaladecollective.com/whats-on-august-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### JAM x PinexGinja | Carnival Edition, Aug 27 URL: https://www.marmaladecollective.com/jam-x-pinexginja-carnival-edition-aug-27/ Last updated: 2023-07-30T19:42:39.000Z We're hosting this experience for people who want to enjoy the bank holiday weekend without going to Carnival. JAM is linking up with PinexGinja to bring you the best of African and Jamaican culture. _This post is for subscribers only._ ### Marmalade - What's on in August? URL: https://www.marmaladecollective.com/whats-on-august-2023/ Last updated: 2023-07-26T12:00:15.000Z Wondering what to do this August? From unique music experiences to live concerts, below are some of the most exciting events to help you discover new people, new experiences and live life to the fullest! Have an amazing August! Best, Marmalade Team _This post is for paying subscribers only._ ### Rema Stars in Jordan Commercial, Ayra Starr World Tour, AfroFuture in SA URL: https://www.marmaladecollective.com/rema-stars-in-jordan-commercial-ayra-starr-world-tour-afrofuture-in-sa/ Last updated: 2023-07-24T09:00:08.000Z #### Highlights: - Rema, Afrobeat Artist, Appears in a Commercial Alongside Michael Jordan *via* [Sportsbrief](https://sportsbrief.com/nba/44923-nigerian-singer-rema-teams-michael-jordan-luka-doncic-teyana-taylor/?ref=marmaladecollective.com) - Ayra Starr embarks on '21: The World Tour' *via [Uproxx](https://uproxx.com/music/ayra-starr-2023-tour-dates-21-the-world-tour/?ref=marmaladecollective.com)* - Nasty C and Zack Tabudlo Collaborate on New Single "Fallin'" with Coke Studio™ *via [African Business](https://african.business/2023/07/apo-newsfeed/south-africas-nasty-c-and-philippines-zack-tabudlo-team-up-to-release-new-single-fallin-with-coke-studio?ref=marmaladecollective.com)* - Mr. Eazi Hints at Debut Album With 'Chop Time, No Friend' Video *via [Rollingstone](https://www.rollingstone.com/music/music-features/mr-eazi-chop-time-no-friend-video-debut-album-announcement-1234790826/?ref=marmaladecollective.com)* - Tems Joins Grammy-winning lineup for DSTV 10th Delicious International Food and Music Festival *via* [The SouthAfrican](https://www.thesouthafrican.com/lifestyle/celeb-news/dstv-delicious-festival-reveals-10th-anniversary-lineup-breaking-22-july-2023/?ref=marmaladecollective.com) - NIVEA Nigeria Commemorates the Beauty of Radiance in Every Shade *via* [The Guardian](https://guardian.ng/life/nivea-nigeria-celebrates-radiance-and-beauty-for-your-shade-of-beautiful/?ref=marmaladecollective.com) - South Africa Will Host AfroFuture Fest in September *via* [YMZ](https://www.yomzansi.com/2023/07/17/afrofuture-south-africa-joburg-september/?ref=marmaladecollective.com) 👇 ****Scroll to the bottom** for **'Song Of The Week'* and this week's events --- #### Now, on to the real peel... ## Rema, Afrobeat Artist, Appears in a Commercial Alongside Michael Jordan ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/358376969_6514707618589760_926690130386213400_n.jpg) **Image Credit: John Henry* [Rema](https://www.instagram.com/heisrema/?ref=marmaladecollective.com), an Afrobeats sensation, reunites with NBA legend Michael Jordan in a new commercial featuring him alongside NBA players like Luka Doncic, Gabby Williams, Teyana Taylor, Ryota Brown, Zion Williamson, and Jayson Tatum. Rema previously headlined the NBA All-star game halftime show in Utah, spreading the Afrobeats gospel of Africa's popular music genre. [Check it out on Sportsbrief](https://sportsbrief.com/nba/44923-nigerian-singer-rema-teams-michael-jordan-luka-doncic-teyana-taylor/?ref=marmaladecollective.com) ## Ayra Starr Embarks on '21: The World Tour' ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/344562627_235088875787107_1660298247351072994_n-1.jpg) **Image Courtesy of Darling Nigeria* Ayra Starr, known for her collaborations with Wizkid and Kelly Rowland, is embarking on her first headlining tour, 21: The World Tour. The tour will span North America, Africa, Australia, and Europe, beginning in Houston on July 27\. The singer announced the tour on Instagram and tickets are now available for purchase. The tour includes various stops in major cities across the continents. [Check it out on Uproxx](https://uproxx.com/music/ayra-starr-2023-tour-dates-21-the-world-tour/?ref=marmaladecollective.com) ## Nasty C and Zack Tabudlo Collaborate on New Single 'Fallin' with Coke Studio™ ![chef-hilda-baci-photo-taken-by-tobiloke](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/315454648_526554045995437_8181973506386942191_n.jpg) **Nasty C. Photo Credit: Artist's IG page* South African [Nasty C](https://www.instagram.com/nasty%5Fcsa/?ref=marmaladecollective.com) and Philippines [Zack Tabudlo](https://www.instagram.com/zack.tabudlo/?ref=marmaladecollective.com) have released their first collaboration song, 'Fallin', on Coke Studio, Coca-Cola's global music platform. The platform celebrates human connection and diversity, bringing artists from around the world together. The performance video is available on the Coke Studio YouTube channel. The release follows Sam Smith's "Perfect" and reflects upcoming global artists' collaborations on the platform, curated in collaboration with Universal Music Group. [Check it out on African Business](https://african.business/2023/07/apo-newsfeed/south-africas-nasty-c-and-philippines-zack-tabudlo-team-up-to-release-new-single-fallin-with-coke-studio?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/pexels-gradienta-6984984.jpeg) ## Your insider guide to African culture ### Join ****3,000+ subscribers** and get our 5-min weekly newsletter on the best stories and global news on Africa(ns). Subscribe Email sent! Check your inbox to complete your signup. No spam. Unsubscribe anytime. ## Mr. Eazi Hints at Debut Album With 'Chop Time, No Friend' Video ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/360110011_18378632806033098_3932141781748953321_n-1.jpg) **Image Courtesy of Mr. Eazi's page* Mr. Eazi, an Afropop star, has unveiled the music video for his upcoming debut album, set to release on October 27\. The video, shot in Dakar, Senegal, features local artists and embodies the spirit of living in the present moment. Eazi's collaboration with KillBeatz and Andre Vibez combines Afrobeats elements with influences from Black and Latin diasporas, solidifying his position as a global leader in the genre's expansion. [Check it out on Rollingstone](https://www.rollingstone.com/music/music-features/mr-eazi-chop-time-no-friend-video-debut-album-announcement-1234790826/?ref=marmaladecollective.com) ## Tems Joins Grammy-winning lineup for DSTV 10th Delicious International Food and Music Festival ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/269878437_154108696947264_2889156416558576184_n.jpg) **Photo Credit: Ronan Mckenzie* DStv celebrates its 10th-anniversary with the lineup announcement for the annual DStv Delicious International Food and Music Festival. The event, scheduled for September 23-24 at Kyalami Grand Prix Circuit, will feature three international acts, including Grammy winners Maxwell and Zakes Bantwini, along with Nigerian artist Tems. Fans are excited about the diverse lineup, and last year's headliner, Burna Boy, will also perform at FNB Stadium. [Check it out on The SouthAfrican](https://www.thesouthafrican.com/lifestyle/celeb-news/dstv-delicious-festival-reveals-10th-anniversary-lineup-breaking-22-july-2023/?ref=marmaladecollective.com) ## NIVEA Nigeria Commemorates the Beauty of Radiance in Every Shade [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/357397560_18265578865157306_3615671337952470244_n.jpg)](https://culturecustodian.com/celebrating-urban-culture-the-hennessy-x-nba-nigeria-watch-party-in-lagos/?ref=marmaladecollective.com) **Beverly Naya at the NIVEA Nigeria Launch. Credit: NIVEA Nigeria* [NIVEA Nigeria](https://www.instagram.com/nivea%5Fng/?ref=marmaladecollective.com) launches the Radiant & Beauty range, catering to melanin-rich skin tones. The product line is developed by skin experts and contains natural oils, vitamins, and SPF for glowing, even-toned skin. Celebrated personalities, including Beverly Naya and Linda Ejiofor-Suleiman, endorse the range, celebrating the diversity of Nigerian women. NIVEA aims to address dryness, ashy skin, and stretch marks with their new formulation, available nationwide. [Check it out on The Guardian](https://guardian.ng/life/nivea-nigeria-celebrates-radiance-and-beauty-for-your-shade-of-beautiful/?ref=marmaladecollective.com) ## South Africa Will Host AfroFuture Fest in September ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/350713284_1300817990784883_144552182776090921_n.jpg) **Image courtesy of Afrofuture* AfroFuture Fest, previously known as Afrochella, is set to return to South Africa on September 30th at a new venue in Johannesburg. The festival celebrates African diaspora culture with musical performances, art displays, fashion showcases, and culinary offerings. South Africa's rich cultural heritage and creative scene make it an ideal host. [Check it out on YMZ](https://www.yomzansi.com/2023/07/17/afrofuture-south-africa-joburg-september/?ref=marmaladecollective.com) --- ## Song Of The Week --- ## What's On ### JUL 26 | Afrojam Sessions: Live Band Edition [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Afrojam-Sessions-Flyer---3.jpg)](https://bookedit.licklist.co.uk/event/2083998?ref=marmaladecollective.com) [Book Now](https://bookedit.licklist.co.uk/event/2083998?ref=marmaladecollective.com) ### AUG 27 | JAM x PinexGinja: Carnival Edition [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/JAM-x-PXG---27AUG2023---Teaser-03.jpg)](https://link.dice.fm/Yd88a5c31a7a?ref=marmaladecollective.com) [Book Now](https://link.dice.fm/Yd88a5c31a7a?ref=marmaladecollective.com) ### Wondering what to do this July? We have curated everything from immersive concerts and live bands to exclusive parties. **Discover new people, new experiences and live life to the fullest!** [Become a Paid Member to Get Access 🔒](https://www.marmaladecollective.com/july-2023/) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Whats-On-July.gif)](https://www.marmaladecollective.com/july-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you ****access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Exclusive Photos: JAM x MASTA HOUSE, Jul 15th URL: https://www.marmaladecollective.com/exclusive-photos-jam-x-masta-house-jul-15th/ Last updated: 2023-07-20T06:36:57.000Z Sponsored by [Partiful](https://partiful.com/?ref=marmaladecollective.com) Special Guest DJ: [Inyøngø](https://www.instagram.com/inyongok/?ref=marmaladecollective.com) Resident DJ: [Nina Davis](https://www.instagram.com/nina%5Fdavis/?ref=marmaladecollective.com) Host: [Dinalva](https://www.instagram.com/dinalva.ao/?ref=marmaladecollective.com) Photography: [Amadeus](https://www.instagram.com/xmxdeus/?ref=marmaladecollective.com) Venue: 1 Warwick, Soho ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3069.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3070.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3071.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3072.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3073.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3074.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3075.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3076.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3078.JPG) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/DSC_3079.JPG) _This post is for subscribers only._ ### Exclusive Photos: JAM with Rotimo, Jun 8th URL: https://www.marmaladecollective.com/exclusive-photos-jam-with-rotimo-jun-8th/ Last updated: 2023-07-19T20:33:34.000Z We brought you an intimate 'house party' with Rotimo and his friends. Enjoyed a relaxed atmosphere, great music, and vibes. NINA DAVIS curated a DJ set with hot Afro/Western sounds, and Value Africa provided special Africa-inspired cocktails. _This post is for subscribers only._ ### Exclusive Photos: JAM x IBLAME 'Soho Soiree'. May 27th URL: https://www.marmaladecollective.com/exclusive-photos-jam-x-iblame-soho-soiree-may-27th/ Last updated: 2023-07-19T20:19:15.000Z Sponsored by [Hennessy](https://www.instagram.com/hennessy/?ref=marmaladecollective.com) Special Guest DJ: [Domspunthis](https://www.instagram.com/%5Fdominicbarnes/?ref=marmaladecollective.com) Resident DJ: [Nicole Shai ](https://www.instagram.com/nicoleshai/?hl=en&ref=marmalade-collective)Host: [Mannyjones](https://www.instagram.com/mannyjones.mc/?ref=marmaladecollective.com) Photography: [Harry Quartley](https://www.instagram.com/harryquartley/?ref=marmaladecollective.com) Videography: [Chris Daniels](https://www.instagram.com/chris1daniels/?ref=marmaladecollective.com) Venue: Club 64, Soho ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/IMG_1445.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/IMG_1642.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/IMG_1643.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/IMG_1645.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/IMG_1650.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/IMG_1651.jpg) _This post is for subscribers only._ ### Beyoncé Backs Nigerian Restaurant, Kylian Mbappé Returns To Roots, Prince Gyasi Shoots For Pirelli URL: https://www.marmaladecollective.com/beyonce-backs-nigerian-restaurant-kylian-mbappe-returns-to-roots-prince-gyasi-shoots-for-pirelli/ Last updated: 2023-07-17T09:00:15.000Z #### Highlights: - The Beyoncé Grant Benefits a Nigerian Tapas Restaurant in London *via* [The Guardian](https://www.theguardian.com/food/2023/jun/23/beyonce-grant-helps-nigerian-tapas-restaurant-in-london?ref=marmaladecollective.com) - Ghanaian Prince Gyasi, Self-Taught Photographer, Captures 50th Pirelli Calendar Glory *via [Pirelli](https://www.pirelli.com/global/en-ww/life/pirelli-calendar/ghanaian-visual-artist-prince-gyasi-to-shoot-the-50th-pirelli-calendar-85808/?ref=marmaladecollective.com)* - Kylian Mbappé Explores Cameroonian Heritage on Ancestral Journey *via [Blavity](https://blavity.com/kylian-mbappe-visits-cameroon-to-follow-in-the-footsteps-of-his-ancestors?category1=blavity-u-life-style&category2=news&ref=marmaladecollective.com)* - Musical Powerhouse Patoranking Unites with Popcaan in Electrifying New Track 'Tonight' *via [Dancehallmag](https://www.dancehallmag.com/2023/07/12/music/patoranking-recruits-popcaan-for-new-song-tonight-watch.html?ref=marmaladecollective.com)* - Jon Batiste Collaborates with Jon Bellion and Fireboy DML on Summer hit 'Drink Water' *via* [Rollingstone](https://www.rollingstone.com/music/music-news/jon-batiste-drink-water-single-with-jon-bellion-fireboy-dml-1234787425/?ref=marmaladecollective.com) - Afropop Sensation Oxlade and U.K. Rapper Dave Unite in Captivating New Track 'INTOXYCATED' *via* [Genius](https://genius.com/a/rising-afropop-star-oxlade-teams-with-u-k-rapper-dave-for-new-song-intoxycated?ref=marmaladecollective.com) - Emerging Artist Ife Ogunjobi Makes a Powerful Debut with the Release of His Single 'Standing Here' *via* [Hypebeast](https://hypebeast.com/2023/7/ife-ogunjobi-standing-here-single-stream?ref=marmaladecollective.com) 👇 ****Scroll to the bottom** for **'Song Of The Week'*. Check out exciting members-only events happening in July and August. --- #### Now, on to the real peel... ## The Beyoncé Grant Benefits a Nigerian Tapas Restaurant in London _This post is for subscribers only._ ### Tems at Essence Fest, Adidas Originals Showcase African Creative Talent, Lagos and Peckham Collide URL: https://www.marmaladecollective.com/tems-at-essence-fest-adidas-originals-showcase-african-creative-talent-lagos-and-peckham-collide/ Last updated: 2023-07-10T09:00:44.000Z #### Highlights: - Tems Embodies Elegance at the 2023 Essence Festival *via* [Rolling out](https://rollingout.com/2023/07/04/tems-2023-essence-festival/?ref=marmaladecollective.com) - Lloyiso Enters the Spotlight as Tamia's Supporting Act *via* [Headtopics](https://headtopics.com/za/lloyiso-enters-the-spotlight-as-tamia-s-supporting-act-40881442?ref=marmaladecollective.com) - Lagos and Peckham Collide in a Vibrant Fusion of Yoruba Culture and Craft Beer *via [The Guardian](https://www.theguardian.com/artanddesign/2023/jul/06/lagos-peckham-repeat-review-yoruba-culture-and-musical-craft-beer?ref=marmaladecollective.com)* - La Mandela, Cardiff Restaurant Showcases African Cuisine Excellence *via* [WalesOnline](https://www.walesonline.co.uk/whats-on/food-drink-news/la-mandela-family-run-cardiff-27131946?ref=marmaladecollective.com) - adidas Originals Showcases South African Creative Talent in its Latest Collection *via* [Hypebeast](https://hypebeast.com/2023/7/adidas-originals-south-africa-home-of-classics-lebohang-serame-campaign?ref=marmaladecollective.com) - Director Baloji of 'Omen' on Telling African Stories in Karlovy Vary *via* [Hollywood Reporter](https://www.hollywoodreporter.com/movies/movie-news/karlovy-vary-omen-director-baloji-interview-african-stories-1235526051/?ref=marmaladecollective.com) - Black Sherif Releases Emotionally Charged Music Video for "Oh Paradise” *via [OkayAfrica](https://www.okayafrica.com/black-sherif-unveils-heartrending-music-video-for-his-track-oh-paradise/?ref=marmaladecollective.com)* 🎉 Are you coming to ****JAM this Saturday?** [RSVP FREE](https://partiful.com/e/8ExYus2TWEkhMif3Rccx?ref=marmaladecollective.com) ****Scroll to the bottom** for **'Song Of The Week'* and other events happening this week. --- #### Now, on to the real peel... ## Tems Embodies Elegance at the 2023 Essence Festival _This post is for subscribers only._ ### Welcome to CreativCon 2023 | The All-inclusive Creative Festival URL: https://www.marmaladecollective.com/welcome-to-creativcon-2023/ Last updated: 2023-07-06T17:30:26.000Z We're thrilled to invite you to **CreativCon** 2023, the inaugural Creative Fest taking place **this September**. This event, hosted by [**PRAZZLE**](https://prazzleinc.com/?ref=marmaladecollective.com) & [**Marmalade**](https://www.marmaladecollective.com/), will transform the heart of **London** into a vibrant playground for all things creative. Imagine a space where artistic imagination is limitless, inspiration is abundant, and opportunity is everywhere. [GET EARLY ACCESS](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) ## What to Expect at CreativCon [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Frame-2.png)](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) - **Workshops/Panel Discussions:** Participate in interactive sessions with industry experts and broaden your creative vision. - **VR Experience:** Transcend into captivating virtual realities that push the boundaries of creative expression. - **Exhibitions:** Experience artistic masterpieces and find your creative spark. - **Performances & Side Attractions:** Be mesmerised by diverse performances that range from live music to spellbinding acts. - **Speed Networking:** Expand your creative network and build lasting connections. - **After Party:** Let loose and celebrate creativity as we wrap up the day with a lively after-party. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Frame-1.png)](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) As we navigate the intersection of technology and creativity, **we'll explore how AI influences the artistic landscape**, assists artists in self-promotion, and unlocks new forms of expression. You'll gain invaluable insights on harnessing these tools while retaining your unique creative identity. [GET EARLY ACCESS](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Frame-3-1.png)](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) **CreativCo**n unites a diverse group of creatives, industry leaders, event partners, brand sponsors, collaborators, and production houses. Whether you're a creative enthusiast, a vendor with fantastic merchandise, or an artist keen to showcase your work, **CreativCon** welcomes you with open arms. - **Attendees:** Embrace your love for creativity! [Register Here](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) - **Vendors:** Showcase your unique merchandise to a diverse audience. [Vendor Registration](https://forms.gle/dkX2J22mBDCm55xC6?ref=marmaladecollective.com) - **Creatives:** Display your talent to the world! [Artist Registration](https://forms.gle/a6GFw84BBd6QsvN47?ref=marmaladecollective.com) - **Volunteers:** Contribute to the creative society and demonstrate your skills. [Apply Now](https://forms.gle/owHuuJtFX9wSM42S6?ref=marmaladecollective.com) ## Don't Miss Out! Stay in the loop by subscribing to our updates. Be the first to receive early bird tickets and exciting news about **CreativCon** 2023, including speaker announcements, schedules, and special offers! [GET EARLY ACCESS](https://mailchi.mp/prazzleinc.com/creativcon?ref=marmaladecollective.com) Gear up for an extraordinary journey that heralds the limitless potential of creativity. We can't wait to welcome you at **CreativCon** this September. ### Marmalade - What's on in July? URL: https://www.marmaladecollective.com/july-2023/ Last updated: 2023-07-03T17:18:14.000Z Wondering what to do this July? From unique music experiences to live concerts, below are some of the most exciting events to help you discover new people, new experiences and live life to the fullest! Have an amazing July! Best, Marmalade Team _This post is for paying subscribers only._ ### OBI's House: A Dynamic Cultural Movement where Music, Fashion, and Dance Collide URL: https://www.marmaladecollective.com/obis-house-a-dynamic-cultural-movement-where-music-fashion-and-dance-collide/ Last updated: 2024-01-15T09:53:06.000Z OBI's House is a cultural movement combining music, fashion, and dance, partnering with Platoon. OBI’s House attracts music lovers and artists to Hard Rock Cafe, Lagos for an every Monday night party, showcasing emerging African talents thereby influencing mainstream culture. Watch artists like Ladipoe, Niniola, and Khaid and witness the profound impact of African sounds and talent in mainstream culture. ## Introduction OBI's House is a dynamic movement that started during the pandemic, celebrating African music, fashion, and dance, driven by creativity and cultural exploration. DJ Obi is known for breaking the world record for the longest DJ set in 2016\. Through a partnership between Platoon and OBI's House, the brand aims to amplify the voices of rising African stars while redefining mainstream culture boundaries. On June 19, 2023, OBI's House hosted a mesmerising event, showcasing the energy and talent of emerging African talent. This guide in collaboration with Platoon, delves into the allure of OBI's House, sharing with you the captivating pictures, video excerpts, and talented artists that define this cultural powerhouse. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-12.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-13.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-14.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-16.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-17.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-18.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-19.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-20.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/Obi-sHouseplatoonTej-1-22.jpg) [View Full Gallery](https://badmantej.pixieset.com/obishousexplatoon/?ref=marmaladecollective.com) _This post is for subscribers only._ ### Asake on Finding Peace in Chaos, Essence Festival Celebrates Nollywood, Kendrick Lamar in South Africa URL: https://www.marmaladecollective.com/asake-on-finding-peace-in-chaos-essence-festival-celebrates-nollywood-kendrick-lamar-in-south-africa/ Last updated: 2023-07-03T09:00:15.000Z #### Highlights: - Asake on Success, Spirituality, and Finding Peace in the Middle of Chaos *via* [Rolling Stone](https://www.rollingstone.com/music/music-features/asake-work-art-new-music-interview-1234767759/?ref=marmaladecollective.com) - Burna Boy Triumphs as Best International Act in Hip-Hop's Celebratory BET Awards *via [Africanews](https://www.africanews.com/2023/06/26/bet-awards-honor-hip-hop-at-50-burna-boy-wins-best-international-act/?ref=marmaladecollective.com)* - Bottega Veneta x Air Afrique: Celebrating Afro-Diasporic Creativity *via [Yung](https://thisisyung.com/bottega-veneta-x-air-afrique-celebrating-afro-diasporic-creativity/?ref=marmaladecollective.com)* - Epic Records Signs Nigerian DJ/Producer Spinall *via [Billboard](https://www.billboard.com/pro/nigerian-dj-producer-spinall-signs-epic-records/?ref=marmaladecollective.com)* - South African Chef Pioneers Zulu Cuisine and Explores Street Food Politics *via* [The Guardian](https://www.theguardian.com/global-development/2023/jun/27/the-politics-of-street-food-the-south-african-chef-championing-zulu-cuisine?ref=marmaladecollective.com) - World's Major Black Culture Festival Celebrates Nollywood Nigeria with Dedicated day *via* [CNN](https://edition.cnn.com/2023/06/29/africa/essence-fest-nigeria-day-intl-cmd/?ref=marmaladecollective.com) - Kendrick Lamar to headline Hey Neighbour Festival in South Africa *via* [OkayAfrica](https://www.okayafrica.com/kendrick-lamar-to-headline-hey-neighbour-festival/?ref=marmaladecollective.com) 👇 ****Scroll to the bottom** for **'Song Of The Week'*. Check out exciting members-only events coming up for the rest of 2023. --- #### Now, on to the real peel... ## Asake on Success, Spirituality, and Finding Peace in the Middle of Chaos [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/07/356953670_168178676149938_2329213397178151207_n-1.jpg)](https://www.rollingstone.com/music/music-features/asake-work-art-new-music-interview-1234767759/?ref=marmaladecollective.com) **Asake. Image Credit: Aseya* [Asake](https://www.instagram.com/asakemusic/?ref=marmaladecollective.com), an Afrobeats star, has gained global fame through his unique sound and street-pop influences. His debut album, "Mr. Money With the Vibe," gained international recognition. Despite challenges, such as a tragic incident at a London show, Asake's introspective track "Yoga" offers inner peace amid overwhelming experiences. Reflecting on his past fears and uncertainties, Asake acknowledges the necessary steps he took to reach his current position. [Check it out on Rolling Stone](https://www.rollingstone.com/music/music-features/asake-work-art-new-music-interview-1234767759/?ref=marmaladecollective.com) ## Burna Boy Triumphs as Best International Act in Hip-Hop's Celebratory BET Awards _This post is for subscribers only._ ### The Top 9 Must-Watch Live Performances From Sofar Sounds URL: https://www.marmaladecollective.com/the-top-9-must-watch-live-performances-from-sofar-sounds/ Last updated: 2023-06-30T16:41:34.000Z In the sixth installment of the Marmalade Original Series: Homemade Music Sessions, we handpick the top 8 live performances from Sofar Sounds that have left an indelible mark on audiences. Each performance embodies the spirit of Sofar Sounds, representing various genres and showcasing the incredible talent and diversity found within the independent music scene. --- _This post is for subscribers only._ ### Wizkid Headlines Glastonbury, Black Sherif's Captivating Visuals, Africa Fashion in Brooklyn URL: https://www.marmaladecollective.com/wizkid-headlines-glastonbury-black-sherifs-captivating-visuals-africa-fashion-in-brooklyn/ Last updated: 2023-06-26T09:00:05.000Z #### Highlights: - Wizkid Becomes the First African Artist to Headline the Glastonbury Festival *via* [Punch](https://punchng.com/wizkid-becomes-first-african-to-headline-glastonbury-festival/?ref=marmaladecollective.com) - Rochelle Balogun: From Napster Fanatic to Senior Music Curator at Amazon Music *via* [Hypebeast](https://hypebeast.com/2023/6/rochelle-balogun-amazon-music-music-jobs-interview?ref=marmaladecollective.com) - Black Sherif Unveils Captivating Visuals for 'Oil in my Head' in New Video *via* [The Fader](https://www.thefader.com/2023/06/15/black-sherif-oil-in-my-head-video?ref=marmaladecollective.com) - Get a Sneak Peek of the Exciting Africa Fashion Exhibition at the Brooklyn Museum *via* [OkayAfrica](https://www.okayafrica.com/african-fashion-brooklyn-museum/?ref=marmaladecollective.com) - Afrobeats Kitchen: A Delicious Twist on West African Cuisine Joins Parkdale's Culinary Strip *via* [The Star](https://www.thestar.com/life/food%5Fwine/2023/06/08/this-toronto-chefs-vegan-twist-on-his-favourite-classic-nigerian-meat-dish-is-a-must-try.html?ref=marmaladecollective.com) - Embracing Urban Culture: The Hennessy x NBA Nigeria Watch Party in Lagos *via* [Culture Custodian](https://culturecustodian.com/celebrating-urban-culture-the-hennessy-x-nba-nigeria-watch-party-in-lagos/?ref=marmaladecollective.com) - Check out Disney+'s "Kizazi Moto: Generation Fire" Trailer, a Sci-fi Fantasy Anthology *via* [Bellanaija](https://www.bellanaija.com/2023/06/kizazi-moto-generation-fire-2/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'*. Check out exciting members-only events coming up for the rest of 2023. --- #### Now, on to the real peel... ## Wizkid Becomes the First African Artist to Headline the Glastonbury Festival [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/image--2-.png)](https://punchng.com/wizkid-becomes-first-african-to-headline-glastonbury-festival/?ref=marmaladecollective.com) *Wizkidayo. Image courtesy of Wizkidayo* Nigerian music sensation [Wizkid ](https://www.instagram.com/wizkidayo/?ref=marmaladecollective.com)makes history as the first African artist to headline the iconic Glastonbury Festival in the UK. With over 210,000 fans in attendance, he captivated the crowd with a mesmerizing performance, featuring his popular tracks like "Essence," "One Dance," and "Ojuelegba." The Grammy-winning star's achievement marks a significant milestone in his remarkable career. [Check it out on Punch](https://punchng.com/wizkid-becomes-first-african-to-headline-glastonbury-festival/?ref=marmaladecollective.com) ## Rochelle Balogun: From Napster Fanatic to Senior Music Curator at Amazon Music _This post is for subscribers only._ ### 7 South African Artists’ Groovy Performances from Feel Good Sessions URL: https://www.marmaladecollective.com/7-south-african-artists-groovy-performances-from-feel-good-sessions/ Last updated: 2023-06-26T09:04:18.000Z The fifth episode of The Marmalade Original Series: Homemade Sessions music guide presents you with the top 7 groovy performances from South African artists on ‘Feel Good Sessions’ that will infuse your world with feel-good vibes. Prepare to immerse yourself in a carefully curated selection of soulful tunes, rhythmic beats, and infectious melodies. Let these sessions uplift you and carry you into a musical paradise. --- _This post is for subscribers only._ ### JAM Event Schedule (Jul - Dec) URL: https://www.marmaladecollective.com/upcoming-jam-events-jul-dec/ Last updated: 2023-06-21T12:13:49.000Z Get ready to embrace the summer vibes with our highly anticipated 2023 JAM event series calendar update! The excitement is soaring high as we prepare to launch into a season of unforgettable experiences. Are you ready to join the adventure? _This post is for subscribers only._ ### Tems Announces Debut Australian Shows, Afro Nation Coming to Lagos URL: https://www.marmaladecollective.com/tems-announces-debut-australian-shows-afro-nation-coming-to-lagos/ Last updated: 2023-06-19T09:00:46.000Z #### Highlights: - Tems Announces Debut Australian Shows *via* [The Brag](https://tonedeaf.thebrag.com/tems-debut-australian-shows-tickets/?ref=marmaladecollective.com) - 'Afro Nation,' the World's Largest Afrobeats Festival, Is Coming Lagos, Nigeria! *via* [Ebony](https://www.ebony.com/afro-nation-headed-to-nigeria/?ref=marmaladecollective.com) - Odumodublvck: Every Move Is Divinely Planned *via* [OkayAfrica](https://www.okayafrica.com/odumodublvck-declan-rice-picanto-interview/?ref=marmaladecollective.com) - World's Longest Cooking Marathon Set by Nigerian Chef Hilda Baci *via* [Guinness World Records](https://www.guinnessworldrecords.com/news/2023/6/hilda-baci-awarded-record-for-worlds-longest-cooking-marathon-752162?ref=marmaladecollective.com) - Asake Shines in "Work of Art" - Every Track Could be a Potential Single *via* [The Guardian](https://www.theguardian.com/music/2023/jun/15/asake-work-of-art-review?ref=marmaladecollective.com) - Sierra Leonean poet and artist Julianknxx to perform at Art Basel *via* [Hypebae](https://hypebae.com/2023/6/julianknxx-multidisciplinary-artist-art-basel-short-film-performance-details?ref=marmaladecollective.com) - Grammy Awards expand Best African Music Performance Category, Showcasing Continent's Global Acclaim *via* [CNN](https://edition.cnn.com/2023/06/14/entertainment/grammys-new-categories-added-scli-intl/index.html?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'*. Check out exciting events and experiences happening this week. --- #### Now, on to the real peel... ## Tems Announces Debut Australian Shows [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/307553656_831525334530530_1768378674734925460_n.jpg)](https://tonedeaf.thebrag.com/tems-debut-australian-shows-tickets/?ref=marmaladecollective.com) *Tems. Photo credit: Bettencourt* Nigerian singer-songwriter [Tems](https://www.instagram.com/temsbaby/?ref=marmaladecollective.com) will have her debut Australian tour in Sydney and Melbourne later this year. Known for her fusion of R&B, pop, afrobeats, and soul, Tems has collaborated with artists like Drake and Future, and won a Grammy Award. She will also perform at Promiseland 2023 festival in Gold Coast. [Check it out on The Brag](https://tonedeaf.thebrag.com/tems-debut-australian-shows-tickets/?ref=marmaladecollective.com) ## 'Afro Nation,' the World's Largest Afrobeats Festival, Is Coming Lagos, Nigeria! _This post is for subscribers only._ ### The Top 9 Sensational Freestyles and Afrobeats Live Performances on Aktivated TV URL: https://www.marmaladecollective.com/the-top-9-sensational-freestyles-and-afrobeats-live-performances-on-aktivated-tv/ Last updated: 2023-06-26T08:59:54.000Z The fourth episode of The Marmalade Original Series, Homemade Sessions, showcases Aktivated TV's electrifying freestyles and Afrobeats’ live performances. Witness how rising artists unleash raw talent and showcase their musical improvisation skills with mesmerising sounds. Effortlessly blending Afrobeats genres and creating unforgettable moments. From rap battles to soulful melodies, these performances redefine what it means to perform live. --- _This post is for subscribers only._ ### Asake US Tour, Ayra Starr and Omah Lay in Marvel's Spider-Man, Amaarae Second Album URL: https://www.marmaladecollective.com/asake-us-tour-ayra-starr-and-omah-lay-in-marvels-spider-man-amaarae-second-album/ Last updated: 2023-06-12T09:00:43.000Z #### Highlights: - Amaarae Releases Her Second Album, "Fountain Baby” *via* [Hypebeast](https://hypebeast.com/2023/6/amaarae-releases-fountain-baby-album-listen?ref=marmaladecollective.com) - Ayra Starr and Omah Lay featured in Marvel's Spider-Man: Across the Spider-Verse Album *via* [Heritage Times](https://www.theheritagetimes.com/afrobeats-powerhouses-ayra-starr-omah-lay-feature-in-marvels-spider-man-across-the-spider-verse-album/?ref=marmaladecollective.com) - AMÉMÉ Releases Culturally Inspired And Sonically Powerful Single 'Batonga’ *via* [Forbes](https://www.forbes.com/sites/lisakocay/2023/05/31/amm-drops-culturally-inspired-and-sonically-powerful-batonga/?ref=marmaladecollective.com) - Martell Introduces a New Exclusive Blend Named After Davido *via* [Culture Custodian](https://culturecustodian.com/martell-extends-partnership-with-davido-with-the-release-of-an-exclusive-blend-bottle/?ref=marmaladecollective.com) - Denola Grey and Priscilla Oluwasola Announced as Brand Ambassadors for Fenty Beauty *via* [Bellanaija](https://www.bellanaija.com/2023/06/denola-grey-fenty-beauty-uk/?ref=marmaladecollective.com) - Asake Announces a US Tour, Including a Stop at The Barclays Centre *via* [OkayAfrica](https://www.okayafrica.com/asake-headline-tour-north-america/?ref=marmaladecollective.com) - Tongoro: The Senegalese Fashion Label Behind Beyoncé and Naomi Campbell's Style *via* [LeMonde](https://www.lemonde.fr/en/le-monde-africa/article/2023/05/27/tongoro-the-senegalese-label-that-dresses-beyonce-and-naomi-campbell%5F6028196%5F124.html?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'*. Check out exciting events and experiences happening this week. --- #### Now, on to the real peel... ## Amaarae Releases Her Second Album, "Fountain Baby” [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/Snapinsta.app_352081669_968531237670286_984369728803320684_n_1080-1.jpg)](https://hypebeast.com/2023/6/amaarae-releases-fountain-baby-album-listen?ref=marmaladecollective.com) *Amaarae. Photo credit: Artist's Instagram page* [Amaarae,](https://www.instagram.com/amaarae/?ref=marmaladecollective.com) a Ghanaian-American artist, has released her second album, "Fountain Baby," featuring a versatile sound blending R&B, hip-hop, Afropop, punk, and alternative rock. The album's featureless composition showcases Amaarae's unadulterated artistry. The music video for "Wasted Eyes" explores allure and freedom. Amaarae's debut studio album, "The Angel You Don't Know," was released in November 2020. [Check it out on Hypebeast](https://hypebeast.com/2023/6/amaarae-releases-fountain-baby-album-listen?ref=marmaladecollective.com) ## Ayra Starr and Omah Lay featured in Marvel's Spider-Man: Across the Spider-Verse Album _This post is for subscribers only._ ### Marmalade - What's on in June? URL: https://www.marmaladecollective.com/june-2023/ Last updated: 2023-06-07T12:27:30.000Z Wondering what to do this June? From exciting exhibitions, live shows to exclusive after parties, below are some of the most exciting events to help you discover new people, new experiences and live life to the fullest! Have an amazing June! Best, Marmalade Team _This post is for paying subscribers only._ ### Wizkid, Rema and Fireboy Set Afro Nation 2023 Ablaze, Mr. Eazi's Mzansi Sounds Project URL: https://www.marmaladecollective.com/wizkid-rema-and-fireboy-set-afro-nation-2023-ablaze/ Last updated: 2023-06-05T09:00:17.000Z #### Highlights: - Wizkid, Rema, and Fireboy Ignite Afro Nation 2023 in Miami with Unforgettable Performances *via* [Notjustok](https://notjustok.com/news/highlights-as-wizkid-rema-and-fireboy-perform-at-afro-nation-2023-miami/?ref=marmaladecollective.com) - Mr. Eazi Showcases Mzansi Sounds with a New Project Featuring Anatii, Ami Faku, Focalistic *via* [MuseAfrica](https://museafrica.com/2023/04/28/mr-eazi-teams-up-with-ami-faku-on-new-single-wena/?ref=marmaladecollective.com) - Designer Thebe Magugu's Special Dresses Inspired by Motherhood and Nine South African Cultures *via* [Vogue](https://www.vogue.co.uk/article/thebe-magugu-heritage-dress-collection?ref=marmaladecollective.com) - Stormzy: ‘The Greatest Music on Earth is Coming Out of Africa’ *via* [Dazed](https://www.dazeddigital.com/music/article/59950/1/stormzy-new-album-interview-2023?ref=marmaladecollective.com) - South African Choir’s Performance Brought Simon Cowell to Tears During America's Got Talent *via* [Blavity](https://blavity.com/mzansi-youth-choir-impresses-simon-cowell-americas-got-talent?category1=news&item=6&ref=marmaladecollective.com) - Moroccan Traditional Embroidery Steals Spotlight in Fashion Designer's Showcase *via* [Africanews](https://www.africanews.com/2023/05/31/fashion-designer-showcases-moroccos-traditional-embroidery/?ref=marmaladecollective.com) - Nandi Madida Has Been Introduced as The New Host of Africa Now Radio *via* [TheSouthAfrican](https://www.thesouthafrican.com/lifestyle/celeb-news/africa-now-radio-has-announced-nandi-madida-as-the-new-host-30-may-2023/?ref=marmaladecollective.com) 🎉 This Thursday, join us at JAM: The ultimate house party experience, with an African flavour, designed for people who crave something different. [**Members go free**](https://partiful.com/e/lvCIDwm3klcqe3pCPJDr?ref=marmaladecollective.com) --- #### Now, on to the real peel... ## Wizkid, Rema and Fireboy Ignite Afro Nation 2023 in Miami with Unforgettable Performances [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/06/350404159_125850567148896_5088221298184471897_n.jpg)](https://notjustok.com/news/highlights-as-wizkid-rema-and-fireboy-perform-at-afro-nation-2023-miami/?ref=marmaladecollective.com) *Wizkid performing at Afronation festival. Image Courtesy of Chris Allmeid* [Wizkid,](https://www.instagram.com/wizkidayo/?ref=marmaladecollective.com) [Rema](https://www.instagram.com/heisrema/?ref=marmaladecollective.com), and [Fireboy DML](https://www.instagram.com/fireboydml/?ref=marmaladecollective.com) delivered memorable performances on day two of the [Afro Nation](https://www.instagram.com/afronation/?ref=marmaladecollective.com) festival in Miami. Wizkid headlined the event, performing hits like 'Bad To Me' and 'Pami.' Rema performed his hit song 'Calm Down,' and Fireboy DML had the crowd singing along to 'Peru' and other popular tracks. The event left a lasting impression on fans and music enthusiasts in attendance. [Check it out on Notjustok](https://notjustok.com/news/highlights-as-wizkid-rema-and-fireboy-perform-at-afro-nation-2023-miami/?ref=marmaladecollective.com) ## Mr. Eazi Showcases Mzansi Sounds with a New Project Featuring Anatii, Ami Faku, Focalistic _This post is for subscribers only._ ### JAM | Hosted by Rotimo, Jun 08 URL: https://www.marmaladecollective.com/jam-hosted-by-rotimo-jun-08/ Last updated: 2023-05-31T12:00:24.000Z We're bringing you an intimate 'house party' experience hosted by Rotimo and some his friends - CHIP, Paigey Cakey and others _This post is for subscribers only._ ### Clark Originals Virtual Concert Feat. Fireboy, Asake New Album, A Virtual Model Named Mojirade URL: https://www.marmaladecollective.com/clark-originals-virtual-concert-feat-fireboy-asake-new-album-a-virtual-model-named-mojirade/ Last updated: 2023-05-29T09:00:37.000Z #### Highlights: - A Spectacular Virtual Concert by Clarks Originals and Empire Music Featuring Fireboy DML and Nissi *via* [Clarks](https://www.clarks.co.uk/originals/beyond-worlds?ref=marmaladecollective.com) - Asake to release new album *Work of Art* next month *via* [The Fader](https://www.thefader.com/2023/05/24/asake-work-of-art-amapiano-release-date?ref=marmaladecollective.com) - Musa Motha: Inspirational South African Dancer Earns Golden Buzzer Glory on BGT *via* [The Sun](https://www.thesun.co.uk/tv/22504419/britains-got-talent-bgt-musa-motha/?ref=marmaladecollective.com) - Redmur Reveals the Creative Process Behind Mojirade, a Nigerian Gen Z Virtual Model and Influencer via [Kenga](https://kengadigital.com/stories/mojibyredmur?ref=marmaladecollective.com) - Afro Nation Co-founder Adesegun Adeosun Brings Popular Music Fest to American Shores *via* [Ebony](https://www.ebony.com/afro-nation-co-founder-adesegun-adeosun-on-why-he-finally-bought-the-popular-music-fest-to-american-shores/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for details of our next JAM event. Paid Members attend free + two guests. --- #### Now, on to the real peel... ## A Spectacular Virtual Concert by Clarks Originals and Empire Music Featuring Fireboy DML and Nissi _This post is for subscribers only._ ### 9 Captivating Live Performances by Afrocentric Female Artists | Homemade Sessions URL: https://www.marmaladecollective.com/9-captivating-live-performances-by-afrocentric-female-artists-on-colors-glitch-africa-and-tiny-desk/ Last updated: 2023-05-28T08:50:36.000Z For the third episode of Marmalade's original series Homemade Sessions, we bring you the Top 9 live performances by Afrocentric female artists who have set COLORS, Glitch Africa, and Tiny Desk ablaze. They are redefining the Afrobeats genre and leaving us spellbound. Let the rhythm take over and the melodies transport you to new heights as we honour these powerhouse performers. --- _This post is for subscribers only._ ### Drake and Tems' Sensational "Only Me" Surfaces Online, Chef Hilda Breaks World Record URL: https://www.marmaladecollective.com/drake-and-tems-unveil-exclusive-track-only-me-as-anticipation-mounts-for-debut-album/ Last updated: 2023-05-22T09:00:06.000Z #### Highlights: - Drake and Tems' "Only Me" Surfaces Online, Debut Album Inclusion Expected *via* [HypeBeast](https://hypebeast.com/2023/5/tems-drake-only-me-new-song-surfaces-online?ref=marmaladecollective.com) - LABRUM Wins The Queen Elizabeth II Award for British Design 2023 *via* [HypeBeast](https://hypebeast.com/uk/2023/5/labrum-the-queen-elizabeth-ii-award-for-british-design-winner-info?ref=marmaladecollective.com) - Nigerian Chef Hilda Baci sets New World Record by Cooking for 100 Hours *via* [EuroNews](https://www.euronews.com/culture/2023/05/17/nigerian-chef-hilda-baci-sets-new-world-record-by-cooking-for-100-hours?ref=marmaladecollective.com) - Meet Tyla: The South African Pop Singer Making Waves Worldwide *via* [Genius](https://genius.com/a/meet-tyla-the-south-african-pop-singer-whos-going-global?ref=marmaladecollective.com) - Food Network’s Chef Eric Adjepong Puts African Cuisine in the Spotlight *via* [The Root](https://www.theroot.com/food-network-s-chef-eric-adjepong-brings-african-cuisin-1850455243?ref=marmaladecollective.com) - The Top 10 Guinness World Records held by Africans *via* [Africanews](https://www.africanews.com/2023/05/16/top-10-guinness-world-records-held-by-africans/?ref=marmaladecollective.com) --- #### Now, on to the real peel... ## Drake and Tems' "Only Me" Surfaces Online, Debut Album Inclusion Expected _This post is for subscribers only._ ### PAPA L's KITCHEN: A Taste of Authentic Nigerian Cuisine in London URL: https://www.marmaladecollective.com/papa-ls-kitchen-a-taste-of-authentic-nigerian-cuisine-in-london/ Last updated: 2023-05-19T13:06:32.000Z ## Summary Welcome to PAPA L's KITCHEN, a culinary haven in London, England, where the vibrant and flavourful cuisine of Nigeria takes centre stage. Nestled in the heart of the city, this restaurant offers an authentic and unforgettable dining experience. From richly spiced stews to mouthwatering grilled meats and traditional sides, PAPA L's KITCHEN invites you to savour the diverse flavours and warm hospitality of Nigerian cuisine. ## Pros PAPA L's KITCHEN offers several notable advantages that make it a standout choice for lovers of Nigerian cuisine: _This post is for subscribers only._ ### Akoko: A Culinary Journey through West African Flavors in London URL: https://www.marmaladecollective.com/akoko-restaurant/ Last updated: 2023-05-17T10:27:11.000Z Welcome to Akoko, an exquisite restaurant in the heart of London, England, where the vibrant flavours of West Africa come to life. Step into a world of culinary exploration as Akoko takes you on a captivating journey through the diverse and rich gastronomic traditions of West Africa. _This post is for subscribers only._ ### 10 Exploration of COLORS, Glitch Africa and Tiny Desk’s Sound Archives | Homemade Sessions URL: https://www.marmaladecollective.com/10-exploration-of-colors-glitch-africa-and-tiny-desks-sound-archives/ Last updated: 2023-05-17T09:00:44.000Z Join us in a vibrant and dynamic exploration of COLORS and Glitch sounds from Africa. In this guide, we will take you on a musical journey through Tiny Desk's Afrocentric sound archives, showcasing the past exciting artists from the continent. From the rhythms of West Africa to the melodies of East Africa, we will immerse you in a world of sound that is both traditional and modern, a fusion of the past and the present. So sit back, relax, and let us transport you to the heart of Africa, where the music is alive and the colours are vibrant. --- _This post is for subscribers only._ ### Black Sherif Wins at VGMA 2023, Davido Netflix Series, Libianca Takes Over Hot 100 URL: https://www.marmaladecollective.com/black-sherif-wins-at-vgma-2023-davido-netflix-series-libianca-takes-over-hot-100/ Last updated: 2023-05-15T20:46:59.000Z #### Highlights: - The Ultimate Winner: Black Sherif Claims VGMA 2023 Artiste of The Year! *via* [OkayAfrica](https://www.okayafrica.com/black-sherif-wins-award/?ref=marmaladecollective.com) - Victoria's Secret Recruits Up-and-Coming Director Korty and African Artists for World Tour *via* [BellaNaija](https://www.bellanaija.com/2023/05/victorias-secret-world-tour/?ref=marmaladecollective.com) - Davido Unveils Enchanting Netflix Series Inspired by His Life Story *via* [OkayAfrica](https://www.okayafrica.com/davido-netflix-series/?ref=marmaladecollective.com) - Afrobeats Sensation Libianca Hits the Hot 100 with Breakthrough Track 'People' *via* [Billboard](https://www.billboard.com/music/chart-beat/libianca-hot-100-debut-people-1235325224/?ref=marmaladecollective.com) - Beats by the People: The Resounding Rise of Sound System Culture in Accra *via* [OkayAfrica](https://www.okayafrica.com/accra-sound-system-imullar/?ref=marmaladecollective.com) - Get Access to Exclusive Content: DJ Tira Launches "DJ Tira World" for Fans *via* [Timeslive](https://www.timeslive.co.za/tshisa-live/tshisa-live/2023-05-11-dj-tira-launches-his-own-exclusive-content-portal/?ref=marmaladecollective.com) - Durham Chef Zweli Williams on Educating People About the Flavours of African Cuisine *via* [CarolinaEater](https://carolinas.eater.com/2023/5/8/23668570/ekhaya-durham-open?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* **(Clue: Pink Hair)**. Check out exciting events and experiences happening this week. --- #### Now, on to the real peel... ## The Ultimate Winner: Black Sherif Claims VGMA 2023 Artiste of The Year! [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/321378636_822126832191452_1125820029251694720_n.jpg)](https://www.okayafrica.com/black-sherif-wins-award/?ref=marmaladecollective.com) *Image Courtesy of Black Sherif's Instagram.* [Black Sherif ](https://www.instagram.com/blacksherif%5F/?ref=marmaladecollective.com)won the Artist of the Year award at the 2023 Vodafone Ghana Music Awards, recognising his unique sound and captivating storytelling. His mix of Ghanaian highlife music and hip-hop beats has made him one of Ghana's most exciting new acts. Upon receiving the award, Black Sherif expressed his gratitude to his fans and the VGMA organisers, highlighting his pride in representing Ghana. [Check it out on OkayAfrica](https://www.okayafrica.com/black-sherif-wins-award/?ref=marmaladecollective.com) ## Victoria's Secret Recruits Up-and-Coming Director Korty and African Artists for World Tour [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/302780759_1090279168291262_8107252302059811329_n.jpg)](https://www.bellanaija.com/2023/05/victorias-secret-world-tour/?ref=marmaladecollective.com) *Image Credit: Ikechukwu Okonkwo/6ix\_jo* Victoria's Secret is making a comeback with a World Tour event featuring Korty and other [innovative creatives](https://www.victoriassecret.com/us/vs/vsnow/worldtour?ref=marmaladecollective.com) from around the world, including the VS20 House of Lagos. The event includes a global fashion show, film, and celebration that leads audiences through the behind-the-scenes artistic process and personal narratives of the VS20\. It marks the brand's mega inclusivity-focused rebrand after a 5-year hiatus. [Check it out on BellaNaija](https://www.bellanaija.com/2023/05/victorias-secret-world-tour/?ref=marmaladecollective.com) ## Davido Unveils Enchanting Netflix Series Inspired by His Life Story [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/image-11.png)](https://www.okayafrica.com/davido-netflix-series/?ref=marmaladecollective.com) [Davido](https://www.instagram.com/davido/?ref=marmaladecollective.com) has revealed that a documentary series called "David" about his life will be released on Netflix in December. His 17-track album, "Timeless," broke records on Apple Music for the most first-day streams for an African album. The Netflix series is expected to be a welcome and exciting gift for his fans this Christmas. [Check it out on OkayAfrica](https://www.okayafrica.com/davido-netflix-series/?ref=marmaladecollective.com) ## Afrobeats Sensation Libianca Hits the Hot 100 with Breakthrough Track 'People' [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/277317746_740437356938993_2731545619386886209_n.jpg)](https://www.billboard.com/music/chart-beat/libianca-hot-100-debut-people-1235325224/?ref=marmaladecollective.com) *Libianca. Image Courtesy of Libianca's Instagram* [Libianca](https://www.instagram.com/iamlibianca/?ref=marmaladecollective.com) has made her debut on the Billboard Hot 100 with her breakthrough single "People". It has gained 5.9 million U.S. streams, 2.7 million radio airplay impressions, and 1,000 downloads in the April 28-May 4 tracking week. It has also surged into the top 40 of both Billboard's global charts and has been used in over 1.6 million clips on TikTok. [Check it out on Billboard](https://www.billboard.com/music/chart-beat/libianca-hot-100-debut-people-1235325224/?ref=marmaladecollective.com) ## Beats by the People: The Resounding Rise of Sound System Culture in Accra [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/338568040_1243395092964741_1887888174223237033_n.jpg)](https://www.okayafrica.com/accra-sound-system-imullar/?ref=marmaladecollective.com) *Image Courtesy of iMullar Sound System* [iMullar Sound System](https://www.instagram.com/imullarsoundsystem/?ref=marmaladecollective.com) is a creative agency founded by Maxwell Adjavon in Ghana, which has become the most prominent player in the country's growing sound system culture. Adjavon invested in his passion for quality music and acquired top-of-the-line equipment to take Ghana's party scene to the next level. His parties are celebrations of diversity through Afrobeats parties. [Check it out on OkayAfrica](https://www.okayafrica.com/accra-sound-system-imullar/?ref=marmaladecollective.com) ## Get Access to Exclusive Content: DJ Tira Launches "DJ Tira World" for Fans [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/336517885_883821509568515_1844071495554424080_n.webp)](https://www.timeslive.co.za/tshisa-live/tshisa-live/2023-05-11-dj-tira-launches-his-own-exclusive-content-portal/?ref=marmaladecollective.com) *Stonebwoy. Image Courtesy of Artist (YouTube)* [DJ Tira](https://www.instagram.com/djtira/?ref=marmaladecollective.com), a popular South African DJ and Afrotainment boss, has launched an exclusive content portal called "DJ Tira World" for Vodacom customers. The app offers behind-the-scenes performances, family updates, gig guides, and more for R3 a day. This follows in the footsteps of Bonang Matheba, who launched her app "Bonang Matheba's World" in 2021. [Check it out on Timelive](https://www.timeslive.co.za/tshisa-live/tshisa-live/2023-05-11-dj-tira-launches-his-own-exclusive-content-portal/?ref=marmaladecollective.com) ## Durham Chef Zweli Williams on educating people about the flavours of African cuisine [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/image-12.png)](https://carolinas.eater.com/2023/5/8/23668570/ekhaya-durham-open?ref=marmaladecollective.com) *Image Courtesy of Chef Zweli (Facebook)* Chef [Zweli Williams](https://www.instagram.com/chefzweliwilliams/?ref=marmaladecollective.com), the founder of Zwelis Kitchen, is bringing authentic African food to the American Tobacco Campus in Durham, North Carolina, with her new restaurant Ekhaya. The restaurant features traditional African dishes with bold flavours, and sleek interiors, and fabric sourced from Zimbabwe. Williams' memories of childhood are recreated in Ekhaya, which translates to "at home" in Bantu. [Check it out on Eater](https://carolinas.eater.com/2023/5/8/23668570/ekhaya-durham-open?ref=marmaladecollective.com) 💝 **Sharing is Caring!** If you enjoy reading this newsletter, **Forward To A Friend** and let them know they can also subscribe for free via [this link](https://www.marmaladecollective.com/subscribe/) --- ## Song Of The Week ### Ruger - Jonzing Boy 🗣️ "Ruger baby who shows his girlfriend red flags is also a Jonzing boy. In my opinion all his songs are hits back and this one doesn’t disappoint. He is also an artist to watch." — Recommended and reviewed by [Sharon Bunting](https://www.instagram.com/ftlow/?ref=marmaladecollective.com) --- ## What's On This Week ### This week, dont miss... - in the loft: Mim Suleiman (Four-piece Band) - Fela Kuti - Private Screening in London [Become a Paid Member to Get Access 🔒](https://www.marmaladecollective.com/may-2023/) ### Last week, you missed... - [Afrojam Sessions: A New Pan-African Live Band Concept](https://www.instagram.com/p/CsFJEGzAQ-O/?ref=marmaladecollective.com) - Nonso Amadi: Live in London - and many more! ### Wondering what to do this May? We have curated everything from immersive concerts and live bands to exclusive parties. **Discover new people, new experiences and live life to the fullest!** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/05/May-Whats-On.gif)](https://www.marmaladecollective.com/may-2023/) ## The Ultimate Lifestyle Membership ### Experience a unique membership that gives you **access to premium Afrocentric content and experiences** such as curated events, restaurant openings, exhibitions, supper clubs and more. [Become a paid member 🎉](https://www.marmaladecollective.com/membership/) --- Anything else? Hit reply to send us feedback or say hello. You can also follow us on our social media platforms [@marmaladecollective](https://linktr.ee/marmaladecollective?ref=marmaladecollective.com) Apply to join our invite-only Collective! Connect with like-minded creators and influencers who want to create, earn and grow together — [apply here](https://www.marmaladecollective.com/collective-network/) ### Tiwa Savage Performs for King Charles III, Burna Boy's Met Gala Debut URL: https://www.marmaladecollective.com/tiwa-savage-performs-for-king-charles-iii-burna-boy-met-gala-debut/ Last updated: 2023-05-08T20:46:03.000Z #### Highlights: - Meet Pretty Yende: South Africa's Sensational Soprano Dazzling Her Audiences at the Coronation *via* [CNN Style](https://edition.cnn.com/style/article/pretty-yende-king-charles-coronation-spc-intl/index.html?ref=marmaladecollective.com) - Met Gala 2023: African Celebrities Slay the Red Carpet with Their Iconic Fashion! *via* [OkayAfrica](https://www.okayafrica.com/met-gala-africans/?ref=marmaladecollective.com) - Rema hits No.1 on Billboard and Drops London, and North American dates *via* [Blavity](https://blavity.com/rema-nabs-first-no-1-on-this-billboard-chart-amid-london-and-north-american-show-announcement?category1=music&category2=news&ref=marmaladecollective.com) - Lucasraps Drops a Spellbinding Comeback with "uMuthi (Voodoo)" *via*[ Tracetv](https://trace.tv/music/lucasrpas-makes-impactful-bounce-back-new-single-umuthi-voodoo/?ref=marmaladecollective.com) - Nigeria's Tiwa Savage Performs at the coronation of King Charles III *via* [Africanews](https://www.africanews.com/2023/05/01/nigerias-tiwa-savage-to-perform-at-coronation-of-king-charles-iii/?ref=marmaladecollective.com) - Stonebwoy's "5th Dimension" album: A star-studded musical journey of the Ghanaian Star *via* [OkayAfrica](https://www.okayafrica.com/stonebwoy-fifth-dimension-album-interview/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* **(Clue: S\*\*\*\*zy)**. Check out exciting events and experiences happening this week. --- #### Now, on to the real peel... ## Meet Pretty Yende: South Africa's Sensational Soprano Dazzling Her Audiences at the Coronation _This post is for subscribers only._ ### Marmalade - What's on in May? URL: https://www.marmaladecollective.com/may-2023/ Last updated: 2023-05-15T13:05:31.000Z Bored of the mundane and eager to dive into the exuberance of May? Fear not, for we have curated a list of exhilarating adventures, just for you! Get ready to embark on a journey filled with riveting exhibitions, heart-pounding live shows, and enthralling escapades. The parties we've lined up will have you dancing the night away, while you uncover fresh faces, embrace novel experiences, and live life on the edge! Have a mesmerising May! Best, Marmalade Team 👇 **Scroll to the bottom** for special discount on tickets for **Black Panther in Concert** _This post is for paying subscribers only._ ### JAM x IBLAME | Soho Soiree, May 27 URL: https://www.marmaladecollective.com/jam-x-iblame-soho-soiree-may-27/ Last updated: 2023-05-03T12:00:10.000Z London's vibrant scene is about to get a whole lot hotter, thanks to JAM and IBLAME! Welcome to the ultimate house party experience designed for those who crave something different. _This post is for subscribers only._ ### 10 Emerging Afrocentric Artists You Need to Know | Homemade Sessions URL: https://www.marmaladecollective.com/10-emerging-afrocentric-artists-you-need-to-know-homemade-sessions-guide/ Last updated: 2023-05-12T16:10:37.000Z Get ready to be introduced to the freshest sounds and hottest beats with Homemade Sessions - An Original Series by Marmalade. We've scoured the music scene to bring you the top 10 emerging Afrocentric artists that you simply must know. From these three platforms — Glitch Africa, COLORS, and Tiny Desk — these up-and-coming talents are making waves with their unique and creative sounds. --- _This post is for subscribers only._ ### Nicki Minaj Reveals Nana Fofie: The Rising Star Taking The Music Scene by Storm 🎶 URL: https://www.marmaladecollective.com/nicki-minaj-reveals-nana-fofie-the-rising-star-taking-ghanas-music-scene-by-storm/ Last updated: 2023-05-01T09:00:40.000Z #### Highlights: - Nicki Minaj discovers Ghanaian Rising Star Nana Fofie in Music Industry *via* [OkayAfrica](https://www.okayafrica.com/nana-fofie-rise-interview/?ref=marmaladecollective.com) - South African Actor Thuso Mbedu as the New Face of Gris Dior Fragrance *via* [BellaNaija](https://www.bellanaija.com/2023/04/major-thuso-mbedu-gris-dior/?ref=marmaladecollective.com) - The Best Afrobeats Podcasts To Listen To Right Now *via* [OkayAfrica](https://www.okayafrica.com/afrobeats-podcasts-nigerian-music/?ref=marmaladecollective.com) - Uncovering the Genius Behind Davido's Global Music Empire *via* [Forbes](https://www.forbes.com/sites/stevenbertoni/2023/04/22/inside-davidos-global-musical-empire/?sh=652abf54d805&ref=marmaladecollective.com) - The Nigerian Chef with Success on her Menu—One Dish at a Time! *via* [Forbes](https://www.forbesafrica.com/entrepreneurs/2023/04/21/why-success-is-on-the-menu-for-this-nigerian-chef/?ref=marmaladecollective.com) - Listen to Black Coffee's emotive remix of Snoh Aalegra's "DO 4 LOVE" *via* [WeRaveYou](https://weraveyou.com/2023/04/black-coffee-remix-do-4-love/?ref=marmaladecollective.com) - From Wakanda, Toyota, to Guinness: Meji Alabi's Directorial Vision Knows No Bounds *via* [Muse by Clio](From Wakanda, Toyota, to Guinness: Meji Alabi's Directorial Vision Knows No Bounds) --- #### Now, on to the real peel... ## Nicki Minaj discovers Ghanaian Rising Star Nana Fofie in Music Industry _This post is for subscribers only._ ### Ayra Starr Keeps Shining, Jollof In Coachella, Rema Tours India URL: https://www.marmaladecollective.com/ayra-starr-keeps-shining-jollof-in-coachella-rema-tours-india/ Last updated: 2023-04-24T09:00:10.000Z #### Highlights: - Meet Ayra Starr: The Next Big Thing in Afropop Who Celebrates Being a 'Sabi Girl' *via* [Variety](https://variety.com/2023/music/news/ayra-starr-fast-rising-afropop-singer-sabi-girl-1235587301/?ref=marmaladecollective.com) - Mr. Eazi and DJ Edu Join Forces to Create a New Pan-African Music Group, “Choplife Soundsystem.” *via* [Culture Custodian](https://culturecustodian.com/mr-eazi-and-dj-edu-join-forces-on-new-pan-african-music-group-choplife-soundsystem/?ref=marmaladecollective.com) - Ugandan Ghetto kids make history at Britain's Got Talent *via* [Africanews](https://www.africanews.com/2023/04/17/ugandan-ghetto-kids-make-history-at-britains-got-talent/?ref=marmaladecollective.com) - Straddling Worlds: How South Africa's Pilani Bubu Blends Tradition and Globalisation in Music *via* [The World](https://theworld.org/stories/2023-04-17/south-africa-s-pilani-bubu-has-jumped-shoulder-giants-create-music-filled?ref=marmaladecollective.com) - Spicing Up Coachella: Chef Tolu Eros Bringing Nigerian Food to Coachella’s Desert and to the World! *via* [Essence](https://www.essence.com/lifestyle/coachella-food/?ref=marmaladecollective.com) - "I’m super excited”: Nigerian Sensation Rema Announces First Ever India Tour in May 2023 *via* [CNBC](https://www.cnbctv18.com/entertainment/calm-down-fame-nigerian-singer-rema-to-perform-in-india-check-dates-venue-and-more-16440131.htm?ref=marmaladecollective.com) - Meet Lloyiso, the South African Artist With Big Ambitions to Take the Music World by Storm *via* [The Africa Report](https://www.theafricareport.com/299431/south-africas-lloyiso-i-think-im-good-enough-to-be-one-of-the-biggest-in-the-world/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* **(Clue: Rapper, Singer and Actress)**. Check out exciting experiences happening this week. --- #### Now, on to the real peel... ## Meet Ayra Starr: The Next Big Thing in Afropop Who Celebrates Being a 'Sabi Girl' _This post is for subscribers only._ ### AG Baby Party Anthem, Moroccan Foodie Guide, Beyonce's African Fit URL: https://www.marmaladecollective.com/adekunle-gold-party-anthem-moroccan-foodie-guide-beyonce-african-fit/ Last updated: 2023-04-17T09:00:56.000Z #### Highlights: - ‘I Was Just Born To Create’: Mr Eazi On The Future Of African Music *via* [Forbes Africa](https://www.forbesafrica.com/frontrunner/2023/04/11/i-was-just-born-to-create-mr-eazi-on-the-future-of-african-music/?ref=marmaladecollective.com) - Nigerian Music Sensation AG Baby Teams Up With Zinoleesky to Ignite the Ultimate Party Anthem *via* [OkayAfrica](https://www.okayafrica.com/adekunle-gold-party-no-dey-stop-video/?ref=marmaladecollective.com) - Feast Your Senses: The Definitive Foodie's Guide to Morocco *via* [The Daily Meal](https://www.thedailymeal.com/1255507/foodie-guide-morocco/?ref=marmaladecollective.com) - Revolutionising African Fashion: Meet the 5 Women at the Forefront *via* [Debonair Afrik](https://debonairafrik.com/women-fashion-brands-promoting-african-fashion/?ref=marmaladecollective.com) - Ayanfe Olarinde: Paintings Bringing Age-old Yoruba Folklore Tales to Life *via* [WePresent](https://wepresent.wetransfer.com/stories/ayanfe-olarinde-yoruba-folklore-paintings?ref=marmaladecollective.com) - African Dance Unleashed: 14 Moves that Celebrate the Dynamic Diversity of Rhythm and Movement *via* [TED](https://www.ted.com/talks/chinyanta%5Fkabaso%5Fthe%5Fdazzling%5Fdiversity%5Fof%5Fafrican%5Fdance%5Fin%5F14%5Fmoves?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* (Clue: **She's Pretty**). Check out exciting events & experiences happening this week and throughout April. We also have something really exciting for you! --- #### Now, on to the real peel... ## ‘I Was Just Born To Create’: Mr Eazi On The Future Of African Music _This post is for subscribers only._ ### Davido Timeless Records, Rema on Tonight Show, Asake Is On Time URL: https://www.marmaladecollective.com/davido-timeless-records-rema-on-tonight-show-asake-is-on-time/ Last updated: 2023-04-10T09:00:46.000Z #### Highlights: - Sindiso Khumalo x & Other Stories is an Incredible Collab *via* [Cosmopolitan](https://www.cosmopolitan.com/uk/fashion/style/a43503949/sindiso-khumalo-and-other-stories/?ref=marmaladecollective.com) - 5 Records Davido Set With His Fourth Album 'Timeless' *via* [Africanews](https://www.africanews.com/2023/04/04/5-records-davido-set-with-his-fourth-album-timeless/?ref=marmaladecollective.com) - In Côte d’Ivoire, Chef Roze Traore is Creating a New Blend of Art, Food, and Hospitality *via* [Vogue](https://www.vogue.com/article/roze-traore-la-fourchette-de-roze-cote-divoire?ref=marmaladecollective.com) - Rema Brings Global Hit ‘Calm Down’ to Tonight Show Stage *via* [Rollingstone](https://www.rollingstone.com/music/music-news/rema-calm-down-holiday-jimmy-fallon-tonight-show-1234710439/?ref=marmaladecollective.com) - Afrobeats Artist Asake Drops New Self-Love Track "2:30" *via* [Hypebeast](https://hypebeast.com/2023/4/asake-afrobeats-artist-new-song-track-2-30-230-listen-watch-music-video?ref=marmaladecollective.com) - Davido Brings A 'Timeless' Medley To Stephen Colbert’s Show *via* [OkayAfrica](https://www.okayafrica.com/davido-performs-on-stephen-colbert-show/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* (Clue: **Palm Wine**). Check out exciting events & experiences happening this week and throughout April. --- #### Now, on to the real peel... ## Sindiso Khumalo x & Other Stories is an Incredible Collab _This post is for subscribers only._ ### Exclusive Photos: JAM Ghana Edition, Mar 26th URL: https://www.marmaladecollective.com/exclusive-photos-jam-ghana-edition-mar-26th/ Last updated: 2023-04-04T19:59:46.000Z Sponsored by [Au Vodka](https://www.instagram.com/auvodka/?ref=marmaladecollective.com) Special Guest DJ: [Special D](https://www.instagram.com/djspecialduk/?ref=marmaladecollective.com) Resident DJ: [Nicole Shai](https://www.instagram.com/nicoleshai/?hl=en&ref=marmalade-collective) Photography & Videography: [Annie Kruntcheva](https://www.instagram.com/anniekrunchie/?ref=marmaladecollective.com) Venue: [Bubba Oasis](https://www.instagram.com/bubba.oasis/?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/04/JAM00180.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/04/JAM00360.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/04/JAM00435.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/04/JAM00526.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/04/JAM00542.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/04/JAM00554.jpg) _This post is for subscribers only._ ### Kamala Harris' African Playlist, Uncle Waffles' New Single, Yoruba Masqueraders Photographed in Newcastle URL: https://www.marmaladecollective.com/kamala-harris-african-playlist-uncle-waffles-new-single-yoruba-masqueraders-photographed-in-newcastle/ Last updated: 2023-04-03T09:00:42.000Z #### Highlights: - 25 African Songs That Made it to Kamala Harris' Playlist on African Visit *via* [Africanews](https://www.africanews.com/2023/03/28/25-african-songs-that-made-it-to-kamala-harris-playlist-on-african-visit/?ref=marmaladecollective.com) - Uncle Waffles Drops Highly Anticipated Single, ‘Yahyuppiyah’ *via* [Hypebeast Africa](https://www.instagram.com/p/CqYoE1xDdDX/?ref=marmaladecollective.com) - Mowalola x Bratz Collaboration Births the “Lagos Bratz Doll” Song on TikTok *via* [Bella Naija](https://www.bellanaijastyle.com/mowalola-x-bratz-collaboration/?ref=marmaladecollective.com) - Yoruba Masqueraders Very Near Newcastle: Àsìkò’s Best Photograph *via* [The Guardian](https://www.theguardian.com/artanddesign/2023/mar/29/yoruban-masqueraders-newcastle-asikos-best-photograph?ref=marmaladecollective.com) - 'AfroPoP' Documentary Series Celebrates 15 Years: Check Out These 3 Must-See Films *via* [Ebony Magazine](https://www.ebony.com/afro-pop-documentary-series-celebrates-15-three-must-see-films/?ref=marmaladecollective.com) - Set Designer Ibby Njoya on Africa’s Vibrant Culture of Colour *via* [AnOther Magazine](https://www.anothermag.com/design-living/14777/ibby-njoya-set-designer-colour?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* (Clue: 🦅). Check out exciting events & experiences happening this week and throughout April. --- #### Now, on to the real peel... ## 25 African Songs That Made it to Kamala Harris' Playlist on African Visit _This post is for subscribers only._ ### Marmalade - What's on in April? URL: https://www.marmaladecollective.com/april-2023/ Last updated: 2023-04-15T11:23:17.000Z Wondering what to do this April? From exciting exhibitions, live shows and podcast experiences to immersive parties, below are some of the most exciting events to help discover new people, new experiences and live life to the fullest! Have an amazing April! Best, Marmalade Team 👇 **Scroll to the bottom** for an exclusive 30% off discount from one of our brand partners - [San Wellness](https://sanwellness.co/?ref=marmaladecollective.com) 🌿 ## Workshop: Illustrating African Fashion at V&A **Sat 01 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-80.png)](https://www.vam.ac.uk/event/RggoxyNaaL/adult-digital-workshop-1-april-2023?ref=marmaladecollective.com) This workshop will explore the historical origins of fashion illustration in Africa, and the important role textiles play in the art of dressing African. The session will simplify the fashion sketch while equipping participants with techniques to develop their own style and approach. [I'm Interested](https://www.vam.ac.uk/event/RggoxyNaaL/adult-digital-workshop-1-april-2023?ref=marmaladecollective.com) ## Exhibition: Samson Bakare Solo Show **Until 8 Apr 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-50.png)](https://www.dorothycircusgallery.com/exhibitions/138-samson-bakare-let-this-be-a-sign-dorothy-circus-london-solo-show/overview/?ref=marmaladecollective.com) The exhibition of Samson Bakare is a remarkable moment in the global art market, as it recognizes the potential of contemporary African art. Through his art, the artist invites viewers to explore the relationship between art, physical and temporal space, which he portrays in a psychedelic canvas. His artworks capture the gaze and thought of viewers, as they become authors of a new writing of the Black Cultural Figuration. [I'm Interested](https://www.dorothycircusgallery.com/exhibitions/138-samson-bakare-let-this-be-a-sign-dorothy-circus-london-solo-show/overview/?ref=marmaladecollective.com) ## Ramadan Pavilion 2023 **Until 31 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-53.png)](https://www.vam.ac.uk/event/ok1kLZm29xJ/ramadan-pavilion-march-may-2023?ref=marmaladecollective.com) The Ramadan Pavilion is a purpose-built architectural structure and showpiece of creative art and design to celebrate the holy month of Ramadan. The Pavilion will host a series of public events and two Open Iftars as part of the annual Ramadan Festival curated by Ramadan Tent Project. [I'm Interested](https://www.vam.ac.uk/event/ok1kLZm29xJ/ramadan-pavilion-march-may-2023?ref=marmaladecollective.com) ## A Timeless Night with Davido **Wed 05 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-70.png)](https://www.ticketmaster.co.uk/davido-london-05-04-2023/event/1F005E74966817A7?ref=marmaladecollective.com) Davido will be hosting an unforgettable musical experience at KOKO in London. [I'm Interested](https://www.ticketmaster.co.uk/davido-london-05-04-2023/event/1F005E74966817A7?ref=marmaladecollective.com) ## Davido x Puma: Pop-up and Meet & Greet **Thu 06 April 2023, 5pm** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-69.png) Nigerian singer, songwriter and record producer, David Adeleke, popularly known as Davido has announced date for the release of his collection with PUMA. “I will be doing meet and greets at PUMA stores in New York and the UK (London), just before my shows and would love to see you all there!” - [@davido](https://www.instagram.com/p/CqTWABLulJD/?ref=marmaladecollective.com) 📍 **Drop in:** PUMA Store | 52-55 Carnaby St, London W1F 9QE ## Porsche presents Soho Visionaries: Yinka Ilori In Conversation **Thu 06 April 2023, 8.45am** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-72.png) Join Yinka Ilori in conversation with Soho House Global Art Director Kate Bryan at 180 House - ahead of the unveiling of his new sculptural piece at Soho Farmhouse. 📧 **RSVP** via Soho House app or **Email** hello@marmaladecollective.com ## Jazz and Afrobeat Open Mic Jam **Thu 06 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-54.png)](https://dice.fm/event/m8kb9-jazz-and-afrobeat-open-mic-jam-6th-apr-doa-london-tickets?ref=marmaladecollective.com) Big Limbo presents jazz & afrobeat open mic jam. Come along & bring your instruments for a night of worldly improvised sounds. Big Limbo is a collective run label based in Hackney with artists from around the globe. [I'm Interested](https://dice.fm/event/m8kb9-jazz-and-afrobeat-open-mic-jam-6th-apr-doa-london-tickets?ref=marmaladecollective.com) ## Lagos London Collective: A Pop-up in Shoreditch **07 - 08 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-68.png)](https://www.eventbrite.co.uk/e/lagos-london-collective-a-pop-up-in-shoreditch-tickets-598415927147?ref=marmaladecollective.com) Join us for an unforgettable pop-up experience that celebrates the intersection of Lagos and London culture. Powered by four premium African brands - Xclamations, Cornucopia, SoSmith, and Modara - Lagos London Collective invites you to discover a unique fusion of fashion, beauty, and lifestyle. [I'm Interested](https://www.eventbrite.co.uk/e/lagos-london-collective-a-pop-up-in-shoreditch-tickets-598415927147?ref=marmaladecollective.com) ## Vivendii Sound x 99GINGER presents: Obongjayar + Guests **Fri 07 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-55.png)](https://dice.fm/event/58grk-obongjayar-guests-99ginger-x-vivendii-sound-pres-7th-apr-koko-london-tickets?ref=marmaladecollective.com) Obongjayar had a stellar sold out debut at KOKO last year. It’s a pleasure to welcome him back across club hours for our second 99GINGER takeover. [I'm Interested](https://dice.fm/event/58grk-obongjayar-guests-99ginger-x-vivendii-sound-pres-7th-apr-koko-london-tickets?ref=marmaladecollective.com) ## 90s Baby Show Live **Sun 09 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-58.png)](https://dice.fm/event/gkw65-90s-baby-show-live-9th-apr-the-clapham-grand-london-tickets?ref=marmaladecollective.com) A Podcast brought to you by Fred Santana, Temi Alchemy & VP discussing life experiences from a 90 Baby perspective. [I'm Interested](https://dice.fm/event/gkw65-90s-baby-show-live-9th-apr-the-clapham-grand-london-tickets?ref=marmaladecollective.com) ## Live Show: The Cavemen at KOKO **Thu 13 April 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-52.png)](https://koko.seetickets.com/event/the-cavemen/koko/2458759?ref=marmaladecollective.com) The Cavemen are a Lagos-based 'Afrocentric' duo comprising of Kingsley Chukwudi Okorie and his brother Benjamin Chukwudi James. Filled with a desire to make the kind of music they grew up listening to, the cavemen have brought the sounds of the past into the future. The Cavemen developed a genre called 'Highlife Fusion' which combines Highlife, Afrobeat, Jazz, and Soul music. [I'm Interested](https://koko.seetickets.com/event/the-cavemen/koko/2458759?ref=marmaladecollective.com) _This post is for paying subscribers only._ ### Davido New Album, Gangs of Lagos Released Soon, Victony Drops Soweto Remix URL: https://www.marmaladecollective.com/davido-new-album-gangs-of-lagos-released-soon-victony-drops-soweto-remix/ Last updated: 2023-04-05T19:14:19.000Z #### Highlights: - Davido Announced His New Album ‘Timeless’ With A Message Thanking Fans For Always Supporting Him *via* [Uproxx](https://uproxx.com/music/davido-timeless-release-date-trailer/?ref=marmaladecollective.com) - Prime Video Announces Its First African Original Movie 'Gangs of Lagos' *via* [Ebony Magazine](https://www.ebony.com/prime-video-gangs-of-lagos-announcement/?ref=marmaladecollective.com) - Seven Striking Images by Africa's New Creative Wave *via* [BBC Culture](https://www.bbc.com/culture/article/20230317-seven-striking-images-by-africas-new-creative-wave?ocid=global%5Fculture%5Frss&ref=marmaladecollective.com) - New York's Hottest West African Table *via* [BBC Travel](https://www.bbc.com/travel/article/20230323-dept-of-culture-new-yorks-hottest-west-african-table?ref=marmaladecollective.com) - Cozyshrt is Curating Freedom & Community in Accra *via* [OkayAfrica](https://www.okayafrica.com/cozyshrt-photographer-ghana/?ref=marmaladecollective.com) - Victony Drops ‘Soweto’ Remix Featuring Rema, Tempoe & Don Toliver *via* [The Guardian](https://guardian.ng/saturday-magazine/rema-don-toliver-join-victony-on-soweto-remix/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* and exciting events & experiences happening this week. --- #### Now, on to the real peel... ## Davido Announced His New Album ‘Timeless’ With A Message Thanking Fans For Always Supporting Him _This post is for subscribers only._ ### Asake Live On Tonight Show, Idris Elba and Mo Abudu Team Up, Burna Goes To Turkey URL: https://www.marmaladecollective.com/asake-live-on-tonight-show-idris-elba-and-mo-abudu-team-up-burna-goes-to-turkey/ Last updated: 2023-03-20T10:00:50.000Z #### Highlights: - Asake Performs “Yoga" and "Organise” On The Tonight Show starring Jimmy Fallon *via* [OkayAfrica](https://www.okayafrica.com/asake-performance-jimmy-fallon/?ref=marmaladecollective.com) - Idris Elba and Mo Abudu Team Up to Develop African Television and Film Projects *via* [Ebony](https://www.ebony.com/idris-elba-and-mo-abudu-team-up-to-develop-african-television-and-film-projects/?ref=marmaladecollective.com) - Burna Boy to Perform at UEFA Champions League Final in Istanbul *via* [Africanews](https://www.africanews.com/2023/03/16/burna-boy-to-perform-at-uefa-champions-league-final-in-istanbul/?ref=marmaladecollective.com) - Discover Dakar: From African Art to Rooftop Hangouts and Hidden Culinary Gems *via* [Wallpaper](https://www.wallpaper.com/travel/discover-dakar?ref=marmaladecollective.com) - FL EX is Bringing Egyptian Drill to the World *via* [OkayAfrica](https://www.okayafrica.com/drill-music-fl-ex-egypt/?ref=marmaladecollective.com) - Yellow Halos Laud People of the African Diaspora in Akindele John's Vibrant Portraits *via* [Colossal](https://www.thisiscolossal.com/2023/03/akindele-john-portraits/?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* and exciting events & experiences happening this week. Pssst... [JAM](https://link.dice.fm/Z8856ae6aa3f?ref=marmaladecollective.com) is back this Sunday 🥳 --- #### Now, on to the real peel... ## Asake Performs “Yoga" and "Organise” on The Tonight Show starring Jimmy Fallon _This post is for subscribers only._ ### Exclusive Photos: JAM x SOAB: Games Edition, Feb 26th URL: https://www.marmaladecollective.com/exclusive-photos-jam-x-soab-games-edition-feb-26th/ Last updated: 2024-02-01T09:59:24.000Z Sponsored by [White Claw](https://www.instagram.com/whiteclawuk/?ref=marmaladecollective.com) and [African Originals](https://www.instagram.com/%5Fafricanoriginals/?ref=marmaladecollective.com) Special Guest DJ: [Rára](https://www.instagram.com/rara.alshams/?ref=marmaladecollective.com) Resident DJ: [Nicole Shai](https://www.instagram.com/nicoleshai/?hl=en&ref=marmalade-collective) Host: [Cindy Temi](https://www.instagram.com/cindytemi/?ref=marmaladecollective.com) Photography: [Shellie Barnard](https://www.instagram.com/shotbyshellie/?ref=marmaladecollective.com) Venue: [Sook, Shoreditch](https://www.sook.space/spaces/32-shoreditch-highstreet-london?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/1CEF6ABA-89DC-4AF8-BD89-6FB80C5426EE.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/1EF012E2-D70B-41DA-A9D3-5DBBD5D58B9B.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/2AF4A181-68AE-43B0-A3DA-EF7BC0EA6C0A.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/2D87DA26-A4FA-408B-88BC-1CA87961CDA4.jpg) 0:00 /1:04 1× _This post is for subscribers only._ ### Burna's Meteoric Rise, Saint Laurent on Africa, Uncle Waffles to Play at Coachella URL: https://www.marmaladecollective.com/burna-boy-meteoric-rise-saint-laurent-on-africa-uncle-waffles-to-play-at-coachella/ Last updated: 2025-10-09T12:19:59.000Z #### Highlights: - The Rise of Burna Boy *via* [Trapital](https://trapital.co/2023/03/02/the-rise-of-burna-boy/?ref=marmaladecollective.com) - Samson Bakare's Time-travelling Art Reimagines Africa's Past in an Intriguing Way *via* [Creative Boom](https://www.creativeboom.com/inspiration/let-this-be-a-sign/?ref=marmaladecollective.com) - PUMA launches Proteas’ South African-inspired Kit for Netball World Cup *via* [The South African](https://www.thesouthafrican.com/sport/netball/puma-launch-south-african-inspired-world-cup-kit-for-proteas-8-march-2023/?ref=marmaladecollective.com) - Uncle Waffles to the World *via* [Audiomack](https://www.thesouthafrican.com/sport/netball/puma-launch-south-african-inspired-world-cup-kit-for-proteas-8-march-2023/?ref=marmaladecollective.com) - Orange Culture Unveils its FW23 Collection “What if Love Never Comes?” *via* [The Folklore](https://www.thefolklore.com/blogs/the-edit/orange-culture-fw23-collection-what-if-love-never-comes?ref=marmaladecollective.com) - Rachel Seidu Exhibition at Saint Laurent stores in Paris & Los Angeles *via* [Saint Laurent](https://www.ysl.com/en-fr/calendar/name/rd-event-rachel-seidu.html?ref=marmaladecollective.com) 👇 **Scroll to the bottom** for *'Song Of The Week'* and exciting events & experiences happening this week. You won't be disappointed! --- #### Now, on to the real peel... ## The Rise of Burna Boy _This post is for subscribers only._ ### Omah Lay does Tiny Desk, Nollywood Keeps Giving on TikTok, Amapiano's Future URL: https://www.marmaladecollective.com/omah-lay-does-tiny-desk-nollywood-keeps-giving-on-tiktok-amapianos-future/ Last updated: 2023-03-06T10:00:23.000Z #### Highlights: - Omah Lay: Tiny Desk Concert *via* [NPR](https://www.npr.org/2023/02/28/1158511262/omah-lay-tiny-desk-concert?ref=marmaladecollective.com) - Why Old Nollywood Humor Is Always a Hit on TikTok *via* [Teen Vogue](https://www.teenvogue.com/story/why-old-nollywood-humor-is-always-a-hit-on-tiktok-afrobeats-edit?ref=marmaladecollective.com) - Ethiopian Artist Rediet Haddis Is Her Own Cultural Muse *via* [OkayAfrica](https://www.okayafrica.com/ethiopia-rediet-haddis-spotlight/?ref=marmaladecollective.com) - What’s Next for Amapiano? *via* [The Face](https://theface.com/music/amapiano-soweto-township-johannesburg-boiler-room-kamo-mphela-interview-njelic-ballantines-true-music-studios?ref=marmaladecollective.com) - The Tattoo Artist Connecting People with their West African Heritage *via* [Dazed Beauty](https://www.dazeddigital.com/beauty/article/58299/1/emmanuel-uchenna-item-tattoo-artist-west-african-art-nsibidi?utm%5Fsource=Link&utm%5Fmedium=Link&utm%5Fcampaign=Flipboard&utm%5Fterm=the-tattoo-artist-connecting-people-with-their-west-african-heritage) - The Next Era of American Fine Dining Is Here, Care of West Africa *via* [Eater](https://www.eater.com/23617676/west-african-fine-dining-restaurants-in-america?ref=marmaladecollective.com) --- #### Now, on to the real peel... ### Omah Lay: Tiny Desk Concert _This post is for subscribers only._ ### JAM x Akwaaba | Ghana Edition, Mar 26 URL: https://www.marmaladecollective.com/jam-x-akwaaba-ghana-edition-mar-26/ Last updated: 2023-03-08T10:37:37.000Z Immerse yourself in the vibrant culture of Africa at JAM's curated event hosted by Akwaaba. With hot sets by talented DJs, the event promises to transport you to the heart of Ghana 🇬🇭, featuring a mix of old school jams and contemporary genres. _This post is for subscribers only._ ### Marmalade - What's on in March? URL: https://www.marmaladecollective.com/march-2023/ Last updated: 2023-03-27T22:17:28.000Z Wondering what to do this March? From exciting exhibitions, talks, live performances, and parties, below are some of the most exciting events to help discover new people, new experiences and live life to the fullest! Have a marvellous March! Best, Marmalade Team ## Evening with Women Filmmakers **Thu 02 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-7.png)](https://www.eventbrite.co.uk/e/evening-with-women-filmmakers-tickets-490379146227?ref=marmaladecollective.com) Come out to watch three short films made by three female filmmakers - Anniwaa Buachie, Jagoda Puczko and Charysse Tia Harper. Anniwaa (Ghanaian-British actress/director/producer) shows us the similarities and differences of women in the black community. [I'm Interested](https://www.eventbrite.co.uk/e/evening-with-women-filmmakers-tickets-490379146227?ref=marmaladecollective.com) ## D.A.Y.O Presents: Arise **Thu 02 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-8.png)](https://www.eventbrite.com/e/dayo-presents-arise-at-golden-bee-rooftop-bar-tickets-558946844057?ref=marmaladecollective.com) Multi-Genre Rooftop vibes, pushing the best Electronic sounds from Africa and beyond. [I'm Interested](https://www.eventbrite.com/e/dayo-presents-arise-at-golden-bee-rooftop-bar-tickets-558946844057?ref=marmaladecollective.com) ## Concert: Zinoleeksy Live in London **Sun 05 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-13.png)](https://shoobs.com/events/76609/zinoleesky-live-in-london?ref=marmaladecollective.com) Zinoleesky is a raving act in the Afrobeat music scene. He rose to stardom with a catalog of amazing music and different sound. Some of his Chat Topping singles are Gone Far, Kilofeshe, Caro and love-esque Ampiano jam, “Loving You” – which is a street anthem and many more. [I'm Interested](https://shoobs.com/events/76609/zinoleesky-live-in-london?ref=marmaladecollective.com) ## Concert: The Compozers X Sarkodie & Friends Ghana 66th Independence **Mon 06 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-18.png)](https://dice.fm/event/6wddb-the-compozers-x-sarkodie-friends-ghana-66th-independence-concert-6th-mar-here-at-outernet-london-tickets?ref=marmaladecollective.com) EXTRA DATE ADDED DUE TO UNPRECEDENTED DEMAND. The Compozers, Sarkodie and more team up to bring you London's biggest Ghanaian Independence party! [I'm Interested](https://dice.fm/event/6wddb-the-compozers-x-sarkodie-friends-ghana-66th-independence-concert-6th-mar-here-at-outernet-london-tickets?ref=marmaladecollective.com) ## Listening Party: An Evening With Teni The Entertainer **Fri 10 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-1.png)](newwavemagazine.com) This exclusive event is set to be an unforgettable evening of entertainment, as Teni will be showcasing songs from her highly anticipated debut album **'Tears of The Sun'** and will also feature an insightful Q&A session with culture commentator, [Nicolas-Tyrell](https://www.instagram.com/iamntyrell/?ref=marmaladecollective.com). Guests will be treated to an intimate listening of some exclusive songs, along with delicious **welcome drinks by Ciroc Vodka** in the elegant surroundings of The Ned. 📧 RSVP via email: efosa@newwavemagazine.com ## Live Show: Onipa + Volta 45 **Friday 10 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-2.png)](https://www.eventbrite.co.uk/e/onipa-volta-45-tickets-503348357487?ref=marmaladecollective.com) The fiery afro-futurist collective bring their high-octane live show, fronted by irresistible singer and percussionist Kweku of Ghana (K.O.G) [I'm Interested](https://www.eventbrite.co.uk/e/onipa-volta-45-tickets-503348357487?ref=marmaladecollective.com) ## The Modern African Wedding Show 2023 **Sun 12 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image.png)](https://www.modernafricanweddingshow.com/?ref=marmaladecollective.com) Brought to you by Noir Wedding Collective, The Modern African Wedding Show is UK’s No1 wedding exhibition for African & Caribbean couples. Created for the modern, on trend and savvy bride and groom, MAWS connects you with amazing trusted wedding brands across the UK. [I'm Interested](https://www.modernafricanweddingshow.com/?ref=marmaladecollective.com) ## Concert: Fireboy DML in Paris **Fri 17 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/bg.png)](https://fireboyconcert.com/?ref=marmaladecollective.com) Nigerian star Fireboy DML will be touring Europe with his third studio album, Playboy. The album cemented Fireboy as a top international artist, including hit singles "Peru," "Playboy," and "Bandana," and features from Ed Sheeran, Chris Brown, Rema, and more. Again. [I'm Interested](https://fireboyconcert.com/?ref=marmaladecollective.com) ## Asanka Supper Club **Sat 18 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-19.png)](https://www.eventbrite.co.uk/e/asanka-supper-club-tickets-538031626077?ref=marmaladecollective.com) Join [Private Chef Phyllis](https://www.instagram.com/physkitchen/?ref=marmaladecollective.com) for a 5 course dinner showcasing West African cuisine in a familiar yet elevated way. She will be cooking and hosting throughout the night, sharing the inspiration behind every dish. A perfect evening of warmth and connectivity - be it with others or simply exploring your love of food. [I'm Interested](https://www.eventbrite.co.uk/e/asanka-supper-club-tickets-538031626077?ref=marmaladecollective.com) ## Piano House w/ Larizzle **Sat 18 March 2023** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/334058469_225839696624306_5096714139966969438_n.jpg) Piano House returns to [@sohohouseuk](https://www.instagram.com/sohohouseuk/?ref=marmaladecollective.com) next Saturday 18th March - making our debut at 180 House! [@larizzleofficial](https://www.instagram.com/larizzleofficial/?ref=marmaladecollective.com) will be joined by special guests [@rosey.gold\_](https://www.instagram.com/rosey.gold%5F/?ref=marmaladecollective.com), live percussionist [@latts\_percussion](https://www.instagram.com/latts%5Fpercussion/?ref=marmaladecollective.com) and our resident saxophonist [@solaariss](https://www.instagram.com/solaariss/?ref=marmaladecollective.com)! 📲 Soho House Members RSVP via the SH.App ## Strings of West Africa: Stuart Ironside and Rudy Green **Mon 20 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-3.png)](https://www.eventbrite.co.uk/e/strings-of-west-africa-stuart-ironside-and-rudy-green-tickets-533707823467?ref=marmaladecollective.com) Stuart Ironside and Rudy Green bring the sounds of West Africa to Morocco Bound. Combining their diverse musical backgrounds with a deep love and appreciation for the grooves and melodies of the kora, Stuart and Rudy will perform solo and duo compositions and improvisations alongside the traditional tunes of this magical West African instrument. [I'm Interested](https://www.eventbrite.co.uk/e/strings-of-west-africa-stuart-ironside-and-rudy-green-tickets-533707823467?ref=marmaladecollective.com) ## Moroccan Cookery Class with Zineb **Mon 20 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-12.png)](https://www.eventbrite.co.uk/e/moroccan-cookery-class-with-zineb-station-style-london-tickets-522487453037?ref=marmaladecollective.com) Chef Zineb will teach hard-to-find Moroccan recipes followed by a sit-down meal. A delicious learning experience like no other! [I'm Interested](https://www.eventbrite.co.uk/e/moroccan-cookery-class-with-zineb-station-style-london-tickets-522487453037?ref=marmaladecollective.com) ## Cafe KOKO Presents Pheelz **Tue 21 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-31.png)](https://koko.seetickets.com/event/cafe-koko-presents-pheelz/koko/2603793?ref=marmaladecollective.com) We celebrate ‘Pheelz Good’ an intimate evening in London with PHEELZ. Watch and hear the hit-maker singer/producer make music live and perform at Cafe Koko. Followed by an after-party to remember! [I'm Interested](https://koko.seetickets.com/event/cafe-koko-presents-pheelz/koko/2603793?ref=marmaladecollective.com) ## Africa Programme at Chatham House **Tue 21 March 2023** ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-39.png) 📧 RSVP via email: africa@chathamhouse.org ## South African Wine Dinner with Genevieve Methode Cap Classique **Tue 21 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-4.png)](https://www.eventbrite.co.uk/e/south-african-wine-dinner-with-genevieve-methode-cap-classique-tickets-559336389197?ref=marmaladecollective.com) In March’s World of Wine Series, we will be joined by Melissa Genevieve Nelsen from Genevieve MCC to explore South Africa's greatest wines. [I'm Interested](https://www.eventbrite.co.uk/e/south-african-wine-dinner-with-genevieve-methode-cap-classique-tickets-559336389197?ref=marmaladecollective.com) ## ILE WA - THE BOOK LAUNCH **Fri 24 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-22.png)](https://www.eventbrite.com/e/ile-wa-the-book-launch-tickets-567797306027?ref=marmaladecollective.com) In collaboration with [**My Runway Group**](https://shoutout.wix.com/so/f2OQy8%5F9X/c?w=ea4EP8tuRtMS-0TXCIzPE11thYVbEzO5EYLO6-iKOdk.eyJ1IjoiaHR0cHM6Ly93d3cubXlydW53YXlncm91cC5jb20vIiwiciI6IjBjZjViNWVmLTAyNTctNDc5ZC05OWZkLTVjNThmNmViNzY1MSIsIm0iOiJtYWlsIiwiYyI6Ijg4N2M1MmJjLWVhMWMtNDYzOC04ZDIyLTkyMDUzYmIyMmVjNiJ9&ref=marmaladecollective.com), join us as we celebrate with a night filled with panel discussions, a Q&A with some of the book’s creators and an opportunity to **be the first to pre-order the book**. Conversations across the night will explore topics such as: Healing From Old Wounds; Finding Inner Peace In Your Identity; Telling & Shaping Our Own Stories and Getting Into Publishing. [I'm Interested](https://www.eventbrite.com/e/ile-wa-the-book-launch-tickets-567797306027?ref=marmaladecollective.com) ## Party: JAM x Akwaaba 'Ghana Edition' **Sun 26 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-40.png)](https://partiful.com/e/fxKsEZ8Fm9z49Isz7Lfp?ref=marmaladecollective.com) Immerse yourself in the vibrant culture of Africa at JAM's curated event hosted by Akwaaba. With hot sets by talented DJs, the event promises to transport you to the heart of Ghana, featuring a mix of old school jams and contemporary genres. Get ready to experience an interactive and fun-filled atmosphere showcasing African culture through music, fashion and more. Don't miss this unforgettable night! [I'm Interested](https://partiful.com/e/fxKsEZ8Fm9z49Isz7Lfp?ref=marmaladecollective.com) ## A Night With TSB - Live Music, DJs and Performers **Sun 26 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-10.png)](https://allevents.in/london/a-night-with-tsb-live-music-djs-and-performers/10000488597096067?ref=marmaladecollective.com) Award-winning and platinum producer, TSB takes over London’s most iconic venue for a night of music and culture. Collaborating with the likes of J Hus, Stormzy, Bree Runway, Miraa May, Headie One, Dave, BNXN, Knucks and several others, we’re taking time to explore the diverse catalogue of one of Europe's premiers talents. [I'm Interested](https://allevents.in/london/a-night-with-tsb-live-music-djs-and-performers/10000488597096067?ref=marmaladecollective.com) ## Conversation between Adelaide Cioni and Mistura Allison **Thu 30 March 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/03/image-5.png)](https://www.mimosahouse.co.uk/upcoming-events/2023/3/30/conversation-between-adelaide-cioni-and-mistura-allison?ref=marmaladecollective.com) Conversation between Adelaide Cioni and Mistura Allison, exploring themes and ideas of Adelaide’s new exhibition Ab’ovo / On Patterns. Mistura Allison is an independent researcher, curator and art historian based between London and Milan. She is the founder of ashikọ, a visually driven research platform inspired by Africa and its Diaspora. [I'm Interested](https://www.mimosahouse.co.uk/upcoming-events/2023/3/30/conversation-between-adelaide-cioni-and-mistura-allison?ref=marmaladecollective.com) ### Rema Reps Afrobeats, A Modern Diaspora Woman, Turning Waste To Fashion URL: https://www.marmaladecollective.com/rema-reps-afrobeats-a-modern-diaspora-woman-turning-waste-to-fashion/ Last updated: 2023-02-27T10:00:31.000Z #### Highlights: - Afrobeats Star Rema Isn’t Taking His Foot Off the Gas *via* [W Magazine](https://www.wmagazine.com/culture/rema-calm-down-rave-and-roses-interview-2023?ref=marmaladecollective.com) - What Does it Mean to be a Modern African Diaspora Woman? *via* [AMAKA](https://amaka.studio/explore/articles/bisi-akins-african-diaspora-woman?ref=marmaladecollective.com) - Dreamville & Daily Paper Link Up For Capsule Collection *via* [OkayPlayer](https://www.okayplayer.com/music/dreamville-daily-paper-link-up-for-capsule-collection.html?ref=marmaladecollective.com) - Mowalola Brings Fashion’s Dystopian Future to London Fashion Week *via* [Native Mag](https://thenativemag.com/mowalola-london-fashion-week/?ref=marmaladecollective.com) - Growth in Africa’s Streaming Market Driven by Youthful Population and Rising Middle Class *via* [Quartz](https://qz.com/africas-streaming-war-hinges-on-local-content-1850121200?ref=marmaladecollective.com) - NKWO: The Sustainable Nigerian Brand Turning Textile Waste into Bold Fashion Statements *via* [Prazzle](https://www.prazzlemagazine.com/post/nkwo-at-the-forefront-of-curbing-the-damaging-effect-on-textile-waste?ref=marmaladecollective.com) --- #### Now, on to the real peel... ### Afrobeats Star Rema Isn’t Taking His Foot Off the Gas _This post is for subscribers only._ ### Burna Boy, Tems and Rema Shoot Their Shot, Idris Elba's New Book, Jazz Fused With Afrobeat URL: https://www.marmaladecollective.com/burna-boy-tems-and-rema-shoot-their-shot-idris-elbas-new-book-jazz-fused-with-afrobeat/ Last updated: 2023-02-21T10:11:10.000Z #### Highlights: - Burna Boy, Tems and Rema Takes Centre Stage at the NBA’s 2023 All-Star Game *via* [Blavity](https://blavity.com/burna-boy-tems-and-rema-set-as-nba-all-star-game-halftime-show-acts-for-afrobeats-themed-performance?category1=music&category2=news&item=5&ref=marmaladecollective.com) - Spotify Joins Cotton Fest to Celebrate South Africa’s Prominent Hip-Hop Culture *via* [Hypebeast](https://hypebeast.com/2023/2/spotify-cottonfest-south-africa-hip-hop-installation?ref=marmaladecollective.com) - Ezra Collective Brings Jazz Fused with Afrobeat to a New Generation *via* [France24](https://www.france24.com/en/tv-shows/encore/20230213-ezra-collective-london-quintet-brings-jazz-to-a-new-generation-and-party-on-stage?ref=marmaladecollective.com) - Idris Elba Talks about His Dual Identity as Both English and Sierra Leonean *via* [Esquire](https://www.esquire.com/uk/culture/a42621203/idris-elba-interview-luther/?ref=marmaladecollective.com) - 10 Films We Love From the Pan African Film Festival *via* [Ebony](https://www.ebony.com/10-films-we-love-from-the-pan-african-film-festival/?ref=marmaladecollective.com) - Vans x Mami Wata Shine a Light on African Surf Culture *via* [Hypebae](https://hypebae.com/2023/2/vans-surf-mami-wata-african-surf-culture-collaboration-collection-release-info?ref=marmaladecollective.com) --- #### Now, on to the real peel... ### Burna Boy, Tems and Rema Takes Centre Stage at the NBA’s 2023 All-Star Game _This post is for subscribers only._ ### Tems in Tommy Jeans, Daily Paper in Morocco, Nigerian Billionaire Takes Sheffield URL: https://www.marmaladecollective.com/tems-tommy-hilfiger-daily-paper-in-morocco-nigerian-billionaire-takes-sheffield/ Last updated: 2023-02-13T10:00:25.000Z #### Highlights: - From Afrobeats to Amapiano: How Music is Uplifting African Fashion *via [Vogue Business](https://www.voguebusiness.com/fashion/from-afrobeats-to-amapiano-how-music-is-uplifting-african-fashion?ref=marmaladecollective.com)* - SA, Nigeria make Mother Africa Proud with Big 2023 Grammy Wins *via [NowInSA](https://nowinsa.co.za/2023/entertainment/music/sa-nigeria-make-mother-africa-proud-with-big-2023-grammy-wins/?ref=marmaladecollective.com)* - Iyanu, The New Nigerian Superhero Animated Series, Coming to Cartoon Network *via [Native Mag](https://www.instagram.com/p/CofKFAkr44g/?ref=marmaladecollective.com)* - Daily Paper’s Latest SS23 Drop Inspired by North African Culture *via [Hypebeast](https://hypebeast.com/2023/2/daily-paper-ss23-spring-summer-2023-collection-second-drop-2?utm%5Fsource=instagram&utm%5Fmedium=social&utm%5Fcampaign=ig%5Fbio%5Fhbstyle)* - Nigerian Billionaire Dozy Mmobuosi 'close' to Taking over Sheffield United *via [CNN](https://edition.cnn.com/2023/02/09/football/nigerian-tech-entrepreneur-dozy-mmobuosi-sheffield-united-takeover-spt-intl/index.html?ref=marmaladecollective.com)* - You're Invited to JAM x SOAB 'Games Edition' on 26th Feb - *[Book Now](https://link.dice.fm/T520b930d6cf?ref=marmaladecollective.com)* --- #### Now, on to the real peel... ### From Afrobeats to Amapiano: How Music is Uplifting African Fashion [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-6.png)](https://www.voguebusiness.com/fashion/from-afrobeats-to-amapiano-how-music-is-uplifting-african-fashion?ref=marmaladecollective.com) *Burna Boy x Burberry The Night Before campaign. Photo: Courtesy of Burberry / TORSO* The Afrobeats genre is experiencing explosive growth across music streaming platforms. Streaming of Afrobeats has increased by 283% since 2019 according to Spotify. The US, UK, Nigeria, France, and the Netherlands are the top five markets for Afrobeats, and big-name international artists like Ed Sheeran and Justin Bieber are collaborating with Afrobeats musicians. African artists are becoming a reference point globally and smaller African brands are gaining exposure through dressing Afrobeats artists. The trend is similar to K-pop, and brands see these artists as a way to reach new audiences. Brands need to target African and diasporic consumers with well-targeted campaigns. Music has always been a pillar for Daily Paper, a streetwear brand based in Amsterdam that pays homage to its cultural background through music collaborations. **[Check it out on Vogue](https://www.voguebusiness.com/fashion/from-afrobeats-to-amapiano-how-music-is-uplifting-african-fashion?ref=marmaladecollective.com)** ### SA, Nigeria make Mother Africa Proud with Big 2023 Grammy Wins [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-7.png)](https://nowinsa.co.za/2023/entertainment/music/sa-nigeria-make-mother-africa-proud-with-big-2023-grammy-wins/?ref=marmaladecollective.com) South Africa and Nigeria are beaming with pride as their beloved musicians, Zakes Bantwini, Wouter Kellerman, Noncebo Zikode and Tems, brought home top honours at the 2023 Grammy Awards. Bantwini, Zikode and Kellerman won for "Best Global Music Performance" for their collaboration on ‘Bayethe,’ while Tems earned her first Grammy for "Best Melodic Rap Performance" on Future’s single "Wait For U." Tems is the first non-mixed Nigerian female musician to win the award and the first Nigerian and female African artist to win "Best International Act" at the 2022 BET Awards. Tems, who rose to international stardom after her feature on Wizkid’s song "Essence," is an inspiration to young girls and women globally. **[Check it out on NowInSA](https://nowinsa.co.za/2023/entertainment/music/sa-nigeria-make-mother-africa-proud-with-big-2023-grammy-wins/?ref=marmaladecollective.com)** ### Iyanu, The New Nigerian Superhero Animated Series, Coming to Cartoon Network [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-9.png)](https://www.instagram.com/p/CofKFAkr44g/?ref=marmaladecollective.com) Get ready for an exciting adventure! HBO Max and Cartoon Network have partnered up to bring you "Iyanu: Child of Wonder", a 2D animated series based on a popular graphic novel. The show takes place in the magical kingdom of Yorubaland and follows Iyanu, a teenage orphan with divine powers, as she joins forces with two other teenagers to uncover the truth about the evil lurking in her homeland. With an African female hero at the centre, "Iyanu" is a unique take on the superhero genre, blending fantasy and African mythology. The show is produced by Lion Forge Animation and will be available on HBO Max and Cartoon Network. Get ready to be transported to an exciting world of magic, adventure and lore. **[Check it out on Native Mag](https://www.instagram.com/p/CofKFAkr44g/?ref=marmaladecollective.com)** _This post is for subscribers only._ ### JAM x SOAB | Games Edition, Feb 26th at Shoreditch URL: https://www.marmaladecollective.com/jam-soab-games-edition-feb26/ Last updated: 2023-02-09T21:06:11.000Z We're starting off the New Year with a Bang! We have teamed up with #SOAB to bring you our first collab event JAM x SOAB: Games Edition. Since it’s the month of love, we’ve put in time and effort to curate an unforgettable experience! Are you ready to JAM with #SOAB?! _This post is for subscribers only._ ### Naomi Campbell in Lagos, Idris Elba's Ghana Plans, Asake Does Yoga in Dakar URL: https://www.marmaladecollective.com/naomi-campbell-in-lagos-idris-elbas-ghana-plans-asake-does-yoga-in-dakar/ Last updated: 2023-02-06T10:00:56.000Z #### Highlights: - Naomi Campbell Walks ARISE Fashion Week Runway in Lagos *via [Daily Mail](https://www.dailymail.co.uk/tvshowbiz/article-11712645/Naomi-Campbell-takes-Awa-Meit-runway-storm-sustainable-handwoven-maxi-dress.html?ref=marmaladecollective.com)* - Tems Bags First Grammy Award in the 2023 ‘Best Melodic Rap Performance’ Category *via [OkayAfrica](https://www.okayafrica.com/tems-grammy-awards-win/?ref=marmaladecollective.com)* - BAL IN Lagos Thrills Nigerian Celebrities and Naomi Campbell as Special Guest *via [Culture Custodian](https://culturecustodian.com/bal-in-lagos-thrills-nigerian-celebrities/?ref=marmaladecollective.com)* - Idris Elba Meets President About Plans to Build a Film Studio in Ghana *via [Business Insider](https://africa.businessinsider.com/local/lifestyle/idris-elba-adds-ghana-to-the-list-of-african-countries-he-wants-to-partner-with/4z27x1x?ref=marmaladecollective.com)* - Ethiopia’s First Superhero Comic ‘Jember’ is Going Global *via [Okay Africa](https://www.okayafrica.com/african-comic-etan-ethiopia/?ref=marmaladecollective.com)* - Libyan Pop Star Bahjat Wants to Popularise ‘A-Pop’ Despite Backlash *via [The World](https://theworld.org/stories/2023-02-01/libyan-pop-star-bahjat-beat-odds-now-he-wants-popularize-pop?ref=marmaladecollective.com)* --- #### Now, on to the real peel... ### Naomi Campbell Walks ARISE Fashion Week Runway in Lagos [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-1.png)](https://www.dailymail.co.uk/tvshowbiz/article-11712645/Naomi-Campbell-takes-Awa-Meit-runway-storm-sustainable-handwoven-maxi-dress.html?ref=marmaladecollective.com) *Image Source: Daily Mail Website* Naomi Campbell made a statement at ARISE Fashion Week in Lagos, sporting a sustainable handwoven multicoloured maxi dress by Awa Meité. The model, 52, looked dewy with a no-makeup makeup look and sleek braided tresses, as she strutted down the runway in simple black heels. Awa Meité is a sustainable, eco-conscious brand launched by Malian textile and fashion designer Awa Meité in 2010\. Using only high-quality, handmade cotton and leather materials, the brand aims to bring diversity to fashion and empower communities through unique designs and local know-how. **[Check it out on Daily Mail](https://www.dailymail.co.uk/tvshowbiz/article-11712645/Naomi-Campbell-takes-Awa-Meit-runway-storm-sustainable-handwoven-maxi-dress.html?ref=marmaladecollective.com)** ### Tems Bags First Grammy Award in the 2023 ‘Best Melodic Rap Performance’ Category [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-2.png)](https://www.okayafrica.com/tems-grammy-awards-win/?ref=marmaladecollective.com) *Image Source: Jkcyno Website* The singer earned her first Grammy for her contribution to Future's "Wait For U," which also features Drake and won in the Best Melodic Rap Performance category. Tems is also up for Album of the Year for her contribution to Beyoncé’s Renaissance and scored an Oscar nomination this year. With her impressive music career and collaborations with mega stars like Beyoncé and Rihanna, Tems is truly making her mark in the industry! **[Check it out on OkayAfrica](https://www.okayafrica.com/tems-grammy-awards-win/?ref=marmaladecollective.com)** ### BAL IN Lagos Thrills Nigerian Celebrities and Naomi Campbell as Special Guest [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/328829226_447971167455781_1156647280310378117_n.jpeg)](https://www.instagram.com/thebal/?ref=marmaladecollective.com) *Image Source: BAL Instagram Account* BAL IN Lagos, the premium lifestyle event of the Basketball Africa League, was a star-studded affair with Naomi Campbell, Uti Nwachukwu, and Obi Asika among the notable attendees. The event, held at Kaly Restaurant & Bar Lounge, showcased the premium lifestyle associated with the Basketball Africa League, an initiative to develop and promote African basketball talent. The venue was impeccably designed, with Naija tunes blasting from the sound systems. The BAL IN Lagos is part of a series of events leading up to the start of BAL season 3, scheduled to tip off in Dakar, Senegal on March 11, with Kwara Falcons as one of the contenders. **[Check it out on Culture Custodian](https://culturecustodian.com/bal-in-lagos-thrills-nigerian-celebrities/?ref=marmaladecollective.com)** _This post is for subscribers only._ ### Marmalade - What's on in February? URL: https://www.marmaladecollective.com/february-2023/ Last updated: 2023-03-12T08:30:46.000Z Wondering what to do this February? From exciting exhibitions, talks, live performances, and parties, below are some of the most exciting events to help discover new people, new experiences and live life to the fullest! Have a wonderful February! Best, Marmalade Team 💝 You are receiving this exclusive newsletter because you're a paid member. Thank you for supporting us. ## Party: JAM x SOAB: Games Edition (Featured) **Sun 26 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/JAM-x-SOAB---Save-The-Date---v3.jpg)](https://dice.fm/event/ew9nd-jam-x-soab-games-edition-26th-feb-sook-shoreditch-london-tickets?ref=marmaladecollective.com) JAM and SOAB are linking up to host a pop-up games party in Shoreditch. Discover new people and create lasting memories in a curated space. You can expect; Interactive activities such as Jenga, board games, puzzles, VR games, Card games, fun props etc / Curated sets by DJs playing the hottest Afro sounds blended with mainstream genres incl. Hip Hop, RnB and UK sounds / A fun and relaxed atmosphere designed for good vibes. [Book Tickets](https://dice.fm/event/ew9nd-jam-x-soab-games-edition-26th-feb-sook-shoreditch-london-tickets?ref=marmaladecollective.com) ## Music Concert: Piano People Presents Focalistic **Fri 10 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-62.png)](https://dice.fm/event/ow9vy-piano-people-presents-focalistic-10th-feb-here-at-outernet-london-tickets?lng=en&ref=marmaladecollective.com) Due to popular demand, we bring Focalistic back to the UK for the first time in over a year! Focalistic will showcase his brand new album on the HERE at Outernet stage with some very special guests: Pabi Cooper, Ch'cco, MJ & Tjarosuperstar! [I'm Interested](https://dice.fm/event/ow9vy-piano-people-presents-focalistic-10th-feb-here-at-outernet-london-tickets?lng=en&ref=marmaladecollective.com) ## Talk: Alayo Akinkugbe and Emma Lewis on An Alternative History of Photography **Fri 10 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-60.png)](https://thephotographersgallery.org.uk/whats-on/talk-alayo-akinkugbe-and-emma-lewis-alternative-history-photography?ref=marmaladecollective.com) *Alayo Akinkugbe. Image Source: Badass.gal* Curators and art historians ****Alayo Akinkugbe** and ****Emma Lewis** reflect on the approaches and themes of our current exhibition [**An Alternative History of Photography*](https://thephotographersgallery.org.uk/whats-on/alternative-history-photography-works-solander-collection?ref=marmaladecollective.com). Together in this new talk they will create a critical dialogue with the show – does it achieve what it set out to do? In what ways does it interrogate and expand accepted and canonised histories in photography and visual culture? [I'm Interested](https://thephotographersgallery.org.uk/whats-on/talk-alayo-akinkugbe-and-emma-lewis-alternative-history-photography?ref=marmaladecollective.com) ## Party: Piano House **Fri 10 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-65.png)](https://sh.app/?ref=marmaladecollective.com) House favourite Larizzle returns with the first Piano House instalment of the year. A night dedictated to all things Amapiano - the incredible South African sound that is sweeping the globe. Award-winning DJ and music producer, Larizzle is a resident on BBC Radio 1Xtra and BBC Sounds' Amapiano to AfroHouse mix show. Joining him on the night will be Rachel Foxx, Sofi MLow and live saxophonist Solaariss. [I'm Interested](https://sh.app/?ref=marmaladecollective.com) ## Online Talk: Creating Africa's Premier Fashion Week **Fri 17 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-3.png)](https://www.vam.ac.uk/event/adppKabYYLk/online-talk-creating-africa-s-premier-fashion-week?ref=marmaladecollective.com) Join the founder/executive director of Lagos Fashion Week and internationally renowned speaker Omoyemi Akerele for this livestreamed inspiring look at the creation of a new Fashion Week that has grown into Africa’s largest fashion event. [I'm Interested](https://www.vam.ac.uk/event/adppKabYYLk/online-talk-creating-africa-s-premier-fashion-week?ref=marmaladecollective.com) ## Exhibition: Redefining The Body | Vogue x Snapchat **Opens on Sat 18 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image-4.png)](https://voguexsnapchat.com/?ref=marmaladecollective.com) **Vogue x Snapchat: Redefining the Body**, curated by Edward Enninful OBE, is a groundbreaking collaboration between Vogue and Snap Inc. that illustrates how augmented reality can advance the realm of physical fashion, amplifying and transforming clothing designs through innovative digital experiences, which are available to an inclusive global audience on Snapchat. The exhibition debuted in June 2022 at the Centre d’art La Malmaison in Cannes, and opens for its second iteration in Central London on 18th February 2023, with an exclusive event at London Fashion Week. [I'm Interested](https://voguexsnapchat.com/?ref=marmaladecollective.com) ## Comedy Show: Basketmouth Unprovoked **Sun 19 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-64.png)](https://www.cokobar.com/market/events/view/2488-London-Basketmouth-Unprovoked?ref=marmaladecollective.com) Basketmouth, Africa’s Premier Comedian takes the stage in London. African comedy, entertainment and tongue in cheek social commentary at its best. [I'm Interested](https://www.cokobar.com/market/events/view/2488-London-Basketmouth-Unprovoked?ref=marmaladecollective.com) ## Live Music: Dele Sosimi 60th Birthday Celebration **Wed 22nd February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-63.png)](https://thejazzcafelondon.com/event/dele-sosimi-60th-birthday-celebration/?ref=marmaladecollective.com) Dele Sosimi is arguably the most influential artist working in today’s afrobeat scene in London, and we’re delighted that for so long we’ve been able to call The Jazz Cafe the home of his seminal Afrobeat parties. [I'm Interested](https://thejazzcafelondon.com/event/dele-sosimi-60th-birthday-celebration/?ref=marmaladecollective.com) ## Africa through Europe and the Caribbean **Fri 24 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/02/image.png)](https://www.vam.ac.uk/event/QxQkg38x28/adaku-parker-saint-ogun-rum?ref=marmaladecollective.com) Join us for a wonderful merging of cultures where you will learn up-close about sewing with African wax prints and finish your night with a rum tasting and cocktail making masterclass. [I'm Interested](https://www.vam.ac.uk/event/QxQkg38x28/adaku-parker-saint-ogun-rum?ref=marmaladecollective.com) ## Party: Laju x We Wanna Party **Fri 24 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-66.png)](https://brixtonjamm.org/event/brixton-jamm-presents-2/?ref=marmaladecollective.com) Lose yourself in the vibes of Amapiano, Afrobeats and beyond with this Juls X Larizzle b2b takeover, in collaboration with their brand LAJU & We Wanna Party. Brixton Jamm welcomes two award winning sensations on the 24th February. Wavy DJ and pioneering producer of African music Juls, alongside party starter Larizzle; who reps London with the hottest tracks on the ‘Afrohouse to Amapiano’ series on BBC 1xtra. Together, they’ll be bringing the ultimate fiesta of sounds. [I'm Interested](https://brixtonjamm.org/event/brixton-jamm-presents-2/?ref=marmaladecollective.com) ## Talk: Zeze Millz In Conversation **Tue 28 February 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-61.png)](https://www.roundhouse.org.uk/young-creatives/spring-2023/self-made-live-presents-zeze-millz-in-conversation/?ref=marmaladecollective.com) Right now, Zeze Millz is the voice of a generation. A fearless TV presenter, champion of interviews, entrepreneur (and star of Stormzy’s ‘Mel Made Me Do It’ video), she is unafraid to speak her mind and openly discuss topics others are scared to touch speaks on the things that others are too scared to speak on. Hear Zeze’s career story as a content creator and ‘Self Made’ business woman – up close and personal. [I'm Interested](https://www.roundhouse.org.uk/young-creatives/spring-2023/self-made-live-presents-zeze-millz-in-conversation/?ref=marmaladecollective.com) --- ## Special offers & discounts ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/Stork_JuneContent_4731.jpeg) #### MAHABA Valentine's Day Menu 3-Course Menu for £65pp at Stork Restaurant, Mayfair [BOOK NOW](https://www.storkrestaurant.com/menus?ref=marmaladecollective.com) ### Girls Trip 2 Ghana, Tems Bags Oscar and Burna Boy To Headline Afro Nation 2023 URL: https://www.marmaladecollective.com/girlstrip2-ghana-tems-bags-oscar-and-burnaboy-to-headline-afronation-2023/ Last updated: 2023-01-30T10:00:26.000Z #### Highlights: - ‘Girls Trip 2’ Reuniting Full Cast for Adventure in Ghana *via [Variety](https://variety.com/2023/film/news/girls-trip-2-confirmed-1235497954/?ref=marmaladecollective.com)* - Tems Bags Oscar Nomination for 'Wakanda Forever' Song *via [OkayAfrica](https://www.okayafrica.com/oscars-tems-lift-me-up/?ref=marmaladecollective.com)* - Meet the South African Gen Z Entrepreneur Building a Beauty Empire *via [AMAKA](https://amaka.studio/explore/articles/the-south-african-entrepreneur-building-a-beauty-empire?ref=marmaladecollective.com)* - Burna Boy to Headline Afro Nation Portugal 2023 *via [Ebony](https://www.ebony.com/afro-nation-portugal-2023-lineup/?ref=marmaladecollective.com)* - Samuel Fosso’s Self-portraits Affirms the Beauty of African Heritage *via [i-D](https://i-d.vice.com/en/article/m7gzv4/50-years-of-powerful-self-portraits-by-samuel-fosso?ref=marmaladecollective.com)* - 5 Afrocentric Alcohol Brands You Should Know and Try *via [Marmalade](https://www.marmaladecollective.com/5-afrocentric-alcohol-brands-you-should-know-and-try/)* --- #### Now, on to the real peel... ### ‘Girls Trip 2’ Reuniting Full Cast for Adventure in Ghana [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-67.png)](https://variety.com/2023/film/news/girls-trip-2-confirmed-1235497954/?ref=marmaladecollective.com) *Image Source: Stylist Website* The sequel to the hit film "Girls Trip" is officially happening and will be set in Ghana! Writer-director-producer Tracy Oliver, who co-wrote the original 2017 film, shared the exciting news while promoting her Amazon Prime Video series "Harlem" at the Sundance Film Festival. The film's producer Will Packer is reportedly excited to set the film in Ghana, and the ladies of "Girls Trip" will look to attend the annual Afrochella festival, Ghana's premiere cultural and music event. **[Check it out on Variety](https://variety.com/2023/film/news/girls-trip-2-confirmed-1235497954/?ref=marmaladecollective.com)** ### Tems Bags Oscar Nomination for 'Wakanda Forever' Song [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-68.png)](https://www.okayafrica.com/oscars-tems-lift-me-up/?ref=marmaladecollective.com) *Image Source: Apple Music* Nigerian singer Temilade Openiyi, known as Tems, has been nominated for an Oscar for co-writing "Lift Me Up," a song on the "Black Panther: Wakanda Forever" soundtrack. The song, which was recorded in 5 countries, served as a tribute to Chadwick Boseman and was a collaboration between Tems, Rihanna, Ludwig Göransson, and Ryan Coogler. Tems has said that she drew inspiration for the song from people she had lost in her life, and that it was an honour to have Rihanna collab on the song. This is a historic moment as Africa has had a minimal presence at the Oscars over the years. **[Check it out on OkayAfrica](https://www.okayafrica.com/oscars-tems-lift-me-up/?ref=marmaladecollective.com)** _This post is for subscribers only._ ### 5 Afrocentric Alcohol Brands You Should Know and Try URL: https://www.marmaladecollective.com/5-afrocentric-alcohol-brands-you-should-know-and-try/ Last updated: 2023-01-28T13:02:39.000Z Are you tired of the same old boring drinks? Do you want to really switch up your cocktail game and give your taste buds the true African experience? Then look no further! We have handpicked 5 of the best Afrocentric alcohol brands that you need to know about. Whether you are looking for something new and different or just want to explore the flavours of Africa, these alcohol brands offer something for every kind of drinker. They each have their own unique style and flavour, guaranteed to elevate your drinking experience. So don't miss out on the opportunity to try something truly unique and enriching - explore the African alcohol brands and give your taste buds a truly unforgettable experience! ## Mirchi Rum Mirchi is an amazing new spirits company here to revolutionise the market with their natural spiced rum! It's made with real ingredients and is carbon-neutral and plastic-free. Mirchi is inspired by the founders' West African and South Asian roots, and combines the 'beauty of Lahore and the atmosphere of the London night scene' with the hero ingredient baobab. With Mirchi, diverse communities can enjoy a spirit that speaks to them, and breaks free from the outdated visuals of traditional spirits. [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-54.png)](https://wearemirchi.com/?ref=marmaladecollective.com) *Image Courtesy of Mirchi. Source: Website* ## London Manya Palm Wine You won't find Palm Wine like this anywhere else! London Manya's sparkling Palm Wine brings African heritage to the table with grace and finesse. London Manya’s Palm Wine sourced from the Southern Nigerian forests has been harvested by local Palm Wine Tappers for thousands of years. This sweet sap is deeply rooted in African Traditions, and is also enjoyed in West Africa, The Caribbean, South America and Southern Asia. _This post is for subscribers only._ ### African Queens Coming to Netflix, Wizkid Tours with Davido, Real Housewives of Abuja URL: https://www.marmaladecollective.com/african-queens-coming-to-netflix-wizkid-tours-with-davido-real-housewives-of-abuja/ Last updated: 2023-01-23T10:00:50.000Z #### Highlights: - Netflix Releases Trailer For ['African Queens: Njinga’](https://www.essence.com/entertainment/netflix-african-queens-njinga/?ref=marmaladecollective.com) produced by Jada Pinkett Smith *via Essence* - Hypebeast’s Roundup of [African Collectives To Watch](https://www.instagram.com/p/CnnNO9sO59k/?ref=marmaladecollective.com) in 2023 *via Instagram* - Dakar Positions Itself as [Africa's Cultural Hub](https://qz.com/dakar-is-reclaiming-its-place-as-the-cultural-capital-o-1850005570?ref=marmaladecollective.com) *via Quartz* - Wizkid Announces [Joint Tour with Davido](https://www.revolt.tv/article/2023-01-18/267596/wizkid-announces-joint-tour-with-davido/?ref=marmaladecollective.com). “Save your coins" says Wizkid *via Revolt* - Meet the Cast of Showmax’s [“The Real Housewives of Abuja”](https://www.glamour.co.za/lifestyle/showmax-announces-first-season-of-the-real-housewives-of-abuja-11625166-7a64-45fe-9a6d-ae82dc8c3f76?ref=marmaladecollective.com) *via Glamour* - [Best African Cookbooks](https://www.marmaladecollective.com/best-african-cookbooks-bursting-with-vibrant-recipes-and-flavourful-dishes/) Bursting with Vibrant Recipes and Flavourful Dishes *via Marmalade* --- #### Now, on to the real peel... ### Netflix Releases Trailer For 'African Queens: Njinga’ produced by Jada Pinkett Smith Get ready to reign over your couch as African Queens, a new docuseries narrated by Jada Pinkett Smith, is coming to Netflix! The show explores the lives of iconic African queens, starting with 17th century warrior queen Njinga of Angola. Smith is passionate about showcasing these powerful women's strength, leadership and influence on history. The series is written by Peres Owino and NneNne Iwuji and premieres on February 15, 2023\. Don't miss it! **[Check it out on Essence](https://www.essence.com/entertainment/netflix-african-queens-njinga/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-45.png)](https://www.essence.com/entertainment/netflix-african-queens-njinga/?ref=marmaladecollective.com) *Image Source: Essence* ### Hypebeast’s Roundup of African Collectives To Watch in 2023 Discover some of the most exciting and innovative street culture collectives on the African continent. From the bustling streets of Johannesburg and Lagos to the eclectic streets of Cape Town, the Zestful streets of Accra, and the easy-going streets of Gaborone and Nairobi, these collectives are breaking barriers and rewriting their stories in the most creative way. **[Check it out on Instagram](https://www.instagram.com/p/CnnNO9sO59k/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-46.png)](https://www.instagram.com/p/CnnNO9sO59k/?ref=marmaladecollective.com) *Image Source: Hypebeast via Instagram* _This post is for subscribers only._ ### Best African Cookbooks Bursting with Vibrant Recipes and Flavourful Dishes URL: https://www.marmaladecollective.com/best-african-cookbooks-bursting-with-vibrant-recipes-and-flavourful-dishes/ Last updated: 2023-01-21T11:55:07.000Z African cuisine is one of the most underrated yet varied culinary regions, ranging from North African to West African to sub-Saharan African cooking styles, traditions, and ingredients. Not to mention the widespread influence of African-American cuisine across the world. Food lovers will flock to your kitchen when they catch a whiff of the wonderful flavours that African food has to offer. In this guide, we will share some of our favourite African cookbooks to help you get started on your own African cooking journey. This list is just a starting point and does not encompass the full extent of African cuisine. ## Africana **Treasured recipes and stories from across the continent** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-40.png)](https://www.amazon.co.uk/Africana-Lerato-Umah-Shaylor/dp/0008458502/?ref=marmaladecollective.com) *Image courtesy of Lerato Umah-Shaylor (Author)* Uncover the secrets of iconic dishes from Nigeria to Madagascar, Morocco to South Africa with *Africana*, a culinary journey of discovery that celebrates cooking from across the African continent. Explore a variety of cuisines that feature bold flavours, cultural diversity and longstanding traditions. With over 100 recipes, [food writer and cook Lerato](https://www.instagram.com/leratofoods/?ref=marmaladecollective.com) shares her own stories of Africa and her own modern and inventive style. Experience the delightful flavours of Spice Island Coconut Fish Curry, Harissa Leg of Lamb with Hibiscus, Senegalese Yassa, Tunisian Tagine, South African Malva Pudding, and the perfect Jollof. [Buy on Amazon](https://www.amazon.co.uk/Africana-Lerato-Umah-Shaylor/dp/0008458502/?ref=marmaladecollective.com) ## Flavors of Africa ***Discover Authentic Family Recipes from All Over the Continent*** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-41.png)](https://www.amazon.co.uk/Flavors-Africa-Evi-Aki/dp/1624146740/?ref=marmaladecollective.com) *Image Source: Indigo* _This post is for subscribers only._ ### Chimamanda for Dior and Idris Elba's wish for Africa URL: https://www.marmaladecollective.com/chimamanda-for-dior-and-idris-elbas-wish-for-africa/ Last updated: 2023-01-16T10:00:12.000Z #### Highlights: - Chimamanda Ngozi Adichie in [Dior’s new campaign](https://en.vogue.me/fashion/chimamanda-ngozi-adichie-dior-lady-95-22-campaign-video/?ref=marmaladecollective.com) - [Idris and Sabrina Elba](https://www.ebony.com/jan-2023-cover-story-idris-and-sabrina-elba/?ref=marmaladecollective.com) launch wellness brand influenced by African heritage - [Rema & Selena Gomez](https://www.billboard.com/music/chart-beat/rema-selena-gomez-calm-down-number-one-billboard-global-excl-us-chart-1235195762/?ref=marmaladecollective.com) are not ‘Calming Down' - A historic milestone for [Nollywood in mainstream](https://twitter.com/FilmOneng/status/1612878508786651163?ref=marmaladecollective.com) UK and US cinemas - [African safari lodges](https://www.lonelyplanet.com/articles/how-african-safari-lodges-are-putting-local-creativity-front-and-center?ref=marmaladecollective.com) are shifting perception through creativity and design - 5 Of London’s Exquisite [Afro-fusion Fine Dining Restaurants](https://www.marmaladecollective.com/5-of-londons-exquisite-afro-fusion-fine-dining-restaurants/) --- #### Now, on to the real peel... ### Chimamanda Ngozi Adichie in Dior’s New Campaign Nigerian author [Chimamanda Ngozi Adichie](https://www.instagram.com/chimamanda%5Fadichie/?ref=marmaladecollective.com) has teamed up with Dior to be in their newest campaign. The campaign is launching the Lady 95.22 bag, which is a new version of the [classic Lady Dior bag](https://www.dior.com/en%5Fgb/fashion/bags/iconic-lady-dior?ref=marmaladecollective.com) from 1995\. Ngozi Adichie is wearing a Dior t-shirt with her famous essay We Should All Be Feminists on it and said, *"People used to think that being a feminist meant rejecting everything to do with being feminine. They thought you had to act like a man to be a feminist, but I don't think that's true. I think femininity and feminism can actually go together."* **[Check it out on Vogue](https://en.vogue.me/fashion/chimamanda-ngozi-adichie-dior-lady-95-22-campaign-video/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-34.png)](https://en.vogue.me/fashion/chimamanda-ngozi-adichie-dior-lady-95-22-campaign-video/?ref=marmaladecollective.com) *Image Source: Harper's BAZAAR* ### Idris and Sabrina Elba Launch Wellness Brand Influenced by African Heritage [Idris](https://www.instagram.com/idriselba/?ref=marmaladecollective.com) and [Sabrina Elba](https://www.instagram.com/sabrinaelba/?ref=marmaladecollective.com) are an ambitious couple who have forged a strong relationship that prioritises giving back. They draw inspiration from their African heritage, which has been a source of connection between them and the driving force behind their wellness brand, [S'ABLE Labs](https://sablelabs.co/?ref=marmaladecollective.com). With their combined efforts, the Elbas are creating a legacy that will impact generations to come. **[Check it out on Ebony Magazine](https://www.ebony.com/jan-2023-cover-story-idris-and-sabrina-elba/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-35.png)](https://www.ebony.com/jan-2023-cover-story-idris-and-sabrina-elba/?ref=marmaladecollective.com) *Image Source: @Sabrinadhowre via Twitter* _This post is for subscribers only._ ### 5 Of London’s Exquisite Afro-fusion Fine Dining Restaurants URL: https://www.marmaladecollective.com/5-of-londons-exquisite-afro-fusion-fine-dining-restaurants/ Last updated: 2023-01-16T10:09:26.000Z London is known for its diverse and vibrant food scene, and the city's Afro-fusion fine dining restaurants are no exception. From West African flavours to Caribbean-inspired dishes, these restaurants offer a taste of Africa and its diaspora in a refined, upscale setting. Here are five of London's best Afro-fusion fine dining restaurants that are worth a visit. --- ## 1\. [Ikoyi](https://ikoyilondon.com/?ref=marmaladecollective.com) At Ikoyi, diners can enjoy a unique, blind tasting menu featuring British micro-seasonal delicacies, with a focus on the West African palate. An example dish is the ever-popular smoked jollof rice (which occasionally incorporates crab, bone marrow, or garlic). Other specialties may include plantain crusted in raspberry salt and smoked scotch bonnet, or Wagyu beef with smoked eel sauce. 📍 *You’ll find Ikoyi at 180 Strand, Temple, London WC2R 1EA.* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-23.png)](https://ikoyilondon.com/?ref=marmaladecollective.com) Image Source: Ikoyi Website [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-22.png)](https://ikoyilondon.com/?ref=marmaladecollective.com) Image Source: LUXLife Magazine via Google *Video Source: [Lydia C. Linzi](https://www.youtube.com/@LydiaCLinzi?ref=marmaladecollective.com)* ## 2\. [Tatale](https://www.tataleandco.com/?ref=marmaladecollective.com) Inside the new Africa Centre in Southwark lies Tatale, named after a plantain pancake, and its relaxed atmosphere is inspired by Ghanaian chop bars. Tatale seeks to build a sense of camaraderie among its visitors, and each dish is accompanied by a story that is as captivating as the food itself, a combination of the personal and historical. Learn more about the fragrant South African geelrys with Malaysian roots, or find out the childhood joke that the delightful omo tuo (mashed rice) and nkatenkwan (groundnut soup) brings to mind. 📍 *You’ll find Tatale at The Africa Centre, 66 Great Suffolk Street, London, SE1 0BL.* [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-24.png)](https://www.tataleandco.com/?ref=marmaladecollective.com) Image Source: The Guardian via Google [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-25.png)](https://www.tataleandco.com/?ref=marmaladecollective.com) Image Source: London On The Inside via Google _This post is for subscribers only._ ### Fela the GOAT, Announcing Homemade Food, Spreading African Art URL: https://www.marmaladecollective.com/fela-the-goat-announcing-homemade-food-spreading-african-art/ Last updated: 2023-01-09T10:00:27.000Z ### 7 Africans on Rolling Stone's 200 Greatest Singers of All Time Rolling Stone recently ranked the 200 greatest singers of all time, featuring some of Africa's music legends. The list was compiled by the magazine's staff and contributors, covering 100 years of pop music. Fans were unhappy with the list, so Rolling Stone clarified that it was about originality, influence, and an artist’s legacy, focusing on pop music crossover stars. **[Check it out on Africanews](https://www.africanews.com/2023/01/06/who-are-the-7-africans-on-the-list-of-200-greatest-singers-of-all-time/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/unnamed-1.jpeg)](https://www.africanews.com/2023/01/06/who-are-the-7-africans-on-the-list-of-200-greatest-singers-of-all-time/?ref=marmaladecollective.com) *Image Source: [Google](https://yt3.ggpht.com/ytc/AMLnZu%5FTYkmwrKuQP41FExZq65ZZiL4l4mNHBnS%5F2QQCyA=s900-c-k-c0x00ffffff-no-rj?ref=marmaladecollective.com)* ⚡ You can get so much more from us than this free newsletter, everything from access to [**members-only events**](https://www.instagram.com/p/CjVkV2XDwUp/?ref=marmaladecollective.com) to film screenings and exclusive perks and special offers 🎉. [**Become a paid member today**](https://www.marmaladecollective.com/membership/) ### A Photo Essay about African-French Identity Carolina Arantes, who won the Firecracker photographic grant in 2017, is a photographer. She documents the daily life of African-heritage French women who are looking for a mixed identity in France. She calls this her long-term "First Génération" project, which was recently released in a book by Fisheye Éditions. The project includes interviews, family archives and portraits of women who are aware of their struggles in France. **[Check it out on The Guardian](https://www.theguardian.com/artanddesign/2023/jan/05/every-day-im-learning-african-french-identity-in-france-photo-essay?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-17.png)](https://www.theguardian.com/artanddesign/2023/jan/05/every-day-im-learning-african-french-identity-in-france-photo-essay?ref=marmaladecollective.com) *Image Source: The Guardian* _This post is for subscribers only._ ### 4 Delicious & Healthy African Recipes To Cook This Weekend URL: https://www.marmaladecollective.com/4-delicious-healthy-african-recipes-to-cook-this-weekend/ Last updated: 2023-01-06T10:39:45.000Z ### About Homemade Food Introducing **Homemade Food** \- an original series by Marmalade. Throughout this food series, we will be exploring the diverse and vibrant cuisines of the continent, from the spicy stews of West Africa to the aromatic curries of East Africa. We'll also be introducing you to some of the unique and exciting drinks that are popular across the continent, from refreshing sorghum beer to creamy shea butter milk. Whether you're a seasoned traveler looking to learn more about African cuisine or simply curious about the flavours and ingredients that make African food so special, this article is for you. So grab a seat and join us as we take a tasty tour of Africa! --- African food is renowned for its colourful, flavourful, and frequently nutritious dishes. Try making one of these three delectable and healthful African meals if you want to shake up your weekend supper routine. ### 1) Plantain Shakshuka “Shakshuka is Tunisia’s gift to the world. A one-pot dish of eggs on top of a lava of tomatoes and peppers, this moreish legacy travelled across North Africa, to Israel and the Middle East,” says [Lerato Umah-Shaylor](https://leratofoods.com/pages/about?ref=marmaladecollective.com). “My plantain shakshuka was created by chance when I threw in some leftover plantains. Unsurprisingly, the result was a stunning marriage of North and West African flavours. This is sure to become one of your brunch-time favourites.” _This post is for subscribers only._ ### Marmalade - What's on in January? URL: https://www.marmaladecollective.com/january-2023/ Last updated: 2023-03-12T08:31:34.000Z Wondering what to do this January? From exciting exhibitions, talks, live performances, and parties, below are some of the most exciting events to help you kick off 2023 with a bang! Have a wonderful January! Best, Marmalade Team 💝 You are receiving this exclusive newsletter because you're a paid member. Thank you for supporting us. ## Skate Lates with UNIQLO: VP Records x Shabba Party **Thu 05 January 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-9.png)](https://www.somersethouse.org.uk/whats-on/skate-somerset-house/djs-special-events/skate-lates/vp-records-x-shabba-party?ref=marmaladecollective.com) Jamaica and New York Reggae and Dancehall label VP Records joins forces with London Dancehall entertainment phenomenon Shabba Party to bring their Winter Carnival Party to the ice. Expect some of London’s hottest DJs and some legends spinning Dancehall, Reggae, Afro-beats and more including **Yng Cptn** and **Ras Kwame**. [I'm Interested](https://www.somersethouse.org.uk/whats-on/skate-somerset-house/djs-special-events/skate-lates/vp-records-x-shabba-party?ref=marmaladecollective.com) ## Saatchi Lates: Nadine Ijewere **Fri 13 January 2023, until 9pm** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-7.png)](https://www.saatchigallery.com/exhibition/saatchi%5Flates%5Fnbv%5F13%5F01%5F2023?ref=marmaladecollective.com) Meet the award winning south-east London-born fashion photographer currently featured in ‘The New Black Vanguard’ exhibition and the first woman of colour to shoot the cover of any Vogue edition. Informed by her own Nigerian-Jamaican identity, Ijewere's will discuss her work and how the subjects focus on identity and diversity. [I'm Interested](https://www.saatchigallery.com/exhibition/saatchi%5Flates%5Fnbv%5F13%5F01%5F2023?ref=marmaladecollective.com) ## London Art Fair **18-22 January 2023** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-11.png)](https://www.londonartfair.co.uk/?ref=marmaladecollective.com) Explore an exceptional line-up of Modern and Contemporary galleries from across the globe, and experience sensational live performances, immersive installations, and an inspiring programme of talks and tours [I'm Interested](https://www.londonartfair.co.uk/?ref=marmaladecollective.com) ## Saatchi Lates: Campbell Addy **Fri 20 January 2023, until 9pm** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-8.png)](https://www.saatchigallery.com/exhibition/saatchi%5Flates%5Fnbv%5F13%5F01%5F2023?ref=marmaladecollective.com) Meet the award-winning London based photographer & filmmaker born and raised in South London. His work follows unique narratives and authentic emotions in nature, with a focus on distinctive casting and under-represented faces. [I'm Interested](https://www.saatchigallery.com/exhibition/saatchi%5Flates%5Fnbv%5F13%5F01%5F2023?ref=marmaladecollective.com) ## Fashion, Culture and Design (Looking to and from the Continent) **Fri 20 January 2023, 19.00 – 20.30** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/Screenshot-2023-01-02-at-13.41.21.png)](https://www.vam.ac.uk/event/MVJ3jl2ykE/africa-fashion-salon-3-20-jan-2023?ref=marmaladecollective.com) An intergenerational conversation focusing on the journey and transitions of African Fashion over the years. [I'm Interested](https://www.vam.ac.uk/event/MVJ3jl2ykE/africa-fashion-salon-3-20-jan-2023?ref=marmaladecollective.com) ## Design Luminaries: Yinka Ilori in conversation **Tue 24 January 2023, 18.30 – 19.40** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-12.png)](https://designmuseum.org/whats-on/talks-courses-and-workshops/design-luminaries-yinka-ilori-in-conversation?ref=marmaladecollective.com) London-based multi-disciplinary artist and designer Yinka Ilori in conversation with the Design Museum's Head of Curatorial, Priya Khanchandani. Yinka Ilori’s bold visual aesthetic draws on his British-Nigerian heritage and injects vivid colour and dynamic geometries into projects as diverse as architecture, furniture, and fashion. [I'm Interested](https://designmuseum.org/whats-on/talks-courses-and-workshops/design-luminaries-yinka-ilori-in-conversation?ref=marmaladecollective.com) --- ## Special offers & discounts ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/2011_0010_v0420.1075_altered_v2.webp) #### Avatar: The Way of Water (ODEON Cinema Tickets) 🎫 **1 Anytime ODEON code** redeemable until 23 October 2023 - valid any day of the week *(ODEON LUXE excluded)* 🎫 **1 Off-Peak ODEON code** redeemable until 30 April 2023 - valid Monday to Thursday only *(ODEON LUXE excluded)* [EXCLUSIVE PRICE](https://feverup.com/m/120925?ref=marmaladecollective.com) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/Screenshot-2023-01-02-at-14.31.24.png) #### Grassfields Extended Boxing Day Sale Up to 80% Off their entire website [OFFER ENDS SOON](https://grass-fields.com/collections/new-in?ref=marmaladecollective.com) ### Rihanna's Fenty Beauty in Ghana, Afrochella Festival Ends Unexpectedly URL: https://www.marmaladecollective.com/rihannas-fenty-beauty-in-ghana-afrochella-festival-ends-unexpectedly/ Last updated: 2023-01-07T23:13:22.000Z Welcome back, and here's to a fantastic 2023! We're back with the first newsletter of the year - **Vol. 23** of The Spread. ### Rihanna takes Fenty Beauty to Ghana Fenty Beauty, the makeup brand founded by Rihanna, made its presence known at Afrochella, a two-day music and art festival in Accra, Ghana. The event celebrated Africa's music, culture, and art, and festival-goers had the opportunity to try out new Fenty products, win prizes, and get their makeup touched up. Fenty Beauty, which was launched in 2017 with the goal of celebrating beauty in all its forms, no matter one's race, ethnicity, or culture, is now available in eight African countries, including Ghana, Botswana, Kenya, Namibia, Nigeria, South Africa, Zambia, and Zimbabwe. Rihanna, who has a strong connection to Africa, said, *"It means a lot to me to be able to bring Fenty Beauty and Fenty Skin to eight African countries, and hopefully more in the future."* **[Check it out on Instagram](https://www.instagram.com/p/Cmw3uULj2km/?hl=en&ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image.png)](https://www.instagram.com/p/Cmw3uULj2km/?hl=en&ref=marmaladecollective.com) *Image Courtesy of [@zecky2409](https://twitter.com/zecky2409/status/1609100104396607490?ref=marmaladecollective.com) on Twitter* 💝 You can get so much more from us than this free newsletter, everything from access to [members-only events 🎟](https://www.instagram.com/p/CjVkV2XDwUp/?ref=marmaladecollective.com) to film screenings and exclusive perks and special offers 🎉. [**Become a paid member today**](https://www.marmaladecollective.com/membership/) ### Yinka Ilori's Playful Pop-Up in Shoreditch Designer [Yinka Ilori](https://www.instagram.com/yinka%5Filori/?hl=en&ref=marmaladecollective.com) has opened his first pop-up store in Shoreditch, London, two years after starting the Yinka Ilori Homeware brand. The store, which is inspired by West African architecture and features Yinka Ilori's signature colourful designs, sells homeware products as well as limited-edition pieces and a new collection made for the store's launch. The pop-up ends tomorrow so hurry! [**Check it out on Wallpaper**](https://www.wallpaper.com/design-interiors/yinka-ilori-shop-london-shoreditch?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2023/01/image-1.png)](https://www.wallpaper.com/design-interiors/yinka-ilori-shop-london-shoreditch?ref=marmaladecollective.com) *Image Courtesy of Revista Atelierul* _This post is for subscribers only._ ### December in Ghana, Nigeria Goes Vegan and African Waist Beads URL: https://www.marmaladecollective.com/december-in-ghana-nigeria-goes-vegan-and-african-waist-beads/ Last updated: 2022-12-26T22:05:37.000Z We're back with the last newsletter of the year - **Vol. 22** of The Spread. We published our reflections and recap for 2022, in case you missed it, [check it here](https://www.marmaladecollective.com/email/920181c6-82f9-4cf2-b97d-6c53d618e2ad/) ### Chance the Rapper's Free Concert in Ghana Chance the Rapper, Vic Mensa and the rest of their crew are sharing the best of West African culture with the world! [The Black Star Line Festival](https://blackstarlinefest.com/?ref=marmaladecollective.com) (Jan 6, 2023) is a weeklong extravaganza in Ghana's Black Star Square, and features performances by some of the biggest names in music - Erykah Badu, T-Pain, Jeremih and more. This is a celebration of the political freedom won by Ghanaians in 1957, and an opportunity to showcase the vibrant culture of West Africa. So if you're looking for a party to remember, the Black Star Line Festival is the place to be! **[Read on Africanews](https://www.africanews.com/2022/12/22/chance-the-rapper-to-bring-free-concert-festival-to-ghana/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/12/image-14.png)](https://www.africanews.com/2022/12/22/chance-the-rapper-to-bring-free-concert-festival-to-ghana/?ref=marmaladecollective.com) *Image Courtesy of Black Enterprise* 💝 You can get so much more from us than this free newsletter, everything from access to [members-only events 🎟](https://www.instagram.com/p/CjVkV2XDwUp/?ref=marmaladecollective.com) to film screenings and exclusive perks and special offers 🎉. [**Become a paid member today**](https://www.marmaladecollective.com/membership/) ### Ghana: The New Home of 'Detty December' It's the time of year when your social media friends mysteriously disappear - and you know where they've gone. Ghana. Since 2019, President Nana Akufo-Addo's ["Year of Return"](https://theculturetrip.com/africa/ghana/articles/how-ghanas-year-of-return-sparked-a-pan-african-phenomenon/?ref=marmaladecollective.com) campaign has been encouraging people of African descent to reconnect with their ancestral home. So, if you're wondering why your friends have all gone to Ghana, that's why. Don't worry, they'll be back eventually! [**Read on Ebony**](https://www.ebony.com/ghana-december-travel/?ref=marmaladecollective.com) [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/12/image-15.png)](https://www.ebony.com/ghana-december-travel/?ref=marmaladecollective.com) *Image Courtesy of DLT Brunch* _This post is for subscribers only._ ### Tems and Rihanna react with excitement, Oxlade is Vevo 2023 Artist To Watch URL: https://www.marmaladecollective.com/tems-and-rihanna-react-with-excitement-oxlade-is-vevo-2023-artist-to-watch/ Last updated: 2022-12-19T10:00:25.000Z We're back with **Vol. 21** of The Spread. This week, we bring you the best stories and global news on all things African culture. From music and fashion to contemporary trends and upcoming events, we've got you covered. As the festive season continues, join us on a journey through the rich and vibrant world of African culture. Get ready to be inspired, educated, and entertained this holiday season. 🤑 We are giving away **three £50 Amazon vouchers**. To stand a chance to win one of these, [**complete our survey**](https://www.marmaladecollective.com/r/095b659c?m=6156af09-f423-4725-948f-fda77e870ce4) (takes less than 90 secs). You can get so much more from us than this free newsletter, everything from access to [members-only events 🎟](https://www.instagram.com/p/CjVkV2XDwUp/?ref=marmaladecollective.com) to film screenings and exclusive perks and special offers 🎉. [**Become a paid member today**](https://www.marmaladecollective.com/membership/) ## Here are this week's stories... ### Tems x Tommy This week's FRONTPAGE (which is featured in the new issue of Highsnobiety Magazine) is all about musical sensation Tems, a pop star who is blazing a trail for modern African soul. **[Check it here](https://www.highsnobiety.com/p/tems-interview/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/12/image-8.png)](https://www.highsnobiety.com/p/tems-interview/?ref=marmaladecollective.com) *Source: HIGHSNOBIETY / SAMUEL IBRAM* --- ### Oxlade is one of Vevo DSCVR Artists to Watch 2023 Oxlade's "Away" gained attention from Drake and Rolling Stone, with 13 million streams. With minimalism and repetition, he's mastered his craft. After studying history, he released "Shugar" which went viral. Oxlade's confidence is his strength, evident in his COLORS performance of "KU LO SA" which earned 40 million views. He calls Afrobeats a way of life and a movement, and is an African pop music leader. **[Check it here](https://www.youtube.com/watch?v=p54OGpsD8rY&list=PLYnRNXcctfhOF4N1KPswHwKd8GiidRPl9&ab%5Fchannel=VevoDSCVR&ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/12/image-9.png)](https://www.youtube.com/watch?v=p54OGpsD8rY&list=PLYnRNXcctfhOF4N1KPswHwKd8GiidRPl9&ab%5Fchannel=VevoDSCVR&ref=marmaladecollective.com) *Source: @oxlade\_news on Twitter* _This post is for subscribers only._ ### Burna Boy releases new video for Whiskey via Crack Magazine URL: https://www.marmaladecollective.com/burna-boy-releases-new-video-for-whiskey/ Last updated: 2022-12-16T10:42:15.000Z Burna Boy has released the video for *Whiskey,* from his 2022 album *Love, Damini*. The music video tackles the issue of the climate crisis and its effect on Burna Boy’s hometown Port Harcourt, Nigeria. Residents in the area have faced homelessness, health issues and food insecurity due to oil exploration in the region. The documentary aims to spotlight the stories of Port Harcourt locals in a call to action which illuminates the devastating effects of climate change in Nigeria. _This post is for subscribers only._ ### Netflix Nigeria’s “Blood Sisters” Was One of the Best 2022 Shows via Teen Vogue URL: https://www.marmaladecollective.com/netflix-nigerias-blood-sisters-was-one-of-the-best-2022-shows-via-teen-vogue/ Last updated: 2022-12-14T10:36:47.000Z When the trailer for *Blood Sisters* was announced back in April, I was skeptical of this new Nigerian crime-thriller series. The storyline lacked tension, the plot appeared caught between a money heist or a story about fugitives. But my wariness centered on a larger context. Netflix [set up a base in Nigeria in 2016](https://www.thecable.ng/is-netflix-really-helping-to-improve-nollywood?ref=marmaladecollective.com#:~:text=Netflix%20first%20launched%20its%20streaming,films%20streamed%20on%20the%20platform.), commissioning original television and film projects and optioning a range of Nollywood projects that would typically only show in Nigerian cinemas. Upon its official launch in 2020, Netflix Nigeria and its slate of Nollywood projects thus far haven’t exactly matched the hype and excitement many had for the streaming company’s presence in the country. _This post is for subscribers only._ ### Kenya: The 23 Best Places to Go in 2023 via Condé Nast Traveler URL: https://www.marmaladecollective.com/kenya-the-23-best-places-to-go-in-2023-by-conde-nast-traveler/ Last updated: 2022-12-13T10:19:15.000Z ***Go for:* City hotspots, island getaways, and dazzling safari lodges* ​​[Kenya](https://www.cntraveler.com/story/kenya-brian-siambi-locals-guide?ref=marmaladecollective.com) has long been a big draw for [safari](https://www.cntraveler.com/inspiration/safari?ref=marmaladecollective.com) travelers, but there’s much more to see beyond the Masai Mara—and there are compelling new reasons to crisscross the country. While [Nairobi](https://www.cntraveler.com/story/exploring-nairobi-with-the-maasai-maras-first-ever-female-safari-guide?ref=marmaladecollective.com) was often relegated to one-night layovers en route to the bush, innovative new hotel concepts like [The Social House Nairobi](https://cna.st/affiliate-link/gVLYTFHP77FHsgBtioDhjRxkW2AP5w35wuMEbfQ7g1HfV7zzR58pjpgKA4JrYLZfStqfQ4o6z7EaDb6wsfKPFkA63xcrwd4KWc1YgD3pJPKnTF3yScztjrCiBTPWq6WCsfhA67AEHSLxL3rkUgisUHx3KNRVRU7a5PnXHJdiDggetPtcNZbEhftMnh8Rjsp2cWM71k68xZtZtjGNud?xid=fr1670925087089efj&ref=marmaladecollective.com), which opened just before the pandemic, are beckoning visitors to linger awhile. The 83 sleek rooms are brimming with local products, like Kenyan coffee and toiletries, and the four restaurants and café are hot spots for Nairobi’s creative set to converge. Nairobi’s restaurant scene is also thriving, with creative kitchens like the farm-to-table [Cultiva](https://www.instagram.com/cultivakenya/?hl=en&ref=marmaladecollective.com), the brainchild of Ecuadorian chef Ariel Moscardi, who fell in love with Nairobi during a short visit; he’s now at work on an experimental chef’s-table offshoot called Aya set to open next year. Plus, on the heels of opening her home to guests as the art-filled [Eden Nairobi](https://cna.st/affiliate-link/3bJgWNyAscQZQSYf74g3u2wJerTpHAM179ho5ypGr7msowqdDz5rEnGUAj7zsKD3Q7JJygKeZ13LoxqYfRnCj89mtKGAUTR9tRwmcmjMfeN1bgFc9kxcY9VwDmo58b?xid=fr1670925087089iie&ref=marmaladecollective.com) in 2021, designer Anna Trzebinski has now set her sights on the coast. She’s taken over three apartments in the beguiling island archipelago of [Lamu](https://www.cntraveler.com/story/island-hopping-in-kenyas-lamu-archipelago?ref=marmaladecollective.com), filled them with furniture and decor she designed, and will unveil them as Jannah Shela in 2023\. _This post is for subscribers only._ ### The Marmalade Guide: 5 African Netflix Titles To Binge Watch This Festive Season URL: https://www.marmaladecollective.com/5-african-netflix-titles-to-binge-watch-this-festive-season/ Last updated: 2022-12-12T20:54:08.000Z This festive season, you don't need to spend hours scrolling through Netflix to find something to watch. For all you aficionados out there, we have a list of 5 African Netflix titles that you can binge on this festive season. ## 1\. How To Ruin Christmas (3 seasons) Free-spirited Tumi always manages to make a mess of things. Can she make it through this holiday family reunion without ruining it completely? **Season 1:** Prodigal daughter Tumi tries to make things right after completely ruining what should have been her sister’s picture-perfect Christmas wedding. [Watch How To Ruin Christmas on Netflix](https://www.netflix.com/gb/title/81294417?ref=marmaladecollective.com) **Season 2:** A year after last year's Christmas disaster, Tumi finds herself in the centre of another holiday family mess when a relative suddenly passes away. _This post is for subscribers only._ ### Dakar Hosts Chanel, Africa Plays Polo and Adekunle Gold On GAFFER URL: https://www.marmaladecollective.com/dakar-hosts-chanel-africa-plays-polo-and-adekunle-gold-on-gaffer/ Last updated: 2022-12-12T10:00:57.000Z ### Chanel goes to Africa After three years in planning, [Chanel](https://www.instagram.com/chanelofficial/?ref=marmaladecollective.com) makes history with its first show in Dakar, Senegal. Dakar marks the beginning of an ongoing exchange between the House and Senegal. **[Check it here](https://www.chanel.com/gb/fashion/collection/metiers-art-2022-23/?ref=marmaladecollective.com)** [![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/12/image-3.png)](https://www.chanel.com/gb/fashion/collection/metiers-art-2022-23/?ref=marmaladecollective.com) *Source: Chanel* --- ### Africa changing the narrative in polo [Lux Afrique](https://www.instagram.com/luxafrique/?ref=marmaladecollective.com) premieres a visually stunning short film about how Africans are not just taking part but excelling in the elite game of polo. **[Check it here](https://www.youtube.com/watch?v=ak7sdioQZJc&ab%5Fchannel=Luxafrique&ref=marmaladecollective.com)** _This post is for subscribers only._ ### Asake talks about being booed off stage, a luxury African egg and two Bratz dolls URL: https://www.marmaladecollective.com/asake-booed-off-stage-a-luxury-african-egg-and-two-bratz-dolls/ Last updated: 2022-12-05T10:00:10.000Z --- ### Nigerian designer, Mowalola collab with Bratz 👩🏾‍🎤 **For** the first time ever, [Bratz](https://www.instagram.com/bratz/?ref=marmaladecollective.com) collaborate with [Mowalola](https://www.instagram.com/mowalola/?ref=marmaladecollective.com), a Nigerian designer to create two dolls *“Felicia”* and *“Jade”* adorned in signature Mowalola outfits and avant-garde makeovers. [**Check it here**](https://www.nylon.com/life/mowalola-bratz-collaboration-jade-felicia?ref=marmaladecollective.com) ### A once-in-a-lifetime luxury African egg 🥚 Another first time and symbolic collab, [Faberge](https://www.faberge.com/?ref=marmaladecollective.com) and [Lux Afrique Boutique](https://www.luxafrique.boutique/?ref=marmaladecollective.com) come together to create a limited edition of 54 African egg necklaces nicknamed "IFË". [**Check it here**](https://www.instagram.com/p/Cln3cM2DrhN/?ref=marmaladecollective.com) _This post is for subscribers only._ ### Oxlade, Ayra Starr, Amaarae, Others, Feature In Stormzy’s ‘This Is What I Mean’ Album URL: https://www.marmaladecollective.com/oxlade-ayra-starr-amaarae-others-feature-in-stormzys-this-is-what-i-mean-album/ Last updated: 2022-11-28T16:58:18.000Z The Spread Vol 18: Nov 28th, 2022. _This post is for subscribers only._ ### Wizkid Releases Tour List For ‘More Love, Less Ego’ Album URL: https://www.marmaladecollective.com/wizkid-releases-tour-list-for-more-love-less-ego-album/ Last updated: 2022-11-21T11:39:27.000Z The Spread Vol 17: Nov 21st, 2022. _This post is for subscribers only._ ### Naomi Campbell Wears Thebe Magugu, Kenneth Ize, Others, On Vogue Arabia Cover URL: https://www.marmaladecollective.com/naomi-campbell-wears-thebe-magugu-kenneth-ize-others-on-vogue-arabia-cover/ Last updated: 2022-11-17T10:23:14.000Z The Spread Vol 16: Nov 14th, 2022. _This post is for subscribers only._ ### Guap Magazine and The Native Partner Together For Young Creatives URL: https://www.marmaladecollective.com/guap-magazine-and-the-native-partner-together-for-young-creatives/ Last updated: 2022-11-20T16:41:29.000Z The Spread Vol 15: Nov 7th, 2022. _This post is for subscribers only._ ### Burna Boy To Perform At Rihanna’s Vol. 4 Savage x Fenty Show URL: https://www.marmaladecollective.com/burna-boy-to-perform-at-rihannas-vol-4-savage-x-fenty-show/ Last updated: 2022-11-20T22:15:14.000Z The Spread Vol 14: Oct 31st, 2022. _This post is for subscribers only._ ### Exclusive Photos: Beyond Black Pop Up x Party, 29th Oct URL: https://www.marmaladecollective.com/exclusive-photos-beyond-black-pop-up-x-party-29th-oct/ Last updated: 2024-02-01T09:58:07.000Z Supported by [Sook](https://www.sook.space/?ref=marmaladecollective.com), [Zazuu](https://app.zazuu.co/6hEg/jamabdollar2?ref=marmaladecollective.com), [Lux Afrique](https://luxafrique.net/?ref=marmaladecollective.com) and [Value Africa](https://www.valueafrica.co.uk/?ref=marmaladecollective.com) Featured Brands: [GBEMI](https://gbemi.co.uk/?ref=marmaladecollective.com), [Stories We Cherish](https://storieswecherish.com/?v=79cba1185463&ref=marmaladecollective.com), [SOCK OF A KIND](https://www.sockofakind.com/?ref=marmaladecollective.com), [African Originals](https://africanoriginals.com/?ref=marmaladecollective.com), [Pedro's](https://www.instagram.com/pedrosafrica/?ref=marmaladecollective.com), [Aphro Palm Spirit](https://www.instagram.com/aphrospirit/?ref=marmaladecollective.com) and others Drink Sponsor: [Nativtea](https://www.instagram.com/nativtea%5F/?ref=marmaladecollective.com) Host: [Create IRL](https://www.instagram.com/create%5Firl/?ref=marmaladecollective.com) Photography: [Adam Duke Photography](https://www.adamdukephotography.com/?ref=marmaladecollective.com) Venue: [Sook](https://www.sook.space/?ref=marmaladecollective.com), 32 Shoreditch High St, London E1 6PG ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-99.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-101.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-102.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-105.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-108.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-111.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-112.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-114.jpg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/Sook-Space-Beyond-Black-Pop-Up-Party-116.jpg) Image Credit: Adam Duke Photography _This post is for subscribers only._ ### Wakanda Forever: Nigeria To Host African Premiere Of Black Panther Sequel URL: https://www.marmaladecollective.com/wakanda-forever-nigeria-to-host-african-premiere-of-black-panther-sequel/ Last updated: 2022-10-24T09:00:44.000Z The Spread Vol 13: Oct 24th, 2022. _This post is for subscribers only._ ### Michaela Coel Is The Cover Star For US Vogue November Issue URL: https://www.marmaladecollective.com/michaela-coel-is-the-cover-star-for-us-vogue-november-issue/ Last updated: 2025-10-12T19:16:45.000Z The Spread Vol 12: Oct 17th, 2022 _This post is for subscribers only._ ### Beyond Black: Culture in Colour, Diaspora 🇬🇧 🇺🇸 URL: https://www.marmaladecollective.com/beyond-black-culture-in-colour-diaspora/ Last updated: 2022-11-20T17:26:45.000Z A Black History Month campaign by Marmalade Collective where we feature designers who explore their diverse ethnic groups and places of origin, to build brands of global significance. _This post is for paying subscribers only._ ### Beyond Black: Culture in Colour, East & South Africa 🇿🇦 URL: https://www.marmaladecollective.com/beyond-black-culture-in-colour-east-south-africa/ Last updated: 2022-11-20T17:27:08.000Z A Black History Month campaign by Marmalade Collective where we explore the diverse ethnic groups, like the Ndebele people, the Zulu people, the Baganda people, Somalians, and the like. _This post is for paying subscribers only._ ### John Boyega Is A Cover Star For Soho House Magazine Debut URL: https://www.marmaladecollective.com/john-boyega-is-a-cover-star-for-soho-house-magazine-debut/ Last updated: 2025-09-26T13:37:23.000Z The Spread Vol 11: Oct 10th, 2022 _This post is for subscribers only._ ### Beyond Black: Culture in Colour, West Africa 🇬🇭 URL: https://www.marmaladecollective.com/beyond-black-culture-in-colour-west-africa-ghana/ Last updated: 2022-11-20T17:27:16.000Z As Africans, we are known largely for our distinct, yet diverse culture and heritage. This, we have brought to the mainstream through exciting channels like fashion, food, art, music, and places. As we veer deeper into Black History Month, we bring to you the **Beyond Black 'Culture in Colour'** campaign, to celebrate African designers across regions and in the diaspora, who've tapped into our excellent culture, and built celebratory brands. Check out our list for Ghana, West Africa, where we feature designers who explore the diverse ethnic groups, and indigenous accessories and fabrics like **Kente, Ghanaian smock, Ankara** and the likes. _This post is for paying subscribers only._ ### Beyond Black: Culture in Colour, West Africa 🇳🇬 URL: https://www.marmaladecollective.com/beyond-black-culture-in-colour-west-africa-nigeria/ Last updated: 2022-11-20T17:27:24.000Z As Africans, we are known largely for our distinct, yet diverse culture and heritage. This, we have brought to the mainstream through exciting channels like fashion, food, art, music, and places. As we veer deeper into Black History Month, we bring to you the Beyond Black 'Culture in Colour' campaign, to celebrate African designers across regions and in the diaspora, who've tapped into our excellent culture, and built celebratory brands. Check out our list for Nigeria, West Africa, where we feature designers who explore the diverse ethnic groups, and indigenous accessories and fabrics like Adire, Aso-Oke, Ankara and the likes. _This post is for paying subscribers only._ ### Exclusive Photos: JAM with LARIZZLE, Sep 24th URL: https://www.marmaladecollective.com/exclusive-photos-jam-with-larizzle-sep-24th/ Last updated: 2024-02-01T09:59:58.000Z Sponsored by [Zazuu](https://app.zazuu.co/6hEg/jamabdollar2?ref=marmaladecollective.com) and [Ultimalt Drinks](https://www.instagram.com/ultimaltdrinks/?hl=en&ref=marmaladecollective.com) Special Guest DJ: [LARIZZLE](https://www.instagram.com/larizzleofficial/?ref=marmaladecollective.com) Resident DJ: [Nicole Shai](https://www.instagram.com/nicoleshai/?hl=en&ref=marmaladecollective.com) Host: [Mannyjones](https://www.instagram.com/mannyjones.mc/?ref=marmaladecollective.com) Photography: [Bella Macgregor](https://www.instagram.com/bellamacgregor/?ref=marmaladecollective.com) Videography: [Made By Jack](https://www.instagram.com/madebyjg/?ref=marmaladecollective.com) Venue: Tea Building Studio, Shoreditch ([Soho Friends](https://www.instagram.com/sohofriends/?hl=en&ref=marmaladecollective.com)) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810001.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810003.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810004.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810005.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810006.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810007.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810009.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810012.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/10/000011810013.jpeg) > [ View this post on Instagram ](https://www.instagram.com/tv/CjVkV2XDwUp/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Marmalade Collective (@marmaladecollective)](https://www.instagram.com/tv/CjVkV2XDwUp/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) _This post is for subscribers only._ ### Skepta Inks Deal With Puma As Its New Global Ambassador URL: https://www.marmaladecollective.com/skepta-inks-deal-with-puma-as-its-new-global-ambassador/ Last updated: 2025-10-09T13:54:52.000Z The Spread Vol 10: Oct 3rd, 2022 _This post is for subscribers only._ ### Burna Boy Appears On A Cover Of Dazed Magazine’s Autumn/22 Issue URL: https://www.marmaladecollective.com/burna-boy-appears-on-a-cover-of-dazed-magazines-autumn-22-issue/ Last updated: 2022-11-20T16:38:51.000Z The Spread Vol.9: Sept. 26th, 2022. _This post is for subscribers only._ ### Davido Walks The Runway For Puma, At New York Fashion Week URL: https://www.marmaladecollective.com/davido-walks-the-runway-for-puma-at-new-york-fashion-week/ Last updated: 2022-11-20T16:38:43.000Z The Spread Vol.8: Sept. 19th, 2022. _This post is for subscribers only._ ### Asake Releases Debut Album, Mr. Money With The Vibe URL: https://www.marmaladecollective.com/asake-releases-debut-album-mr-money-with-the-vibe/ Last updated: 2022-11-20T22:20:50.000Z The Spread Vol.7: Sept. 12th, 2022. _This post is for subscribers only._ ### Exclusive Photos: JAM with AB DOLLARS, Sep 9th URL: https://www.marmaladecollective.com/exclusive-photos-jam-with-ab-dollars-sep-9th/ Last updated: 2024-02-01T09:59:49.000Z The 2nd JAM event was on Friday 9th Sep at Brixton Studio (Soho House) and featured AB DOLLARS, supported by JAM resident DJ, Nicole Shai and host Aaron Deacon _This post is for subscribers only._ ### Nike Opens Its First West African Flagship Store In Lagos, Nigeria URL: https://www.marmaladecollective.com/nike-opens-its-first-west-african-flagship-store-in-lagos-nigeria/ Last updated: 2022-11-20T22:17:37.000Z The Spread Vol. 6: Sept. 5th, 2022. _This post is for subscribers only._ ### Kendrick Lamar Appears On The Cover of Citizen Magazine’s Fantasy Issue URL: https://www.marmaladecollective.com/kendrick-lamar-appears-on-the-cover-of-citizen-magazines-fantasy-issue/ Last updated: 2022-08-29T09:00:34.000Z The Spread Vol. 5: August 29th, 2022. _This post is for subscribers only._ ### Exclusive Photos: JAM with Mercedes Benson, Aug 20th URL: https://www.marmaladecollective.com/jam-with-mercedes-benson-aug-20th/ Last updated: 2024-02-01T09:59:40.000Z Sponsored by [Ultimalt Drinks](https://www.instagram.com/ultimaltdrinks/?hl=en&ref=marmaladecollective.com) Special Guest DJ: [Mercedes Benson](https://www.instagram.com/mercedesfbenson/?hl=en&ref=marmaladecollective.com) Resident DJ: [Nicole Shai](https://www.instagram.com/nicoleshai/?hl=en&ref=marmaladecollective.com) Photography: [Shellie Barnard](https://www.instagram.com/shotbyshellie/?hl=en&ref=marmaladecollective.com) Venue: Brixton Studio ([Soho Friends](https://www.instagram.com/sohofriends/?hl=en&ref=marmaladecollective.com)) _This post is for subscribers only._ ### Music Company, Sony Music Publishing, Comes To Nigeria, And Names Godwin Tom as MD URL: https://www.marmaladecollective.com/music-company-sony-music-publishing-comes-to-nigeria-and-names-godwin-tom-as-md/ Last updated: 2025-10-09T13:53:39.000Z The Spread Vol. 4: August 22nd, 2022 _This post is for subscribers only._ ### TEMS, Gyakie and others, to perform with global stars at Global Citizens 2022 URL: https://www.marmaladecollective.com/tems-gyakie-and-others-to-perform-with-global-stars-at-global-citizens-2022/ Last updated: 2022-11-20T22:22:48.000Z The Spread Vol. 3: August 15th, 2022 _This post is for subscribers only._ ### The Marmalade Guide To 4 African TV Shows With High Fashion To Stream In 2022 URL: https://www.marmaladecollective.com/best-african-fashion-tv-shows-to-stream-right-now/ Last updated: 2022-07-15T09:29:04.000Z Industries and sectors across Africa are putting in the work to build very formidable ventures. From fashion and beauty to TV and entertainment, each of these industries are rising below subpar levels, to produce lovable and laudable contents for their audiences. As we already know, Africa continues to bustle with a lot of events, with its inhabitants constantly searching for reasons to show off what they wear— whether it’s birthday parties, church celebrations, obituaries, or the highly anticipated *[Owambe](https://www.pulse.ng/lifestyle/events/owambe-yorubas-love-to-party/74fw9hy?ref=marmaladecollective.com)*. Not sure what we mean by Owambe? Check out this video Credit: Still Watching Netflix YouTube Channel If you’re a lover of fashion and want to be part of the [*pepper dem gang*](https://www.nairaland.com/3663203/olamide-explains-meaning-pepper-dem?ref=marmaladecollective.com) with your outfits when you go for events, what better way to find style inspiration for your designer than to binge watch shows with heavy fashion scenes, whilst having fun in the process? If this is you, Marmalade has got you covered. For this piece, we would explore 4 African TV shows with heavy fashion you should be streaming right now. WARNING: Some of them might contain mild spoilers. ## Blood Sisters Blood sisters, currently streaming on Netflix, is a Nigerian TV show that focuses on two friends, Sarah and Kemi played by Ini-Dinma Okojie and Nancy Isime, respectively. Kemi had to unwittingly kill Sarah’s fiancé, Kola, played by Deyemi Okanlawon, after finding out that she was being domestically abused. Beyond the thrill that comes with watching how these women escape death multiple times after the unfortunate incident with Kola, the high fashion especially scooped by the delectable Uduak Ademola, played by Kate Henshaw-Nuttal, had viewers gagging. “The costume in the movie suits every scene and role, and as the roles change, you see the change of costume, and you are able to see immediately the change of circumstances,” writes a [*NollyRated*](https://nollyrated.com/blood-sisters-2022-movie-review/?ref=marmaladecollective.com) review. From one outfit to another, Uduak’s pieces which were styled by powerhouse stylist, Yolanda Okereke, brought a new conversation to the show**.** Credit: Netflix ## Young, Famous & African Young, Famous & African is a Netflix original reality TV show created by Peace Hyde and Martin Asare Amankwa. Like the name suggests, the show focuses on young, famous African names, who have gone on to create envious brands for themselves. Annie Macaulay-Idibia, wife to famous Nigerian entertainer, 2-face Idibia, Swanky Jerry, born Jeremiah Ogbodo, Khayi Mbau, singer, Diamond Platnumz, Naked DJ, Zari Hassan AKA Zari the Boss Lady, Nadia Nakai and Andile Ncube, are the cast members on the show. Each of these names are known for their glamorous lifestyles, which they have expressed explicitly through what they wear. “When you see a lot of the Western depictions of Africa, in a positive light, it’s usually tapping into our rich culture, our heritage, our traditions, our clothes, our food,” Hyde tells [*Quartz Africa*](https://qz.com/africa/2144419/how-young-famous-african-shapes-views-of-the-continent/?ref=marmaladecollective.com). “But I really would love to see a cosmopolitan Africa.” Credit: Netflix ## Real Housewives of Lagos The Real Housewives franchise, Real Housewives of Lagos, RHOL, is also a reality TV show known for its casting of a select number of elite women in Lagos, Nigeria, who live lavishly and loudly in the country. The show which casts 5 women in the persons of [Iyabo Ojo](https://www.instagram.com/iyaboojofespris/?ref=marmaladecollective.com), [Chioma Ikokwu](https://www.instagram.com/chiomagoodhair/?ref=marmaladecollective.com) of Good Hair, [Carolyna Hutchings](https://www.instagram.com/carolynahutchings/?ref=marmaladecollective.com), [Laura Ikeji](https://www.instagram.com/lauraikeji/?ref=marmaladecollective.com), Toyin Lawani-Adebayo of Tiannah’s Empire, and [Mariam Timmer](https://www.instagram.com/mariamadeyemitimmer/?ref=marmaladecollective.com), currently airs on Showmax, recently concluded, and had two reunions to go with it. “\[The\] fashion was spectacular. Every outfit the ladies wore was a hit, especially when they went out to dinner or a party. The ladies did an excellent job of establishing fashion trends that will live rent-free in viewers’ minds,” writes a [*Premium Times Nigeria*](https://www.premiumtimesng.com/entertainment/naija-fashion/533431-review-the-real-housewives-of-lagos-pretty-faces-fashion-not-enough-to-elevate-disappointing-series.html?ref=marmaladecollective.com) review. Each of these women are known for their high fashion sense, exaggerated styles of dressing, and heavy makeup, wearing brands like Weizdhurm Franklyn, Tiannah’s Empire, DNA ByIconicVanity, and so on. Credit: Showmax ## Savage Beauty Directed by Rea Rangaka, Savage Beauty is a Netflix original series about a South African beauty empire that was built on the exploitation of the poor residents in underdeveloped countries, and the creation of harmful bleaching products. It starred actors like Rosemary Zimu, Dumisani Mbebe, Nambitha Ben-Mazwi, Jesse Suntele, and Nthati Moshesh, with a plot of revenge from the protagonist, Zinhle, played by Rosemary Zimu, against the antagonist family, the Bhengu family. Since it was a beauty brand, there was, by extension, the need to dress up for events where the elite family had to show up elegantly dressed, wearing original designers like Gert-Johan Coetzee, YDE, The Space, all styled by leading stylist, Sulet Meintjies. “Within the different characters and their different personalities, we want to show them through fashion. And pretty much those who are into textiles and fashion will be quite pleased from episode one to the final episode,” says Rangaka, to [*IOL*](https://www.iol.co.za/lifestyle/style-beauty/fashion/savage-beauty-promises-high-fashion-and-african-glam-ca69d15b-c1e1-40b2-9492-3bee0749efd1?ref=marmaladecollective.com)*.* Credit: Netflix ### The Marmalade Guide To The Africa Fashion Exhibition At The V&A Museum URL: https://www.marmaladecollective.com/the-marmalade-guide-to-the-africa-fashion-exhibition-at-the-v-a-museum/ Last updated: 2022-07-08T12:55:53.000Z From the coveted LVMH Prize to the widely competitive Woolmark Prize awards, African designers like Amaka Osakwe of Maki Oh, Adebayo Oke-Lawal of Orangeculture Nigeria, Kenneth Ize, Thompson Adeju of Lagos Space Program, Sindiso Khumalo, Thebe Magugu, Lukhanyo Mdingi, duo-owned brand, Mmuso Maxwell, just to name a few, have managed to put the African fashion industry on the roadmap. Now, with the *Africa Fashion* exhibition in London— arguably the largest exhibition of African fashion, the projection of the African fashion industry is imminent. “*Africa Fashion* celebrates the vitality and innovation of a selection of fashion creatives from over 20 countries, exploring the work of the vanguard in the twentieth century and the creatives at the heart of this eclectic and cosmopolitan scene today,” [Says](https://www.vam.ac.uk/articles/about-the-africa-fashion-exhibition?ref=marmaladecollective.com) V&A curator, Christine Checinska. The exhibition will have on display, 250 objects and designs, photographs and films from 25 of the 54 African countries. Credit: Victoria and Albert Museum --- Meet some of them and the sections they would be exhibiting under. - ****[Lisa Folawiyo](https://www.instagram.com/lisafolawiyo%5Fstudio/?hl=en&ref=marmaladecollective.com)** [Lisa Folawiyo](https://www.instagram.com/lisafolawiyo/?hl=en&ref=marmaladecollective.com) is a self-titled Nigerian label founded in 2005\. It is known for its intricate use of Ankara fabrics as a base for design, matching it with other design materials like sequins and beads. “As well as achieving international recognition for her work, Lisa has successfully elevated traditional African prints, through her intricate beading and signature embellishment, making them relevant for a global audience,” says African luxury e-commerce platform, [*ONCHEK*](https://www.onchek.com/why-we-love-lisa-folawiyo?ref=marmaladecollective.com). With these bustling designs, they have catered to a wide array of clients beyond the African continent, and have graced runways like Lagos Fashion Week and GTBANK Fashion Weekend. A few apparels designed by the brand is up for exhibition. > [ View this post on Instagram ](https://www.instagram.com/p/CfZTuAns%5FJC/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Lisa Folawiyo (@lisafolawiyo)](https://www.instagram.com/p/CfZTuAns%5FJC/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - **[**Orange C**ulture Nigeria](https://www.instagram.com/orangecultureng/?hl=en&ref=marmaladecollective.com)** [Adebayo Oke-Lawal](https://www.instagram.com/theorangenerd/?hl=en&ref=marmaladecollective.com) is the founder and creative director of Orange Culture Nigeria, and is known to use his androgynous label to make political conversations that the average African would rather ignore. Toxic masculinity, queerness, father-son-relationships and so on, are a few of the issues the Orange Culture Nigeria brand premises on. “Oke-Lawal isn’t afraid to use the bold patterns and colours known and loved about Nigerian fashion, allowing his brand to embrace local roots while creating statement pieces like daring crop tops and other nuanced designs,” says [*Design Indaba*](https://www.designindaba.com/articles/creative-work/nigerian-fashion-powerhouse-adebayo-oke-lawal-brings-orange-culture-design?ref=marmaladecollective.com). Since premiering in 2011, it has gone on to showcase on local spaces like Heineken Lagos Fashion Week and Arise Fashion Show; and on international platforms like New York Fashion Week and Milan Fashion Week. For the *Africa Fashion* exhibition, a few brand pieces would be on display. > [ View this post on Instagram ](https://www.instagram.com/p/CfYz8I0IdHa/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by TheOrangeNerd (@theorangenerd)](https://www.instagram.com/p/CfYz8I0IdHa/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Rich Mnisi](https://www.instagram.com/therichmnisi/?hl=en&ref=marmaladecollective.com)** [Rich Mnisi](https://www.instagram.com/rich%5Fmnisi/?hl=en&ref=marmaladecollective.com) is a self-titled South African label known for its boundary-pushing silhouettes. “For the designer, the controversy is part of the point. He launched his gender-fluid brand with a goal to present an image of African masculinity outside of traditional ideals and start a conversation about it on a mass level,” says [*BoF*](https://www.businessoffashion.com/articles/entrepreneurship/meet-the-south-african-designer-challenging-prejudice-to-build-his-brand/?ref=marmaladecollective.com). Mnisi is known to infuse his personality into the garments he produces, giving that taste of distinction and excellence. With a portfolio that bags collaborations with luxury international brands like Coca-cola and Adidas, the designer is joining its many African contemporaries to project the fashion industry in the continent. Since founded in 2014, the design label has been featured on multiple platforms like BoF, GQ South Africa, Vogue, etc, and would have a few pieces exhibited. > [ View this post on Instagram ](https://www.instagram.com/p/CfYlPp6jmK3/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by RICH MNISI (@rich\_mnisi)](https://www.instagram.com/p/CfYlPp6jmK3/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Thebe Magugu](https://www.instagram.com/thebemagugu/?hl=en&ref=marmaladecollective.com)** The South African self-named label, Thebe Magugu, has been on for years, but soon garnered international acclaim after copping the winning prize of the 2019 LVMH Awards. Thebe’s works are an elegant extension of the healthy relationship he shares with the women in his life. “Magugu has an extraordinary talent for telling stories that honour people through his clothes—with an explanation of how he became who he is through growing up in a family that enjoys clothes and dressing up, [*Vogue*](https://www.vogue.com/fashion-shows/spring-2022-ready-to-wear/thebe-magugu?ref=marmaladecollective.com) describes. We see that with each design element like colour, garment aesthetics or prints he infuses into his collections, lies a true love story of family and culture. The brand, founded in 2016 has a few pieces showcasing in the museum, under the **Afrotopia** section. > [ View this post on Instagram ](https://www.instagram.com/p/Cd-3c07jU%5Fq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Thebe Magugu (@thebemagugu)](https://www.instagram.com/p/Cd-3c07jU%5Fq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Nkwo Official](https://www.instagram.com/nkwo%5Fofficial/?hl=en&ref=marmaladecollective.com)** Nkwo is a leading Nigerian sustainable design label founded by Nkwo Onwuka in 2010\. They’re known for their signatory use of denims to create garments that were delicately crafted with a kind of consumer who appreciates slow and delicate works, in mind. Each piece follows one of the reuse, recycle and upcycle routes. In 2019, she discovered her own kind of textile, called the [**Dakala Cloth**](https://fashionafricanow.com/2020/05/nkwo-dakala-cloth-a-refreshing-blue-hue-to-sustainable-fashion/?ref=marmaladecollective.com), which is basically produced from loosening the yarns of old stock fabrics, and reweaving it using African traditional weaving methods. “I’m quite a big nature girl,” she says in an [interview](https://luxiders.com/interview-with-nkwo-onwuka-sustainable-fashion/?ref=marmaladecollective.com) with *Luxiders.* “I’m interested in tradition and culture, and things that haven’t been documented. That is where I get my inspiration from, real lived experiences.” The Dakala Cloth would be on exhibition under the **Artisanal** section. > [ View this post on Instagram ](https://www.instagram.com/p/Cfdmr3KqcX%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by NKWO (@nkwo\_official)](https://www.instagram.com/p/Cfdmr3KqcX%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Lagos Space Program](https://www.instagram.com/lagosspaceprogramme/?hl=en&ref=marmaladecollective.com)** “Lagos Space Programme is quietly radical,” *[Nataal](https://nataal.com/lagos-space-programme?ref=marmaladecollective.com)* describes*.* “It deconstructs societal norms and champions a new African future. It’s where the past lives with us but doesn’t dominate and it’s offering a vision of possible tomorrows.” Non-binary Nigerian designer, Thompson Adeju, founded the Lagos Space Program label in 2018\. It is a namesake label that is largely influenced by African culture and traditions. Thompson believes so much in the decolonisation of the African and Western minds— and by extension, its fashion industry; and therefore creates his own path at viewing and actualising things. For example, they refuse to produce garments according to “seasons”, and would rather name them as “projects”, as against the normalised “SS” or “AW”. A few of their pieces would be on display. > [ View this post on Instagram ](https://www.instagram.com/p/CXyUmJ2NXnQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by LAGOS SPACE PROGRAMME (@lagosspaceprogramme)](https://www.instagram.com/p/CXyUmJ2NXnQ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Moshions](https://www.instagram.com/moshions/?hl=en&ref=marmaladecollective.com)** Founded by [Moses Turahirwa](https://www.instagram.com/mosesmoshions/?ref=marmaladecollective.com) in 2015, Moshions, a Rwandan label has gone on to be a global success. Although they use prints, bold colours and diversified styles to convey a message of individuality and rigid prowess, they’re also easy, soft and flexible. “Moshions is an ever-evolving creative manifestation of his love of discovery, play, and the beauty found in the details of the environments and culture that surrounds us” Rwandan media, [*The New Times*](https://www.newtimes.co.rw/entertainment/onwards-and-upwards-moses-turahirwa?ref=marmaladecollective.com), described. One of Turahirwa’s major goals is to be part of the African designers globalising the African fashion industry, and he’s well on his way to doing that. Just recently, he hosted his first menswear fashion show in Villa Romania, Florence. A few of their pieces would be up on display at the museum, under the **Minimalism** section. > [ View this post on Instagram ](https://www.instagram.com/p/CbH1fv5gOxa/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Moshions (@moshions)](https://www.instagram.com/p/CbH1fv5gOxa/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Iamisigo](https://www.instagram.com/iamisigo/?hl=en&ref=marmaladecollective.com)** [Bubu Ogisi](https://www.instagram.com/bubuogisi/?hl=en&ref=marmaladecollective.com) of Iamisigo is a Nigerian sustainable designer whose one major goal is to use her brand to decolonize the minds of people when they think about the African continent. "In 100 years, what will our descendants reference about us?" Ogisi asks in a [*CNN*](https://www.cnn.com/style/article/bubu-ogisi-iamisigo-wcs/index.html?ref=marmaladecollective.com)piece. "Are they going to be referencing Western pieces that we tried to Africanise, or this new age of African design that was able to bring the continent together? That's my long-term goal.". Her works seek to overthrow our biassed knowledge of African deities, helping us see and learn about them through a different, receptive lens. A few of her pieces, which was founded in 2009, would be exhibited under the **Mixology** section. > [ View this post on Instagram ](https://www.instagram.com/p/CeW%5Ft2WKH6-/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by I A M I S I G O (@iamisigo)](https://www.instagram.com/p/CeW%5Ft2WKH6-/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Sindiso Khumalo](https://www.instagram.com/sindisokhumalo/?hl=en&ref=marmaladecollective.com)** Sindiso Khumalo is a South African namesake brand that was founded in 2015\. Khumalo graduated from Central Saint Martin, and was privileged to work with art maestro, David Adjaye, before founding her brand. For her, fashion is a tool for activism and politics. Her designs have earned her a sit as a finalist as a 2020 LVMH Prize competition, as they’re considered to be thought-provoking and feminist. “ Sindiso Khumalo is a healing agent that allows people who have been previously marginalised in society to have an opportunity to share in their stories,” she tells [*Vogue*](https://www.vogue.com/article/sindiso-khumalo-lvmh-prize-finalist-cape-town?ref=marmaladecollective.com)*.* \[It\] is about creating a space for women to gather, make, and heal.” Her works are highly influenced by historical African women who have fought against the patriarchy and bias against womanhood. A few of her pieces would be on display. > [ View this post on Instagram ](https://www.instagram.com/p/CUhIxBADx6W/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Sindiso Khumalo | Designer (@sindisokhumalo)](https://www.instagram.com/p/CUhIxBADx6W/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Tongoro Studios](https://www.instagram.com/tongorostudio/?hl=en&ref=marmaladecollective.com)** “Tongoro is an African brand that dresses globally, and that will hopefully help the ‘Made In Africa’ label to become a gauge of quality,” writes [*Nataal*](https://nataal.com/tongoro?ref=marmaladecollective.com). [Sarah Diouf](https://www.instagram.com/dioufsarah/?hl=en&ref=marmaladecollective.com) is the founder of Tongoro Studio, and is someone you would describe as a very futuristic designer. Her pieces are an exploration of the African woman, and everything that makes her, her. Fabrics are either monotone or dual-toned, and go through a series of processes like the infusion of technology, during production. The Dakar, Senegalese brand, founded in 2016 would have a few of its pieces showcasing at the V&A Museum. > [ View this post on Instagram ](https://www.instagram.com/reel/Cd-aSeiopNo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Sarah Diouf (@dioufsarah)](https://www.instagram.com/reel/Cd-aSeiopNo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) - ****[Loza Maléombho](https://www.instagram.com/lozamaleombho/?hl=en&ref=marmaladecollective.com)** Loza Maléombho is a self-titled fashion brand founded in 2009 in New York, by Côte d’Ivoirian designer. You would recall that star artists like [Beyoncé, wore some of her garments during her *Black is King* album](https://www.okayafrica.com/beyonce-formation-video-loza-maleombho-ivorian-designer/?ref=marmaladecollective.com), partaking in the pivoting of the Loza Maléombho brand. The label makes fashion items from clothes to footwears, and has gone on to be one of the most successful Ivorian designers to emerge from the continent. A few of her pieces would be on display at the exhibition. “The silhouettes of Loza Maléombho celebrate the paradox of the old and the new, cultural and futuristic, and more specifically, the synergies, the contradictions and similarities between Ivorian tribal aesthetics and New York’s urban fashion,” describes [*Haute Fashion Africa*](https://hautefashionafrica.com/designer/loza-maleombho/?ref=marmaladecollective.com)*.* > [ View this post on Instagram ](https://www.instagram.com/p/CDTla%5FkJRiZ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Loza Maléombho (@loza\_maleombho\_shop)](https://www.instagram.com/p/CDTla%5FkJRiZ/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) --- We have seen how the history of designers in the Global States have been meticulously documented, giving young and modern day professionals something to reference during research. We at Marmalade Collective think that channelling this same energy at the exhibition which is slated to run from July 2nd, 2022, through 16th of April, 2023, is therefore a laudable development. [Book tickets](https://www.vam.ac.uk/exhibitions/africa-fashion?ref=marmaladecollective.com) to see **Africa Fashion* from 2 July 2022 – 16 April 2023. ### Destination Recap: Kika's Epic Moments in Accra, Ghana URL: https://www.marmaladecollective.com/destination-recap-kika-acrra-ghana/ Last updated: 2022-11-20T22:26:06.000Z We'll join Kika Osunde (otherwise known as Kika Good Hair) the co-founder of coveted hair brand Good Hair from her home. There, she'll walk us through the highlight reel of her trip to Accra, Ghana. _This post is for paying subscribers only._ ### Zimbabwe: The A-Z of Zim Culture URL: https://www.marmaladecollective.com/zimbabwe-culture/ Last updated: 2022-11-20T22:25:51.000Z Think you know your A, B, Cs? Well...what about your Zimbabwe A, B, Cs? It's time to celebrate Zim culture! Check out this video that'll take you through the A to Z of beautiful, breathtaking, vibrant Zimbabwe. The energy of the country has us buzzing. _This post is for paying subscribers only._ ### Beyond Black: International Women's Month Campaign URL: https://www.marmaladecollective.com/beyond-black-2022/ Last updated: 2024-07-23T09:11:13.000Z When women come together, incredible things happen! In celebration of the work of women visual artists behind the scenes, Marmalade Collective has partnered with [AMAKA](https://amaka.studio/?ref=marmaladecollective.com), [Cultura Creative](https://www.instagram.com/culturacreative/?hl=en&ref=marmaladecollective.com), [ JCDecaux](https://www.instagram.com/jcdecaux%5Fuk/?hl=en&ref=marmaladecollective.com) and [Creative Debuts](https://www.instagram.com/creativedebuts/?hl=en&ref=marmaladecollective.com), to launch the #BeyondBlack campaign for International Women’s Month. Sarah Harry-Isaacs, Creative Director for Marmalade Collective, says that the campaign aims to highlight the talent behind the scenes in a colourful and energetic way, as well as celebrate the different roles they play in society. We at AMAKA are passionate about supporting Africa’s creative and cultural economies through projects that lead to actual change, as well as empowering a new generation of Pan-Africans who are changing the continent’s narrative. _This post is for subscribers only._ ### Stork: Modern Pan-African Fine Dining URL: https://www.marmaladecollective.com/stork-mayfair/ Last updated: 2023-05-17T10:08:45.000Z ## Summary Welcome to Stork Restaurant, a hidden gem nestled in the heart of London, England. If you're looking for a dining experience that combines elegance, creativity, and a touch of whimsy, this is the place for you. Stork Restaurant prides itself on its unique concept, blending exceptional cuisine with a stunning interior design inspired by nature. Step into a world where the boundaries between food and art blur, and indulge in an unforgettable culinary journey. > Inspired by the 2,000-mile journey of the Stork, our dynamic cuisine showcases the migration of African culinary inspiration to nearly every continent in the world. ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_JuneContent_4523.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_JuneContent_4622.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_NovemberContent9224.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_NovemberContent9320.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_Restaurant2279.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_Restaurant2722.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_Restaurant2745.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_Restaurant3203.jpeg) ![](https://storage.ghost.io/c/f2/65/f2656369-0f61-4d65-ad9e-0284e2fdbaca/content/images/2022/03/Stork_Restaurant3454.jpeg) Credit: Stork Restaurant ## Pros Stork Restaurant offers several noteworthy advantages that set it apart from other dining establishments in London: **Exquisite Cuisine:** Prepare your taste buds for an explosion of flavours. Stork Restaurant's menu showcases a diverse range of dishes, expertly crafted using only the finest ingredients. From succulent seafood to perfectly cooked meats and vibrant vegetarian options, every dish is a work of culinary art. _This post is for subscribers only._ ### AAKS: Handcrafted Handbags URL: https://www.marmaladecollective.com/aaks/ Last updated: 2025-10-08T13:24:49.000Z [A A K S](https://www.aaksonline.com/?ref=marmaladecollective.com) was founded by Akosua Afriyie-Kumi with the goal of introducing the world to her favourite weaving techniques by the women of Ghana, increasing awareness around ethical production processes and encouraging sustainable consumption in the fashion world. Handcrafted in Ghana, A A K S creates handbags in styles that seeks to conserve the provenance of weaving as an art form, accentuated with the bright exuberant colours of Africa. The essence of A A K S design philosophy is enshrined in these three main pillars: designs that embodies a critical attention to craftsmanship, ethical and sustainable values in the production cycle, and a high-quality finished product which will never be mass produced. Each collection silhouette is unique and tells a different story through detail, colour and shape. Akosua is connected to every stage of the design and production process to oversee and ensure that the end result is imbued with the spirit and soul worthy of the A A K S stamp. _This post is for subscribers only._